Display Of Wealth Quotes

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The five marks of the Roman decaying culture: Concern with displaying affluence instead of building wealth; Obsession with sex and perversions of sex; Art becomes freakish and sensationalistic instead of creative and original; Widening disparity between very rich and very poor; Increased demand to live off the state.
Edward Gibbon
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Look, the insidious thing about these forms of worship is not that they're evil or sinful; it is that they are unconscious. They are default-settings. They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing. And the world will not discourage you from operating on your default-settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom to be lords of our own tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default-setting, the “rat race” — the constant gnawing sense of having had and lost some infinite thing.
David Foster Wallace (This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life)
Pride thinks its own happiness shines the brighter, by comparing it with the misfortunes of other persons; that by displaying its own wealth they may feel their poverty the more sensibly.
Thomas More (Utopia)
In choosing a bare bones existence, we are enriched, and can redefine success as an internal process rather than an outward display of wealth and power.
Kathleen Norris (Dakota: A Spiritual Geography)
If one busies himself with an outer display of scriptural wealth, what time is left for silent inward diving after the priceless pearls?” Sri
Paramahansa Yogananda (Autobiography of a Yogi: (With Pictures) (Unabridged Start Publishing LLC))
Copies have been dethroned; the economic model built on them is collapsing. In a regime of superabundant free copies, copies are no longer the basis of wealth. Now relationships, links, connections, and sharing are. Value has shifted away from a copy toward the many ways to recall, annotate, personalize, edit, authenticate, display, mark, transfer, and engage a work. Art is a conversation, not a patent office. The citation of sources belongs to the realms of journalism and scholarship, not art. Reality can’t be copyrighted.
David Shields (Reality Hunger: A Manifesto)
If we were to gain God's perspective, even for a moment, and were to look at the way we go through life accumulating and hoarding and displaying our things, we would have the same feelings of horror and pity that any sane person has when he views people in an asylum endlessly beating their heads against the wall.
Randy Alcorn (Money, Possessions, and Eternity: A Comprehensive Guide to What the Bible Says about Financial Stewardship, Generosity, Materialism, Retirement, Financial Planning, Gambling, Debt, and More)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
Put in simple terms, in a post-pandemic world beset by unemployment, insufferable inequalities and angst about the environment, the ostentatious display of wealth will no longer be acceptable.
Klaus Schwab (COVID-19: The Great Reset)
Extravagant sartorial display had a purpose. It created the impression of wealth and power on the opponent and pride in the wearer which has been lost sight of in our nervously egalitarian times.
Barbara W. Tuchman (The First Salute : View of the American Revolution)
Pride measures prosperity not by her own advantages but by the disadvantages of others. She would not even wish to be a goddess unless there were some wretches left whom she could order about and lord it over, whose misery would make her happiness seem all the more extraordinary, whose poverty can be tormented and exacerbated by a display of her wealth. This infernal serpent, pervading the human heart, keeps men from reforming their lives, holding them back like a suckfish.
Thomas More (Utopia)
Animals fight to defend their bodies. Humans curse to defend their imagination of themselves. This imagined notion of who we are, and how others are supposed to see us, is called aham. Aham constantly seeks validation from the external world. When that is not forthcoming it becomes insecure. Aham makes humans accumulate things; through things we hope people will look upon us as we imagine ourselves. That is why, Janaka, people display their wealth and their knowledge and their power. Aham yearns to be seen.
Devdutt Pattanaik (Sita: An Illustrated Retelling of the Ramayana)
Egoism... is not eliminated by economic reorganization or by material abundance. When basic needs are satisfied, new 'needs' emerge. In our society, people want no simply clothes, but fashionable clothes; not shelter, but a house to display their wealth and taste.
Peter Singer (Marx: A Very Short Introduction)
This, then, is held to be the duty of the man of wealth: To set an example of modest, unostentatious living, shunning display or extravagance; to provide moderately for the legitimate wants of those dependent on him; and, after doing so, to consider all surplus revenues which come to him simply as trust funds, which he is called upon to administer, and strictly bound as a matter of duty to administer in the manner which, in his judgement, is best calculated to produce the most beneficial results for the community--the man of wealth thus becoming the mere trustee and agent for his poorer brethren, bringing to their service his superior wisdom, experience, and ability to administer, doing for them better than they would or could do for themselves.
Andrew Carnegie
All things considered, he stuck to his basic attitude of enjoying wealth by knowing that he had it, rather than by making a great display of it.
Stefan Zweig
Only small men parade their learning, talk over their audience and air their superior knowledge. Only brutal men throw their strength about, and vain rich men display their wealth in ostentatious useless luxuries.
John Myer (John Myer: A Collection of his Sermons and Writing, #1)
They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.
Edith Wharton (The House of Mirth)
Animosity towards the automobile was so great that in 1906 Woodrow Wilson, then president of Princeton University, declared, “Possession of an auto car is such an ostentatious display of wealth that it will stimulate socialism.”16
Yves Engler (Stop Signs: Cars and Capitalism on the Road to Economic, Social and Ecological Decay)
Perhaps you think that there are sacred groves and cities of the gods along the way, temples displaying all the gifts of wealth? Not so: your path is full of lurking perils as well as images of savage beasts. “And if you hold this course unswervingly, you’ll find the horns of Taurus in your way, 110 the Archer and the gaping jaws of Leo, and Scorpio, whose long and curving arms sweep one way, while the curving arms of Cancer sweep broadly in the opposite direction.
Ovid (Metamorphoses)
As a people we practiced excess. Excess in everything - pleasure, gaudy display, endless toil, and death. Vagrant children slept in the alleys. Ragpicking was a profession. A conspicuously self-satisfied class of new wealth and weak intellect was all aglitter in a setting of mass misery.
E.L. Doctrow
...if pride, that plague of human nature, that source of so much misery, did not hinder it; for this vice does not measure happiness so much by its own conveniences, as by the misery of others; and would not be satisfied with being thought a goddess, if none were left that were miserable, over whom she might insult. Pride thinks its own happiness shines the brighter, by comparing it with the misfortunes of other persons; that by displaying its own wealth they may feel their poverty the more sensibly.
Thomas More (Utopia)
The Fathers of the American Constitution, well-versed in the classical heritage, consciously constructed an awkward governmental system like republican Rome's: much better at blocking change than facilitating it. By the early twenty-first century, the ambiance of American urban life resembled that of the Roman Empire's cities, with lavish displays of wealth standing alongside cruel poverty, although average life expectancy in the Roman Empire never rose above forty years, while in 2003 United States it's in the mid-seventies.
Norman F. Cantor (Antiquity: The Civilization of the Ancient World)
Mere display left her with a sense of superior distinction but she felt an affinity to all the subtler manifestations of wealth.
Edith Wharton (The House of Mirth)
The nouveau riche flaunt their wealth, but the old rich scorn such gauche displays. Minor officials prove their status with petty displays of authority, while the truly powerful show their strength through gestures of magnanimity. People of average education show off the studied regularity of their script, but the well educated often scribble illegibly. Mediocre students answer a teacher’s easy questions, but the best students are embarrassed to prove their knowledge of trivial points. Acquaintances show their good intentions by politely ignoring one’s flaws, while close friends show intimacy by teasingly highlighting them. People of moderate ability seek formal credentials to impress employers and society, but the talented often downplay their credentials even if they have bothered to obtain them. A person of average reputation defensively refutes accusations against his character, while a highly respected person finds it demeaning to dignify accusations with a response.
Avinash K. Dixit (The Art of Strategy: A Game Theorist's Guide to Success in Business and Life)
This imagined notion of who we are and how others are supposed to see us, is called aham. Aham constantly seek validation from external world. When that is not forthcoming it becomes insecure. Aham makes humans accumulate things; through things we hope people will look upon us as we imagine ourselves. That is why people display their wealth & their knowledge & their power.Aham yearns to be seen.
Devdutt Pattanaik
Publicity images often use sculptures or paintings to lend allure or authority to their own message. Framed oil paintings often hang in shop windows as part of their display. Any work of art 'quoted' by publicity serves two purposes. Art is a sign of affluence; it belongs to the good life; it is part of the furnishing which the world gives to the rich and the beautiful. But a work of art also suggests a cultural authority, a form of dignity, even of wisdom, which is superior to any vulgar material interest; an oil painting belongs to the cultural heritage; it is a reminder of what it means to be a cultivated European. And so the quoted work of art (and this is why it is so useful to publicity) says two almost contradictory things at the same time: it denotes wealth and spirituality: it implies that the purchase being proposed is both a luxury and a cultural value. Publicity has in fact understood the tradition of the oil painting more thoroughly than most art historians. It has grasped the implications of the relationship between the work of art and its spectator-owner and with these it tries to persuade and flatter the spectator-buyer. The continuity, however, between oil painting and publicity goes far deeper than the 'quoting' of specific paintings. Publicity relies to a very large extent on the language of oil painting. It speaks in the same voice about the same things. (P. 129)
John Berger (Ways of Seeing)
People were expensive; the way to display, or to enjoy, great wealth was to build an environment that could only have been wrought, and could only be sustained from one hour to the next, by unceasing human effort.
Neal Stephenson (Termination Shock)
Democracy is a way of life controlled by a working faith in the possibilities of human nature. Belief in the Common Man is a familiar article in the democratic creed. That belief is without basis and significance save as it means faith in the potentialities of human nature as that nature is exhibited in every human being irrespective of race, color, sex, birth and family, of material or cultural wealth. This faith may be enacted in statutes, but it is only on paper unless it is put in force in the attitudes which human beings display to one another in all the incidents and relations of daily life. To denounce Nazism for intolerance, cruelty and stimulation of hatred amounts to fostering insincerity if, in our personal relations to other persons, if, in our daily walk and conversation, we are moved by racial, color or other class prejudice; indeed, by anything save a generous belief in their possibilities as human beings, a belief which brings with it the need for providing conditions which will enable these capacities to reach fulfillment. The democratic faith in human equality is belief that every human being, independent of the quantity or range of his personal endowment, has the right to equal opportunity with every other person for development of whatever gifts he has.
John Dewey
the substance is a magnet. Magnetism is not generated; it is displayed. Health, wealth, beauty, and genius are not created; they are only manifested by the arrangement of your mind–that is, by your concept of yourself.
Neville Goddard (The Power of Awareness)
The fact is that the work which improves the condition of mankind, the work which extends knowledge and increases power and enriches literature, and elevates thought, is not done to secure a living. It is not the work of slaves, driven to their task either by the lash of a master or by animal necessities. It is the work of men who perform it for their own sake, and not that they may get more to eat or drink, or wear, or display. In a state of society where want is abolished, work of this sort could be enormously increased.
Henry George (Progress and Poverty: An Inquiry in the Cause of Industrial Depressions and of Increase of Want with Increase of Wealth... The Remedy)
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent.
W.H. Auden (The Dyer's Hand and Other Essays)
To a Japanese, accustomed to simplicity of ornamentation and frequent change of decorative method, a Western interior permanently filled with a vast array of pictures, statuary, and bric-a-brac gives the impression of mere vulgar display of riches. It calls for a mighty wealth of appreciation to enjoy the constant sight of even a masterpiece, and limitless indeed must be the capacity for artistic feeling in those who can exist day after day in the midst of such confusion of color and form as is to be often seen in the homes of Europe and America.
Kakuzō Okakura (The Book of Tea)
As a people we practiced excess. Excess in everything - pleasure, gaud display, endless toil, and death. Vagrant children slept in the alleys. Ragpicking was a profession. A conspicuously self-satisfied class of new wealth and weak intellect was all aglitter in a setting of mass misery.
E.L. Doctrow
The revulsion of feeling that Barrington experienced during the progress of the election was intensified by the final result. The blind, stupid, enthusiastic admiration displayed by the philanthropists for those who exploited and robbed them; their extraordinary apathy with regard to their own interests; the patient, broken-spirited way in which they endured their sufferings, tamely submitting to live in poverty in the midst of the wealth they had helped to create; their callous indifference to the fate of their children, and the savage hatred they exhibited towards anyone who dared to suggest the possibility of better things, forced upon him the thought that the hopes he cherished were impossible of realization. The words of the renegade Socialist recurred constantly to his mind: 'You can be a Jesus Christ if you like, but for my part I'm finished. For the future I intend to look after myself. As for these people, they vote for what they want, they get what they vote for, and, by God! they deserve nothing better! They are being beaten with whips of their own choosing, and if I had my way they should be chastised with scorpions. For them, the present system means joyless drudgery, semi-starvation, rags and premature death; and they vote for it and uphold it. Let them have what they vote for! Let them drudge and let them starve!
Robert Tressell
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower’s half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
We had better want the consequences of what we believe or disbelieve, because the consequences will come! . . . But how can a society set priorities if there are no basic standards? Are we to make our calculations using only the arithmetic of appetite? . . . The basic strands which have bound us together socially have begun to fray, and some of them have snapped. Even more pressure is then placed upon the remaining strands. The fact that the giving way is gradual will not prevent it from becoming total. . . . Given the tremendous asset that the family is, we must do all we can within constitutional constraints to protect it from predatory things like homosexuality and pornography. . . . Our whole republic rests upon the notion of “obedience to the unenforceable,” upon a tremendous emphasis on inner controls through self-discipline. . . . Different beliefs do make for different behaviors; what we think does affect our actions; concepts do have consequences. . . . Once society loses its capacity to declare that some things are wrong per se, then it finds itself forever building temporary defenses, revising rationales, drawing new lines—but forever falling back and losing its nerve. A society which permits anything will eventually lose everything! Take away a consciousness of eternity and see how differently time is spent. Take away an acknowledgement of divine design in the structure of life and then watch the mindless scurrying to redesign human systems to make life pain-free and pleasure-filled. Take away regard for the divinity in one’s neighbor, and watch the drop in our regard for his property. Take away basic moral standards and observe how quickly tolerance changes into permissiveness. Take away the sacred sense of belonging to a family or community, and observe how quickly citizens cease to care for big cities. Those of us who are business-oriented are quick to look for the bottom line in our endeavors. In the case of a value-free society, the bottom line is clear—the costs are prohibitive! A value-free society eventually imprisons its inhabitants. It also ends up doing indirectly what most of its inhabitants would never have agreed to do directly—at least initially. Can we turn such trends around? There is still a wealth of wisdom in the people of this good land, even though such wisdom is often mute and in search of leadership. People can often feel in their bones the wrongness of things, long before pollsters pick up such attitudes or before such attitudes are expressed in the ballot box. But it will take leadership and articulate assertion of basic values in all places and in personal behavior to back up such assertions. Even then, time and the tides are against us, so that courage will be a key ingredient. It will take the same kind of spunk the Spartans displayed at Thermopylae when they tenaciously held a small mountain pass against overwhelming numbers of Persians. The Persians could not dislodge the Spartans and sent emissaries forward to threaten what would happen if the Spartans did not surrender. The Spartans were told that if they did not give up, the Persians had so many archers in their army that they would darken the skies with their arrows. The Spartans said simply: “So much the better, we will fight in the shade!
Neal A. Maxwell
You see de white gown she wears, richly embroidered, showing de family’s wealth and influence,” said Daphne authoritatively. “De red rose in her hair symbolizes her Spanish ancestry. De prayer book in her left hand to display de Catholic allegiance.” “What does the dog symbolize?” Sarah asked. Daphne blinked at her for a moment. “De dog is just a dog,” she said, finally.
Magnus Flyte (City of Dark Magic (City of Dark Magic, #1))
All this display, while the working classes were pinched beyond bearing; it was not wise, or tasteful: it smacked of ostentatious wealth. The Europe from which Phryne had lately come was impoverished, even the nobility; and was keeping its head down, still shocked by the Russian revolution. It had become fashionable to make no display; understatement had become most stylish.
Kerry Greenwood (Cocaine Blues (Phryne Fisher, #1))
Magnetism is not generated; it is displayed. Health, wealth, beauty and genius are not created; they are only manifested by the arrangement of your mind — that is, by your concept of yourself [and your concept of yourself is all that you accept and consent to as true. What you consent to can only be discovered by an uncritical observation of your reactions to life. Your reactions reveal where you live psychologically; and where you live psychologically determines how you live here in the outer visible world.]
Neville Goddard (The Power of Awareness)
How do you judge the professionals you patronize? Too many people judge them by display factors. Extra points are given to those who wear expensive clothes, drive luxury automobiles, and live in exclusive neighborhoods. They assume a professional is likely to be mediocre, even incompetent, if he lives in a modest home and drives a three-year-old Ford Crown Victoria. Very, very few people judge the quality of the professionals they use by net worth criteria. Many professionals have told us they must look successful to convince their customers/clients that they are.
Thomas J. Stanley (The Millionaire Next Door: The Surprising Secrets of America's Wealthy)
I . . . hurried to the city library to find out the true age of Chicago. City library! After all, it cannot be anything but Chicagoesque. His is the richest library, no doubt, as everything in Chicago is great in size and wealth. Its million books are filling all the shelves, as the dry goods fill the big stores. Oh, librarian, you furnished me a very good dinner, even ice cream, but—where is the table? The Chicago city library has no solemnly quiet, softly peaceful reading-room; you are like a god who made a perfect man and forgot to put in the soul; the books are worth nothing without having a sweet corner and plenty of time, as the man is nothing without soul. Throw those books away, if you don't have a perfect reading-room! Dinner is useless without a table. I want to read a book as a scholar, as I want to eat dinner as a gentleman. What difference is there, my dearest Chicago, between your honourable library and the great department store, an emporium where people buy things without a moment of selection, like a busy honey bee? The library is situated in the most annoyingly noisy business quarter, under the overhanging smoke, in the nearest reach of the engine bells of the lakeside. One can hardly spend an hour in it if he be not a Chicagoan who was born without taste of the fresh air and blue sky. The heavy, oppressive, ill-smelling air of Chicago almost kills me sometimes. What a foolishness and absurdity of the city administrators to build the office of learning in such place of restaurants and barber shops! Look at that edifice of the city library! Look at that white marble! That's great, admirable; that means tremendous power of money. But what a vulgarity, stupid taste, outward display, what an entire lacking of fine sentiment and artistic love! Ah, those decorations with gold and green on the marble stone spoil the beauty! What a shame! That is exactly Chicagoesque. O Chicago, you have fine taste, haven't you?
Yoné Noguchi (The Story Of Yone Noguchi: Told By Himself)
Of the natural conditions of man is his search after an Exalted Being towards Whom he has an inherent attraction. This is manifested by an infant from the moment of its birth. As soon as it is born, it displays a spiritual characteristic that it inclines towards its mother and is inspired by love of her. As its faculties are developed and its nature begins to display itself openly, this inherent quality is displayed more and more strongly. It finds no comfort anywhere except in the lap of its mother. If it is separated from her and finds itself at a distance from her, its life becomes bitter. Heaps of bounties fail to beguile it away from its mother in whom all its joy is concentrated. It feels no joy apart from her. What, then, is the nature of the attraction which an infant feels so strongly towards its mother? It is the attraction which the True Creator has implanted in the nature of man. The same attraction comes into play whenever a person feels love for another. It is a reflection of the attraction that is inherent in man's nature towards God, as if he is in search of something that he misses, the name of which he has forgotten and which he seeks to find in one thing or another which he takes up from time to time. A person's love of wealth or offspring or wife or his soul being attracted towards a musical voice are all indications of his search for the True Beloved.
Mirza Ghulam Ahmad (The Philosophy of the Teachings of Islam)
In the language of economics, the group is said to display behavior that is dynamically inconsistent. Initially people prefer A to B, but they later choose B over A. We can see dynamic inconsistency in many places. On Saturday morning people might say that they prefer exercising to watching television, but once the afternoon comes, they are on the couch at home watching the football game. How can such behavior be understood? Two factors must be introduced in order to understand the cashew phenomenon: temptation and mindlessness. Human beings have been aware of the concept of temptation at least since the time of Adam and Eve, but for purposes of understanding the value of nudges, that concept needs elaboration. What does it mean for something to be “tempting”?
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
It is one of the great tragedies of our time that the masses have come to believe that they have reached their high standard of material welfare as a result of having pulled down the wealthy, and to fear that the preservation or emergence of such a class would deprive them of something they would otherwise get and which they regard as their due. We have seen why in a progressive society there is little reason to believe that the wealth which the few enjoy would exist at all if they were not allowed to enjoy it. It is neither taken from the rest nor withheld from them. It is the fi rst sign of a new way of living begun by the advance guard. True, those who have this privilege of displaying possibilities which only the children or grandchildren of others will enjoy are not generally the most meritorious individuals but simply those who have been placed by chance in their envied position. But this fact is inseparable from the process of growth, which always goes further than any one man or group of men can foresee. To prevent some from enjoying certain advantages fi rst may well prevent the rest of us from ever enjoying them. If through envy we make certain exceptional kinds of life impossible, we shall all in the end suffer material and spiritual impoverishment. Nor can we eliminate the unpleasant manifestations of individual success without destroying at the same time those forces which make advance possible. One may share to the full the distaste for the ostentation, the bad taste, and the wastefulness of many of the new rich and yet recognize that, if we were to prevent all that we disliked, the unforeseen good things that might be thus prevented would probably outweigh the bad. A world in which the majority could prevent the appearance of all that they did not like would be a stagnant and probably a declining world.
Friedrich A. Hayek (The Constitution of Liberty)
In 2008, employees at an office for the accounting firm Deloitte were troubled by the behavior of a new recruit. In the midst of a bustling work environment, she didn’t seem to be doing anything except sitting at an empty desk and staring into space. Whenever someone would ask what she was doing, she would reply that she was “doing thought work” or “working on [her] thesis.” Then there was the day that she spent riding the elevators up and down repeatedly. When a coworker saw this and asked if she was “thinking again,” she replied: “It helps to see things from a different perspective.”2 The employees became uneasy. Urgent inter-office emails were sent. It turned out that the staff had unwittingly taken part in a performance piece called The Trainee. The silent employee was Pilvi Takala, a Finnish artist who is known for videos in which she quietly threatens social norms with simple actions. In a piece called Bag Lady, for instance, she spent days roaming a mall in Berlin while carrying a clear plastic bag full of euro bills. Christy Lange describes the piece in Frieze: “While this obvious display of wealth should have made her the ‘perfect customer,’ she only aroused suspicion from security guards and disdain from shopkeepers. Others urged her to accept a more discreet bag for her money.”3 The Trainee epitomized Takala’s method. As observed by a writer at Pumphouse Gallery, which showed her work in 2017, there is nothing inherently unusual about the notion of not working while at work; people commonly look at Facebook on their phones or seek other distractions during work hours. It was the image of utter inactivity that so galled Takala’s colleagues. “Appearing as if you’re doing nothing is seen as a threat to the general working order of the company, creating a sense of the unknown,” they wrote, adding solemnly, “The potential of nothing is everything.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
What is that?” Morgan asked, coming out of her shock and pointing at the “wagon” they had procured for the journey. “What do you mean?” Ladon asked. “It’s a wagon. For Melisande and the supplies.” Melly cleared her throat and tried not to laugh. “Generally wagons in the human world are made of wood. Not gold and precious gems.” She didn’t want to even think about how strong those fire beasts had to be to pull a solid gold wagon. Morgan laughed beside her while Melly continued, trying to be diplomatic, “If we are trying to remain unnoticed, we” “ will need to be a little less ... ostentatious.” The dragons looked around at each other. It was Eben who spoke. “We decided since there was no way for our dragons to pass as human, we would give a display of wealth and violence, so that the humans would be impressed enough to keep their distance.” Melly looked at Morgan, who rolled her eyes, her lips twitching. “I believe that the Dragon Knights and flaming horses will be a sufficient sight to strike fear in the populace,” Melly said, trying to keep the smile out of her voice. “Perhaps excessive even. But it would be best not to advertise quite so strongly the wealth of the dragon lands. Humans have been known to act foolishly when wealth is at stake.” All the dragons looked to the wagon again. “Perhaps you are right,” Eben finally said. The big blue dragon male shrugged his massive shoulders and nodded. “Humans can be greedy things.” Coming from a people that surrounded themselves with treasure and had made a solid gold wagon, this struck Melly as ironic. Morgan must have thought so too. Her voice was dry when she spoke. “Yes, If only they had the fortitude of dragons to be able to resist acquiring shiny baubles.” The dragons turned as one and looked at them, blinking big exotic eyes, and glinting like jewels in the sun. Melly cleared her throat. “So, a wooden wagon?
Kelly Lucille (Web of Bones (Dragon Mage, #2))
In the late 1800s a certain man taught Sunday school for over 20 years in a Baptist church; he eventually became the wealthiest man in the world. He also did not pay tithes. He was not generous toward anyone, quite the opposite, he was the reason that journalists came up with the term, "Robber Baron." The man was John D. Rockefeller. He engaged in ruthless and illegal business practices and built an oil company called Standard Oil that was so large that, when it was broken up by antitrust laws, several major oil companies were created from that one company. Over one hundred years ago, John D. Rockefeller was worth over one billion dollars, which would be 50 to 100 billion dollars in today’s money. If he did pay tithes it would have meant an income of 100 million dollars (5 to 10 billion today) to his local church. It was not God that "blessed" him with great wealth; it was Satan, the god of greed. God does not lead people to engage in ruthless and illegal business practices in a desire for more, more, more. Even in his old age, he displayed his greed by giving away dimes. He always had dimes in his pocket so he could generously give one to people he met! What lessons are we to learn from this? One very important thing is that very often Satan will give people lots of money because Satan knows that money is very deceitful and can make even the most devout Christian materialistic and greedy. Let's take a look at another example. There is today a man who planned to become a missionary when he was young, but he not only turned against his calling, he turned against Christianity. Do you suppose that God has blessed this man? He is today a multi-billionaire, media-mogul. The man is Ted Turner, who started CNN and is a partner in Time-Warner and other media companies. Can we use him as an example that God blesses a righteous man? No, actually, the opposite is most likely true, that Satan prospers those who turn from the straight way.
Michael D. Fortner (The Prosperity Gospel Exposed and Other False Doctrines)
From the subtle afflictions caused by love of status is seeking after and aspiring positions of authority – this is something whose reality is hidden and obscure. It is not understood except by those who have knowledge of Allah, those who love Him and who are at enmity with those ignorant ones from His creation who desire to compete with Him with regard to His Lordship and Divinity and right to worship, despite their despicability and the contemptible position they have before Allah and in the eyes of His chosen servants who have knowledge of Him. Know that love of status attained by having one’s orders and prohibitions obeyed and enacted, and by merely the attainment of a position above the people and to have importance over them, and that it be seen that the people are in need of him and seek their needs from him – then the soul of this person is seeking to compete with Allah in His Lordship and His Divinity and right to worship. Some such people may even seek to put the people into such a condition of need that they are compelled to request their needs from them, and to display their poverty before them and their need of them. Then he is inflated with pride and self-importance because of that, whereas this befits none except Allah alone.
Ibn Rajab The Evil of Craving for Wealth and Status
The art department proper I thought much inferior to that of the Tokyo Exhibition of 1890. Fine things there were, but few. Evidence, perhaps, of the eagerness with which the nation is turning all its energies and talents in directions where money is to be made; for in those larger departments where art is combined with industry,—such as ceramics, enamels, inlaid work, embroideries,—no finer and costlier work could ever have been shown. Indeed, the high value of certain articles on display suggested a reply to a Japanese friend who observed, thoughtfully, "If China adopts Western industrial methods, she will be able to underbid us in all the markets of the world." "Perhaps in cheap production," I made answer. "But there is no reason why Japan should depend wholly upon cheapness of production. I think she may rely more securely upon her superiority in art and good taste. The art-genius of a people may have a special value against which all competition by cheap labor is vain. Among Western nations, France offers an example. Her wealth is not due to her ability to underbid her neighbors. Her goods are the dearest in the world: she deals in things of luxury and beauty. But they sell in all civilized countries because they are the best of their kind. Why should not Japan become the France of the Further East?
Lafcadio Hearn (Kokoro: Hints and Echoes of Japanese Inner Life)
He could not admire her destructive loyalty to her brother. But it was born of the steel at her core. As a girl, she had not disguised that steel, speaking boldly, daring the world to cross her. But now that she carried it concealed, it took on a new element of power, like the hidden stiletto that could save a man's life when all else was stripped from him ... men too often mistook bravado for courage. Her courage was not wasted on display. But what a wealth of riches she offered to those who possessed her loyalties. She put her whole self into their defense and never accepted defeat. Even if her wits saw the weakness in a cause, she would sacrifice herself for the sake of honor.
Meredith Duran (At Your Pleasure)
14. Procrastinator’s Clock. For those who are chronically late to meetings, there’s the Procrastinator’s Clock, a downloadable program for your computer, that displays a digital clock that is guaranteed to be up to fifteen minutes fast. How fast? Well, that’s the nudge. You are never exactly sure because the clock unpredictably speeds up and slows down. That assures that users can’t game the system. We think that this device might help the lawyer of this team (who shall remain nameless) get to Noodles on time for lunch. A physical version of this clock has already been patented by a company called Emergent Technologies.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
Again in combination with the schools, the nation's media reflect the character of society impressed by the displays of power and opulence rather than the play of mind. The ancient Greeks admired in their art what they called the glittering play of "windswift thought." Pericles in his funeral oration boasted not of the weapons or statues collected in Athens, although these were many and beautiful, but of the character of the Athenian citizen--self-reliant, resourceful, public-spirited, loyal, skeptical, marked "by refinement without extravagance and knowledge without effeminacy.
Lewis H. Lapham
example of modest, unostentatious living, shunning display or extravagance; to provide moderately for the legitimate wants of those dependent upon him; and, after doing so, to consider all surplus revenues which come to him simply as trust funds, which he is called upon to administer, and strictly bound as a matter of duty to administer in the manner which, in his judgment, is best calculated to produce the most beneficial results for the community—the man of wealth thus becoming the mere trustee and agent for his poorer brethren, bringing to their service his superior wisdom, experience, and ability to administer, doing for them better than they would or could do for themselves.
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
I was not simply tired of the world’s iniquity. I was tired of greed in particular and the ostentatious display of wealth that characterizes our times, and the justifications for despoiling the earth and injuring our fellow man.
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
So in the USA, one finds along with dazzling displays of wealth in extravagant, parvenu luxury, unimaginable poverty and social depravity. . . . In the richest country in the world, the vaunted paradise of democracy, tens of thousands of American families endure the most meager existence. Malnutrition among millions of children and other citizens is so widespread that a third of the entire North American population is malnourished.
Tedor Richard (Hitler's Revolution Expanded Edition: Ideology, Social Programs, Foreign Affairs)
In an attempt to head off such stinging and potentially damaging criticism both Rockefeller and Carnegie poured hundreds of millions of dollars into public works. In Rockefeller’s case the money went to Chicago University, the Rockefeller Institute for Medical Research (today Rockefeller University), and the General Education Board that announced it would teach children ‘to do in a perfect way the things their fathers and mothers are doing in an imperfect way’. In 1913 he and his son established the Rockefeller Foundation that remains one of the richest charitable organisations in the world. Carnegie too used his money to encourage education. His grand scheme was to fund the opening of libraries, and between 1883 and 1929 more than 2,000 were founded all over the world. In many small towns in America and in Britain, the Carnegie Library is still one of their most imposing buildings, always specially designed and built in a wide variety of architectural styles. In 1889, Carnegie wrote his Gospel of Wealth first published in America and then, at the suggestion of Gladstone, in Britain. He said that it was the duty of a man of wealth to set an example of ‘modest, unostentatious living, shunning display or extravagance’, and, once he had provided ‘moderately’ for his dependents, to set up trusts through which his money could be distributed to achieve in his judgement, ‘the most beneficial result for the community’. Carnegie believed that the huge differences between rich and poor could be alleviated if the administration of wealth was judiciously and philanthropi-cally managed by those who possessed it. Rich men should start giving away money while they lived, he said. ‘By taxing estates heavily at death, the state marks its condemnation of the selfish millionaire’s unworthy life.
Hugh Williams (Fifty Things You Need to Know About World History)
There was a research published in the American Journal of Public Health that was conducted by Anne Thorndike, a physician at Massachusetts General Hospital, Boston. Together with her colleagues, she changed what is known as the choice architecture (this means changing the manner in which foods and drinks are displayed) of the drinks in a cafeteria.
Manoj Chenthamarakshan (Habits: 25 Small hHabits, to Improve Wealth, Health and Happiness)
Grotesque displays of wealth are now the de rigueur. - Sarah Bancroft
Daniel Silva (Portrait of an Unknown Woman (Gabriel Allon, #22))
A major field for religious donations is the support of important periodic rites. These are often held in conjunction with calendrical festivals and also on the founding anniversaries of temples. They are frequently occasions for the display of great wealth. Truly startling sums are often paid in the auctions held to determine who will have the honor of supporting particular parts of the ceremony or of assuming specific ceremonial roles. This aspect of sponsorship seems to function as a public validation of who's who in the wealth and power hierarchies of the Jain community.
Lawrence A. Babb (Absent Lord: Ascetics and Kings in a Jain Ritual Culture (Comparative Studies in Religion and Society) (Volume 8))
The nouveau riche flaunt their wealth, but the old rich scorn such gauche displays. Minor officials prove their status with petty displays of authority, while the truly powerful show their strength through gestures of magnanimity. People of average education show off the studied regularity of their script, but the well educated often scribble illegibly. Mediocre students answer a teacher’s easy questions, but the best students are embarrassed to prove their knowledge of trivial points. Acquaintances show their good intentions by politely ignoring one’s flaws, while close friends show intimacy by teasingly highlighting them. People of moderate ability seek formal credentials to impress employers and society, but the talented often downplay their credentials even if they have bothered to obtain them. A person of average reputation defensively refutes accusations against their character, while a highly respected person finds it demeaning to dignify accusations with a response.
Nick Feltovich, Rick Harbaugh, Ted To
When asked “With respect to your job/career you would like to have, how important are the following to you?” The rating scale ranged from 1 (not important) to 7 (very important). Men exposed to young, attractive women rated “having a large income” to be 5.09, whereas men exposed to older, less attractive models rated it only 3.27—an astonishingly large effect. Similar differences occurred in rating the importance of “being financially successful.” A full 60 percent of the men exposed to young, attractive models described themselves as “ambitious,” compared to 9 percent of the men exposed to older, less-attractive models. Another study found that merely having a young woman in the same room caused men to increase the importance they attach to having material wealth (Roney, 2003). Similar effects have been found by others. Men “primed” with attractive images of women display more creativity, independence, and nonconformity, causing them to stand out from other men (Griskevicius, Cialdini, & Kenrick, 2006; Griskevicius, Goldstein, Mortensen, Cialdini, & Kenrick, 2006). Chinese men also increase risk taking when being observed by women (Shan et al., 2012). In short, when mating motives are “primed” by exposure to young, attractive women, a cascade of psychological shifts occurs in men such that they value and display precisely what women want and hence what men need to succeed in mate competition.
David M. Buss (Evolutionary Psychology: The New Science of the Mind)
In commenting on how films sell fantasy in India, scholars often draw links between the income poverty of the country and the on-screen displays of hyper-consumption and excessive wealth. These are meant to project the neoliberal aspirations of a growing middle class and its desire to at once uphold community traditions and encourage individualism. Simultaneously, the images are intended to enchant and distract the masses from their everyday drudgery.
Shrayana Bhattacharya (Desperately Seeking Shah Rukh: India's Lonely Young Women and the Search for Intimacy and Independence)
Their primary customers are upper-income women between thirty and fifty years sold. The average markup on a handbag is ten to twelve times production cost. Perfume has, for more than seventy years, served as an introduction to a luxury brand. The message was clear: buy our brand and you too, will live a luxury life. The contradiction between personal indulgence and conspicuous consumption is the crux of the luxury business today: the convergence of its history with its current reality. Today, luxury brand items are collected like baseball cards, displayed like artwork, brandished like iconography. The tycoons have shifted the focus from what the product is to what is represents. Perfume has a mystical, magical quality. It catches your attention, enchants you. It complements and enhances your personality. it stirs emotion, within you and others around you. Perfume was a link between gods and mortals. It was a way to contact the gods, Hermes's Jean-Claude Ellena told me. Now it is a profane link: it's between you and me. Contentment is natural wealth. Luxury is artificial poverty. Socrates More than anything else today, the handbag tells the story of a woman: her reality, her dreams. Oscar Wilde said elegance is power. If it would abolish avarice, you must abolish its mother, luxury. Cicero People don't believe there is a difference between real and fake anymore. Bernard Arnault's marketing plan had worked: consumers don't buy luxury branded items for what they are, but for what they represent. Luxury is the ease of a T-shirt in a very expensive dress. If you don't have it, you are not a person used to luxury. You are just a rich person who can buy staff. Karl Lagerfeld Luxury is exclusivity, it is made for you and no one else has it. At a minimum, it must be impeccable. Maximum, unique. If you do luxury, Louboutin explained, you have to treat people in a human way and you have to be elegant. You can't ask poor people in bad conditions to make beautiful things.
Dana Thomas (Deluxe: How Luxury Lost Its Luster)
people waiting for fresh carne asada or the millions of food trucks selling everything from sushi burritos to Korean barbecue. Los Angeles is all about layers, and middle-of-the-night Hollywood is one from the deep interior, all the for-show stripped away, displaying only what’s at its core, what’s usually hidden under all the tourism and partying and beauty and wealth. In the middle of the night, everyone is gone except the residents of tent cities, the people whose habits keep them up all night, the sex workers searching for stragglers from the bars, and the cops like vultures circling for carrion.
Wendy Heard (We'll Never Tell)
Jen was continually aghast at the lack of awareness many people in Salcombe displayed about their wealth and privilege.
Emma Rosenblum (Bad Summer People)
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
Edgar Snow (Red China Today: The Other Side of the River)
Affluent people typically follow a lifestyle conducive to accumulating money. In the course of our investigations, we discovered seven common denominators among those who successfully build wealth. 1. They live well below their means. 2. They allocate their time, energy, and money efficiently, in ways conducive to building wealth. 3. They believe that financial independence is more important than displaying high social status. 4. Their parents did not provide economic outpatient care. 5. Their adult children are economically self-sufficient. 6. They are proficient in targeting market opportunities. 7. They chose the right occupation.
Thomas J. Stanley (The Millionaire Next Door: The Surprising Secrets of America's Wealthy)
However, Americans have created a system in which wealth is created with hard work, innovation, talent and enterprise. People who display these qualities move up in life.
Chetan Bhagat (What Young India Wants)
We see grandeur not as an outward, ostentatious display of wealth, rank or privilege, but as an inner strength, an inner virtue that shines out from the depths of a person’s soul. To achieve this grandeur of character we must cultivate the highest standards of conduct, be true to the dictates of our conscience and, as ever, try to put into constant practice our belief in the principle of brotherly love.
Jonti Marks (Level Steps: 100 Meditations for Freemasons)
Do you know the Bhagavad Gita?” “No, sir, not really; though my eyes and mind have run through its pages many times.” “Thousands have replied to me differently!” The great sage smiled at Master in blessing. “If one busies himself with an outer display of scriptural wealth, what time is left for silent inward diving after the priceless pearls?
Paramahansa Yogananda (Autobiography of a Yogi)
In the words of Paul Johnson: The Temple, now, in Herod’s1 version, rising triumphantly over Jerusalem, was an ocular reminder that Judaism was about Jews and their history—not about anyone else. Other gods flew across the deserts from the East without much difficulty, jettisoning the inconvenient and embarrassing accretions from their past, changing, as it were, their accents and manners as well as their names. But the God of the Jews was still alive and roaring in his Temple, demanding blood, making no attempt to conceal his racial and primitive origins. Herod’s fabric was elegant, modern, sophisticated—he had, indeed, added some Hellenic decorative effects much resented by fundamentalist Jews who constantly sought to destroy them—but nothing could hide the essential business of the Temple, which was the ritual slaughter, consumption, and combustion of sacrificial cattle on a gigantic scale. The place was as vast as a small city. There were literally thousands of priests, attendants, temple-soldiers, and minions. To the unprepared visitor, the dignity and charity of Jewish disapora life, the thoughtful comments and homilies of the Alexandrian synagogue, was quite lost amid the smoke of the pyres, the bellows of terrified beasts, the sluices of blood, the abattoir stench, the unconcealed and unconcealable machinery of tribal religion inflated by modern wealth to an industrial scale. Sophisticated Romans who knew the Judaism of the diaspora found it hard to understand the hostility towards Jews shown by colonial officials who, behind a heavily-armed escort, had witnessed Jerusalem at festival time. Diaspora Judaism, liberal and outward-minded, contained the matrix of a universal religion, but only if it could be cut off from its barbarous origins; and how could so thick and sinewy an umbilical cord be severed? This description of “Herod’s” Temple (actually the Second Temple, built in the sixth century B.C. and rebuilt by Herod) is more than a bit overwrought. The God of the Jews did not roar in his Temple: the insoluble problem was that, since the destruction of the First Temple and, with it, the Ark of the Covenant, God had ceased to be present in his Temple. Nor would animal sacrifice have disgusted the gentiles, since Greeks, Romans, and all ancient peoples offered such sacrifices (though one cannot help wondering whether, had the Second Temple not been destroyed, it would today be ringed from morn to night by indignant animal-rights activists). But Johnson is right to emphasize that Judaism, in its mother city, could display a sweaty tribalism that gentiles would only find unattractive. The partisan, argumentative ambience of first-century Jerusalem, not unlike the atmosphere of the ultra-Orthodox pockets of the contemporary city, could repel any outsider, whether gentile or diaspora Jew. Perhaps most important is Johnson’s shrewd observation that Judaism “contained the matrix of a universal religion.” By this time, the more percipient inhabitants of the Greco-Roman world had come to the conclusion that polytheism, whatever manifestation it might assume, was seriously flawed. The Jews alone, by offering monotheism, offered a unitive vision, not the contradictory and flickering epiphanies of a fanciful pantheon of gods and goddesses. But could Judaism adapt to gentile needs, could it lose its foreign accent and outlandish manners? No one saw the opportunity more clearly than Luke; his gospel and its sequel, the Acts of the Apostles, present a Jesus and a Jesus Movement specifically tailored to gentile sensibility.
Thomas Cahill (Desire of the Everlasting Hills: The World Before & After Jesus)
I would talk with all bakers. I would explain what improvements I would be making to their systems such that, if they chose to, they could compete with me. Just because I am tasked with baking doesn’t mean that my skills should be limited to myself. I would open-source my factories and spread my value to the world. And I would still be better, eventually, or at something. I would sit and talk with the bakers and help them plan for the future. I would write letters on their behalf to the governments of the world asking for assistance in transferring them to work where they might have more meaningful output. If the governments of the world did not respond with aid I would do my best to acquire wealth so that I might support those I displace with my own hands. Those with ability to skilfully transition to other areas would be better off, just as all humans would, by living in a world where food is cheaper and better. Those, such as the elderly, who could not transition to a new source of income would have to be supported by me or by society as a whole.”  Myrodyn smiled, then covered his mouth. I suspected that he had not meant to display such a sign of joy. And
Max Harms (Crystal Society (Crystal Trilogy, #1))
It is clear from both documentary and archaeological sources that conspicuous display and consumption of wealth was fundamental for an elite male to maintain power and position in society.
Sally Crawford (Daily Life in Anglo-Saxon England (The Greenwood Press Daily Life Through History Series))
No wonder that progress was so slow within the ancient empires. Anything of value—land, crops, livestock, buildings, even children—could be arbitrarily seized, and as the Chinese iron magnates learned, it often was. Worse yet, the tyrannical empires invested little of the wealth they extracted to increase production. They consumed it instead—often in various forms of display. The Egyptian pyramids, the Hanging Gardens of Babylon, and the Taj Mahal were all built as beautiful monuments to repressive rule;
Rodney Stark (How the West Won: The Neglected Story of the Triumph of Modernity)
Power had its own silent language, one that screamed. It combined tiny, effortless shows of arrogance with bigger, louder displays—of wealth, of violence.
Kit Rocha (Beyond Ruin (Beyond, #7))
Countersignaling You would think, based on the previous section, that if you have the ability to signal your type, you should. That way, you differentiate yourself from those who can’t make the same signal. And yet, some of the people most able to signal refrain from doing so. As Feltovich, Harbaugh, and To explain: The nouveau riche flaunt their wealth, but the old rich scorn such gauche displays. Minor officials prove their status with petty displays of authority, while the truly powerful show their strength through gestures of magnanimity. People of average education show off the studied regularity of their script, but the well educated often scribble illegibly. Mediocre students answer a teacher’s easy questions, but the best students are embarrassed to prove their knowledge of trivial points. Acquaintances show their good intentions by politely ignoring one’s flaws, while close friends show intimacy by teasingly highlighting them. People of moderate ability seek formal credentials to impress employers and society, but the talented often downplay their credentials even if they have bothered to obtain them. A person of average reputation defensively refutes accusations against his character, while a highly respected person finds it demeaning to dignify accusations with a response.6 Their insight is that in some circumstances, the best way to signal your ability or type is by not signaling at all, by refusing to play the signaling game.
Avinash K. Dixit (The Art of Strategy: A Game Theorist's Guide to Success in Business and Life)
Note to the Breakup Buddy So a friend has asked you to be their Breakup Buddy. That's awesome! And you should consider it an honor because basically they've said, “My life is falling to pieces and you are the one person I can turn to.” That's got to feel great because really, isn't that what we were put here on this planet to do anyway—help one another? But now you are thinking, “Hmmm. This is a big responsibility. What am I supposed to do? What if I'm not qualified to be a Breakup Buddy?” Listen, all you need to be qualified is a pair of ears and some patience. That's it. But we do have a list of guidelines and thoughts for you to consider during your two months of servitude. 1. It is NOT your job to fix this person. They'll have to do that on their own. What you can do is listen to them, be honest with them and guide them toward making smart choices .. . like not calling. 2. It's okay to set limits. You have a life too and you don't want to be taken advantage of. If one hour on the phone is all you can do, then that's cool. If you can't talk at work—fine. Just let them know when you are available and what to do in case of emergency meltdowns. 3. Make it fun. It's okay to let them sob into your sweater for a while, but then suggest a movie or a concert or maybe just a hike. In fact, say, “Let's walk while we talk.” Try not to let them get too sedentary. Your job and their recovery will be much easier if you're out in the world where life's distractions can prove that even the most heartbroken of us can be amused by small dogs, handsome pedestrians, and a great window display. 4. Patience. Patience. Patience. It may take a while for your buddy to get a handle on her new single reality. That's okay. As long as they are doing it in the safe company of you, their Breakup Buddy, and not their ex. 5. Share the wealth. Your experiences, strength, and hope will help guide them out of the darkness and into the light. You may have been through something similar, so share your story and the things you did that helped you get through it. Hearing it from someone else is more comforting than you can imagine. 6. You're a good friend for doing this.
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
Displaying your wealth was just asking to be robbed of it.
V.E. Schwab
The scorn for riches displayed by the philosophers was a secret desire to recompense their own merit for the injustice of Fortune by scorning those very benefits she had denied them; it was a private way of remaining unsullied by poverty, a devious path towards the high respect they could not command by wealth
François de La Rochefoucauld
Afflictions give rise to various kinds of hypocrisy: in one, pretending to weep over the loss of someone dear to us we really weep for ourselves, since we miss that person's good opinion of us or deplore some curtailment of our wealth, pleasure, or position. The dead, therefore, are honored by tears shed for the living alone. I call this a kind of hypocrisy because in afflictions of this sort we deceive ourselves. There is another hypocrisy, less innocent because aimed at the world at large: the affliction of certain persons who aspire to the glory of a beautiful, immortal sorrow. Time, the universal destroyer, has taken away the grief they really felt, but still they obstinately go on weeping, wailing, and sighing; they are acting a mournful part and striving to make all their actions prove that their distress will only end with their lives. This miserable and tiresome vanity is usually found in ambitious women, for as their sex precludes them from all the roads to glory they seek celebrity by a display of inconsolable affliction. There is yet another kind of tears that rise from shallow springs and flow or dry up at will: people shed them so as to be pitied or wept over, or, finally, to avoid the disgrace of not weeping
François de La Rochefoucauld (Maxims)
TRY: Noticing the resistance to the impulse to give, the worries about the future, the feeling that you may be giving too much, or the thought that it won’t be appreciated “enough,” or that you will be exhausted from the effort, or that you won’t get anything out of it, or that you don’t have enough yourself. Consider the possibility that none of these are actually true, but that they are just forms of inertia, constriction, and fear-based self-protection. These thoughts and feelings are the rough edges of self-cherishing, which rub up against the world and frequently cause us and others pain and a sense of distance, isolation, and diminishment. Giving sands down such rough edges and helps us become more mindful of our inner wealth. By practicing mindfulness of generosity, by giving, and by observing its effects on ourselves and others, we are transforming ourselves, purifying ourselves, discovering expanded versions of ourselves. You may protest that you don’t have enough energy or enthusiasm to give anything away, that you are already feeling overwhelmed, or impoverished. Or you may feel that all you do is give, give, give, and that it is just taken for granted by others, not appreciated or even seen, or that you use it as a way of hiding from pain and fear, as a way of making sure others like you or feel dependent on you. Such difficult patterns and relationships themselves call out for attention and careful scrutiny. Mindless giving is never healthy or generous. It is important to understand your motives for giving, and to know when some kinds of giving are not a display of generosity but rather of fear and lack of confidence. In the mindful cultivation of generosity, it is not necessary to give everything away, or even anything. Above all, generosity is an inward giving, a feeling state, a willingness to share your own being with the world. Most important is to trust and honor your instincts but, at the same time, to walk the edge and take some risks as part of your experiment. Perhaps you need to give less, or to trust your intuition about exploitation or unhealthy motives or impulses. Perhaps you do need to give, but in a different way, or to different people. Perhaps most of all, you need to give to yourself first for a while. Then you might try giving others a tiny bit more than you think you can, consciously noting and letting go of any ideas of getting anything in return. Initiate giving. Don’t wait for someone to ask. See what happens—especially to you. You may find that you gain a greater clarity about yourself and about your relationships, as well as more energy rather than less. You may find that, rather than exhausting yourself or your resources, you will replenish them. Such is the power of mindful, selfless generosity. At the deepest level, there is no giver, no gift, and no recipient…only the universe rearranging itself.
Jon Kabat-Zinn (Wherever You Go, There You Are)
My Struggle (Sonnet 1500) My struggle is to build a world, where gestapo, mi6, cia, raw, all are history; where thieves aren't glorified as heroes, invasion isn't sugarcoated as security; military is found only in books of history, where guns are displayed in museum as relics; nukes are just defense against celestial threat, where green sources power all things electric; where it's illegal to amass limitless wealth - food, housing, education, healthcare, are free; where no one can be politician without license, where citizens listen to experts, not celebrity. My struggle is to build a world, where human rights is a human issue, not legal one; where equality is not a belief, but the norm - where human is neither ape nor robot, but human.
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
My first displays the wealth and pomp of kings, Lords of the earth! their luxury and ease. Another view of man, my second brings, Behold him there, the monarch of the seas! But ah! united, what reverse we have! Man's boasted power and freedom, all are flown; Lord of the earth and sea, he bends a slave, And woman, lovely woman, reigns alone. Thy ready wit the word will soon supply, May its approval beam in that soft eye!
Jane Austen
Oil-lamps of filigree and gold illuminated the great room while the profusion of precious objects far exceeded what he had encountered in the hallway. It was an ostentatious display of wealth that bordered on the obscene.
Alan Dean Foster (Madrenga)
The dining hall itself was splendid; high-vaulted, with enough decorative pennants and banners and hanging crystal to suggest that the master of this manse desired to at least imitate the trappings of a nobility he did not possess through natural descent. Oil-lamps of filigree and gold illuminated the great room while the profusion of precious objects far exceeded what he had encountered in the hallway. It was an ostentatious display of wealth that bordered on the obscene.
Alan Dean Foster (Madrenga)
Above all, wealth was no longer to be flaunted. While an ostentatious displays of money might have been de rigueur in the Golden Twenties, it was decidedly out of fashion in the desperate days of the Destitute Thirties. The splashy parties the socialite once gave and attended in the twenties in New York and Palm Beach now dwindled to a trickle and were replaced with charity teas, and fund raisers.
Nancy Rubin Stuart (American Empress: The Life and Times of Marjorie Merriweather Post)
There is a very strong bond between the Mercedes mystique and a certain type of millionaire. The "Mercedes Millionaire" has a pattern of behavior that is predicated on his need to tell others of his wealth, power, and status. And the make of car he drives is a critical ingredient, a symbol, a display artifact, with which to do just that. To the Mercedes Millionaire, his car is part of an arsenal of weapons he uses to protect against being misclassified. Yes, in part, it is the make of car he drives that inoculates him from a dreaded ailment. It prevents him from ever being misclassified as being a plebian, just an ordinary person. p194
Thomas J. Stanley
Poison in that touch, yet not fatal, just intoxicating. Sweet, yet perhaps, ultimately, deadly. This is what comes of…comfort. Yet, he could well see, the reward of comfort was not available to all; indeed, it seemed disturbingly rare. While those who possessed wealth clearly exulted in its display, that very ostentation underscored the fact that they were a distinct minority. But that imbalance was, he now understood, entirely necessary. Not everyone could be rich – the system would not permit such equity, for the power and privilege it offered was dependent on the very opposite.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
seven common denominators among those who successfully build wealth. 1. They live well below their means. 2. They allocate their time, energy, and money efficiently, in ways conducive to building wealth. 3. They believe that financial independence is more important than displaying high social status. 4. Their parents did not provide economic outpatient care. 5. Their adult children are economically self-sufficient. 6. They are proficient in targeting market opportunities. 7. They chose the right occupation.
Thomas J. Stanley (The Millionaire Next Door: The Surprising Secrets of Americas Wealthy)
British philosopher Alain de Botton relishes this perspective and argues that it explains a great deal. For one thing, de Botton suggests, it clarifies why some cultures are drawn to lavish, opulent decors (he cites the Russians and Saudis as examples) while others prefer clean, simple design (such as those popular in Scandinavian countries). Both are a reaction to historical conditions. The Russians and Saudis endured decades of economic deprivation, and since extravagant interiors represent the opposite of poverty, they favor ostentatious decor. (A similar case has been made for the enthusiastic display of gold chains, rings, and teeth that are fashionable among newly successful rappers.) Scandinavians, on the other hand, were raised in relative financial security and do not share a desire for visual reminders of wealth. Instead, they favor calm, peaceful interiors as an antidote to the overstimulation of everyday life.
Ron Friedman (Decoding Greatness: How the Best in the World Reverse Engineer Success)
In the rein of ignorance, the constant state of war which lasted for twenty years did not stop a certain amount of rationality that allowed this writings. pg200 And young men are accustomed from the first to idleness, effeminacy and frivolity, coming eventually to the business of life with empty heads and hearts crammed with false ideals…less credit and wealth, less dignity and prestige. They display vanity, but legitimate pride never. The men of pleasure are well received in society because they are light-hearted, gay, witty, dissipated, easy-going, amateurs of every pleasure. Pg224 The fair dames of the period resorted to every means to stimulate their sensibilities. They seek excitement in dissecting dead bodies. “The young Contesse de Coigny was so passionately fond of this dreadful study (Anatomy), that she would never start on a journey without taking in the boot of her traveling carriage a corpse to dissect, just as one takes with one a book to read.” – Mme. de Gengis, Mémoires, vol I. This mania for dissection was for some time extremely fashionable with ladies of quality. Pg226 On these ridiculous types was built up the whole school of impotent and despairing lovers, who under a nauseous pretence of being so romantic and interesting, prolonged for half a century longer the silly affectation of sentimental melancholy, in other words, a green-sickness of skepticism complicated with pulmonary consumption! Pg227 A familiar axiom of economic science declares that “every vicious act is followed by diminution of force.” Pg229 The Mousquetaires had began by displaying a most laudable zeal, but it was soon discovered that these gentlemen were better at noise than real work. Pg230 “The deterioration of type among noble families,” says Moreau de Tours, “is noted in numerous writers; Pope remarks to Spencer on the sorry looks of members of the English aristocracy in his day; and in the same way physiologists had even earlier noted the short stature of the Spanish grandees at the court of Philip V.” As for Frenchmen, long before 1789, they were amongst the poorest specimens of humanity, according to the testimony of many witnesses. Pg237 The practices of the man of pleasure, the libertine modes, in full completeness, count at most only some forty years of life, – after which the reign of hypocrisy sets in. Thus ends the Sword. A progress of degradation with glowing phraseology, cajoleries and falsity. They put on exaggerated airs of mock-modesty, and assume a scornful pose before their admirers, all the time longing to be noticed. The old punctilious sense of honor have ceased to exist while finally the practices of the man of pleasure, the libertine modes, in full completeness, count at most only some forty years of life, – after which the reign of hypocrisy sets in.
Edouard de Beaumont (The Sword And Womankind: Being A Study Of The Influence Of The Queen Of Weapons, Upon The Moral And Social Status Of Women (1900))
People were expensive; the way to display, or to enjoy, great wealth was to build an enviornment that could only have been wrought, and could only be sustained from one hour to the next, by unceasing human effort.
Neal Stephenson (Termination Shock)
My masters at Melk had often told me that it is very difficult for a Northerner to form any clear idea of the religious and political vicissitudes of Italy. The peninsula, where more than in any other country the clergy made a display of power and wealth, for at least two centuries had generated movements of men bent on a poorer life, in protest against the corrupt priests, from whom they even refused the sacraments. They gathered in independent communities, hated equally by the feudal lords, the empire, and the city magistrates. Finally Saint Francis had appeared, spreading a love of poverty that did not contradict the precepts of the church; and after his efforts the church had accepted the summons to severe behavior of those older movements and had purified them of the elements of disruption that lurked in them. There should have followed a period of meekness and holiness, but as the Franciscan order grew and attracted the finest men, it became too powerful, too bound to earthly matters, and many Franciscans wanted to restore it to its early purity. A very difficult matter for an order that at the time when I was at the abbey already numbered more than thirty thousand members scattered throughout the whole world. But so it was, and many of those monks of Saint Francis were opposed to the Rule that the order had established, and they said the order had by now assumed the character of those ecclesiastical institutions it had come into the world to reform. And this, they said, had already happened in the days when Saint Francis was alive, and his words and his aims had been betrayed. Many of them rediscovered then a book written at the beginning of the twelfth century of our era, by a Cistercian monk named Joachim, to whom the spirit of prophecy was attributed. He had foreseen the advent of a new age, in which the spirit of Christ, long corrupted through the actions of his false apostles, would again be achieved on earth. And it had seemed clear to all that, unawares, he was speaking of the Franciscan order.
Umberto Eco (The Name of the Rose)
In reality, the various movements and removals of Indigenous peoples from the Southeast due to white invasion meant that the first western settlers were often Native Americans who migrated to spaces other than their homelands, where they encountered other tribes—longtime enemies, other displaced peoples, and groups who had long called this land home. Native peoples adjusted their oral histories and survivance strategies to incorporate their new surroundings as they had done for millennia, crafting stories that told of successful migrations and learning about the food and herbs of their new homes. As they were forced westward, the Five Tribes’ experience in Indian Territory was different from the other Indigenous migrations occurring around them. The Chickasaw, Choctaw, Cherokee, Creek, and Seminole Nations sought to use the settler colonial process to cast themselves as civilizers of their new home: they used the labor system that Euro-Americans insisted represented sophistication—chattel slavery—to build homes, commercial enterprises, and wealth, and they portrayed themselves as settlers in need of protection from the federal government against the depredations of western Indians, which, the Five Tribes claimed, hindered their own civilizing progress. Moreover, they followed their physical appropriation of Plains Indians’ land with an erasure of their predecessor’s history. They perpetuated the idea that they had found an undeveloped ‘wilderness” when they arrived in Indian Territory and that they had proceeded to tame it. They claimed that they had built institutions and culture in a space where previously neither existed. The Five Tribes’ involvement in the settler colonial process was self-serving: they had already been forced to move once by white Americans, and appealing to their values could only help them—at least, at first. Involvement in the system of Black enslavement was a key component of displaying adherence to Americans’ ideas of social, political, and economic advancement—indeed, owning enslaved people was the primary path to wealth in the nineteenth century. The laws policing Black people’s behavior that appeared in all of the tribes’ legislative codes showed that they were willing to make this system a part of their societies. But with the end of the Civil War, the political party in power—the Republicans—changed the rules: slavery was no longer deemed civilized and must be eliminated by force. For the Five Tribes, the rise and fall of their involvement in the settler colonial process is inextricably connected to the enslavement of people of African descent: it helped to prove their supposed civilization and it helped them construct their new home, but it would eventually be the downfall of their Indian Territory land claims. Recognizing the Five Tribes’ coerced migration to Indian Territory as the first wave among many allows us to see how settler colonialism shaped the culture of Indian Territory even before settlers from the United States arrived. Though the Cherokee ‘Trail of Tears’ has come to symbolize Indian Removal, the Five Tribes were just a handful of dozens of Indigenous tribes who had been forced to move from their eastern homelands due to white displacement. This displacement did not begin or end in the 1830s Since the 1700s, Indian nations such as the Wyandot, Kickapoo, and Shawnee began migrating to other regions to escape white settlement and the violence and resource scarcity that often followed. Though brought on by conditions outside of their control, these migrations were ‘voluntary’ in that they were most often an attempt to flee other Native groups moving into their territory as a result of white invasion or to preempt white coercion, rather than a response to direct Euro-American political or legal pressure to give up their homelands….
Alaina E. Roberts (I've Been Here All the While: Black Freedom on Native Land)
It won’t save you, sweet little thing.” “What won’t?” “Being so fucking good. I love seeing you like this, with your ass in the air and your cunt on display. It makes me—”The sound that comes out of him is close to a growl. “What you owe can’t be changed by spreading your legs.
Amelia Wilde (Hostile Takeover (Wealth Book 2))
Oh, those people! Can you imagine what it must be for any one who has lived in a world where there was always creative work in the background, work with some dignity about it, men and women with professions or arts to follow, with ideals and things to believe in and quarrel about, some of them wealthy, some of them quite poor; can you think what it means to step out of that into another world where you have to be very rich, shamefully rich, to exist at all—where money is the only thing that counts and the first thing in everybody’s thoughts—where the men who make the millions are so jaded by the work, that sport is the only thing they can occupy themselves with when they have any leisure, and the men who don’t have to work are even duller than the men who do, and vicious as well; and the women live for display and silly amusements and silly immoralities; do you know how awful that life is? Of course I know there are clever people, and people of taste in that set, but they’re swamped and spoiled, and it’s the same thing in the end; empty, empty! Oh! I suppose I’m exaggerating, and I did make friends and have some happy times; but that’s how I feel after it all. The seasons in New York and London—how I hated them! And our house-parties and cruises in the yacht and the rest—the same people, the same emptiness.
E.C. Bentley (Trent's Last Case (Philip Trent, #1))
The best bet when dealing with kings was to make a reasonable effort to play the game, but one that is still bound to fail. The fourteenth-century Arab traveler Ibn Battuta tells of the customs of the King of Sind, a terrifying monarch who took a particular delight in displays of arbitrary power.33 It was customary for foreign worthies visiting the king to present him with magnificent presents; whatever the gift was, he would invariably respond by presenting the bearer with something many times its value. As a result, a substantial business developed where local bankers would lend money to such visitors to finance particularly spectacular gifts, knowing they could be well repaid from the proceeds of royal one-upmanship. The king must have known about this. He didn’t object—since the whole point was to show that his wealth exceeded all possible equivalence—anyway he knew if he really needed to, he could always expropriate the bankers. Kings knew that the really important game was not economic, but one of status, and theirs was absolute.
David Graeber (Debt: The First 5,000 Years)
And it makes her ill at ease because despite what others see in this infinite display of wealth, she can see just how hard he is trying.
SereneMusafir (Green Light)
Both Francis I and Henry VIII were avid mirror collectors and vain monarchs, and always competitive. During their meeting on the Cloth of Gold in 1521 a parade of wealth was displayed to ensure an alliance between France and England (and England’s safety). A later painting of this majestic occasion shows the two kings holding gloves, wearing flat caps decorated with feathers, badges and buttons, with parures – jewellery that matched their clothing. Henry’s codpiece is outlined by the rings on his index finger pointing towards it.
Carol McGrath (Sex and Sexuality in Tudor England)