Pigeon Lover Quotes

We've searched our database for all the quotes and captions related to Pigeon Lover. Here they are! All 20 of them:

I don’t even get the term, “the birds and the bees”.  How does that properly teach a kid about sex?  You never see a pigeon railing a dove or a honey bee sticking it to a bumble bee.
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
Dusk had fallen, While the sky was gray, Red flowers bloomed, And the yellow fade away, Night was to fall, But the sun had to stay, Moon of fourteen, For the lover had to pray, Life gave up hope, Yet the heart had to say, Lover wrote a letter, But the pigeon lost it's way.
Neymat Khan
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Truth disappears with history and gossip tells us in the end nothing of personal relationships. There are stories of elopements, unrequited love, family feuds, and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself he smile of a lover. Individuals are seen only in the context of these swirling social tides. It was almost impossible for a couple to do anything without rumour leaving their shoulders like a flock of messenger pigeons. Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations...I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
Michael Ondaatje (Running in the Family)
She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.
Pamela Allegretto (Bridge of Sighs and Dreams)
Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I have become an isolationist. I isolate in my room, the names of men on my tongue I can no longer pronounce, my memory of them unraveled by time. I look out my bedroom window onto the velveted backyard that expands into forever, my pigeons silent and content behind hexwire, the moon hooked in the limbs of my favorite peach tree, its purple bark the color of my lover’s skin.
James Nulick
On the Necessity of Sadness" Let me tell you about longing. Let me presume that I have something new to say about it, that this room, naked, its walls pining for clocks, has something new to say about absence. Somewhere the crunch of an apple, fading sunflowers on a quilt, a window looking out to a landscape with a single tree. And you sitting under it. Let go, said you to me in a dream, but by the time the wind carried your voice to me, I was already walking through the yawning door, towards the small, necessary sadnesses of waking. I wish I could hold you now, but that is a line that has no place in a poem, like the swollen sheen of the moon tonight, or the word absence, or you, or longing. Let me tell you about longing. In a distant country two lovers are on a bench, and pigeons, unafraid, are perching beside them. She places a hand on his knee and says, say to me the truest thing you can. I am closing my eyes now. You are far away.
Mikael de Lara Co
Everyone is a resource. They serve a purpose. You serve a purpose. I compartmentalized all of you. You are here to prop me up, to tear me down, to straighten my spine, to lighten the load. To be my carrier pigeon, my work horse, my lover, my fighter, my friend, my enemy.
Christopher Gutiérrez
There was a little padded seat beside the rattling panes and mouldy sand-bags, it was the coldest place in the room; but she kept there for an hour and a half, with a shawl about her, shivering, squinting at her stitches, and sneaking sly little glances at the road to the house. I thought, if that wasn’t love, then I was a Dutchman; and if it was love, then lovers were pigeons and geese, and I was glad I was not one of them.
Sarah Waters (Fingersmith)
What was it, she wondered, this need to brandish his shiny new metropolitan life at her? As soon as she'd met him at the arrivals gate on his return from Thailand, lithe and brown and shaven-headed, she knew that there was no chance of a relationship between them. Too much had happened to him, too little had happened to her. Even so this would be the third girlfriend, lover, whatever, that she had met in the last nine months, Dexter presenting them up to her like a dog with a fat pigeon in his mouth. Was it some kind of some sick revenge for something? Because she got a better degree than him? Didn't he know what this was doing to her, sat at table nine with their groins jammed in each other's faces?
David Nicholls (One Day)
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
The weather was dazzling- a sunny Nova Scotia May day. We walked through the huge iron gates into the Public Gardens and ate our sandwiches and apples beside the duck pond. I kicked off my rubber boots and wiggled my toes in the sun as I watched the swans and yellow ducklings. The Gardens were immense, full of massive and intricate flowerbeds, winding paths, and strange exotic trees. There were statues, a splashing fountain, an elaborate round bandstand, and a little river with a curved bridge over it. Lovers strolled arm and arm, and children shrieked with laughter as they chased the pigeons.
Budge Wilson (The Leaving and Other Stories (POINT))
The Lido, with its acres of sun-pinked or pyjamaed bodies, was like a strand with an endless heap of seals come up for mating. Too many people in the piazza, too many limbs and trunks of humanity on the Lido, too many gondolas, too many motor-launches, too many steamers, too many pigeons, too many ices, too many cocktails, too many menservants wanting tips, too many languages rattling, too much, too much sun, too much smell of Venice, too many cargoes of strawberries, too many silk shawls, too many huge, raw-beef slices of watermelon on stalls: too much enjoyment, altogether far too much enjoyment!
D.H. Lawrence (Lady Chatterley’s Lover)
There are many reasons why girls should not travel alone, and I won’t list them, because none of them are original reasons. Besides, there are more reasons why girls should. I have the utmost respect for girls who travel alone, because it’s hard work sometimes. But girls, we just want adventures. We want international best friends and hold-your-breath vistas out of crappy hostel windows. We want to discover moving works of art, sometimes in museums and sometimes in side-street graffiti. We want to hear soul-restoring jam sessions at beach bonfires and to watch celestial dawns spill over villages that haven’t changed since the Middle Ages. We want to fall in love with boys with say-that-again accents. We want sore feet from stay-up-all-night dance parties at just-one-more-drink bars. We want to be on our own even as we sketch and photograph the Piazza San Marco covered in pigeons and beautiful Italian lovers intertwined so that we’ll never forget what it feels like to be twenty-three and absolutely purposeless and single, but in love with every city we visit next. We want to be struck dumb by the baritone echoes of church bells in Vatican City and the rich, heaven-bound calls to prayer in Istanbul and to know that no matter what, there just has to be some greater power or holy magic responsible for all this bursting, delirious, overwhelming beauty in the great, wide, sprawling world. I tucked my passport into my bag. Girls, we don’t just want to have fun; we want a whole lot more out of life than that.
Nicole Trilivas (Girls Who Travel)
Lindsey snorted. No one could act out Mo Willems’s Don’t Let the Pigeon Drive the Bus! better than Beth.
Jenn McKinlay (Hitting the Books (Library Lover's Mystery, #9))
In Amorous Creeping by Stewart Stafford I scaled a trellis in randy pursuit, A rose in teeth for my paramour, A thorn lurking by a naked stem, Palmy, engorged and prescient. A pigeon said to douse my ardour, A talkative fowl, plainly no pidgin, Snorts for this priggish counsel, Blind shoots, driving me upward. A wriggling worm to her chamber, Inside I crept as she lay sleeping, Sweeping a spectral sheet off her, To lay until the dawn chorus sings. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
As a lover of the theater, Anna had been fascinated by what drove the human heart to self-destruct. That was over. Now all she cared about was that they be stopped.
Nevada Barr (The Rope (Anna Pigeon #17))
They stayed like that for a moment, catching their breath. As Blake put his cock away and Autumn wiped at her mouth, he ordered himself to do something. Something had to be done when your lover sat slumped on your living room floor. But all the options he came up with sounded wrong. Hold her. Would she want that? Smile at her. He wasn’t sure how. Talk to her. About what? “I fed the pigeons outside.
Tessa Bailey (Captivated)
I believe bringing people together with other species is beneficial, even for people who aren't nature lovers. Evidence shows that stress levels drop and health improves when people are in the company of plants and animals. If we care about biodiversity and want to experience it personally (in addition to knowing it exists somewhere else, thousands of miles away), it's eminently possible to increase the species richness of our daily lives by nurturing a variety of habitats in and around cities.
Nathanael Johnson (Unseen City: The Majesty of Pigeons, the Discreet Charm of Snails & Other Wonders of the Urban Wilderness)