Steam Clock Quotes

We've searched our database for all the quotes and captions related to Steam Clock. Here they are! All 46 of them:

Moist groaned. It was the crack of seven and he was allergic to the concept of two seven o'clocks in one day.
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
She serves me a piece of it a few minutes out of the oven. A little steam rises from the slits on top. Sugar and spice - cinnamon - burned into the crust. But she's wearing these dark glasses in the kitchen at ten o'clock in the morning - everything nice - as she watches me break off a piece, bring it to my mouth, and blow on it. My daughter's kitchen, in winter. I fork the pie in and tell myself to stay out of it. She says she loves him. No way could it be worse.
Raymond Carver
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.
Erin Morgenstern (The Night Circus)
The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.
Gabriel García Márquez
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.
T.S. Eliot
A surge ay euphoria comes ower me as ah clock that nippy wee cockney cunt, Nicksy; he's on the baw, giein it loads, mouthing off, so ah steam in wi a dirty two-fitted tackle on him. 'Take that, ya English bastard!
Irvine Welsh (Skagboys (Mark Renton, #1))
It was the crack of seven and he was allergic to the concept of two seven o’clocks in one day.
Terry Pratchett (Raising Steam (Discworld, #40))
If one can travel through time, fate needn't be absolute.
Robert Appleton (Prehistoric Clock (The Steam Clock Legacy, #1))
Sooner or later, clockwork requires each piece to accept its nature or break. Hearts are no different.
Robert Appleton (Prehistoric Clock (The Steam Clock Legacy, #1))
One thing of great importance can affect a small number of people. Equally so, a thing of little importance can affect a multitude. Either way, a happening - big or small - can affect an entire string of people. Occurrences can join us all together. You see, we're all made up of the same stuff. When something happens, it triggers something inside us that connects us to a situation, connects us to other people, lighting us up and linking us like little lights on a Christmas tree, twisted and turned but still connected to a wire. Some go out, others flicker, others burn strong and bright, yet we are all on the same line. I said at the beginning of this story that this was about people who find out who they are. About people who are unraveled and whose cores are revealed to all who count. And that all that count are revealed to them. You thought I was talking about Lou Suffern and the Turkey Boy, about Raphie, Jessica, and Ruth, didn't you? Wrong. I was talking about each of us. A lesson finds the common denominatior and links us all together, like a chain. At the end of that chain dangles a clock, and on the face of the clock registers the passing of time. We see it and we hear it, the hushed tick-tock, but often we don't feel it. Each second makes its mark on every single person's life - comes and then goes, quietly disappearing without fanfare, evaporating into air like steam from a piping hot Christmas pudding. Enough time leaves us warm; when our time is gone, it leaves us cold. Time is more precious than gold, more precious than diamonds, more precious than oil or any valuable treasures. It is time of which we do not have enough; it is time that causes the war within our hearts, and so we must spend it wisely. Time cannot be packaged and ribboned and left under trees for Christmas morning. Time can't be given. But it can be shared.
Cecelia Ahern
At ten o’clock breakfast was served in the dining-room; and, seated at a table which was far less shaken than it would have been in a first-class railway carriage, we did ample justice to the culinary skill of Monsieur Parazard.   We
Jules Verne (The Steam House)
Her jaw dropped. "You - you -" He chuckled and winked at her. Her ire evaporated like the steam from the pot--coiling and disappearing into the air. When he used his wiles on her, he was tantalizing. With that purely happy look on his face he was devastating. "You do realize that I will have my revenge?" she said calmly, though her heart was racing. "I could hope for no less." He flashed her a grin, and she gripped the side of the table to keep from moving closer. "I dislike you." "Always a comfort to know." He looked at the kitchen clock, a small mantel piece positioned precariously on a shelf. "Right on time for the night." She blinked. She supposed it was something of a nightly ritual. "Wouldn't want to disappoint you, your highness." "Your majesty, if you will.
Anne Mallory (Three Nights of Sin)
...George's feathers are ruffled. It's been a long time since last he forgot and let himself get up steam like this...How humiliating! The silly enthusiastic old prof, rambling on, disregarding the clock, and the class sighing to itself, 'He's off again!' Just for a moment, George hates them, hates their brute basic indifference, as they drain quickly out of the room. Once again, the diamond has been offered publicly for a nickel, and they have turned from it with a shrug and a grin, thinking the old peddler crazy.
Christopher Isherwood (A Single Man)
A scarlet steam engine was waiting next to a platform packed with people. A sign overhead said Hogwarts Express, 11 o’clock. Harry looked behind him and saw a wrought-iron archway where the ticket box had been, with the words Platform Nine and Three-Quarters on it. He had done it.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
So, amid all the laughter and the steam, the Trenet record, the unwound clocks, the veiled curtains, the teasing and banter, the dewy, mildewy glamour of a swimming-pool in whose stagnant atmosphere the flat was bathed, the days passed, jubilant and implacable, days divided by nights as two frames of film are divided by a black strip.
Gilbert Adair (The Dreamers)
Human beings,’ I inhale my wine’s nutmeggy steam, ‘are walking bundles of cravings. Cravings for food, water, shelter, warmth; sex and companionship; status, a tribe to belong to; kicks, control, purpose; and so on, all the way down to chocolate-brown bathroom suites. Love is one way to satisfy some of these cravings. But love’s not just the drug: it’s also the dealer.
David Mitchell (The Bone Clocks)
...but tonight he remembered only the warm rooms and the faces of men and women bent over their bowls of steaming soup, and the children already asleep in their beds. He felt for them all a profound love, and he glowed. The moment of his loving was in the world of time merely sixty seconds ticked out by his watch, but in another dimension it was an arc of light encircling the city and leaving not one heart within it untouched by blessedness. Then the clocks began to strike, and the light of the ugly little man's moment of self-forgetfulness was drawn back again into the deep warmth within him. And he understood nothing of what had happened to him, only that now, for a little while, for a few moments or a few days, he would be happy and feel safe.
Elizabeth Goudge (The Dean's Watch)
Historians are wont to name technological advances as the great milestones of culture, among them the development of the plow, the discovery of smelting and metalworking, the invention of the clock, printing press, steam power, electric engine, lightbulb, semiconductor, and computer. But possibly even more transforming than any of these was the recognition by Greek philosophers and their intellectual descendants that human beings could examine, comprehend, and eventually even guide or control their own thought process, emotions, and resulting behavior. With that realization we became something new and different on earth: the only animal that, by examining its own cerebration and behavior, could alter them. This, surely, was a giant step in evolution. Although we are physically little different from the people of three thousand years ago, we are culturally a different species. We are the psychologizing animal.
Morton Hunt (The Story of Psychology)
Sometimes the one who dreams about Fairies mingles with the soul of the house. The thought of the hedges outside the door has stopped the ticking of the clock, and from the cellar the song of hidden woods can be heard. From deep down in the well he awakens the fibers of the beams, casts a spell on the floor boards and penetrates deep into the tapestry. He sits down in the child’s room where the garden of things tells a story about the theater of shadows. His thoughts are infused in a kettle and illustrated in a spiral of steam. The armchair flies out of the window and the curtains begin to flower. He can be heard climbing the stairs, leaving behind handfuls of visiting cards, and on each one of them is the address of a star. In the attic, his step is reduced to the dance of mice. A wreath of sparks brightens up the fireplace. The dormer window looks out onto the hopscotch of the skies… The dreamer’s soul is now so brilliant and light that it is like a spangle in a parade of Fairies
Pierre Dubois (The Great Encyclopedia of Faeries)
-did you just ask something?" "I asked if you can undress any faster." Evie huffed with a mixture of amusement and exasperation. "No, I can't. There are too many b-buttons, and they're very small." "What a pity. Because in thirty seconds, I'm going to rip away whatever clothing you have left." Evie knew full well not to take the threat lightly- he'd done it before, on more than one occasion. "Sebastian, no. I like this dress." Her husband's eyes glinted with devilish humor as he watched her increasingly frantic efforts. "No dress is as beautiful as your naked skin. All those sweet freckles scattered over you, like a thousand tiny angel kisses... you have twenty seconds left, by the way." "You don't even h-have a clock," she complained. "I'm counting by heartbeats. You'd better hurry, love." Evie glanced anxiously down at the row of pearl buttons, which seem to have multiplied. With a defeated sigh, she dropped her arms to her sides. "Just go on and rip it off," she mumbled. She heard his silky laugh, and a sluice of water. He stood with streams runneling over the sleek, muscled contours of his body, and Evie gasped as she was pulled into a steaming embrace. His amused voice curled inside the sensitive shell of her ear. "My poor little put-upon wife. Let me help you. I have a way with buttons...
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A
Erin Morgenstern (The Night Circus)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
I remember, in no particular order: —a shiny inner wrist; —steam rising from a wet sink as a hot frying pan is laughingly tossed into it; —gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; —a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; —another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; —bathwater long gone cold behind a locked door. This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed. We live in time—it holds us and moulds us—but I’ve never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return. I’m not very interested in my schooldays, and don’t feel any nostalgia for them. But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty. If I can’t be sure of the actual events any more, I can at least be true to the impressions those facts left. That’s the best I can manage.
Julian Barnes (The Sense of an Ending)
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
Almost a hundred years earlier, to the day, Samuel Smiles had written the final pages of his book Self-Help. It included this moving tale of heroism as an example for the Victorian Englishman to follow. For the fate of my great-grandfather, Walter, it was poignant in the extreme. The vessel was steaming along the African coast with 472 men and 166 women and children on board. The men consisted principally of recruits who had been only a short time in the service. At two o’clock in the morning, while all were asleep below, the ship struck with violence upon a hidden rock, which penetrated her bottom; and it was at once felt that she would go down. The roll of the drums called the soldiers to arms on the upper deck, and the men mustered as if on parade. The word was passed to “save the women and children”; and the helpless creatures were brought from below, mostly undressed, and handed silently into the boats. When they had all left the ship’s side, the commander of the vessel thoughtlessly called out, “All those that can swim, jump overboard and make for the boats.” But Captain Wright, of the 91st Highlanders, said, “No! If you do that, the boats with the women will be swamped.” So the brave men stood motionless. Not a heart quailed; no one flinched from his duty. “There was not a murmur, nor a cry among them,” said Captain Wright, a survivor, “until the vessel made her final plunge.” Down went the ship, and down went the heroic band, firing a volley shot of joy as they sank beneath the waves. Glory and honor to the gentle and the brave! The examples of such men never die, but, like their memories, they are immortal. As a young man, Walter undoubtedly would have read and known those words from his grandfather’s book. Poignant in the extreme. Indeed, the examples of such men never die, but, like their memories, they are immortal.
Bear Grylls (Mud, Sweat and Tears)
Good morning.' Cassian's fingers idly smoothed her hair. 'Good morning to you, too.' He glanced toward the mantel- the small wooden clock in its centre, then lurched up. 'Shit.' Nesta frowned. 'You have somewhere to be?' He was already hopping into his pants, scanning the floor for the rest of his clothes. Nesta silently pointed to the other side of the bed, where his shirt lay atop her dress. 'Snowball fight. I'll be late.' Nesta had to unload every word of his statement. But she could only ask. 'What?' 'Annual tradition, with Rhys and Az. We go up tot he mountain cabin- remind me to take you there one day- and... Well, it's a long story, but we've done it pretty much every year for centuries, and I haven't won in years. If I don't win this year, I will never hear the end of it.' All of this was said while shoving himself into his shirt, leather jacket, and boots. Nesta just laughed. 'You three- the most feared warriors in all the land- have an annual snowball fight?' Cassian reached the door, throwing her a wicked grin. 'Did I mention we take a steam in the birchin attached to the cabin afterward?' From that wicked grin, she knew he meant completely naked.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.
Erin Morgenstern (The Night Circus)
From the cobbled Close, we all admired the Minster's great towers of fretted stone soaring to the clouds, every inch carved as fine as lacework. Once we had passed into the nave, I surrendered my scruples to that glorious hush that tells of a higher presence than ourselves. It was a bright winter's day, and the vaulted windows tinted the air with dappled rainbows. Sitting quietly in my pew, I recognized a change in myself; that every morning I woke quite glad to be alive. Instead of fitful notions of footsteps at midnight, each new day was heralded by cheery sounds outside my window: the post-horn's trumpeting and the cries and songs of busy, prosperous people. I was still young and vital, with no need for bed rest or sleeping draughts. I was ready to face whatever the future held. However troubled my marriage was, it was better by far than my former life with my father. Dropping my face into my clasped hands, I glimpsed in reverie a sort of labyrinth, a mysterious path I must traverse in the months to come. I could not say what trials lay ahead of me- but I knew that I must be strong, and win whatever happiness I might glean on this earth. It was easy to make such a resolution when, as yet, I faced no actual difficulties. Each morning, Anne and I returned from our various errands to take breakfast at our lodgings. Awaiting us stood a steaming pot of chocolate and a plate of Mrs. Palmer's toast and excellent buns. Anne and I both heartily agreed that if time might halt we should have liked every day to be that same day, the gilt clock chiming ten o'clock, warming our stockinged feet on the fire fender, splitting a plate of Fat Rascals with butter and preserves, with all the delightful day stretching before us.
Martine Bailey (A Taste for Nightshade)
let my thoughts be bestowed on her who has shown so much devotion for me. Madame de Belliere ought to be there by this time," he said, as he turned towards the secret door. After he had locked himself in, he opened the subterranean passage, and rapidly hastened towards the means of communicating between the house at Vincennes and his own residence. He had neglected to apprise his friend of his approach, by ringing the bell, perfectly assured that she would never fail to be exact at the rendezvous; as, indeed, was the case, for she was already waiting. The noise the superintendent made aroused her; she ran to take from under the door the letter he had thrust there, and which simply said, "Come, marquise; we are waiting supper for you." With her heart filled with happiness Madame de Belliere ran to her carriage in the Avenue de Vincennes, and in a few minutes she was holding out her hand to Gourville, who was standing at the entrance, where, in order the better to please his master, he had stationed himself to watch her arrival. She had not observed that Fouquet's black horse arrived at the same time, all steaming and foam-flaked, having returned to Saint-Mande with Pelisson and the very jeweler to whom Madame de Belliere had sold her plate and her jewels. Pelisson introduced the goldsmith into the cabinet, which Fouquet had not yet left. The superintendent thanked him for having been good enough to regard as a simple deposit in his hands, the valuable property which he had every right to sell; and he cast his eyes on the total of the account, which amounted to thirteen hundred thousand francs. Then, going for a few moments to his desk, he wrote an order for fourteen hundred thousand francs, payable at sight, at his treasury, before twelve o'clock the next day. "A hundred thousand francs profit!" cried the goldsmith. "Oh, monseigneur, what generosity!" "Nay, nay, not so, monsieur," said Fouquet, touching him on the shoulder; "there are certain kindnesses which can never be repaid. This profit is only what you have earned; but the interest of your money still remains to be arranged." And, saying this, he unfastened from his sleeve a diamond button, which the goldsmith himself had often valued at three thousand pistoles.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
Using the castle to transition between lands was a visual trick Walt called a weenie. According to Disney historian Jim Korkis, during the development of Disneyland, Walt would come home late at night and usually enter his house through the kitchen, which was closer to the garage. He would walk into the kitchen and grab two uncooked hot dogs, or wieners, one for himself and one for his dog. Korkis said, "By wiggling the treat, Walt could get his dog to go from side to side, around in a circle, jump up and more. Both Walt and the dog loved the game and she was finally rewarded with the tasty and satisfying treat." "Each of the gateways into the lands offered weenies. The spinning carousel through the portal leading through Sleeping Beauty Castle called guests into Fantasyland. The stockade gates, the steam bellowing from the Mark Twain stern-wheeler, and the seeming infinite horizon beckoned guests to visit Frontierland. Over in Tomorrowland was the clock of the World and the TWA Moonliner ready for launch. Only Adventureland lacked a weenie. It was thought that if guests knew too much, it would not be much of an adventure.
Sam Gennawey (Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream (Unofficial Guides))
Lucy paused, hands full of green beans, her memory flashing back to the giant pots of crawfish on the stove. Her Mama’s green eyes would squint into the steam, hair pulled back, a frown of concentration on her face. The salted water was flavored and ready to receive the “mudbugs” out of their burlap sacks. Other than an onion or maybe an ear of corn, if it wasn’t alive when you threw it in, then it shouldn’t be in the pot, she’d say. Did her Mama mind that Lucy didn’t cook those old family recipes? Was she turning her back on her culinary heritage as surely as Paulette was? She snapped the ends of the beans faster, glancing at the clock. This whole dinner was breaking her Mama’s cardinal rule: don’t hurry. She thought if a cook was in a hurry, you might as well just make a sandwich and go on your way.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
having a friend in the Met was enough of a payment. That, and he kept nagging her to start competing — said she kicked like a horse, and that once she had her grapple game on point, she could probably go pro.  Jamie knew having a pro fighter coming out of a gym was a great way to bring in new business, as well as get another taste of the big time. But she wasn’t interested in that. She just needed to know how to handle herself. And she did. Though it didn’t hurt to stay sharp, and Cake was one of the few people she could stand to be around for prolonged periods. ‘We’ve still got six minutes,’ she said, looking at the clock on the wall herself. Her accent had all but gone now, but anyone with a keen ear would know she wasn’t a British native.  And the blonde hair and blue eyes, along with her second name, would be enough to tip off anyone with any sense to her Scandinavian heritage.  ‘You earned it,’ Cake said, heading for the office. ‘And plus, I don’t think my arms could take anymore.’ He chuckled, his broad shoulders bouncing as he stepped off the raised matt and onto the rubber-tiled floor.  Jamie cast a glance over at the heavy-bag in the corner, thought maybe she could get some more hits in. But her shin was starting to throb. Maybe she should ice it. Probably a good idea. She pulled the sparring gloves off and unstrapped the kick-guards, wincing a little as they came away from her ankle.  Yeah, she’d definitely need to ice it.  The smell of coffee beckoned her towards the office and she followed her nose, entering to see Cake standing over a hotplate, a stove-top coffee maker steaming away on it.  He was a simple man, easy to talk to. Everyone wanted something. Except Cake. All he wanted was for people to treat him with respect. And Jamie did. He would always go on about it. People don’t have
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
For years on end Basanavicius has been trying to convince Vilnius Council to commission the Guild of Mechanics to build the largest steam clock in Europe and install it in the Cathedral Bell tower, but the idea was opposed by the Spiritual Councillor, venerable Prelate Masalskis. Science and oil-stained inventions are one thing, he declared, but eternal spiritual values are something completely different.
Andrius B. Tapinas (Hour of the Wolf)
Alexander, Gog, and Magog. The emergence of the Wall as an international symbol had resulted from many of those same forces that had elsewhere led to the colonization of the Americas. In the sixteenth and seventeenth centuries, the Wall drew the attention of Jesuit missionaries to China. The Jesuits were never especially successful at converting the Chinese to Christianity. However, they dazzled the imperial court with novelties of Western manufacture—pumps, clocks, sextants, telescopes, cannons, even steam-powered automobiles—and in turn the Jesuits were dazzled by the Great Wall of the Ming. To Father Verbiest
David Frye (Walls: A History of Civilization in Blood and Brick (Gift for History Buffs))
Every gear and bearing in this room was making the sort of sound that normally made Bob Shaftoe freeze like a startled animal. Even after he’d gotten it through his head that they were all clocks, or studies for clocks, he was hushed and intimidated by a sense of being surrounded by patient mechanical life. He stood at attention in the middle of the big room, hands in his pockets, blowing steam from his mouth and darting his eyes to and fro. These clocks were made to tell time precisely and nothing else. There were no bells, no chimes, and certainly no cuckoos. If Bob was waiting for such entertainments, he’d wait until he was a dusty skeleton surrounded by cobweb-clogged gears.
Neal Stephenson (The Baroque Cycle: Quicksilver, The Confusion, and The System of the World)
So on Christmas morning I was up at five o'clock, making the fire as bright as a furnace, baking minc'd pies and boiling plum puddings the size of Medici cannonballs, and setting three sides of roast beef to turn on the spits. Soon I breathed again that steam that tells the soul it is Christmas, and all the year' work done, and time for feasting; the smell of oranges, sugarplums and cloves, all mingled with roasting meats.
Martine Bailey (An Appetite for Violets)
The Industrial Revolution is usually attributed to the invention of the steam engine; but as Mumford shows in his 1934 magnum opus, Technics and Civilization, it also probably couldn’t have happened without the clock. By the late 1700s, rural peasants were streaming into English cities, taking jobs in mills and factories, each of which required the coordination of hundreds of people, working fixed hours, often six days a week, to keep the machines running.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Kid, this is October you can make the maples blaze just by stopping to look, you can set your clock to the barks of geese. Somewhere the grandfathers who own this town lean down to iron crisp blue shirts, their faces bathing in steam, and blackbirds clamor in packs, make plans behind corn. You know this, you were born whistling at crackling stars, you snap your fingers and big turtles slide out of rivers to answer. You can swim one more time in the puddle of sun in your water glass, taste icicles already in the white crunch of your lunch apple. Go to sleep. I’ll put on my silver suit and chase the sky into the moon.
Jeffrey Bean
United States gifted Japan with a model steam locomotive, a telegraph device, agricultural apparatuses, whiskey, clocks, stoves,
Captivating History (History of Japan: A Captivating Guide to Japanese History.)
Ten miles away on the Californian, Second Officer Stone and Apprentice Gibson watched the strange ship slowly disappear. She had fascinated them almost the whole watch—the way she kept firing rockets, the odd way she floated in the water. Gibson remarked that he certainly didn’t think the rockets were being sent up for fun. Stone agreed: “A ship is not going to fire rockets at sea for nothing.” By two o’clock the stranger’s lights seemed very low on the horizon, and the two men felt she must be steaming away. “Call the Captain,” Stone ordered, “and tell him that the ship is disappearing in the southwest and that she has fired altogether eight rockets.” Gibson marched into the chart room and gave the message. Captain Lord looked up sleepily from his couch: “Were they all white rockets?” Gibson said yes, and Lord asked the time. Gibson replied it was 2:05 by the wheelhouse clock. Lord rolled over, and Gibson went back to the bridge. At 2:20 Stone decided that the other ship was definitely gone, and at 2:40 he felt he ought to tell the Captain himself. He called the news down the speaking tube and resumed studying the empty night.
Walter Lord (The Complete Titanic Chronicles: A Night to Remember and The Night Lives On (The Titanic Chronicles))
While these early clocks marked only the hour or quarter-hour, by 1700 most clocks had acquired minute hands, and by 1800 second hands were standard.3 This unprecedented ability to measure time precisely found its most authoritarian expression in the factory clock, which became a prime weapon of the Industrial Revolution. As the historian of technology Lewis Mumford argued, “the clock, not the steam engine, is the key-machine of the modern industrial age.
Roman Krznaric (The Good Ancestor: A Radical Prescription for Long-Term Thinking)
She looked out at the city. All of Tevanne was smeared with starlit smoke and steam, a ghostly cityscape sinking into the fog. The huge white campo walls surfaced among the ramble of the Commons like the bones ofa bleached whale. Behind them stood the towers of the campos, which glowed with soft, colorful luminescence. Among them was the Michiel clock tower, its face a bright, cheery pink, and beyond that was the Mountain of the Candianos, the biggest structure in all of Tevanne, a huge dome that reminded her of a fat, swollen tick, sitting in the center of the Candiano campo. She felt lonely, and small. Sancia had always been alone. But feeling lonely was different from just being alone.
Robert Jackson Bennett (Foundryside (The Founders Trilogy, #1))
The Alexandria universities were also the home to many famous mathematicians such as Apollonios, Euclid, and Archimedes. Famous inventors also underwent their studies there, such as Ktesibios (who created the water clock) and Heron (who designed the model steam engine).
Nicole James (History of Greece: History of Greece: From the Cradle of Western Civilization to Myths, Legends, Democracy and Modern Day Greek History)
Dawn stations, with a steel light, and waxen figures. / Dust, stone, and clanking sounds, hiss of weary steam. / Night stations, shaded light, fading pools of colour. / Shadows and the shuffling of a million feet /… The station clock with staggering hand and the callous face, / says twenty-five-to-nine
Christopher Young (On the Periphery: David Sylvian - A Biography: The Solo Years)
All’s Fair Every honeymoon has an ending. Even in the best of marriages, spouses inevitably have spats. Successful wives say they learned early how to take strife in stride; many, in fact, insist that the freedom to argue is essential in maintaining a stable marriage. Most fights focus on minor but recurring issues. Skirmishes grow into battles, battles into wars—over how high to set the thermostat, how loud to make the television, who holds the remote, what time to set the clock radio, who showers first, which way the toilet paper faces, and of course, the position in which the toilet seat is left. Over time, the process of fighting often becomes more important than the content of the fights. “We never solve anything by fighting,” one wife says. “We just sort of let off steam.” Whatever they argue about, when the smoke clears and the air cools, most wives feel better for having boiled over. Whether or not issues are resolved, they’re able to blow up, make up and move on. No harm done.
Merry Bloch Jones (I Love Him, But . . .)
It’s preposterous, expecting a man to unburden himself to a woman,” Bennett Winchester slurred as the mantel clock chimed. Though it was midmorning the Bow Street Society’s parlour had neither daylight nor gaslight to soften the retired captain’s pointed profile. Bloodshot, brown eyes looked beyond the wall as he approached, turned, and retraced his route, each thump of his boot succeeded by the heavy thud of his peg-leg. Miss Trent’s gaze tracked him during each pass of her armchair yet she remained seated. “Captain Winchester,” she began, “you weren’t obligated to come here and I wasn’t obligated to receive you, yet here we are. Putting aside my disinclination to beg your pardon for my gender, I instead ask you to observe your surroundings. You and I are the only ones here. Therefore, your choice is clear—either swallow your masculine pride and tell me why you’re here, or leave and put your trust in those at Bow Street Police Station.” “Don’t speak such impertinence to me!” Captain Winchester barked, drawing Miss Trent to her feet. She countered, “I shall speak whatever I want, Captain, when you are in my domain.” His lips repeatedly furled and unfurled against gritted teeth while calloused hands, which had previously rested within his greatcoat’s deep pockets, balled at his sides. Starting at his neck, his already pink face steadily flushed as if port had spilt under his skin. He snarled, “How daare you, you uncouth wretch.” “Continue as you are, Captain Winchester, and I will be calling upon the officers at Bow Street,” Miss Trent promised despite his stale-rum-drenched breath turning her stomach. Whether it was the tone of her voice, her fixed gaze, the words themselves, or a combination of all three which cooled Bennett Winchester’s rage was unclear. Regardless the result was the same. After some aggressive chewing of his anger, the captain plonked himself in the vacant armchair. The clerk wasn’t naïve enough to think it ended, however. Instead, she enabled additional calming time by fetching tea from the kitchen. Coffee would’ve been more sobering for him but, alas, she suspected such a blatant assumption wouldn’t have been welcomed by his volatile temper. In due course Captain Winchester’s pallid complexion had returned and his hands had come to rest upon his thighs. She poured the amber liquid in silence and he accepted the cup without remark. “I must beg your pardon for my brutishness, Miss Trent,” he muttered against the steam rising from his cup.
T.G. Campbell (The Case of The Winchester Wife (The Bow Street Society Casebook #2))