Ferns And Petals Quotes

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She sat very still, listening to a stream gurgling, the breeze soughing through upper branches, the melodious kloo-klack of ravens, the nyeep-nyeep of nuthatches - all sounds chokingly beautiful. She felt she could hear the cool clean breath of growing things - fern fronds, maple leaves, white trillium petals, tree trunks, each in its rightful place.
Susan Vreeland (The Forest Lover)
How are you giving it magic?” he said, through his teeth. “I already found the path!” I said. “I’m just staying on it. Can’t you—feel it?” I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, “Vadiya rusha ilikad tuhi,” and a second illusion laid itself over mine, two roses in the same space—his, predictably, had three rings of perfect petals, and a delicate fragrance. “Try and match it,” he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, “Ah,” suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. “What are you—” he began, and then abruptly we had only a single rose, and it began to grow. And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. “Is this what you meant?” I asked him: it really wasn’t any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was. He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.
Naomi Novik (Uprooted)
Joseph thought he knew the plants that had sought out the twitterers, and those that had risen for the wren, or a fern that turned, not to the sun, but toward the chatter of the chickadee, so quick were the petals of its song, so sharp so plentiful so light, so showy in their symmetry, so suddenly in shade.
William H. Gass (Middle C)
Life did change for Tom and Maggie; and yet they were not wrong in believing that the thoughts and loves of these first years would always make part of their lives. We could never have loved the earth so well if we had had no childhood in it,–if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass; the same hips and haws on the autumn's hedgerows; the same redbreasts that we used to call "God's birds," because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known, and loved because it is known? The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
George Eliot
Lougarry was waiting over the brow of the hill, lying so still in the grass that a butterfly had perched within an inch of her nose. The stems bent and shimmered as she rose to her feet, and the butterfly floated away like a wind-borne petal. Fern wondered if , like Ragginbone, the she-wolf possessed the faculty of making herself at one with her surroundings, not invisible but transmuted, so close to nature that she could blend with it at will and be absorbed into its many forms, becoming grass blade and wildflower, still earth and moving air, resuming her true self at the prompting of a thought. It came to Fern that we are all part of one vast pattern of Being, the real world and the shadow-world, sunlight and werelight, Man and spirit, and to understand and accept that was the first step toward the abnegation of ego, the affirmation of the soul. To comprehend the wind, not as a movement of molecules but as the pulse of the air, the pulse of her pulse, was to become the wind, to blow with it through the dancing grasses to the edge of the sky...
Jan Siegel (Prospero's Children (Fern Capel))
Ula thought that unicorns might sleep in grassy glades with ferns for covering. In summer they might lie on a lawn. We walked round quietly on hands and feet, shaking imaginary horns. Ula pawed the air looking solemn; she made little humming sounds. Being fond of moonlight it was probable that they sang at night. They would eat rose petals with jam, and a little fruit in the summer months.
Ursula Holden (Unicorn Sisters)
And finally she crowded the high French windows with a veritable garden of camellia and fern. 'I miss the flowers; more than anything else I miss the flowers,' she mused. And sought after them even in the paintings which we bought from the shops and the galleries, magnificent canvases such as I'd never seen in New Orleans―from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like to those states when I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Paris flowed into these rooms.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
Charles William Eliot (Harvard Classics)
A riot of blossoms and lacy ferns enveloped her, their exotic petals dripping with moisture. This would have formed the very image of paradise, had she not also been surrounded by demons.
Margaret Rogerson
EPITAPH The first time I died, I walked my ways; I followed the file of limping days. I held me tall, with my head flung up, But I dared not look on the new moon’s cup. I dared not look on the sweet young rain, And between my ribs was a gleaming pain. The next time I died, they laid me deep. They spoke worn words to hallow my sleep. They tossed me petals, they wreathed me fern, They weighted me down with a marble urn. And I lie here warm, and I lie here dry, And watch the worms slip by, slip by.
Dorothy Parker (Enough Rope)