“
I’m sort of… coming off a bad relationship”
“When did it end?”
“Slightly before it started.
”
”
Rainbow Rowell (Attachments)
“
There are days when I feel so lightly connected to the earth that the threads that tether me to the planet are gossamer thin, spun sugar. A strong gust of wind could dislodge me completely, and I’d lift off and blow away, like one of those seeds in a dandelion clock. The threads tighten slightly from Monday to Friday.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Jace broke off the kiss and stepped back with an exhale; before Clary could say anything, a chorus of sarcastic applause broke out from the nearby hill. Simon, Isabelle, and Alec waved at them. Jace bowed while Clary stepped back slightly sheepishly, hooking her thumbs into the belt of her jeans
Jace sighed. "Shall we join our annoying, voyeuristic friends?"
"Unfortunately, that's the only kind of friends we have.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
”
”
Norton Juster (The Phantom Tollbooth)
“
Try it on."
"It's probably a little snug. Marcie tends to buy down when it comes to sizing." He merely smiled.
"It has a slit up the thigh." His smile depened.
"Zip it up?"
Patch's eyes made a slow assessment of me, sharpening to vivid black. "I'm going to have a hard time sending you off with Scott in that dress. Just a heads-up, if you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won't be pretty.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Well, obviously, she's feeling very sad, because of Cedric dying. Then I expect she's feeling confused because she liked Cedric and now she likes Harry, and she can't work out who she likes best. Then she'll be feeling guilty, thinking it's an insult to Cedric's memory to be kissing Harry at all, and she'll be worrying about what everyone else might say about her if she starts going out with Harry. And she probably can't work out what her feelings towards Harry are anyway, because he was the one who was with Cedric when Cedric died, so that's all very mixed up and painful. Oh, and she's afraid she's going to be thrown off the Ravenclaw Quidditch team because she's flying so badly."
A slightly stunned silence greeted the end of this speech, then Ron said, "One person can't feel all that at once, they'd explode.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street."
"No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress."
"You can't be serious."
"In the governor's manor."
"Of all the -"
"In the governor's bed."
"Damned lunatic!"
"With the governor sleeping next to her."
The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later.
"It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
Ready to s-snuggle?” he asked Kaidan, a slight clatter in his voice. Only Blake could joke on a night like this and get away with it.
Kaidan shook his head and undressed down to his boxers, too, the tension finally shedding away from his frame. “I swear, mate. If I feel something poke me in the back. . .”
Blake's laugh was dry. “I'm pretty sure my junk froze off, man, so don't worry.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
The hip-hop guy nodded curtly, like he knew that, and despite appearances to the contrary, he had not been trippin', but had, in fact, been chillin' like a mo-fuckin' villain, so step the fuck off, wigga. He crossed against the light, limping slightly under the weight of the subtext.
”
”
Christopher Moore (A Dirty Job (Grim Reaper, #1))
“
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
“How long?” he said.
“Seven and a half million years,” said Deep Thought.
Lunkwill and Fook blinked at each other.
“Seven and a half million years...!” they cried in chorus.
“Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Patch's eyes made a slow assessment of me, sharpening to vivid black. "I'm going to have a hard time sending you off with Scott in that dress. Just a heads-up: If you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won't be pretty.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Nothing is ever quite right, is it, after a parent dies? No matter how well things go, something always feels slightly off...
”
”
Jenna Blum (Those Who Save Us)
“
Did you piss your pants, Eric?”
“Sed did it.”
“Sed pissed your pants?” Trey shook his head slightly. “Man, that takes pissed off to a whole new level.”
“I think that’s pissed on, not off,” Brian said.
”
”
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
“
Ty’s jeans were totally soaked and clung to him like a second skin, and Zane had to swallow hard. Jesus. “Good luck getting out of those gracefully,” he rasped with a slight smile, still leaning against the wall.
“Good luck thinking for the next hour,” Ty shot back with a smirk.
“Shit,” Zane muttered, turning into the spray to wash before leaning and shutting the water off.
”
”
Abigail Roux (Cut & Run (Cut & Run, #1))
“
Every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones.
”
”
Olivie Blake (Alone With You in the Ether)
“
Your explanation for anything slightly odd is aliens,' said Lister. 'You lose your keys, it's aliens. A picture falls off the wall, it's aliens. That time we used up a whole bog roll in a day, you thought that was aliens.
”
”
Grant Naylor (Infinity Welcomes Careful Drivers (Red Dwarf, #1))
“
Patch’s eyes made a slow assessment of me, sharpening to vivid black. “I’m going to have a hard time sending you off with Scott in that dress. Just a heads-up: If you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won’t be pretty.”
“I’ll relay the message.”
“If you tell me where he’s hiding, I’ll relay it myself.”
I had to work not to smile. “Something tells me your message would be a lot more direct.”
“Let’s just say he’d get the point.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
My new 9mm didn’t fit my hand as well as my old one, but it was rapidly becoming a familiar weight. At first I’d decided it was okay to wear as long as I shot only at supernatural bad guys who were already shooting at me. Lately, I’d had to broaden that definition to anytime my life was in danger. I was currently leaning toward a slightly more comprehensive rule somewhere between proactive self-defense and the-bastards-had-it-coming, which, if I survived long enough, I intended to blame on my deranged partner rubbing off on me.
”
”
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
“
I'm going to have a hard time sending you off with Scott in that dress. Just a heads-up: If you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won't be pretty.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
”
”
J.D. Salinger (Franny and Zooey)
“
I think it was Donald Mainstock, the great amateur squash player who pointed out how lovely I was. Until that time I think it was safe to say that I had never really been aware of my own timeless brand of loveliness. But his words smote me, because of course you see, I am lovely in a fluffy moist kind of way and who would have it otherwise? I walk, and let’s be splendid about this, in a highly accented cloud of gorgeousness that isn't far short of being, quite simply terrific. The secret of smooth almost shiny loveliness, of the order of which we are discussing, in this simple, frank, creamy sort of way, doesn't reside in oils, unguents, balms, ointments, creams, astringents, milks, moisturizers, liniments, lubricants,
embrocations or balsams, to be rather divine for just one noble moment, it resides, and I mean this in a pink slightly special way, in ones attitude of mind.
To be gorgeous, and high and true and fine and fluffy and moist and sticky and lovely, all you have to do is believe that one is gorgeous and high and true and fine and fluffy and moist and sticky and lovely.
And I believe it of myself, tremulously at first and then with rousing heat and passion, because, stopping off for a second to be super again, I’m so often told it.
That’s the secret really.
”
”
Stephen Fry (A Bit of Fry & Laurie)
“
Grandma told me not to 'squirrel' you...
She and Anne saw two squirrels doing the deed, then the male squirrel ran off when it was over. I'm slightly offended she compared me to a hit-and-run rodent. I just want you to know that I want to share my branch and acorns with you, it's not just physical.
”
”
Robin Alexander
“
Very nice lady served us drinks in hotel and was followed in by a cat. We all crooned at it. Alan [Rickman] to cat (very low and meaning it): 'Fuck off.' The nice lady didn't turn a hair. The cat looked slightly embarrassed but stayed.
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of.
"What's wrong?" asked Dimitri.
"Do you see him?" I whispered.
Dimitri followed my gaze. "See who?"
"Mason."
Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him.
"Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts.
But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it.
"What?" I asked. "What is it?"
A look of frustration crossed his face. He pointed off behind me, the dropped his hand.
"Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him.
I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible.
"They're...coming....
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
I peeked at him out of the corner of my eye. He had a slight smirk on his face. I imagined he was mentally checking off a task in his planner.
Seduce date by talking about other girls
Impress date with number of awards you have received
Do not spend money on date
Make date watch corny movie in media center
Sneak in comments about your frugality
Put arm around date at exactly the halfway mark of the movie
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
Even so, everything was ever so slightly off, as if little by little the tracing paper had slipped irretrievably from the lines of summers past.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
”
”
John Cleese
“
Don't do that!" she exclaimed, shivering at the realization that it had been his fingers touching her.
He gave her his lazy, slightly twisted smile and brushed a few pieces of unruly black hair out of his face.
"Are you asking me or ordering me?”
"Shut up." She glanced around, both to avoid his eyes and make sure no one saw them together.
"What's the matter? Worried about what your slaves'll think if they see you talking to me?”
"They're my friends," she retorted.
"Oh.Right. Of course they are. I mean, from what I saw, Camille would probably do anything for you, right? Friends till the end." He crossed his arms over his chest, and in spite of her anger, she couldn't help but notice how the silvery gray of his shirt set off his black hair and blue eyes.
(Lissa&Christian)
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
They found Seth Hubbard in the general area where he had promised to be, though not exactly in the condition expected. He was at the end of a rope, six feet off the ground and twisting slightly in the wind.
”
”
John Grisham (Sycamore Row (Jake Brigance, #2))
“
He gives me a slight smile. I simultaneously want to, like, build shrines to it and punch it off his face. It’s complicated.
”
”
Hannah Johnson (Know Not Why (Know Not Why, #1))
“
Once," he says, "I was flying to California on the Fourth of July."
She turns her head, just slightly.
"It was a clear night, and you could see all the little fireworks displays along the way, these tiny flares going off below, one town after another.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Don't you understand how Cho's feeling at the moment?" [Hermione] asked.
"No," said Ron and Harry together.
Hermione sighed and laid down her quill.
"Well, obviously, she's feeling very sad, because of Cedric dying. Then I expect she's feeling confused because she liked Cedric and now she likes Harry, and she can't work out who she likes best. Then she'll be feeling guilty, thinking it's an insult to Cedric's memory to be kissing Harry at all, and she'll be worrying about what everyone else might say about her if she starts going out with Harry. And she probably can't work out what her feelings toward Harry are anyway, because he was the one who was with Cedric when Cedric died, so that's all very mixed up and painful. Oh, and she's afraid she's going to be thrown off the Ravenclaw Quidditch team because she's been flying so badly."
A slightly stunned silence greeted the end of this speech, then Ron said, "One person can't feel all that at once, they'd explode."
"Just because you've got the emotional range of a teaspoon doesn't mean we all have," said Hermione nastily, picking up her her quill again.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
He gently pried my hand off his arm. "I have to," he said softly. He went to turn away, and then stopped, like maybe he was reconsidering. But instead of agreeing to come back to the Itineris with me, he reached out, cupped my face, and brought his lips to mine.
I was so shocked that I literally froze in place, one hand hovering in the air next to Cal's shoulder. The kiss was brief--just a little too long to be considered chaste--but when he pulled away, all I could do was stare at him, my mouth slightly agape. He ran his thumb over my lower lip, sending a tiny flurry of sparks through me. "Goodbye, Sophie.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap."
"I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?"
"Am i gonna have to beat the shit out o' him? Is that what it's gonna take?"
"He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
”
”
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
“
Marry me." I said.
She lowered her teacup, shaking slightly, to the saucer. "Aren't you going to get down on one knee?"
I got down on one knee and took her hand.
"Will you marry me, Kate?"
You can't propose properly without a ring." She said.
I reached into my pocket and took out James Sanderson's ring, which I'd picked up off the floor of the Starclimber when we'd crash landed.
"That's a nice looking ring." said Kate with a grin.
"Cost a fortune." I said. "And now, for the third time. Kate de Vries, will you marry me?"
She leaned forward and took my face in her hands and kissed me.
"Yes," "Yes, and yes and yes. But it will probably be terrible."
"Probably," I agreed.
"Honestly," she sighed, "I don't know what kind of life we'll have together, with me always flying off in one direction and you in the other."
I smiled. "It's a good thing the world's round," I said.
”
”
Kenneth Oppel (Starclimber (Matt Cruse, #3))
“
The lights were off so that his heads could avoid looking at each other because neither of them was currently a particular engaging sight, nor had they been since he had made the error of looking into his soul.
It had indeed been an error.
It had been late one night-- of course.
It had been a difficult day-- of course.
There had been soulful music playing on the ship's sound system-- of course.
And he had, of course, been slightly drunk.
In other words, all the usual conditions that bring on a bout of soul searching had applied, but it had, nevertheless, clearly been an error.
”
”
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
“
I will miss
my chest exploding
you coming home late
not turning on the light
always waking me up
I will miss
the sudden burst of safety
when you look at me
or hold my hand
or say something like
”let’s go home”
I will miss
the years I lost
on something or someone.
The pieces didn’t fit, shaped wrong
the timing slightly off.
I loved you like I always will.
”
”
Charlotte Eriksson
“
There’s something helpless about truly being in love, the kind of love they write songs about, that inspires poetry and launches ships and wreaks havoc. It leaves you slightly off balance, controlling when you mean to cherish, smothering when you mean to hold close.
”
”
Kennedy Ryan (Still (Grip, #2))
“
You must be blind."
"Why?" he asked, coming over to her.
"Well, I feel like such an ass for saying this." She smoothed the front of her off-the-rack-and-then-some slacks. "But I wish I had better clothes. Then I'd be beautiful."
Rehvenge paused.
And then he shocked the crap out of her by kneeling before her.
As he looked up, he had a slight smile on his lips.
"Don't you get it Ehlena." With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces of her cheapo Keds sneaker, he whispered, "No matter what you wear... to me, you will always have diamonds on the soles of your shoes.
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
How could you do that to me?" I repeat. I don´t have to itemize. He knows what I speak of.
Eventually N produces three answers, in this order:
1. "Because I am a complete rotter." I silently agree, but it´s a cop-out: I have maggots, therefore I am dead.
2. "I was stressed at work and unhappy and we were always fighting...and you know I was just crazy..."
I cut him off, saying, "You don´t get to be crazy. You did exactly what you chose to do."
Which is true, he did. It is what he has always done. He therefore seems slightly puzzled at the need for further diagnosis, which may explain his third response:
3. "I don´t know."
This, I feel instinctively, is the correct answer. How can I stay angry with him for being what he is? I was, after all, his wife, and I chose him. No coincidences, that´s what Freud said. None. Ever.
I wipe my eyes on my sleeve and walk toward the truck, saying to his general direction, "Fine. At least now I know: You don´t know."
I stop and turn around and fire one more question: a bullet demanding attention in the moment it enters the skin and spreads outward, an important bullet that must be acknowledged.
"What did you feel?"
After a lengthy pause, he answers. "I felt nothing."
And that, I realize too late, was not the whole truth, but was a valid part of the truth.
Oh, and welcome to the Serengeti. That too.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
Take off your shirt," I said, sitting up and pulling at the hem of the garment.
"Why?" he asked, but sat up and obliged. I knelt in front of him, admiring his naked body.
"Because I want to look at you," I said. He was beautifully made, with long, graceful bones and flat muscles that flowed smoothly from the curves of chest and shoulder to the slight concavities of belly and thigh. He raised his eyebrows.
"Well then, fair's fair. Take off yours, then." He reached out and helped me squirm out of the wrinkled chemise, pushing it down over my hips. Once it was off, he held me by the waist, studying me with intense interest. I grew almost embarrassed as he looked me over.
"Haven't you ever seen a naked woman before?" I asked.
"Aye, but not one so close." His face broke into a broad grin. "And not one that's mine.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
You know, you really don't have to kill anyone over this. I'll get an annulment. It will be like never happened"
His eyes came to her, briefly meeting her gaze before dropping to her mouth. "You'll have to make that a divorce instead"
"No you don't understand. An annulment will be much easier to obtain"
His gaze locked with hers now. Cassie became slightly breathless with the intensity of his stare.
"Not after tonight, it won't." He said in his mesmerizing drawl.
"Why?" She barely got the word out.
"Because i'm in the mood to play husband"
"You're what?"
He started toward her. She was too stunned to move, so he was there and reaching for her before she had time to think about running.
"We're having a wedding night," he said as he lifted her off her feet.--
”
”
Johanna Lindsey (Angel (Wyoming, #3))
“
I must off," he said. "There's an orangery in Kensignton Gradens that needs smashing. Ladies, lock up your outbuildings. James Herondale is in town and he has been slighted in love!
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Aelin's hand wavered slightly over his wound. "What's your shield made of, then?"
Fenrys tried and failed to shrug. But Gavriel muttered from where he worked on the still-whimpering pirate, "Arrogance."
Aelin snorted, but didn't dare take her eyes off Fenrys's injury as she said, "So you do have sense of humor, Gavriel."
The Lion of Doranelle gave a wary smile over his shoulder. The rare-sighted, restrained twin to Aedion's own flashing grins. Aelin had called him Uncle Kitty-Cat all of one time before Aedion had snarled viciously enough to make her think carefully before using the term again. Gavriel, to his credit, had merely given Aelin a long-suffereing sigh that seemed to be used only when she or Fenrys were around.
"That sense of humor only appears about once every century," Fenrys rasped, "so you'd better hope you Settle, or else that's the last time you'll see it.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
”
”
Joan Didion (The White Album)
“
If you are slightly different, if your face doesn’t fit, they judge you and consign you and throw away the fucking key.
They never, ever stop to think that THEY might be wrong, that THEY are making a mistake. Don’t get me wrong, I haven’t been the victim of a massive miscarriage of justice - I’m not saying that - BUT I know what it’s like to be stinking judged before people have even bothered to find out what you are about. They have boxed me off into the ugly group even before I have opened my gob.
SOCIETY IS SHIT.
”
”
Rae Earl (My Mad Fat Diary (Rae Earl, #1))
“
The contrast with the scans of the eighteen chronic PTSD patients with severe early-life trauma was startling. There was almost no activation of any of the self-sensing areas of the brain: The MPFC, the anterior cingulate, the parietal cortex, and the insula did not light up at all; the only area that showed a slight activation was the posterior cingulate, which is responsible for basic orientation in space. There could be only one explanation for such results: In response to the trauma itself, and in coping with the dread that persisted long afterward, these patients had learned to shut down the brain areas that transmit the visceral feelings and emotions that accompany and define terror. Yet in everyday life, those same brain areas are responsible for registering the entire range of emotions and sensations that form the foundation of our self-awareness, our sense of who we are. What we witnessed here was a tragic adaptation: In an effort to shut off terrifying sensations, they also deadened their capacity to feel fully alive.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
If I should die...," I began to say.
Vincent cuts me off. "Stop, Kate!" And then he sighs and his shoulders hunch slightly. He knows it’s dishonest to pretend we’re all going to make it out alive. He shuts his eyes and, when he opens them, he looks resolute. “Whatever happens, remember that I will love you forever,” he says. “Even if my spirit is dispersed and my consciousness released to the universe . . . whatever is left of me will never stop loving you.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
It never stopped, even at night, it was our lullaby. It was our metronome, our pulse. It was our lives measured out in doses slightly larger than those famous coffee spoons. Soup spoons, maybe? Dented tin spoons brimming with what should have been sweet but was sour, gone off, gone by without our savouring it: our lives
”
”
Susanna Kaysen (Girl, Interrupted)
“
Narcissists have poor self-esteem, but they are typically very successful. They feel entitled; they’re self-important; they crave admiration and lack empathy. They are also exploitative and envious. The malignant types never forget a slight. They may kill you ten years later for cutting them off in traffic. But they act perfectly normal while plotting their revenge.
”
”
Janet M. Tavakoli (Archangels: Rise of the Jesuits)
“
He handed me a bandana. "Tie that on."
"Why?" I said, but I did it anyway. "Norman, you are way too into ceremony."
"It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look."
I pulled off the blindfold. Beside me, Norman watched me see myself for the first time.
And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky.
The girl was something else, though. Something I hadn't expected. She was beautiful.
Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home.
"Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?"
"Colie." He was right beside me. "That's how you are.
”
”
Sarah Dessen (Keeping the Moon)
“
Shayna lunged and swiped her sword just inches from Brigara's face.
Brigara instinctively reacted by raising both hands to block the blade.
The Book of Grimoire dropped to the floor. Brigara's eyes narrowed as she became aware that she'd been caught off guard. She scanned the room quickly, and her lips tightened as she returned her glare to meet Shayna's tear-filled eyes. Shayna's hands trembled, and the sword felt heavier than usual. She teetered slightly and blinked hard. Her heart was beating double time and ached in her chest. She gulped and told herself to stay steady. She struggled against the impulse that beckoned her to end the despised druid's life.
"You killed Dreya! You're a miserable piece of trash!" Shayna shouted. Her mouth was dry, and she strained to fight back tears, but they spilled over. She repositioned her sword and aimed it at Brigara’s heart.
”
”
C. Toni Graham (Crossroads and the Dominion of Four (Crossroads, #2))
“
The two angels were both tall, but Aodhan was perhaps an inch taller, and now his eyes locked with Illium's for a long, quiet moment before he lowered his head slightly. Illium raised his hand, the movement slow, hesitant....and then his fingers brushed Aodhan's cheek just below the cut that had almost sealed. The first ray of dawn kissed the tear that rolled down Illium's face, caressed the painful wonder on Aodhan's as he lifted his hand to clasp the wrist of his friend's hand.
That instant of contact, the power of it, stole her breath.
Then Illium smiled, said something that made Aodhan's lips curve-Elena thought it might've been "Welcome back, Sparkle"-and they were separating to sweep off the Tower in a symphony of wild silver blue and heartbreaking light.
"Raphael," she whispered, having felt him come up behind her. "Did you see?"
"Yes." His hand on her nape, his thumb brushing over her pulse. "Of course it would be Illium who reached him," he murmured.
”
”
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
“
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.
But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
In this pilgrimage in search of modernity I lost my way at many points only to find myself again. I returned to the source and discovered that modernity is not outside but within us. It is today and the most ancient antiquity; it is tomorrow and the beginning of the world; it is a thousand years old and yet newborn. It speaks in Nahuatl, draws Chinese ideograms from the 9th century, and appears on the television screen. This intact present, recently unearthed, shakes off the dust of centuries, smiles and suddenly starts to fly, disappearing through the window. A simultaneous plurality of time and presence: modernity breaks with the immediate past only to recover an age-old past and transform a tiny fertility figure from the neolithic into our contemporary. We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.
”
”
Octavio Paz
“
Abigail,’ he says. ‘I thought it was you.’
‘Hi!’ I say loudly. ‘Mark!’
‘Who?’ says Robert. Fuck, he doesn’t know his real name. Why do I give everyone stupid nicknames?
‘I almost don’t recognise you out of your SKINNY JEANS,’ I enunciate carefully. He’s wearing grey flannel trousers and a pink T-Shirt with leather Converses. He speaks clothes exceptionally confidently for a straight man. I wonder if he’d take me shopping.
‘Oh, right. Got it.’
‘That’s odd,’ says Skinny Jeans. ‘Since I was wearing nothing at all when you left my room without saying goodbye . . . let’s see, seven weeks ago?’
‘Um, yes. Well, you know . . .’ I trail off. Come on, Robert, I think desperately.
‘I’m sorry, were you planning on making me breakfast in bed?’ says Robert. Yes! Make a joke!
‘I’m sorry, were you planning on making me breakfast in bed?’ I say.
Skinny Jeans grins.
‘Scrambled eggs? Toast? On a little tray?’
‘Scrambled eggs? Toast? On a little tray with a rose on it?’ I say.
‘Don’t fuck with my script,’ says Robert, which makes me grin slightly more broadly
”
”
Gemma Burgess
“
I decided to lock myself in. A forced segregation. Sabbatical. A retreat into myself. My selves. Play hide and go seek in the looking-glass. The mirror angled at the foot of my bed. Twisted reflections bouncing off into infinity. Obsessed with my image, the myriad of distored figurines who danced in front of me in rapid succession, every feature exaggerated, every slight imperfection a new delicacy.
”
”
Lydia Lunch
“
Princess, you have decided to follow the hard path. I cannot promise you the life a royal princess deserves,' he began slowly. 'I am a wandered myself, stuck in an eternal search. I am a vagabond who doesn't know where I am going. My past beckons my present, but I can see only a blurred future. All my life, I have been slighted as a person of low birth- and the stigma will rub off on you as well. Yet, I am not ashamed of who I am...
”
”
Kavita Kané (Karna's Wife: The Outcast's Queen)
“
But have you noticed the slight curl at the end of Sam II's mouth, when he looks at you? It means that he didn't want you to name him Sam II, for one thing, and for two other things it means that he has a sawed-off in his left pants leg, and a baling hook in his right pants leg, and is ready to kill you with either of them, given the opportunity. The father is taken aback. What he usually says, in such a confrontation, is "I changed your diapers for you, little snot." This is not the right thing to say. First, it is not true (mothers change nine diapers out of ten), and second it reminds Sam II of what he is mad about. He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it, he is insane because when he loved you, you didn't notice.
”
”
Donald Barthelme (The Dead Father)
“
I didn't really want to talk. I'd wanted him there, but I asn't sure why. Maybe just to have someone to drink with. Actually, that sounded pretty good at the moment. I sat on the seat of the chaise and he sat on the foot, and we just drank at each other for a while.
After a few minutes, he leaned back against the railing, like maybe he wanted a backrest, and I shifted my feet over to make room. But I guess I didn't shift far enough, because a large, warm hand covered my right foot, adjusting it slightly. And then it just stayed there, like he'd forgotten to remove it.
I looked at it. Pritkin's hands were oddly refined compared to the rest of him: strong but long fingered, with elegant bones and short-clipped nails. They always looked like they'd wandered off from some fine gentleman, one they'd probably like to get back to, because God knew they weren't getting a manicure while attached to him.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Whoo-eeee!”
From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing.
“Whoo-eeee!
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
“
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again.
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini.
But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time."
While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus.
This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
”
”
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
“
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
”
”
G.K. Chesterton (Orthodoxy)
“
Boys [should be] inured from childhood to trifling risks and slight dangers of every possible description, such as tumbling into ponds and off of trees, etc., in order to strengthen their nervous system... They ought to practice leaping off heights into deep water. They ought never to hesitate to cross a stream over a narrow unsafe plank for fear of a ducking. They ought never to decline to climb up a tree, to pull fruit merely because there is a possibility of their falling off and breaking their necks. I firmly believe that boys were intended to encounter all kinds of risks, in order to prepare them to meet and grapple with risks and dangers incident to man’s career with cool, cautious self-possession...
”
”
R.M. Ballantyne
“
I was in Washington State, at a small-town YMCA, when a boy wandered into the lap lane and popped his head, seal-like, out of the water. I would later learn that he was nine, but at the time he was just this kid, slightly pudgy, with a stern haircut. It's like he went to a barbershop with a picture of Hitler, that's how severe it was. We got to talking, and when I told him I wasn't a very good swimmer, he challenged me to a race. I think he assumed that, like most adults, I'd slow down and intentionally let him win, but he didn't know who he was dealing with. I need all the confidence I can get, and one victory is just as good as any other. Thus I swam for my very life and beat the pants off him. I thought this was it - he'd accept his defeat and move on with his life - but five minutes later he stopped me again and asked me if I believed in God. "No," I told him. "Why?" I thought for a second. Because I have hair on my back, and a lot of other people, people who kill and rob and make life miserable, don't. A real God wouldn't let that happen.
”
”
David Sedaris
“
Now, then. What does ‘fucking’ mean?” My surprise must have shown plainly, for he said irritably, “If ye must call me names, that’s one thing. But I dinna care to be called things I can’t answer. I know it’s a damn filthy word, from the way ye said it, but what does it mean?” Taken off guard, I laughed, a little shakily. “It … it means … what you were about to do to me.” One brow lifted, and he looked sourly amused. “Oh, swiving? Then I was right; it is a damn filthy word. And what’s a sadist? Ye called me that the other day.” I suppressed the urge to laugh. “It’s, er, it’s a person who … who, er, gets sexual pleasure from hurting someone.” My face was crimsoning, but I couldn’t stop the corners of my mouth from turning up slightly. Jamie snorted briefly. “Well, ye dinna flatter me overmuch,” he said, “but I canna fault your observations.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Was there ever a true great love? Anyone who became the object of my obsession and not simply my affections? I honestly don't think so. In part, this was my fault. It was my nature, I suppose. I could not let myself be that unmindful. Isn't that what love is-losing your mind? You don't care what people think. You don't see your beloved's fault, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he's beneath you socially, educationally, financially, and morally-that's the worst I think, deficient morals.
I always minded. I was always cautious of what could go wrong, what was already "not ideal". I paid attention to divorce rates. I ask you this: What's the chance of finding a lasting marriage? Twenty percent? Ten? Did I know any woman who escaped having her heart crushed like a recyclable can? Not a one. From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.
”
”
Amy Tan (Saving Fish from Drowning)
“
I Need a Good Book
I need a good story.
I need a good book.
The kind that explodes
Off the shelf.
I need some good writing,
Alive and exciting,
To contemplate all by myself.
I need a good novel,
I need a good read.
I probably need
Two or three.
I need a good tale
Of love and betrayal
Or perhaps an adventure at sea.
I need a good saga.
I need a good yarn.
A momentous and mightily
Or slight one.
But with thousands and thousands
And thousands of books,
I need someone to tell me
The right one.
-John Lithgow
”
”
John Lithgow
“
Anyway, I'm in bed with her, with her bracelets. Her face is a blank, so I darken the lights. Off go her silky undergarments. The bracelets are all she has on. They glint slightly, a pleasant muffled clinking on the sheets. I have a hard-on.
Which, halfway down the ladder, is what I noticed. Just great. Why now? Why didn't I get an erection when I needed one? And why was I getting so excited over two lousy bracelets? Especially under this slicker, with the world about to end.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
I mention all this to make the point that if you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn't choose human beings for the job.
But here's an extremely salient point: we have been chosen, by fate or Providence or whatever you wish to call it. It's an unnerving thought that we may be living the universe's supreme achievement and its worst nightmare simultaneously.
Because we are so remarkably careless about looking after things, both when alive and when not, we have no idea-- really none at all-- about how many things have died off permanently, or may soon, or may never, and what role we have played in any part of the process. In 1979, in the book The Sinking Ark, the author Norman Myers suggested that human activities were causing about two extinctions a week on the planet. By the early 1990s he had raised the figure to about some six hundred per week. (That's extinctions of all types-- plants, insects, and so on as well as animals.) Others have put the figure ever higher-- to well over a thousand a week. A United Nations report of 1995, on the other hand, put the total number of known extinctions in the last four hundred years at slightly under 500 for animals and slightly over 650 for plants-- while allowing that this was "almost certainly an underestimate," particularly with regard to tropical species. A few interpreters think most extinction figures are grossly inflated.
The fact is, we don't know. Don't have any idea. We don't know when we started doing many of the things we've done. We don't know what we are doing right now or how our present actions will affect the future. What we do know is that there is only one planet to do it on, and only one species of being capable of making a considered difference. Edward O. Wilson expressed it with unimprovable brevity in The Diversity of Life: "One planet, one experiment."
If this book has a lesson, it is that we are awfully lucky to be here-- and by "we" i mean every living thing. To attain any kind of life in this universe of ours appears to be quite an achievement. As humans we are doubly lucky, of course: We enjoy not only the privilege of existence but also the singular ability to appreciate it and even, in a multitude of ways, to make it better. It is a talent we have only barely begun to grasp.
We have arrived at this position of eminence in a stunningly short time. Behaviorally modern human beings-- that is, people who can speak and make art and organize complex activities-- have existed for only about 0.0001 percent of Earth's history. But surviving for even that little while has required a nearly endless string of good fortune.
We really are at the beginning of it all. The trick, of course, is to make sure we never find the end. And that, almost certainly, will require a good deal more than lucky breaks.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
What did that word mean to me? Earth? I thought of the great bustling cities where I would wander and lose myself, and I thought of them as I had thought of the ocean on the second or third night, when I had wanted to throw myself upon the dark waves. I shall immerse myself among men. I shall be silent and attentive, an appreciative companion. There will be many acquaintances, friends, women—and perhaps even a wife. For a while, I shall have to make a conscious effort to smile, nod, stand and perform the thousands of little gestures which constitute life on Earth, and then those gestures will become reflexes again. I shall find new interests and occupations; and I shall not give myself completely to them, as I shall never again give myself completely to anything or anybody. Perhaps at night I shall stare up at the dark nebula that cuts off the light of the twin suns, and remember everything, even what I am thinking now. With a condescending, slightly rueful smile I shall remember my follies and my hopes.
”
”
Stanisław Lem (Solaris)
“
Evan …” she murmured, wrapping her soft arms around his neck. Their position had her lips near his ear. She’d lost her headband somewhere. He could smell the strawberry of her shampoo, feel the tickle of her sluggish breath stirring his hair. “Evan.”
“Kelsey. Move over here, lie down.”
She pulled back slightly, her bleary eyes trying to focus on his. The weight of her head still seemed too much for her neck to support and her hair flowed over his arm. “Evan, I always liked you.”
“I always liked you, too, honey.” The way she kept saying his name in that intoxicated purr, savoring the v between her teeth and her bottom lip, was unnerving. Unnerving, hell. It had his dick twitching in his pants. “Come on, girl, you need to sleep it off.”
“I mean I like liked you.”
[…] Her hands caught his face, surprising him. He should have moved away from her long ago, before she could get her hands on him. As it was, he felt like a fly caught in the sticky gossamer of a spider’s den. “Always wanted to fuck you, y’know that? Even when I was a virgin.”
He drew in a breath, exhaled it shakily. So much for prudish.
Note to self: Kelsey now gets unbelievably horny when drunk.
”
”
Cherrie Lynn (Unleashed (Ross Siblings, #1))
“
But I can see what has ensued. A war doesn’t merely kill off a few thousand or a few hundred thousand young men. It kills off something in a people that can never be brought back. And if a people goes through enough wars, pretty soon all that’s left is the brute, the creature that we—you and I and others like us—have brought up from the slime.” He paused for a long moment; then he smiled slightly. “The scholar should not be asked to destroy what he has aimed his life to build.
”
”
John Williams (Stoner)
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods.
"Okay, Andrew. But let's leave today. I'm in a hurry."
"Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?"
Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way."
"A week?"
"That means seven days."
"Yes, I know the gods' calendar," he said huffily. "But a whole week?"
"Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before.
He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
”
”
Scott Westerfeld (Pretties (Uglies, #2))
“
Arthur reaches over to take them. As he does, his thumb brushes my thumb, and it’s so cold, this sudden shock of cold. The flowers get dropped. They make a slight, swishy sound as they hit the floor.
“Shit,” I say, my voice sounding really loud in my ears.
And then he kisses me.
It’s—
I don’t know.
I don’t know, I don’t know.
It’s my brain turning off, it’s nothing. It’s a feeling. It’s a mouth on mine, and fuck it. Fuck my whole goddamn life, man. Just fuck it. I don’t move away like I should, but neither does he. He puts one of his hands on my face.
Then the bells on the front door ring. We break apart and I open my eyes.
And there’s Arthur looking back at me.
”
”
Hannah Johnson (Know Not Why (Know Not Why, #1))
“
Thanks for putting me in bed last night,” I said, watching the swift line of his throat as he yawned again.
He grumbled, “Uh–huh,” as he rolled his shoulders before slipping his arms beneath the covers again.
“And for giving me a massage.” I had already tried moving my legs, and sure they were sore, but I knew how much worse they could be. I’d done everything I was supposed to do to help prevent the stiffness, but there was only so much a body that wasn’t 100 percent to begin with could handle.
“There wasn’t much to massage.”
Uh. “What’s the supposed to mean?”
“I have more muscles in my glutes than you have in your thighs.”
Anyone who had seen Aiden’s ass would know that was a fact, so I wasn’t going to take it personally. Maybe because I was still so sleepy, I raised my eyebrows at him and said, “Have you seen your butt? That’s not an insult. It has more muscles in it than most people have all over their bodies.”
His own thick eyebrows rose about a millimeter, just slightly but enough for me to notice. “I didn’t know you paid that much attention to it.”
“Why do you think you have so many female fans?”
Aiden let out another low groan, but he didn’t tell me to stop.
“You could raise a small fortune if you ever auctioned off the chance for a person to take a—”
“Vanessa!” Mr. Proper reached over to throw a hand over my mouth, like he was shocked.
That big hand literally covered me from ear to ear, and I burst out laughing though it was muffled.
“You make me feel cheap,” he said as he slowly pulled his hand away, but the shine in his eyes said he didn’t really mind it that much.
I stretched my own limbs with a yawn. “I’m just telling you what anyone else would.”
“No, no one else would ever say that to me.”
So he had a point. “Well, I’ll tell you the truth then.”
He made this noise that had me rolling to face him again. “You always have
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
”
”
Zadie Smith (White Teeth)
“
I can do this,” [Daemon] crooned, slowly circling around her. “I can keep Dorothea and Hekatah off-balance enough to keep the others safe and also prevent those Ladies from giving the orders to send the Terreillean armies into Kaeleer. I can buy you seventy-two hours, Jaenelle. But it’s going to cost me because I’m going to do things I may never be forgiven for, so I want something in return.” He could taste her slight bafflement before she said, “All right.”
“I don’t want to wear the Consort’s ring anymore.” A slash of pain, quickly stifled.
“All right.”
“I want a wedding ring in its place.” A flash of joy, immediately followed by sorrow. She smiled at him at the same time her eyes filled with tears. “It would be wonderful.” She meant that.
”
”
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
When birds look into houses, what impossible worlds they see. Think. What a shedding of every knowable surface and process. She wanted to believe the bird was seeing her, a woman with a teacup in her hand, and never mind the folding back of day and night, the apparition of a space set off from time. She looked and took a careful breath. She was alert to the clarity of the moment but knew it was ending already. She felt it in the blue jay. Or maybe not. She was making it happen herself because she could not look any longer. This must be what it means to see if you've been near blind all your life. She said something to Rey, who lifted his head slightly, chasing the jay but leaving the sparrows unstartled.
”
”
Don DeLillo (The Body Artist)
“
He’d spent the night in the boat. Next to the spaghetti queen.
William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air.
She saw him looking. Dark eyes regarded him with slight scorn.
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.”
The finger kept coming closer.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.”
“But the poison would have affected you too,” Nikolai said.
“I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.”
Nikolai rubbed a hand over his mouth. "Did he force you?"
Genya nodded once. A muscle in Nikolai's jaw ticked.”
-//-
She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.”
“Genya—” David tried.
“Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.”
I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.”
“What does that have to do with anything?” Genya cried.
David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Perhaps tomorrow I shall pick up one of the houses, any one, and, holding it gently in one hand, pull it carefully apart with my other hand, with great delicacy taking the pieces of it off one after another: first the door and then, dislodging the slight nails with care, the right front corner of the house, board by board, and then, sweeping out the furniture inside, down the right wall of the house, removing it with care and not touching the second floor, which should remain intact even after the first floor is entirely gone. Then the stairs, step by step, and all this while the mannikins inside run screaming from each section of the house to a higher and a more concealed room, crushing one another and stumbling and pulling frantically, slamming doors behind them while my strong fingers pull each door softly off its hinges and pull the walls apart and lift out the windows intact and take out carefully the tiny beds and chairs; and finally they will be all together like seeds in a pomegranate, in one tiny room, hardly breathing, some of them fainting, some crying, and all wedged in together looking in the direction from which I am coming, and then, when I take the door off with sure careful fingers, there they all will be, packed inside and crushed back against the wall, and I shall eat the room in one mouthful, chewing ruthlessly on the boards and the small sweet bones.
”
”
Shirley Jackson (Hangsaman)
“
To give you an idea of the size of the Earth, I will tell you that before the invention of electricity it was necessary to maintain, over the whole of six continents, a veritable army of 462, 511 lamplighters for the street lamps. Seen from a slight distance that would make a splendid spectacle. the movements of this army would be regulated like those of the ballet in the opera. First would come the turn of the lamplighters of New Zealand and Australia. Having set their lamps alight, these would go off to sleep. Next, the lamplighters of China and Siberia would enter for their steps in the dance, and then they too would be waved back into the wings. After that would come the turn of the lamplighters of Russia and the Indies; then those of Africa and Europe; then those of South America; then those of North America. And never would they make a mistake in the order of their entry upon the stage. It would be magnificent.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
Liam Beckett, did you break my daughter?!”
“Oh come on. She hit me! I didn’t break her. Well, my perfectly chiseled body might have hurt her slightly. But it wouldn’t be an issue if she would learn how to keep her hands off of me.”
“You little shit,” I laugh over my father’s shoulders.
Liam laughs loudly, “I’ll go get some ice for the big baby.”
“Don’t call my little princess a baby!” Daddy yells after Liam.
“I’m fine, just hit him weird,” I say to soothe his worry.
“How many times do I have to tell you not to hit like that? I could see your form was off all the way across the room. Should have gone for the crotch. Always go for the crotch, Dani.”
Oh lord, here we go. He’s been teaching me how to kick a man’s ass since I was five and Zac stole my doll. Of course, his first lesson was for me to always go for the crotch.
“Daddy, I wasn’t trying to hurt him. We were just joking around.”
“Joking around? You aren’t supposed to joke around with boys. I need to look into that island . Ship your ass off,” he grumbles under his breath.
”
”
Harper Sloan (Unexpected Fate (Hope Town, #1))
“
our tragedy begins humid.
in a humid classroom.
with a humid text book. breaking into us.
stealing us from ourselves.
one poem. at a time.
it begins with shakespeare.
the hot wash.
the cool acid. of
dead white men and women. people.
each one a storm.
crashing. into our young houses.
making us islands. easy isolations.
until we are so beleaguered and
swollen
with a definition of poetry that is white skin and
not us.
that we tuck our scalding. our soreness.
behind ourselves and
learn
poetry.
as trauma. as violence. as erasure.
another place we do not exist.
another form of exile
where we should praise. honor. our own starvation.
the little bits of langston. phyllis wheatley.
and
angelou during black history month. are the crumbs. are the minor boats.
that give us slight rest.
to be waterdrugged into rejecting the nuances of
my own bursting
extraordinary
self.
and to have
this
be
called
education.
to take my name out of my name.
out of where my native poetry lives. in me.
and
replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot…
(what is the necessity of a black child being this high off of whiteness.)
and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies.
(years later. the conclusion:
shakespeare is relative.
white literature is relative.
that we are force fed the meat of
an animal
that our bodies will not recognize. as inherent nutrition.
is not relative.
is inert.)
”
”
Nayyirah Waheed (Nejma)
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto.
The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing.
In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out.
A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.”
Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag.
This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done.
After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber?
What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here.
It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness.
“What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?”
They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.
”
”
Russell Brand
“
Clowns.”
Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t.
The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.”
God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.”
Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?”
Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled.
“Yes.” The fractures of my grin cracked into bigger pieces.
“Because I was scared of clowns?” It was like he couldn’t understand why that was amusing.
But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.”
“I was four.”
I couldn’t help but snicker. “Four… fourteen, same difference.”
Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.”
Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.”
“I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close.
I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was.
“Aiden?” I whispered.
“Hmm?” he murmured.
“Thank you for coming in here with me.”
“Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale.
Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him.
“Good night. Thank you again for staying with me.”
Peeking one eye open, just a narrow slit, he hummed. “Shh.”
That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get.
I closed my eyes with a little grin on my face.
Maybe five seconds later, Aiden’s spoke up. “Vanessa?”
“Hmm?”
“Why was I saved on your work phone as Miranda P.?”
That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?”
The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
She was looking at him steadily; he however, found it difficult to look back at her; it was like gazing into a brilliant light.
Nice view, he said feebly, pointing toward with window.
She ignored this. He could not blame her.
I couldn't think what to get you, she said.
You didn't have to get me anything.
She disregarded this too.
I didn't know what would be useful. Nothing too big, because you wouldn't be able to take it with you.
He chanced a glance at her. She was not tearful; that was one of the many wonderful things about Ginny, she was rarely weepy. He had sometimes thought that having six brothers must have toughened her up.
She took a step closer to him.
So then I thought, I'd like you to have something to remember me by, you know, if you meet some Veela when you're off doing whatever you're doing.
I think dating opportunities are going to be pretty thin on the ground, to be honest.
There's the silver lining I've been looking for, she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair-
The door banged open behind them and they jumped apart.
Oh, said Ron pointedly. Sorry.
Ron! Hermione was just behind him, slight out of breath. There was a strained silence, then Ginny had said in a flat little voice,
Well, happy birthday anyway, Harry.
Ron's ears were scarlet; Hermione looked nervous. Harry wanted to slam the door in their faces, but it felt as though a cold draft had entered the room when the door opened, and his shining moment had popped like a soap bubble. All the reasons for ending his relationship with Ginny, for staying well away from her, seemed to have slunk inside the room with Ron, and all happy forgetfulness was gone.
He looked at Ginny, wanting to say something, though he hardly knew what, but she had turned her back on him. He thought that she might have succumbed, for once, to tears. He could not do anything to comfort her in front of Ron.
I'll see you later, he said, and followed the other two out of the bedroom.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low.
Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts.
“How are you, Raphael?” asked Magnus.
“Annoyed,” said Raphael. “As usual.”
“I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.”
There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn.
“Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?”
Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother.
Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back.
Ragnor Fell.
Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back.
There must have been very few people in Raphael’s life he’d ever counted as friends.
“I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.”
Magnus inclined his head with a slight smile.
“Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?”
Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.”
“I’m undead,” said Raphael.
“What about joie de unvivre?”
Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed.
“Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.”
“What problem? Are you in trouble?” asked Raphael.
“Nothing I can’t handle,” said Magnus.
“Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.”
“Take care of yourself, Raphael,” said Magnus.
Raphael waved a dismissive hand over his shoulder. “I always do.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them.
Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox.
"Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?"
"Er, your shoulder?" said Arthur in a horrified whisper.
"But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer."
Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively.
"Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again.
"Or a casserole of me perhaps?" it added.
"You mean this animal actually wants us to eat it?" whispered Trillian to Ford.
"Me?" said Ford, with a glazed look in his eyes. "I don't mean anything."
"That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard."
"What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump.
"I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless."
"Better than eating an animal that doesn't want to be eaten," said Zaphod.
"That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..."
The Universe raged about him in its death throes.
"I think I'll just have a green salad," he muttered.
"May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months."
"A green salad," said Arthur emphatically.
"A green salad?" said the animal, rolling his eyes disapprovingly at Arthur.
"Are you going to tell me," said Arthur, "that I shouldn't have green salad?"
"Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am."
It managed a very slight bow.
"Glass of water please," said Arthur.
"Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years."
The animal staggered to its feet. It gave a mellow gurgle.
"A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself."
He turned and gave a friendly wink to Arthur.
"Don't worry, sir," he said, "I'll be very humane."
It waddled unhurriedly off to the kitchen.
A matter of minutes later the waiter arrived with four huge steaming steaks.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
What do you know about me, Isabeau?"
He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather.
What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway?
"I..."
"Go on. You won't hurt my feelings."
He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least.
"I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch."
"Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit."
I looked down at my hands, anything not to have to look up at his face so close to me.
"Um. People say... they say that you're scary. And that your assistants don't last long."
He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all.
"What else do they say?"
Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted.
"They say. Um... They say that you're very, uh, good looking... and impossible to please."
"Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?"
My mouth dropped open, and I quickly closed it with a snap.
"Yes. I mean, no! I mean, I don't know..."
He stood, then, and leaned in close, towering over me. "You were right the first time."
Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him...
His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?"
My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call.
"Wh-what about your old assistant?"
Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you."
His touch on my skin was electric. Are we still talking about business?
"Yes, Mr. Drake."
His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
”
”
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
“
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
”
”
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
“
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant.
“Mr. Kadam, wait. I don’t understand.”
Dining companion? What is he talking about? Maybe he’s confused.
Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.”
I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell.
I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.”
A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry.
“Ren.”
He smiled. “Who else?”
He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly.
He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one.
I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes.
He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him.
Nervous and impatient, I asked, “Are you finished?”
“Almost.” He was now staring at my strappy shoes.
“Well, hurry up!”
His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.”
I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.”
He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.”
“I was being sarcastic, Ren.”
He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it.
He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.”
I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.”
“Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.”
He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))