Mixed Baby Quotes

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Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
Toni Morrison (Beloved (Beloved Trilogy, #1))
Love is all that counts in this crazy, mixed-up world...
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
BABY KILLS She carries Mother’s Bible Mixes Valium with her beliefs
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
He stumbled forward, "Can I mix my baby batter with your eggs?" he slurred trying to reach up and kiss me. I pushed him off me, yelling, "Get away!" "Don't touch her," he commanded. His eyes were wide, angry, his voice deep and threatening. He, too, smelled like alcohol, but I didn't care in this moment. He was here getting this creep away from me. His hands held me tightly, pressing my body into his. My breath quickened being so close to Cade. He sensed my distress, giving me a slight squeeze.
Felicia Tatum (Mangled Hearts (Scarred Hearts, #1))
Cooked carrots taste like baby food mixed with dirt.
Kim Holden (Bright Side (Bright Side, #1))
A gull planed steeply over their heads, a precarious flash of white against the windy blue sky. The short, hacking cry of a baby seemed to merge seamlessly for a moment with the gull's repetitive wail, as if they were one species. One species, Falkender thought, raucous and scavenging; one species calling out in pain. To be human is to be mixed and miscegenated like this. To be lost.
M. John Harrison (Things That Never Happen)
When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees. It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick. April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet... Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.
Forrest Carter (The Education of Little Tree)
I would characterize Moonlit Nights as a mix between Douglas Preston and Lincoln Child's 'The Relic' and 'Congo' by Michael Crichton. If those books had a baby and that baby was a werewolf then that would be my book!
Jacob Parr (Moonlit Nights)
The internet reflects us at our eccentric, absurd, trivial best. It shows us as stoned online game-players and people wearing home-made Tron suits. It reveals that we enjoy watching people blend things like an iPhone, and mix 200 litres of Diet Coke with 500 Mentos mints. Laughing babies and sneezing baby panda’s speak to us, despite having nothing to say, and we find all these things hypnotically watchable and briefly hysterical.
Simon Pont (The Better Mousetrap: Brand Invention in a Media Democracy)
Toys to deftly pluck up like animal crackers and deposit safely into a crate decorated with friezes of bright circus trains carrying aardvarks, dodos, swift dromedaries, baby elephants, and plastic dinosaurs. A box of mixed metaphors.
Patti Smith (M Train: A Memoir)
Quote taken from Chapter 1: "Is Petey Samson a bloodhound for real?” Blue asked. “I could’ve sworn he’s a mixed breed, what my folks used to call a pound mutt.” “Oh, brother,” Alma said. “I wished you hadn’t said that.” “I’ll have you know Petey Samson is no pound mutt,” Isabel said, shaking her finger at Blue. “His best breeding lies in his bloodhound line,” she said. “I didn’t know that,” Blue said. “Pay no mind to Isabel,” Alma said. “She’s just being overprotective of her fur baby.
Ed Lynskey (The Amber Top Hat (Isabel & Alma Trumbo #4))
—Shush sweet baby, I said, so tired, and mixed her gripe water with whiskey and dill weed, but it did no good, so I seen now why lullabies was all about cradles falling from trees, oh dear, when the wind blows, down will come baby, whoops too bad, but at least it’s quiet.
Kate Manning (My Notorious Life)
When Renee and I talked about it years later, we agreed on one point: We were insane. Renee always said, "If any of our kids want to get married when they're twenty-five, we'll have to lock them in the attic." We were just kids, and everybody who came to the wedding party was guilty of shameful if not criminal negligence-- look at the shiny pretty toaster, isn't it cute to see the babies playing with it in the bathtub? Jesus, people!
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby’s long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child—an allegorical representation of a crucial step in creating the philosopher’s stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
..a new baby is not uninterrupted bliss. It's joy mixed with terror, fatigue, depression, intense feelings of helplessness, loneliness and inadequacy. And poop.
Carolyn Hax
Dave Matthews is mixing violin solos with saxophone solos and it's bad for the baby
Rob Sheffield
The reality of this wide-eyed caramel-coloured wonder was arresting. This was the future, alive and kicking in my arms.
Camilla Gibb (Sweetness in the Belly)
Houses whose mortar had been ritually mixed with babies’ blood.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Cheese, where you takes liquid from a cow lady's business parts, mix it with a bit o' juices from a baby cow's fourth stomach and then let it grow all fuzzy-moldy for a few years, eh?
Jeffery Russell (The Dungeoneers (The Dungeoneers, #1))
Asa smiles and kisses Billy’s cheek. “Jude can’t stay, baby.” “Why can’t he?” “Because he has to go. He has a life out there away from us, and at the end of the summer he’ll go back to it.
Lily Morton (Deal Maker (Mixed Messages, #2))
The bottoms of my sneakers were now covered in enough resin to make a hashball, and I had a white poodle mix dangling from a baby carrier across my belly. If I were still a cop, I’d haul me in just on principle.
Rhys Ford (Dirty Laundry (Cole McGinnis Mysteries #3))
It has just been discovered that women carry fetal cells from all the babies they have carried. Crossing the defensive boundaries of our immune system and mixing with our own cells, the fetal cells circulate in the mother’s bloodstream for decades after each birth. The body does not tolerate foreign cells, which trigger illness and rejection. But a mother’s body incorporates into her own the cells of her children as if they recognize each other, belong to each other. This fantastic melding of two selves, mother and child, is called human microchimerism. My three children are carried in my bloodstream still…. How did we not know this? How can this be a surprise?
Meredith Hall
New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth." Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design. I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq. There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard. And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!" Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school. We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave. As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
The stench of sewers mixed with mud, the smell of the odd crack of lightning, wind tugging at tiles, power lines, empty nests; the stifling heat behind the low ill-fitting windows... impatient, annoyed half-words of lovers embracing... demanding wails of babies, their cries sliding off into the tin-smell of dusk; streets pliable, parks soaked to their roots lying obedient to the rain, bare oaks, half-broken dry flowers, scorched grass all prostrate, humbled by the storm, sacrifices strewn at the executioner's feet.
László Krasznahorkai (Satantango)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
So, the question is: If greenflies and elm trees don’t do it, why do the rest of us go to such lengths to mix our genes up with somebody else’s before we make a baby? It does seem an odd way to proceed. Why did sex, that bizarre perversion of straightforward replication, ever arise in the first place? What is the good of sex?*
Richard Dawkins (The Selfish Gene)
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
I personally don’t believe in mixing with them but it's a lot of these mixed hybrid babies running around so…that’s what’s feeding the school these days…Dr. Marvin Holmes isn’t…right in a lot of things…and I know that man has done some shady stuff but…” She shook her head. “…he and his family had the right idea. They don’t date outside of their own. Their bloodline is pure.
Granger (The Secret World of Maggie Grey (Drew Collins Book 1))
The white people’s funeral home was firmly ensconced down the county. Funeral business was the last place where segregation was openly tolerated in America. You can have your interracial marriages and mixed-race babies and white hip-hop artists and Black rockers, but when you died, it was still the amount of melanin in your skin that determined who lowered you into the ground.
S.A. Cosby (My Darkest Prayer)
All humans are prone to violence. I just have better control over it.” “You don’t sound so convincing with blood dripping all over your face.” “Worried about me, baby?” “You’d be bleeding out and I wouldn’t even notice. In fact, I’d use the blood to mix colors on my palette.” “Ouch.” His voice drops. “Though you’re such a horrible liar. You looked as pale as a ghost when I was being punched.
Rina Kent (God of Malice (Legacy of Gods, #1))
As you take the stairs down, away from the scanning department, you feel the notion, the idea of the child leaving you with each step. You feel its fingers loosening, disentangling themselves from yours. You sense its corporeality disintegrating, becoming mist. Gone is the child with blond or dark or auburn hair; gone is the person they might have been, the children they themselves might have had. Gone is that particular coded mix of your and your husband’s genes. Gone is the little brother or sister you pictured for your son. Gone is the knitted rabbit, wrapped and ready in tissue paper, pushed to the back of a cupboard, because you cannot bring yourself to throw it out or give it away. Gone are your plans for and expectations of the next year of your life. Instead of a baby, there will be no baby.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
We had one horse, one mule, and a wagon. We had Horhay with his limp arm and his long past, and Dickie with his hopes for the necklace now dashed and turned to dread of its curse, and me with my ache for your mother who was destined to take her leave of me, and you with a life before you and a look of puzzlement on your face. We had your mother and her sweet baby to be. All together, it was a untidy mix of items.
Elizabeth Crook (The Madstone: A Novel)
The doctor who had examined Amy's baby appeared, pronounced the boy healthy and handed the little guy to Keith. Keith stared at the doctor. "Wait. Why are you giving him to me?" "Ms. Baker regained consciousness for a moment is the ambulance and made the paramedic pull out his phone and record her request of giving you custody until she could talk to you." "Me?" The man nodded. "And since you're the law around here..." The doctor shrugged and walked away.
Sami A. Abrams (Twin Murder Mix-Up (Deputies of Anderson County #2))
I wonder has Harry still got his gold piece,’ Spareribs said. ‘What gold piece?’ ‘When a Jew boy is born they put a gold piece in the bank for him. That’s what Jews do.’ ‘Shucks. You got it mixed up,’ she said (Mick). ‘It’s Catholics you’re thinking about. Catholics buy a pistol for a baby soon as it’s born. Some day the Catholics mean to start a war and kill everybody else.’ ‘Nuns give me a funny feeling,’ Spareribs said. ‘It scares me when I see one on the street.
Carson McCullers (The Heart Is a Lonely Hunter)
Anatolia is made up of a mixture of religions, peoples, and cuisines. If we can eat the same food, sing the same sad songs, believe in the same superstitions, and dream the same dreams at night, why shouldn’t we be able to live together? I have known Christian babies with Muslim names and Muslim babies fed by Christian milk mothers. Ours is an ever-liquid world where everything flows and mixes. If there is a frontier between Christianity and Islam, it has to be more flexible than scholars on both sides think it is.
Elif Shafak (The Forty Rules of Love)
My doubts fall away and leave me weightless and whole. I turn. I look. I see the frame of my face in another’s. I see my eyes staring back at me. It’s her. It is her. She is lovely. She is delicate. She is a familiar mix of me. (p. 301) They’re expecting Aimee. I’m not Aimee. I can’t be anything like the Aimee they imagined me to be, I worried. What if I’m not as easy to love as the baby they gave away? What if this doesn’t work out? What will I tell my daughters? What will I tell myself? (p.295) Gloria wasn’t all bad; she did have days that made me want to nest in her arms and surrender to her care. The truth is, I very much wanted a mother, and most of the time I wanted her to be my mother. (p.179) I would have been good. I would have behaved. Eaten my vegetables, cleaned my room, said “please” and “thank you.” I would have made you love me. Somehow. (p. 297) We have taken our time getting to know one another. Our relationship has had the luxury of a gestation period—a block of time that nature affords to every mother and her offspring. (p. 323)
Kathy Hatfield (Secret Storms)
It’s important to marry someone, she said. Not because you need them to complete you or because you ought to be someone’s wife by hook or by crook. It’s just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it’s easy to swallow. That’s why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp.
Catherynne M. Valente (The Bread We Eat in Dreams)
Alessandro shrugged and pushed the blade in, dragging it down the man’s skin, making him cry out. He struck him again with his fist, blood spurting onto Alessandro as well. “Did Arturo tell you that the mother of my child was in that limo? She’s carrying my baby inside of her, and that her son was in the limo too? I’m sure he did. I’m sure he left explicit instructions as to who exactly you were supposed to dispose of, didn’t he?” “He’ll kill me. I swear, he’ll kill me,” the man cried, tears mixing in with his blood. “Next, I’ll take an eye, you snivelling little shit!” Alessandro growled, raising his bloody blade to the man’s left eyeball. The unmistakable scent of urine filled the air. Alessandro stepped back in disgust and turned to Jason and his other man, Marty, two of the best Dardano soldiers, loyal and efficient. They took his cue and slipped on their brass knuckles. “Just say the words, ol’ boy, and we’ll stop this,” “Fuck you,” the man shouted. Alessandro smirked. “Such defiance for a man who just pissed himself.” He crossed his arms as Marty and Jason went to work. It only took a minute. “All right. Okay! Stop! Stop! Fine, I’ll talk!
E. Jamie (The Vendetta (Blood Vows, #1))
In 2017, I was invited to lead a mindfulness workshop and guide a live meditation on Mingus Mountain, Arizona, to over 100 men and women at a recovery retreat. On the eve of my workshop, I had the opportunity to join in a men's twelve-step meeting, which took place by the campfire in Prescott National Park Forest, with at least 40 men recovering from childhood grief and trauma. The meeting grounded us in what was a large retreat with many unfamiliar faces. I was the only mixed-race Brit, surrounded by mostly white middle-class American men (baby boomers and Generation X), yet our common bond of validating each other's wounds in recovery utterly transcended any differences of nationality, race and heritage. We shared our pain and hope in a non-shaming environment, listening and allowing every man to have his say without interruption. At the end of the meeting we stood up in a large circle and recited the serenity prayer: "God grant me the serenity to accept the people I cannot change, the courage to change the one I can, and the wisdom to know that one is me". After the meeting closed, I felt that I belonged and I was enthusiastic about the retreat, even though I was thousands of miles away from England.
Christopher Dines (Drug Addiction Recovery: The Mindful Way)
suggest funding college, or at least the first step of college, with an Educational Savings Account (ESA), funded in a growth-stock mutual fund. The Educational Savings Account, nicknamed the Education IRA, grows tax-free when used for higher education. If you invest $2,000 a year from birth to age eighteen in prepaid tuition, that would purchase about $72,000 in tuition, but through an ESA in mutual funds averaging 12 percent, you would have $126,000 tax-free. The ESA currently allows you to invest $2,000 per year, per child, if your household income is under $220,000 per year. If you start investing early, your child can go to virtually any college if you save $166.67 per month ($2,000/year). For most of you, Baby Step Five is handled if you start an ESA fully funded and your child is under eight. If your children are older, or you have aspirations of expensive schools, graduate school, or PhD programs that you pay for, you will have to save more than the ESA will allow. I would still start with the ESA if the income limits don’t keep you out. Start with the ESA because you can invest it anywhere, in any fund or any mix of funds, and change it at will. It is the most flexible, and you have the most control.
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
I sat on a rock. Curran stretched out next to me. He looked like hell. Some time ago the ichor covering us had begun to smell like rotten fish, and while we crawled around underground, loose dirt had mixed with it to form a cement-like substance on his skin and mine, in my case no doubt tainted by whatever blood seeped through the bandages. My shoulder hurt. My back hurt, too. Neither of us had eaten since morning. Curran had to be starving. Some pair we made. He noticed me studying him. “Here we are in a filthy hole.” “Yep. Looking like two ghouls who rolled in some rotting corpses.” He flashed a grin at me. “Hey, baby. Want to fool around?” I laughed at him.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
You look beautiful, Rena." Gently he laid a hand on the mound of her belly. His sister, he thought as wonder and pride mixed together. His baby sister. "I can't get used to it," he murmured. Serena put her hand on his. "You don't have a great deal more time to get used to it." She felt the baby move under their joined hands and grinned as Alan's gaze dropped to them. "He or she is impatient to begin." Tilting her head, she studied Alan's face. "Dad's suddenly gotten it into his head there might be two...I wonder who might have planted that seed?" His eyes smiled as he lifted them to his sister's. "It was purely a defensive maneuver." "Mmm-hmm." Turning, she held out both hands. "You must be Shelby. I'm glad you could come." Shelby felt the warmth, more carefres than Alan's, the welcome, less curious than Caine's. "So am I.I've been wanting to meet the woman who broke Alan's nose." With a muffled chuckle, Serena jerked her head toward Caine. "It was supposed to be his." She narrowed her eyes a moment as Caine dipped his hands into his pockets and grinned. "It should have been his. Come on in and meet the rest of the family," she continued as she tucked her arm through Shelby's. "God,I hope Alan prepared you." "In his own way." "If you start to feel overwhelmed, just shoot me a look. These days all I have to do is sigh to distract Dad's attention for an hour and a half.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
A 1997 study of the consumer product design firm IDEO found that most of the company’s biggest successes originated as “combinations of existing knowledge from disparate industries.” IDEO’s designers created a top-selling water bottle, for example, by mixing a standard water carafe with the leak-proof nozzle of a shampoo container. The power of combining old ideas in new ways also extends to finance, where the prices of stock derivatives are calculated by mixing formulas originally developed to describe the motion of dust particles with gambling techniques. Modern bike helmets exist because a designer wondered if he could take a boat’s hull, which can withstand nearly any collision, and design it in the shape of a hat. It even reaches to parenting, where one of the most popular baby books—Benjamin Spock’s The Common Sense Book of Baby and Child Care, first published in 1946—combined Freudian psychotherapy with traditional child-rearing techniques. “A lot of the people we think of as exceptionally creative are essentially intellectual middlemen,” said Uzzi. “They’ve learned how to transfer knowledge between different industries or groups. They’ve seen a lot of different people attack the same problems in different settings, and so they know which kinds of ideas are more likely to work.” Within sociology, these middlemen are often referred to as idea or innovation brokers. In one study published in 2004, a sociologist named Ronald Burt studied 673 managers at a large electronics company and found that ideas that were most consistently ranked as “creative” came from people who were particularly talented at taking concepts from one division of the company and explaining them to employees in other departments. “People connected across groups are more familiar with alternative ways of thinking and behaving,” Burt wrote. “The between-group brokers are more likely to express ideas, less likely to have ideas dismissed, and more likely to have ideas evaluated as valuable.” They were more credible when they made suggestions, Burt said, because they could say which ideas had already succeeded somewhere else.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Why does God not heal when we pray?   My wife and I discussed this question for quite a bit before I attempted to answer it. I consider it one of the more difficult questions, but before I describe the difficulty, I would like to set the record straight. God does answer prayer! He answers many times, and in many ways. He leads me, guides my path, and opens and closes doors in life’s pathways all the time. Just the other day, I got mixed up with my daughters and my wife texting me at the same time, and entirely due to my error, I ended up on a strange street accidentally finding my daughter and her baby with car trouble. It is one of those strange coincidences that have happened to me so repeatedly in the past forty years! It is what my family has come to call “a God-thing”.
Patrick Davis (Because You Asked)
His antipasto was the classic Roman fritto misto---tiny morsels of mixed offal, including slivers of poached brains and liver, along with snails, artichokes, apples, pears, and bread dipped in milk, all deep-fried in a crisp egg-and-bread-crumb batter. This was to be followed by a primo of rigatoni alla pajata---pasta served with intestines from a baby calf so young that they were still full of its mother's milk, simmered with onions, white wine, tomatoes, cloves, and garlic. For the secondo they would be having milza in umido--- a stewed lamb's spleen, cooked with sage, anchovies, and pepper. A bitter salad of puntarelle al' acciuga---chicory sprouts with anchovy---would cleanse the palate, to be followed by a simple dolce of fragole in aceto, gorella strawberries in vinegar.
Anthony Capella (The Food of Love)
A well-known skin specialist patronized by many famous beauties charges seventy-five dollars for a twenty-minute consultation and eight dollars for a cake of sea-mud soap. I get more satisfaction and just as much benefit out of applying a purée of apples and sour cream! [...] Of course, all masques should COVER THE NECK too. [...] Masques should only be used ones or twice a week. [...] While the masque is working, place pads soaked in witch hazel or boric acid over your eyelids and put on your favorite music. [...] A masque really works only when you're lying down. Twenty minutes is the right length of time. Then wash the masque off gently with warm water and follow with a brisk splash of cold water to close the pores. [...] For a luxurious once-a-week treatment give your face a herbal steaming first by putting parsley, dill, or any other favorite herb into a pan of boiling water. (Mint is refreshing too.) Hold a towel over your head to keep the steam rising onto your face. The pores will open so that the masque can do a better job. [...] Here are a few "kitchen masques" that work: MAYONNAISE. [...] Since I'm never sure what they put into those jars at the supermarket, I make my own with whole eggs, olive or peanut oil, and lemon juice (Omit the salt and pepper!). Stir this until it's well blended, or whip up a batch in an electric blender. PUREED VEGETABLES - cucumbers, lemons, or lettuce thickened with a little baby powder. PUREED FRUITS - cantaloupe, bananas, or strawberries mixed to a paste with milk or sour cream or honey. A FAMOUS OLD-FASHIONED MIXTURE of oatmeal, warm water, and a little honey blended to a paste.
Joan Crawford (My Way of Life)
You leave the womb sterile, or so it is generally thought, but are liberally swabbed with your mother’s personal complement of microbes as you move through the birth canal. We are only beginning to understand the importance and nature of a woman’s vaginal microbiome. Babies born by Cesarean section are robbed of this initial wash. The consequences for the baby can be profound. Various studies have found that people born by C-section have substantially increased risks for type 1 diabetes, asthma, celiac disease, and even obesity and an eightfold greater risk of developing allergies. Cesarean babies eventually acquire the same mix of microbes as those born vaginally—by a year their microbiota are usually indistinguishable—but there is something about those initial exposures that makes a long-term difference. No one has figured out quite why that should be.
Bill Bryson (The Body: A Guide for Occupants)
It’s true,” John says with intensity, several beats too late, “about the newborn smell.” Edward and Lacey look at him, and an expression of alarm crosses John’s face. Edward, who is sensitive to yearning and mixed-up time zones, is able to chart the three of them in this strange moment. Lacey is staring at her husband as if he’d accidentally hit her. As if he’d said something she’d hoped with all her heart that he would say a few years earlier—when holding their baby in her arms was her deepest desire—but that this version of herself no longer needs, and so she experiences the statement as a betrayal. John, lost and panicked, gazes at Lacey and Edward, thinking, Dear God, have I messed everything up? And Edward, living inside the correspondence in the garage, which means living inside questions and a deafening desire for answers, feels every atom of their shared vulnerability and wonders if any of them will be okay.
Ann Napolitano (Dear Edward)
Sauté, stirring regularly, the butter, onions, garlic, baby leaves, thyme, a pinch of salt and few grinds of pepper, until the onions are translucent. Meanwhile, remove the cord, membranes, and any clots from the placenta. Rinse it under cold water. Quarter it, set three quarters aside for another use, and add the remaining quarter to the sauté. Remove placenta when it is cooked through. Slice thin and set aside. Continue cooking the onions, stirring regularly, until they become brown.Add wine and simmer until the liquid evaporates and the onions lose their form. Add flour. Mix well. With a low flame, cook, stirring regularly, for 5 minutes. Add water, beef, placenta or chicken stock, and sliced placenta. Simmer for 10 minutes. Season with salt and pepper to taste. To serve: preheat broiler. In oven-friendly serving bowls or pot, cover the hot soup with cubed sourdough bread and the bread with grated cheese. Broil until the cheese melts
Roanna Rosewood (Cut, Stapled, and Mended: When One Woman Reclaimed Her Body and Gave Birth on Her Own Terms After Cesarean)
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her. "Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling. Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees. "Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet. Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.” And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it." "This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize."" -Baby Suggs
Toni Morrison (Beloved (Beloved Trilogy, #1))
The classroom was too tidy. I missed the texture of the weather, the smell of cooking, the jostle of shoulders and elbows on a crowded sidewalk. In the congregation, by contrast, everything was going on at once, random, unscheduled, accompanied too much of the time by undisciplined and trivializing small talk. Babies born squalling, people dying neglected, and in between the parenthesis of birth and death, lifetimes of ambiguity: adolescents making an unholy mess of growing up and their parents muddling through as guilty bystanders. Also, of course, heroic holiness, stunningly beautiful prayers, sacrificial love surfacing from the tangled emotions in a difficult family, a song in the night, glimpses of glory, the sullen betrayal of a bored spouse quietly redeemed from years of self-imprisoned self-worship by forgiveness and grace: Father, Son, and Holy Ghost. And all of this mixed together. In this world, sin was not a word defined in a lexicon. Salvation was not a reference traced down in a concordance. Every act of sin and every event of salvation involved a personal name in a grammar of imperatives and promises in a messy community of friends and neighbors, parents and grandparents, none of whom fit a stereotype.
Eugene H. Peterson (The Pastor: A Memoir)
Is she now? I didn’t know the FBI investigated murders,” Mama Z said. “I thought such things were matters for local authorities.” “There might be some civil rights violations involved,” Hind said. “Whose civil rights?” “I don’t know yet.” “I ask because you have to have civil rights in order for the them to be violated.” Mama Z let that hang in the air. “I’m sorry. Forgive my manners. We can sit in here. Gertie, be a dear and make us some tea and bring some cookies. Make sure the cat doesn’t come in here and bother us.” Gertrude nodded. “I actually like cats,” Hind said. “This one sheds like crazy,” Mama Z said. “Your suit would be a mess before you could say, ‘Mississippi goddamn.’” She didn’t quite sing the words. “What is your last name, Mama Z?” Hind asked. “Everybody just calls me Mama Z.” “But for my notes.” “Lynch. My name is Adelaide Lynch.” To Gertrude, “Go get that tea, baby.” Gertrude left. “Where does the Z come in?” “I don’t quite remember,” the old woman said. “It’s easier to spell than Omega.” Mama Z looked Hind in the eye. “How old are you?” “One hundred and five.” “You look great. Moving around like this. Do you live alone?” “Yes.” “That’s amazing. What’s your secret?” “Venom.” “What?” Hind asked. “It’s what I call my nightly tea,” Mama Z said, then, conspiratorially, she added, “I mix it with bourbon.” “I see.
Percival Everett (The Trees)
As she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister’s dream. The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess’s knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen’s shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle’s heavy sobs.
Lewis Carroll (Alice's Adventures in Wonderland)
For the bus ride, which Delaney estimated would be ninety minutes, she had prepared a mix of happy journeying music, which she activated as they pulled out of the campus gate. The first song was by Otis Redding, and the first message came via her phone. Woman-hater, it said, with a link to an unsigned and evidence-less post hinting that he had been unkind to an ex-girlfriend who he’d met shortly before the bay and the dock and the sitting. Thanks for the early-morning pick-me-up! the writer said, meaning that Delaney had ruined the day and tacitly endorsed Redding’s newly alleged misogyny. Delaney skipped to the next song, Lana Del Rey’s “High by the Beach,” and then quickly figured it was too big a risk so skipped ahead. The third song, the Muppets’ “Movin’ Right Along,” was unknown to most on the bus, and survived its three-minute length, during which a handful of passengers furiously tried to find a reason the song was complicit in evil committed or implied. Delaney skipped the next song, by Neil Diamond, thinking any Jewish singer dubious in light of the Israeli sandwich debacle, skipped songs six and seven (from Thriller), briefly considered the Ronettes’ “Be My Baby” but then remembered Phil Spector, and so finally settled on a young Ghanian rapper she’d recently discovered. His first song was hunted down quickly in a hail of rhetorical buckshot—as a teen, the rapper had zinged a borderline joke about his female trigonometry teacher—so Delaney turned off the shared music, leaving everyone, for the next eighty-one minutes, to their earbuds and the safety of their individualized solitude.
Dave Eggers (The Every)
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
Apricot and chocolate muffins Muffins are a great way to introduce new fruits to your child’s diet. Once they have enjoyed apricots in a muffin, you can serve the ‘real thing’, saying it’s what they have for breakfast. Or you can put some fresh versions of the fruit on the same plate. Other fruits to try in muffins include blueberries and raspberries. A word of warning: the muffins don’t taste massively sweet so may seem a bit underwhelming to the adult palette. We tend to have them with a glass of milk-based, homemade fruit smoothie, spreading them with ricotta cheese to make them more substantial. 250g plain wholemeal flour 2 tsp baking powder 30g granulated fruit sugar 1 egg 30ml vegetable oil 150ml whole milk 180g ripe apricots, de-stoned and chopped 20g milk chocolate, cut into chips Put muffin cases into a muffin tray (this makes about 8–10 small muffins). Heat the oven to 180°C/gas 4. Put the flour and baking powder in a bowl and mix well. Next add the sugar and mix again. Make a ‘well’ in the middle of the mixture. Crack the egg into another bowl and add the oil and milk. Whisk well, then pour into the ‘well’ in the mixture in the other bowl. Stir it briskly and, once well mixed, stir in the apricot and the chocolate chips. Spoon equal amounts into the muffin cases and bake. Check after 25 minutes. If ready, a sharp knife will go in and out with no mixture attached. If you need another 5 minutes, return to the oven until done. Cool and serve. Makes 10 mini- or 4 regular-sized muffins. Great because:  The chocolate is only present in a tiny amount but is enough to make the muffins feel a bit special while the apricots provide a little fruit. If you have them with a milk-based smoothie and ricotta it means that you boost the protein content of the meal to make it more filling.
Amanda Ursell (Amanda Ursell’s Baby and Toddler Food Bible)
ELEANOR OLSON’S OATMEAL COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup (2 sticks, 8 ounces, ½ pound) salted butter, softened 1 cup brown sugar (pack it down in the cup when you measure it) 1 cup white (granulated) sugar 2 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 teaspoon salt 1 teaspoon baking soda 1 and ½ cups flour (pack it down in the cup when you measure it) 3 cups quick-cooking oatmeal (I used Quaker Quick 1-Minute) ½ cup chopped nuts (optional) (Eleanor used walnuts) ½ cup raisins or another small, fairly soft sweet treat (optional) Hannah’s 1st Note: The optional fruit or sweet treats are raisins, any dried fruit chopped into pieces, small bites of fruit like pineapple or apple, or small soft candies like M&M’s, Milk Duds, chocolate chips, butterscotch chips, or any other flavored chips. Lisa and I even used Sugar Babies once—they’re chocolate-covered caramel nuggets—and everyone was crazy about them. You can also use larger candies if you push one in the center of each cookie. Here, as in so many recipes, you are only limited by the selection your store has to offer and your own imagination. Hannah’s 2nd Note: These cookies are very quick and easy to make with an electric mixer. Of course you can also mix them by hand. Mix the softened butter, brown sugar, and white sugar in the bowl of an electric mixer. Beat on HIGH speed until they’re light and fluffy. Add the beaten eggs and mix them in on MEDIUM speed. Turn the mixer down to LOW speed and add the vanilla extract, the salt, and the baking soda. Mix well. Add the flour in half-cup increments, beating on MEDIUM speed after each addition. With the mixer on LOW speed, add the oatmeal. Then add the optional nuts, and/or the optional fruit or sweet treat. Scrape down the sides of the bowl, take the bowl out of the mixer, and give the cookie dough a final stir by hand. Let it sit, uncovered, on the counter while you prepare your cookie sheets. Spray your cookie sheets with Pam or another nonstick cooking spray. Alternatively, you can line them with parchment paper and spray that lightly with cooking spray. Get out a tablespoon from your silverware drawer. Wet it under the faucet so that the dough won’t stick to it, and scoop up a rounded Tablespoon of dough. Drop it in mounds on the cookie sheet, 12 mounds to a standard-size sheet. Bake Eleanor Olson’s Oatmeal Cookies at 350 degrees F. for 9 to 11 minutes, or until they’re nice and golden on top. (Mine took 10 minutes.) Yield: Approximately 3 dozen chewy, satisfying oatmeal cookies.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
SUPPLEMENT DAILY DOSAGE Vitamin A 10,000 IU or 6 mg beta-carotene (choose mixed carotenes if available)     B-complex vitamins B1, B2, B3, B5: 50 mg B6: 50 mg, or 100 mg if nauseated (can be higher: if necessary up to 250 mg to prevent nausea) B12: 400 mcg Choline, Inositol, PABA: 25 mg Biotin: 200 mcg Folic acid: 500 mcg (increase this to 1000 mcg if you have suffered a previous miscarriage, if there is a history of neural tube defects in your family, or if you are over 40 years of age)     Vitamin C 1–2 g (take the higher dose if you are exposed to toxicity or in contact with, or suffering from, infection)     Bioflavonoids 500–1000 mg (helpful for preventing miscarriage and breakthrough bleeding)     Vitamin D 200 IU     Vitamin E 500 IU (increasing to 800 IU during last trimester)     Calcium 800 mg (increasing to 1200 mg during middle trimester when your baby’s bones are forming, or if symptoms such as leg cramps indicate an increased need)     Magnesium 400 mg (half the dose of calcium)     Potassium 15 mg or as cell salt (potassium chloride, 3 tablets)     Iron Supplement only if need is proven; dosage depends on serum ferritin levels (stored iron) If levels < 30 mcg per litre, take 30 mg If levels < 45 mcg per litre, take 20 mg If levels < 60 mcg per litre, take 10 mg This test for ferritin levels should be repeated at the end of each trimester, and we give further details in Chapter 11.     Manganese 10 mg     Zinc 20–60 mg, taken last thing at night on an empty stomach (dose level to depend on results of zinc taste test, which ideally should be performed at two monthly intervals during your pregnancy; see page 172–174 for details)     Chromium 100–200 mcg (upper limit applies to those with sugar cravings or with proven need)     Selenium 100–200 mcg (upper limit for those exposed to high levels of heavy metal or chemical pollution). Selenium is best taken away from vitamin C, but can be taken with zinc.     Iodine 75 mcg (or take 150 mg of kelp instead)     Acidophilus/Bifidus Half to one teaspoonful, one to three times daily (upper limits for those who suffer from thrush)     Evening primrose oil 500–1000 mg two to three times daily     MaxEPA (or deep sea fish oils) 500–1000 mg two to three times daily     Garlic 2000–5000 mg (higher levels for those exposed to toxins)     Silica 20 mg     Copper 1–2 mg (but only if zinc levels are adequate)     Hydrochloric acid and digestive enzymes For those with digestive problems. There are numerous proprietary preparations which contain an appropriate combination of active ingredients. Ask your health practitioner, pharmacist or health food shop for guidance, and take as directed on the label.     Co-enzyme Q10 10 mg daily
Francesca Naish (The Natural Way To A Better Pregnancy (Better babies))
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position.   Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))
NICK [smiles at MARTHA. Then, to GEORGE, indicating a side table near the hall]: May I leave my drink here? GEORGE [as NICK exits without waiting for a reply]: Yeah . . . sure . . . why not? We've got half-filled glasses everywhere in the house, wherever Martha forgets she's left them...in the linen closet, on the edge of the bathtub....I even found one in the freezer, once. MARTHA [Amused in spite of herself]: You did not! GEORGE: Yes I did. MARTHA [ibid.]: You did not! GEORGE [Giving HONEY her brandy]: Yes I did. [To HONEY] Brandy doesn't give you a hangover? HONEY: I never mix. And then, I don't drink very much, either. GEORGE [Grimaces behind her back]: Oh...that's good. Your...your husband was telling me about the ...chromosomes. MARTHA [Ugly]: The What? GEORGE: The chromosomes, Martha...the genes, or whatever they are. [To HONEY] You've got quite a ...terrifying husband. HONEY [As if she's being joshed]: Ohhhhhhhhh.... GEORGE: No, really. He's quite terrifying, with his chromosomes, and all. MARTHA: He's in the Math Department. GEORGE: No, Martha...he's a biologist. MARTHA [Her voice rising]: He's in the Math Department! HONEY [Timidly]: Uh...biology. MARTHA [Unconvinced]: Are you sure? HONEY [With a little giggle]: Well, I ought to. [Then as an afterthought] Be. MARTHA [Grumpy]: I suppose so. I don't know who said he was in the Math Department. GEORGE: You did, Martha. MARTHA [By way of irritable explanation]: Well, I can't be expected to remember everything. I meet fifteen new teachers and their goddamn wives...present company outlawed, of course...[HONEY nods, smiles sillily]...and I'm supposed to remember everything. [Pause] So? He's a biologist. Good for him. Biology's even better. It's less...abstruse. GEORGE: Abstract. MARTHA: ABSTRUSE! In the sense of recondite. [Sticks her tongue out at GEORGE] Don't you tell me words. Biology's even better. It's...right at the meat of things. [NICK re-enters] You're right at the meat of things, baby. NICK [Taking his drink from the side table]: Oh? HONEY [With that giggle]: They thought you were in the Math Department. NICK: Well, maybe I ought to be. MARTHA: You stay right where you are...you stay right at the...meat of things. GEORGE: You're obsessed with that phrase, Martha....It's ugly. MARTHA [Ignoring GEORGE...to NICK]: You stay right there. [Laughs] Hell, you can take over the History Department just as easy from there as anywhere else. God knows, somebody's going to take over the History Department, some day, and it ain't going to be Georgie-boy, there...that's for sure. Are ya, swampy...are ya, Hunh? GEORGE: In my mind, Martha, you are buried in cement, right up to your neck. [MARTHA giggles] No...right up to your nose...that's much quieter.
Edward Albee (Who's Afraid of Virginia Woolf?)
When he lifted his head, Savannah nearly pulled him back to her. He watched her face, her eyes cloudy with desire, her lips so beautiful, bereft of his. “Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul, I can see it shining in your eyes.” She touched his face, her palm molding his strong jaw. Why couldn’t she resist his hungry eyes? “I think you’re casting a spell over me. I can’t remember what we were talking about.” Gregori smiled. “Kissing.” His teeth nibbled gently at her chin. “Specifically, your wanting to kiss that orange-bearded imbecile.” “I wanted to kiss every one of them,” she lied indignantly. “No, you did not. You were hoping that silly fop would wipe my taste from your mouth for all eternity.” His hand stroked back the fall of hair around her face. He feathered kisses along the delicate line of her jaw. “It would not have worked, you know. As I recall, he seemed to have a problem getting close to you.” Her eyes smoldered dangerously. “Did you have anything to do with his allergies?” She had wanted someone, anyone, to wipe Gregori’s taste from her mouth, her soul. He raised his voice an octave. “Oh, Savannah, I just have to taste your lips,” he mimicked. Then he went into a sneezing fit. “You haven’t ridden until you’ve ridden on a Harley, baby.” He sneezed, coughed, and gagged in perfect imitation. Savannah punched his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. “It was you doing all that to him! The poor man— you damaged his ego for life. Each time he touched me, he had a sneezing fit.” Gregori raised an eyebrow, completely unrepentant. “Technically, he did not lay a hand on you. He sneezed before he could get that close.” She laid her head back on the pillow, her ebony hair curling around his arm, then her arm, weaving them together. His lips found her throat, then moved lower and found the spot over her breast that burned with need, with invitation. Savannah caught his head firmly in her hands and lifted him determinedly away from her before her treacherous body succumbed completely to his magic. “And the dog episode?” He tried for innocence, but his laughter was echoing in her mind. “What do you mean?” “You know very well what I mean,” she insisted. “When Dragon walked me home.” “Ah, yes, I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog.” “Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring. Charging him!” “He ran like a rabbit.” Gregori’s soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off. How dare the man try to lay a hand on Savannah? “No wonder I couldn’t touch the dog’s mind and call him off. You rotten scoundrel.” “After Dragon left you, I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point. He looked like a rooster with his orange comb.” She laughed in spite of her desire not to. “He never came near me again.” “Of course not. It was unacceptable,” he said complacently, with complete satisfaction, the warmth of his breath heating her blood.
Christine Feehan (Dark Magic (Dark, #4))
These senators and representatives call themselves “leaders.” One of the primary principles of leadership is that a leader never asks or orders any follower to do what he or she would not do themselves. Such action requires the demonstration of the acknowledged traits of a leader among which are integrity, honesty, and courage, both physical and moral courage. They don’t have those traits nor are they willing to do what they ask and order. Just this proves we elect people who shouldn’t be leading the nation. When the great calamity and pain comes, it will have been earned and deserved. The piper always has to be paid at the end of the party. The party is about over. The bill is not far from coming due. Everybody always wants the guilty identified. The culprits are we the people, primarily the baby boom generation, which allowed their vote to be bought with entitlements at the expense of their children, who are now stuck with the national debt bill that grows by the second and cannot be paid off. These follow-on citizens—I call them the screwed generation—are doomed to lifelong grief and crushing debt unless they take the only other course available to them, which is to repudiate that debt by simply printing up $20 trillion, calling in all federal bills, bonds, and notes for payoff, and then changing from the green dollar to say a red dollar, making the exchange rate 100 or 1000 green dollars for 1 red dollar or even more to get to zero debt. Certainly this will create a great international crisis. But that crisis is coming anyhow. In fact it is here already. The U.S. has no choice but to eventually default on that debt. This at least will be a controlled default rather than an uncontrolled collapse. At present it is out of control. Congress hasn’t come up with a budget in 3 years. That’s because there is no way at this point to create a viable budget that will balance and not just be a written document verifying that we cannot legitimately pay our bills and that we are on an ever-descending course into greater and greater debt. A true, honest budget would but verify that we are a bankrupt nation. We are repeating history, the history we failed to learn from. The history of Rome. Our TV and video games are the equivalent distractions of the Coliseums and circus of Rome. Our printing and borrowing of money to cover our deficit spending is the same as the mixing and devaluation of the gold Roman sisteri with copper. Our dysfunctional and ineffectual Congress is as was the Roman Senate. Our Presidential executive orders the same as the dictatorial edicts of Caesar. Our open borders and multi-millions of illegal alien non-citizens the same as the influx of the Germanic and Gallic tribes. It is as if we were intentionally following the course written in The History of the Decline and Fall of the Roman Empire. The military actions, now 11 years in length, of Iraq and Afghanistan are repeats of the Vietnam fiasco and the RussianAfghan incursion. Our creep toward socialism is no different and will bring the same implosion as socialism did in the U.S.S.R. One should recognize that the repeated application of failed solutions to the same problem is one of the clinical definitions of insanity. * * * I am old, ill, physically used up now. I can’t have much time left in this life. I accept that. All born eventually die and with the life I’ve lived, I probably should have been dead decades ago. Fate has allowed me to screw the world out of a lot of years. I do have one regret: the future holds great challenge. I would like to see that challenge met and overcome and this nation restored to what our founding fathers envisioned. I’d like to be a part of that. Yeah. “I’d like to do it again.” THE END PHOTOS Daniel Hill 1954 – 15
Daniel Hill (A Life Of Blood And Danger)
As well as the factory euthanasia and mass poisoning of undesirables and sicklies and uglies, it was the policy of all Earth system settlements that all newborn babies should be carefully scrutinised. And any infant which didn't get the requisite number of ticks on his or her Future Citizen's Examination (with categories including pre-natal health, birth weight, potential IQ, and parental DNA mix) would be terminated. Abortion was, in fact, a thing of the past; infanticide was now considered to be a much fairer method of quality control.
Philip Palmer (Debatable Space)
Herbs to use for a good sleep bath and no rash. My grandma on my father’s side was a biologist and botanist. She gave us herb baths all the time because she had a whole garden of medicinal plants and knew how to use them. My other grandmother, who was a nurse, did the same. It is a very common practice to wash a baby with a tea blend made from chamomile/calendula and beggar ticks (also called as Bidens, bur marigold or Spanish needle) in Russia and Central Asia. The last one is the most essential to cure diathesis, prickly heat and other dermatological problems. I take just 1 tablespoon of each herb and mix into 3 cups of boiled hot water, let it sit for an hour or so, and add to a small basin so that it makes a very weak solution. Daniella’s skin becomes very soft and clean after it. She has not had eczema or any kind of rash. I think it is mostly due to the use of the herbs. When I told a friend about the Bidens and she tried it with her newborn, her daughter slept longer by an hour or two.
Julia Shayk (Baby's First Year: 61 secrets of successful feeding, sleeping, and potty training: Parenting Tips)
We’d known enough girls jilted by Americans promising marriage and plane tickets. Two girls in my neighborhood had babies by men who had returned to the United States and left false addresses. The faces of their mixed-race kids declared their humiliation to everyone.
Shawna Yang Ryan (Green Island)
All i can say to women is to guard your personal space with discrimination, anno every and anybody to get access to your life so they can have a story to tell about you. For what they do inno hun, is tek the likkle weh dem know bout you and spread it like that is you. A few composite of events , experiences and perceptions makes someone create this tabloid about you not knowing anything about you. I don't let people get close to me anymore. Some people who managed to do so, should already know that i will never allow them to get so close to me that they get a platform to fabricate stories about me. What's worse, in this time and age, people are quick to believe the worse of others. I don't make it bother me, am like oil, that shit don't stick it just rolls the fuck off. Not only that, they can't lower me for oil never sinks, don't even try mixing it, it will float right back on top.
Crystal Evans (Every Man Deserves A Good Jacket II: Babydaddy Series (Bouncing Baby Book 2))
Millennials have starkly different expectations. More than 7 in 10 (72%) Millennials do not expect Social Security to be their main source of retirement income. In fact, 42% of Millennials think they will get no retirement income from Social Security at all, as do 35% of Generation Xers. While around 1 in 5 Baby Boomers (22%) say they are already retired, most are not, and their expectations about Social Security are mixed.
Paul Taylor (The Next America: Boomers, Millennials, and the Looming Generational Showdown)
Why aren’t you in Canada?” “That’s pretty much none of your business. I guess Rising Hawk never told you about Oniata, the Dry Hand?” Livy glared at him. “You’d best watch out for it. It’s a hand that flies around looking for nosy people and pokes their eyes out.” “My father and Uncle John fought Butler and Johnson. They were at Cherry Valley. Were you? They said the Indians had a Seneca war chief. Did you go?” “No. Would it matter?” “My father and Uncle John helped bury the bodies afterwards. Women and children, even babies, lying butchered in the snow. The slush was red, mixed with their blood. A hundred or more.” “There were thirty killed, Livy. Your uncle was exaggerating.” “My uncle said that when the scalp’s off a body, the mouth hangs all slack in a scream, and he said the Indians killed babies by dashing their brains out.” “He shouldn’t have told you that. It’s not fitting for a child.” “Neither’s getting your brains dashed out.
Betsy Urban (Waiting for Deliverance)
While Mrs. Hisa steeped fresh fava beans in sugar syrup, Stephen dry-fried baby chartreuse peppers. I made a salad of crunchy green algae and meaty bonito fish cubes tossed with a bracing blend of soy and ginger juice. Mrs. Hisa created a tiny tumble of Japanese fiddleheads mixed with soy, rice vinegar, and salted baby fish. For the horse mackerel sushi, Stephen skinned and boned several large sardine-like fillets and cut them into thick slices along the bias. I made the vinegared rice and then we all made the nigiri sushi. After forming the rice into triangles, we topped each one with a slice of bamboo grass, as if folding a flag. Last, we made the wanmori, the heart of the tenshin. In the center of a black lacquer bowl we placed a succulent chunk of salmon trout and skinned kabocha pumpkin, both of which we had braised in an aromatic blend of dashi, sake, and sweet cooking wine. Then we slipped in two blanched snow peas and surrounded the ingredients with a bit of dashi, which we had seasoned with soy to attain the perfect whiskey color, then lightly salted to round out the flavor. Using our teacher's finished tenshin as a model, we arranged most of the dishes on three polished black lacquer rectangles, first lightly spraying them with water to suggest spring rain. Then we actually sat down and ate the meal. To my surprise, the leaf-wrapped sushi, the silky charred peppers, candied fava beans, and slippery algae did taste cool and green.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
For dinner, he serves dishes such as raw local fish accented with touches like fresh basil and balsamic vinegar; roasted pumpkin soup laced with ishiri; fat, chewy handmade spaghetti with tender rings of squid on a puddle of ink enhanced with another few drops of fish sauce. It's what Italian food would be if Italy were a windswept peninsula in the Far East. If dinner is Ben's personal take on Noto ingredients, breakfast still belongs to his in-laws. It's an elaborate a.m. feast, fierce in flavor, rich in history, dense with centuries of knowledge passed from one generation to the next: soft tofu dressed with homemade soy and yuzu chili paste; soup made with homemade miso and simmered fish bones; shiso leaves fermented kimchi-style, with chilies and ishiri; kaibe, rice mixed with ishiri and fresh baby squid, pressed into patties and grilled slowly over a charcoal fire; yellowtail fermented for six months, called the blue cheese of the sea for its lactic funk. The mix of plates will change from one morning to the next but will invariably include a small chunk of konka saba, mackerel fermented for up to five years, depending on the day you visit. Even when it's broken into tiny pieces and sprinkled over rice, the years of fermentation will pulse through your body like an electric current.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
The restaurant owner brought them wine, pale and golden and cool. There were just four oysters each, and when they were all gone they turned their attention to the cecinella. After the soft shapeless texture of the oysters these were almost the opposite: hard, crunchy skeletons whose flavor was all on the outside, a crisp bite of garlic and peperone that dissolved to nothing in your mouth. The ricci, or sea urchins, were another taste again, salty and exotic and rich. It was hard to believe that he had once thought they could be an austerity measure. After that they were brought without being asked a dish of baby octopus, cooked with tomatoes and wine mixed with the rich, gamey ink of a squid. For dessert the owner brought them two peaches. Their skins were wrinkled and almost bruised, but the flesh, when James cut into it with his knife, was unspoiled and perfectly ripe, so dark it was almost black. He was about to put a slice into his mouth when Livia stopped him. "Not like that. This is how we eat peaches here." She cut a chunk from the peach into her wine, then held the glass to his lips. He took it, tipping the wine and fruit together into his mouth. It was a delicious, sensual cascade of sensations, the sweet wine and the sweet peach rolling around his mouth before finally, he had to bite it, releasing the fruit's sugary juices. It was like the oyster all over again, a completely undreamt-of experience, and one that he found stirringly sexual, in some strange way that he couldn't have defined.
Anthony Capella (The Wedding Officer)
RECIPE FOR APPLESAUCE SPICE CAKE WITH MAPLE FROSTING OR CREAM CHEESE FROSTING CAKE 2½ cups all-purpose flour or cake flour 1 teaspoon salt ¼ teaspoon baking powder 1½ teaspoons baking soda ¾ teaspoon cinnamon ½ teaspoon allspice ½ teaspoon cloves 1¾ cups sugar (scant) 1½ cups unsweetened applesauce ½ cup water ½ cup unsalted butter 2 eggs ½ cup chopped walnuts (optional) ¾ cup raisins (optional) Preheat oven to 350°F. Butter and flour two 8" or two 9" round cake pans or one 9"x13" pan. Mix first 7 dry ingredients in medium bowl. Blend sugar, applesauce, butter, eggs and water in large
Carla Neggers (Christmas Ever After: A Knights Bridge Christmas/Sweet Silver Bells/Mistletoe, Baby)
Establish a Variety of Sleep Associations: If you are getting Baby to sleep in one particular way, that is the way she will expect to go to sleep all the time. By mixing up sleep associations, it will be easier to help her fall asleep no matter where she is. For example, start off rocking and then nurse, or vice versa (One of my little guys liked us to roll him back and forth in his bassinet, but that wasn't so easy to do, say, in the middle of the mall. We had to learn to mix things up). Also, parents should switch off putting her to sleep so that she doesn't demand that one be on duty all the time.
Rea Bochner (How To Raise, Happy, Healthy Newborns Without Losing Your Mind! (0-3 Months) (A Parenthology Series Book 1))
Establish a Variety of Sleep Associations: If you are getting Baby to sleep in one particular way, that is the way she will expect to go to sleep all the time. By mixing up sleep associations, it will be easier to help her fall asleep no matter where she is.
Rea Bochner (How To Raise, Happy, Healthy Newborns Without Losing Your Mind! (0-3 Months) (A Parenthology Series Book 1))
He was a little monster,” Bob said, laughing, about Steve as a child. The main difficulty wasn’t unruly behavior. It was Steve’s insatiable curiosity about the bush and the wildlife in it. “For the first few months, when he was a baby, I could put Steve down and he would stay where I put him,” Lyn told me. “But after he started to get around on his own, it was all over. I would find him either on the roof or up in some tree.” When the family headed off on a trip, usually to North Queensland on wildlife jaunts, Steve could always be counted on to be elsewhere when they were ready to go. They would find him next to the nearest stream, snagging yabbies or turning over bits of wood to see what was hidden underneath. “He was never where we wanted him to be,” Lyn recalled with a laugh. Steve’s childhood was “family, wildlife, and sport,” he told me. He played rugby league for the Caloundra Sharks in high school and was picked to play rugby for the Queensland Schoolboys and represent the state, but he chose to go on a field trip with his dad to catch reptiles instead. Sometimes sport and wildlife mixed in unexpected ways. Both was an expert badminton player, and a preteen Steve decided to layout a badminton court in the family’s backyard one day. He had a brolga as a friend, a large bird that he called Brolly. Brolly objected to Steve rearranging her territory. She waited until his back was turned and then attacked. Wham! A brolga’s beak is a fearsome weapon, and Brolly’s slammed into the back of little Stevo’s head. His bird friend knocked him out cold. “Go ahead, feel it,” Steve said after regaling me with this story. He bent his head. I could still feel a knot of scar tissue, a souvenir of the brolga attack years earlier.
Terri Irwin (Steve & Me)
I grabbed a menu and looked at the selections. There were several tempting salads, including one with field greens, goat cheese, pecans, raisins, and fresh sliced apple. The tuna salad also looked good- albacore, diced celery, onion, capers, and mayonnaise, served on mixed greens. Capers? I'd never heard of putting capers in tuna salad. It sounded interesting. Farther down the menu I saw sandwiches. Rare roast beef and Brie with sliced tomato on a toasted French baguette. That sounded great, but I'd have to forgo the Brie- too much cholesterol. But then, without the Brie, what did you really have but just another roast beef sandwich? The chicken salad sandwich also looked good, with baby greens, tomato, sprouts, grapes, and crumbled Gorgonzola, but there was the issue of the cheese again. Then I saw something that really caught my eye- the Thanksgiving Special. Oven-roasted turkey breast, savory stuffing, and fresh cranberry sauce on whole wheat bread. Perfect.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
You must trust the Great Ones, tah-mah. If you are certain she is the woman of the prophecy, then all will be well. The song cannot come to pass if she dies.” Hunter tucked in his chin to study the girl’s mud-streaked face and found himself wondering how he ever could have thought her ugly. Could a shaft of sunlight be ugly? A sparkle of moonlight upon water? “I’m certain, Warrior. She is the woman. Already, part of the prophecy has come to pass, eh? Her voice has been returned to her.” “And she has stolen your Comanche heart, has she not?” “She has great courage for one so small, but my heart is my own. As it will always be.” Warrior leaned sideways to peer over Hunter’s shoulder at the yellow-hair’s face, his own creasing in a grin. “Yes, there is something about her, is there not? The mud, I think. It does something for her.” Hunter smiled in spite of himself. “She looks like She Who Shakes got ahold of her. Remember when Ki-was, Rascal, let her make his war paint?” Warrior chuckled. “The time she mixed it too thin? The three red stripes on his chin dripped, and he rode into battle looking like a People Eater. Yes, I remember.” Hunter flexed his tense back, letting the sound of Warrior’s laughter soothe him. “She sleeps like a baby, Hunter. That’s a good sign, no? She must be starting to trust you. She’ll begin eating and drinking soon.” “She’s just exhausted and weak from thirst. Too weary to be frightened. Or to give me trouble.
Catherine Anderson (Comanche Moon (Comanche, #1))
These cuffs aren’t here for you to tease me, little boy!” Rex froze at the scowling snarl. “Continue with that shit and I’ll rip this headboard off and spank you. Now give.” Mr. Hades pinned Rex with a narrow gaze; a mix of deadly black and fierce dominance. “Take some of your baby butter, smear that shit on your pretty lips and give me a taste of your goddamn fuckin’ ice-cream!
Wulf Francú Godgluck (Hades (Of Gods and Monsters, #2))
Baba Ghanoush over Mixed Greens Serves: 4 1 (1½-pound) eggplant 1 cup cooked garbanzo beans or low-sodium or no-salt-added canned garbanzo beans 2 tablespoons raw tahini or unhulled sesame seeds 2 tablespoons fresh lemon juice 2 cloves garlic, finely chopped ⅓ cup water 1 teaspoon Bragg Liquid Aminos 5 ounces romaine lettuce, chopped 5 ounces mixed baby greens Preheat the oven to 350˚F. Prick eggplant, place on baking sheet, and bake for 45 minutes, turning occasionally, until soft. Let it cool and then peel. In a high-powered blender, combine eggplant, garbanzo beans, tahini, lemon juice, garlic, water, and Bragg Liquid Aminos. Blend until smooth. Combine romaine and mixed baby greens and serve baba ghanoush on a bed of greens. Baba ghanoush and greens can also be served in a whole wheat pita or wrap. PER SERVING: CALORIES 155; PROTEIN 8g; CARBOHYDRATE 23g; TOTAL FAT 5.1g; SATURATED FAT 0.7g; SODIUM 83mg; FIBER 9.2g; BETA-CAROTENE 3954mcg; VITAMIN C 13mg; CALCIUM 104mg; IRON 2.5mg; FOLATE 190mcg; MAGNESIUM 61mg; ZINC 1.4mg; SELENIUM 2.4mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
He sat there staring down into the descending darkness, his thoughts wildly mixed and uncertain. For the moment he knew only one thing; from this night forwards he would never be able to think of Jane Hudson or her sister without experiencing all over again the same awful retching sickness that he felt now.
Henry Farrell (What Ever Happened to Baby Jane?)
She would’ve preferred to have been anywhere else but a Walmart—it felt equal parts dystopian and apocalyptic, like this was the last big-box department store operating in the end times. Those who haunted the aisles and shelves were a motley mix: camo-clad doomsday preppers with their ass cracks showing; old white men who wore cowboy hats because apparently that was still a thing here in upstate PA; chunky girls with too-tight glitter-script spandex swallowed by hungry, hungry butt cheeks, their hair teased higher than the Tower of Babel; shuffling housewives haunted by the ghosts of regret; pock-cheeked teenagers in their Walmart vests, pushing a mop over mysterious spills. Fluorescent lights buzzed and snapped above. Somewhere, a baby wailed.
Chuck Wendig (The Book of Accidents)
Has anyone ever told you that you have a bleeding heart?” “Not many people have gotten the chance to figure that out about me.” “I have.” I bend down until our lips brush, her breath mixing with mine. “Yeah, baby. You have.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Somewhere, he thought, there was this boy’s mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler’s caution, who had obeyed with a zealot’s fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs—then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal. He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!”—“Who are you to think? It’s so, because I say so!”—“Don’t argue, obey!”—“Don’t try to understand, believe!”—“Don’t rebel, adjust!”—“Don’t stand out, belong!”—“Don’t struggle, compromise!”—“Your heart is more important than your mind!”—“Who are you to know? Your parents know best!”—“Who are you to know? Society knows best!” “Who are you to know? The bureaucrats know best!”—“Who are you to object? All values are relative!”—“Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!
Ayn Rand (Atlas Shrugged)
My hands are going to be in bad shape tomorrow, but I don’t hold back. Every hit I make is mixed with a memory—the time he busted out three of my baby teeth for spilling his beer, the time he put my mom in the hospital with several broken ribs, all the black eyes I had to walk around with, the shame and anger, all of it goes into this fight.
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
There's no messing with perfection. (Okay, a little messing, just for fun.) A few crystals of coarse sea salt, a drizzle of local olive oil, and a sprig or two of purple basil. Sliced and layered in a white ceramic dish, the tomatoes often match the hues of the local sunsets--- reds and golds, yellows and pinks. If there were such a thing in our house as "too pretty to eat," this would be it. Thankfully, there's not. If I'm not exactly cooking, I have done some impromptu matchmaking: baby tomatoes with smoked mozzarella, red onions, fennel, and balsamic vinegar. A giant yellow tomato with a local sheep's milk cheese and green basil. Last night I got a little fancy and layered slices of beefsteak tomato with pale green artichoke puree and slivers of Parmesan. I constructed the whole thing to look like the Leaning Tower of Pisa. I love to think of the utterly pretentious name this would be given in a trendy Parisian bistro: Millefeuille de tomate provençale, tapenade d'artichaut et coppa de parmesan d'Italie (AOC) sur son lit de salade, sauce aigre douce aux abricots. And of course, since this is a snooty Parisian bistro and half their clientele are Russian businessmen, the English translation would be printed just below: Tomato napoleon of artichoke tapenade and aged Parmigiano-Reggiano cheese on a bed of mixed greens with sweet-and-sour apricot vinaigrette. The sauce abricot was a happy accident. While making the dressing for the green salad, I mistook a bottle of peach/apricot syrup for the olive oil. Since I didn't realize my mistake until it was at the bottom of the bowl, I decided to try my luck. Mixed with Dijon mustard and some olive oil, it was very nice--- much sweeter than a French vinaigrette, more like an American-style honey Dijon. I decided to add it to my pretentious Parisian bistro dish because, believe it or not, Parisian bistros love imitating American food. Anyone who has been in Paris in the past five years will note the rise of le Tchizzberger. (That's bistro for "cheeseburger.") I'm moderate in my use of social media, but I can't stop taking pictures of the tomatoes. Close up, I've taken to snapping endless photos of the voluptuously rounded globes. I rejoice in the mingling of olive oil and purply-red flesh. Basil leaves rest like the strategically placed tassels of high-end strippers. Crystals of sea salt catch the afternoon sun like rhinestones under the glaring lights of the Folies Bergère. I may have invented a whole new type of food photography: tomato porn.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
Well, we think that time ‘passes,’ flows past us, but what if it is we who move forward, from past to future, always discovering the new? It would be a little like reading a book, you see. The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers.” “But the fact is,” said Dearri, “that we experience the universe as a succession, a flow. In which case, what’s the use of this theory of how on some higher plane it may be all eternally coexistent? Fun for you theorists, maybe, but it has no practical application, no relevance to real life. Unless it means we can build a time machine!” he added with a kind of hard, false joviality. “But we don’t experience the universe only successively,” Shevek said. “Do you never dream, Mr. Dearri?” He was proud of himself for having, for once, remembered to call someone “Mr.” “What’s that got to do with it?” “It is only in consciousness, it seems, that we experience time at all. A little baby has no time; he can’t distance himself from the past and understand how it relates to his present, or plan how his present might relate to his future. He does not know time passes; he does not understand death. The unconscious mind of the adult is like that still. In a dream there is no time, and succession is all changed about, and cause and effect are all mixed together. In myth and legend there is no time. What past is it the tale means when it says ‘Once upon a time’? And so, when the mystic makes the reconnection of his reason and his unconscious, he sees all becoming as one being, and understands the eternal return.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
They mixed baby oil with iodine, slathered it on their legs, and sat out in the sun to give them a reddish-brown tan that approximated the look of nylons.[82]
Cindy Gueli (Lipstick Brigade: The Untold True Story of Washington's World War II Government Girls)
SLEEP & PRAYER In peace I will lie down and sleep, for you alone, LORD, make me dwell in safety. —Psalm 4:8 I believe in God partly because I have to, because I need something to pray to with my rabid, sweeping mix of fear and love. When Henry was a baby, I would have blown a fuse in my brain every night if I couldn’t have entrusted him to God for safekeeping while I slept. It’s hard enough for me to sleep, and I believe very desperately in God. I’d never sleep a wink if I didn’t. Those first nights, I prayed out loud every night, asking God to keep Henry alive through the night. I had no reason to believe that anything would happen to him. He was healthy and normal, although at the beginning healthy and normal seem relative, because they are so tiny and wiggly and alien. So I prayed out loud, fervently, like I was at a revival. Dear God, please please please keep our baby healthy and alive through the night. Thank you thank you thank you for him, and please please please keep him safe through the night. I wasn’t creative in my language, but what I lacked in vocabulary, I made up for in
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional, plus 21 Delicious Recipes))
SIR MIX-A-LOT is a Seattle-based rapper best known for his 1992 number one hit “Baby Got Back.” He likes big butts.
Craig Marks (I Want My MTV: The Uncensored Story of the Music Video Revolution)
tour that I’ve still got my sunglasses on, like some kind of fading starlet. I take them off as he’s patting a rack of devices with knobs all over them. “And these are forty-eight tracks of Neve preamps. I use them on tracking and again on mix for some things. They really sweeten the bottom end. And you’d be amazed at how they work on ambient mics – for acoustic guitar and cymbals.” “That’s great,” I say, quickly running out of terms that don’t make me sound like somebody’s slow cousin. The actual recording room turns out to be three chambers: an isolation booth for vocals, a wood-paneled drum room, and a larger room with sound baffles everywhere for other instruments. There’s a Baldwin baby grand piano in one corner, gleaming like an ebony sentry in the overhead lights. If there’s one word for the studio, it’s ‘impressive.’ Sebastian is equally impressive, and his enthusiasm, his love for what he
R.E. Blake (More Than Anything (Less Than Nothing, #2))
Montreal October 1704 Temperature 55 degrees “Remember how in Deerfield there was nobody to marry? Remember how Eliza married an Indian? Remember how Abigail even had to go and marry a French fur trader without teeth?” Mercy had to laugh again. It was such a treat to laugh with English friends. “Your man doesn’t have teeth?” “Pierre has all his teeth. In fact, he’s handsome, rich and an army officer. But what am I to do about the marriage?” Sarah was not laughing. She was shivering. “I do not want that life or that language, Mercy, and above all, I do not want that man. If I repeat wedding vows, they will count. If I have a wedding night, it will be real. I will have French babies and they will be Catholic and I will live here all my life.” Sarah rearranged her French scarf in a very French way and Mercy thought how much clothing mattered; how changed they were by what they put on their bodies. “The Catholic church won’t make you,” said Mercy. “You can refuse.” “How? Pierre has brought his fellow officers to see me. His family has met me and they like me. They know I have no dowry, but they are being very generous about their son’s choice. If I refuse to marry Pierre, he and the French family with whom I live will be publicly humiliated. I won’t get a second offer of marriage after mistreating this one. The French family will make me a servant. I will spend my life waiting on them, curtseying to them, and saying ‘Oui, madame.’” “But surely ransom will come,” said Mercy. “Maybe it will. But what if it does not?” Mercy stared at her feet. Her leggings. Her moccasins. What if it does not? she thought. What if I spend my life in Kahnawake? “What if I stay in Montreal all my life?” demanded Sarah. “A servant girl to enemies of England.” The world asks too much of us, thought Mercy. But because she was practical and because there seemed no way out, she said, “Would this Frenchman treat you well?” Sarah shrugged as Eben had over the gauntlet, except that when Eben shrugged, he looked Indian, and when Sarah shrugged, she looked French. “He thinks I am beautiful.” “You are beautiful,” said Eben. He drew a deep breath to say something else, but Nistenha and Snow Walker arrived beside them. How reproachfully they looked at the captives. “The language of the people,” said Nistenha in Mohawk, “is sweeter to the ear when it does not mix with the language of the English.” Mercy flushed. This was why she had not been taken to Montreal before. She would flee to the English and be homesick again. And it was so. How she wanted to stay with Eben and Sarah! They were older and would take care of her…but no. None of the captives possessed the freedom to choose anything or take care of anyone. It turned out that Eben Nims believed otherwise. Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.
Caroline B. Cooney (The Ransom of Mercy Carter)
Maybe it was my condition, but I was even more sensitive about cruelty to wildlife. When we journeyed to New Zealand to protest whale hunts, we viewed a documentary about whales attacking the whaling ships, trying to defend the females and their young. Whales are like elephants of the sea. They have family structures, mannerisms, and habits that are similar to our own. In the midst of this very emotional work in Wellington, I felt the baby move for the first time. Soon the baby was dancing around inside me both day and night. All my checkups came back favorable, and the doctor said Steve was more than welcome to glove up and help deliver the baby when the time came. Until then, though, there was stacks of filming to be done. We filmed sharks just off the Queensland coast, near where Steve’s parents had retired. Some of the crew were typical Aussie blokes. As soon as I got on board and they saw that I was very obviously pregnant, they decided to embark on “Project Spew.” To attract sharks, they mixed up a large container of chum--a gory stew made of fish oil, blood, fish skeletons, and offal. The crew would pass it right underneath my nose in an effort to make me sick. I countered them by sitting down and eating lunch right next to the putrid-smelling chum container. I knew they couldn’t break me!
Terri Irwin (Steve & Me)
He touched her lips softly with his, gently, tentatively. Her eyes closed as she allowed this and his arms tightened around her as he pressed more firmly against her lips. Hers opened and his breath caught as he opened his own and felt her small tongue dart into his mouth. His world reeled and he was lost in a kiss that deepened, that moved him, that shook him. “Don’t,” she whispered against his mouth. “Don’t get mixed up with me, Jack.” He kissed her again, holding her against him as though he would never let her go. “Don’t worry about me,” he said against her lips. “You don’t understand. I have nothing to give. Nothing.” “I haven’t asked you for a thing,” he said. But in his mind he was saying, You’re mistaken. You are giving, and taking—and it feels damn good. All Mel could think, in the abstract, was that her body for once wasn’t hollow and so empty she ached. She drank it in, the feeling of being connected to something. To someone. Anchored. So wonderful to have that human contact again. In her soul she had forgotten how, but her body remembered. “You’re a good man, Jack,” she said against his lips. “I don’t want you to be hurt. Because I can’t love anyone.” All he said was, “I can take care of myself.” She kissed him again. Deeply. Passionately. For a long minute; two minutes, moving under his mouth with heat. And the baby fussed. She pulled away from him. “Oh, man, why’d I do that?” she asked. “That’s a mistake.” He shrugged. “Mistake? Nah. We’re friends,” he said. “We’re close. You needed some comfort and—and here I am.” “That just can’t happen,” she said, sounding a little desperate. He took charge, feeling his own sense of desperation. “Mel, stop it. You were crying. That’s all.” “I was kissing,” she said. “And so were you!” He smiled at her. “You are so hard on yourself sometimes. It’s okay to feel something that doesn’t hurt once in a while.” “Promise me that won’t happen again!” “It won’t if you don’t want it to. But let me tell you something—if you do want it to, I’m going to let you. You know why? Because I like kissing. And I don’t beat myself up about it.” “I’m not doing that,” she said. “I just don’t want to be stupid.” “You’re punishing yourself. I can’t figure out why. But,” he said, lifting her off his lap and putting her on her feet, “you get to call the shots. Personally, I think you secretly like me. Trust me. And I think for a minute there, you also liked kissing me.” He grinned at her. “I could tell. I’m so smart that way.” “You’re just desperate for a little female companionship,” she said. “Oh, there are females around. That has nothing to do with anything.” “Still—you have to promise.” “Sure,” he said. “If that’s what you want.” “It’s what I need.” He
Robyn Carr (Virgin River (Virgin River #1))