Refusing To Grow Up Quotes

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You know your children are growing up when they stop asking you where they came from and refuse to tell you where they're going.
P.J. O'Rourke
So many people will tell you ”no”, and you need to find something you believe in so hard that you just smile and tell them ”watch me”. Learn to take rejection as motivation to prove people wrong. Be unstoppable. Refuse to give up, no matter what. It’s the best skill you can ever learn.
Charlotte Eriksson
The child who refuses to travel in the father's harness, this is the symbol of man's most unique capability. "I do not have to be what my father was. I do not have to obey my father's rules or even believe everything he believed. It is my strength as a human that I can make my own choices of what to believe and what not to believe, of what to be and what not to be.
Frank Herbert (Children of Dune (Dune #3))
Either God can do nothing to stop catastrophes like this, or he doesn't care to, or he doesn’t exist. God is either impotent, evil, or imaginary. Take your pick, and choose wisely. The only sense to make of tragedies like this is that terrible things can happen to perfectly innocent people. This understanding inspires compassion. Religious faith, on the other hand, erodes compassion. Thoughts like, 'this might be all part of God’s plan,' or 'there are no accidents in life,' or 'everyone on some level gets what he or she deserves' - these ideas are not only stupid, they are extraordinarily callous. They are nothing more than a childish refusal to connect with the suffering of other human beings. It is time to grow up and let our hearts break at moments like this.
Sam Harris
… if you refuse to let your own suffering lie upon you for an hour and if you constantly try to prevent and forestall all possible stress way ahead of time; if you experience suffering and displeasure as evil, hateful, worthy of annihilation, and as a defect of existence, then it is clear that besides your religion of pity you also harbor another religion in your heart that is perhaps the mother of the religion of pity: the religion of comfortableness. How little you know of human happiness, you comfortable and benevolent people, for happiness and unhappiness are sisters and even twins that either grow up together or, as in your case, remain small together.
Friedrich Nietzsche
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs. The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel. If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy. The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
Jane Goodall (Harvest for Hope: A Guide to Mindful Eating)
Well, do you do that consciously?" Daily Alice asked, only partly of Cloud. "Do what?" Cloud said. "Grow up? No. Well. In a sense. You see it's inevitable, or refuse to. You greet it or don't -- take it in trade, maybe, for all you're going to lose anyway. Or you can refuse, and have what you've got to lose snatched from you, and never take payment -- never see a trade is possible.
John Crowley (Little, Big)
Humans are more arrogant and greedy than any other living creature, and I'm part human too, which why I refuse to give up! On top of that, when a human has someone he's gotta protect, his power grows exponentially. I have what it takes to destroy you. All thanks to my human mother!"- InuYasha
Rumiko Takahashi
To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell (The Complete Poems)
The choice isn’t to move on—life moves whether I want it to or not. No, the choice is to look forward, not backward, to take a step because refusing to move won’t draw the past nearer, only postpone better days.
Caroline George (Dearest Josephine)
It was at this time that people found along the roads and highways little children, tiny vagabonds who refused to grow up. Little girls of seven years knelt and prayed that they might not grow older, for puberty seemed to them a sign of mortality.
Marcel Schwob (The Book of Monelle)
There is child in all of us that refuses to grow up, a child that is in awe of what can be, the polar opposite of the cynic in all of us who despairs over what is. Stories of magic, fantastic monsters, impossible courage and spectacular heroism appeal to this child, instilling it with hope and faith in humanity and in the cosmic order.
Shatrujeet Nath
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is. I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
Emilie Autumn
Even though I was growing up in a land that had been tormented since the dawn of time, I refused to consider the world as a battlefield.
Yasmina Khadra (The Attack)
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright. In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine. Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia. I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war. Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery. I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Forcing a child into adult pursuits is one of the subtlest varieties of soul murder. Very often we find that the narcissist was deprived of his childhood. Consider the gifted child, the Wunderkind: the answer to his mother's prayers and the salve to her frustrations… The Wunderkind narcissist refuses to grow up. In his mind, his tender age formed an integral part of the precocious miracle that he once was. One looks much less phenomenal and one's exploits and achievements are much less awe-inspiring at the age of 40 than the age of 4. Better stay young forever and thus secure an interminable stream of Narcissistic Supply. So, the narcissist abjures all adult skills and chores: he never takes out a driver's license; he does not have children; he rarely has sex; he never settles down in one place; he rejects intimacy. In short, he renounces adulthood. Absent adult skills he assumes no adult responsibilities. He expects indulgence from others.
Sam Vaknin (Malignant Self-Love: Narcissism Revisited)
You can’t claim to be good if you have never been tempted to be bad. You can’t claim to be faithful if you have never had the opportunity to be unfaithful. Integrity is built by defeating the temptation to be dishonest; humility grows when we refuse to be prideful; and endurance develops every time you reject the temptation to give up.
Anonymous (The Purpose Driven Life: What on Earth Am I Here For?)
The little girl’s sense of secrecy that developed at prepuberty only grows in importance. She closes herself up in fierce solitude: she refuses to reveal to those around her the hidden self that she considers to be her real self and that is in fact an imaginary character: she plays at being a dancer like Tolstoy’s Natasha, or a saint like Marie Leneru, or simply the singular wonder that is herself. There is still an enormous difference between this heroine and the objective face that her parents and friends recognise in her. She is also convinced that she is misunderstood: her relationship with herself becomes even more passionate: she becomes intoxicated with her isolation, feels different, superior, exceptional: she promises that the future will take revenge on the mediocrity of her present life. From this narrow and petty existence she escapes by dreams.
Simone de Beauvoir (The Second Sex)
I’m about forty years old, give or take a year or two. I’m told I look younger. That’s down to my refusal to grow up, no doubt—never mind grow old. I still feel like a kid inside. Doesn’t everyone?
Alex Michaelides (The Fury)
...we're a people who pollute the very air we breathe. And our rivers. We're destroying the great lakes; Erie is already gone, and now we've begun on the oceans. We filled our atmosphere with radioactive fallout that put poison into our children's bones, and we knew it. We've made bombs that can wipe out humanity in minutes, and they are aimed and ready to fire. We ended polio, and then the United States Army bred new strains of germs that can cause fatal, incurable disease. We had a chance to do justice to our Negroes, and when they asked it, we refused. In Asia we burned people alive, we really did. We allow children to grow up malnourished in the United States. We allow people to make money by using our television channels to pursued our own children to smoke, knowing what it is going to do to them. This is a time when it becomes harder and harder to continue telling yourself that we are still good people. We hate each other. And we're used to it.
Jack Finney
Growing up, my guardians refused to tell me what horny meant. As I got a little older, they forbid me to use it, along with any other word that was remotely sexual in nature. That pretty much set the tone of my whole young adulthood. I swore that when I grew up I would use that word as often and whenever possible as my way of rebelling against the powers that be. So in honor of that vow to myself: Horny, horny, horny!
Ella Dominguez
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
J.M. Barrie (Peter Pan)
But as the Professor continued going deeper into the abyss, he suddenly remembered a quotation by the philosopher Nietzsche that he had read in one of the lectures he had given in the last few days: ''... If you refuse to let your own suffering lie upon you for an hour and if you constantly try to prevent and forestall all possible stress ahead of time; if you experience suffering and displeasure as evil, hateful, worthy of annihilation, and as a defect of existence, then it is clear that besides your religion of pity you also harbour another religion in your heart that is perhaps the mother of the religion of pity: the religion of comfortableness. How little you know of human happiness, you comfortable and benevolent people, for happiness and unhappiness are sisters and even twins that either grow up together or, as in your case, remain small together...
Anton Sammut (Paceville and Metanoia)
It seemed to me like all my worrying about not being a mother came down to this history - this implication that a woman is not an end in herself. She is a means to a man, who will grow up to be an end in himself, and do something in the world. While a woman is a passageway through which a man might come. I have always felt like an end in myself - doesn't everyone? - but perhaps my doubt that being an end-in-myself is enough comes from this deep lineage of women not being seen as ends, but as passageways through which a man might come. If you refuse to be a passageway, there is something wrong. You must at least try. But I don't want to be a passageway through which a man might come, then manifest himself in the world however he likes, without anyone doubting his right.
Sheila Heti (Motherhood)
They wanted their girls to be safe. To do what they had to do to conform, to defer, to survive, to grow up. They wanted their girls never to grow up. Never to stop burning. They wanted their girls to say fuck it, to see through the lies, to know their own strength. They wanted their girls to believe the things could be different this time, and they wanted it to be true. They wondered, sometimes, if they'd made a mistake. If it was dangerous, taming the wild, stealing away the words a girl might use to name her secret self. They wondered at the consequences of teaching a girl she was weak instead of warning her she was strong. They wondered, if knowing was power, what happened to power that refused to know itself; they wondered what happened that couldn't be satisfied, to pain that couldn't be felt, a rage that couldn't be spoken.
Robin Wasserman (Girls on Fire)
I will be the first. As of tonight, I renounce my citizenship in the United Nations, and my allegiance to the Shelter state. From now on I will be a citizen--a citizen of no country but that bounded by the limits of my own mind. I do not know what those limits are, and I may never find out, but I shall devote my life to searching for them, in whatever manner seems good to me, and in no other manner whatsoever. You must do the same. Tear up your registration cards. If you are asked your serial number, tell them you never had one. Never fill in another form. Stay above ground when the siren sounds. Stake out plots; grow crops; abandon the corridors. Do not commit any violence; simply refuse to obey. Nobody has the. right to compel you, as non-citizens. Passivity is the key. Renounce, resist, deny!
James Blish (A Case of Conscience (After Such Knowledge, #4))
Some women I talk to are so frightened of growing old. I sense their desperation. They say things like I m not going to live to be old I m not going to live to be dependent. The message young women get from youth culture is that it s wonderful to be young and terrible to grow old. If you think about it it s an impossible dilemma how can you make a good start in life if you are being told at the same time how terrible the finish is Because of ageism many women don t fully commit themselves to living life until they can no longer pass as young. They live their lives with one foot in life and one foot outside it. With age you resolve that. I know the value of each day and I m living with both feet in life. I m living much more fully... The power of the old woman is that because she s outside the system she can attack. And I am determined to attack it. One of the ways in which I am particularly conscious of this stance is when I go down the street. People expect me to move over which means to step on the grass or off the curb. I just woke up one day to the fact that I was moving over. I have no idea how many years I ve been doing that. Now I never move over. I simply keep walking. And we hit full force because the other person is so sure that I am going to move over that he isn t even paying any attention and we simply ram each other. If it s a man with a woman he shows embarrassment because he s just knocked down a five foot seventy year old woman and so he quickly apologises. But he s startled he doesn t understand why I didn t move over he doesn t even know how I got there where I came from. I am invisible to him despite the fact that I am on my own side of the street simply refusing to give him that space he assumes is his
Barbara MacDonald
To seek in the great accumulation of the already-said the text that resembles 'in advance' a later text, to ransack history in order to rediscover the play of anticipations or echoes, to go right back to the first seeds or to go forward to the last traces, to reveal in a work its fidelity to tradition or its irreducible uniqueness, to raise or lower its stock of originality, to say that the Port -Royal grammarians invented nothing, or to discover that Cuvier had more predecessors than one thought, these are harmless enough amusements for historians who refuse to grow up.
Michel Foucault (The Archaeology of Knowledge and The Discourse on Language)
Loving Father meant loving all of him—his open windows as well as his dusty corners—and she refused to love him less for secrets unknown. Alice had secrets, too, didn’t she? And she was beginning to realize that part of growing up meant growing tender, and that secrets were sometimes wrapped around tender things to keep them safe.
Tahereh Mafi (Furthermore)
By April 1999, the plain was nearly filled, all the way to the foothills. But the fiercely independent residents refused to incorporate. A new town would only impose new rules and new taxes. The 100,000 new arrivals filled one continuous suburb with no town center: no main street, no town hall, town library, or town name. No one was sure what to call it. Littleton is a quiet suburb south of Denver where the massacre did not actually occur. Although the name would grow synonymous with the tragedy, Columbine lies several miles west, across the South Platte River, in a different county with separate schools and law enforcement. The postal system slapped “Littleton” onto a vast tract of seven hundred square miles, stretching way up into the foothills.
Dave Cullen (Columbine)
especially want to draw white Americans’ attention to this. White fragility is a lie, a dodge, a myth, and a form of denial. White Americans can create culture that confronts and dismantles white-body supremacy. Any suggestion that they are unable to rise to this challenge is a lie. White Americans are anything but helpless or fragile; they are (of course) precisely as capable as other human beings. But they need to refuse to dodge the responsibility of confronting white-body supremacy—or the responsibility of growing up.
Resmaa Menakem (My Grandmother's Hands: Racialized Trauma and the Mending of Our Bodies and Hearts)
Sir James Matthew Barrie, 1st Baronet OM (9 May 1860 – 19 June 1937), more commonly known as J. M. Barrie, was a Scottish novelist and dramatist. He is best remembered for creating Peter Pan, the boy who refused to grow up, whom he based on his friends, the Llewelyn Davies boys. He is also credited with popularising the name "Wendy", which was very uncommon before he gave it to the heroine of Peter Pan. He was made a baronet in 1913; his baronetcy was not inherited. He was made a member of the Order of Merit in 1922. Source: Wikipedia
J.M. Barrie (Peter Pan)
It was Freud's ambition to discover the cause of hysteria, the archetypal female neurosis of his time. In his early investigations, he gained the trust and confidence of many women, who revealed their troubles to him.Time after time, Freud's patients, women from prosperous, conventional families, unburdened painful memories of childhood sexual encounters with men they had trusted: family friends, relatives, and fathers. Freud initially believed his patients and recognized the significance of their confessions. In 1896, with the publication of two works, The Aetiology of Hysteria and Studies on Hysteria, he announced that he had solved the mystery of the female neurosis. At the origin of every case of hysteria, Freud asserted, was a childhood sexual trauma. But Freud was never comfortable with this discovery, because of what it implied about the behavior of respectable family men. If his patients' reports were true, incest was not a rare abuse, confined to the poor and the mentally defective, but was endemic to the patriarchal family. Recognizing the implicit challenge to patriarchal values, Freud refused to identify fathers publicly as sexual aggressors. Though in his private correspondence he cited "seduction by the father" as the "essential point" in hysteria, he was never able to bring himself to make this statement in public. Scrupulously honest and courageous in other respects, Freud falsified his incest cases. In The Aetiology of Hysteria, Freud implausibly identified governessss, nurses, maids, and children of both sexes as the offenders. In Studies in Hysteria, he managed to name an uncle as the seducer in two cases. Many years later, Freud acknowledged that the "uncles" who had molested Rosaslia and Katharina were in fact their fathers. Though he had shown little reluctance to shock prudish sensibilities in other matters, Freud claimed that "discretion" had led him to suppress this essential information. Even though Freud had gone to such lengths to avoid publicly inculpating fathers, he remained so distressed by his seduction theory that within a year he repudiated it entirely. He concluded that his patients' numerous reports of sexual abuse were untrue. This conclusion was based not on any new evidence from patients, but rather on Freud's own growing unwillingness to believe that licentious behavior on the part of fathers could be so widespread. His correspondence of the period revealed that he was particularly troubled by awareness of his own incestuous wishes toward his daughter, and by suspicions of his father, who had died recently. p9-10
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
Where do you refuse to grow up, wait for certainty of wisdom before choosing, hope for solutions to emerge fully formed, expect rescue, or wait for a guru to make sense of it all for you?
James Hollis (On This Journey We Call Our Life: Living the Questions (Studies in Jungian Psychology by Jungian Analysts, 103))
Toxic people cannot sustain any length of relationship connection (i.e., the good days). As mentioned before, their lack of healthy attachments while growing up, and their refusal to deal with their flaws, creates the perfect storm for their inability to have stable relationships.
Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
The worst thing that can happen to you as a young person, is to refuse to grow up. You refuse to grow up when you believe that someone else must take responsibility for your life and life circumstances.
Saidi Mdala (Know What Matters)
America was a nation that refused to grow up. It was a perpetual baby, a vast, pink, fleshy toddler, now in possession of some terrible weapons it did not know how to hold properly, much less use properly.
Dan Simmons (The Fifth Heart)
I believe in movement. I believe in that lighthearted balloon, the world. I believe in midnight and the hour of noon. But what else do I believe in? Sometimes everything. Sometimes nothing. It fluctuates like light flitting over a pond. I believe in life, which one day each of us shall lose. When we are young we think we won’t, that we are different. As a child I thought I would never grow up, that I could will it so. And then I realized, quite recently, that I had crossed some line, unconsciously cloaked in the truth of my chronology. How did we get so damn old? I say to my joints, my iron-colored hair. Now I am older than my love, my departed friends. Perhaps I will live so long that the New York Public Library will be obliged to hand over the walking stick of Virginia Woolf. I would cherish it for her, and the stones in her pocket. But I would also keep on living, refusing to surrender my pen.
Patti Smith
I did not see Pirahã teenagers moping, sleeping in late, refusing to accept responsibility for their own actions, or trying out what they considered to be radically new approaches to life. They in fact are highly productive and conformist members of their community in the Pirahã sense of productivity (good fishermen, contributing generally to the security, food needs, and other aspects of the physical survival of the community). One gets no sense of teenage angst, depression, or insecurity among the Pirahã youth. They do not seem to be searching for answers. They have them. And new questions rarely arise.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle)
Batwoman: "What was it like growing up with him?" Nightwing: "When I was a kid, I idolized him. Hell... I wanted to be him. But the older I got, the more I realized that I didn't know him at all. How could I? Bruce Wayne is as much a mask as Batman. And I think the only thing behind those masks is pain. A pain he refuses to share with anyone." Batwoman: "So what was it like?" Nightwing: "Lonely.
J.M. DeMatteis
نقش: ” تستطيع أن تعرف أن أطفالك كبروا عندما يتوقفون عن سؤالك عن كيفية مجيئهم إلى الحياة ويرفضون إخبارك إلى أين هم ذاهبون !! (ب. ج. أورروك ) You know your children are growing up when they stop asking you where they came from and refuse to tell you where they are going !
P.J. O-Rourke
The habit of grown-ups reading living books and retaining the power to digest them will be lost if we refuse to give a little time for Mother Culture. A wise mother, an admired mother and wife, when asked how, with her weak physical health and many demands on her time, she managed to read so much said, "Besides my Bible, I always keep three books going that are just for me - a stiff book, a moderately easy book, and a novel or one of poetry. I always take up the one I feel fit for. That is the secret: always have something 'going' to grow by.
Karen Andreola
Religious faith—for all its problems, despite its maddening tendency to replicate ungrace—lives on because we sense the numinous beauty of a gift undeserved that comes at unexpected moments from Outside. Refusing to believe that our lives of guilt and shame lead to nothing but annihilation, we hope against hope for another place run by different rules. We grow up hungry for love, and in ways so deep as to remain unexpressed we long for our Maker to love us.
Philip Yancey (What's So Amazing About Grace?)
The frontier will nevertheless survive in the attitudes a few of us inherited from it. One of those attitudes--to me a beatitude--is the conviction that the past matters, that history weighs on us and refuses to be forgotten by us, and that the worst poverty women--or men--can suffer is to be bereft of their past.
Shirley Abbott (Womenfolks: Growing Up Down South)
Before school, there had to be vaccination. That was the law. How it was dreaded! When the health authorities tried to explain to the poor and illiterate that vaccination was a giving of the harmless form of smallpox to work up immunity against the deadly form, the parents didn’t believe it. All they got out of the explanation was that germs would be put into a healthy child’s body. Some foreign-born parents refused to permit their children to be vaccinated. They were not allowed to enter school. Then the law got after them for keeping the children out of school. A free country? they asked. You should live so long. What’s free about it, they reasoned, when the law forces you to educate your children and then endangers their lives to get them into school? Weeping mothers brought bawling children to the health center for inoculation. They carried on as though bringing their innocents to the slaughter. The children screamed hysterically at the first sight of the needle and their mothers, waiting in the anteroom, threw their shawls over their heads and keened loudly as if wailing for the dead. Francie
Betty Smith (A Tree Grows in Brooklyn)
Communities need tensions if they are to grow and deepen. Tensions come from conflicts within each person - conflicts born out of a refusal of personal and community growth, conflicts between individual egoisms, conflicts arising from a diminishing gratuite, from a class of temperaments and from individual psychological difficulties. These are natural tensions. Anguish is the normal reaction to being brought up against our own limitations and darkness, to the discovery of our deep wound. Tension is the normal reaction to responsibilities we find hard because they make us feel insecure. We all weep and grieve inwardly at the successive deaths of our own interests. . . . When everything is going well, when the community feels it is living successfully, its members tend to let their energies dissipate, and to listen less carefully to each other. Tensions bring people back to the reality of their helplessness; obliging them to spend more time in prayer and dialogue, to work patiently to overcome the crisis and refind lost unity; making them understand that the community is more than just a human reality, that it also needs the spirit of God if it is to live and deepen. I am told that there is a Chinese word for 'crisis' which means 'opportunity and danger'. Every tension, every crisis can become a source of new life if we approach it wisely, or it can bring death and division.
Jean Vanier (Community and Growth)
Why don’t you worry in the other direction?’ she demanded, nailing me with her penetrating green gaze, which lovingly refused to ever let her students off the hook. ‘Why don’t you worry that it will all work out and you’ll meet all your creative matches and you’ll be too successful and too happy and too busy with how much work you have? Why must you always anticipate the absolute worst-case scenario, when you could worry that everything will just be too wonderful? Why do you do that? Why?’ Good point, I thought. Why do I?
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and the Glory of Growing Up)
I teach excessively agreeable people to note the emergence of such resentment, which is a very important, although very toxic, emotion. There are only two major reasons for resentment: being taken advantage of (or allowing yourself to be taken advantage of), or whiny refusal to adopt responsibility and grow up. If you’re resentful, look for the reasons.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
They were Chinese vampires. They were discovered during renovation work at the Bok Kai Temple in Old Sacramento. One of the priests there told his brother about them. The brother's whatever the Chinese version of mobbed up is. Alex here thinks he's using them to distract the Nortenos and the Black Dragons long enough to take over the marijuana trade in Sacramento using the stuff they're making in a bunch of grow houses in Elk Grove." Ted stared at me. "And will the Chinese vampires be joined by legions of Korean werewolves who have been cooking meth in trailer parks in Truckee? "No. The werewolves are refusing to get involved. Trust me, I've tried to talk them into helping. They'll have nothing to do with it.
Eileen Rendahl (Don't Kill The Messenger (Messenger, #1))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
Why do we need to be pardoned? What are we to be pardoned for? For not dying of hunger? For not accepting humbly the historic burden of disdain and abandonment? For having risen up in arms after we found all other paths closed? For not heeding the Chiapas penal code, one of the most absurd and repressive in history? For showing the rest of the country and the whole world that human dignity still exists even among the world’s poorest peoples? For having made careful preparations before we began our uprising? For bringing guns to battle instead of bows and arrows? For being Mexicans? For being mainly indigenous? For calling on the Mexican people to fight by whatever means possible for what belongs to them? For fighting for liberty, democracy and justice? For not following the example of previous guerrilla armies? For refusing to surrender? For refusing to sell ourselves out? Who should we ask for pardon, and who can grant it? Those who for many years glutted themselves at a table of plenty while we sat with death so often, we finally stopped fearing it? Those who filled our pockets and our souls with empty promises and words? Or should we ask pardon from the dead, our dead, who died “natural” deaths of “natural causes” like measles, whooping cough, break-bone fever, cholera, typhus, mononucleosis, tetanus, pneumonia, malaria and other lovely gastrointestinal and pulmonary diseases? Our dead, so very dead, so democratically dead from sorrow because no one did anything, because the dead, our dead, went just like that, with no one keeping count with no one saying, “Enough!” which would at least have granted some meaning to their deaths, a meaning no one ever sought for them, the dead of all times, who are now dying once again, but now in order to live? Should we ask pardon from those who deny us the right and capacity to govern ourselves? From those who don’t respect our customs and our culture and who ask us for identification papers and obedience to a law whose existence and moral basis we don’t accept? From those who oppress us, torture us, assassinate us, disappear us from the grave “crime” of wanting a piece of land, not too big and not too small, but just a simple piece of land on which we can grow something to fill our stomachs? Who should ask for pardon, and who can grant it?
Subcomandante Marcos
You are surprised that the world is losing its grip, that the world is grown old? Think of a man: he is born, he grows up, he becomes old. Old age has its many complaints: coughing, shaking, failing eyesight, anxious, terribly tired. A man grows old; he is full of complaints. The world is old; it is full of pressing tribulations. . . . Do not hold onto the old man, the world; do not refuse to regain your youth in Christ, who says to you, ‘The world is passing away, the world is losing its grip, the world is short of breath. Do not fear. Thy youth shall be renewed as an eagle
Augustine of Hippo
You married your best friend?” At Abuela’s nod, Kamilah’s jaw dropped, and she shook her head in disbelief. “Why would you want to marry your best friend?” “¿Por qué no?" “Because a best friend is one thing, and a person you marry is another,” Kamilah explained. Abuela smiled at her and shook her head. “No ojitos, son la misma persona. You should only marry your best friend. Remember that when you grow up.
Natalie Caña (A Proposal They Can't Refuse (Vega Family Love Stories, #1))
Warren is stuck in Sunday School-level, pretheological fundamentalism. It is religious infantilism of the kind that Freud to conclude that religion is nothing more than neurotic wishful thinking and the refusal to grow up. I believe there is a good bit more to religion than that, but I'm afraid Freud was right about Warrenism. It is a pinata, made of brightly colored paper, filled with sweet candy, and too easily knocked apart.
Robert M. Price
Here ends Prometheus' surprising itinerary. Proclaiming his hatred of the gods and his love of mankind, he turns away from Zeus with scorn and approaches mortal men in order to lead them in an assault against the heavens. But men are weak and cowardly; they must be organized. They love pleasure and immediate happiness; they must be taught to refuse, in order to grow up, immediate rewards. Thus Prometheus, in his turn, becomes a master who first teaches and then commands. Men doubt that they can safely attack the city of light and are even uncertain whether the city exists. They must be saved from themselves. The hero then tells them that he, and he alone, knows the city. Those who doubt his word will be thrown into the desert, chained to a rock, offered to the vultures. The others will march henceforth in darkness, behind the pensive and solitary master. Prometheus alone has become god and reigns over the solitude of men. But from Zeus he has gained only solitude and cruelty; he is no longer Prometheus, he is Caesar. The real, the eternal Prometheus has now assumed the aspect of one of his victims. The same cry, springing from the depths of the past, rings forever through the Scythian desert.
Albert Camus
By definition, the conventional wisdom of the day is widely accepted, continually reiterated and regarded not as ideology but as reality itself. Rebelling against “reality,” even when its limitations are clearly perceived, is always difficult. It means deciding things can be different and ought to be different; that your own perceptions are right and the experts and authorities wrong; that your discontent is legitimate and not merely evidence of selfishness, failure or refusal to grow up. […] rebels risk losing their jobs, failing in school, incurring the wrath of parents and spouses, suffering social ostracism. Often vociferous conservatism is sheer defensiveness: People are afraid to be suckers, […] to be branded bad or crazy.
Ellen Willis
I had no particular problem about getting divorced. For all intents and purposes we already were divorced. And I had no emotional hang up about signing and sealing the official documents. If that's what she wanted, fine. It was a legal formality, nothing more. But when it came to why, and how, things had turned out this way, the sequence of events was beyond me. I understood, of course, that over time, and as circumstances changed, a couple could grow closer, or move apart. Changes in a person's feelings aren't regulated by custom, logic, or the law. They're fluid, unstable, free to spread their wings and fly away. Like migratory birds have no concept of borders between countries. But these were all just generalizations, and I couldn't easily grasp the individual case here-that this woman, Yuzu, refused to love this man, me, and chose instead to be loved by someone else. It felt terribly absurd, a horribly ugly way to be treated. There wasn't any anger involved (I think). I mean, what was I supposed to be angry with? What I was feeling was a fundamental numbness. The numbness your heart automatically activates to lessen the awful pain when you want some-body desperately and they reject you. A kind of emotional morphine.
Haruki Murakami (Killing Commendatore)
I fooled myself into believing I was after closure, when all I really wanted was never to let go. Because, as Alison’s scar was her most sacred vanity, her death was mine. Because I needed a murder mystery. Without one, what choice did I have but to be angry at Alison for making herself so indispensable to me, to all of us, and then being so careless with herself? (Drinking and drugs, a reckless swim, a stupid accident. The police had suggested this basic scenario from the beginning, but my parents had refused to accept it. Why would they have? Why would anyone accept such a sad and pointless story, a tale that was not even cautionary but simply tragic, a shame?) What choice was there, finally, but to admit that I hated Alison every bit as much as I loved her? I hated her while she was alive for the way her dazzling, spectacular self took up the entire spotlight, and I hated her even more for the oppressive shadow she cast with her death. How could I ever be enough? How could I possibly compare to someone who never had to grow up?
Alexis Schaitkin (Saint X)
The Supreme Court debated God and beards Tuesday, and the result did not seem promising for Arkansas prison officials who refuse to let prisoners grow facial hair in accordance with their faith. The justices pelted a deputy attorney general from the state with so many tonsorial inquiries he had trouble keeping up. In the end, they seemed to indicate that they found it hard to believe the state's contention that a half-inch beard poses more of a security threat than the hair on top of an inmate's head, which is unregulated.
Anonymous
(3) a hasty temper, which can be provoked by insults; [Tu Mu tells us that Yao Hsing, when opposed in 357 A.D. by Huang Mei, Teng Ch’iang and others shut himself up behind his walls and refused to fight. Teng Ch’iang said: “Our adversary is of a choleric temper and easily provoked; let us make constant sallies and break down his walls, then he will grow angry and come out. Once we can bring his force to battle, it is doomed to be our prey.” This plan was acted upon, Yao Hsiang came out to fight, was lured as far as San-yuan by the enemy’s pretended flight, and finally attacked and slain.]
Sun Tzu (The Art of War)
I won’t let you stay here. Julia, we’re a people who pollute the very air we breathe. And our rivers. We’re destroying the Great Lakes; Erie is already gone, and now we’ve begun on the oceans. We filled our atmosphere with radio-active fallout that put poison into our children’s bones, and we knew it. We’ve made bombs that can wipe out humanity in minutes, and they are aimed and ready to fire. We ended polio, and then the United States Army bred new strains of germs that can cause fatal, incurable disease. We had a chance to do justice to our Negroes, and when they asked it, we refused. In Asia we burned people alive, we really did. We allow children to grow up malnourished in the United States. We allow people to make money by using our television channels to persuade our own children to smoke, knowing what it is going to do to them. This is a time when it becomes harder and harder to continue telling yourself that we are still good people. We hate each other. And we’re used to it.
Jack Finney (Time and Again (Time, #1))
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
There were three-legged dogs running around, and legends like Tim Conway on set. However, all this caused one particular Glee star to amp up her bitch factor. She made a huge deal about the dogs and demanded hand sanitizer any time one came near her. While the rest of us were in hysterics over Tim Conway’s constant improvising, it was throwing her off. Instead of just rolling with it, she kept interrupting. “So, like, um . . . are we going to do the scene as it’s written now?” Come on—if Tim Conway wants to improvise, you let him improvise! He’d even brought his granddaughter to the set because she was such a Glee fan, and she ended up crying because she couldn’t understand why someone was being such a bitch to her grandpa. Finally, my costar gave up, locked herself in her trailer, and refused to come out. Trust
Naya Rivera (Sorry Not Sorry: Dreams, Mistakes, and Growing Up)
At that period, rising in the world meant giving up working with your hands in favor of work in a store or an office. The people who lived in town had made it, and turned their backs socially on those who had not but were still growing corn and wheat out there in the country. What seemed like an impassable gulf was only the prejudice of a single generation, which refused to remember its own not very remote past.
William Maxwell (ANCESTORS: A Family History (Nonpareil Books))
Dear Young Black Males, Are you growing up without your father? How does that make you feel? Angry, sad, confused, resentful, etc? Do you feel a void in your life? Do you feel like your life would’ve been better if your father had been in your life? If you get a young lady pregnant, do what’s right. Even if you choose NOT to be with her anymore, you have a responsibility to your child. Even if it was a one-night stand and/or booty call, hey, you took that risk. If you don’t want kids, strap up every time. I don’t care if she tells you she’s on the pill. Strap up! If not, don’t get mad or make excuses when she tells you that she’s having your baby. If you refuse to do your part, she may even get you for child support. If you have a job, that means your check will be garnished. So think twice before you take off your clothes. Is it worth it? Think it through.
Stephanie Lahart
The alternative to soul-acceptance is soul-fatigue. There is a kind of fatigue that attacks the body. When we stay up too late and rise too early; when we try to fuel ourselves for the day with coffee and a donut in the morning and Red Bull in the afternoon; when we refuse to take the time to exercise and we eat foods that clog our brains and arteries; when we constantly try to guess which line at the grocery store will move faster and which car in which lane at the stoplight will move faster and which parking space is closest to the mall, our bodies grow weary. There is a kind of fatigue that attacks the mind. When we are bombarded by information all day at work . . . When multiple screens are always clamoring for our attention . . . When we carry around mental lists of errands not yet done and bills not yet paid and emails not yet replied to . . . When we try to push unpleasant emotions under the surface like holding beach balls under the water at a swimming pool . . . our minds grow weary. There is a kind of fatigue that attacks the will. We have so many decisions to make. When we are trying to decide what clothes will create the best possible impression, which foods will bring us the most pleasure, which tasks at work will bring us the most success, which entertainment options will make us the most happy, which people we dare to disappoint, which events we must attend, even what vacation destination will be most enjoyable, the need to make decisions overwhelms us. The sheer length of the menu at Cheesecake Factory oppresses us. Sometimes college students choose double majors, not because they want to study two fields, but simply because they cannot make the decision to say “no” to either one. Our wills grow weary with so many choices.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
The Jealous Sun The sunlight whispers in my ear, his breath a warm, sultry tease. I shrink and duck beneath a tree. My eyes squint to scan the horizon for a glimpse of the wind, but there are no ashen ribbons or golden waves in sight. He is missing. Trickling, tinkling notes reflect loudly off a chandelier of glimmering droplets. The rain sings to me, and I shield my eyes, admiring the song. Far off in my western view I expect to see snow, but the sun grows hot with jealousy, knowing this. He refuses my snowman a place to set. My sight drops to search for the man in the moon. Normally he rises dripping wet from out of the lake, often pale and naked, supple and soft to my caressing gaze. On rare occasions he dons a pumpkin robe as luminous as fire. Today he is draped in silks of the saddest blue. My heart weeps as he steals up and away. An army of stars in shining armor come to my aid, and they force the sun into the ground—a temporary grave. I am fed with a billion bubbles of laughter until I feel I will burst. But the stars will not stop giving, and I will not stop taking. A kiss brands my cheek, and I turn abruptly to find my snowman. He landed safely in the dark. We hide from the man in the moon behind a curtain of flurries to dance on polished rainbows and feast on stars until I hear a fire-red growl. The sun claws its way out of the soil, and everyone scatters.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Nookie.” I giggle because the word itself is funny but hearing her say it makes it even more so. “I’m going to give you some advice because you’re still a new wife—and because my son can be a little shit at times. I know; I’m his mum.” She looks around as though she’s about to reveal top-secret information. “Nookie equals power and there’s a reason he wants it from you all the time. It levels the playing field. Don’t like something he’s doing? Take the nookie away. Get the results you want. Need him to see things your way but he refuses? Withhold the nookie and he’ll make the fastest attitude adjustment you’ve ever seen. Want your husband to retire because he’s going to work himself into an early grave and miss his grandchildren growing up the way he missed his kids? Close the gates of nookie and get your husband home with you instead of burying him. That’s how you work it, darling. You use the power of the nookie to get the results you want.
Georgia Cates (Beauty from Love (Beauty, #3))
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
As a child I thought that I would never grow up, that I could will it so. And then I realized, quite recently, that I had crossed some line, unconsciously cloaked in the truth of my chronology. How did we get so damn old? I say to my joints, my iron-colored hair. Now I am older than my love, my departed friends. Perhaps I will live so long that the New York Public Library will be obliged to hand over the walking stick of Virginia Woolf. I would cherish it for her, and the stones in her pocket. But I would also keep on living, refusing to surrender my pen.
Patti Smith
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
Jennifer Donnelly
You are incredibly beautiful to me, and I do not just mean your appearance or your body. Down to your soul, you are beautiful. You are so honest about who you are. So free with your thoughts and emotions. Growing up, everyone around me was guarded. So closed off. But you…you have this divine light about you. This pure honesty and goodness. It shows when you work the everlass, and it shines through in your healing gifts. Your thoughtful expressions are so lovely because I can practically see the wheels in that big brain of yours turning. You’re so smart and capable, Finley. So tough and unyielding in your ability to survive. I am in awe of you. But most of all, I love your fire and your passion. I love that you refuse to let others dictate who you are. I love that you dig in and push back when I try to dominate you, challenging me to be better, stronger. It’s arousing but also… It’s just… You’re perfect. I wish I were a poet so I could express it properly. When others look at you, they might see your surface beauty. I wanted you to know that when I look at you, I see the beauty of your soul, and I am in rapture. I see you, Finley. That is what I wanted to say. I see all of you, and you are beautiful.
K.F. Breene (A Ruin of Roses (Deliciously Dark Fairytales, #1))
Personal cultivation is crucial. It protects consumers from the possibility, once marijuana is legalized, that big corporations take over the market. Tobacco companies, for instance, already have the land and processing plants available—but the marijuana they may offer could be too expensive, too weak, or otherwise not as high in quality as we have grown accustomed to during the Grow American Movement. Should that occur, we have the ultimate instrument in our hands: we can refuse to purchase their commercially produced marijuana and simply grow our own. Without the right to cultivate for personal use, consumers could end up with poor choices, poor marijuana, and no real alternatives. Ed
Ed Rosenthal (Marijuana Grower's Handbook: Your Complete Guide for Medical and Personal Marijuana Cultivation)
1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL
Dave Willis (The Seven Laws of Love: Essential Principles for Building Stronger Relationships)
And ever since then, even though I was growing up in a land that had been tormented since the dawn of time, I refused to consider the world as a battlefield. I could see that wars beget wars, that reprisals follow reprisals, but I forbade myself to give them any support of any kind. I didn’t believe in prophesies of discord, and I couldn’t bring myself to accept the notion that God could incite his subjects to take up arms against one another and reduce the exercise of faith to an absurd and frightening question of power relationships. And ever since then, I’ve trusted anyone who required a little of my blood to purify my soul about as much as I would trust a scorpion. I have no desire to believe in valves of tears or valleys of shadows- there are other more charming and less irrational features of the landscape all around me. My father said, “Anyone who tells you that a greater symphony exists than the breath in your body is lying. He wants to undermine your most beautiful possession: the chance to profit from every moment of your life. If you start from the principle that your worst enemy is the very person who tries to sow hatred in your heart, your halfway to happiness. All you have to do is reach out your hand and take the rest. And remember this: there is nothing, absolutely nothing, more important than your life. And your life isn’t more important than other people’s lives
Yasmina Khadra
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
But he refused to answer when addressed in English and forbade the speaking of English in his home. His daughters understood very little German. (Their mother insisted that the girls speak only English in the home. She reasoned that the less they understood German, the less they would find out about the cruelty of their father.) Consequently, the four daughters grew up having little communion with their father. He never spoke to them except to curse them. His Gott verdammte came to be regarded as hello and good-bye. When very angry, he’d call the object of his temper, Du Russe! This he considered his most obscene expletive. He hated Austria. He hated America. Most of all he hated Russia. He had never been to that country and had never laid eyes on a Russian. No one understood his hatred of that dimly known country and its vaguely known people. This was the man who was Francie’s maternal grandfather. She hated him the way his daughters hated him. *
Betty Smith (A Tree Grows in Brooklyn)
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
Did you say—you love me?” Sloane took a step back, and Dex held his hands up, praying his partner didn’t do what he looked like he was about to do. Then he remembered his brother was in the room. Double shit. Sloane seemed to sense his thoughts. “Cael knows about us.” “What? When the fuck did that happen?” What in the ever-living fuck of fucks is going on around here? Cael glared at him. “Thanks, bro.” Dex didn’t have time to answer his brother because something in his gut told him he had to do something fast. Sloane was about to bolt. Dex could see it in his eyes. “You didn’t answer my question,” Sloane demanded softly. “And don’t try to play it off. I know you too well by now.” What was he supposed to do? Lie? He could lie. No, he was a shitty liar. But he could…. Fuck it. “Yes. I love you.” “When?” Sloane asked, his voice growing more distant. When? “I don’t know? It’s not like I marked it on my calendar.” “Don’t.” It was a subtle but grave warning. Dex wasn’t trying to be a smartass. It’s just what his brain went to when he was on the verge of freaking out about something. And if there was ever a time to freak out about something, this was it. “I know it’s too soon, which is why I wasn’t going to say anything, but with everything going on, it just slipped.” “So you were going to keep it from me?” Dex felt himself deflate and he shrugged. “What’s the right answer here, Sloane?” There was none. They both knew it. He took a step toward Sloane, his heart breaking when Sloane pulled back. “I need some air,” Sloane said, backing up until he hit the security panel. He turned and entered his security code. Dex could feel it all crumbling around him, and he felt sick to his stomach. Even then, he stayed where he was, refusing to force Sloane. “Can we please talk about this?” “Not right now. I need some space.” The door had barely finished opening before Sloane squeezed through and was off, taking Dex’s heart with him.
Charlie Cochet (Rack & Ruin (THIRDS, #3))
Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.
Michael Grant (Hunger (Gone, #2))
My love," he said gently, as one hand reached up to caress my face, "you are not still afraid of me?" "No." My voice seemed to be coming to me from a far-off place. "But we cannot... my husband, I-" "I assure you, he will remain unconscious. He will never know that I was here." He drew me to him. I found myself melting into his embrace. It was as if my will had left me; I could no more have pushed him away than I could have ceased to breathe. As he kissed me, I felt all my vows of resistance evaporate, replaced by growing desire. Oh! How could any woman refuse the advances of such a man? I wanted him! How I wanted him! His mouth left mine, and he looked down at me, his eyes like red flames. I knew what he needed. My heart pounded. I knew I should refuse; but I yearned for it. I untied my nightdress at the collar. He pulled it open to expose my throat. As he bent his head and fastened there, I gave out a sigh, drawing pleasure from it. 'Yes. Yes. Yes. Liquid, molten ecstasy. Nirvana.
Syrie James (Dracula, My Love: The Secret Journals of Mina Harker)
She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.
Kelly Quindlen (Her Name in the Sky)
Throughout my years with Obama, I publicly deflected questions about whether the vehemence of his opposition was rooted in race. “I’m sure some people voted for the president because he is black and some people voted against him because he is black,” I would say, with the authority of one who had spent a lifetime working with minority candidates to knock down racial barriers that blocked higher offices. “The election of the first black president was a dramatic step forward for America, not a magic healing elixir.” I simply didn’t want to fuel the discussion or appear to be setting the president up as a victim. Still, the truth is undeniable. No other president has seen his citizenship openly and persistently questioned. Never before has a president been interrupted in the middle of a national address by a congressman screaming, “You lie!” Some folks simply refuse to accept the legitimacy of the first black president and are seriously discomforted by the growing diversity of our country. And some craven politicians and right-wing provocateurs have been more than
David Axelrod (Believer: My Forty Years in Politics)
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her. Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said. Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.” He grinned at the contrast between her words and her voice. “I know.” “You might have told me.” “I hoped to surprise you.” More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him. She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him. Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked. His brows rose in mockery. “One hundred and eighty-two.” “A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.” Ian thought they were going to do very well.
Judith McNaught (Almost Heaven (Sequels, #3))
LEADING LESSONS Excuses hold you back. Excuses they keep you from doing what needs to be done and from living your truth. When I was making all those lame excuses for why my performance was going to suck, I was refusing to own it. And when you don’t commit wholeheartedly to a situation, you’re always somewhere floating in the middle, never really operating at your full potential. We tend to make excuses when things don’t go according to our original plans. Or we blame something or someone else for our mistakes. You can also make excuses for the things you don’t do--why you haven’t left a job you hate, followed your dream, or taken a risk. In the end, all those excuses add up to the same thing: a smoke screen. When you make an excuse, you’re rejecting the truth and trying to buffer yourself from the consequences of your actions. Leaders own what they do. This was something I had to learn through experience. I saw how pawning off responsibility (like blaming a bad back for a bad performance) was not helping me improve or grow. People who constantly make excuses are often afraid they’re not good enough or can’t live up to others’ expectations. Maybe in the beginning it makes you feel better: “If I just explain it this way, I won’t look so bad.” But the end result is always self-defeating. Excuses will always get in the way of a responsible life.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
When we were first born, Spirit was our predominate guide, but as we ‘matured,’ our society quickly cured us of that. I learned later in my studies that any negative moaning I have about my life is only an affirmation of weakness and makes all those around me not want to be there. Life is nothing more than a dance with God; we just need to follow His lead and quit stepping on His toes. We must be able to release the things we hold dearest in order to truly have. I believe you must know the feeling of hunger before you can truly taste and enjoy food, you can only recognize authenticity by experiencing fraud, and you can only experience true love after enduring heartache. Your level of awareness will increase as you experience the rawness of life on your path to becoming more. God never gives you more than you can handle. He is perfect in His teaching. Know that what comes around goes around, and what you’re unable to forgive and let go will stay around. We need to control what we think, what we say, and how we feel. It’s our thoughts that produce our words, and our words lead to our actions. Our actions over time become habits, which form our character. Our character is what unfolds into our reality. Life is not about a future someone, it’s about ‘becoming’ someone and enjoying every step along the way. There’s no need to wait—significance is available right now. If you had to carry your mental seeds of desired reality around with you, growing to an additional nine pounds concentrated in your belly for nine months, and actually give birth to them, they too would become pretty obvious. The problem with most is they don’t care enough to endure the process, so they wind up aborting their dreams before they have a chance to be born. As you begin to do things to close the gap toward your ideal, you will find that life speeds up. Things quicken, and the closer you get to your goal, the faster it comes for you. The ultimate goal is to condition your body and mind so you can manifest ideals instantly—to think like God thinks. Yearning destroys your ability to have. It’s the carrot dangling just beyond your nose that you will never taste. When you’re obsessed with something you become out of balance and this imbalance creates a barrier between you and what you want. You become too emotionally attached to accept it. We must know the price of our obsessions and refuse to pay it. If Spirit cannot overcome ego and move away from the ways of the world, we will be destined to repeat it. We will die only to perpetuate death. In the beginning of my spiritual quest, I felt left out, alone, and cold. Wandering around in the darkness of my human nature, I came upon a door, and on the door was the word heaven. I knocked on the door but no one answered. I returned back every day, hoping to get someone to hear me and let me in. I became increasingly frustrated, finding myself angrily pounding on the door, but it wouldn’t open. Exhausted, I finally fell to my knees at the foot of the door and prayed, “Please, God, let me in!” The door immediately cracked open. I realized I had been knocking from the inside.
Doug Burnett
One way to respond to these "sins" is found in The Divine Comedy, in which Dante is ultimately led to the vision of God by his guide, Beatrice. In first traversing through the Inferno, Dante reveals that the inhabitants of the Inferno are not there because they are sinners. Sinners also make up the populations of Purgatory and Paradise. Rather, those souls are in the Inferno because they are sinners who refused to admit to their own sins. They denied their faults and projected them onto others, blaming everyone around them. The lesson we learn is that only when our sins become acknowledged and deeply felt can they be integrated. Deep reflection and prayer are an important part of the integration of the [inner] shadow. Once we admit to our shadow with honesty and an open heart, the shadow has the potential to become transformed. Once the shadow is integrated, the Seven Deadly Sins can become aspects of a healthy self. Greed and lust become passion, imbuing our journey with heart and fire. Anger transforms into righteousness that acts compassionately for own and other's behalf. The healthy side to gluttony is self-care, something many women have to learn. Envy, once integrated, becomes an appreciation of others. And in a society where doing is valued over being, sloth turns into the ability to be still. Pride enables us to feel good about our accomplishments and grow in confidence and strength. But the path to authenticity is to admit these qualities are within us. It is shadow work that enables holy women to make their hidden struggles into levers with which to free themselves.
Helen LaKelly Hunt (Faith and Feminism: A Holy Alliance)
Ranulf stared blankly into the campfire, trying to ignore Lily. "White horses always look dirty," Lily told the young smitten soldier sitting beside her. "That's why I refuse to ride them.Brown ones may be just as filthy,but at least I cannot see the dirt. Black ones less so,but I have found that in general dark horses suit me better." "You just think you look better on them," Edythe protested before succumbing to several seconds of coughing. Bronwyn studied her redheaded sister for a moment.Tyr put another blanket around Edythe's shoulders and eventually the coughs quieted. Turning her attention to Ranulf,Bronwyn promised him softly, "You'll have to ignore them." Ranulf grimaced and sent a reproving look to his youngest sister-in-law. It,just like the others he had sent Lily throughout the day,changed nothing. "I just find it hard to reconcile the child I hear now with the woman who appeared after your death. With you gone,she had to grow up.Now that you are back..." Bronwyn snuggled up against his side with a sigh. "I admit I encourage it.Life will force Lily to grow up soon enough and I am glad it was not my death that thrust it upon her. In the meantime,you ignore her prattle and I'll just be amused it," she advised before planting a gentle kiss on his arm. Ranulf,with his free hand, raked his fingers through his short hair. How had he gotten into this predicament? But it took only one look at the huddled form next to him to remember exactly how. Bronwyn. He had wanted to make her happy. After thinking her lost to him forever, he would have promised her anything, even the moon.
Michele Sinclair (The Christmas Knight)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
Let’s say a man really loves a woman; he sees her as his equal, his ally, his colleague; but she enters this other realm and becomes unfathomable. In the krypton spotlight, which he doesn’t even see, she falls ill, out of his caste, and turns into an untouchable. He may know her as confident; she stands on the bathroom scale and sinks into a keening of self-abuse. He knows her as mature; she comes home with a failed haircut, weeping from a vexation she is ashamed even to express. He knows her as prudent; she goes without winter boots because she spent half a week’s paycheck on artfully packaged mineral oil. He knows her as sharing his love of the country; she refuses to go with him to the seaside until her springtime fast is ended. She’s convivial; but she rudely refuses a slice of birthday cake, only to devour the ruins of anything at all in a frigid light at dawn. Nothing he can say about this is right. He can’t speak. Whatever he says hurts her more. If he comforts her by calling the issue trivial, he doesn’t understand. It isn’t trivial at all. If he agrees with her that it’s serious, even worse: He can’t possibly love her, he thinks she’s fat and ugly. If he says he loves her just as she is, worse still: He doesn’t think she’s beautiful. If he lets her know that he loves her because she’s beautiful, worst of all, though she can’t talk about this to anyone. That is supposed to be what she wants most in the world, but it makes her feel bereft, unloved, and alone. He is witnessing something he cannot possibly understand. The mysteriousness of her behavior keeps safe in his view of his lover a zone of incomprehension. It protects a no-man’s-land, an uninhabitable territory between the sexes, wherever a man and a woman might dare to call a ceasefire. Maybe he throws up his hands. Maybe he grows irritable or condescending. Unless he enjoys the power over her this gives him, he probably gets very bored. So would the woman if the man she loved were trapped inside something so pointless, where nothing she might say could reach him. Even where a woman and a man have managed to build and inhabit that sand castle—an equal relationship—this is the unlistening tide; it ensures that there will remain a tag on the woman that marks her as the same old something else, half child, half savage.
Naomi Wolf (The Beauty Myth)
In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
[Description of the behind-the-scenes situation of the Beer Hall Putsch] The crowd began to grow so sullen that Goering felt it necessary to step to the rostrum and quiet them. “There is nothing to fear,” he cried. “We have the friendliest intentions. For that matter, you’ve no cause to grumble, you’ve got your beer!” And he informed them that in the next room a new government was being formed. It was, at the point of Adolf Hitler’s revolver. Once he had herded his prisoners into the adjoining room, Hitler told them, “No one leaves this room alive without my permission.” He then informed them they would all have key jobs either in the Bavarian government or in the Reich government which he was forming with Ludendorff. With Ludendorff? Earlier in the evening Hitler had dispatched “Scheubner-Richter to Lud-wigshoehe to fetch the renowned General, who knew nothing of the Nazi conspiracy, to the beerhouse at once. The three prisoners at first refused even to speak to Hitler. He continued to harangue them. Each of them must join him in proclaiming the revolution and the new governments; each must take the post he, Hitler, assigned them, or “he has no right to exist.” Kahr was to be the Regent of Bavaria; Lossow, Minister of the National Army; Seisser, Minister of the Reich Police. None of the three was impressed at the prospect of such high office. They did not answer. Their continued silence unnerved Hitler. Finally he waved his gun at them. “I have four shots in my pistol! Three for my collaborators, if they abandon me. The last bullet for myself!” Pointing the weapon to his forehead, he cried, “If I am not victorious by tomorrow afternoon, I shall be a dead man!” (...) Not one of the three men who held the power of the Bavarian state in their hands agreed to join him, even at pistol point. The putsch wasn’t going according to plan. Then Hitler acted on a sudden impulse. Without a further word, he dashed back into the hall, mounted the tribune, faced the sullen crowd and announced that the members of the triumvirate in the next room had joined him in forming a new national government. “The Bavarian Ministry,” he shouted, “is removed…. The government of the November criminals and the Reich President are declared to be removed. A new national government will be named this very day here in Munich. Not for the first time and certainly not for the last, Hitler had told a masterful lie, and it worked. When the gathering heard that Kahr, General von Lossow and Police Chief von Seisser had joined Hitler its mood abruptly changed. There were loud cheers, and the sound of them impressed the three men still locked up in the little side room. (...) He led the others back to the platform, where each made a brief speech and swore loyalty to each other and to the new regime. The crowd leaped on chairs and tables in a delirium of enthusiasm. Hitler beamed with joy.
William L. Shirer (The Rise and Fall of the Third Reich)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.
Lord Byron (Don Juan)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts. Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance. There was something vaguely threatening about his words. Misgivings about this arose. Too fast. “If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.” “I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice. “No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.” “You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?” I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.” He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!” “You can’t stop me from leaving. I have my powers back. I earned my powers back.” With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.” As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.” He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?” I whispered, “Yes.” With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.” “T-truly?” “On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.” My lips parted with shock. “How can you do this to me?” “Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.” “Don’t, Aric! Don’t destroy what I do feel for you.” “I’ll take”—he seized my hand, yanking me close—“what I can get.” Despite myself, I shivered from the contact, from his husky voice. His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower. Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.” “Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.” With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))