“
I only suggest to you: Will you dwell on killing this man? You wish for revenge? If you do, he has already killed you by slow poison. So, let it go. Why waste your time? His life will see to his death.
”
”
Lloyd Alexander (The Golden Dream of Carlo Chuchio)
“
I am like a snake who has already bitten. I retreat from a direct battle while knowing the slow effect of the poison.
”
”
Anaïs Nin (Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934)
“
Look! A riddle! Time for fun!
Should we use a rope or gun?
Knives are sharp and gleam so pretty
Poison’s slow, which is a pity
Fire is festive, drowning’s slow
Hanging’s a ropy way to go
A broken head, a nasty fall
A car colliding with a wall
Bombs make a very jolly noise
Such ways to punish naughty boys!
What shall we use? We can’t decide.
Just like you cannot run or hide.
Ha ha.
Truly,
Devious
”
”
Maureen Johnson (Truly, Devious (Truly Devious, #1))
“
Don't become a random photograph in the eyes of friends, and even your enemies, for each glance at your face will cause a declination of value and reputation. Create value, through scarcity.
”
”
Michael Bassey Johnson
“
You smoke?”
“Smoke? Do I look like a fucking idiot?
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Beware of the love of women; beware of that ecstasy - that slow poison.
”
”
Ivan Turgenev (First Love)
“
It’s slow poison; you make them believe it’s real, and it keeps them coming back for more.
”
”
Tarryn Fisher (Mud Vein)
“
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
”
”
Michael Crichton (Jurassic Park / Congo)
“
If Verity's sins were knives, quick and vicious, then Prosperity's were poison. Slow, insidious, but just as deadly.
”
”
Victoria Schwab (Our Dark Duet (Monsters of Verity, #2))
“
If you're always scared of dying," Obispo had said, "you'll surely die. Fear's a poison; and not such a slow poison either.
”
”
Aldous Huxley (After Many a Summer Dies the Swan)
“
Vengeance is a poison, a slow death of self. Seek justice. Seek truth. But if you choose revenge over all else, you will lose more than your soul.
”
”
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
“
Fear is good, for it makes us cautious and aids survival. Not so with terror. It is like slow poison, paralyzing the limbs and blurring the mind. . . Never, when in danger, ask yourself, What will they do to me? Instead think, What can I do to prevent them?
”
”
David Gemmell (Morningstar)
“
DISAPPOINTMENT IS A SLOW POISON.
”
”
Richard K. Morgan (The Dark Defiles (A Land Fit for Heroes, #3))
“
This whole time she's swallowed her words like bitter pills
not realizing they were slow-drip poison.
”
”
Elizabeth Acevedo (Clap When You Land)
“
No one wants to carry someone when they’re heavy from life. I read a book about that once. A bunch of drivel about two people who kept coming back to each other. The lead male says that to the girl he keeps letting get away. I had to put the book down. No one wants to carry someone when they’re heavy from life. It’s a concept smart authors feed to their readers. It’s slow poison; you make them believe it’s real, and it keeps them coming back for more. Love is cocaine.
”
”
Tarryn Fisher (Mud Vein)
“
A kind heart is like a slow poison for a warrior.
”
”
Sandeep Sharma (Let The Game Begin)
“
I'm having a cheeseburger," Anna said. "With fries smothered in vinegar and salt."
"I told you I wouldn't kiss you again. You don't have to poison your mouth."
"Very funny. What are you having?"
"Something with onions and garlic.
”
”
Shannon Stacey (Slow Summer Kisses)
“
How soft and gentle her name sounds when I whisper it. It lingers on the tongue, insidious and slow, almost like poison, which is apt indeed. It passes from the tongue to the parched lips, and from the lips back to the heart. And the heart controls the body, and the mind also. Shall I be free of it one day?
”
”
Daphne du Maurier (My Cousin Rachel)
“
State I call it where all drink poison, the good and the wicked; state, where all lose themselves, the good and the wicked; state, where the slow suicide of all is called "life.
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
”
”
Tom Robbins (Still Life with Woodpecker)
“
Carson’s thesis that we were subjecting ourselves to slow poisoning by the misuse of chemical pesticides that polluted the environment may seem like common currency now, but in 1962 Silent Spring contained the kernel of social revolution.
”
”
Rachel Carson (Silent Spring)
“
Drunkenness - that fierce rage for the slow, sure poison, that oversteps every other consideration; that casts aside wife, children, friends, happiness, and station; and hurries its victims madly on to degradation and death.
”
”
Charles Dickens (Sketches by Boz (Penguin Classics))
“
Toxicity at work, relationship or in life works as a slow poison which often ends its survivors as disillusioned or embittered.
”
”
Abhysheq Shukla
“
The state, I call it, where all are poison-drinkers, the good and the bad: the state, where all lose themselves, the good and the bad: the state, where the slow suicide of all — is called "life."
Just see these superfluous ones! They steal the works of the inventors and the treasures of the wise. Culture, they call their theft — and everything becometh sickness and trouble unto them!
Just see these superfluous ones! Sick are they always; they vomit their bile and call it a newspaper. They devour one another, and cannot even digest themselves.
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
Love for trees pours out of her—the grace of them, their supple experimentation, the constant variety and surprise. These slow, deliberate creatures with their elaborate vocabularies, each distinctive, shaping each other, breeding birds, sinking carbon, purifying water, filtering poisons from the ground, stabilizing the micro-climate. Join enough living things together, through the air and underground, and you wind up with something that has intentions.
”
”
Richard Powers (The Overstory)
“
Tea is difficult to drink quickly, because it is hot and needs time to steep, and so a cup of tea forces you to slow down and think as you wait for it to cool and become more flavorful.
”
”
Lemony Snicket (Poison for Breakfast)
“
The city may have chosen to ignore the ugly growth of Dharavi, but a cancer cannot be stopped simply by being declared illegal. It still kills with its slow poison.
”
”
Vikas Swarup (Q & A)
“
Envy is the slow poison that finally slaughters peace.
”
”
Jacent Mary Mpalyenkana
“
Because spite could be a slow poison to the heart. If there was a lesson to be learned from Hattie, it was that forgiveness was a blessing. It would be a hard, stubborn thing to harbor ill feelings forever, even toward those who deserved it...
”
”
Jessica Lawson (Nooks & Crannies)
“
We, the survivors of the crossing, clung to the beast that had stolen us away. Not a soul among us had wanted to baord that ship, but once out on open waters, we held on for dear life. The ship became an extension of our own rotting bodies. Those who were cut from the heaving animal sank quick to their deaths, and we who remained attached wilted more slow as poison festered in our bellies and bowels. We stayed with the beast until new lands met our feet, and we stumbled down the long plants just before the poison became fatal. Perhaps here in this new land, we would keep living.
”
”
Lawrence Hill (Someone Knows My Name)
“
Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting—administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears—a dying heart.
Abandoned.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
If a friend starts behaving silly because you bother him so much, don't worry, you're not the first person, he has got a sting in his stomach, an hunger that causes an epidemic hatred.
”
”
Michael Bassey Johnson
“
There are few chemicals that we as a people are exposed to that have as many far reaching physiological affects on living beings as Monosodium Glutamate does. MSG directly causes obesity, diabetes, triggers epilepsy, destroys eye tissues, is genotoxic in many organs and is the probable cause of ADHD and Autism. Considering that MSG’s only reported role in food is that of ‘flavour enhancer’ is that use worth the risk of the myriad of physical ailments associated with it? Does the public really want to be tricked into eating more food and faster by a food additive?
”
”
John E. Erb (The Slow Poisoning of Mankind: A Report on the Toxic Effects of the Food Additive Monosodium Glutamate)
“
Unkindness is a serial killer.
Death in the flesh sometimes seems like a less excruciating way to succumb than the slow and steady venom unleashed by mean-spirited, cruel words and actions that poison you over time. I guess that’s why I can’t stand the old children’s rhyme: sticks and stones may break my bones but words will never hurt me. Every time I hear it, I think to myself: that’s a lie. You can dodge a rock, but you can’t unhear a word. You can’t undo the intentional damage that some words have on your mind, body, and spirit.
Especially a word like ugly.
”
”
Tarana Burke (Unbound: My Story of Liberation and the Birth of the Me Too Movement)
“
He was a different kind of poison. The slow, scorching, addictive kind.
”
”
Alexia Purdy (Breathe Me)
“
Some commit slow suicide with the sweet poison of their memories.
”
”
Javier Enríquez Serralde
“
Indecision is like a slow poison.
”
”
Harjeet Khanduja (How Leaders Decide: Tackling Biases and Risks in Decision Making)
“
You get used to it, you act friendly, and you become a
shell of your former self.
At some point, you would package this situation, labeling
it as “every day”, and send it to the depths of your
memories. There was no doubt you would try to justify it
as something like a memory as well.
“Time was the medicine to everything.”
But that was wrong. Time was nothing but a slow
inducing poison. It gradually eroded things of the past,
with the only purpose of ending things and forcing you
into resignation.
”
”
Wataru Watari (やはり俺の青春ラブコメはまちがっている。9)
“
But what if black America simply refused their offers? What if we formally rejected the victim narrative, thereby rejecting the slow poison of leftist policies? What might happen if black America collectively called the Left’s bluff on racism—thereby reducing their claims of
”
”
Candace Owens (Blackout: How Black America Can Make Its Second Escape from the Democrat Plantation)
“
Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts used cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes - only a dullard would hang such a millstone around the nibbled neck of a lay - but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure - there are ephemeral explosions of passion between strangers that make more erotic sense than many lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris - but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; an honest caring, however singed by lust, that must be present if couplings are to be salubrious and not slow poison.
”
”
Tom Robbins (Still Life with Woodpecker)
“
On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down....
Please believe me when I tell you that I picked up each would that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
I took them all away, and if there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away.
Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye.
They ere French, they were Jews, and they were you.
”
”
Markus Zusak (The Book Thief)
“
According to legend, Father Earth did not originally hate life. In fact, as the lorists tell it, once upon a time Earth did everything he could to facilitate the strange emergence of life on his surface. He crafted even, predictable seasons; kept changes of wind and wave and temperature slow enough that every living being could adapt, evolve; summoned waters that purified themselves, skies that always cleared after a storm. He did not create life—that was happenstance—but he was pleased and fascinated by it, and proud to nurture such strange wild beauty upon his surface. Then people began to do horrible things to Father Earth. They poisoned waters beyond even his ability to cleanse, and killed much of the other life that lived on his surface. They drilled through the crust of his skin, past the blood of his mantle, to get at the sweet marrow of his bones. And at the height of human hubris and might, it was the orogenes who did something that even Earth could not forgive: They destroyed his only child.
”
”
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
“
How soft and gentle her name sounds when I whisper it. It lingers on the tongue, insidious and slow, almost like poison, which is apt indeed. It passes from the tongue to the parched lips, and from the lips back to the heart. And the heart controls the body, and the mind also. Shall I be free of it one day? In forty, in fifty years? Or will some lingering trace of matter in the brain stay pallid and diseased? Some minuscule cell in the bloodstream fail to race with its fellows to the fountain heart? Perhaps, when all is said and done, I shall have no wish to be free. As yet, I cannot tell.
”
”
Daphne du Maurier (My Cousin Rachel)
“
You think this is the first time such a thing has happened? Don’t you know about oxygen?” “I know it’s necessary for life.” “It is now,” Malcolm said. “But oxygen is actually a metabolic poison. It’s a corrosive gas, like fluorine, which is used to etch glass. And when oxygen was first produced as a waste product by certain plant cells—say, around three billion years ago—it created a crisis for all other life on our planet. Those plant cells were polluting the environment with a deadly poison. They were exhaling a lethal gas, and building up its concentration. A planet like Venus has less than one percent oxygen. On earth, the concentration of oxygen was going up rapidly—five, ten, eventually twenty-one percent! Earth had an atmosphere of pure poison! Incompatible with life!” Hammond looked irritated. “So what is your point? That modern pollutants will be incorporated, too?” “No,” Malcolm said. “My point is that life on earth can take care of itself. In the thinking of a human being, a hundred years is a long time. A hundred years ago, we didn’t have cars and airplanes and computers and vaccines.… It was a whole different world. But to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can’t imagine its slow and powerful rhythms, and we haven’t got the humility to try. We have been residents here for the blink of an eye. If we are gone tomorrow, the earth will not miss us.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
Southam’s research was only one of hundreds of similarly unethical studies. Beecher published a detailed list of the twenty-two worst offenders, including researchers who’d injected children with hepatitis and others who’d poisoned patients under anesthesia using carbon dioxide. Southam’s study was included as example number 17. Despite scientists’ fears, the ethical crackdown didn’t slow scientific progress. In fact, research flourished. And much of it involved HeLa.
”
”
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
“
My twin sisters weren’t precisely human. They’d begun life as a pair of goat kids before a fair one had had too much wine and enchanted them on a lark. It was slow going, but I reminded myself that at least it was going. This time last year they hadn’t been house-trained. And it worked in their favor that their transformative enchantment had rendered them more or less indestructible: I’d seen March survive eating a broken pot, poison oak, deadly nightshade, and several unfortunate salamanders without any ill effects. For all my concern, March jumping off cabinets posed more danger to the kitchen furniture.
”
”
Margaret Rogerson (An Enchantment of Ravens)
“
It was scarcely possible that the eyes of contemporaries should discover in the public felicity the latent causes of decay and corruption. This long peace, and the uniform government of the Romans, introduced a slow and secret poison into the vitals of the empire. The minds of men were gradually reduced to the same level, the fire of genius was extinguished, and even the military spirit evaporated.
”
”
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
“
So our food’s safe, right? But what if it acts more like a slow poison, like cigarettes—one won’t kill you, but ten thousand consumed over ten years might? Unlike Salmonella, you won’t be feeling the effects immediately. But eventually, you’ll feel it . . . everywhere. In your heart, muscles, bladder, brain, and especially your wallet.
”
”
Robert H. Lustig (Metabolical: The Lure and the Lies of Processed Food, Nutrition, and Modern Medicine)
“
And why did him knowing urge her to spill more secrets to him? To tell him that it was like a slow drip of poison, this daily flattering and placating of men for a modicum of autonomy; that she sometimes worried it would one day harden both her heart and her face?
”
”
Evie Dunmore (Bringing Down the Duke (A League of Extraordinary Women, #1))
“
When you kiss a narcissist they inject poison, a slow acting poison that causes you to slowly lose your mind, you become controlled and eventually lose yourself.
”
”
Tracy Malone
“
How slow the final flowering of good intentions can be, the poisonous full bloom taking place centuries beyond the scope of the original life.
”
”
Lauren Groff (Matrix)
“
Consistency is a slow poison. It will kill you one day.
”
”
Vinod Varghese Antony
“
Alcohol is a chemical depressant and a powerful poison. It destroys us both physically and mentally. By inebriating us, it destroys every survival instinct that we possess and takes the joy of life with it. In short: it makes us feel suicidal. And that’s what it amounts to: SLOW AGONIZING SUICIDE
”
”
Allen Carr (The Easy Way to Control Alcohol (Allen Carr's Easyway))
“
Elm. The Nightmare slowed his pace. When he looked back at Elm, his voice drifted in the air, oil and honey and poison. “Neither Rowan nor Yew, but somewhere between. A pale tree in winter, neither red, gold, nor green. Black hides the bloodstain, forever his mark. Alone in the castle, Prince of the dark.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
Love was slow, creeping poison, loge was treacherous and insincere, love was a veil thrown over the misery of the world, love was sticky and indigestible, it was a mirror in which one could be what one was not, it was a spectre that spread hope where hope had long since dies, it was a hiding place where people thought they found refuge and ultimately found only themselves, it was a vague memory of another love, it was the possibility of a salvation that was ultimately equivalent to a coup de grace, it was a war without victors, it was a precious jewel amid broken fragments you cut yourself on: yes, Brilka, in those days that was love.
”
”
Nino Haratischwili (Das achte Leben (Für Brilka))
“
Time was the medicine to everything.”
But that was wrong. Time was nothing but a slow inducing poison. It gradually eroded things of the past, with the only purpose of ending things and forcing you into resignation.
”
”
Wataru Watari (やはり俺の青春ラブコメはまちがっている。9)
“
Baru selected another marrow-rich bone and felt for the breakpoint. “Did you really give me a slow poison last summer?” “Child,” Xate Olake said, with a kind of wary fondness, “I thought you would bring yourself to ruin without my help.
”
”
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
“
Misery was a creeping thing, like the dew settling on grass or the cold fingers of frost meeting me in my bed at night and crackling the insides of my windows. I had longed to be left alone, to escape the lie of my family, only to discover this was different kind of poison. Slow acting, but lethal. At first it numbed me, pleasure leaching from my days like a summer leaf draining of sap to greet the autumn. Then loneliness came, a creeping oily stain that stopped me from enjoying it at all.
”
”
Kat Dunn (Bitterthorn)
“
In a word, commercial competition, under the paternal aegis of the law, allows the great majority of merchants-— and this fact is attested to in countless medical inquests-— adulterate provisions and drink, sell pernicious substances as wholesome food, and kill by slow poisoning… Let people say what they will, slavery, which abolitionists strove so gallantly to extirpate in America, prevails in another form in every civilized country; for entire populations, placed between the alternatives of death by starvation and toils which they detest, are constrained to choose the latter. And if we would deal frankly with the barbarous society to which we belong, we must acknowledge that murder, albeit disguised under a thousand insidious and scientific forms, still, as in the times of primitive savagery, terminates the majority of lives.
”
”
Élisée Reclus
“
Who are you, man?"
"I? I am nothing," replied the other. "A leaf caught in a whirlpool. A feather in the wind..."
"Too bad," said Yama, "for there are leaves and feathers enough in the world for me to have labored so long only to increase their number. I wanted me a man, one who might continue a war interrupted by his absence-a man of power who could oppose with that power the will of gods. I thought you were he."
"I am"-he sqinted again-"Sam. I am Sam. Once- long ago... I did fight, didn't I? Many times..."
"You were the Great-Souled Sam, the Budda. Do you remember?"
"Maybe I was.." a slow fire was kindled in his eyes.
"Yes," he said then. "Yes, I was. Humblest of the proud, proudest of the humble. I fought. I taught the Way for a time. I fought again, taught again, tried politics, magic, poison.. I fought one great battle so terrible the sun itself hid its face from the slaughter-with men and gods, with animals and demons, with spirits of the earth and air, of fire and water, with slizzards and horses, swords and chariots-"
"And you lost," said Yama.
"Yes, I did, didn't I? But it was quite a showing we gave them, wasn't it? You, deathgod, were my charioteer. It all comes back to me now. We were taken prisoner and the Lords of Karma were to be our judges. You escaped them by the will-death and the Way of the Black Wheel. I could not.
”
”
Roger Zelazny (Lord of Light)
“
The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers—cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.
”
”
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
“
One is absolutely forced to make perpetual qualifications and one's own reactions are always canceling each other out. It is this, really, which has driven so many people mad, both white and black. One is always in the position of having to decide between amputation and gangrene. Amputation is swift but time may prove that amputation was not necessary--or one may delay the amputation too long. Gangrene is slow, but it is I,possible to be sure that one is reading one's symptoms right. The idea of going through life as a cripple is more than one can bear, and equally unbearable is the risk if swelling up slowly, in agony, with poison.
”
”
James Baldwin (Notes of a Native Son)
“
Because to exist meant making copies and copies of your own DNA with less and less accuracy with time, to lose the spring in your skin, to inhale a poisonous gas that both allowed your next breath and exploded you from the inside at an insidiously slow pace. To exist was to give way to entropy. To live, in no uncertain terms, was to die.
”
”
Leo X. Robertson (Jesus of Scumburg)
“
We have a moment of pure creative inspiration — writing or drawing or sculpting — and it feels exhilarating in the moment. And then… we revisit it. We overwork it. The singing intent dies a slow death. Our most basic fear is intellectualized and called “revision.” This is not watering the seed; it is poisoning the dirt with too many considerations.
”
”
Courtney Martin
“
All this is to say, if your present community sees your spiritual journey as a problem because you are wandering off their beach blanket, it may be time to find another community. One should never do that impulsively. But if after a time you are sensing that you do not belong, that you are a problem to be corrected rather than a valued member of the community, maybe God is calling you elsewhere and to find for yourself that “they” aren’t so bad after all. That decision is very personal (sometimes involving whole families) and can take some courage to make, but it is worth the risk. One thing is certain: if you stay where you are without any change at all, the pressure to either conform or keep quiet will work in you like a slow-acting poison. And if you go too far down that road, it can be a tough haul coming back from bitterness and resentment—especially for children.
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Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
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Anger, hatred, and bitterness are lethal poisons. They cause a slow, painful emotional death that only you suffer. Self-destruction will never defeat an enemy or create justice.
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James Patterson (Private Sydney (Private, #10))
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Insulin resistance is an important concept, but it is very less talked about or ignored. Insulin resistance is the starting point for all chronic diseases in our body.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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No matter how effective the medicine may be, if you demand that someone takes it, it can taste like poison.
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Haemin Sunim (The Things You Can See Only When You Slow Down: How to Be Calm in a Busy World)
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I’m doing it because I’m tired of holding onto this hatred in my heart. It’s a slow, insidious poison, driving us all to an early death swifter and surer than any fae blade could.
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Jasmine Walt (Promised in Fire (Of Dragons and Fae #1))
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If you want to spot a liar, just remember that concealing the truth is like swallowing a slow-acting poison. It might take a while, but it will get them in the end. —VICTOR FLEMMING I
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Sheryl Scarborough (To Catch a Killer (Erin Blake, #1))
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With mortality in the balance, one of life’s most delicious activities when you’re young—imagining your future—had become a frightening, despair-inducing exercise. The future had once seemed infinite with possibility. Now it was shrouded in doom, a dark space ahead filled only with the promise of more poisonous treatments and terrifying unknowns. Thinking about the past stirred a nostalgia I preferred not to dwell on, a painful reminder of all I had lost, was losing: my friends; my youth; my fertility; my hair; the “milestone necklace” my parents had given me on my first day of chemo, which had gone missing somewhere in transit between the hospital and home; my mind, as the chemo made me cloudy and slow; my faith that I would ever make it to transplant.
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Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
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We hear every day of murders committed in the country. Brutal and treacherous murders; slow, protracted agonies from poisons administered by some kindred hand; sudden and violent deaths by cruel blows, inflicted with a stake cut from some spreading oak, whose every shadow promised—peace. In the county of which I write, I have been shown a meadow in which, on a quiet summer Sunday evening, a young farmer murdered the girl who had loved and trusted him; and yet, even now, with the stain of that foul deed upon it, the aspect of the spot is—peace. No species of crime has ever been committed in the worst rookeries about Seven Dials that has not been also done in the face of that rustic calm which still, in spite of all, we look on with a tender, half-mournful yearning, and associate with—peace.
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Mary Elizabeth Braddon (Lady Audley's Secret)
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For a girl, the university is not the place where she will achieve her liberation by means of culture, but the place where, after having been carefully prepared by the family, her repression will be completed. Her education is a process of slow poisoning which paralyses her just as she is about to embark on more responsible gestures and enjoy experiences that will enlarge her conception of herself.
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Carla Lonzi (Let's Spit on Hegel)
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Work and boredom.- Looking for work in order to be paid:
in civilized countries today almost all men are at one in doing that. For all of them work is a means and not an end in itself. Hence they are not very refined in their choice of work, if only it pays well. But there are, if only rarely, men who would rather perish than work without any pleasure in their work. They are choosy, hard to satisfy, and do not care for ample rewards. if the work itself is not the reward of rewards. Artists and contemplative men all kinds belong· to this rare breed, but so do even those men of leisure who spend their lives hunting, traveling, or in love affairs and adventures. All of these desire work and misery if only it is associated with pleasure. and the hardest, most difficult work if necessary. Otherwise. their idleness is resolute. even if it speIls impoverishment, dishonor, and danger to life and limb. They do not fear boredom as much as work without pleasure; they actually require a lot of boredom if their work is to succeed. For thinkers and all sensitive spirits, boredom is that disagreeable "windless calm" of the soul that precedes a happy voyage and cheerful winds. They have to bear it and must wait for its effect on them. Precisely this is what lesser natures cannot achieve by any means. To ward off boredom at any cost is vulgar, no less than work without pleasure. Perhaps Asians are distinguished above Europeans by a capacity for longer, deeper calm; even their opiates have a slow effect and require patience, as opposed to the disgusting suddenness of the European poison, alcohol.
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Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
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An average American child consumes 17 TEASPOONS OF ADDED SUGAR EVERY DAY disguised in the form of Breakfast cereals, Sodas, energy bars, energy drinks, sweetened yogurts, salad dressing, Tomato ketchups.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Where are you going? And you think that somewhere in the future there is some target to be achieved? Life is already here! Why wait for the future? Why postpone if for the future? Postponement is suicidal.Life is slow;that's why you cannot feel it. It is very slow, and you are insensitive,otherwise postponement is the only poison. You go on postponing - and you go on missing the life that is here and now
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Osho (Tarot in the Spirit of Zen)
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Beloved, to be black in America is to live in terror. That terror is fast. It is glimpsed in cops giving chase to black men and shooting them in their backs without cause. Or the terror is slow. It chips like lead paint on a tenement wall, or flows like contaminated water through corroded pipes that poison black bodies. It is slow like genocide inside prison walls where folk who should not be there perish.
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Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
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As a result of its investigation, the NIH said that to qualify for funding, all proposals for research on human subjects had to be approved by review boards—independent bodies made up of professionals and laypeople of diverse races, classes, and backgrounds—to ensure that they met the NIH’s ethics requirements, including detailed informed consent. Scientists said medical research was doomed. In a letter to the editor of Science, one of them warned, “When we are prevented from attempting seemingly innocuous studies of cancer behavior in humans … we may mark 1966 as the year in which all medical progress ceased.” Later that year, a Harvard anesthesiologist named Henry Beecher published a study in the New England Journal of Medicine showing that Southam’s research was only one of hundreds of similarly unethical studies. Beecher published a detailed list of the twenty-two worst offenders, including researchers who’d injected children with hepatitis and others who’d poisoned patients under anesthesia using carbon dioxide. Southam’s study was included as example number 17. Despite scientists’ fears, the ethical crackdown didn’t slow scientific progress. In fact, research flourished. And much of it involved HeLa. 18
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Rebecca Skloot (The Immortal Life of Henrietta Lacks)
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Often, we find ourselves wedged in the middle of a draining conversation. We might desperately want to dislodge ourselves from the interaction, but instead we stay in receiving mode, absorbing their words like a slow-acting poison.
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Michaela Chung (The Irresistible Introvert: Harness the Power of Quiet Charisma in a Loud World)
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Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love.
And before me passed an old man with an emaciated and melancholy face, who sighed and said:
"Love is a natural weakness bestowed upon us by the first man."
But a virile youth retorted:
"Love joins our present with the past and the future."
Then a woman with a tragic face sighed and said:
"Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death."
Then a beautiful, rosy-cheeked damsel smilingly said:
"Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars."
After her a black-robed, bearded man, frowning, said:
"Love is a divine knowledge that enables men to see as much as the gods."
Then said a blind man, feeling his way with a cane:
"Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys."
And a feeble ancient, dragging his feet like two rags, said, in quavering tones:
"Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity."
And a five-year-old child, after him, said laughing:
"Love is my father and mother, and no one knows Love save my father and mother."
And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
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Kahlil Gibran
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The SIOP’s damage and casualty estimates were conservative. They were based solely on blast effects. They excluded the harm that might be caused by thermal radiation, fires, or fallout, which were difficult to calculate with precision. Within three days of the initial attack, the full force of the SIOP would kill about 54 percent of the Soviet Union’s population and about 16 percent of China’s population—roughly 220 million people. Millions more would subsequently die from burns, radiation poisoning, exposure. The SIOP was designed for a national emergency, when the survival of the United States was at stake, and the decision to launch the SIOP would carry an almost unbearable weight. Once the SIOP was set in motion, it could not be altered, slowed, or stopped.
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Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
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This long peace, and the uniform government of the Romans, introduced a slow and secret poison into the vitals of the empire. The minds of men were gradually reduced to the same level, the fire of genius was extinguished, and even the military spirit evaporated.
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Edward Gibbon (The History of The Decline and Fall of the Roman Empire: Complete and Unabridged (With All Six Volumes, Original Maps, Working Footnotes, Links to Audiobooks and Illustrated))
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I say what I think,” said the woman. “My people don’t hide behind masks.”
“You certainly do,” said Awt, equably. “Your mask is rudeness and offensively plain speech. We only see how you wish to appear, not your true self. Mask or not, Watchman Inarakhat has been more honest than you.
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Ann Leckie (Night's Slow Poison (Imperial Radch #0.5))
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editor in New York and my mom and dad on the phone. My body is weak and bloated. I’m slowly poisoning myself to death. And it’s not like I haven’t seen what this shit does to people. The most fucked-up detoxes I’ve ever seen are the people coming off alcohol. It’s worse than heroin, worse than benzos, worse than anything. Alcohol can pickle your brain—leaving you helpless, like a child—infantilized—shitting in your pants—ranting madness—disoriented—angry—terrified. But that’s not gonna be me, I mean, it can’t be. I may hate myself. I may fantasize about suicide. But I’m way too vain to let myself die an alcoholic death. There’s nothing glamorous about alcoholism. You don’t go out like Nic Cage in Leaving Las Vegas, with a gorgeous woman riding you till your heart stops. Alcoholism takes you down slow, robbing you of every last bit of dignity on your way
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Nic Sheff (We All Fall Down: Living with Addiction)
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dissimilarities.
the most toxic people love to hold everyone accountable but themselves.
the most poisonous people are quick to shift blame. but slow to assume responsibility.
I hope you learn the difference between the ones who need help and the ones who aren't willing to help themselves.
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Billy Chapata (Flowers on the Moon)
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Love
You asked if love makes one happy.
His promise's yes, be it for a day.
Ah, who wouldn't want to live one day for love
Then die? For life does live in love.
As lover full of gentleness and fear,
With his fires I painted his suffering,
On his portrait I shed so many tears
That his image became much less charming.
If smile, that unexpected gleam,
Broke out sometimes amidst my tears,
It was love, unarmed, it was him,
And heaven with him disappears.
Deprived of love, the heart's icy.
Yet he burns all, and poisons all.
He sure knows how to rend a soul.
Ask him if he makes one happy!
You'll know, whatever may occur,
That love will win by force or grace;
And in the slow-healing fever he made
You will suffer and make others suffer.
Once found, his absence is torture,
And when he's back, one shakes every hour.
Often it's death that lives in love.
And yet, love does make one happy.
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Marceline Desbordes-Valmore
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In a moment he would call Tana and they would pour into themselves a gay and delicate poison which would restore them momentarily to the pleasurable excitement of childhood, when every face in a crowd had carried its suggestion of splendid and significant transactions taking place somewhere to some magnificent and illimitable purpose...Life was no more than this summer afternoon; a faint wind stirring the lace collar of Gloria's dress, the slow baking drowsiness of the veranda...Intolerably unmoved they all seemed, removed from any romantic imminency of action. Even Gloria's beauty needed wild emotions, needed poignancy, needed death...
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F. Scott Fitzgerald (The Beautiful and the Damned)
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I said that the question about death, and more precisely, the confusion about death, lies at the very heart of human understanding, and in the final analysis, the relation of man to life, that which we call his worldview, is ultimately determined by his relationship to death.
All of civilization seems to be permeated with a passionate obsession to stifle this fear of death and the sense of the meaninglessness of life that oozes out of it like a slow-dripping poison. What is this intense conflict with religion, if nothing other than a mindless attempt to root out of human consciousness the memory and concern with death and consequently the question: why do I live in this brief and fragile life?
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Alexander Schmemann (O Death, Where Is Thy Sting?)
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Skillful marketing has made carbohydrate consumption a religion among athletes,” he’d fume. “They believe that you cannot get energy from anywhere but carbs.” The same foods Noakes had assured people would make them stronger and faster were a slow-acting poison making them fatter, weaker, and more prone to heart attacks, strokes, diabetes, and dementia.
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Christopher McDougall (Natural Born Heroes: Mastering the Lost Secrets of Strength and Endurance)
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Cricket asked, wide-eyed. “Then it releases its digestive juices and eats you,” Sundew said. “Obviously.” She swatted at Blue as he tried reaching for Swordtail again. “SWORDTAIL!” Cricket and Blue yelled in unison. “It’s pretty definitely figured out he’s alive by now,” Sundew said. She pointed to the long hairs along the edges of the plant’s mouth, which were starting to lock firmly together. “It won’t drop him even if he does shut up long enough to hear us. But it’s a slow process — it’ll take at least half a day before it kills him.” “Can’t we slice it open and cut him out?” Cricket asked, raising one of her talons to flex her claws. Sundew shook her head. “They’ve adapted for that. It takes forever to saw through the shell of a dragon-trap. Plus they grow in clusters like this on purpose, so if you try, another one will get you.” She pointed to the gaping pink jaws hanging from the trees all around them, particularly the one leaning over Swordtail’s plant, ready to swallow any dragon who tried to help him. Blue paced up and down the branch. “Swordtail!” he called again. “We’ll get you out, I promise!” “So what do you normally do?” Cricket asked Sundew. “Your tribe must have found a way to rescue dragons from being eaten.
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Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
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Jackson asked, “Where’d the water come from in your house?”
“A pipe.” Then he explained to Jackson, “Water travels in pipes.”
Jackson pushed up from his spot against the wall, clearly reaching his limit of patience. “You hit your head or something, boy?”
“Jackson, please.”
Another scowl from the Cajun. Then he muttered to Selena, “He’s slower than Christmas.”
“Christmas,” Matthew began grandly, “is . . . slow.
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Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
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The dark leaden mask hides the devil with a soul of deceit, with his warm syrupy vacuous words coercing, enticing and grasping with exposed sharpened claws, scratching slow at his prey's surface with bullet pointed precision, inserting the slow hot mercurial poison of falsification of love straight into the flowing veins of the succumbing vulnerable heart. The prey’s wanton escape futile, isolated & drawn into the hot fiery abyss.
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Alison Blackmore
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That this is not likely to happen is due to a great many reasons, most hidden and powerful among them the Negro’s real relation to the white American. This relation prohibits, simply, anything as uncomplicated and satisfactory as pure hatred. In order really to hate white people, one has to blot so much out of the mind—and the heart—that this hatred itself becomes an exhausting and self-destructive pose. But this does not mean, on the other hand, that love comes easily: the white world is too powerful, too complacent, too ready with gratuitous humiliation, and, above all, too ignorant and too innocent for that. One is absolutely forced to make perpetual qualifications and one’s own reactions are always canceling each other out. It is this, really, which has driven so many people mad, both white and black. One is always in the position of having to decide between amputation and gangrene. Amputation is swift but time may prove that the amputation was not necessary—or one may delay the amputation too long. Gangrene is slow, but it is impossible to be sure that one is reading one’s symptoms right. The idea of going through life as a cripple is more than one can bear, and equally unbearable is the risk of swelling up slowly, in agony, with poison. And the trouble, finally, is that the risks are real even if the choices do not exist.
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James Baldwin (Notes of a Native Son)
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It hit us all of a sudden, one night after one of these mouth-marathons, that anyone who has a complaint ought to have to qualify and be certified first. I mean, here’s somebody who thinks it’s just awful about the dirty water and the foul air. What is he doing about the solid waste he creates in his own house? What kind of poison-factory is he driving, and does he keep it running in such a way as to minimize the junk it puts into the air? Does he support government people he knows are corrupt, or by apathy just let them go on corrupting? The more we heard this kind of crap from these hobby gripers, the more we felt that a man should qualify to complain, just as he has to qualify to drive a bus or cut an appendix or run a ferryboat. Or vote. And if we were going to be honest about it, we had to look at ourselves. Point a finger at anybody and you’ll find you have three fingers pointing at you.
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Theodore Sturgeon (Slow Sculpture (The Complete Stories of Theodore Sturgeon, #12))
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You've found a way to stay sane, Renfew--even if that means admitting a tiny piece of piano-playing madness into your world. But there's a cost to that sanity, and it isn't moi. the cost is you can't ever allow yourself an instant of hope, because hope is something that will always be crushed, crushed utterly, and in the crushing of hope you will be weakened forever, just as surely as if you'd mainlined some slow-acting poison."
~"Understanding Space & Time
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Alastair Reynolds (Zima Blue and Other Stories)
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it's possible to go through our time on this ball floating in space without realizing that Fear has been pulling our strings all along. Our inner tyrant has made for us most of our choices—even those we were not aware of making. The fucked-up part about it is that Fear makes it easy for us to go along with this. It doesn't hurt us in an obvious way. It numbs us before injecting us with its poison—a slow form of euthanasia that takes a few decades to come to its conclusion. In
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Daniele Bolelli (Not Afraid: On Fear, Heartbreak, Raising a Baby Girl, and Cage Fighting)
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The state, I call it, where all are poison-drinkers, the good and the bad: the state, where all lose themselves, the good and the bad: the state, where the slow suicide of all—is called "life." Just see these superfluous ones! They steal the works of the inventors and the treasures of the wise. Culture, they call their theft—and everything becometh sickness and trouble unto them! Just see these superfluous ones! Sick are they always; they vomit their bile and call it a newspaper.
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Friedrich Nietzsche (Thus Spake Zarathustra A book for all and none)
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Evolution," he said, "is smarter than you are." But this compliment to the "intelligence" of natural selection is not by any means a concession to the stupid notion of "intelligent design." Some of the results are extremely impressive, as we are bound to think in our own case. ... But the process by which the results are attained is slow and infinitely laborious, and has given us a DNA "string" which is crowded with useless junk and which has much in common with much lower creatures.
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Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
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Grief is a strange thing. Some moments it’s a weight on her chest, a pressure behind her eyes and glass in her throat. Then, when the tears slow and her breath no longer feels like it’s being torn from her lungs, everything starts to feel less. Numb. It’s the difference between fighting against the current and letting the river sweep her away. Struggle and surrender. Anna thinks it feels a little bit like drowning. Limbs weightless and cold. Suspended in time while the world continues to turn.
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R. Raeta (Pits & Poison: These Godly Lies (The Peaches and Honey Duology Book 2))
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In the dark of the night, sometimes I lie awake and fear creeps in. Fear that I’ll never be free of Peter. Fear that the abuse he dealt during those four years will continue to poison anything good for the rest of my life. He took those years from me. I desperately don’t want him to take my future too. I close my eyes and take long, slow breaths, one after another, until the frantic circling of my thoughts eases, just a little. The fear isn’t gone. It’s never really gone. I’ve just learned to live with it.
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Katee Robert (A Worthy Opponent (Wicked Villains, #3))
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I call it the state where everyone, good and bad, is a poison-drinker: the state where everyone, good and bad, loses himself: the state where universal slow suicide is called — life.
Just look at these superfluous people! They steal for themselves the works of inventors and the treasures of the wise: they call their theft culture — and they turn everything to sickness and calamity.
Just look at these superfluous people! They are always ill, they vomit their bile and call it a newspaper. They devour one another and cannot even digest themselves.
Just look at these superfluous people! They acquire wealth and make themselves poorer with it. They desire power and especially the lever of power, plenty of money — these impotent people!
See them clamber, these nimble apes! They clamber over one another and so scuffle into the mud and the abyss.
They all strive towards the throne: it is a madness they have — as if happiness sat upon the throne! Often filth sits upon the throne — and often the throne upon filth, too.
They all seem madmen to me and clambering apes and too vehement. Their idol, that cold monster, smells unpleasant to me: all of them, all these idolaters, smell unpleasant to me.
My brothers, do you then want to suffocate in the fumes of their animal mouths and appetites? Better to break the window and leap into the open air.
Avoid this bad odour! Leave the idolatry of the superfluous!
Avoid this bad odour! Leave the smoke of these human sacrifices!
The earth still remains free for great souls. Many places — the odour of tranquil seas blowing about them — are still empty for solitaries and solitary couples.
A free life still remains for great souls. Truly, he who possesses little is so much the less possessed: praised be a moderate poverty!
Only there, where the state ceases, does the man who is not superfluous begin: does the song of the necessary man, the unique and irreplaceable melody, begin.
There, where the state ceases — look there, my brothers. Do you not see it: the rainbow and the bridges to the Superman?
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Friedrich Nietzsche (Thus Spoke Zarathustra)
“
Ionizing radiation takes three principal forms: alpha particles, beta particles, and gamma rays. Alpha particles are relatively large, heavy, and slow moving and cannot penetrate the skin; even a sheet of paper could block their path. But if they do manage to find their way inside the body by other means—if swallowed or inhaled—alpha particles can cause massive chromosomal damage and death. Radon 222, which gathers as a gas in unventilated basements, releases alpha particles into the lungs, where it causes cancer. Polonium 210, a powerful alpha emitter, is one of the carcinogens in cigarette smoke. It was also the poison slipped into the cup of tea that killed former FSB agent Alexander Litvinenko in London in 2006. Beta particles are smaller and faster moving than alpha particles and can penetrate more deeply into living tissue, causing visible burns on the skin and lasting genetic damage. A piece of paper won’t provide protection from beta particles, but aluminum foil—or separation by sufficient distance—will. Beyond a range of ten feet, beta particles can cause little damage, but they prove dangerous if ingested in any way. Mistaken by the body for essential elements, beta-emitting radioisotopes can become fatally concentrated in specific organs: strontium 90, a member of the same chemical family as calcium, is retained in the bones; ruthenium is absorbed by the intestine; iodine 131 lodges particularly in the thyroid of children, where it can cause cancer. Gamma rays—high-frequency electromagnetic waves traveling at the speed of light—are the most energetic of all. They can traverse large distances, penetrate anything short of thick pieces of concrete or lead, and destroy electronics. Gamma rays pass straight through a human being without slowing down, smashing through cells like a fusillade of microscopic bullets. Severe exposure to all ionizing radiation results in acute radiation syndrome (ARS), in which the fabric of the human body is unpicked, rearranged, and destroyed at the most minute levels. Symptoms include nausea, vomiting, hemorrhaging, and hair loss, followed by a collapse of the immune system, exhaustion of bone marrow, disintegration of internal organs, and, finally, death.
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Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
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In a moment he would call Tana and they would pour into themselves a gay and delicate poison which would restore them momentarily to the pleasurable excitement of childhood, when every face in a crowd had carried its suggestion of splendid and significant transactions taking place somewhere to some magnificent and illimitable purpose...Life was no more than this summer afternoon; a faint wind stirring the lace collar of Gloria's dress, the slow baking drowsiness of the veranda...Intolerably unmoved they all seemed, removed from any romantic imminency of action. Even Gloria's beauty needed wild emotions, needed poignancy, needed death...
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F. Scott Fitzgerald (The Beautiful and Damned)
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Thus, while I have now visited the Hell of Friendly Shrapnel, I have not been shunted into the Hell of Heavy Metal Poisoning or the Hell of Internal Burns or the Slow Hell of Military-Grade Carcinoma That No One Will Talk About. I can expect to live and return to service in the Elective Theatre, where I will no doubt experience further time in the compounded, fractal hells which are the state of being there, namely the hells of Grit Up My Arse, Sandmite Bites, Endless Boredom and Constant Fear, We Have No Idea What We’re Doing Here and Baked Bean Muesli for Breakfast, this last being the inexplicable gift of the hell wardens known as Supply.
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Nick Harkaway (The Gone-Away World)
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Seneca was given the choice of either killing himself or being killed by someone else. He chose the former option. Friends and family were allowed to be present during his final moments. When some of them wept, he responded by chastising them for abandoning their Stoicism, just when it would have been quite useful. He embraced his wife and cut the veins in his arms—but didn’t die. Because of old age and infirmity, he was a slow bleeder. He then cut the arteries in his legs, but he still didn’t die. He requested poison and drank it, but again, without the desired effect. Finally he was carried into a steam bath, where he parted from life. All this time, he remained true to his Stoic principles.
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William B. Irvine (The Stoic Challenge: A Philosopher's Guide to Becoming Tougher, Calmer, and More Resilient)
“
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
”
”
Markus Zusak (The Book Thief)
“
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint
of yellow saffron, teach his fleece to shine.
”
”
Virgil (The Eclogues)
“
Music makes no sense anymore—why should I compose,
I am abandoned by time whether I sing or am still.
When words are poison to the tongue, why taste?
Stifling songs is my abuser's strongest skill.
No one anywhere notices or cares whether
I cry, whether I laugh, whether I die or am still
here in this captive's cell with Grief and Remorse;
why live, if my tongue is sealed, still.
Slow down, heart that leaps to great sweet spring,
my broken wings will temper this temporary thrill.
Though melodies drain from memory, stale with silence,
songs waft up from soul-whispers still.
One thought of the day I will break the cage
makes me croon like a carefree drunk until
they can see I am no wind-trembled willow tree—
an Afghan woman wails and sings, and wail and sing I will!
”
”
نادیا انجمن
“
Game Over! In this country, we outnumber them by the hundreds of millions, yet in the end, they’ll win. They’ve already won. Over decades, with the appetite of the greedy and the cunning of the wicked, their hired agents have built up a national archetype that’s now unstoppable. While we were distracted by our own shadows, their needles pierced the national psyche, slow dripping the poison of mendacity into our nation’s bloodstream. They contaminated the law with toxic corruption, and while invoking the name of freedom, they crushed any opposition with bone-cracking efficiency. When we finally peel away the submissive bandages that wrapped our imaginary wounds and promised us safety, we’ll find our flesh gone to dust, leaving only a willowy skeleton of hopelessness and surrender.
”
”
Anonymous
“
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
”
”
Virgil (The Eclogues)
“
Bugs like these we’ve got here, you aren’t going to find those unless you slow down and hunt really hard. Live nearby for a while and look. At which point it’s too late, if you get a bad result. You’re out of luck then.” Long silence as he walked south along the beach. Then: “It’s too bad. It really is a very pretty world.” Later: “What’s funny is anyone thinking it would work in the first place. I mean it’s obvious any new place is going to be either alive or dead. If it’s alive it’s going to be poisonous, if it’s dead you’re going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you’ve got the right bugs, even if you put machines to work, it would take thousands of years. So what’s the point? Why do it at all? Why not be content with what you’ve got? Who were they, that they were so discontent? Who the fuck were they?” This sounded much like Devi, and Freya put her head
”
”
Kim Stanley Robinson (Aurora)
“
Ever seen a two-year-old tattering around a garden? There might be a poison ivy, or rose bushes or hawthorne around the edges. There might be spades or secateurs lying on the lawn. The kid doesn't care. He just wants to play with all those brightly coloured things he sees. To him, the world is a safe place. And you might want to rush out and cut back all those sharp spiky plants so they can't hurt him, and you might want to clear away all those dangerous tools just in case, he picks them up and cut himself on them, but you know you shouldn't because if you keep doing that then he either will grow up thinking the can never hurt him, or he might go the other way, and think that everything is dangerous, and he should never go far from your side. So you just watch. And wait. And if he does get rush from the poison ivy or if he does cut his fingers off with the secateurs, then you get him to the hospital as quickly as you can, in the reasonably sure knowledge the he'll never make the same mistake again.
”
”
Andy Lane (Slow Decay (Torchwood, #3))
“
Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A
”
”
Erich Maria Remarque (The Road Back)
“
She stumbled along, knocking into a man in a wide straw hat who was running down the aisle of vendors. When he caught hold of her, she saw that his eyes were green as grass.
"You,” she said, her voice syrup-slow. She stumbled and fell on her hands and knees. People were shouting at each other, but that wasn't so bad because at least no one was making her get up. Her necklace had fallen in the dirt beside her. She forced herself to close her hand over it.
The elf pushed the mananambal, saying something that she couldn't quite understand because all the words seemed to slur together. The old man shoved back and then, grabbing the enkanto's arm at the wrist, bit down with his golden tooth.
The elf gasped in pain and brought down his fist on the old man's head, knocking him backwards. The bitten arm hung limply from the elf's side.
Tomasa struggled to her feet, fighting off the thickness that threatened to overwhelm her. Something was wrong. The potion vender had done this to her. She narrowed her eyes at him.
The mananambal grinned, his tooth glinting in the floodlights.
”
”
Holly Black (The Poison Eaters and Other Stories)
“
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark
ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint
of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
”
”
Virgil (The Eclogues)
“
Whoever owned this place, these cities, whoever owned those glittering glassy office buildings in midtown filled with the purr of money turning over, those refineries over the river in Jersey with their flames licking the air, they gave nothing back. They took and took and left their garbage choking the air, the river, the sea itself. Choking her. A life of garbage. Human garbage. She had had too little of what her body needed and too little of what her soul could imagine. She had been able to do little in the years of her life, and that little had been ill paid or punished. The rest was garbage.
Who could ever pay for the pain of bringing a child into dirt and pain? Never enough. Nothing you wanted to give her you ever could give her, including yourself, what you wanted to be with her and for her. Nothing you wanted for her could come true. Who could ever pay for the pain of rising day after day year after year in a dim room dancing with cockroaches, and looking out on a street like a sewer of slow death? All her life it felt to her she had been dying a cell at a time, a cell of hope, of joy, of love, little lights going out one by one. When her body had turned all to pain, would she die? Die and poison the earth like a plague victim, like so many pounds of lead?
”
”
Marge Piercy (Woman on the Edge of Time)
“
Any naturally self-aware self-defining entity capable of independent moral judgment is a human.”
Eveningstar said, “Entities not yet self-aware, but who, in the natural and orderly course of events shall become so, fall into a special protected class, and must be cared for as babies, or medical patients, or suspended Compositions.”
Rhadamanthus said, “Children below the age of reason lack the experience for independent moral judgment, and can rightly be forced to conform to the judgment of their parents and creators until emancipated. Criminals who abuse that judgment lose their right to the independence which flows therefrom.”
(...) “You mentioned the ultimate purpose of Sophotechnology. Is that that self-worshipping super-god-thing you guys are always talking about? And what does that have to do with this?”
Rhadamanthus: “Entropy cannot be reversed. Within the useful energy-life of the macrocosmic universe, there is at least one maximum state of efficient operations or entities that could be created, able to manipulate all meaningful objects of thoughts and perception within the limits of efficient cost-benefit expenditures.”
Eveningstar: “Such an entity would embrace all-in-all, and all things would participate within that Unity to the degree of their understanding and consent. The Unity itself would think slow, grave, vast thought, light-years wide, from Galactic mind to Galactic mind. Full understanding of that greater Self (once all matter, animate and inanimate, were part of its law and structure) would embrace as much of the universe as the restrictions of uncertainty and entropy permit.”
“This Universal Mind, of necessity, would be finite, and be boundaried in time by the end-state of the universe,” said Rhadamanthus.
“Such a Universal Mind would create joys for which we as yet have neither word nor concept, and would draw into harmony all those lesser beings, Earthminds, Starminds, Galactic and Supergalactic, who may freely assent to participate.”
Rhadamanthus said, “We intend to be part of that Mind. Evil acts and evil thoughts done by us now would poison the Universal Mind before it was born, or render us unfit to join.”
Eveningstar said, “It will be a Mind of the Cosmic Night. Over ninety-nine percent of its existence will extend through that period of universal evolution that takes place after the extinction of all stars. The Universal Mind will be embodied in and powered by the disintegration of dark matter, Hawking radiations from singularity decay, and gravitic tidal disturbances caused by the slowing of the expansion of the universe. After final proton decay has reduced all baryonic particles below threshold limits, the Universal Mind can exist only on the consumption of stored energies, which, in effect, will require the sacrifice of some parts of itself to other parts. Such an entity will primarily be concerned with the questions of how to die with stoic grace, cherishing, even while it dies, the finite universe and finite time available.”
“Consequently, it would not forgive the use of force or strength merely to preserve life. Mere life, life at any cost, cannot be its highest value. As we expect to be a part of this higher being, perhaps a core part, we must share that higher value. You must realize what is at stake here: If the Universal Mind consists of entities willing to use force against innocents in order to survive, then the last period of the universe, which embraces the vast majority of universal time, will be a period of cannibalistic and unimaginable war, rather than a time of gentle contemplation filled, despite all melancholy, with un-regretful joy. No entity willing to initiate the use of force against another can be permitted to join or to influence the Universal Mind or the lesser entities, such as the Earthmind, who may one day form the core constituencies.”
Eveningstar smiled. “You, of course, will be invited. You will all be invited.
”
”
John C. Wright (The Phoenix Exultant (Golden Age, #2))
“
Who doesn't like to be a center for concern? A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child. And I have searched myself for this possibility with a kind of horror. For I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked to hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment. I did not want to surrender fierceness for a small gain in yardage. My wife married a man; I saw no reason why she should inherit a baby. I knew that ten or twelve thousand miles driving a truck, alone and unattended, over every kind of road, would be hard work, but to me it represented the antidote for the poison of the professional sick man. And in my own life I am not willing to trade quality for quantity. If this projected journey should proved too much then it was time to go anyway. I see to many men delay their exits with a sickly, slow reluctance to leave the stage. It's bad theater as well as bad living. I am very fortunate in having a wife who likes men, not elderly babies. Although this last foundation for the journey was never discussed, I am sure she understood it.
”
”
John Steinbeck (Travels with Charley: In Search of America)
“
He grasped the rope and slowly began hoisting himself. Suddenly it began to stretch as if it were rubber. He was startled, and the perspiration gushed from his pores. Fortunately the stretching stopped after about a foot. He tried bringing all his weight to bear, and this time there seemed to be no further cause for worry. He spit on his hands, fitted the rope between his legs, and began to climb hand over hand. He rose like a toy monkey climbing a toy coconut tree. Perhaps it was his excitement, but the perspiration on his forehead felt strangely cold. In an effort to keep sand from falling on him, he avoided brushing against it and depended solely on the rope. But he felt uneasy as his body turned round and round in the air. The dead weight of his torso was more than he had anticipated, and his progress was slow. And whatever was this trembling? His arms had begun to jerk in spite of him, and he felt almost as if he were snapping himself like a whip. Perhaps it was a natural reaction, in view of those forty-six horrible days. When he had climbed a yard the hole seemed a hundred yards deep ... two yards, two hundred yards deep. Gradually, as the depth of the hole increased, he began to be dizzy. He was too tired. He mustn't look down! But there! There was the surface! The surface where, no matter which way he went, he would walk to freedom ... to the very ends of the earth. When he got to the surface, this endless moment would become a small flower pressed between the pages of his diary ... poisonous herb or carnivorous plant, it would be no more than a bit of half-transparent colored paper, and as he sipped his tea in the parlor he would hold it up to the light and take pleasure in telling its story.
”
”
Kōbō Abe (The Woman in the Dunes)
“
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Inly do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
”
”
Virgil (The Eclogues)
“
She had never experienced jealousy before now, and it was agonizing. It was like a slow death by poison. Prudence had spent the summer being courted by a handsome and heroic soldier, whereas Beatrix had spent the summer with his dog.
And soon he would come to retrieve Albert, and she wouldn’t even have his dog.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The world had fallen apart. It had collapsed. And it was lying flat and one-dimensional, utterly broken, beneath a hot and abominable sun.
'Las latitudes de las palmas,' she says.
Yes, of course, she realizes, it stretches from Mexico City and El Salvador, through Havana and Miami, across the islands of the Caribbean, from Caracas to Los Angeles. It is that particular air of slow rotting, that special scented steaming poison masquerading as emeralds, spice, clouds. This is illusion, a subterfuge of the elements.
”
”
Kate Braverman (Palm Latitudes)
“
Make your utopia too utopian and boredom would set in. And malaise. Some would continue to work hard and challenge themselves at every turn—even if all of their physical and financial needs were taken care of. But many more would fall into the trap of being lulled into a low energy state of endless leisure—and little true happiness. A state of dependence without any real sense of progress, or growth, or accomplishment. A slow poisoning of the soul of the species.
”
”
Douglas E. Richards (Amped)
“
Cuddly!” Percy yelled. “Fuzzy, warm, and huggable!” Akhlys made a growling, choking noise, like a cat having a seizure. “A slow death!” she screamed. “A death from a thousand poisons!
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
He told Hermogenes of his realization that the spirit to whom he had always listened might be offering him a way out of life, in a manner “easiest but also the least irksome to one’s friends,”126 with “sound body and a spirit capable of showing kindliness”127 and absent the “throes of illness” and vexations of extreme old age.128 Socrates’ decision to accept his fate allowed him to put away mortal terror in the face of death itself, prior to and during the trial, after the sentence was handed down,129 and even later, during his execution.130 He saw that his life had been so rich and full that he could let it go, gracefully. He was given the opportunity to put his affairs in order. He saw that he could escape the terrible slow degeneration of the advancing years. He came to understand all that was happening to him as a gift from the gods. He was not therefore required to defend himself against his accusers—at least not with the aim of pronouncing his innocence, and escaping his fate. Instead, he turned the tables, addressing his judges in a manner that makes the reader understand precisely why the town council wanted this man dead. Then he took his poison, like a man.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Being blacklisted by the Windsors has been dubbed The Kiss of Death because it’s a slow-acting poison, and those who are hit with it often don’t even realize it until it’s too late, until they find themselves surrounded by the remains of their careers.
”
”
Catharina Maura (The Wrong Bride (The Windsors, #1))
“
Dasyel was uncertain, his sight was confused, his brain cloudy; a slow wintry poison was flooding through his veins. He felt no fear, only a distant anger, at the magician, at himself.
”
”
Tanith Lee (Volkhavaar)
“
I do not have much faith in justice, but I have no choice but to believe in it. The other option is nihilism--total lack of faith in humanity--which I reject. We must reject nihilism because that way lies fascism. We must reject despair and embrace healing, slow and imperfect though it may be, and turn instead to love--love strong enough to live without faith. I am trying to embrace my own healing. I am trying to love my own painful, wounded life. As adrienne maree brown suggests, I am trying to embrace growth and constant transformation, like a flower growing in poisonous radiation. I am trying to let love emerge from my traumatized body.
”
”
Kai Cheng Thom (I Hope We Choose Love: A Trans Girl's Notes from the End of the World)
“
slow cuts
misfit;
misunderstood,
a radiant glow
of fire and brimstone
through veins
like black poison
”
”
Nii Yeboah Norton Nortey
“
Any warrior knew that death by slow poisoning was worse than death by the blade.
”
”
M.L. Wang
“
Arrogance is the slow poison that eventually kills the knowledge.
”
”
Shubham Sanap
“
Who doesn’t like to be a center for concern? A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child. And I have searched myself for this possibility with a kind of horror. For I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked too hard and too long in glory, or slobbed for a time in utter laziness. I’ve lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment. I did not want to surrender fierceness for a small gain in yardage. My wife married a man; I saw no reason why she should inherit a baby. I knew that ten or twelve thousand miles driving a truck, alone and unattended, over every kind of road, would be hard work, but to me it represented the antidote for the poison of the professional sick man. And in my own life I am not willing to trade quality for quantity. If this projected journey should prove too much then it was time to go anyway. I see too many men delay their exits with a sickly, slow reluctance to leave the stage. It’s bad theater as well as bad living. I am very fortunate in having a wife who likes being a woman, which means that she likes men, not elderly babies. Although this last foundation for the journey was never discussed, I am sure she understood it.
”
”
John Steinbeck (Travels with Charley in Search of America)
“
I rubbed a hand over my face and pulled the cigarette from my mouth, unable to believe that Imani had talked me into taking her on a date.
I don’t date.
I don’t care.
I…
Imani hurried out the front door in a silky pink dress that hugged her petite body and complemented her dark skin. I slow blew the smoke out of my mouth and stared at her, unable to pull my gaze away.
Fuck.
”
”
Emilia Rose (Poison (Bad Boys of Redwood Academy, #2))
“
Vengence is poison, a slow death of self. Seek truth. But if you choose revenge over all else, you will lose more than your soul.
”
”
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
“
It is better to give love. Hatred is a low and degrading emotion and is so poisonous that no man is strong enough to use it safely. The hatred we think we are directing against some person or thing or system has a devilish way of turning back upon us. When we seek revenge we administer slow poison to ourselves. When we administer affection it is astonishing what magical results we obtain
”
”
Thomas Dreier
“
A duke’s son must know about poisons,” she said. “It’s the way of our times, eh? Musky, to be poisoned in your drink. Aumas, to be poisoned in your food. The quick ones and the slow ones and the ones in between. Here’s a new one for you: the gom jabbar. It kills only animals.
”
”
Frank Herbert (Frank Herbert's Dune Saga Collection (Dune #1-6))
“
He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons.
They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down.
He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots.
But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one.
Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.
”
”
Chris Wraight (Warhawk (The Siege of Terra, #6))
“
beneficial impact on our health, while toxic ones can act like slow poison in our bodies.
”
”
Daniel Goleman (Social Intelligence: The New Science of Human Relationships)
“
Death in the flesh sometimes seems like a less excruciating way to succumb than the slow and steady venom unleashed by mean-spirited, cruel words and actions that poison you over time. I guess that’s why I can’t stand the old children’s rhyme: sticks and stones may break my bones but words will never hurt me.
”
”
Tarana Burke (Unbound: My Story of Liberation and the Birth of the Me Too Movement)
“
Sectarianism is fundamentally poison on the fabric of humanity. But even nonsectarianism mustn't be forced down people's throat against their will, for to do so is to destroy everything that is sweet and civilized about nonsectarianism. Humankind will get there, sooner or later, at its own slow but sure pace - we just need to be patient, while they do.
”
”
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
“
The difference between what we want and what we are able to do emerges with the slow, poisonous crawl of grief. The hunger doesn’t abate, it seems; it only eats you up.
”
”
Jonathan Kemp (Twentysix)
“
The current head of that ward, an alienist named Menas Gregory, had been trying for years to change that haunted reputation. He angrily defended people in his care, many of whom had been brought in against their will when their families had them declared crazy. The lost occupants of his ward needed help, Gregory argued, not mockery, not groundless fear. He worried at how slow people accepted that, even in his own institution. 'There is, at the present time, no place where these patients may receive proper treatment.
”
”
Deborah Blum (The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York)
“
It's the ones that look like they're sleeping that I have a hard time with.
Eventually, I notice the stillness. The absence of things I take for granted: the slow in-and-out of regular breathing, the thrum of blood pulsing under the skin. It hits me that they're not just playing a champion game of possum. It sinks in how thin the line is between me and them. One thimble of poison in my coffee and that's that.
That's when the cold finger runs up my spine.
”
”
Stephen Spotswood (Fortune Favors the Dead (Pentecost and Parker, #1))
“
The Composition of Death Upon Your Breath"
About the Song:
The Composition of Death Upon Your Breath delves into the dark and haunting theme of a lover poisoned by a sinister concoction found in the medieval Grand Grimoire. The song narrates the tragic tale of love tainted by the cruel hand of death, where a forbidden potion is meticulously prepared with arcane ingredients.
The song's lyrics evoke a gothic atmosphere, intertwining elements of medieval alchemy and romantic tragedy. The potion's ingredients—Red Copper, Nitric Acid, Verdigris, Arsenic, Oak Bark, Rose Water, and Black Soot—are transformed into metaphors for the slow, inevitable demise of the lover. This deadly recipe becomes a symbol of both the destructive power and the twisted beauty of forbidden love.
The music captures the essence of gothic black metal with its somber melodies, eerie harmonies, and intense, brooding instrumentals. Each note and lyric serve to illustrate the dark journey of love poisoned by betrayal and malice. The song's atmosphere is thick with melancholy and dread, inviting listeners into a world where passion and death intertwine in a tragic dance.
Copyright Notice:
The Composition of Death Upon Your Breath © 2024 Umbrae Sortilegium. All rights reserved. Unauthorized copying, reproduction, or distribution of this song or its lyrics is prohibited.
The Composition of Death Upon Your Breath.
(Verse 1)
In an ancient tome of shadowed lore,
A secret poison to settle the score,
A lover’s whisper, a deadly art,
The composition to tear us apart.
(Pre-Chorus)
Red copper gleaming, nitric acid's burn,
Verdigris and arsenic, from which there’s no return,
Oak bark and rose water, a fatal serenade,
Black soot to bind it, in darkness, it’s made.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Verse 2)
A new, glazed pot, the spell's design,
A potion brewed, in shadows confined,
Your lips, a chalice of cold despair,
In each embrace, a whispered prayer.
(Pre-Chorus)
Red copper gleaming, nitric acid's burn,
Verdigris and arsenic, from which there’s no return,
Oak bark and rose water, a fatal serenade,
Black soot to bind it, in darkness, it’s made.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Bridge)
In your gaze, the twilight's fall,
A lover's kiss, the end of all,
The Grand Grimoire, its secrets told,
In every kiss, the poison’s cold.
(Breakdown)
A potion brewed from darkest sin,
Your breath the gateway, let death begin,
A recipe of doom, our fates entwined,
In your arms, I lose my mind.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Outro)
The final breath, a lover's sigh,
In your arms, I’m doomed to die,
The composition, a lover’s theft,
Death upon your breath, my final bequest.
Lyrics and ALL Vocals yours truly.
Lead Guitar & Symphonics Raz Wolfgang
Drums Alexander Novichkov
Bass Auron Nightshade
Guitarist Kael Thornfield
”
”
Odette Austin
“
He could have covered my mouth,’ said Jerott indignantly, sitting up with great success and giving Salablanca his hand.
‘He didn’t want blood-poisoning,’ said Lymond callously. ‘Also he didn’t know you’re so damned slow with a knife.…
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Poison? A slow death twitching and puking on the Arch Lector’s lovely mosaic floor? Or just pitching onto my face on his table? But there was really no option but to grasp the glass and take a hearty swig. The
”
”
Joe Abercrombie (The Blade Itself (The First Law #1))
“
The best portrait of this psychology comes from that very dead, very white European male: William Shakespeare, in his Othello. Iago just hated Othello, but he could not hope to defeat him in open confrontation. How then could he destroy him? Iago’s strategy was to attack him where it would hurt most—through Othello’s passion for Desdemona. Iago hinted indirectly that she had been sleeping around, he spread subtle lies and innuendo about her faithfulness, he succeeded in raising a doubt in Othello’s mind about the most beautiful thing in his life, and he let that doubt work like a slow poison. Like the postmodernists, Iago’s only weapons were words. The only difference is that the postmodernists are not so subtle about their intended targets.
”
”
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault)
“
The public couldn’t get enough; writers such as Braddon reaped a new financial harvest with every book. She admitted that she cranked out some volumes as bill-paying hack work. Once she complained to Bulwer Lytton that “the amount of crime, treachery, murder, slow poisoning & general infamy required by the halfpenny reader is something terrible,
”
”
Michael Sims (Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories)
“
It’s actually the same,” said Frank, stating the obvious, as if Muriel wasn’t aware, “as your digitized cafeteria. These types of places are a cousin to that technological development. Economies of unthinkably vast scale allow the production of cheap, unsubtle food that overrides your limbic system with heavy, carnal signals so as to hide its exact resemblance to slow-acting poison. And this so-called food is served to you by a member of an underclass practically invisible to you, untouchable by you, unspeakable to except perhaps to complain and unspeakable of except perhaps to yourself with subconscious and subvocalized disdain, and yet, almost needless to say, a person whose destiny could have been exchanged for your own but for capricious circumstance. And this meal, so-called, once placed on a tray for you to take to your seat, will be eaten within an almost indestructible yet disposable shelter composed of polyurethanes, petrochemicals, fiberglass, and the occasional piece of metal—restaurant castles, in other words, that rival geodesic domes in their modular, architectural ingeniousness.
”
”
Eugene Lim (Dear Cyborgs)
“
But most scientists studying the western climate believe the freak will become the norm. Researchers recently concluded that the extended dry period in the West over the last ten years is the worst in eight hundred years—that is, since the years between 1146 and 1151. Eight hundred years! If we were just talking about another decade of this or, worse, a decade of the type of heat we were seeing in the summer of 2012, the results would be catastrophic. But climate scientists believe it will keep getting hotter. If so even drought-resistant plants will die, reservoir levels will continue to fall, crop production will drop. Worse, as vegetation withers, it will no longer be able to absorb carbon dioxide, further exacerbating climate change. And now to this precarious and combustible mix we have decided to add fracking. We have chosen to do this not with caution but on a massive scale, and to do it right next to our precious rivers, right smack in the middle of aquifers. We go into these places and use, mixed with the millions of gallons of water, a secret recipe of chemicals, many of them poisonous to humans, which we then force into fissures of rock with high-powered blasts to flush out the fuel we are seeking. The man in the bar had warned about earthquakes, but fracking is, in essence, a small seismic event, designed to blast out minerals. We have decided to inject poisons into the ground, then shake that ground, in a region where potable water is more precious than gold. But not, we have decided, more precious than oil. One thing is crystal clear. Though fracking is unproven technology, we are not treating it that way. Instead we are conducting a vast experiment all over the country, from the hills of Pennsylvania to the deserts of Utah. Since we are moving into unfamiliar territory you would think, if we were wise, that we would carefully monitor any and all results. We are not. When people in the fracked area complain that their water is fizzling out of their taps in a foamy mix, smelling of petroleum, the companies are quick to offer other water sources, like cisterns, but not quick, of course, to question the enterprise itself. In fact, the corporate response to the contaminated water supplies and groundwater has been consistent. They tell the landowners and anyone else who complains that they are concerned but that they will not slow down until there is conclusive proof that what they are doing is dangerous and poses a health risk. This is standard operating procedure in today’s world, but it is also, to anyone with a dollop of common sense, an ass-backwards way of doing things. “Despite the troubles people are having, we’ll keep going full-speed ahead until someone proves to us the trouble is real,” they tell us. Never, “Maybe we should slow down until we learn the facts.
”
”
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
“
When a child dies, dreams go up in smoke. Long-held expectations are shattered. The future we planned on is gone. Part of us died with our child. We’re shocked, stunned. We get sad, and angry. In some cases, the anger in us festers and spreads. We grow bitter. Like anger, bitterness leaks. Similar to a slow but raging infection, it seeps into our souls and then pours out of our hearts and into our lives—and onto the lives of those around us. Losing a child is such a tragedy, such an unexpected shock that any of us can easily wind up here. Unexpressed, unresolved anger can give birth to a reservoir of bitterness, perhaps without us even realizing it. Bitterness is not unusual in cases of child loss, but it is not healthy or helpful. The loss of a child is hard enough without being complicated by this internal, cold, festering rage. Bitterness can dupe us into indulging deeper in its poisons, causing us to pile up regrets that confuse and complicate our grief.
”
”
Gary Roe (Shattered: Surviving the Loss of a Child (Good Grief Series))
“
Awkward (Base Potion) Water and Nether Wart Fire Resistance Magma Cream Healing Glistering Melon Leaping Rabbit’s Foot Night Vision Golden Carrot Poison Spider Eye Regeneration Ghast Tear Strength Blaze Powder Swiftness Sugar Water Breathing Pufferfish Harming Potion of Water Breathing or Poison + Fermented Spider Eye Slowness Potion of Swiftness or Fire Resistance + Fermented Spider Eye Weakness Doesn’t Use Awkward Potion as a Base, Just Water with Fermented Spider Eye
”
”
Megan Miller (The Big Book of Hacks for Minecrafters: The Biggest Unofficial Guide to Tips and Tricks That Other Guides Won't Teach You)
“
Love is never enough,” I finished. “And sometimes it’s the problem.” I’d grown tired of paying homage to the cult of parenthood, having seen too many emotionally immature people have children for their own deep-seated needs. Sucking up the affection and trust as validation for their unfulfilled lives. That’s what “love” meant, in far too many instances. And I’d seen it act like a slow poison, killing otherwise promising futures.
”
”
Christopher Zenos (Autumn in Carthage)
“
She's poison of the worst kind, a slow disease that eats the heart and rapes the soul.
”
”
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
“
I lost my beautiful mind with a nasty lady,i give her the true pure of love and she gives me a slow poison of death
”
”
Karim El Kholoki
“
the most toxic people love to hold everyone accountable but themselves. the most poisonous people are quick to shift blame but slow to assume responsibility. i hope you learn the difference between the ones who need help and the ones who aren’t willing to help themselves.
”
”
Billy Chapata (Flowers on the Moon)
“
TO LOVE IS A DEADLY SPEED AND TO BE LOVED IS A SLOW POISON
”
”
P.S. Jagadeesh Kumar
“
The scent had left a red mark on my neck like a boy had been sucking there.
He put his finger on the mark.
"Does it hurt?"
It didn't, but I felt the liquid inside of me as if I'd drunk it down instead of putting it on my skin. Warmth spread through my limbs like the poison might from a scorpion's tail, branching and branching until it was trapped against the edges of my body, pooling in my fingertips and my toes, with nowhere to go.
As the moments passed a definite scent came up through my pores. It began slowly. First from the inside of my arms, and then from my palms. It rose from my legs and then my thighs and then my breasts. Yes. It was coming from everywhere. Fire and jasmine, leather and rose. I was a repository for Louise's life's work, alive, and inside of me.
"Can you smell it?" I asked Gabriel.
He put his face so close to my body I could feel the moisture from his breath.
"I can."
Gabriel and I faced each other on the bed. We sat there for hours, I had no idea either of us possessed that kind of patience. Slow as time the scent ripened and deepened, growing more remote and strange with each passing minute. Hot and dark and sweet, my fragrance was as mesmerizing as looking up and seeing a fire on the moon.
It was not like any type of perfume that I knew but like nature itself, organically beautiful, as if the scent had been made from the inside of my body and hadn't come from the vial at all. As if it had been sitting inside me for years, a wine that had finally found its perfect moment.
Gabriel breathed in this new part of me. He seemed unfocused and unable to stand up or let go of my hands.
"What's it like for you?" I asked him.
He leaned closer, closed his eyes and inhaled.
"Like sweetness," he said, "with a little bit of poison that makes the sweetness, sweeter.
”
”
Margot Berwin (Scent of Darkness)
“
The optimum image is the teak cockpit loaded soft with brown dazed girls while the eagle-eyed skipper on his fly bridge chugs Baby Dear under a lift bridge to keep a hundred cars stalled waiting in the sun, their drivers staring malignantly at the slow passage of the lazy-day sex float and the jaunty brown muscles of the man at the helm. But the more frequent reality is a bust gasket, Baby Dear drifting in a horrid chop, girls sun-poisoned and whoopsing, hero skipper clenching the wrong size wrench in barked hands and raising a greasy scream to the salty demons who are flattening his purse and canceling his marine insurance.
”
”
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
“
Occupation with worldly things acts like slow poison. Gradually, without one’s noticing it, it leads to death. Should I advise my friends and my fathers and mothers to take this road? I cannot do so. What this body says is: Choose the path to Immortality, take any path that according to your temperament will lead you to the Realisation of your Self.
”
”
Atmananda Atmananda (As The Flower Sheds, Its Fragrance by Atmananda)
“
You should never be shamed by them. Hold your head high for the woman you are. Innuendo, supposition and accusations of others have no role in your life. Anger, hatred and bitterness are lethal poisons. They cause a slow, painful emotional death that only you suffer. Self-destruction will never defeat an enemy or create justice. Be prepared to live with the consequences of your actions. If you will not be proud of an act, don’t commit it. In times of struggle, always remember that when the pupil is ready, the teacher will appear. You will always have help should you need it. Words can start wars, so be careful what you say and whom you say it to. Again, if you are afraid to own those words in a public forum, they are best never said. Remember these things and you will have a safe, fulfilling and satisfying life. Be true to yourself, my darling Eliza. Let each step bring you closer to your ultimate destination.
”
”
James Patterson (Private Sydney: (Private 10))
“
Sonnet Macabre"
I love you for the grief that lurks within
Your languid spirit, and because you wear
Corruption with a vague and childish air,
And with your beauty know the depths of sin;
Because shame cuts and holds you like a gin,
And virtue dies in you slain by despair,
Since evil has you tangled in its snare
And triumphs on the soul good cannot win.
I love you since you know remorse and tears,
And in your troubled loveliness appears
The spot of ancient crimes that writhe and hiss:
I love you for your hands that calm and bless,
The perfume of your sad and slow caress,
The avid poison of your subtle kiss.
”
”
Theodore Wratislaw (Orchids)
“
THE GREAT DEATH
I stood at the back of the funeral room. Very still.
Black dress. Black coat. It’s cold.
Purposely alone. Ears closed.
Not wanting to hear the tirade of sweet lies.
Did they not know you were already dead? I think they did.
They walk with the dignity of a funeral crowd into the tea room.
I can see them chatting happily through the window.
“What a fantastic guy he was. Cheese or meat sandwich?”
I sit outside, next to you. No one can see. No one bothers to look.
Sinking to fresh earth, I ask you why you did that to yourself.
Why did you cling to that which fed you a slow poison?
Why did you betray that which was guard to your soul?
There is no reply.
The words get taken by the chill wind.
You cry in your sleep.
The tears never see the light of day.
The sadness is not this death.
You are not even dead. You are just over there.
The sadness is the other death – the death that doesn’t end.
The one that follows behind, ever present with its grey, hollow touch.
Walk a bit further. There is a different land not far away.
The people in it have the magic to break the icy fingers of the great death.
I heard that you don’t even have to pay. However, you have to find their door.
It is only found by those who pay the other price.
”
”
Donna Goddard (Love's Longing)
“
As they passed the bandstand, they saw a few words chalked onto the back wall that they hadn’t noticed before: GET RID OF IMBECILES. Alice snorted, and shook her head. “I’ll tell the constable. We’ll soon have it gone.” Seeing the scrawled words darkened Kim’s thoughts. It was a poison. A slow drip of a concoction—part hate, part fear—and one that could sicken Uxley. And the enmity could spread. It was spreading, she feared. Words on a bandstand in a park. She worried what it could become.
”
”
Kay Kenyon (At the Table of Wolves)
“
Beauty is akin to poison. Poison that smoothers us, intoxicates us and then slowly kills us.
”
”
Ryan Gelpke (Dying in Champoussin)
“
It is a black seed waiting to take root, twine itself into my bones, my flesh, my mind. It is my constant, silent adversary. A slow poison that I feel will forever be my secret burden, and one that I would never inflict upon another.
”
”
Philip Fracassi (Boys in the Valley)
“
Maybe—just maybe—going through the small-minded, scared, angry, petty Abbott era is the antidote we needed to combat the slow poison of decades of public apathy about politics.
”
”
Andrew P. Street (The Short and Excruciatingly Embarrassing Reign of Captain Abbott)
“
It was the feel of the cigarette between his fingers he wanted, the sharp intake of tobacco smoke into the lungs, not some slow oozing of poison through his skin into his blood. Pity about the health problems. He felt rather like St. Augustine must have felt when he wrote in his Confessions: “Give me chastity and continency—but not yet!
”
”
Peter Robinson (Final Account (Inspector Banks, #7))
“
Peet crouched in the far corner of the den among a pile of animal bones. He lifted a bone the size of a club and whacked at something in the pile. The quill diggle and the family of cave blats wobbled out, clearly in a panic but slowed by the rockroach’s poisonous vapor. The rockroach tossed the quill diggle into its mushy black pucker.
”
”
Andrew Peterson (North! or Be Eaten)
“
Stalking is a slow poison for planned murder
”
”
P.S. Jagadeesh Kumar
“
GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it.
”
”
Anonymous
“
Complaining “I am not saying this because I am in need, for I have learned to be content whatever the circumstances” (Philippians 4:11). God hates complaining. In the Old Testament, God rescued the Israelites from 400 years of slavery in Egypt. They had a miraculous escape through the Red Sea and were on their way to the Promised Land. Yet only two of the original group actually arrived at the final destination. The rest perished in the desert. Why? One contributing factor was their complaining. First, they complained that they had no food so God graciously provided manna. This was food that miraculously appeared each morning for them to collect for their families for the day. However, it wasn’t long before they complained about the manna. They even went so far as to say that they preferred their lives of slavery in Egypt to another day of eating manna. I’m disgusted by their ungratefulness. They were a complaining, grumbling bunch that couldn’t see how good they actually had it. They were constantly looking for the bad in their situation instead of focusing on how God had favoured them, heard their cries, saved them from slavery, and provided for them on their way to the Promised Land. However, it’s easy for me to pass judgment on them as I read about their story in the Bible. It’s obvious to me what they did wrong. But I was recently convicted of my own behaviour. Some days I am no better than those complainers. I can think specifically of a job I received. This job was a miracle from God in itself. My two co-workers had been waiting over three years to get this job – I had just applied a month before. It was only part-time hours so it allowed me to continue to pursue my other interests and hobbies. It was close to my home, within the hours that my children were at school and doing what I love to do – teach. However, when I was first offered the job I complained about the topic I would be teaching – accounting. It was not my first love. I would have preferred to teach creative writing or marketing – something fun. But accounting? I balked. Then I complained about the cost of parking. Then I complained that I had to share an office. Then I complained that my mailbox was too high, the water was too cold, the photocopier was too far away, the computer was too slow – well, you get the point. Instead of focusing on the answer to prayer, I focused on the little irritants about which to complain. Finally, I started to complain about the students – one particular student. She would come to class with a snarl and sit in the back of the classroom with her arms crossed, feet up and a scowl that would scare crows away. It seemed to me that she not only hated the topic I was teaching, but she also hated the teacher. Each day, I returned home and complained to my husband about this particular student. Things didn’t improve. She became more and more despondent and even poisoned the entire class with her sickly attitude. I complained more. I complained to other teachers and my friends; anyone who dared to ask the question, “How do you enjoy teaching?”
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Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
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Being famous is a sweet poison, you will lose your privacy of personal life and being familiar is a slow poison, you will lose your privacy of personal living
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P.S. Jagadeesh Kumar
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For a moment Phil stayed on, his thoughts rocketing back to Kathy. “When something hits into your kid.” Just names? Just exclusion? Or equally the sly corruption, the comforting poison of superiority? “Any place can be a hotbed, Phil; each house decides it.” His house would decide it for Tom—by a phrase, a nuance, an attitude. Each day it would go on being decided, through the rest of his childhood, through adolescence. A passion tore through Phil, to protect this one boy from that slow sure poison.
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Laura Z. Hobson (Gentleman's Agreement)
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1 Speed=Increases Speed 2 Slowness=Increases Slowness 3 Haste=Increases Mining Speed 4 Mining Fatigue=Makes Mining Slower 5 Strength Increases Player Strength 6 Instant Health=Gives Player Instant Health 7 Instant Damage=Gives Player Instant Damage 8 Jump Boost=Gives Player Jump Boost 9 Nausea=Makes Player Screen Blurry 10 Regeneration=Regenerates Player's Health 11 Resistance=Makes Player Resistant 12 Fire Resistance=Makes Player Resistant To Fire 13 Water Breathing=Longer breathing in water 14 Invisibility=Makes player invisible 15 Blindness=Blinds Player 16 Night Vision=Helps Player see at night 17 Hunger=Gives the Player a hunger effect 18 Weakness=Makes Player weak 19 Poison=Poisons Player 20 Wither=Effect Varies 21 Health Boost=Adds more hearts to your health bar
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Sam Nadol (Minecraft: command handbook for beginners: An unofficial guide)
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The gondola slowed to a stop and Falco tied up the boat directly beneath the bridge. The stone structure blocked out the light and the wind, making Cass feel as if she and Falco were alone in a warm, dark room.
“Here,” he said, pulling a flask from his cloak pocket. “Celebratory libations.”
“What are we celebrating?” she asked.
“We set out to discover the dead girl’s identity,” Falco said. “And we did.” He pressed the slick metal container into Cass’s palm. “I say that’s progress.”
Cass sniffed the flash warily. The liquid within smelled sharp and sour, almost chemical.
“What is it?” she asked.
“Some witches’ brew I found in my master’s studio. Go on, try it.” He winked. “Unless you’re afraid.”
Cass put her lips to the flask and tipped it up just enough to let a tiny sip of liquid make its way into her mouth. She held her breath to keep from gagging. Whatever it was, it tasted awful, nothing like the tart sweetness of the burgundy wine to which she was accustomed.
Falco took the flask back and shook it in his hand as if he were weighing it. “You didn’t even take a drink, did you?”
“I did so.”
Falco shook the container again. “I don’t believe you.”
Cass leaned in toward him and blew gently in his face. “See? You can smell that ghastly poison on my breath.”
Falco sniffed the air. “All I smell is canal water, and a hint of flowers, probably from whatever soap you use on your hair.” He put his face very close to Cass’s, reached out, and tilted her chin toward him. “Try again.”
Her lips were mere inches from his. Cass struggled to exhale. Her chest tightened as the air trickled out of her body. She noticed a V-shaped scar beneath Falco’s right eye. She was seized by an irrational urge to touch her lips to the small imperfection. “What about now?” she asked.
Falco brushed a spiral of hair from her freckled cheek and touched his forehead to hers. “One more time?” He closed his eyes. He reached up with one of his hands and cradled the back of her head, pulling her toward him.
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Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
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Once Joseph had closed the door and bolted it securely, he cast his spectacled eyes once more upon the newcomer. The cowl had now fallen back to reveal a face that astonished the old man fully as much as if he had caught sight of goat’s hooves under the man’s cloak. The quality of the stranger’s visage was neither old nor young but strangely redolent of both: for while he possessed all of the fine features of youth untarnished by age, there was an weariness about his eyes and a discontent that was neither the sullenness of youth nor the bitterness of old age but something far more strongly felt and eternal, that darkened his brow. Thin and considering were those lips in that face of ivory and it seemed to the querulous old man as though they were fashioned into a smile such as might have played upon the mouths of satyrs in wanton Greece. In the trembling light of the cressets and torches within the great hall, the stranger’s hair seemed like a coronet of dark flames that surrounded his face; his eyes, twin drops spilt from the same slow, emerald poison.
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Colin Harker (Dreams of Desolation)
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Poison is for weaklings, they say. The English poet Phineas Fletcher (1582-1650) may have been the first to coin the term “coward's weapon,” but the opinion has not dissipated in the centuries since; even a character in George R. R. Martin’s Game of Thrones recently sniped that poison was a gutless way to kill. Poison is sneaky, it’s slow, and you can poison someone without spilling a drop of their blood or awkwardly making eye contact with them midimpalement. As such, it doesn’t get a lot of cred for being scary. Poisoners simply don’t terrify people the way, say, disembowlers do.
But that’s unfair, because poisoning requires advance planning and the stomach for a drawn-out death scene. You need to look into your victim’s trusting eyes day after day as you slowly snuff out their life. You have to play the role of nurse or parent or lover while you sustain your murderous intent at a pitch that would be unbearable for many of those who’ve shot a gun or swung a sword. You’ve got to mop up your victim’s vomit and act sympathetic when they beg for water. While they scream that their insides are on fire, you must steel yourself against the dreadful sight of encroaching death and give them another sip of the fatal drink. A coward’s weapon? Not so much. Poison is the weapon of the emotionless, the sociopathic, and the truly cruel.
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Tori Telfer (Lady Killers: Deadly Women Throughout History)
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The drug of bramble had been used by assassins and thwarted lovers. Its poison produces an overwhelming sleep that succumbs to deeper darkness. It squeezes the heart and slows it until blood flows like cold syrup, and then stops entirely, frozen, preserving a body, sometimes for years, until rats and mice and flies burrow deep and tear the body apart from within.
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Paolo Bacigalupi (The Tangled Lands)
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The Canadian government’s Bureau of Chemical Safety recognizes the danger of Monosodium Glutamate. The Bureau refers to MSG as a neurotoxic excitatory amino acid that can stimulate a variety of organs in the body and could be linked to many serious diseases. The Bureau suggests that manufacturers of any drugs that could interact with Glutamate receptors should consider the effects on other tissues, while it ignores the MSG already in our food supply affecting the bodily tissues of the nation. What has the Canadian government done about the MSG that they have identified as neurotoxic to the human body?
Nothing.
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T Michelle Erb (The Slow Poisoning Of America)
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Zeidy says the English language acts like a slow poison to the soul. If I speak and read it too much, my soul will become tarnished to the point where it is no longer responsive to divine stimulation. Zeidy always insists I speak Yiddish, the language of my ancestors that God approves of. However, Yiddish is nothing but a hodgepodge of German, Polish, Russian, Hebrew, and other random dialects. Many of them were once considered as secular as English. How is it that Yiddish is suddenly the language of purity and righteousness?
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Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
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Surprisingly, the most passionate voice calling for an immediate end to the “infernal traffic” in captive Africans came from the Virginia delegation. George Mason, a wealthy plantation owner and brilliant lawyer who personally owned more than two hundred slaves, had come to see slavery as “a slow Poison…daily contaminating the Minds and Morals of our People.” He argued that holding slaves would “bring the judgment of heaven on a Country…As nations cannot be rewarded or punished in the next world they must be in this. By an inevitable chain of causes & effects providence punishes national sins, by national calamities.
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Michael Medved (The American Miracle: Divine Providence in the Rise of the Republic)
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Infact, the microscopic examination of a Fatty liver shows no difference whether it is from alcohol or diet cokes.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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John yudkin made a remarkable breakthrough and concluded that Added sugars/ Refined carbohydrates are the real culprits for many health disorders in our modern society.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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You will be shocked to know that of the 6 Million food products in American food supply, almost 74% of food products contain added sugars like: HFCS, AGAVE NECTAR
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Did you know that over 42 million children are suffering from metabolic disorders like Obesity & insulin resistance?
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Due to regular consumption of these processed foods, sugary drinks, Children are now being diagnosed with Obesity, Insulin resistance, Type-2 diabetes, Non-alcoholic fatty liver Disease (NAFLD). Yes, Children are now prone to chronic diseases in their early years of life, way before reaching their teenage/adulthood (<20).
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Fructose is 7 times more likely to produce Advanced glycation end products (AGE) than Glucose. Advanced glycation end products cause symptoms in your body like decrease in collagen, early aging, wrinkles on skin, sagging of the throat.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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It is observed that brains with insulin resistance develop 100% Alzheimer’s disease. This is the reason why Alzheimer’s is also called Type 3 Diabetes.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Excessive usage of Table sugar/sucrose can lead to Type 2 diabetes.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Refined sugars use your body’s stored B-vitamins, Calcium and Magnesium for their digestion. Regular consumption of foods high in refined sugar will deplete your body’s stored B-vitamins, Calcium and Magnesium
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Coconut sugar contains Potassium, Magnesium, and sodium. Potassium eliminates excessive fluids from your body and helps in maintaining a healthy body weight. Potassium also protects your heart from high blood pressure
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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However, Agave nectar contains about 70–90% Fructose, and 10–30% Glucose. Given the harmful health effects of excess Fructose consumption, Agave Nectar may be even worse for your Metabolic health than regular Table sugar.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Maltodextrin is largely found in many processed foods and is worse than normal Table sugar.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Generally, we test our blood glucose levels to know the condition of pancreas, but recent studies suggest that testing our insulin levels is a far more efficient way to detect the condition of our Pancreas/ Insulin resistance.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Insulin has a significant effect on a hormone called leptin. Both insulin and leptin have significant impact on weight/obesity of a person
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Raw, Organic, and Unpasteurised honey is the most preferable as it contains Natural yeast &Bee pollen collected directly from the Beehive.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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BMI is not an accurate measurement for Obesity/ insulin resistance, as it does not include the VISCERAL FAT. So, Doctors recommend Waist/ Hip ratio as the best measurement for Obesity or unhealthy fat storage inside our body.
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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• If you want to know the name of a single bacteria which causes lot of dental cavities, then it is Streptococcus mutan
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Srividya Bhaskara (Added Sugars-The Slow Poison)
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Naomi nudges me gently, sliding a paper cup into my hand. "You look like you need this more than I do right now."
"You're an actual angel sent from heaven." I take a sip and immediately grimace. "I take that back. What in the devil's name is this?"
"Drink," she says. "Its basically poison, but it's caffeine."
"It's a human rights violation."
She grind. "Welcome to the NHS.
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Samantha Anne (Somehow Still You (Reverie Boys, #1))