Slippery Short Quotes

Long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings . . . but short words were slippery, unpredictable, changing their meanings without any pattern.

What does it feel like to be alive? Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling! It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.

It is so easy to get sucked into the if-only game, and playing it is a short and slippery slide into despair.

Love is not a shining star. Love is not the warm glow of the sun. Love is a river. Sometimes it’s shallow and other times a mile deep. It flows toward some and away from others. It’s rocky, slippery, and you can drown in it if you’re not careful. It creates ripples in the lives around us, and all we can hope for is to be a part of that river, no matter where it leads or how short the journey may be.

Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly! Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed. A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?" "How tall is he?" Judd asked in his most overbearing Psy manner. Lara stared. "He's four. How tall do you think he is? Have you seen him or not?" "Let me think...did you say he was naked?" "He was about to be bathed. Slippery little monkey." A giggle from behind Judd. Lara's eyes widened and then her lips twitched. "So you haven't seen him?" "Without a proper description, I can't be sure." The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is." Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?" Judd nodded. "I do believe you've been found. Why don't you go have your bath?" "Come on, munchkin." Lara held out a hand. Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd." Lara anticipated his question. "Ben spends a lot of time with Marlee." "I spend a lot of time with Marlee," a small voice piped up.

Home—what other home existed for one who belonged nowhere, but the stormy one in the heart of another for a short time? Was not this the reason why love, when it struck the hearts of the homeless, shook and possessed them so completely—because they had nothing else? Had he not for this very reason tried to avoid it? And had it not followed him and overtaken him and struck him down? It was harder to rise again on the slippery ice of a foreign land than on familiar and accustomed ground.

Beware, then, of the long word that's no better than the short word: "assistance" (help), "numerous" (many), "facilitate" (ease), "Individual" (man or woman), "remainder" (rest), "initial" (first), "implement" (do), "sufficient" (enough), "attempt" (try), "referred to as" (called), and hundreds more. Beware of all the slippery new fad words: paradigm and parameter, prioritize and potentialize. They are all weeds that will smother what you write. Don't dialogue with someone you can talk to. Don't interface with anybody.

If ‘myth’ is a slippery term, so is ‘classical’. It is common shorthand for ‘ancient Greek and Roman’. But this shorthand has a history, and a bias.

Darknesse and light divide the course of time, and oblivion snares with memory, a great part even of our living beings; we slightly remember our felicities, and the smartest stroaks of affliction leave but short smart upon us. Sense endureth no extremities, and sorrows destroy us or themselves. To weep into stones are fables. Afflictions induce callosities, miseries are slippery, or fall like snow upon us, which notwithstanding is no unhappy stupidity. To be ignorant of evils to come, and forgetfull of evils past, is a mercifull provision in nature, whereby we digest the mixture of our few and evil days, and our delivered senses not relapsing into cutting rememberances, our sorrows are not kept raw by the edge of repetitions.

Suddenly she saw a man who was snapping her picture. She stared at him and realized that he was short, had black hair, a hard face, and was wearing a gray suit. He looked to be of Italian descent. Could he possibly be Benny the Slippery One Caputti?

He should have known better because, early in his learnings under his brother Mahmoud, he had discovered that long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings . . . but short words were slippery, unpredictable, changing their meanings without any pattern. Or so he seemed to grok. Short human words were never like a short Martian word—such as “grok” which forever meant exactly the same thing. Short human words were like trying to lift water with a knife.

Natural” is a word that invites suspicion. It should always present itself in quotation marks, A sign that its meaning is slippery. Humans can justify almost anything by calling it natural. Naturalness is the pervasive myth—the one to root out of your head.

There was a doily on the chest of drawers. I eyed it warily. I have nothing against doilies, but they’re a slippery slope. You start with doilies, then pretty soon it’s crocheted table runners and then it’s a short step to antimacassars.

Love is not a shining star. Love is not the warm glow of the sun. Love is a river. Sometimes it’s shallow and other times a mile deep. It flows toward some and away from others. It’s rocky, slippery, and you can drown in it if you’re not careful. It creates ripples in the lives around us, and all we can hope for is to be a part of that river, no matter where it leads or how short the journey may be. I hoped one day to be deep in the waters of a river that flowed back to me, one that spanned such a distance that I couldn’t see the shore. But I knew in my heart I would always be the one standing on the outside, watching others fall into the deep end.

There was a doily on the chest of drawers. I eyed it warily. I have nothing against doilies, but they’re a slippery slope. You start with doilies, then pretty soon it’s crocheted table runners and then it’s a short step to antimacassars. As if doilies are some kind of larval form, and the table runners are an instar in their development.

There is only one illness that pushes both the well-wheeled and the un-wheeled to seek out the prophet. It is the big disease with the little name, the sickness that no one dies of, the disease whose real name is unspoken, the sickness that speaks its presence through the pink redness of lips, the slipperiness of hair, through the whites of the eyes whiter than nature intended.

He stood just near the club’s steps, his back to me along the foggy English night, and it was not until I’d passed him and began my ascent of the many steps that I’d heard his voice. The voice I knew, in all my years of living upon the Earth, that I would never forget. Even then I had known this. It was the slippery way of his tongue, or perhaps it was the coolness of which his words passed across the air and slid its way into my ears as though they were only meant for me.

Pre-forty, you can wash your face with Tide and use Vaseline for moisturizer, toss on a little mascara and lip gloss, and you're a friggin' cover girl. Those of us on the slippery slope that is the Other Side of Forty can testify-- those days are so over. You pore over labels promising everything short of actual rebirth-- you will buy most of them for an average of $450 per quarter once-- and none of them will work. You will still be getting older and poorer with every passing purchase.

Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.

Taken to extremes, life is a process of reorientation after shame or glory and when anxiety sweeps in there is a relief at not having left any definite tracks. Before you understand where the emotion is going to lead, you talk to anyone and everyone about the object of your love. All of a sudden, this stops. By then the ice is already thin and slippery. You realize that every word could expose your infatuation. Feigning indifference is as hard as acting normally and fundamentally the same thing. There is a resistance in the party who wants to leave, a fear of the unknown, of the hassle and of changing one's mind. A party not wanting to be left must exploit that resistance. But then they must restrain their need for clarity and honesty. The matter must remain unformulated. A party not wanting to be left must leave it to the one wanting to go to express the change. That is the only way to keep a person who does not want to be with you. Hence the widespread silence in the relationships of the world. Love needs no words. For a short period you can put your trust in wordless emotion. But in the long run there is no love without words and no love with words alone. Love is a hungry beast. It feeds off touch and repeated assurances. The sense of desolation in a flat that your lover has just left is the most complete sense of desolation that exists. Her desperation being real, she was extra-sensitive to the ways desperation could be expressed. When the brain perceives contact as possible, every houris too long. That is the state of enslavement. The state in which the prospect of intoxication takes over the organism.

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

Jyo offered Isae a fried feathergrass stalk with a big smile, but Akos snatched it before she could take it. “You don’t want to eat that,” he said. “Unless you want to spend the next six hours hallucinating.” “Last time Jyo slipped someone one of those, they wandered around this house talking about giant dancing babies,” Jorek said. “Yeah, yeah,” Teka said. “Laugh all you want, but you would be scared too if you hallucinated giant babies.” “It was worth it, whether I will ever be forgiven or not,” Jyo said, winking. He had a soft, slippery way of talking. “Do they work on you?” Cisi asked Akos, nodding to the stalk in his hand. In answer, Akos bit into the stalk, which tasted like earth and salt and sour. “Your gift is odd,” Cisi said. “I’m sure Mom would have some kind of vague, wise thing to say about that.” “Ooh. What was he like as a child?” Jorek said, folding his hands and learning close to Akos’s sister. “Was he actually a child, or did he just sort of appear one day as a fully grown adult, full of angst?” Akos glared at him. “He was short and chubby,” Cisi said. “Irritable. Very particular about his socks.” “My socks?” Akos said. “Yeah!” she said. “Eijeh told me you always arranged them in order of preference from left to right. Your favorite ones were yellow.

While reading some old articles to jog my memory for this book, I came across an article in the Chicago Sun-Times by Rick Kogan, a reporter who traveled with Styx for a few concert dates in 1979. I remember him. When we played the Long Beach Civic Center’s 12,000-seat sports arena in California, he rode in the car with JY and me as we approached the stadium. His recounting of the scene made me smile. It’s also a great snapshot of what life was like for us back in the day. The article from 1980 was called, “The Band That Styx It To ‘Em.” Here’s what he wrote: “At once, a sleek, gray Cadillac limousine glides toward the back stage area. Small groups of girls rush from under trees and other hiding places like a pack of lions attacking an antelope. They bang on the windows, try to halt the driver’s progress by standing in front of the car. They are a desperate bunch. Rain soaks their makeup and ruins their clothes. Some are crying. “Tommy, Tommmmmmmmmy! I love you!” one girl yells as she bangs against the limousine’s window. Inside the gray limousine, James Young, the tall, blond guitarist for Styx who likes to be called J.Y. looks out the window. “It sure is raining,” he says. Next to him, bass player Chuck Panozzo, finishing the last part of a cover story on Styx in a recent issue of Record World magazine, nods his head in agreement. Then he chuckles, and says, “They think you’re Tommy.” “I’m not Tommy Shaw,” J.Y. screams. “I’m Rod Stewart.” “Tommy, Tommmmmmmmmy! I love you! I love you!” the girl persists, now trying desperately to jump on the hood of the slippery auto. “Oh brother,” sighs J.Y. And the limousine rolls through the now fully raised backstage door and he hurries to get out and head for the dressing room. This scene is repeated twice, as two more limousines make their way into the stadium, five and ten minutes later. The second car carries young guitarist Tommy Shaw, drummer John Panozzo and his wife Debbie. The groupies muster their greatest energy for this car. As the youngest member of Styx and because of his good looks and flowing blond hair, Tommy Shaw is extremely popular with young girls. Some of his fans are now demonstrating their affection by covering his car with their bodies. John and Debbie Panozzo pay no attention to the frenzy. Tommy Shaw merely smiles, and shortly all of them are inside the sports arena dressing room. By the time the last and final car appears, spectacularly black in the California rain, the groupies’ enthusiasm has waned. Most of them have started tiptoeing through the puddles back to their hiding places to regroup for the band’s departure in a couple of hours.” Tommy

Steve didn’t fear death. Maybe that was part of his secret for being so gifted with wildlife. He had such perfect love for every animal, and especially crocodiles, that there didn’t seem to be any room left over for fear. But this didn’t mean that Steve didn’t have his share of close calls. One day I was feeding Cookie, Wes was feeding Mary, and our crew member Jan was backing up Wes. Steve talked to the zoo visitors about our big male, Agro, partially submerged in the water near Steve. Steve was so intent on getting his message across about crocodiles that he might have been a bit distracted. It had poured rain that day, leaving the grass wet and slippery. Agro took full advantage when Steve’s back was to the water. He powered forward like a missile, out of the water and halfway up the bank. As he came out, Wes yelled. Agro had Steve backed against the fence. Steve couldn’t move. I looked across the enclosure and saw the look on Steve’s face--it wasn’t fear, it was resolve. A big male saltwater croc was about to grab him. But for some unknown reason, Agro hesitated for a split second. Maybe he just couldn’t believe his luck. Or he was distracted by Wes, running over to save his best friend. Steve darted sideways and ran down the fence line. He was safe. The audience erupted in excited chatter. “Nothing short of a miracle,” a crowd member said about Steve’s escape. Was it? Was it his sixth sense? Was it his mate, Wes? That night we lay in bed and I stroked his face, tracing the lines that were starting to form around the corners of his eyes, waiting for his breathing to become more regular as he fell asleep. “I thought for a minute there he had me,” Steve said softly in the dark. Steve was never one to panic, and that kind of levelheaded thinking allowed him to return the favor to Wes in a much closer call during cyclone season in March 2001.

One took slippery elm and let it lie in milk until it became soft. This applied to the burns enabled to sleep better at night.

Jon pushing the wooden phallus against his puckered opening brought Tom out of his reverie, and he made a small, slightly shaky sound. Jon’s hand stroked the back of his thigh, his palm now warm and slippery with oil. The pressure increased and Tom felt himself begin to open up. He winced as the stretch bordered on painful for a moment, but it was more out of nerves than any real discomfort. “Fuck, Tom,” breathed Jon. “I am so fucking hard right now… watching this… doing this to you. I never thought…” Tom let out a groan at Jon’s words, his arousal rekindling again as he realized that the wooden cock sliding into his ass was not going to be the uncomfortable challenge that he had assumed it would be. Since the thing didn’t actually have a head, being smooth and widening only slightly near the base, he knew he could take it. Tom heard Jon take a shuddering breath and, hearing the rapid sound of skin on skin, came to the conclusion that Jon was jerking himself off as he fucked Tom’s ass with the dildo. Tom’s cock twitched against his stomach in response, almost painfully stiff and so sensitive that when he breathed and it moved against his belly hair, it sent little jolts of pleasure through him. He lifted his head to look at Jon and saw that he was flushed; his eyes had taken on the glazed, rapt look of profound arousal as he stroked himself quickly. Then Jon began pulling the phallus almost all the way out and pushing it back in, slick and hard into Tom’s body. “Oh gods,” murmured Jon. “I think I’m going to cum just looking at you.” Tom arched his head back on the pillow, his breath short and his heart thundering. He let out a gasp a moment later when the dildo left his ass and he heard Jon’s strangled cry as he sent a jet of cum right against Tom’s throbbing pucker. A second volley followed and then Jon pushed his slick cock inside Tom, fucking him quick and hard with a few deep thrusts as he rode out the tail of his climax. Tom felt frantic and desperately aroused when Jon pulled out with a satisfied growl.

She learned that marriage meant sacrifice and broken promises, and that it was a short and slippery slope from I do to losing yourself entirely.

I figured that it wouldn’t take me all that long to walk the steep incline from the docks, past the warehouses, up to Congress Street and then down to State Street. I was on my way, snow or no snow! Bundled up in my gloves, woolen thirteen-button bell-bottomed uniform pants, navy blue shirt and pea coat, with the flaps up, I negotiated the slippery steep incline of High Street. I knew that I was in Maine, known for adverse weather, but this was unreal. It was all I could do to hang onto this precious cargo with my cold fingers in my wet gloves, and put one foot in front of the other. Little by little, I made progress against the elements but, the longer it took to walk the distance, the more I looked like a snowman. Now the white stuff was getting heavier, and started to pile up. It stuck to my uniform, turning the dark blue to white. By the time I got as far as Congress Street, my feet and fingers were totally numb again, and my ears frozen. The box was getting heavier by the moment and I couldn’t even cover my ears with my hands. Finally I just put the box down into the snow, crouched down against a building, and pulled my pea coat over my head. Breathing into it, I managed to generate a little heat. I pressed the flaps of the coat against my ears until I could feel them again. Aside from my frozen feet, I warmed up enough this way to be able to continue. Picking up the box, I got up and once again faced the harsh elements. There was little sign of life, and with this cold wind, I could easily have gotten frostbite. Most people who lived in Maine had better sense than to be out under these arctic conditions. The plows had not cleared the streets yet, and behind me I could see a lone car spinning its wheels, trying in vain to make the steep grade. Once again I had to put down the box. I took off my gloves and tried to warm my hands by blowing onto them, as I did a little dance stomping my feet, but nothing helped anymore; my hands and feet were numb. When I picked the box up again, the bottom was caked with snow, making matters even worse! With only a short distance left I thought about Ann and so I continued trudging on.

Bundled up in my gloves, woolen thirteen-button bell-bottomed uniform pants, navy blue shirt and pea coat, with the flaps up, I negotiated the slippery steep incline of High Street. I knew that I was in Maine, known for adverse weather, but this was unreal. It was all I could do to hang onto this precious cargo with my cold fingers in my wet gloves, and put one foot in front of the other. Little by little, I made progress against the elements but, the longer it took to walk the distance, the more I looked like a snowman. Now the white stuff was getting heavier, and started to pile up. It stuck to my uniform, turning the dark blue to white. By the time I got as far as Congress Street, my feet and fingers were totally numb again, and my ears frozen. The box was getting heavier by the moment and I couldn’t even cover my ears with my hands. Finally I just put the box down into the snow, crouched down against a building, and pulled my pea coat over my head. Breathing into it, I managed to generate a little heat. I pressed the flaps of the coat against my ears until I could feel them again. Aside from my frozen feet, I warmed up enough this way to be able to continue. Picking up the box, I got up and once again faced the harsh elements. There was little sign of life, and with this cold wind, I could easily have gotten frostbite. Most people who lived in Maine had better sense than to be out under these arctic conditions. The plows had not cleared the streets yet, and behind me I could see a lone car spinning its wheels, trying in vain to make the steep grade. Once again I had to put down the box. I took off my gloves and tried to warm my hands by blowing onto them, as I did a little dance stomping my feet, but nothing helped anymore; my hands and feet were numb. When I picked the box up again, the bottom was caked with snow, making matters even worse! With only a short distance left I thought about Ann and the aroma from baking brownies, so I continued trudging on. I could now see the statue of Longfellow, slouched in his massive chair. “Hi, Henry. What do you think of this glorious weather?” Not getting an answer, was answer enough. I was convinced that his bronze butt was frozen to the chair, but in spite of the weather, he still looked comfortable!

Incidentally, this is one of the worst defects in all the journal writing—this tacking on of recently digested syntheses. No syntheses, please! And in the finished work, no slippery escapes, no short, pithy, ambiguous lines or sentences. Full out, or else nothing.

Is that your way of saying I’m short?” I laugh lightly, pulling her into me, our bodies slippery and slick against each other. “Of course not. You’re not short, just fun-sized. You just need a little lift so I can really give it to you like I want.

And sure we may The same too of the Present say, If Past, and Future Times do thee obey. Thou stopst this Current, and dost make This running River settle like a Lake, Thy certain hand holds fast this slippery Snake. The Fruit which does so quickly wast, Men scarce can see it, much less tast, Thou Comfitest in Sweets to make it last. This shining piece of Ice Which melts so soon away With the Suns ray, Thy Verse does solidate and Chrystallize. Till it a lasting Mirror be; Nay thy Immortal Rhyme Makes this one short Point of Time, To fill up half the Orb of Round Eternity.

The scar on my face. Do you know how I got it?” “Your family was attacked by some Craven when you were a child,” he answered. “Vikter…” “He filled you in?” A faint, tired smile pulled at my lips. “It’s not the only scar.” When he said nothing, I slipped my hand out from under my sleeve. “When I was six, my parents decided to leave the capital for Niel Valley. They wanted a much quieter life, or so I’m told. I don’t remember much from the trip other than my mother and father being incredibly tense throughout the whole thing. Ian and I were young and didn’t know a lot about the Craven, so we weren’t afraid of being out there or stopping at one of the smaller villages—a place I was told later hadn’t seen a Craven attack in decades. There was just a short wall, like most of the smaller towns, and we were staying at the inn only for one night. The place smelled like cinnamon and cloves. I remember that.” I closed my eyes. “They came at night, in the mist. There was no time once they appeared. My father…he went out onto the street to try and fend them off while my mother hid us, but they came through the door and the windows before she could even step outside.” The memory of my mother’s screams forced my eyes open. I swallowed. “A woman—someone who was staying at the inn—was able to grab Ian and pull him into this hidden room, but I hadn’t wanted to leave my mom and it just…” Dark and disjointed flashes of the night attempted to piece themselves together. Blood on the floor, the walls, running down my mother’s arms. Losing my grip on her slippery hand, and then grabbing hands and snapping teeth. The claws… And then the soul-crushing, fiery pain until, finally, nothing. “I woke up days later, back in the capital. Queen Ileana was by my side. She told me what had happened. That our parents were gone.