Slick Back Quotes

We've searched our database for all the quotes and captions related to Slick Back. Here they are! All 100 of them:

I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
I drive him to school, then I break back into Barron's house. I'm the best kind of thief, the kind that leaves behind items equal in value to those he's stolen. Then I go home and shave until my skin is as slick as any slickster's.
Holly Black (White Cat (Curse Workers, #1))
My inner chemistry had been hijacked by a mad scientist, who poured the fizzy, volatile contents of my heart from a test tube marked SOBER REALITY into another labeled SUNNY DELUSION, and back again, faster and faster, until the floor of my life was slick with spillage.
Jonathan Lethem (As She Climbed Across the Table)
As Dave was ruffling my hair and Greg was slapping me five we heard the sound of sneakers skidding to a halt on the slick hospital floor. I looked up in time to see a three-J pile up. “What the hell is this?” Jesse asked. “Back the freak up off our woman,” Josh ordered.
Kelly Oram (Serial Hottie)
Why won't you hold me?" I ask, drawing back a little. He laughs a little, holds out his hands as if in explanation. They are covered in dirt and paint and blood. I pull his hand to mine, put my palm against his. I can feel the grit of sand, the slick of paint, and the cuts and scrapes that speak of his own journey. "It will all come clean," I tell him.
Ally Condie (Crossed (Matched, #2))
Hello, Halberstam," Owen says, walking by. Hello, Owen," I say, admiring the way he's styled and slicked back his hair, with a part so even and sharp it... devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
Bret Easton Ellis (American Psycho)
Can I tell you a dirty secret?” “Yes,” she gasped. “Just hurry.” Derek’s dark laughter increased her arousal, coating her in slick heat. Achingly slow, he sunk two thick fingers inside her. “If I could go back and do one thing differently that first night, I would taste your virgin pussy before I fucked you. I bet it would have been extra sweet.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Nick knew the moment she realized her robe had dropped. Knew when the knowledge she was naked hit her full force. Watched her lips purse a small circle of horror right before sanity hit to make her reach for the robe. Nick used his two-second time span to make a decision. Her fingers started to yank up the material when he blocked her motion, lowered his head, and stamped his mouth over hers. Shock held her immobile and he used the time to his advantage. One quick thrust parted her plump lips and allowed him entry—entry to every slick, feminine heated corner of her mouth. Drugged on the taste of her, he circled her tongue with quick, urgent strokes, begging her to give it all back to him. And she did. Full power.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Listen up, Mount High-Hair," Gustav barked. "Say what you want about me, but lay off the rest of the team. I've been through a lot of stuff with these people. Nobody can tell me that Fancy Dancer and Lady Slick-Pants aren't heroes. Captain Gloom-Cape over there, too. And even Shrimp Charming has his moments." Briar leaned back in her chair. "I admire your ability to insult your friends *while* you defend them. It's a rare talent.
Christopher Healy (The Hero's Guide to Storming the Castle (The League of Princes, #2))
He closed the distance another tight inch. Her breasts pressed against his chest, and her nipples were hard little points stabbing out of the scarlet material, begging to be freed. Her breath came in ragged gasps, her perfume swamped his senses. He grew hard, and her eyes widened as his full length throbbed against her leg in demand. “I’m calling your bluff, baby.” Pure shock registered on her face as he removed one hand from the wall to casually unbutton his shirt, slide off his tie, then grasp her chin with a firm grip. “Prove it.” He stamped his mouth over hers, not giving her a chance to think or back off or push him away. He invaded her mouth, plunging his tongue inside the slick, silky cave, then closed his lips around the wet flesh and sucked hard. She grabbed for his shoulders, and made a little moan deep in her throat. Then she exploded.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
My slick finger worked my clit back and forth as my eyes slid shut and I imagined Auric's face. Those hard lips, his strong jaw. My nipples puckered as I pictured him sucking them, those wicked green eyes looking up at me as he nipped my erect nubs.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Don't hold back on my account," [Graham] said. "I'm not a complete moron. You're not as slick as you think--all those double entendres. Scampering around the roof in the middle of the night.
Ingrid Paulson (Valkyrie Rising (Valkyrie, #1))
He looked like the devil. His skin ruddy, his eyes a glowing yellow. Jet black hair slicked back on his head hung to his shoulders. But the demons didn’t call him Devil, or Satan, or even Lucifer. They called him… Azazel.
Michelle K. Pickett (Milayna (Milayna, #1))
I fucked that slicked up cock like a dirty girl and he banged me right back until my wetness was slapping and my tits were bouncing. My hands gripped his pecs and I was warbling for sweet Jesus and I thought my head would explode
James Crow (Six (Six, #1))
A slender man who looked like a carbon copy of his students, save for maybe a ten-year age difference, strode into the room and took his station behind the short metal desk up front. He was cool and sharp-looking with a stunningly well-tailored white button down, hipster glasses and a faux-military haircut that was shaved close on the sides but left long and slicked back on top. He looked like he was more prepared to model men's watches than to teach Interpersonal Psychology II.
Joel Abernathy (Pendulum (Kingdom of Night, #1))
You’re soaked, so hungry for my cock.” His fingers did another Up-and-back through her slick, quivering flesh. “Desperate to feel me thrusting between these pretty lips.
Sherilee Gray (Crashed (Axle Alley Vipers, #1))
usually perfectly curled and braided, has been slicked back into a simple bun. When I see gray at her temples,
Victoria Aveyard (Glass Sword (Red Queen, #2))
He felt her relax as his fingers caressed her back and moved lower to her buttocks, slick, yet firm, beneath the water. "You're not going to wash my hair, are you?" she whispered.
E.B. Brown (Return of the Pale Feather (Time Walkers, #2))
That’s where I want to be,” he whispered. He stroked my clit with his slick fingers, then slipped back inside with a moan. “You want me there, too, don’t you?
Cara McKenna (After Hours)
His voice was oily and slick as it poured from his mouth like liquid acid, threatening to hook onto the woman's hair like a fishing hook and drag her back to death.
Stephen Craig (Blooded Eyes - A Short Story)
One glimpse of that glistening, tan back, those rangy shoulders, the sweat-slicked black hair, and his libido woke up and started to pray to Cialis, goddess of horny middle-aged men.
Amy Lane (Bonfires (Bonfires #1))
A pretty woman is a Christmas tree,' my mother told me in the airport. This fella is hanging things on my branches as his gaze sweeps from my face all the way down my body to my hips and then back to my face. Ideas fly from his widened eyes and land on me like teeny, decorative burdens. He is giving me shyness, maybe, some book smarts, and a certain yielding sweetness in bed. The oil-slick eyes get me, and I find myself hanging a few ornaments myself, giving him deft hands and a sense of humor.
Joshilyn Jackson (Backseat Saints)
When I look back, it’s not those misdeeds that I regret—I’d do them again, I tells ya—but the times when I conformed. I regret that I didn’t realize that actually they’ve got no power over you at school—it’s all just a trick to indoctrinate you into being a conditioned, tame, placid citizen. Rebel, children, I urge you, fight the turgid slick of conformity with which they seek to smother your glory. As
Russell Brand (My Booky Wook)
He was standing right behind us, the epitome of stillness, one hand on the back of the sofa, dark hair slicked back from his face, his expression arrogant and cold. No surprise there. Barrons is arrogant and cold. He’s also wealthy, strong, brilliant, and a walking enigma. Most women seem to find him drop-dead sexy, too. Thankfully I’m not most women. I don’t get off on danger. I get off on a man with strong moral fiber. The closest Barrons ever gets to fiber is walking down the cereal aisle at the grocery store.
Karen Marie Moning (Bloodfever (Fever, #2))
Joffrey called out, “Dog!” Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog’s head sewn on the front. The light of the torches made his burned face shine a dull red. “Yes, Your Grace?” he said. “Take my betrothed back to the castle, and see that no harm befalls her,” the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there. Sansa could feel the Hound watching her. “Did you think Joff was going to take you himself?” He laughed. He had a laugh like the snarling of dogs in a pit. “Small chance of that.” He pulled her unresisting to her feet. “Come, you’re not the only one needs sleep. I’ve drunk too much, and I may need to kill my brother tomorrow.” He laughed again. He was mocking her, she realized. “No one could withstand him,” she managed at last, proud of herself. It was no lie. Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. “Some septa trained you well. You’re like one of those birds from the Summer Isles, aren’t you? A pretty little talking -bird, repeating all the pretty little words they taught you to recite.” “ Take your look.” His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look. The right side of his face was gaunt, with sharp cheekbones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face. The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
What the Motorcycle Said Br-r-r-am-m-m, rackerty-am-m, OM, AM: All-r-r-room, r-r-ram, ala-bas-ter- Am, the world’s my oyster. I hate plastic, wear it black and slick, hate hardhats, wear one on my head, That’s what the motorcycle said. Passed phonies in Fords, knockede down billboards, landed On the other side of The Gap, and Whee, bypassed history. When I was born (The Past), baby knew best. They shook when I bawled, took Freud’s path, threw away their wrath. R-r-rackety-am-m. Am. War, rhyme, soap, meat, marriage, the Phantom Jet are sh*t, and like that. Hate pompousness, punishment, patience, am into Love, hate middle-class moneymakers, live on Dad, that’s what the motorcycle said. Br-r-r-am-m-m. It’s Nowsville, man. Passed Oldies, Uglies, Straighties, Honkies. I’ll never be mean, tired, or unsexy. Passed cigarette suckers, souses, mother-fuckers, losers, went back to Nature and found how to get VD, stoned. Passed a cow, too fast to hear her moo, “I rolled our leaves of grass into one ball. I am the grassy All.” Br-r-r-am-m-m, rackety-am-m, OM, Am: All-gr-r-rin, oooohgah, gl-l-utton- Am, the world’s my smilebutton.
Mona van Duyn
I think I finally understand the saying like a moth to a flame. I’m the moth. My heart flutters like the paper thin wings. And he is the flame, incendiary, scorching my soul. He inhales so heavily, like he’s been holding his breath under water. He presses his lips against mine and tugs at my hair gently. My head falls back and my mouth falls open. His tongue, slick as silver, dances with mine. I’m wrong. I’m not a moth. I’m Icarus and I’ve flown too close to the sun.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
At forty-one, he was still the quintessential bad boy—charming, at ease in his skin, and great-looking, with deep blue eyes, slicked-back brown hair, and the kind of full, sensuous mouth that bad boys seemed to have an unfair market on.
Kate White (Eyes on You)
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
History, lie of our lives, mire of our loins. Our sins, our souls. Hiss-tih-ree: the tip of the pen taking a trip of three steps (with one glide) down the chronicle to trap a slick, sibilant character. Hiss. (Ss.) Tih. Ree. He was a pig, a plain pig, in the morning, standing five feet ten on one hoof. He was a pig in slacks. He was a pig in school. He was a pig on the dotted line. But in my eyes it’s always the ones signing dotted lines that become pigs. Did this pig have a precursor? He did, indeed he did. In point of fact, dating all the way back to the Biblical Age. Oh where? About everywhere you look there's pigs giving that fancy ol’ snake a chase. Yeah, yeah, yeah, you can always count on a fuckin’ pretentious sarcastican for a fancy prose style.
Brian Celio (Catapult Soul)
Inside the house was as dark as an oil slick, so you couldn't see anything moving in the room but you could sense it. It was the same sort of sensation you would experience if a closet door were to swing silently open behind your back. Later I learned a term to describe that sensation - air displacement. What I was sensing was air being displaced by something moving from one spot to another.
Damien Echols (Life After Death)
David padded down the stairs seven hours later, wearing a towel wrapped around his waist. He’d slicked his wet hair back and his tattoos were displayed to perfection, defining his lean torso and muscular arms. There was a lot of skin on show. The man was a visual feast.
Kylie Scott (Lick (Stage Dive, #1))
She gasped as he pushed her back against the wall of the elevator.  He bit her bottom lip and tugged it.  His hand ran up her thigh and pushed her panties aside.  His fingers plunged into her core, instantly slick with wetness. He licked his lips. “And this, this is all mine.
M.J. Carnal (Taming the Bachelor (Moretti Novels, #1))
(...) the small of his back slick with sweat, the surprisingly soft hair brushing my body when he took control. And moved over me. "Stop it", Pritkin grated, his voice somehow cutting through the fog. But he didn't let go. I suppose he was afraid to, because a Pythia or one of her senior initiates could shift without him if there was no contact. But that left us stuck together, and that was becoming really, really- Awesome, my body piped up enthusiastically. "I told you, cut it out!" Pritkin said, sounding pissed. "You first," I snarled, snapping my eyes open to glare at him, because he wasn't exactly helping. Of course, neither did that. He must have been jogging, probably his usual early morning ten-mile warm-up before coming to torture me. At least, I assumed that was why the rock-hard abs were outlined by a damp khaki T-shirt, the thin old sweatpants were clinging in all the right places, and the sleeves of the hoodie had been pushed to his elbows, showing the flexing muscles in his forearms. And then there were those hands and those eyes and that mouth... I shivered again, a full-on shudder this time, and he cursed. But that didn't seem to matter. Because it had come out like a growl, and my body liked that, too. My hips shifted automatically, pressing us together, and I gave a little gasp because it felt so good. And then gasped again when I was abruptly released.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
Then his hands were around her waist as he lifted her up. The muscles in his arms flexed as he held her. Wow, didn’t realize the man was so strong, didn’t know— She licked his throat. Screw it. Lora wrapped her legs around his waist. His cock pushed against her, pressing right at the wet entrance to her sex. She arched toward him just as Kenton slammed deep. So deep. She bit her lip to hold back the scream. Skin to skin. Hot. Slick. So full.
Cynthia Eden (Deadly Heat (Deadly, #2))
Ana emerges from the shack with Fuga. His face is clean. His hair, the color of black crude oil, is parted on the side and slicked expertly back from his strong, architectural face. The turquoise suit of lights throws sparkles with each small movement. The man who looked like a murderer now looks like a matador.
Ruta Sepetys (The Fountains of Silence)
She ran into Dmitri during her search. Dressed in a slick black-on-black suit, his hair brushed perfectly, he just raised an eyebrow when he saw her. Elena pointed the half-eaten chocolate bar at him. “Mess with me and I will shoot you through the heart, I swear to God. I am so far past hangry, I’m homicidal.” A twitch of his lips. “Have you tried drinking blood?” Elena nearly pulled out her crossbow and carried through on her threat—the asshole was powerful, would survive it—then she realized he was serious. “Blood?” “Archangelic blood in particular. Violent amount of energy in it.” Finishing off the chocolate bar, Elena considered it. “I’m not a vampire. Would it even work?” Forget about the actual drinking blood part of it; if it would stop the hunger gnawing at her from the inside out, she’d pinch her nose closed and throw it back like medicine. Dmitri shrugged. “What have you got to lose?” “I’ll talk to Raphael.” Walking past, she said, “Sometimes, I can almost believe you might once have been human.” “Clearly, I need to up my game.” A hint of fur and champagne wrapped around her, sensual and caressing and mocking. “Argh!” Swiveling, she had the crossbow in her hand and was shooting the bolt before she could think about it. Dmitri moved . . . and the crossbow bolt thudded home in the wall behind him. “Destroying Tower property again.” A headshake followed those censorious words. “‘Don’t get involved with the white-haired accident-on-legs,’ I said to Raphael, but did he listen?” “Give me back my bolt you scent-infested-excuse-for-a-vampire.
Nalini Singh (Archangel's Prophecy (Guild Hunter, #11))
Do you think the Gilarabrywn knows we’re still in here?” “Esrahaddon said it was intelligent, so I presume it can count.” “Then it will come back and find us. We have to reach the castle. The distance across the open is about—what? Two hundred feet?” “About that,” Royce confirmed. “I guess we can hope it’s still munching on Millie. Ready?” “Run spread out so it can’t get both of us. Go.” The grass was slick with dew and filled with stumps and pits. Hadrian got only a dozen yards before falling on his face. “Stay behind me,” Royce told him. “I thought we were spreading out?” “That’s before I remembered you’re blind.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
The thing about Sam was that he had a tell. Well, two. They weren’t an exact science, but they gave you a sense. One was his hair. He had a great head of hair. Dark and longer on top, his ex-girlfriend—who came up as “Liar” on his phone now—had referred to it as irresponsible hair. If it was relaxed and tucked behind his ears, Sam was chill. If it was slicked back, he was spoiling for a fight. If it was fluffy—a very rare treat—it meant he completely trusted whoever was around at the time. Sam’s hair hadn’t been fluffy in a while. Today it was tucked back yet also, kinda, done. With the telltale sheen of product. It was inscrutable.
Mary H.K. Choi (Emergency Contact)
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
PRETENDING TO DROWN The only regret is that I waited longer than a breath to scatter the sun's reflection with my body. New stars burst upon the water when you pulled me in. On the shore, our clothes begged us to be good boys again. Every stick our feet touched a snapping turtle, every shadow a water moccasin. Excuses to swim closer to one another. I sank into the depths to see you as the lake saw you: cut in half by the surface, taut legs kicking, the rest of you sky. Suddenly still, a clear view of what you knew I wanted to see. When I resurfaced, slick grin, knowing glance; you pushed me back under. I pretended to drown, then swallowed you whole.
Saeed Jones (Prelude to Bruise)
The kiss wasn’t just any kiss. No, it was a tricky little bastard, because it started out soft and gentle, but shifted gears in a matter of seconds. The moment her response went from surprise to surrender, the kiss turned hard and hungry, launching us into a frenzy of movement. Her arms were around my neck, my hands were moving all over her body, and somehow, in a span of about five seconds, she climbed up me like a tree, her legs wrapped tightly around my waist. We spun and bumped into the counter. I reached behind my back with one hand to tighten the cross of her ankles. And then I had her sitting on the edge of the stovetop, my hands exploring the tops of her thighs. I pushed the ruffled skirt hem up and clasped on to her bare, silky skin. Her tongue dove to the back of my throat, sliding over mine like wet, slick velvet. Holy mother fuck, I couldn’t breathe. I was drowning in this girl.
Rachael Wade (Declaration (Preservation, #3))
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
Have you ever seen a stampede of horses? Do you wonder what the hooves look like from underneath? Have you tasted the blood from biting your own lips because you couldn’t say no loud enough? I never fought back. I didn’t punch him. I kept my thighs tight and closed, but once he’s inside you, you wish you were a streetlamp. A seat belt. A box of nails, of rust, something hard and ruined. You’ll wish you were a wild pony, a slick fish on a line, anything but a woman. Once he’s inside you, you just kind of give up and your eyes glaze over. They stay that way for years
Mary Lambert (Shame Is an Ocean I Swim Across)
I decided then to tell Artichoke to be ugly. To make herself as ugly as possible and not worry too much about beauty or what anyone thought of her. To be unpainted, to live in the breeze and stand under waterfalls and not be worried over the height of mountains, of quiet trails deep in the woods. To not be scared of roads slick with rain, of valleys dry in drought. I'd tell her 'no fear' and she'd know it was the deepest truth and she would be everything I was not. She would be wild and free. And I wouldn't worry because I knew the secret. That through all of her ugliness, all her hiking and running and jumping and falling and getting back up and saying no and saying what she wanted, her scraped hands, her freckled skin, her smart brain, she would of course be beautiful.
Chelsea Bieker (Godshot)
I lay in bed, feeling the champagne tide retreating and leaving me beached, like some unfortunate sea creature. In its absence the Thing--heavy, black, suffocating--returned, as if it had been waiting all evening for the two of us to be alone. It slid oil-slick over my skin, filled my nostrils, pooled at the back of my throat. It whispered in my ear, stories about loss and loneliness and little orphan girls.
Alix E. Harrow (The Ten Thousand Doors of January)
Always, endeavor, Slick, to keep a fix on the addiction industries: you can't lose. The addicts can't win. Dope, Liquor, gambling, anything video--these have to be the deep-money veins. Nowadays the responsible businessman keeps a finger on the pulse of dependence. What next? All projections are targeting the low-energy domestic stuff, the schlep factor. People just can't hack going out any more. They're all addicted to staying at home. Hence the shit-food bonanza. Swallow your chemicals, swallow them fast, and get back inside. Or take the junk back with you. Stay off the streets. Stay inside. With pornography...
Martin Amis (Money)
Now there's a place I didn't cover. Maybe I should." "Maybe you should---oh!" She gasped and bucked as I leaned down and lapped at her breast, flicking her nipple. God, she tasted good, sweet woman and creamy lemon. I sucked her deep into my mouth, loving the way she groaned and writhed. Not letting go, I pulled back, tugging at her breast until her nipple freed with a decadent pop. Then moved on to her other breast, taking my time, nuzzling and licking until my lips were covered in cream, and she begged and whimpered for more. A dollop of lemony confection slid down the plump curve of her pretty tit, and I chased it with my tongue, slurping it up, licking her nipple once more because I could. And then I did it again. Her arm wound around my neck, urging me farther down. "Get messy with me, Lucian." She was beautiful, flushed and fevered with her need. "Yes, ma'am." I eased over her, my dick finding her waiting sex, and pushed into that perfect spot. We both groaned, our bodies sliding on slick buttercream. My mouth found hers, and she devoured me, her thighs clasping my hips, body working with mine. I thrust deep and steady, reveling in the feel of her. It felt so good my body flared hot and cold and hot again. "I fucking love fucking you.
Kristen Callihan (Make It Sweet)
Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull’s eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
Oh my god, Bella, what have you done?” Bella jumped as she turned to face Nathan, seeing his wild eyes, his pale features, his hard, buff body stalking across the front yard, his chest slick with sweat, bits of the grass he had been cutting sticking to his jeans as he strode furiously to where her car met the back of his truck. “It’s just a little dent, Nathan. I promise . . .” Her heart was in her throat. Not in hear. He would never hurt her. But he sure knew how to pout when he wanted to. “A little dent.” He gripped her shoulders, moving her aside as he stared down at the crumpled fender as it sank into the bumper of his truck. It was an accident. It was all his fault. If he hadn’t been wearing those butt-snug jeans and boots with no shirt as he cut the lawn, it would have never happened. “You hit my truck.” Male pride and offended dignity filled his voice. “That’s my truck, Bella.” Yes. It was. And he was very proud of the powerful, black four-by-four he babied worse than any woman would a child. She would be jealous if it weren’t for the fact that he couldn’t actually bring it into the house.
Lora Leigh (Wild Card (Elite Ops, #1))
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Back in Brooklyn, the wind was sharp and the streets were slick and Kat just really wished her Uncle Eddie believed in leaving a key under the mat instead of maintaining his strict stance that anyone who could not break into his Brooklyn brownstone had absolutely no business staying there without him. “Is there a problem, Kitty Kat?” a voice said from over Kat’s shoulder. Kat’s fingers were frozen and her breath fogged, and she’d had a far too upbeat rendition of “White Christmas” stuck in her head on a perpetual loop for the past eight hours. So, yes, there was a problem. But Kat would never, ever admit it. “I’m fine, Gabrielle,” she told her cousin. “Really?” Gab asked. “Because if you can’t handle Uncle Eddie’s lock then someone is going to get a lump of coal in her stocking again this Christmas.” “It wasn’t coal,” Kat shot back. “It was a very rare mineral from a condemned mine in South Africa, and it was a very thoughtful gift.
Ally Carter (The Grift of the Magi (Heist Society, #3.5))
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
His enormous cock slid into my slick passage once again, stretching my delicate tissues to the brink of what I could comfortably handle, and my feelings of excitement and arousal exploded exponentially. I moved to wrap my legs around him, but before I could, he dug his arms beneath my back and lifted us both up until he was sitting back onto his haunches and I was straddling him across his lap, his cock reaching even deeper into me so that I felt that it was almost splitting me in two.
Cristina Rayne (Claimed by the Elven King: The Complete Edition (Claimed by the Elven King #1-4))
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
She slid her free hand over his shoulder, soft breasts crushing against his chest. All his blood rushed down to his groin, taking with it the last vestiges of his rational thought. He locked his arms around her, pulling her so close he could feel each gentle breath as an exquisite stroke on his cock. Raw desire coursed through his veins as his hands skimmed over the sweet softness of her curves. "Someone is watching us through the window," she murmured, her breath warm on his cheek. "All the more reason to put on a good show." With one hand on her nape, he tipped back her head and covered her mouth with his own. A moan escaped her lips, filling his head with thoughts of tangled sheets, banging headboards, sweat-slicked skin, and the realization of a fantasy that had consumed him night after sleepless night since she'd turned sixteen and he'd realized she wasn't a little girl anymore. He parted her lips with the gentle slide of his tongue, touching, tasting, savoring, pausing between heady sips to let her essence dance over his taste buds. With every breath he inhaled the fresh scent of wildflowers in a rain-soaked meadow, the grassy lawn where they'd played catch in the summer sun. He'd known she was smart and fun and beautiful. But this kiss. These feelings. The throbbing heat of desire. It was all completely new.
Sara Desai (The Dating Plan (Marriage Game, #2))
Then Freddie was transformed into a moth. His old empty body fell forward face first into the water with a splash. Slicked back hair tied in a ponytail floated on the surface of the pool like a dead rodent on the sea as Freddie fluttered up towards a nearby streetlamp.
Stephen Livingston
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And as we walk back down the street, me gingerly clutching what at this point constitutes my entire collection, my father says, ‘One day, when you’re all grown up and I’m not here any more, you’ll remember the sunny day we went to the market together and bought a boat.’ My throat feels tight because, as soon as he says it, I am already there. Standing on another street, without my father, trying to get back. And yet I’m here, with him. So I try to soak up every aspect of the moment, to help me get back when I need to. I feel the weight of the chunky parcel under my arm, and the warmth of the sun, and my father’s hand in mine. I smell the flowers with their sharp undertang of cheap hot dog, and taste the slick of toffee on my teeth, and hear the chattering hagglers. I feel the joy of an adventurous Saturday with my father and no school, and I feel the sadness of looking back when it is all gone. When he is gone.
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
One day, you’re 19 And the boy who broke your heart a year ago, is now off in some parallel lifetime from you, breaking someone else’s heart. It’s not you this time But you understand how she will hurt. You’re still wearing your red lipstick Still squatting Still blossoming. And you cut your hair off because you didn’t want to be defined by your looks. You make drastic changes And end up wearing more black Than you did before. You’re beautiful. You started telling yourself that in the mirror because you started recognizing your worth. You slick your short hair back And smile. You’re happy. And for once, that’s all that matters.
Zienab Hamdan (For The Other Halves Of Me)
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her. A kind of purging, he thought. She was still gasping when he spun her around and closed his mouth greedily over her breast. She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her. His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure. The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths. “I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.” His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
J.D. Robb (Loyalty in Death (In Death, #9))
Then he started fucking, his hips pistoning in a relentless tempo, his long thick cock plunging and withdrawing from root to tip in rapid-fire thrusts. Supporting his weight entirely with his arms and the tips of his toes, he powered into me, his rigid penis nailing me straight into the mattress. I came so hard my vision went black, my body seized with pleasure so intense I was locked in it, suspended in the powerful waves of erotic sensation. I was inundated by the ferocious surge of my climax. My skin tingled from head to toe. Gideon paused on a downstroke, grinding into me, giving my body the steely length of his penis to grasp. My sex spasmed ecstatically around that delicious hardness, gripping him hungrily. “Fuck,” Gideon bit out, “you’re milking my dick so hard.” I shook violently, fighting to breathe. The moment I sagged into the mattress, replete, Gideon pulled his cock out of my trembling slit and left the bed. Bereft, I lifted a hand to him. “Where are you going?” “Hang on.” He shoved his boxer briefs all the way off. He was still hard, his cock rising high and proud, slick from my orgasm—but I wasn’t wet with his. “You didn’t come.” I was too languid to help when he stripped me of my underwear. Sliding a hand beneath my back, he lifted me and whipped my shirt over my head. His
Sylvia Day (One with You (Crossfire, #5))
When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Julian Barnes (Flaubert's Parrot)
He could feel the end of the battle approaching, and so could the blur of the Sith he faced in the Force, the shadow had become a pulsar of fear. Easily, almost effortlessly, he turned the shadow's fear into a weapon: he angled the battle to bring them both out onto the window ledge. Out in the wind. Out with the lightning. Out on a rain-slicked ledge above a half kilometer drop. Out where the shadow's fear's fear made it hesitate. Out where the shadow's fear turned some of it's Force-powered speed into a Force-powered grip on the slippery permacrete. Out where Mace could flick his blade in one precise arc and slash the shadow's lightsaber in half. One piece flipped back in through the cut open window. The other tumbled from opening fingers, bounced on the ledge, and fell through the rain towards the distant alleys below. Now the shadow was only Palpatine: old and shrunken, thinning hair bleached white by time and care, face lined with exhaustion. 'For all your power, my lord,you are no Jedi. All you are, my lord,' Mace said evenly, staring past his blade, 'is under arrest.
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain. "Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat. "No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper." Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts. He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
Laura Baumbach
She moved back to accommodate him as he rolled on a condom. Then she stroked and squeezed until rational thought was a distant memory and all that was left were need and want, lust and desire. He dragged her up, claiming her mouth as he thrust inside her. Pleasure so exquisite, he closed his eyes and tried to take a mental snapshot of the moment. Bracing herself on his shoulders she rode him, levering her hips as she brought him closer and closer to his peak. Control. He needed it. In one swift motion he shifted, carrying her down so she lay beneath him, clothes half off, hair tangled, lips swollen from his kisses, wanton and free. Lifting her legs to his hips, he thrust into her. Slick walls tightened, made his eyes water. His hips pistoned, driving deep until pleasure peaked and they both found release.
Sara Desai (The Singles Table (Marriage Game, #3))
He burst from the water. He was facing her now. The muscles bunched on his arms as he slicked his wet, shoulder-length hair back from his face. The mist swirled amber over the surface of the water, adorning his gleaming skin as if he were the tributary god of this ruined garden. Her pity evaporated, burned away by the sudden realization that she had it all wrong. He was… She swallowed. Good Lord. He was magnificent.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.
Maggie O'Farrell (Hamnet)
In the end it comes down to two rival versions of the English middle afternoon. Post-Barrett, Pink Floyd kept on in a middle-afternoonish vein, but they fell in love with the idea of portentous storm clouds in the offing somewhere over Grantchester....Barrett's afternoonishness was far more supple and engaging. It superimposed the hippie cult of eternal solstice on the pre-teatime daydreams of one's childhood, occasioned by a slick of sunlight on a chest of drawers....His afternoonishness is lit by an importunate adult intelligence that can't quite get back to the place it longs to be....Barrett created the same precocious longing in adolescents. "I remember 'See Emily Play' drifting across a school corridor in 1967...and I remember the powerful wish to stay suspended indefinitely in that music...I also remember the quasi-adult intimation that this wasn't possible. [from the London Review of Books for January 2, 2003]
Jeremy Harding
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
I reach around his body and cup his ass. When my hand finds the toy lodged there, I groan into his mouth. “Do it,” he pants. Everything begins to happen very fast. With a firm grasp, I remove the toy, while Wes slicks up my dick. He yanks me off the sofa’s back and braces himself against it. “Go,” he orders. I come up behind him and grip his hips, the head of my cock sliding between his taut ass cheeks. Just like the other night, I’m floored by the sensation of being skin to skin. There’s no barrier between my throbbing dick and his tight ass, and when I drive deep on the first stroke, we both groan with abandon. “Fuck me,” he demands when I go still. But I’m too busy savoring the incredible feeling of being inside him without a condom. I roll my hips and he growls like a grumpy bear. “I swear to God, Canning, if you don’t move, I’m gonna—” I pull out, then slam right back in. He makes a choked sound, his entire body trembling. “You’re gonna what?” I ask mockingly.
Sarina Bowen (Him (Him, #1))
I could feel Devon’s gaze on my face, reading my body language despite how hard I had tried to keep the irritation from showing. “They’d like you to move them to a tank they have set up. They’re going to trap them for this week and then let them go.” Of course they did. I managed to keep from rolling my eyes but between Devon’s presence and immediately being swarmed by otters the minute we got near the water, I end up wishing that I had. Otters are fast little mammals in the water; the fur keeps the water off their skin while making them slick and fast while in their preferred environment. The hard lesson I’d learned had been that they could scamper and bound pretty darn quickly on land. Nearly twenty of the brown friendly creatures swarmed up the banks of the tributary and made raucous sounds of greetings at me. Two vets stood nearby with nets and silly grins on their faces and a puny four otters ready to be transported to where ever in two tanks on trucks quietly humming with earth energy. Mags and Evan had backed up when I’d been swarmed but Devon had stuck by my side and seemed highly amused by the otters climbing over and around him to get to me. “They weren’t kidding about you and otters.” I shoot him a ‘no duh’ look and scoop up a pair to hand off to one of the Earth Elementals. We were saturating their habitat with majick, we’d been asked not to use majick on them, and so catching my willing victims by hand was the way I was going to do my task...
Sara Brackett (Elemental)
for you?" Robbie asked me quietly. "Good!" I blurted, my heart slamming against my rib cage. It's…it's good." " Good," he replied. My palms were totally slick by now. My pulse a rushing freight train. What was going on here? This was how I felt around Cameron, not Robbie. This was all totally wrong. It's just the slow dance, KJ. It's just because it's your first slow dance. Don't get all carried away. " Okay, here comes the twirl thing," Robbie announced. " Let's try it." He pulled me closer and my breath caught, then he spun me away and I almost lost my balance, but he pulled me back in, slung by his arm around my back, and dipped me, never letting me fall. By the time I stood up again, the whole room was reeling and the people on the screen were kissing passionately and Robbie was holding me, his breath short and quick, his face ever so close to mine. " How was that?" he asked. "That was…that…was" Just the dance. Just the slow dance. Cameron was the guy I liked. Cameron, Cameron, Cameron. "Perfect.
Kieran Scott (Geek Magnet)
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
Kristen Callihan (Make It Sweet)
Of all the birds, they are the ones who mind their being armless most: witness how, when they walk, their heads jerk back and forth like rifle bolts. How they heave their shoulders into each stride as if they hoped that by some chance new bones there would come popping out with a boxing glove on the end of each. Little Elvises, the hairdo slicked with too much grease, they convene on my lawn to strategize for their class-action suit. Flight they would trade in a New York minute for a black muscle car and a fist on the shift at any stale green light. But here in my yard by the Jack-in-the-Box Dumpster they can only fossick in the grass for remnants of the world’s stale buns. And this despite all the crow poems that have been written because men like to see themselves as crows (the head-jerk performed in the rearview mirror, the dark brow commanding the rainy weather). So I think I know how they must feel: ripped off, shook down, taken to the cleaners. What they’d like to do now is smash a phone against a wall. But they can’t, so each one flies to a bare branch and screams.
Lucia Perillo
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
We lunged for each other at the same time and collided, crazy with need and starving for a taste. Warnings and alarms wailed in my mind, but I shut them down. Screw it. I wanted him. He found my mouth. The thrust of his tongue against mine made my head spin. He tasted like heaven. I kissed him back, nipping, licking, melting against him. It felt so good . . . His lips traced a fiery line from my mouth to the corner of my jaw and down my neck. My whole body sang in warm liquid triumph. His voice was a ragged whisper in my ear. “Only if you want to . . . Say no, and I’ll stop.” “No,” I whispered to see if he would do it. Curran pulled back. His eyes were pure need, raw and barely under control. He swallowed. “Okay.” It was the most erotic thing I had ever seen. I reached for him and slid my hand up his chest, feeling the taut muscle. He caught my hand and kissed my palm gently. Heated, tightly controlled want shone in his eyes. I pulled my fingers free, pushed from the wall, and kissed his throat just under the jaw. This was bliss. There was no hope for me. He growled, closing his eyes. “What are you doing?” “Pulling on Death’s whiskers,” I murmured, letting my tongue play over his skin, rough with stubble. He smelled divine, clean and male. My hands slid up his biceps. His muscles tensed under the light pressure of my fingers. He was trying very, very hard to stand still and I almost laughed. All those times when he’d called me “baby” . . . Revenge was sweet. “Is that a yes or a no?” he asked. I slid against him and nipped his bottom lip. “I’ll take it as a yes.” The steel muscles of his arms flexed under my hands. He grabbed me, hoisted me up onto him, and kissed me, thrusting into my mouth with his tongue in a hot, slick rhythm, greedy and eager. I threw my arms around his neck. His right hand grasped my hair, his left cupped my butt and pushed me closer against him, his erection a hard, hot length across my lap. Finally— “Let me in,” Derek growled at the door. Go away. The guard said something. Curran’s hand found my breast and caressed the nipple, sending an electric shock through my skin, threatening to melt me . . . “Yes,” Derek snarled. “I’m a member of the damn team. Ask them.” “Curran,” I whispered. “Curran!” He snarled and kept going. The door swung open. I hit him on the back of the neck. He submerged. Help. I’ve drowned the Beast Lord.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
I walked back to the kitchen, each foot a lead weight. Delia stood there, holding a sponge and staring down at the linoleum. "Will carpet cleaner work even if it's not used on carpet?" she asked. "You should go," I told her. I looked down at the floor and pretended to be fascinated with the little blue dot pattern. Delia came closer to me, seeing the freak I truly was. With one finger, she traced an X over her chest. "I won't tell." One traitor tear slicked its way down my cheek; I scrubbed it away with a fist. "You should go,"I repeated, the last thing in the world that I wanted. "Okay." Delia agreed. But she didn't leave.
Jodi Picoult (Vanishing Acts)
He watched her small hand hike up her skirt, saw her reach under to cup her sex. Once her fingers were covered in slick, she met his eyes, smearing her hand down his neck, directly over the spot where he stank of his beloved. Gathering more of her wetness, Claire soaked the patch of his shirt until she could only smell herself. It was not good enough. Unable to comprehend anything beyond black rage, Claire clawed the fabric and ripped Shepherd’s shirt to threads. Her nose went back to his exposed chest and she let out the most threatening growl an Omega could make. If he was hushing her, or reprimanding, touching, or in shock, Claire was absolutely oblivious. Every fiber of her being demanded she stake claim, that she scratch her marks all over his body, that she leave a sign all other females would see. She left him bloody. Breathing hard, she reared up until eye level with the man. “Now you will fuck me, hard, in every way that pleases me. And when it is done, you will get me food, because I’m fucking hungry!” He was on her with such force the breath was knocked from her body. Shepherd did exactly as his mate demanded, pounding into her with a fury that set her howling amidst their shredded clothing. In Shepherd’s experience, there had never been a coupling like it.
Addison Cain (Reborn (Alpha's Claim, #3))
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
In one slick move, he shoves his phone in his pocket and grabs me so we’re in front of the cabinet. His hand slides around the back of my neck, and before I can panic, he kisses me hard. Momentarily caught off guard, I just throw my arms around his neck and press my body against his. His kiss deepens until our tongues are twisting together, and I’m reminded of just how great a kisser he is. The lights flicker on, and Grayson pulls away from me with a grunt. I’m so flustered, it takes me a few seconds to collect myself enough to see a man wearing a suit and a hotel name badge eyeing us. “Excuse me, Mr. Cole, I’m afraid this office is off-limits for guests,” he says. I glance at Grayson and have to stop myself from laughing at the shade of my lipstick he’s now wearing. Grayson doesn’t miss a beat; he just grabs my hand and tugs me across the room. “I won’t mention this if you don’t,” he says as we pass by the hotel porter. I try for a sheepish smile as we walk past him. “Sorry,” I mouth. As we make it out to the hallway, a half-smothered giggle escapes before I can stop it. “You should probably go to the men’s room before you go back to the party.” A smile creases his lipstick-smeared mouth before he swipes his hand over it. “Yeah. This isn’t really my shade.” I snort a laugh and try to laugh off the kiss. But as I head back to the party, I’m well aware that kiss has only stirred a desire for another one. Not only that but as I pull my mirror out to check my own face, I realize something I didn’t in the heat of the moment. ​There was nothing fake about that kiss.
Lexi Hart (Bad Boyfriend (Bad for Me, #1))
A month from now, in early April, at the time when far away, outside the city, the water hyacinths would be covering every inch of bayou, lagoon, creek, and backwater with a spiritual-mauve to obscene-purple, violent, vulgar, fleshy, solid, throttling mass of bloom over the black water, and the first heartbreaking, misty green, like girlhood dreams, on the old cypresses would have settled down to be leaf and not a damned thing else, and the arm-thick, mud-colored, slime-slick mocassins would heave out of the swamp and try to cross the highway and your front tire hitting one would give a slight bump and make a sound like kerwhush and a tinny thump when he slapped heavily up against the underside of the fender, and the insects would come boiling out of the swamps and day and night the whole air would vibrate with them with a sound like an electric fan, and if it was night the owls back in the swamps would be whoo-ing and moaning like love and death and damnation, or one would sail out of the pitch dark into the rays of your headlights and plunge against the radiator to explode like a ripped feather bolster, and the fields would be deep in that rank, hairy or slick, juicy, sticky grass which the cattle gorge on and never get flesh over their ribs for that grass is in that black soil and no matter how far the roots could ever go, if the roots were God knows how deep, there would never be anything but that black, grease-clotted soil and no stone down there to put calcium into that grass—well, a month from now, in early April, when all those things would be happening beyond the suburbs, the husks of the old houses in the street where Anne Stanton and I were walking would, if it were evening, crack and spill out onto the stoops and into the street all that life which was now sealed up within.
Robert Penn Warren (All The King's Men)
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely. “All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what— Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion. There’s nothing underneath them. At all. My charcoal slips through my suddenly sweaty fingers. Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else. “All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me. Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery. How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—” “Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—” “Annnnd next pose!” Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me. By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again. I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.
Wendy Higgins (Sweet Peril (Sweet, #2))
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
Thomas Pynchon (The Crying of Lot 49)
The warm wool blanket dropped to the floor, and Lydia set her hand in the earl’s firm grip. She stuck her foot outside, but awareness wasn’t with her. That cavernous black doorway claimed her attention, and therein was her problem. Trouble came in mere seconds, as it usually did for her. The step was slick. She slipped. The sole of her leather shoe slid off the step’s edge. “Oww!” she yelped as her foot banged the graveled drive hard. Legs buckling, down she went, like a graceless sack of flour. What’s worse, she slammed into the earl, her shoulder punching his midsection. “Ooomph!” Lord Sanford grunted but moved quickly to save her from falling all the way to the ground. Her face mashed against leather and linen. Strong hands held her arms. At least she didn’t knock the earl down. Grabbing for purchase, her fingers touched warm wool…buttons…skin. Her face pressed into fabric, she murmured, “I’m so very sorry.” Lydia tried to right herself, but relief turned to horror: she was a mortified eye level with the pewter buttons of Lord Sanford’s breeches. Stalwart English mist snapped sense into her. That and seeing his placket bunched low in her fist. Her fingers grazed smooth flesh. Another, more interesting sliver of Lord Sanford’s skin was exposed: pale, intimate skin just below his navel. Lydia yanked back her hand, and a pewter button went flying. “Oh no!” she cried as humiliating heat flared across her face and neck. “Miss Montgomery? Are you injured?” Lord Sanford asked above the wind, slowly lifting her up. He sounded unperturbed at having a woman’s hand on the front of his breeches. hands on the front of his breeches.
Gina Conkle (Meet the Earl at Midnight (Midnight Meetings, #1))
A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton
Jack Canfield (Chicken Soup for the Nurse's Soul: Stories to Celebrate, Honor and Inspire the Nursing Profession (Chicken Soup for the Soul))