Slightly Morbid Quotes

On this evening, Mme. Padva wears a dress of black silk, hand embroidered with intricate patterns of cherry blossoms, something like a kimono reincarnated as a gown. Her silver hair is piled atop her head and held in place with a small jeweled black cage. A choker of perfectly cut scarlet rubies circles her neck, putting forth a vague impression of her throat having been slit. The overall effect is slightly morbid and incredibly elegant.

She gave me the dog-eye and moved slightly back. “Are you concerned about your weight, Fat Jimmy?” I took a long drag on my cigarette. “Not at all. My doctor says I’ve got another two stone to go before I’m morbidly obese.” Fat Jimmy from "Fat Jimmy and the Blind Ballerina" due out Jan 2017

From: Bernadette Fox To: Manjula Kapoor Oh! Could you make dinner reservations for us on Thanksgiving? You can call up the Washington Athletic Club and get us something for 7 PM for three. You are able to place calls, aren’t you? Of course, what am I thinking? That’s all you people do now. I recognize it’s slightly odd to ask you to call from India to make a reservation for a place I can see out my window, but here’s the thing: there’s always this one guy who answers the phone, “Washington Athletic Club, how may I direct your call?” And he always says it in this friendly, flat… Canadian way. One of the main reasons I don’t like leaving the house is because I might find myself face-to-face with a Canadian. Seattle is crawling with them. You probably think, U.S./Canada, they’re interchangeable because they’re both filled with English-speaking, morbidly obese white people. Well, Manjula, you couldn’t be more mistaken. Americans are pushy, obnoxious, neurotic, crass—anything and everything—the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that’s how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone’s ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don’t understand is that some people are extraordinary and should be treated as such. Yes, I’m done. If the WAC can’t take us, which may be the case, because Thanksgiving is only two days away, you can find someplace else on the magical Internet. * I was wondering how we ended up at Daniel’s Broiler for Thanksgiving dinner. That morning, I slept late and came downstairs in my pajamas. I knew it was going to rain because on my way to the kitchen I passed a patchwork of plastic bags and towels. It was a system Mom had invented for when the house leaks.

She centered me, even when slightly off-kilter herself.

Bringing the horse to a stop, Lucetta leaned forward and looked down a well-maintained lane that led directly to what seemed to be some type of a gatehouse, but a gatehouse built to look exactly like a mausoleum, complete with stained-glass windows, stone sculptures on either side of it—not of the expected angels, but of . . . ravens. Turning to Abigail, Lucetta arched a brow. “Should we drive closer?” “I don’t think this could possibly be the lane leading to Bram’s castle,” Abigail said. “I mean, why would anyone build a mausoleum to mark the entrance to their home?” “I have numerous answers to that, but none I’m going to voice until we discover whether or not your grandson resides here. Which, I’m sorry to say, could be a distinct possibility, since the castle’s name is Ravenwood and there are two ravens guarding that building, and . . . if you look over the door, Ravenwood is etched into the stone.” “Oh . . . dear.” Abigail pulled a pair of spectacles out of her pocket, shoved them on, and then looked closely at the building in front of them before immediately pulling the spectacles off again and repocketing them, shuddering ever so slightly as she did so. “Would it be safe to say that your grandson possesses a slightly morbid nature?” Lucetta asked. “Of course not. Bram’s charming, and . . . the ladies find him to be completely delightful, from what I’ve been told—as I do believe I’ve mentioned to you a few times.” Before Lucetta could reply to that, the door to the mausoleum opened with an ominous creak. Abigail grabbed hold of Lucetta’s hand and squeezed it, the squeezing becoming more pronounced as a man stepped through the door—a man who just happened to be carrying a rifle.

That’s sickening,” hissed the woman. “You should be branded and your dicks torn o—” There was a squeak, and Tom lifted his eyes, startled. He saw that Baltsaros had wrapped his hand around the woman’s neck, her face contorted with shock and fear as she began to struggle. Tom pulled quickly out of the way. Sitting on his heels, his cock in hand, Tom watched with morbid curiosity as Baltsaros simply suffocated the woman to the point of unconsciousness and lay her back on the bed as if this were a common occurrence. The captain then rose up on his knees and slid the long hunting knife from its sheath by the bed. With the point of the blade hovering over the woman’s heart, Baltsaros murmured something under his breath. The blade sank so easily into her chest. Tom blinked slowly. It was perplexing and slightly worrying; though the captain was certainly ruthless and had a deeply sadistic side to him, Tom hadn’t seen him do something so… inhuman before. In a daze, he watched the captain pull the knife out to place his hand on the heart’s blood that rose out of the wound in a thick, dark puddle; Baltsaros licked his dripping red fingers and smiled at him. Somewhere in the back of Tom’s mind was the thought that he should be more concerned about the captain’s actions, but there was something so primal, fierce, and alive in the man’s eyes that Tom felt nothing but awe. Maybe the char had something to do with it, but before his eyes, the captain had become a gorgeous, bloody, fallen god. Tom trembled. Baltsaros spat into the palm of his hand, and he stroked the rigid, thick cock jutting from the opening in his pants, the smile fading from his face as he stared at Tom with eyes dark with lust.

Nature’s fall There was a theatrical taste to it all, The experiencing of seasons and the morbidness of the fall, When nothing seems to have any sort of animation left, As if everything and everyone is suffering from the trauma of a theft, Where they have been robbed of every lively moment and life’s pleasure, As they were busy indulging in moments of leisure, Unlike nature that only and always grows, And no signs of regression shows, But there is a sort of slight indignation in it all, And you can tell it from every pale leaf falling and tossing against the great wall, The wall that is the only barricade between life and lifelessness, The wall that prevents sensibility from the invasion of senselessness, Where leisure is a moment of enjoyment with one's self and someone you love, It can be a moment in the future or a moment you are experiencing now, But if it indulges with the present to such a degree that it invades the future, Then you are bound to exhaust beforehand life’s true treasure, That of moments of leisure offering life’s authentic pleasure, In quantities with a perfect taste and measure, Because nature too enjoys in summer complete state of leisure, But then spring is for grooming and growing, and not for pleasure, While winter and fall, are for regeneration, A self introspection and kind of inward meditation, But if it spends all seasons in leisure and soaks itself in one feeling alone, that of pleasure, Then it shall be left with no beauty’s treasure, And it shall turn into the desert, where only desert roses grow, And remind you of nature’s follies, its oversights, and its over indulgence in leisure, about which it shall never everything know, Because pleasures have no end, they are a road that has no end, That is why nature created seasons, so that it realised when it was time to bend, And not be left lonely like the desert rose, Who moans the death of beauty lost to nature’s long repose, In the lap of leisure, until it entered a state, Where it was always summer like sunny now, and from this reality it could no longer obviate, Because there was nothing left, to remind it, to end the merriments of summer time, So, it rested in prolonged slumber until the winter robbed it of all its moments sublime, And then, when summer returned and somehow the desert rose bloomed, The nature in this act of callousness was doomed, It was summer always here now, bright light everywhere, Until nature forgot of the desert rose that still bloomed somewhere, And then it all ended and the beauty got buried under the sands of time, And it became the nature’s most infamous crime, To have relied only on summer joys and thinking they will last forever, And when fall took over; the summer and the spring, now returned never!

One of Donald’s acquaintances had recently suddenly died at a Rotary Club luncheon, and I had said to him, ‘It’s not a bad way to go really. He was a good age and he died at his favourite pastime – eating!’ ‘I know a better way,’ Donald had said. ‘Oh? And what is that?’ ‘Shot in the back of the head, at ninety, by a jealous husband!’ He had continued our slightly morbid discussion with, ‘When I die, Jim, I would like to be buried at Southwoods in that field below the pine wood near the third gate, the one that looks up to the hill.’ ‘I think that would be a splendid place,’ I had replied. ‘Do you really think so?’ ‘Yes, I do!’ I have never forgotten his spontaneous reply, ‘I’ll save you a place next to me!

To Morton Stone, all those first weeks at Meerlust had a strange, dream-like quality. The contours and smells of the country, the odd style of the house’s architecture, the stinkwood furniture and ancient brass with which its rooms were furnished, had an exotic flavour that left him slightly bewildered. They didn’t, naturally, bewilder Catherine at all. She was rapturously recapturing the days when she and Hans had been children together. To Morton there was something beautiful, and at the same time pathetic, in the quickness with which she responded to each remembered detail: the bird-song, the flowers that now bloomed in incredible profusion, the smell of the veld, the soft accents of Cape-Dutch dialect. It was pathetic for two reasons. First because these memories, which he could neither share nor understand, increased the distance between them; once again, because all her rapture was shadowed for him by the gloom of an in- definite apprehensiveness. This very excess of happiness took it out of her. She wasn’t, as he could see, and as the Malans’ Dutch doctor told him, any better for the change. It seemed to spur her to a morbid restlessness. She was catching at every memory, within, or just out of reach, as though some inward consciousness told her that the time for its enjoyment was limited. It irked her to find him, as it seemed to her, dull and unresponsive. As for Morton, the sense of impending disaster never left him. He could have faced it more easily, he felt, at home, amid familiar surroundings, than in this strange, unreal oasis of beauty, five thousand miles from anywhere.