Slept On Me Quotes

We've searched our database for all the quotes and captions related to Slept On Me. Here they are! All 100 of them:

Wait. You think I'm going to die? That's why you slept with me?
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Do you know what I did to the last guy that called me Tinkerbelle?" "Slept with him?" Darryl was silent for a second. "After that.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
You slept with Curran and you didn’t tell me? I’m your best friend.” “It didn’t come up.” “How disappointing for you.” Ha-ha. “That’s not what I meant.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
You slept just fine in the recliner. Why couldn't you sleep with me?" "You mean next to a guy who still smelled like the pair of bar flies he had just sent home? I don't know! How selfish of me!
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
No killing,” Jordan said. “We’re trying to make you feel peaceful, so you don’t go up in flames. Blood, killing, war, those are all non-peaceful things. Isn’t there anything else you like? Rainforests? Chirping birds?” “Weapons,” said Jace. “I like weapons.” “I’m starting to think we have a problematic issue of personal philosophy here.” Jace leaned forward, his palms flat on the ground. “I’m a warrior,” he said. “I was brought up as a warrior. I didn’t have toys, I had weapons. I slept with a wooden sword until I was five. My first books were medieval demonologies with illuminated pages. The first songs I learned were chants to banish demons. I know what brings me peace, and it isn’t sandy beaches or chirping birds in rainforests. I want a weapon in my hand and a strategy to win.” Jordan looked at him levelly. “So you’re saying that what brings you peace … is war.” “Now you get it.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.
Haruki Murakami (The Wind-Up Bird Chronicle)
You--Roarke." Eyes watering, she reached for more tissue. "Jesus, Eve. Jesus Christ, you never sleep with anybody. And you're telling me you slept with Roarke?" "That's not precisely accurate. We didn't sleep.
J.D. Robb (Naked in Death (In Death, #1))
I knew Noah worshipped Charlie Parker and that his toothbrush was green. That he wouldn't bother to button his shirts correctly but always made his bed. That when he slept he curled into himself and that his eyes were the color of the clouds before it rained, and I knew he had no problem eating meat but would subtly leave the room if animals started to kill one another on the Discovery Channel. I knew one hundred little things about Noah Shaw but when he kissed me I couldn't remember my own name.
Michelle Hodkin
Have you slept yet?' 'Sure. I took a power nap on the way over.' 'Didn't you drive there?' 'Yeah. Other drviers kept waking me up. Car horns should be illegal.' - Charley & Cookie
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me. If it was sad, the tone of mind which this induced was also sweet. Whatever it might be, my soul acquiesced in it.
J. Sheridan Le Fanu (Carmilla)
We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father's shed were sighing. The sheets were rising and falling around me with Anna's breathing. I thought about waking her. but it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you... It's always necessary. I love you,...
Jonathan Safran Foer
I settled on the floor and whispered to Sam, “I want you to listen to me, if you can.” I leaned the side of my face against his ruff and remembered the golden wood he had shown me so long ago. I remembered the way the yellow leaves, the color of Sam’s eyes, fluttered and twisted, crashing butterflies, on their way to the ground. The slender white trunks of the birches, creamy and smooth as human skin. I remembered Sam standing in the middle of the wood, his arms stretched out, a dark, solid form in the dream of the trees. His coming to me, me punching his chest, the soft kiss. I remembered every kiss we’d ever had, and I remembered every time I’d curled in his human arms. I remembered the soft warmth of his breath on the back of my neck while we slept. I remembered Sam.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Jeez, we haven’t even slept together and already you don’t trust me.” “I’ve known you all your life not to mention the fact that my idiot sister is in the next room and when you two get together it’s like Laurel and Hardy do Denver.
Kristen Ashley (Rock Chick (Rock Chick, #1))
I said, I want to tell you something. She said, you can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father's shed were sighing. The sheets were rising and falling around me with Anna's breathing. I thought about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you ... It's always necessary.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I shouldn't have stayed as long as I did, but I wanted to hold her while she slept. I wanted her to know I wasn't going anywhere. That she was safe with me. In my arms.
M. Leighton (Down to You (The Bad Boys, #1))
She asked me how I slept. Knowing she meant quality of sleep, I said I slept naked. It’s true. Ask any of the joggers who saw me sleepwalking.
Jarod Kintz (This Book is Not for Sale)
I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver
At the first kiss I felt something melt inside me that hurt in an exquisite way. All my longings, all my dreams and sweet anguish, All the secrets that slept deep within me came awake, Everything was transformed and enchanted, everything made sense.
Hermann Hesse
I blame my mother for my poor sex life. All she told me was 'the man goes on top and the woman underneath.' For three years my husband and I slept in bunk beds.
Joan Rivers
You were dead, you were sleeping the big sleep, you were not bothered by things like that, oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Clearly angry with himself, Denny shook his head. “You needed me, and I wasn’t there for you. And I’m really sorry. That was pretty shitty of me.” “Are you kidding?” Incredulous, Kellan pointed over at me. “I slept with your girlfriend…repeatedly.” I flinched, and Abby squeezed my hand a little tighter. Denny frowned. “Well, that was pretty shitty of you.
S.C. Stephens (Reckless (Thoughtless, #3))
I slept through the award presentation for Napper of the Year. They had to wake me when I won. Winning was like a dream come true.
Jarod Kintz (This Book is Not for Sale)
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–” “Hey!” Monica protested. “–and you’re not my high school crush–” “He is not my high school crush, Richard!” “The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?” “Well,” Shane said, “That’s kind of a personal question.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Roen snorted. "You two have the strangest relationship in the Dells." Archer smiled slightly. "She won't consent to make it a marriage." "I can't imagine what's stopping her. I don't suppose you've considered being less munificent with your love?" "Would you marry me, Fire, if I slept in no one's bed but yours?" He knew the answer to that, but it didn't hurt to remind him. "No, and I should find my bed quite cramped.
Kristin Cashore (Fire (Graceling Realm, #2))
Me? I slept like the dead, which I hoped wasn’t a sign of things to come.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I hurt myself,” Syren bit out. “I make myself bleed and it feels good. It eases the pressure inside me, but it never lasts for long.” His lips trembled. “Before I slept in your bed, I’d never had a full night’s sleep. Before I crawled into your arms I’d never been safe.” He shuffled forward. “You give me that. You hold that power and you can take it away.
Avril Ashton (A Sinner Born (Brooklyn Sinners, #3))
I want to go back to the tell-me-again times when I slept in her bed and we were everything together. When I was everything to her. Everything she needed.
Erica Lorraine Scheidt (Uses for Boys)
You need to kiss me. All night you slept cuddled into me. You can’t do that to a man without at least kissing him.
Aurora Rose Reynolds (Until November (Until, #1))
And secondly, losing your virginity doesn't make you a slut. I slept with your father when I was your age. . . ' 'Mia,' my father roared from the other room. 'What? So we're going to lie to her now,?' she shouted back. He walked in. 'What if your mother finds out? Or my mother?' 'Robert, it was twenty years ago. I don't think there's much they can do.' He looked at me, pointing a finger. 'No sex for you.' He used the Soup Nazi's accent from Seinfeld.
Melina Marchetta (Saving Francesca)
Today, I slept in until 10, Cleaned every dish I own, Fought with the bank, Took care of paperwork. You and I might have different definitions of adulthood. I don’t work for salary, I didn’t graduate from college, But I don’t speak for others anymore, And I don’t regret anything I can’t genuinely apologize for. And my mother is proud of me. I burnt down a house of depression, I painted over murals of greyscale, And it was hard to rewrite my life into one I wanted to live But today, I want to live. I didn’t salivate over sharp knives, Or envy the boy who tossed himself off the Brooklyn bridge. I just cleaned my bathroom, did the laundry, called my brother. Told him, “it was a good day.
Kait Rokowski
Last night as I was sleeping, I dreamt—marvelous error!— that a spring was breaking out in my heart. I said: Along which secret aqueduct, Oh water, are you coming to me, water of a new life that I have never drunk? Last night as I was sleeping, I dreamt—marvelous error!— that I had a beehive here inside my heart. And the golden bees were making white combs and sweet honey from my old failures. Last night as I was sleeping, I dreamt—marvelous error!— that a fiery sun was giving light inside my heart. It was fiery because I felt warmth as from a hearth, and sun because it gave light and brought tears to my eyes. Last night as I slept, I dreamt—marvelous error!— that it was God I had here inside my heart.
Antonio Machado
I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.
Ayn Rand
If I’d known I was about to meet the man who’d shatter me like bone china on terra-cotta, I would have slept in. Instead,
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia
E.L. Montes (Disastrous (Disastrous, #1))
Anxiety is secretive. He does not trust anyone, not even his friends, Worry, Terror, Doubt and Panic … He likes to visit me late at night when I am alone and exhausted. I have never slept with him, but he kissed me on the forehead once, and I had a headache for two years …
J. Ruth Gendler (The Book of Qualities)
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
As I recall, Drew made me take him to see a voodoo priestess he found in the yellow pages that week because he said the friend put a hex on his penis. For two weeks he slept with a two-pound package of boneless, skinless chicken breasts on his junk since he refused to sacrifice a live chicken.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
I could fight with the living but I could not fight the dead. If there was some woman in London that Maxim loved, someone he wrote to, visited, dined with, slept with, I could fight her. We would stand on common ground. I should not be afraid. Anger and jealousy were things that could be conquered. One day the woman would grow old or tired or different, and Maxim would not love her anymore. But Rebecca would never grow old. Rebecca would always be the same. And she and I could not fight. She was too strong for me.
Daphne du Maurier (Rebecca)
Cadeon, can you hear me?" He didn't open his eyes. "Nothing wrong with my ears." "Of course not." She laid the cloth on his forehead. "So . . you and Tera seemed close." "Been through a lot." "Was she your girlfriend?" He gave a laugh that sounded like a grunt. "Not at all." "And you really didn't sleep with Imatra?" "Bloody hell, noooo, I didn't . . . She's a slag." "Then why did you kiss her?" Holly asked. "Directions. . . and to see." "To see what?" "That it wouldn't be all that bad without you." This was interesting. "Did you make a determination?" He gave a bitter laugh. "It'll be all that bad." Oh, Cadeon. "You've known I was your female for a year?" He nodded. "Why I would be chosen for you?" "Fate decides . . . who I can be most satisfied with." Nibbling her lip, she asked, "Have you slept with anyone else since you knew it was me?" "Gave a halfhearted try for a witch . . . she wanted a werewolf instead." There was no getting around it--Holly was jealous of the witch. But then Cadeon said, "And I wanted you.
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
Drink to me! I just realized that I've slept with everyone at this table! ~Nell
Jennifer Crusie (Fast Women)
Sleeping In The Forest I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver (Twelve Moons)
His face spreads into a warm smile. “As a matter of fact, no, I have never slept under the stars – are you gettin’ all romantic on me, Camryn Bennett?” He looks at me with a playful sideward stare.
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
Alex slept in Darlington's bed and dreamed that he was curled behind her on the narrow mattress. He pulled her close, his fingers digging into her abdomen, and she could feel claws at their tips. He whispered in her ear, "I will serve you 'til the end of days." "And love me," she said with a laugh, bold in the dream, unafraid. But all he said was, "It is not the same.
Leigh Bardugo (Ninth House (Alex Stern, #1))
I started to dream, which was weird not only because I was dead, but because I never dream. People have tried to argue with me about that. They say everybody dreams and I just don't remember mine. But, I'm telling you, I always slept like the dead. Until I was dead. Then I dreamed like a normal person.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?” Vin looked up, glaring at him. “Yes.” “What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.” She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!” “He’s a nobleman!” “So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!” She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst. “What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?” She fell silent, puffing slightly, the crewmembers staring at her. “Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.” She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt. And, for once, found himself without anything to say.
Brandon Sanderson (The Final Empire (Mistborn, #1))
She cried before she slept. I reached out to touch the ends of her hair. She didn't notice. I didn't know what to do. Listening to her made me ache. I felt tears stream down my face too. And when I accidentally brushed Eli with my arm his face was wet where his tears ran down. We have all been carved out by our sorrow. Cut deep like canyon walls.
Ally Condie (Crossed (Matched, #2))
Then I said, “Matt’s got a big mouth.” “They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.” I was stunned speechless again, this time it didn’t last as long. “What?” “See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.” I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me. “So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.” Ho-ly crap. “So,” she went on. “Did he nail you nail you or did you two just sleep?” For some reason, I answered her unbelievably nosy question. “We just slept.” “New pool!” she shouted.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
I tilt my head and ask “What firsts have we already passed?” “The easy ones,” he says. “First hug, first date, first fight, first time we slept together, although I wasn’t the one sleeping. Now we barely have any left. First kiss. First time to sleep together when we’re both actually awake. First marriage. First kid. We’re done after that. Our lives will become mundane and boring and I’ll have to divorce you and marry a wife who’s twenty years younger than me so I can have a lot more firsts and you’ll be stuck raising the kids.” He bring his hand to my cheek and smile at me. “So you see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer it’ll be before I’m forced to leave you high and dry.
Colleen Hoover (Hopeless (Hopeless, #1))
She was worried and came to check on me, but by the time she made it here she was practically falling over. I didn’t want to wake Cassandra to carry her back to the guest room, so I had her lay down with me. Obviously, we just slept. Now, can everyone but Hector or Jase get out of my room please? That includes you, Mom. I need Jason to help me out of these casts so I can take a shower.
Josephine Angelini (Starcrossed (Starcrossed, #1))
You tell me I'm beautiful,and that you like my hair and you like my smile. You rest your leg against mine in darkened theaters,and then you act as if nothing happened when the lights go up.You slept in my bed for three nights straight,and then you just...blew me off for the next month.What am I supposed to do with that,St. Clair? You said on my birthday that you were afraid of being alone,but I've been here this whole time.This whole time.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Remember when i slept with my head in a puddle at your feet? It was humility, or atonement. later your ankle was a pillow and finally you pulled me up and in my sleep i placed your hand above my heart, like i forgot i didn't live there anymore
Michelle Tea
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Cam used to hook up with her.” “Ew.” I wrinkled up my nose. “And so did you?” “Not at the same time.” “God, I hope not.” When he chuckled again , I nudged him with my knee. “You do realize that means you’ve slept with Cam, right?” “What? Fuck no.” In the dim light, he shrank back. “I told you it wasn’t—” “He’s been in there. So have you. So by association, you two have had sex.” “That is disgusting.” I grinned. “What’s disgusting is that you’ve both been up in there and—” “Can we not talk about this?
J. Lynn (Be with Me (Wait for You, #2))
There's no other life for me. Anyway, clemency wouldn't begin to repay your debt. I've given you a greater gift than you know." "What gift?" "You'll find out. In return, I expect you to keep it safe." Kelsea turned back to the mirror. "Great God, tell me you didn't impregnate me while I slept." The fetch threw back his head and roared with laughter. He placed a friendly hand on Kelsea's back, making her skin prickle. "Tear Queen, you'll either be dead within a week or you'll be the most fearsome ruler this kingdom has ever known. I see no middle ground.
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
I Am! I am—yet what I am none cares or knows; My friends forsake me like a memory lost: I am the self-consumer of my woes— They rise and vanish in oblivious host, Like shadows in love’s frenzied stifled throes And yet I am, and live—like vapours tossed Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life’s esteems; Even the dearest that I loved the best Are strange—nay, rather, stranger than the rest. I long for scenes where man hath never trod A place where woman never smiled or wept There to abide with my Creator, God, And sleep as I in childhood sweetly slept, Untroubling and untroubled where I lie The grass below—above the vaulted sky.
John Clare ("I Am": The Selected Poetry of John Clare)
I realized my room was just next to hers. It was a mirror image of her room, but completely different in all of the ways that couldn't be seen. This shower hadn't washed away our pretenses last night; we hadn't slept together, curled around each other in this bed. These walls hadn't been filled with the sounds of her coming apart beneath me. This desk wasn't broken from a late-morning quickie.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
Jude is the only one awake. He never really slept as deeply as the other three, and I’m fairly sure he resents the hell out of all of them for sleeping as well as they have. And he resents me for my wicked vagina voodoo. My milkshake brings all the boys to naptime…Yeah, that’s not how that song goes. The song is a lot sexier, but beggars can’t be choosers.
Kristy Cunning (Three Trials (The Dark Side, #2))
You were dropped as a child, weren't you?" Varen asked her. "Maybe once or twice," Gwen said, "but at least I wasn't raised by highly literate vampires who, every night just before bed, fed me a steady diet of dark sarcasm and gothic horror fiction." "Every morning before bed," Varen corrected. Stepping forward, he moved toward the headstone. "We slept during the day.
Kelly Creagh (Oblivion (Nevermore, #3))
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
Percy wakes me (fourteen) Percy wakes me and I am not ready. He has slept all night under the covers. Now he’s eager for action: a walk, then breakfast. So I hasten up. He is sitting on the kitchen counter Where he is not supposed to be. How wonderful you are, I say. How clever, if you Needed me, To wake me. He thought he would a lecture and deeply His eyes begin to shine. He tumbles onto the couch for more compliments. He squirms and squeals: he has done something That he needed And now he hears that it is okay. I scratch his ears. I turn him over And touch him everywhere. He is Wild with the okayness of it. Then we walk, then He has breakfast, and he is happy. This is a poem about Percy. This is a poem about more than Percy. Think about it.
Mary Oliver (Swan: Poems and Prose Poems)
Passing stranger! You do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
Markus Zusak (The Book Thief)
Do I look like a commitment sort of girl to you?” “You look like trouble,” he grinned. “When I was growing up, my mother used to tell me to never trust a redhead.” I frowned. “There are only two reasons she’d say something like that.” Caleb raised his eyebrows. “And they are?” “Your father either slept with one, or she is one.” I buzzed under his crooked smile. It extended all the way to his eyes this time. “I like you,” he said. “That’s swell, Boy Scout. Real swell.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
She wuz depressed. Yeah, she wuz on stuff for it. Like me. Sometimes it jus' takes you over. It's an illness," she said, although she made the words sound like "it's uh nillness." Nillness, thought Strike, for a second distracted. He had slept badly. Nillness, that was where Lula Landry had gone, and where all of them, he and Rochelle included, were headed. Sometimes illness turned slowly to nillness, as was happening to Bristow's mother... sometimes nillness rose to meet you out of nowhere, like a concrete road slamming your skull apart.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me: You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened. I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream. — Jorge Luis Borges, The Writing of the God
Jorge Luis Borges (The Aleph and Other Stories)
Gemma Davidson,” she answered, her voice as groggy as I felt. “Where are you?” I asked. “Who is this?” “Elvis.” “What time is it?” “Hammer time?” “Charley.” “Did you text me? Did your car break down?” “No and no. Why are you doing this to me?” She was funny. “Check your cell.” I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.” “Not at all?” “No. What did you do to it?” “I ate it for breakfast. Check the battery compartment.” “Where the hell is that?” “Um, behind the battery door.” “Are you punking me?” I heard her fumbling with the phone. “Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.” “That was you?” she asked, appalled.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
And more than that, Bodee left me with hope. For love. For wanting someone to touch me again and to lie with me without fear as my first response. Because Bodee slept in his sneakers, because Bodee asked for a kiss instead of just taking it, and because he kept space between us. He danced with two fingers until I asked for three or four... and his hand on my hip. I know we're both still broken. Both of us. But Bodee's got the glue to make us whole. He is love.
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I thought about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled on my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I remembered Nahadoth's lips on my throat and fought to suppress a shudder, only half succeeding. Death as a consequence of lying with a god wasn't something I had considered, but it did not surprise me. A mortal man's strength had its limits. He spent himself and slept. He could be a good lover, but even his best skills were only guesswork - for every caress that sent a woman's head into the clouds, he might try ten that brought her back to earth.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
Mary Wollstonecraft Shelley (Frankenstein)
They have no idea what a bottomless pit of misery I am. They will have to do more and more and more...but they don’t know how enormous my need is. They don’t know how much I will demand from them before I can even think about getting better. They do not know that this is not some practice fire drill meant to prepare them for the real inferno, because the real thing is happening right now. All the bells say: too late. Its much too late and I’m sure that they are still not listening. They still don’t know that they need to do more and more and more, they need to try to get through to me until they haven’t slept or eaten or breathed fresh air for days, they need to try until they’ve died for me. They have to suffer as I have. And even after they’ve done that, there will still be more. They will have to rearrange the order of the cosmos, they will have to end the cold war...they will have to cure hunger in Ethiopia, and end the sex trade in Thailand and stop torture in Argentina. They will have to do more then they ever thought they could if they want me to stay alive. They have no idea how much energy and exasperation I am willing to suck out of them until I feel better. I will drain them and drown them until they know how little of me there is left even after I’ve taken everything they’ve got to give me because I hate them for not knowing.
Elizabeth Wurtzel (Prozac Nation)
I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to the beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or a solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially.
Lori Lansens
Did you know sometimes it frightens me-- when you say my name and I can't see you? will you ever learn to materialize before you speak? impetuous boy, if that's what you really are. how many centuries since you've climbed a balcony or do you do this every night with someone else? you tell me that you'll never leave and I am almost afraid to believe it. why is it me you've chosen to follow? did you like the way I look when I am sleeping? was my hair more fun to tangle? are my dreams more entertaining? do you laugh when I'm complaining that I'm all alone? where were you when I searched the sea for a friend to talk to me? in a year where will you be? is it enough for you to steal into my mind filling up my page with music written in my hand you know I'll take the credit for I must have made you come to me somehow. but please try to close the curtains when you leave at night, or I'll have to find someone to stay and warm me. will you always attend my midnight tea parties-- as long as I set it at your place? if one day your sugar sits untouched will you have gone forever? would you miss me in a thousand years-- when you will dry another's tears? but you say you'll never leave me and I wonder if you'll have the decency to pass through my wall to the next room while I dress for dinner but when I'm stuck in conversation with stuffed shirts whose adoration hurts my ears, where are you then? can't you cut in when I dance with other men? it's too late not to interfere with my life you've already made me a most unsuitable wife for any man who wants to be the first his bride has slept with and you can't just fly into people's bedrooms then expect them to calmly wave goodbye you've changed the course of history and didn't even try where are you now-- standing behind me, taking my hand? come and remind me who you are have you traveled far are you made of stardust too are the angels after you tell me what I am to do but until then I'll save your side of the bed just come and sing me to sleep
Emilie Autumn
Derek said Andrew never went to bed before midnight. If we wanted to get him after he was sound asleep, that meant waiting until two. To my surprise, I fell asleep, so soundly that i didn't hear the alarm on the watch Derek had given me earlier. I woke to Tori shaking me with one hand, while trying to shut off the alarm with the other. I yawned and blinked hard. "Running away after you've barley slept in a week isn't a great idea," she said. "Luckily, I anticipated this." She popped open a can of coke and handed it to me. "Not as good as coffee," she said. "But I bet you don't drink coffee do you?" I shook my head as I gulped. "Kids," she said, rolling her eyes.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…
Frédéric Chopin
Tirian, with his head against Jewel's flank, slept as soundly as if he were in his royal bed at Cair Paravel, till the sound of a gong beating awoke him and he sat up and saw that there was firelight on the far side of the stable and knew that the hour had come. "Kiss me, Jewel," he said. "For certainly this is our last night on earth. And if ever I offended against you in any matter great or small, forgive me now." "Dear King," said the Unicorn, "I could almost wish you had, so that I might forgive it. Farewell. We have known great joys together. If Aslan gave me my choice I would choose no other life than the life I have had and no other death than the one we go to.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
We want to climb in with you,' Dermot said. 'We'll all sleep better.' That seemed incredibly weird and creepy to me - or maybe I only thought it should have. I was simply too tired to argue. I climbed in the bed. Claude got in on one side of me, Dermot on the other. Just when I was thinking, I would never be able to sleep, that this situation was too odd and too wrong, I felt a kind of blissful relaxation roll through my body, a kind of unfamiliar comfort. I was with family. I was with blood. And I slept.
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
I am no Christian. These days it does no good to confess that, for the bishops and abbots have too much influence and it is easier to pretend to a faith than to fight angry ideas. I was raised a Christian, but at ten years old, when I was taken into Ragnar’s family, I discovered the old Saxon gods who were also the gods of the Danes and of the Norsemen, and their worship has always made more sense to me than bowing down to a god who belongs to a country so far away that I have met no one who has ever been there. Thor and Odin walked our hills, slept in our valleys, loved our women and drank from our streams, and that makes them seem like neighbours. The other thing I like about our gods is that they are not obsessed with us. They have their own squabbles and love affairs and seem to ignore us much of the time, but the Christian god has nothing better to do than to make rules for us. He makes rules, more rules, prohibitions and commandments, and he needs hundreds of black-robed priests and monks to make sure we obey those laws. He strikes me as a very grumpy god, that one, even though his priests are forever claiming that he loves us. I have never been so stupid as to think that Thor or Odin or Hoder loved me, though I hope at times they have thought me worthy of them.
Bernard Cornwell (Lords of the North (The Saxon Stories, #3))
I hadn't slept for seven nights. My mother told me I must have slept, it was impossible not to sleep in all that time, but if I slept, it was with my eyes wide open, for I had followed the green, luminous course of the second hand and the minute hand and the hour hand of the bedside clock through their circles and semi-circles, every night for seven nights, without missing a second, or a minute, or an hour. The reason I hadn't washed my clothes or my hair was because it seemed so silly. I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue. It seemed silly to wash one day when I would only have to wash again the next. It made me tired just to think of it. I wanted to do everything once and for all and be through with it.
Sylvia Plath (The Bell Jar)
What firsts have we already passed? The eady ones, I say. First hug, first date, first fight, first time we slept together, although I wasn't the one sleeping. Now we barely have any keft. First kiss. First time to sleep together when we're both actually awake. First marriage. First kid. We're done after that. Our lives will become mundane and boring and I'll have to divorce you and marry a wife who's twenty years younger than me so I can have a lot more firsts and you'll be stuck raising the kids. So you see, babe? I'm only doing this for your benefit. The longer I wait to kiss you, the longer it'll be before I'm forced to leave you high and dry. Your logic terrifies me, I sort of don't find you attractive anymore.
Colleen Hoover (Losing Hope (Hopeless, #2))
The Knowing Afterwards, when we have slept, paradise- comaed and woken, we lie a long time looking at each other. I do not know what he sees, but I see eyes of surpassing tenderness and calm, a calm like the dignity of matter. I love the open ocean blue-grey-green of his iris, I love the curve of it against the white, that curve the sight of what has caused me to come, when he’s quite still, deep inside me. I have never seen a curve like that, except the earth from outer space. I don’t know where he got his kindness without self-regard, almost without self, and yet he chose one woman, instead of the others. By knowing him, I get to know the purity of the animal which mates for life. Sometimes he is slightly smiling, but mostly he just gazes at me gazing, his entire face lit. I love to see it change if I cry–there is no worry, no pity, no graver radiance. If we are on our backs, side by side, with our faces turned fully to face each other, I can hear a tear from my lower eye hit the sheet, as if it is an early day on earth, and then the upper eye’s tears braid and sluice down through the lower eyebrow like the invention of farmimg, irrigation, a non-nomadic people. I am so lucky that I can know him. This is the only way to know him. I am the only one who knows him. When I wake again, he is still looking at me, as if he is eternal. For an hour we wake and doze, and slowly I know that though we are sated, though we are hardly touching, this is the coming the other coming brought us to the edge of–we are entering, deeper and deeper, gaze by gaze, this place beyond the other places, beyond the body itself, we are making love.
Sharon Olds
From time to time I meet people who live among riches I cannot even imagine. I still have to make an effort to realize that others can feel envious of such wealth. A long time ago, I once lived a whole week luxuriating in all the goods of this world: we slept without a roof, on a beach, I lived on fruit, and spent half my days alone in the water. I learned something then that has always made me react to the signs of comfort or of a well-appointed house with irony, impatience, and sometimes anger. Although I live without worrying about tomorrow now, and therefore count myself among the privileged, I don't know how to own things. What I do have, which always comes to me without my asking for it, I can't seem to keep. Less from extravagance, I think, than from another kind of parsimony: I cling like a miser to the freedom that disappears as soon as there is an excess of things.
Albert Camus (Lyrical and Critical Essays)
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
Sharon Olds
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
The year is done. I spread the past three hundred sixty-five days before me on the living room carpet. Here is the month I decided to shed everything not deeply committed to my dreams. The day I refused to be a victim to the self-pity. Here is the week I slept in the garden. The spring I wrung the self-doubt by its neck. Hung your kindness up. Took down the calendar. The week I danced so hard my heart learned to float above water again. The summer I unscrewed all the mirrors from their walls. No longer needed to see myself to feel seen. Combed the weight out of my hair. I fold the good days up and place them in my back pocket for safekeeping. Draw the match. Cremate the unnecessary. The light of the fire warms my toes. I pour myself a glass of warm water to cleanse myself for january. Here I go. Stronger and wiser into the new.
Rupi Kaur (the sun and her flowers)
I cannot say what it was that made me take that one step forward. Maybe it was the hesitation in his voice. I knew what it cost him to let himself speak thus. Maybe it was the memory of how he had looked as he slept. I just knew, overwhelmingly, that if I did not touch him I would shatter in pieces. Jump, cried the wind. Jump over. I shut my eyes and moved toward him, and my arms went around his waist, and I rested my head against his chest and let my tears flow. There, said the voice deep inside me. See how easy it was? Bran went very still; and then his arms came around me, quite cautiously, as if he had never done this before and was not at all sure how one went about it. We stood there awhile, and the feeling was good, so good, like a homecoming after long troubles. Until I held him, I did not realize how much I had longed for it. Until I held him, I did not realize he was just the right height to put his arms comfortably around my shoulders, for me to rest my brow in the hollow of his neck, where the blood pulsed under the skin—a perfect fit.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish. "I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in. I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes.
Stefan Molyneux
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
I am what became of your child. I found an old baby picture of me. And it was somebody else, not me. It was somebody pink and fat who never heard of sick or lonely, somebody who cried and got fed,, and reached up and got held and kicked but didn't hurt anybody, and slept whenever she wanted to, just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving around over her head and chewed on a polka-dot whale and woke up knowing some new trick nearly every day and rolled over and drooled on the sheet and felt your hand pulling my quilt back up over me. That's who I started out and this is who is left. That's what this is about. It's somebody I lost, all right, it's my own self. Who I never was. Or who I tried to be and never got there. Somebody I waited for who never came. And never will. So, see, it doesn't much matter what else happens in the world or in this house, even. I'm what was worth waiting for and I didn't make it. Me...who might have made a difference to me...I'm not going to show up, so there's no reason to stay, except to keep you company, and that's...not reason enough because I'm not...very good company. Am I.
Marsha Norman ('night, Mother)
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.
John Steinbeck
Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened." He looks up. She swallows, knowing that these are the words that stall; that may simply refuse to emerge. "Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..." There is a short silence. "Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..." The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again. "I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again." She leans closer to him. "So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people." She looks down at his hands, and her voice cracks. "All that really matters is who you love.
Jojo Moyes (The Girl You Left Behind)
Were you ever going to tell me?” “About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.” She knocked back the rum and swallowed, setting the empty glass on the table. Impressive. She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.” He took a swig, his gaze locked on hers. “Would you have believed me?” “No.” She shrugged. “Just wondering how long you would have lied to me.” “I could ask you the same thing.” She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.” “I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.” She raised a brow. “Are you saying I should feel…special?” “Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.” “Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.” He chuckled. “It’s less heroic when you’re certain you won’t die.” “But you knew it would hurt.” He nodded slowly. “True.” She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.” Her dark eyes sparkled with the mischief he was growing much too fond of. “Not bad for a pirate.” He admitted.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
Dear daughter, I won't try to call my feeling for Arty love. Call it focus. My focus on Art was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I ever had. Remember what a poor thing I have always been and forgive me. He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you... My job was to come back [from the convent] directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.
Katherine Dunn (Geek Love)
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it –oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly –very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! –would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously –oh, so cautiously –cautiously (for the hinges creaked) –I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights –every night just at midnight –but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.
Edgar Allan Poe (The Tell-Tale Heart and Other Writings)
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
Toni Morrison (Song of Solomon)
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
What are you doing here?" He takes a deep breath. "I came for you." "And how on EARTH did you know I was up here?" "I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me." "So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone. "I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-" He breaks off,and my pulse races. What what what? "Why did you lie to me?" The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-" "November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no." Oh my God. "How did you know?" "Josh told me." "When?" "November." I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-" "But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested." "But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it." "Of course I meant it." He stands,and his legs falter. "Careful!" Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it." "I don't under-" He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!" My mind spins. "But Ellie-" "I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-" "But-" "The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day." "But..." I can't think straight. "I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'" I blink at him. "Neruda.I starred the passage.God," he moans. "Why didn't you open it?" "Because you said it was for school." "I said you were beautiful.I slept in your bed!" "You never mave a move! You had a girlfriend!" "No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know." We're going in circles. "How could I know if you never said anything?" "How could I know if you never said anyting?" "You had Ellie!" "You had Toph! And Dave!
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Ray Bradbury (Dandelion Wine)