Slide Deck Quotes

She stepped forward as if to pick up the fur she'd tossed over a chair. Smoothly, she turned to hand it to him. And with perfect timing, flung herself into his arms. The sable fell as he took her shoulders to shove her back. Eve stepped to the doorway to see Magdelana with her arms locked around Roarke's neck, his hands on her bare shoulders--one of the ivory straps sliding to her elbow. "Son of a bitch," she said. On cue, Magdelana spun around, her face full of passion and shock. "Oh, God. Oh...it's not what it looks like." "Bet." Eve strode in. Actually, Roarke thought, it was more of a swagger. He had a moment to admire it, before Eve rammed her fist in his face. "Fuck me." His head snapped back, and he tasted blood. Magdelana cried out, but even the deaf would have caught the suppressed laughter in the sound. "Roarke! Oh, my God, you're bleeding. Please, let me just--" "Don't look now," Eve said cheerfully. "But he's not the only one." She decked Magdelana with a straight-armed jab. "Bitch," Eve added as Magdelana's eyes rolled back and she fell, unconscious, to the floor. Roarke looked down. "Well, now, fuck us all.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

I could lie there as long as I wanted, and let all the pictures of things a man might want run through my head, coffee, a girl, money, a drink, white sand and blue water, and let them all slide off, one after another, like a deck of cards slewing slowly off your hand. Maybe the things you want are like cards. You don't want them for themselves, really, though you think you do. You don't want a card because you want the card, but because in a perfectly arbitrary system of rules and values and in a special combination of which you already hold a part the card has meaning. But suppose you aren't sitting in a game. Then, even if you do know the rules, a card doesn't mean a thing. They all look alike.

Or so the slide deck said.

Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.

Clear night, thumb-top of a moon, a back-lit sky. Moon-fingers lay down their same routine On the side deck and the threshold, the white keys and the black keys. Bird hush and bird song. A cassia flower falls. I want to be bruised by God. I want to be strung up in a strong light and singled out. I want to be stretched, like music wrung from a dropped seed. I want to be entered and picked clean. And the wind says “What?” to me. And the castor beans, with their little earrings of death, say “What?” to me. And the stars start out on their cold slide through the dark. And the gears notch and the engines wheel.

The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.

Mist’s first passion, long before her love for cuisine took flight. She still thought fondly of evenings in front of her easel, the Pacific Ocean’s surf in the background, the glow of the moon across its surface. Those enchanted times, after hours working on the deck of an ocean side restaurant, had formed the bridge between her love of painting and her love of cooking. She would blend mustard and grape seed oil during the afternoon and mustard-hued oil paint at night, satisfied at the end of the day with the balance the two art forms created in her life. “Mist, dear, are you out there?” Mist followed the voice, moving into the kitchen, where she found Betty sliding a spatula between a sheet of wax paper and several rows of glazed

Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.

My sisters and I stand on the deck, the shale tile cool against the soles of our feet - for a week it seems we never have to wear shoes - and take turns twirling, the matching turquoise silk skirts my mother bought us sliding coolly up our legs, our laughter flying out over the ocean. We are all light and happy and far, far away from home.

We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.

The ceilings had set off a ghostly echo, giving all the desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Charlestons on the wings of airborne biplanes. Parties on sinking ships, the icy water bubbling around the waists of the orchestra as they sawed out a last brave chorus of "Auld Lang Syne." Actually, it wasn't "Auld Lang Syne" they'd sung, the night the Titanic went down but hymns, lots of hymns, and the Catholic priest saying Hail Marys, and the first-class salon which had really looked a lot like this: dark wood, potted palms, rose silk lampshades with their swaying fringe. I really had had too much to drink. I was sitting sideways in my chair, holding tight to the arms (Holy Mary, Mother of God), and even the floors were listing, like the decks of a foundering ship; like we might all slide to the other end with a hysterical wheeee! piano and all.

These include: the Bar Raiser hiring process that ensures that the company continues to acquire top talent; a bias for separable teams run by leaders with a singular focus that optimizes for speed of delivery and innovation; the use of written narratives instead of slide decks to ensure that deep understanding of complex issues drives well-informed decisions; a relentless focus on input metrics to ensure that teams work on activities that propel the business. And finally there is the product development process that gives this book its name: working backwards from the desired customer experience. Many of the business problems that Amazon faces are no different from those faced by every other company, small or large. The difference is how Amazon keeps coming up with uniquely Amazonian solutions to those problems. Taken together, these elements combine to form a way of thinking, managing, and working that we refer to as being Amazonian, a term that we coined for the purposes of this book. Both of us, Colin and Bill, were “in the room,” and—along with other senior leaders—we shaped and refined what it means to be Amazonian. We both worked extensively with Jeff and were actively involved in creating a number of Amazon’s most enduring successes (not to mention some of its notable flops) in what was the most invigorating professional experience of our lives.

Oh, busy weaver! unseen weaver!- pause!- one word!- whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!- stay thy hand!- but one single word with thee! Nay- the shuttle flies- the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

Light breaks where no sun shines - 1914-1953 Light breaks where no sun shines; Where no sea runs, the waters of the heart Push in their tides; And, broken ghosts with glow-worms in their heads, The things of light File through the flesh where no flesh decks the bones. A candle in the thighs Warms youth and seed and burns the seeds of age; Where no seed stirs, The fruit of man unwrinkles in the stars, Bright as a fig; Where no wax is, the candle shows its hairs. Dawn breaks behind the eyes; From poles of skull and toe the windy blood Slides like a sea; Nor fenced, nor staked, the gushers of the sky Spout to the rod Divining in a smile the oil of tears. Night in the sockets rounds, Like some pitch moon, the limit of the globes; Day lights the bone; Where no cold is, the skinning gales unpin The winter's robes; The film of spring is hanging from the lids. Light breaks on secret lots, On tips of thought where thoughts smell in the rain; When logics dies, The secret of the soil grows through the eye, And blood jumps in the sun; Above the waste allotments the dawn halts.

It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen. Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist. It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed. So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.

Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here

As he spoke, Mudd clicked through a deck of slides—114 in all—that were projected on a large screen behind him. This would be straight-up, in-your-face talk, no sugar-coating on his part. The headlines and phrases and figures were nothing short of staggering. More than half of American adults were now considered overweight, with nearly one-quarter of the population—40 million adults—carrying so many extra pounds that they were clinically defined as obese. Among children, the rates had more than doubled since 1980, the year when the fat line on the charts began angling up, and the number of kids considered obese had shot past 12 million. (It was still only 1999; the nation’s obesity rates would climb much higher.) “Massive social costs estimated as high as $40–$100 billion a year,” announced one of Mudd’s slides in bright, bold lettering.

Jon Stone studied his friend. Pike’s face was an empty mask, unknown and unknowable. The reflection of the city in his dark glasses was the only sign of life. Pike said, “Suicide bomb in Nigeria. No suspects or arrests. She wants answers, Jon. I guess she figures she has to go to the source.” “Terrorists.” “Or someone with access and connections.” “In Los Angeles?” “Echo Park.” Jon went to the edge of the deck. He watched the helicopters prowl, and the big jets slide down the night. “Here.

He describes sailing across mountainous seas, lashed to the wheel the bare rigging overhead dancing with blue electricity, St Elmo's fire the sailors called it. His clothes so saturated with the salt water he can barely stand, would fall if he weren’t tied up. The ship heaves in the heavy swells and the waves crash endlessly over the deck. Anything that wasn't tied down has long slid into the churning maelstrom including three crewmembers that didn’t lash themselves up in time. He holds the wheel and steers so the prow is climbing the huge wave that has blotted out the storm clouds, so tall the ship is almost vertical as it crests the wave and slides down into the next tumultuous surge. He tells how he screams into the storm knowing that the sound will be snatched away almost before it escapes his mouth and will become lost in the turmoil. ‘There is no skill in manning your ship through seas that can smash it as though it were nothing but brittle planks of wood.’ Andre says, ‘Captains will boast of their prowess in a storm but you survive purely by the capricious will of the sea. She decides if you live or die, and in that situation all you can do is hold on for the ride and feel privileged that she has allowed you to see her at her most powerful.

One of the classic Relationship Builder modifications to a great teaching pitch is to pull the “who we are and what we do” slides from the back of the pitch deck (where they belong in a proper teaching pitch) and put them in the front of the deck. Relationship Builders feel the need to establish credibility up front by throwing around company size and factoids and engaging in some high-profile customer name-dropping. They are uncomfortable leading with insight and letting their insights establish credibility for them.

Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.

All at once, she was leaning into him, his hands were sliding into her hair, and they kissed, right there on the open deck, under the sails and the stars.

my motor home yesterday, and I think he may come back.”               “No kidding? Well, I can see why you would be on edge. He must still be looking for those stupid coins.”               “Evidently. He broke into Megan’s two days ago, looking for them. Why he thinks I would have them is anybody’s guess,” I answered. “I was just about to make a pot of coffee. Would you like a cup?”               Hal surveyed my one room cabin, then sat down on the couch. “Taylor told me about the incident at your sister’s. I’m glad she’s okay.” Then, as he got up and went to the sliding door leading to the deck, he changed the subject.               “Fantastic view you have. I can’t believe there’s snow on that mountain already,

Do you--should you radio…anyone?” he said, gasping slightly when she nipped at one nipple through his shirt. “Mm--hmm,” she murmured, leaving a trail along the side of his chin with her tongue. He turned her around inside the blanket so her back was to him, then tugged her up against him, sliding his arms around her waist and keeping the blanket around them, the opening now in front of her. He leaned down and gently bit the side of her neck, then whispered, “Well, you might want to take care of that right swift, luv, because you’re about to be ravaged.” She moaned when he nipped her, wriggling a little, giving a delightful giggle at the last part, which made him grin. Kerry wasn’t typically a giggler. He now had a vested interest in seeing her become one. She’d clearly let go of all the worry, the tension, the fears about what might happen, and was doing exactly what he was doing: grabbing on to what they had right now and leaving the future to settle itself. “Ravaged, am I?” she said, tipping her head back against his shoulder to look up at him. “Are we playing pirate on the high seas, then?” “Aye, my saucy seafaring wench, ’tis true. I’ve boarded yer lovely vessel to see what treasures you have worth pillaging.” He leaned down, nipped her earlobe, then tugged the blanket so it snugged tightly over her breasts as he tucked her backside against his hips. “It appears I’ll need to board yer personal vessel to discover all your riches.” She laughed at that outright, then wiggled against him quite deliberately, making him grit his teeth. “Careful now, wench, or you’ll be spilling my doubloons all over the deck.” She let out a choked laugh at that, then bumped him back with her hips, and it was his turn to groan as her firm derrière came into contact with an even firmer part of him. “Why don’t you and your doubloons go on belowdeck so I can catch my breath long enough to send out an all’s-okay to Thomas without him thinking I’m doing what I’m about to be doing? It was mortifying enough to have to brazen it out in front of him when I showed up in this--what was it you called it? A glorified napkin? I’ve always thought of him as kind of a secondary grandfather. I’m not sure which of us was more in danger of that heart attack.” She glanced over her shoulder with a dry smile. “I think my femme fatale days are over.” “Oh,” he said, tossing the blanket toward a side bin so he could run his flat palms down the center of her back, then frame the swell of her hips, which were tightly wrapped in that glorified napkin. “I don’t know about that,” he said in all sincerity. “At least the fatale part.

Cat worked tirelessly, absorbed in the subtle changes of light and texture and composition. She darted around Travis like a fire, taking photos of the captain and his ship from various angles. Travis didn’t interfere or require her conversation. He could sense the excitement of creation flooding through her as clearly as he felt it in himself when elusive details of hull design would condense in his mind. Smiling, he watched his lover, enjoying her intense concentration on her work. She handled cameras and lenses with the same total familiarity he handled wind and sail. When her determination to catch the sunlight on the rigging made her forget he was alive, he sat cross-legged on the deck and began splicing rope, not at all upset at being ignored. When Cat realized that Travis wasn’t nearby anymore, she lowered her camera and looked around for him. She found him halfway back on the deck, sitting in a pool of sunlight. His head was bent over some task. Sun glinted over his tawny hair like a miser running fingers through gold. Her heart hesitated, then beat with redoubled strength. She set aside her camera and went to Travis. Without a word she took the rope out of his hands and started pulling off his T-shirt. “What are you doing?” he asked, surprised. “Taking off your shirt.” He blinked, then relaxed beneath Cat’s hands with a pirate’s smile of anticipation. She smiled in return, the serene smile of a sorceress, and threw his T-shirt aside. Then she put rope back into the hands that were reaching for her and picked up her camera once more. “Come back here and finish what you started,” Travis said. “I’m finished. “What about my pants?” “They make a nice contrast with the deck.” “Well, damn.” Disappointed, Travis made a face at the camera, then resumed splicing rope. Cat photographed him as he worked, seated like a god in the center of a golden cataract of light. He watched her with intense, blue-green eyes, measuring her progress around him while she climbed the rigging and the sailing in search of a perfect angle. At one point she miscalculated. He came to his feet in a single motion and snatched her off her perch before she could fall. She laughed and let herself slide down his body, her hands savoring his supple, sun-warmed skin.

I said that Oxide was simply another product line. This statement deeply worried two of my employees who had graduated from Stanford Business School. They scheduled an appointment and presented me with a slide deck detailing why my decision to start Oxide was quixotic, misguided, and downright stupid. They argued that it would steal precious resources from our core business while pursuing a product that would surely fail. I let them present all forty-five slides without my asking them a single question. When they finished I said, “Did I ask for this presentation?” Those were the first words I spoke as I made the transition from a peacetime CEO to a wartime CEO.

Millions of businesspeople have studied the Netflix Culture Deck, a set of 127 slides originally intended for internal use but that Reed shared widely on the internet in 2009.

Lowering the definition would help the national economy, he said. It was not just to clear the decks or because the founding fathers were Puritans. Blinder, equipped with slides, flashed on the wall a chart entitled “THE LONG-RANGE BENEFITS.” A lower deficit, Blinder said, meant the federal government was borrowing less from the pool of national savings - the money of all its citizens that was invested rather than consumed. Most of the freed-up savings could then go to private investments such as new plants and equipment or better worker training. These investments would eventually yield more efficiency and greater productivity per worker. And increased productivity - and here was the key - would eventually mean an increase in the standard of living for most Americans.

Meanwhile, Facebook censors Palestinian groups so often that they have created their own hashtag, #FBCensorsPalestine. That the groups have become prominent matters little: in 2016, Facebook blocked accounts belonging to editors at the Quds News Network and Shehab News Agency in the West Bank; it later apologized and restored the accounts.30 The following year, it did the same to the official account of Fatah, the ruling party in the West Bank.31 A year after Facebook’s relationship with the Israelis was formalized, the Guardian released a set of leaked documents exposing the ways the company’s moderation policy discriminates against Palestinians and other groups. Published in a series called “The Facebook Files,” the documents contained slides from manuals used to train content moderators. On the whole, the leaks paint a picture of a disjointed and disorganized company where the community standards are expanded piecemeal, and little attention is given to their consequences. Anna, the former Facebook operations specialist I spoke with, agrees: “There’s no ownership of processes from beginning to end.” One set of documents demonstrate with precision the imbalance on the platform between Palestinians and Israelis (and the supporters of both). In a slide deck entitled “Credible Violence: Abuse Standards,” one slide lists global and local “vulnerable” groups; alongside “foreigners” and “homeless people” is “Zionists.”32 Interestingly, while Zionists are protected as a special category, “migrants,” as ProPublica has reported, are only “quasi-protected” and “Black children” aren’t protected at all.33 In trying to understand how such a decision came about, I reached out to numerous contacts, but only one spoke about it on the record. Maria, who worked in community operations until 2017, told me that she spoke up against the categorization when it was proposed. “We’d say, ‘Being a Zionist isn’t like being a Hindu or Muslim or white or Black—it’s like being a revolutionary socialist, it’s an ideology,’” she told me. “And now, almost everything related to Palestine is getting deleted.

Stedrin’s probably got Ryder filling out forms in triplicate before he’ll issue the suits,” Huilin snickered. “Fuk, there’s probably a ‘civilian request to rescue Marines’ form.” “Yeah, I’d laugh,” Nivry sighed, sliding down the bulkhead and landing awkwardly on the deck, “but there

Always be closing. Like any salesperson worth their salt, you won’t get what you want without specifically and directly asking for it. Just fill in the blank: I called this meeting and created this deck so I can get _______ or teach you ______. • This, distilled into as few words as humanly possible, is your final slide.

Jackie Kennedy came into the ballroom in an exquisite gown of ivory satin embroidered with pearls. “I’m so sorry to hear you aren’t feelingwell,” she said, hurrying to Rosemary’s side. Rosemary explained about the mouse-bite, minimizing it so Jackie wouldn’t worry. “You’d better have your legs tied down,” Jackie said, “in case of convulsions.” “Yes, I suppose so,” Rosemary said. “There’s always a chance it was rabid.” She watched with interest as white-smocked interns tied her legs, and her arms too, to the four bedposts. “If the music bothers you,” Jackie said, “let me know and I’ll have it stopped.” “Oh, no,” Rosemary said. “Please don’t change the program on my account. It doesn’t bother me at all, really it doesn’t.” Jackie smiled warmly at her. “Try to sleep,” she said. “We’ll be waiting up on deck.” She withdrew, her satin gown whispering. Rosemary slept a while, and then Guy came in and began making love to her. He stroked her with both hands—a long, relishing stroke that began at her bound wrists, slid down over her arms, breasts, and loins, and became a voluptuous tickling between her legs. He repeated the exciting stroke again and again, his hands hot and sharp-nailed, and then, when she was ready-ready-more-than-ready, he slipped a hand in under her buttocks, raised them, lodged his hardness against her, and pushed it powerfully in.Bigger he was than always; painfully, wonderfully big. He lay forward upon her, his other arm sliding under her back to hold her, his broad chest crushing her breasts. (He was wearing, because it was to be a costume party, a suit of coarse leathery armor.) Brutally, rhythmically, he drove his new hugeness. She opened her eyes and looked into yellow furnace-eyes, smelled sulphur and tannis root, felt wet breath on her mouth, heard lust-grunts and the breathing of onlookers. This is no dream, she thought. This is real, this is happening. Protest woke in her eyes and throat, but something covered her face, smothering her in a sweet stench. The hugeness kept driving in her, the leathery body banging itself against her again and again and again. The Pope came in with a suitcase in his hand and a coat over his arm. “Jackie tells me you’ve been bitten by a mouse,” he said. “Yes,” Rosemary said. “That’s why I didn’t come see you.” She spoke sadly, so he wouldn’t suspect she had just had an orgasm. “That’s all right,” he said. “We wouldn’t want you to jeopardize your health.” “Am I forgiven, Father?” she asked. “Absolutely,” he said. He held out his hand for her to kiss the ring. Its stone was a silver filigree ball less than an inch in diameter; inside it, very tiny, Anna Maria Alberghetti sat waiting. Rosemary kissed it and the Pope hurried out to catch his plane.

It’s hot and sunny now on deck at midday, enough to drive you into the shade if you’ve got a choice. The trade winds have returned, steady from just south of east, and the ship slides along as if on a rail. There are dry starry nights, the evenings electric, with horizons the color of watermelon rind. Orion, recumbent, loops overhead in a great arc. We cross the equator near 132 degrees west longitude, just after midnight on December 17. North along our meridian the next bit of land is British Columbia. South is Antarctica. The latitude display on our GPS reads, briefly and thrillingly, 00° 00.000’.

The old wooden floor creaks and groans under the pressure of my bare feet, and another flicker of yellow catches my eye as I grab the warm beer on the kitchen counter. I turn to get a closer look and my heart almost leaps out of my chest. Just past the sliding glass patio doors is the person in the raincoat. They stand on the pool deck, only a few feet away. Panic settles over me like a smattering of fresh rain droplets.

The sliding back door to the house squealed. Daniel stepped onto the deck. Rafe and I were still in the woods, but we could see him, through the trees, and he could see us. He stopped dead. Kenjii raced past him. She barreled down the steps toward us, and gave me a passing lick before jumping on Rafe. He pushed her down, laughing. “See, I am real,” he said. “Hmm, still not sure,” I said. “Dogs are supposed to be able to see ghosts, you know.” “Maybe, but I’m sure that guy can’t.” As we stepped from the woods, he waved at Daniel, who’d come down to the bottom of the steps and was frozen again. “Though he does look as if he’s seeing one.” He raised his voice so Daniel could hear. “Yes, it’s me. Not a ghost or a zombie or a long-lost twin brother.” “Rafe…?” Daniel started walking slowly across the yard. “In the flesh. Battered and bruised flesh, but apparently it takes more than a fall from a helicopter to get rid of me.” “Wow. I can’t believe it, but obviously…” He looked Rafe up and down and shook his head. “Wow.” “Holy hell.” Now Corey stood on the back deck, staring. He came over and we had to go through the whole thing again. Yes, it was Rafe. Not a ghost. Not a zombie. Not a long-lost twin brother. As ludicrous as all those ideas sounded, though, they seemed more likely than the truth--that a guy fell from a helicopter and survived.

After a few years at the heart of the Googleplex, Tristan couldn’t take it anymore, and he decided to leave. As a final gesture, he put together a slide-deck for the people he worked with, to appeal to them to think about these questions. The first slide said simply: “I’m concerned about how we’re making the world more distracted.” He explained: “Distraction matters to me, because time is all we have in life…. Yet hours and hours can get mysteriously lost here.” He showed a picture of a Gmail inbox. “And [on] feeds that suck huge chunks of time away here.” He showed a Facebook feed. He said he was worried that the company—and others like it—was inadvertently “destroy[ing] our kids’ ability to focus,” pointing out that the average child between the ages of thirteen and seventeen in the U.S. was sending one text message every six minutes they were awake. People were, he warned, living “on a treadmill of continuous checking.

Every time you transition from one slide section to another, treat this as though there is another implied question which you will “gladly” answer.

He had a point. I obviously hadn’t been thinking with my brain. I was usually a lot more levelheaded than that, but there was something about Elena—beyond the fact that she was one of the most beautiful women I’d ever laid eyes on. She got under my skin, made me forget myself. Those skimpy little lace and silk pajamas and slips she liked to parade around in didn’t help matters. The whole week I’d been building her deck, my palms had itched to slide over the slick material that skated along her curves. The urge to touch her had driven me to distraction. I was lucky I’d walked away from that job with all my digits.

You want the team slide early in the pitch when the team is your strongest point (for example, a Nobel-winning researcher as your chief scientist, or the former CTO of Facebook as your CEO).

There are a lot of ways to present this information, but the best way is to use a check box chart system, as pictured above. When putting together one of these charts, your first few features should be the ones you discussed in the problem/solution slides. The whole reason you are building this business is to solve those pain points. On this slide, you are also reminding the investors of what you are doing. It has been a while and they may have forgotten.

When developing your problem slide, you need to convey critical points of "pain" investors will understand. You will use these points of pain to help convey how many people have these issues, the cost (emotional, financial, physical, or intangible) associated to the pain and there are people who want the pain to stop.

You need to show your solution. There are several ways to do this. If you have an application, show screenshots. If it is a service, show pictures of you performing it. If you are early in developing the idea, mock it up. Show wireframes of the application or sketches of the product. Mention the resolutions to the pain points you mentioned in your Problem Slide(s).

Each slide should represent one clear thought. If you find yourself explaining multiple ideas on a slide, split the slide into multiple single thought elements.

Carolina walked over to the private deck and turned on the Jacuzzi, the bubbles starting to bounce in the water. Enrique followed her and brushed his hand through the water. "That looks nice, but I don't have a swimsuit." "Neither do I," she said with a smile. She held his gaze as her sundress fell to her toes. She was standing there in nothing but the new bra and panties and heels he'd purchased at the store. The yellow lace barely covered her nipples, and the thong accentuated her perfect ass. Enrique wanted to fuck her against the hot tub until she screamed his name. But again, he reminded himself that he needed to go slow. "You sure? I can run down to the gift shop and buy us swimsuits." She shook her head. "No, Enrique. I just don't want to hold back anymore, I want you." She unhooked her bra and took off her panties, revealing dark curls between her legs. The sight of this beautiful naked woman caused his cock to spring to attention. She carefully slipped out of her shoes, stepped into the tub, and sat down. He'd assumed she would be shy, but apparently that girl was gone. Well then! Enrique stripped down, his cock at full attention. Her mouth opened at the sight of his naked body. He grinned and then slipped into the bubbles and sat next to her. Enrique was about to kiss her when she straddled his thighs. "Are you sure you want to do this?" he asked. She kissed him. "I'm sure." "Carolina... you're so beautiful." He kissed her neck, and she tossed back her hair. His cock was pressed up against her soft belly. He so desperately wanted to be inside of her. Her hands rubbed all over his body, and she hesitantly touched his throbbing cock underwater. Her delicate fingers felt incredible with the current from the jets. Her nipples were glistening from the water, and he sucked on one. She moaned as he touched her pussy, sliding a finger inside of her while thumbing her clit. God, she was tight. "Enrique. That feels so good." He smirked. "You haven't seen anything yet." He lifted her to sit on the edge of the tub, spreading her legs as he knelt on the seat inside. She shook her head and closed her legs. "Oh, I don't know if I'll like that." He laughed. "Yeah, you will." She bit her lower lip. "Do you like doing it?" "Babe, I've been dying to eat your pussy since I met you." Her jaw dropped and her cheeks seemed redder, but maybe that was from the heat of the spa. "Enrique! That mouth!" He grinned. "My dirty mouth speaks the truth. Now spread your legs and relax." She cautiously opened her legs.

The two Gentlemen Bastards turned and scrambled over the back of the jolly boat at the moment its restraints completely gave way. Locke and Jean rolled off the boat with an embarrassing want of smoothness, landed hard, and the jolly boat took off across the deck, screeching and sliding toward the starboard rail. “Ha-ha!” Locke yelled, unable to contain himself. “We’re off!” The jolly boat slammed against the starboard rail and came to a dead stop. “Balls,” said Locke, not quite as loudly.

Examples of projects could include: Projects at work: Complete web-page design; Create slide deck for conference; Develop project schedule; Plan recruitment drive. Personal projects: Finish Spanish language course; Plan vacation; Buy new living room furniture; Find local volunteer opportunity. Side projects: Publish blog post; Launch crowdfunding campaign; Research best podcast microphone; Complete online course. If you are not already framing your work in terms of specific, concrete projects, making this shift will give you a powerful jump start to your productivity.

From Microsoft OneNote, Google Keep, and Apple Notes to Notion and Evernote, digital notes apps have four powerful characteristics that make them ideal for building a Second Brain. They are: Multimedia: Just like a paper notebook might contain drawings and sketches, quotes and ideas, and even a pasted photo or Post-it, a notes app can store a wide variety of different kinds of content in one place, so you never need to wonder where to put something. Informal: Notes are inherently messy, so there’s no need for perfect spelling or polished presentation. This makes it as easy and frictionless as possible to jot things down as soon as they occur to you, which is essential to allow nascent ideas to grow. Open-ended: Taking notes is a continuous process that never really ends, and you don’t always know where it might lead. Unlike more specialized kinds of software that are designed to produce a specific kind of output (such as slide decks, spreadsheets, graphics, or videos), notes are ideal for free-form exploration before you have a goal in mind. Action-oriented: Unlike a library or research database, personal notes don’t need to be comprehensive or precise. They are designed to help you quickly capture stray thoughts so you can remain focused on the task at hand.

The pilot put the helicopter in a sideways crab over the bow, enabling him to see the superstructure out his right side window and maintain the same relative position to the ship as he matched its forward speed. The crew in the helicopter cabin opened the big sliding door on the right, and I swung out in the horse collar. As I was lowered to the ship, I saw hundreds of passengers lining the rails and windows on all the forward decks with cameras and binoculars trained on me. This was probably the most exciting moment of the cruise for those folks!" (Page 273)

The back door opens again a few minutes later and I stand, fully prepared to wrestle the phone away from her. But Morgan’s not standing in my backyard. “Hey, you.” I blink. He’s here. Dark-red T-shirt, brown fedora. I blink again. The corner of his mouth turns up and I take off in a sprint, fly down the stairs of the deck, and jump into his arms, which he wraps tight around me. His hand cups the back of my head and repeatedly strokes my damp hair. Our bodies sway back and forth, and I slowly slide down until my feet touch the ground. I take a step back to study him. “You’re a hat guy again.” I grin. “But, that means--” I gasp when I pull the hat off him. “Your hair! You cut it!” I reach up and rake my hand through his subdued curls, more like waves now. “I cut it for you.” His hands at my bare waist send shivers through my core. “I liked the curls, you know.” “You thought I had a perm!” He leans his head back and laughs fully. “That’s the very definition of not liking the curls.” I giggle and shrug. “They grew on me. But this can grow on me too.

Suddenly, as I watched the powerful dynamics of the ocean, I saw a young boy and his sister trying to make their way around the front of the superstructure. Like me, they wanted to get a better view. It was just then that an exceptionally large wave struck, bringing the water crashing over the anchor windlass and the foredeck. The force swept the children off their feet and towards the railing. My first thought was that they were about to be carried overboard, into this unforgiving ocean. Fortunately, they managed to hold fast onto the lower rung of the railing, as the bulk of the water washed over the side or ended up in the scuppers. As the ship started to lift itself from the ocean’s grip, I ran across the foredeck and grabbed both children with one arm. Feeling the ship begin its slide into another trough, I grabbed hold of a stanchion with my free hand. Once more, the vessel shuddered and lifted, trying to break free of the raging ocean. In this wild roller coaster ride, we were all soaked in the cold salt water that flooded around us, but I managed to hold fast. It seemed like an eternity that I lay there trying to prevent the three of us from being washed over the side. Braced against the fishplate, my leg steadied us until the next convulsion lifted us high above the ocean again. At the right moment, we all got up and ran. Slipping and sliding we ran down the sloping deck to the relative safety of the leeward side. The Deck Officer on the Bridge, who had the watch, saw what had happened and recommended me for a “Life Saving award.” I didn’t think that I deserved an award for what I had done, but nevertheless I received one on our return voyage. And when the crew learned what had happened, I was promoted in their estimation from a greenhorn kid, to one of them.

Suddenly, the front of the ship dipped down into the sea. Deck chairs started to slide past Jack and Annie.

When Brian Chesky was pitching venture capitalists to invest in Airbnb, one of the people he consulted was the entrepreneur and investor Sam Altman, who later became the president of the Y Combinator start-up accelerator. Altman saw Chesky’s pitch deck and told him it was perfect, except that he needed to change the market-size slide from a modest $ 30 million to $ 30 billion. “Investors want B’s, baby,” Altman told Chesky. Of course, Altman wasn’t telling Chesky to lie; rather, he argued that if the Airbnb team truly believed in their own assumptions, $ 30 million was a gross underestimate, and they should use a number that was true to their convictions. As it turns out, Airbnb’s market was indeed closer to $ 30 billion.

Jobs despised slide decks because they could disguise the presenter’s lack of knowledge or muffle his raw opinions and analysis. To keep all these meetings vital, Jobs dispensed with formal presentations and instead insisted on long, lively debates where people from different perspectives owned up to and hashed out their disagreements.5

and that this is still Day 1 in such a big way. Jeff Bezos Amazon’s internal customs are deeply idiosyncratic. PowerPoint decks or slide presentations are never used in meetings. Instead, employees are required to write six-page narratives laying out their points in prose, because Bezos believes doing so fosters critical thinking. For each new product, they craft their documents in the style of a press release. The goal is to frame a proposed initiative in the way a customer might hear about it for the first time. Each meeting begins with everyone silently reading the document, and discussion commences afterward—just like the productive-thinking exercise in the principal’s office at River Oaks Elementary. For my initial meeting with Bezos to discuss this project, I decided to observe Amazon’s customs and prepare my own Amazon-style narrative, a fictional press release on behalf of the book. Bezos met me in an eighth-floor conference room and we sat down at a large table made of half a dozen door-desks, the same kind of blond wood that Bezos used twenty years ago when he was building Amazon from scratch in his garage. The door-desks are often held up as a symbol of the company’s enduring frugality. When I first interviewed Bezos, back in 2000, a few years of unrelenting international travel had taken their toll

I found myself in- “JESUS FUCKING CHRIST!!!” I found myself sliding down what I assume was the poop deck of a large boat. I don’t even know what part of the boat the poop deck is, but I’m just going to guess that’s where I was. As far as what waters we are sinking and spiraling around in a whirlpool over, I had a pretty good idea. “Hold onto something, Jeff!” shouted Jim. “I probably should have warned you first!” “No shit!” I cried. The urge to vomit rose up in my chest as I slid downward and grabbed onto the railing for dear life. “I think I’ve seen enough of this one, Jim!” “You know where we are?” “Yes, it’s the fucking Bermuda Triangle!” I bellowed as flying saucers emerged from the tremulous waters around us. “I get it! Very nice!” “Okay, sorry!

I heard the patio door slide open, then footsteps as my father walked out onto the deck. A breeze blew in — hot and sticky-wet — before the door slid shut again. When I looked outside, through the glass, he was standing with his back to me, looking up at the few stars visible through the fast-moving clouds.

Laura and I both turned around and went upstairs, not looking at each other. We both went directly outside to the deck and shut the sliding doors tightly behind us. Then Laura threw back her head and gave a loud whoop that shook the leaves off the trees. “How did that happen?” she yelled. “Oh my God! Saved!” I sank into a chair and laughed weakly. “Laura, one of us has amazing karma for something like this to happen. Un-freaking-believable.” “I know. Is it too early to drink? I feel like cracking open a bottle of champagne.” “This is so good. So, at least for the next few years, we’re off the hook, Mom-wise. Call Frank, before those renters change their minds. “ “Yes. And I’ll call Hackettstown and let somebody else have that bed. Oh, Kate, I feel like such a burden has been lifted.” I got up and hugged her. “Me too.” Marie opened the sliding door and came onto the deck, grinning. “Are you girls celebrating out here?” “Marie, you are such a lifesaver,” I

When you tapped the zoom button on our iPad demo, the keyboard you were looking at (say, mine) transitioned to the other one (his), much like clicking to go to the next slide in presentation software like Keynote or PowerPoint. The image of one keyboard disappeared to nothingness to reveal the other underneath. Bas added scaling to his animation—the keys of the departing keyboard changed size to match the one coming into view. He also tuned the timing of the animation, so it started slowly and sped up as it went, making you feel you had definitively landed once the animation finished. These effects were subtle, given that his animation was a mere fraction of a second, but Bas had a way of making these details count. When you looked at this zoom key animation, it appeared as if the keyboards were undergoing a complex morph. They weren’t. From an engineering perspective, this was significant, since the simplicity of the design meant I could write the code for his animation in just a couple hours. The magic was in the overall effect. The animation didn’t look like clicking from one slide to another in a presentation deck. When you tapped on the zoom button, it made you feel like one keyboard was becoming the other. The effect registered viscerally. It was exactly the kind of self-explanatory touch that made Apple software easy to use.