Slow On The Uptake Quotes

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Uh-uh. We've played this game before. I hide. You never seek. I'm a bit slow on the uptake, but I'm beginning to sense a pattern." - Clay to Elena
Kelley Armstrong (Bitten (Otherworld, #1))
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
J. Lynn (Wait for You (Wait for You, #1))
Flora sighed. It was curious that persons who lived what the novelists called a rich emotional life always seemed to be a bit slow on the uptake.
Stella Gibbons (Cold Comfort Farm)
Bear with me on this, Evanlyn. I know you're anxious about Horace." WIll was a little puzzled by Halt's words. "No more anxious than the rest of us, surely," he said. Halt turned away and raised his eyebrows as his gaze met Selethen's. Sometimes, he thought, his former apprentice could be remarkably slow on the uptake. He saw the Arridi's slow nod of understanding. ~Halt & Will about Evanlyn and Horace
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
I give you points for persistence, but you lose a few for being slow on the uptake. (Rae)
Sherrilyn Kenyon (Whispered Lies (B.A.D. Agency, #3))
Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please." Freddie scrunched his forehead in distaste. "I don't want to plug my guitar in just so I can play some bow-chicka-wow-wow accompaniment to your strip show. Mira laughed. "Bow-chicka-what was that, Freddie?
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
It's not rash," she said, a fiery tone to her words. "I've waited two years for him to realize how I felt. He's just a little slow on the uptake.
Ronie Kendig (Hawk (The Quiet Professionals, #2))
Flora sighed. It was curious that persons who lived what the novelists call a rich emotional life always seemed to be a bit slow on the uptake.
Stella Gibbons (Cold Comfort Farm)
To the people in Creede I am intelligent, suspiciously sophisticated and elitist to the point of being absurd. To the people at UC Davis I am quaint, a little slow on the uptake and far too earnest to even believe.
Pam Houston (Deep Creek: Finding Hope in the High Country)
Most unintelligent or foolish people do not regard themselves as that; they regard themselves as not-that-intelligent or not-that-wise.
Mokokoma Mokhonoana
Ridcully gave him the slow blank stare used by those with acute uptake-grasping deficiency.
Terry Pratchett (Night Watch (Discworld, #29))
There isn't much left in me at all. Until you. You're the good. Don't take that away from me. I'm thinking my man may be a little slow on the uptake. We're a done deal. We're together. If you mean what you say and I'm important to you, then who I am has to be important. I'm that girl from the swamp without a family, without a parent, or anyone at all. I made my own rules. I can't be anyone else, even for you. You're mine Evangeline. You never have to worry again about anyone leaving you. I love that you're mine. I've never had anything for myself. What if I don' want to do something. Then it isn't done.
Christine Feehan (Leopard's Fury (Leopard People, #8))
Well, let's argue this out, Mr Blank. You, who represent Society, have the right to pay me four hundred francs a month. That's my market value, for I am an inefficient member of Society, slow in the uptake, uncertain, slightly damaged in the fray, there's no denying it. So you have the right to pay me four hundred francs a month, to lodge me in a small, dark room, to clothe me shabbily, to harass me with worry and monotony and unsatisfied longings till you get me to the point when I blush at a look, cry at a word. We can't all be happy, we can't all be rich, we can't all be lucky - and it would be so much less fun if we were. Isn't it so, Mr Blank? There must be the dark background to show up the bright colours. Some must cry so that the others may be able to laugh the more heartily.
Jean Rhys (Good Morning, Midnight)
A glance at the clock on the nightstand told me I still had several hours until morning, and I knew I was in for a long night. I wasn’t quite ready to get back in bed, and my throat felt dry, so I left the bedroom and padded into the kitchen for a bottle of cool water. On my way back through the living room, I glanced at the couch and froze. Holt was lying there with a blanket tossed over his legs. “You’re sleeping on the couch?” I said, surprise lacing my tone. “I figured it was too soon to climb into bed with you,” he drawled. A warm flush spread over my limbs. The idea of sharing a bed with him… of being tangled up in his arms and legs… was entirely too appealing. “I’m an idiot.” He chuckled. “And why is that?” Because I should have realized that he only had one bed in this house and I was hogging it. He did say my scent was on his sheets. Geez, how slow on the uptake was I? “I should be the one sleeping out here.” “No.” It sounded like a command. “Yes.” He moved so fast I barely saw him, and then he was towering over me, my eyes left to stare at the very wide expanse of his chiseled chest. “What kind of a man do you think I am?” he drawled. “What?” I said, not really listening to his words. His body was the ultimate distraction. “Do you really think I would let someone—a girl—who was just released from the hospital, still bruised and burned, sleep on my couch?” “I’m sure I would be more comfortable there than you would be.” “Go back to bed, Katie.” He crossed his arms over his chest. “And if I don’t?” I challenged. I didn’t really care for the overbearing type. “If you don’t, I’m going to rip my shirt off you right here and do things to your body that will echo through your limbs long after I stop touching you.
Cambria Hebert (Torch (Take It Off, #1))
His voice was languidly dense, as if he was a little slow on the uptake, but Strike knew that tone came from the man's feeling of complete control.
Richard Price (Clockers)
So many tankers come down with maintenance problems all at once. I do not think that the press is telling us the whole story. Then again, maybe they are just a little slow on the uptake. The truth will reveal that Allah has truly blessed us.
Christian F. Burton (Energy Dependence Day)
Our culinary memory is short and we live in a very different food world now. Chances are you won’t remember the late nineties as a time when restaurants were basically inaccessible to most Americans, but it was. Our dining culture was, by and large, bifurcated. On one side, you had prohibitively expensive, mostly French-inspired restaurants with excellent service and comfortable dining rooms. On the other, there were far more affordable options serving the cuisines of Asia, Africa, and Latin America in humble settings—a genre that’s been lumped together as “ethnic food” since the 1960s. But as delicious as those places could be, they were usually locked into the traditions and time periods from which their immigrant proprietors first came. There really wasn’t a place where you could find something in between: innovative cuisine that was neither married to France nor fixed to the recipes of the motherland, made with high-quality ingredients, and available for, say, twenty bucks. I could tell that race played a major role in America’s slow uptake on this concept, which only made it more personal for me.* 9
David Chang (Eat a Peach)
Got it in two. It would’ve been funny if you’d got it straight away, honest.’ ’Sure. Look, I’m sorry, but I’m whacked right now . . .’ Milly’s heart sank. He was going to cry off. ’. . . what with the flight, the delay and some other stuff, so I’m not too quick on the uptake. You might have to nod when you make a joke.’ Milly nodded. She was so relieved she could have hugged him. ‘That wasn’t a joke. That nod, I mean. That was just me agreeing.’ Mitch laughed. ‘I’m slow, but not that slow,’ he said.
Dominic Holland (Only in America)
... and everyone would realize, if they hadn't already feared it, if they were a bit slow on the uptake, that their lives and stories weren't their own; and all the different stories he set in motion would play out at the same time, the simultaneity generated by him.
Rosamund Lupton (Three Hours)
Maybe you should fuck it out of me. I think, with effort, it might work. You'll have to be persistent. I'm slow on the uptake." He chuckled and licked the shell of my ear, sucking the lobe into his mouth. "Oh yeah? How many times would it take before you learned?" "Hundreds. Thousands. It'd be a huge task, but it would work. I believe in you. You can cure this terrible evil that makes me say things I don't mean.
Nicky James (End Scene)
Bud, our nosey neighbor, pokes his head over the fence. I wonder if he’s gonna threaten to call social services again, like he did the last time Mom was screaming on the front lawn. I pray Mom keeps her voice down so he doesn’t. “We stopped for a smoothie,” Dad says with a shrug, slow on the uptake.
Jennette McCurdy (I'm Glad My Mom Died)
Sensation Hunters (January 3, 1934), features Brennan as a stuttering waiter in a nightclub, whose scenes usually end before he can finish a sentence. Dressed in a short cutaway jacket with a lock of hair curled in the middle of his forehead, he is ridiculously slow on the uptake when he is addressed ironically by his employer—“Hey, Handsome,” “Hey, Honey”—as she brushes past him. Before he can say much, she is gone, leaving him to stare dumbly at the tray in his hands. This a typical example of the comic relief he brought to otherwise ordinary scenes, but in this case he also serves as a foil to the fast-paced world of showgirls, con artists, and pickpockets. In a way, Brennan became a specialist, employed to get scenes off to a fast start, or to make a snappy transition with just a little bit of the actor’s business—in this case straining for words that his impatient employer cannot bother to take in. His one moment of joy comes when several showgirls jostle him on their way to the stage, his one brush with stardom. And then he vanishes from the film, no longer of use to the plot.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
Successful marathoners have these physiological attributes: • High proportion of slow-twitch muscle fibers. This trait is genetically determined and influences the other physiological characteristics listed here. • High lactate threshold. This is the ability to produce energy at a fast rate aerobically without accumulating high levels of lactate in your muscles and blood. • High glycogen storage and well-developed fat utilization. These traits enable you to store enough glycogen in your muscles and liver to run hard for 26.2 miles (42.2 km) and enable your muscles to rely more on fat for fuel. • Excellent running economy. This is the ability to use oxygen economically when running at marathon pace. • High maximal oxygen uptake (VO2max). This is the ability to transport large amounts of oxygen to your muscles and the ability of your muscles to extract and use oxygen. • Quick recovery. This is the ability to recover from training quickly.
Pete Pfitzinger (Advanced Marathoning)
The use of Peruvian bark radiated outward from Seville and Rome in the second half of the seventeenth century, but its efficacy was controversial, and its association with Catholicism slowed its uptake in Protestant Europe.
Kyle Harper (Plagues upon the Earth: Disease and the Course of Human History)
First floor,” I said. “I’ll start. Go hide somewhere.” “Uh-uh. We’ve played this game before. I hide. You never seek. I’m a bit slow on the uptake, but I’m beginning to sense a pattern.” “Go.” Clay grinned, grabbed me around the waist and kissed me, then ducked out of the way before I could retaliate.
Kelley Armstrong (Bitten (Women of the Otherworld, #1))