Slender By Nature Quotes

But I got a great deal else from the experience. I learned to pitch a tent and sleep beneath the stars. For a brief, proud period I was slender and fit. I gained a profound respect for the wilderness and nature and the benign dark power of woods. I understand now, in a way I never did before, the colossal scale of the world. I found patience and fortitude that I didn't know I had. I discovered an America that millions of people scarcely know exists. I made a friend. I came home.

The evidence, so far at least and laws of Nature aside, does not require a Designer. Maybe there is one hiding, maddeningly unwilling to be revealed. Sometimes it seems a very slender hope.

A Blessing Just off the highway to Rochester, Minnesota, Twilight bounds softly forth on the grass. And the eyes of those two Indian ponies Darken with kindness. They have come gladly out of the willows To welcome my friend and me. We step over the barbed wire into the pasture Where they have been grazing all day, alone. They ripple tensely, they can hardly contain their happiness That we have come. They bow shyly as wet swans. They love each other. There is no loneliness like theirs. At home once more, They begin munching the young tufts of spring in the darkness. I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand. She is black and white, Her mane falls wild on her forehead, And the light breeze moves me to caress her long ear That is delicate as the skin over a girl's wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom.

There's no denying his resemblance to the Rodin bronze - the slender, effortless muscularity of youth, the extravagant nonchalance of it; that sense that beauty is in fact the natural human condition and not the rarest of mutations.

Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.

Nothing has ever felt as natural as wrapping my hand around a slender throat and forcing a needy Omega to obey.

How slender is the accommodation which nature has provided for man.

Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Before I can help it, I scan the rest of him. Sweet Mary. This guy had lucked out in the gene department. Tall, slender, beautiful. Honey colored hair that had natural highlights that could even catch the crappy airport light, broad shoulders, slim hips, long legs. He is tan and golden with a bright, white smile. I am surely staring at Apollo, the god of the sun.

She’d always heard that Paris was elegant but had struggled to imagine how. She’d assumed it would be rigid; the demanding intolerance of perfection. But, being here, she was struck by the easy naturalness of everything. From the tall, slender trees, their leaves rustling high above her, to the chalky gravel that crunched beneath her feet or the classically proportioned buildings that rose, uniformly constructed from the same blonde stone, it was all orchestrated to hold the light. The entire city was enveloped in a halo of glowing softness.

Poor whites had always had the comfort of knowing that someone was worse off and more despised than they were; racial subjugation was the ground under their feet, the rock they stood upon, even when their own situation was deteriorating. That slender assurance is shrinking.

All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food. The hero must be a half-breed, half white and half Indian, preferably from a horse culture. He should often weep alone. That is mandatory. If the hero is an Indian woman, she is beautiful. She must be slender and in love with a white man. But if she loves an Indian man then he must be a half-breed, preferably from a horse culture. If the Indian woman loves a white man, then he has to be so white that we can see the blue veins running through his skin like rivers. When the Indian woman steps out of her dress, the white man gasps at the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water. If she is compared to murky water, however, then she must have a secret. Indians always have secrets, which are carefully and slowly revealed. Yet Indian secrets can be disclosed suddenly, like a storm. Indian men, of course, are storms. The should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures. Indian men are horses, smelling wild and gamey. When the Indian man unbuttons his pants, the white woman should think of topsoil. There must be one murder, one suicide, one attempted rape. Alcohol should be consumed. Cars must be driven at high speeds. Indians must see visions. White people can have the same visions if they are in love with Indians. If a white person loves an Indian then the white person is Indian by proximity. White people must carry an Indian deep inside themselves. Those interior Indians are half-breed and obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man. If the interior Indian is female, then she must be a healer, especially if she is inside a white woman. Sometimes there are complications. An Indian man can be hidden inside a white woman. An Indian woman can be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture. There must be redemption, of course, and sins must be forgiven. For this, we need children. A white child and an Indian child, gender not important, should express deep affection in a childlike way. In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.

I knew that place should be my home, but after my night in Noer's mind it seemed a peculiar pile, its streets a maze, needlessly crowded, where we slender people, so naked of fur we must make extra skins for ourselves, muddled and ambled and skipped in our dance of alliances and enmities, offenses and fancies. We thought too much; we calculated too hard. I would rather have wandered among trees, with their more meaningful conversation. I would rather have been solitary and unharried, never required to speak nor account for myself to do anything else but what come natural.

A lake is the landscape's most beautiful and expressive feature. It is earth's eye; looking into which the beholder measures the depth of his own nature. The fluviatile trees next the shore are the slender eyelashes which fringe it, and the wooded hills and cliffs around are its overhanging brows.

The young man, perched insecurely in the slen­der branches, rocked till he felt slightly drunk, reached down the boughs, where the scarlet beady cherries hung thick underneath, and tore off handful after handful of the sleek, cool-fleshed fruit. Cherries touched his ears and his neck as he stretched forward, their chill fingertips sending a flash down his blood. All shades of red, from a golden vermilion to a rich crimson, glowed and met his eyes under a dark­ness of leaves.

Poor human nature, so richly endowed with nerves of anguish, so splendidly made for pain and sorrow, is but slenderly equipped for joy. —George Du Maurier

The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.

Her hair, the brightest shade of red he had ever seen, seemed to feed on the firelight, glowing with incandescent heat. The slender wings of her brows and the heavy fringe of her lashes were a darker shade of auburn, while her skin was that of a true redhead, fair and a bit freckled on the nose and cheeks. Sebastian was amused by the festive scattering of little gold flecks, sprinkled as if by the whim of a friendly fairy. She had unfashionably full lips that were colored a natural rose, and large, round blue eyes... pretty but emotionless eyes, like those of a wax doll.

Tate couldn't stop staring. She must be thirteen or fourteen, he thought. But even at that age, she had the most striking face he'd ever seen. Here large eyes nearly black, her nose slender over shapely lips, painted her in an exotic light. She was tall, thin, giving her a fragile, lithesome look as though molded wild by the wind. Yet young, strapping muscles showed through with quiet power.

It was a matter of chance that I should have rented a house in one of the strangest communities in North America. It was on that slender riotous island which extends itself due east of New York—and where there are, among other natural curiosities, two unusual formations of land.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.

So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

In Views of Nature Humboldt showed how nature could have an influence on people’s imagination. Nature, he wrote, was in a mysterious communication with our ‘inner feelings’. A clear blue sky, for example, triggers different emotions than a heavy blanket of dark clouds. Tropical scenery, densely filled with banana and palm trees, has a different effect than an open forest of white-stemmed slender birches. What we might take for granted today – that there is a correlation between the external world and our mood – was a revelation to Humboldt’s readers. Poets had engaged with such ideas but never a scientist.

Montana A great many small failures have brought me to this Dark room where, against the teachings of the church, I lie in the forgiving dark with you and we kiss And loosen our clothing and feel the hot urge Toward nakedness, man's natural destination, The slow unbuttoning, unclasping, until at last We lie revealed. The fine sensation Of you on my skin. A slender woman as vast As Montana and I am now heading west On a winding road through the dark contours Of mountains and into a valley, coming to rest In a meadow that I recognize as yours. This is what I drove across North Dakota to find: This sweet nest. And put all my failed life behind.

Can—” She caught her lip in her teeth. “Can you tell me . . . ? How does one breathe?” Very unsteadily while those eyes gazed up at him. “Breathe?” “While kissing.” Not easy. He tried to moderate his voice. “In the usual manner, I imagine.” Her slender brows dipped. “At opportune moments,” he suggested. Her lips twisted up in that manner he both dreaded and longed for. “Through one’s nose, perhaps,” he said, because his only refuge was to continue speaking or to walk away. “Really?” She appeared unconvinced. And so, because her skepticism suited his need to have her lips beneath his again, he showed her how one breathed while kissing. To her soft gasp of surprise, he took her waist in his hands, bent to her mouth, and kissed her in truth this time. Her lips were warm and still, and then not still as he felt her eager beauty, tasted her, and made her respond. She held back at first, and then she gave herself up to it. Her mouth opened to him as though by nature, offering him a sweet breath of the temptation within. If he’d gone seeking an innocent with more ready hunger he could not have found her. But he had not wanted an innocent. He’d wanted no one, yet here he was with his hands on a girl he could not release, his tongue tracing the seam of sweet, full lips that she parted for him willingly. “Now, breathe,” he whispered against those lips, then he sought her deeper. She made sounds of surrender in the back of her throat. He wanted to run his hands over her body, to pull her to him and make her know what a real kiss could be. “Breathe.” God, she smelled so good. He could press his face against her neck and remain there simply breathing her. But he feared that if he enjoyed much more of Diantha Lucas he would be in a very bad way when it came to giving her over to her stepfather and subsequently her intended. A very bad way indeed. And she didn’t deserve it. Rule #9: A gentleman must always place a lady’s welfare before his own. She slipped her tongue alongside his, gasped a little whimper of pleasure, and he coaxed her lips open and showed her more than how to breathe. He showed her how he wanted her. It was a pity for Miss Lucas’s welfare that no gentleman could be found here, after all.

Her plain gray suit was like a thin coating of metal over a slender body against the spread of sun-flooded space and sky. Her posture had the lightness and unselfconscious precision of an arrogantly pure self-confidence. She was watching the work, her glance intent and purposeful, the glance of competence enjoying its own function. She looked as if this were her place, her moment and her world, she looked as if enjoyment were her natural state, her face was the living form of an active, living intelligence...

At one dinner, Peter was telling the company that in Vienna he had been getting fat, but on his return the nature of the fare in Poland had made him quite slender again. The Polish ambassador, a man of great girth, disputed this, saying that he had been brought up in Poland and owed amplitude to the Polish diet. Peter shot back, “It was not in Poland, but here in Moscow that you crammed yourself”—the Pole, like all ambassadors, was provided with his food and expenses by the host government. The Pole, wisely, let the matter drop.

The formal dinner was a great success. Every time Harry glanced at the other end of the long table, he saw that Poppy was acquitting herself splendidly. She was relaxed and smiling, taking part in conversation, appearing to charm her companions. It was exactly as Harry had expected: the same qualities that were considered faults in an unmarried girl were admired in a married woman. Poppy's acute observations and her enjoyment of lively debate made her far more interesting than a demure society miss with a modest downcast gaze. She was breathtaking in the violet gown, her slender neck encircled with diamonds, her hair rich with dark fire. Nature had blessed her with abundant beauty. But it was her smile that made her irresistible, a smile so sweet and brilliant that it warmed him from the inside out. Harry wished she would smile at him like that. She had, in the beginning. There had to be something that would induce her to warm to him, to like him again. Everyone had a weakness. In the meantime, Harry stole glances of her whenever he could, his lovely and distant wife... and he drank in the smiles she gave to other people.

So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.

That this is a practice contrary to the rules of criticism will be readily allowed; but there is always an appeal open from criticism to nature. The end of writing is to instruct; the end of poetry is to instruct by pleasing. That the mingled drama may convey all the instruction of tragedy or comedy cannot be denied, because it includes both in its alterations of exhibition, and approaches nearer than either to the appearance of life, by shewing how great machinations and slender designs may promote or obviate one another, and the high and the low co-operate in the general system by unavoidable concatenation.

She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick.

Will found that if he looked at the fire, with the angel just at the edge of his vision, he had a much stronger impression of him. “Where is Baruch?” he said. “Can he communicate with you?” “I feel that he is close. He’ll be here very soon. When he returns, we shall talk. Talking is best.” And barely ten minutes later the soft sound of wingbeats came to their ears, and Balthamos stood up eagerly. The next moment, the two angels were embracing, and Will, gazing into the flames, saw their mutual affection. More than affection: they loved each other with a passion. Baruch sat down beside his companion, and Will stirred the fire, so that a cloud of smoke drifted past the two of them. It had the effect of outlining their bodies so that he could see them both clearly for the first time. Balthamos was slender; his narrow wings were folded elegantly behind his shoulders, and his face bore an expression that mingled haughty disdain with a tender, ardent sympathy, as if he would love all things if only his nature could let him forget their defects. But he saw no defects in Baruch, that was clear. Baruch seemed younger, as Balthamos had said he was, and was more powerfully built, his wings snow-white and massive. He had a simpler nature; he looked up to Balthamos as to the fount of all knowledge and joy. Will found himself intrigued and moved by their love for each other.

It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!

In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.

Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as “nymphets.” […] You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs — the slightly feline outline of a cheekbone, the slenderness, of a downy limb, and other indices which despair and shame and tears of tenderness forbid me to tabulate — the little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.

What is Dr. Linley's verdict?” she asked in a scratchy whisper. “Only a bad case of influenza,” he said matter-of-factly. “With some more rest and time, you'll be just—” “It's typhoid,” Holly interrupted, a weary smile curving her lips at his deception. Naturally the doctor had advised him to keep the news from her, to prevent worry from hindering her possible recovery. She lifted a slender white arm and showed him the small pink blotch on the inside of her elbow. “I have more of these on my stomach and chest. Just as George did.” Zachary stared thoughtfully at his shoes, hands shoved deep in his pockets as if he were deep in concentration. However, when his gaze lifted, she saw the gleam of hideous fear in his black eyes, and she made a crooning sound of reassurance. She patted the mattress beside her. Slowly he came to her and rested his dark head on her breasts. Encircling his powerful shoulders with her arms, Holly whispered into the thick locks of his hair, “I'm going to get well, darling.

A BATH   Sitting in the bath with her I carefully remove the paint from her shoulders to her elbows, creating the kind of memory that I will never forget. She takes her turn removing as much paint from off me as she can. The entire bar of soap is slowly reduced to a nib successfully loosening all of the paint from our wet bodies. The colors and suds slip through my hands and fingers as I move across the canvas of her slender physique. The vibrant colors eventually become more muddied as they blend together, sliding off of her and down into the drain. Gripping at her body has never felt so natural––almost sculptural like, gliding across the smoothness of the human medium that captivates me so. She too takes the initiative of making sure that I am washed clean as she feels for me and any dirty thing left clinging to me. Her hands slip passed the ridges of my rib as if to remember, the way that moisture catches between the shapes that mark a turtles back. Her eyes now watch me the way that nature studies her curious guest who seeks for himself the origin of his creation.

The more I saw her, the more she enchanted me. She was exquisitely beautiful. Her slenderness was a charm. I was lost in contemplation. What was passing in my mind I should have some difficulty in explaining. I was full of indulgence for her life, full of admiration for her beauty. The proof of disinterestedness that she gave in not accepting a rich and fashionable young man, ready to waste all his money upon her, excused her in my eyes for all her faults in the past. There was a kind of candour in this woman. You could see she was still in the virginity of vice. Her firm walk, her supple figure, her rosy, open nostrils, her large eyes, slightly tinged with blue, indicated one of those ardent natures which shed around them a sort of voluptuous perfume, like Eastern vials, which, close them as tightly as you will, still let some of their perfume escape. Finally, whether it was simple nature or a breath of fever, there passed from time to time in the eyes of this woman a glimmer of desire, giving promise of a very heaven for one whom she should love. But those who had loved Marguerite were not to be counted, nor those whom she had loved.

While there are deeper regularities in the Universe than the simple circumstances we generally describe as orderly, all that order, simple and complex, seems to derive from laws of Nature established at the Big Bang (or earlier), rather than as a consequence of belated intervention by an imperfect deity. “God is to be found in the details” is the famous dictum of the German scholar Aby Warburg. But, amid much elegance and precision, the details of life and the Universe also exhibit haphazard, jury-rigged arrangements and much poor planning. What shall we make of this: an edifice abandoned early in construction by the architect? The evidence, so far at least and laws of Nature aside, does not require a Designer. Maybe there is one hiding, maddeningly unwilling to be revealed. Sometimes it seems a very slender hope. The significance of our lives and our fragile planet is then determined only by our own wisdom and courage. We are the custodians of life’s meaning. We long for a Parent to care for us, to forgive us our errors, to save us from our childish mistakes. But knowledge is preferable to ignorance. Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal. --Pale Blue Dot: A Vision of the Human Future in Space

Allowing the utmost latitude to the love of power which any reasonable man can require, I confess I am at a loss to discover what temptation the persons intrusted with the administration of the general government could ever feel to divest the States of the authorities of that description. The regulation of the mere domestic police of a State appears to me to hold out slender allurements to ambition. Commerce, finance, negotiation, and war seem to comprehend all the objects which have charms for minds governed by that passion; and all the powers necessary to those objects ought, in the first instance, to be lodged in the national depository. The administration of private justice between the citizens of the same State, the supervision of agriculture and of other concerns of a similar nature, all those things, in short, which are proper to be provided for by local legislation, can never be desirable cares of a general jurisdiction. It is therefore improbable that there should exist a disposition in the federal councils to usurp the powers with which they are connected; because the attempt to exercise those powers would be as troublesome as it would be nugatory; and the possession of them, for that reason, would contribute nothing to the dignity, to the importance, or to the splendor of the national government.

We are all poor; but there is a difference between what Mrs. Spark intends by speaking of 'slender means', and what Stevens called our poverty or Sartre our need, besoin. The poet finds his brief, fortuitous concords, it is true: not merely 'what will suffice,' but 'the freshness of transformation,' the 'reality of decreation,' the 'gaiety of language.' The novelist accepts need, the difficulty of relating one's fictions to what one knows about the nature of reality, as his donnée. It is because no one has said more about this situation, or given such an idea of its complexity, that I want to devote most of this talk to Sartre and the most relevant of his novels, La Nausée. As things go now it isn't of course very modern; Robbe-Grillet treats it with amused reverence as a valuable antique. But it will still serve for my purposes. This book is doubtless very well known to you; I can't undertake to tell you much about it, especially as it has often been regarded as standing in an unusually close relation to a body of philosophy which I am incompetent to expound. Perhaps you will be charitable if I explain that I shall be using it and other works of Sartre merely as examples. What I have to do is simply to show that La Nausée represents, in the work of one extremely important and representative figure, a kind of crisis in the relation between fiction and reality, the tension or dissonance between paradigmatic form and contingent reality. That the mood of Sartre has sometimes been appropriate to the modern demythologized apocalypse is something I shall take for granted; his is a philosophy of crisis, but his world has no beginning and no end. The absurd dishonesty of all prefabricated patterns is cardinal to his beliefs; to cover reality over with eidetic images--illusions persisting from past acts of perception, as some abnormal children 'see' the page or object that is no longer before them --to do this is to sink into mauvaise foi. This expression covers all comfortable denials of the undeniable--freedom --by myths of necessity, nature, or things as they are. Are all the paradigms of fiction eidetic? Is the unavoidable, insidious, comfortable enemy of all novelists mauvaise foi? Sartre has recently, in his first instalment of autobiography, talked with extraordinary vivacity about the roleplaying of his youth, of the falsities imposed upon him by the fictive power of words. At the beginning of the Great War he began a novel about a French private who captured the Kaiser, defeated him in single combat, and so ended the war and recovered Alsace. But everything went wrong. The Kaiser, hissed by the poilus, no match for the superbly fit Private Perrin, spat upon and insulted, became 'somehow heroic.' Worse still, the peace, which should instantly have followed in the real world if this fiction had a genuine correspondence with reality, failed to occur. 'I very nearly renounced literature,' says Sartre. Roquentin, in a subtler but basically similar situation, has the same reaction. Later Sartre would find again that the hero, however assiduously you use the pitchfork, will recur, and that gaps, less gross perhaps, between fiction and reality will open in the most close-knit pattern of words. Again, the young Sartre would sometimes, when most identified with his friends at the lycée, feel himself to be 'freed at last from the sin of existing'--this is also an expression of Roquentin's, but Roquentin says it feels like being a character in a novel. How can novels, by telling lies, convert existence into being? We see Roquentin waver between the horror of contingency and the fiction of aventures. In Les Mots Sartre very engagingly tells us that he was Roquentin, certainly, but that he was Sartre also, 'the elect, the chronicler of hells' to whom the whole novel of which he now speaks so derisively was a sort of aventure, though what was represented within it was 'the unjustified, brackish existence of my fellow-creatures.

Merry Autumn" It’s all a farce,—these tales they tell About the breezes sighing, And moans astir o’er field and dell, Because the year is dying. Such principles are most absurd,— I care not who first taught ’em; There’s nothing known to beast or bird To make a solemn autumn. In solemn times, when grief holds sway With countenance distressing, You’ll note the more of black and gray Will then be used in dressing. Now purple tints are all around; The sky is blue and mellow; And e’en the grasses turn the ground From modest green to yellow. The seed burrs all with laughter crack On featherweed and jimson; And leaves that should be dressed in black Are all decked out in crimson. A butterfly goes winging by; A singing bird comes after; And Nature, all from earth to sky, Is bubbling o’er with laughter. The ripples wimple on the rills, Like sparkling little lasses; The sunlight runs along the hills, And laughs among the grasses. The earth is just so full of fun It really can’t contain it; And streams of mirth so freely run The heavens seem to rain it. Don’t talk to me of solemn days In autumn’s time of splendor, Because the sun shows fewer rays, And these grow slant and slender. Why, it’s the climax of the year,— The highest time of living!— Till naturally its bursting cheer Just melts into thanksgiving.

Beginning in the seventeenth century, the universe was increasingly thought of as a natural system separate from God. God was thus removed from nature, creating a thorough “disenchantment of nature.”8Separated from the universe, God came increasingly to be thought of as only “out there.” The dominance of supernatural theism in modern Western Christianity has had serious consequences. When “out there” is emphasized and separated from “right here,” God’s relation to the world is distorted, and the notion of God becomes harder and harder to accept. “Out there” means something different for us than it meant when our premodern ancestors used this language. For them, “up there” or “out there” was not very far away. They thought of the universe as small with the earth at its center; the sun, moon, planets, and stars were mounted on a dome not very far above the earth. It is difficult to know how literally they took this language, but the basic notion of a small universe was shared by all. In that context, thinking of God as “our Father who art in heaven” did not make God very far away. But for us, “up there” or “out there” is very far away. If God is only “out there,” as supernatural theism suggests, then God is very distant, not intimately close. God becomes remote, absent. And the difference between a remote and absent God and “no God” is slender. So common is supernatural theism in our time that many people think its concept of God is the only meaning the word “God” can have. For them, believing in God means believing in a personlike being “out there.” Not believing this means not believing in God.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

Lady Thornton, how very good of you to find the time to pay us a social call! Would it be too pushing of me to inquire as to your whereabouts during the last six weeks?” At that moment Elizabeth’s only thought was that if Ian’s barrister felt this way about her, how much more hatred she would face when she confronted Ian himself. “I-I can imagine what you must be thinking,” she began in a conciliatory manner. He interrupted sarcastically, “Oh, I don’t think you can, madam. If you could, you’d be quite horrified at this moment.” “I can explain everything,” Elizabeth burst out. “Really?” he drawled blightingly. “A pity you didn’t try to do that six weeks ago!” “I’m here to do it now,” Elizabeth cried, clinging to a slender thread of control. “Begin at your leisure,” he drawled sarcastically. “here are only three hundred people across the hall awaiting your convenience.” Panic and frustration made Elizabeth’s voice shake and her temper explode. “Now see here, sir, I have not traveled day and night so that I can stand here while you waste time insulting me! I came here the instant I read a paper and realized my husband is in trouble. I’ve come to prove I’m alive and unharmed, and that my brother is also alive!” Instead of looking pleased or relieved he looked more snide than before. “Do tell, madam. I am on tenterhooks to hear the whole of it.” “Why are you doing this?” Elizabeth cried. “For the love of heaven, I’m on your side!” “Thank God we don’t have more like you.” Elizabeth steadfastly ignored that and launched into a swift but complete version of everything that had happened from the moment Robert came up behind her at Havenhurst. Finished, she stood up, ready to go in and tell everyone across the hall the same thing, but Delham continued to pillory her with his gaze, watching her in silence above his steepled fingertips. “Are we supposed to believe that Banbury tale?” he snapped at last. “Your brother is alive, but he isn’t here. Are we supposed to accept the word of a married woman who brazenly traveled as man and wife with another man-“ “With my brother,” Elizabeth retorted, bracing her palms on the desk, as if by sheer proximity she could make him understand. “So you want us to believe. Why, Lady Thornton? Why this sudden interest in your husband’s well-being?” “Delham!” the duchess barked. “Are you mad? Anyone can see she’s telling the truth-even I-and I wasn’t inclined to believe a word she said when she arrived at my house! You are tearing into her for no reason-“ Without moving his eyes from Elizabeth, Mr. Delham said shortly, “Your grace, what I’ve been doing is nothing to what the prosecution will try to do to her story. If she can’t hold up in here, she hasn’t a chance out there!” “I don’t understand this at all!” Elizabeth cried with panic and fury. “By being here I can disprove that my husband has done away with me. And I have a letter from Mrs. Hogan describing my brother in detail and stating that we were together. She will come here herself if you need her, only she is with child and couldn’t travel as quickly as I had to do. This is a trial to prove whether or not my husband is guilty of those crimes. I know the truth, and I can prove he isn’t.” “You’re mistaken, Lady Thornton,” Delham said in a bitter voice. “Because of its sensational nature and the wild conjecture in the press, this is no longer a quest for truth and justice in the House of Lords. This is now an amphitheater, and the prosecution is in the center of the stage, playing a starring role before an audience of thousands all over England who will read about it in the papers. They’re bent on giving a stellar performance, and they’ve been doing just that. Very well,” he said after a moment. “Let’s see how well you can deal with them.

Marks was so self-contained and tenacious that it was often easy to forget she was still a young woman in her early twenties. When Leo had first met her, she had been the perfect embodiment of a dried-up spinster, with her spectacles and forbidding scowl and her stern hyphen of a mouth. Her spine was unbending as a fireplace poker, and her hair, the dull brown of apple moths, was always pinned back too tightly. The Grim Reaper, Leo had nicknamed her, despite the objections of the family. But the past year had wrought a remarkable change in Marks. She had filled out, her body slender but no longer matchstick thin, and her cheeks had gained color. A week and a half ago, when Leo had arrived from London, he had been absolutely astonished to see Marks with light golden locks. Apparently she had been dyeing her hair for years, but after an error on the part of the apothecary, she had been forced to abandon the disguise. And whereas the darker brown locks had been too severe for her delicate features and pale skin, her own natural blond was stunning. Which had left Leo to grapple with the fact that Catherine Marks, his mortal enemy, was a beauty. It wasn't really the altered hair color that made her look so different... it was more that Marks was so uncomfortable without it. She felt vulnerable, and it showed. As a result, Leo wanted to strip away more layers, literal and physical. He wanted to know her.

Thunderbolts," Beatrix exclaimed, entering the library where Leo had been waiting, "I can't go with you to the ruins after all. I've just checked on Lucky, and she's about to have her babies. I can't leave her at such a time." Leo smiled quizzically, replacing a book on a shelf. "Who's Lucky?" "Oh, I forgot you hadn't met her. She's a three-legged cat who used to belong to the cheesemaker in the village. The poor thing got her paw caught in a rat trap, and it had to be amputated. And now that she's no longer a good mouser, the cheesemaker gave her to me. He never even named her, can you imagine?" "Given what happened to her, the name 'Lucky' is something of a misnomer, isn't it?" "I thought it might improve her fortunes." "I'm sure it will," Leo said, amused. Beatrix's passion for helping vulnerable creatures had always worried and touched the Hathaways in equal measure. They all recognized that Beatrix was the most unconventional person in the family. Beatrix was always sought after at London social events. She was a pretty girl, if not classically beautiful, with her blue eyes, dark hair, and tall, slender figure. Gentlemen were attracted by her freshness and charm, unaware that she showed the same patient interest to hedgehogs, field mice, and misbehaving spaniels. And when it came time for active courtship, men reluctantly left Beatrix's engaging company and turned to more conventional misses. With each successive season, her chances at marriage diminished. Beatrix didn't seem to care. At the age of nineteen- nearly twenty- she had yet to fall in love. It was universally agreed among the Hathaways that few men would be able to understand or handle her. She was a force of nature, unhampered by conventional rules.

She gave in, pulling him close, tangling her hands in his hair, tasting his skin and his lips and his tongue. She expected him to taste like ale, but he just tasted warm, like summer and sunrise. And happiness. Happiness Cass hadn’t felt in weeks. And in that moment she knew that she would go home with him, that she would give in. She would let him return her to his meager lodgings and undress her, and their bodies would flow together like rivers. But then, out of nowhere, an image flashed: Hortensa Zanotta and the blond man circling each other. Hortensa’s knees going weak, her slender frame crumpling to the floor. Cass pulled away. Her mouth, her whole body, was still on fire. “Stop.” The word came out choked, like a whisper. “We can’t.” Cass felt suddenly, inexplicably, like she was going to cry. “I know,” Falco said. “I’m sorry.” He raked both hands through his hair in frustration. Cass shook her head. “I don’t understand how you can affect me in such a way.” If she hadn’t pulled away when she had, she might have let him lay her down right there on the stone walkway. It was madness. Falco’s eyes softened. “I don’t understand it either.” He shook his head. “Sometimes I think nature is more powerful than I give her credit for. Perhaps the stars brought us back together after we went our separate ways. Like maybe the world has plans for us.” He looked down at the ground for a moment. Cass didn’t speak. She was afraid of what she might say. Falco leaned in and brushed his lips across her cheek. “Go on.” He pointed to a glimmer of gold low on the horizon. “The sun will be rising soon.

glory.” “Use me?” The memory returned to him of thinking that, but about Rand, that the Aes Sedai meant to use Rand, not him. They’ve no bloody use for me. Light, they can’t have! “What do you mean? I’m no one important. I am no use to anyone but myself. What kind of glory?” “I knew that would pull you. You, above all.” Her smile made his head spin. He scrubbed a hand through his hair. The blanket slipped, and he caught it hastily before it could fall. “Now listen, they are not interested in me.” What about me sounding the Horn? “I am just a farmer.” Maybe they think I’m tied to Rand in some way. No, Verin said. . . . He was not sure what Verin had said, or Moiraine, but he thought most Aes Sedai knew nothing at all about Rand. He wanted to keep it that way, at least until he was a long way gone. “Just a simple country man. I only want to see a little of the world and go back to my da’s farm.” What does she mean, glory? Selene shook her head as if she had heard his thoughts. “You are more important than you yet know. Certainly more important than these so-called Aes Sedai know. You can have glory, if you know enough not to trust them.” “You certainly sound as if you don’t trust them.” So-called? A thought came to him, but he could not manage to say it. “Are you a . . . ? Are you . . . ?” It was not the kind of thing you accused someone of. “A Darkfriend?” Selene said mockingly. She sounded amused, not angered. She sounded contemptuous. “One of those pathetic followers of Ba’alzamon who think he will give them immortality and power? I follow no one. There is one man I could stand beside, but I do not follow.” Mat laughed nervously. “Of course not.” Blood and ashes, a Darkfriend wouldn’t name herself Darkfriend. Probably has a poisoned knife, if she is. He had a vague memory of a woman dressed as one nobly born, a Darkfriend with a deadly dagger in her slender hand. “That wasn’t what I meant at all. You look. . . . You look like a queen. That’s what I meant. Are you a Lady?” “Mat, Mat, you must learn to trust me. Oh, I will use you, too—you have too suspicious a nature, especially since carrying that dagger, for me to deny it—but my use will gain you wealth, and power, and glory. I will not compel you. I have always believed men perform better if convinced rather than forced.

Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her

If you're implying that I'm spoiled, I assure you that I'm not." "You should be." His warm gaze slid over her pink-tinted face and slender upper body, then sought hers again. There was a note in his voice that gently robbed her breath. "You could do with a bit of spoiling." Annabelle inhaled deeply, trying to restore the natural rhythm of her lungs.

God’s full name was Godofredo. He was actually Fredo’s nephew, which made me speculate that Fredo might be short for the same name, but when asked Fredo had given a flat look that made everyone drop the subject. Fredo was slender, not that tall, and honed down to lanky muscle like the slender blades he favored. God was inches taller, broader, and packed on muscle so that the nickname didn’t seem funny when you saw him step into the practice ring. “Hey, old man, aren’t you going to run with us?” God called. Fredo paused in his weight lifting with a barbell packed with the body weight of most of the smaller men here. He didn’t put it back on the rack; he held it partway lifted and answered in a voice without any hint of strain. “When you can beat me in the practice ring, then you can call me old; until then, shut the fuck up.” He started doing reps with the bar. God chuckled, and the sound matched the big chest. They liked each other, but it was guy liking, so there was a lot of cussing and good-natured jibes exchanged. Until I’d hung out with enough men I’d never realized that fuck you could be an endearment of the highest order.

He needed Sarah's sweet courtesy, was desperate to suffer through her virginal oohs and aahs, to bask in her fascination. The feel of her smooth hands, with those slender, questing fingers roving over him, was like a healing salve to his battered body and spirit. She amused herself with his chest, rifling through the springy hair, exploring the ridges and valleys until her maneuvers felt as natural as breathing, as though she'd touched him just so a hundred times before.

Canford, graceful, pretty, vivacious, having been translated from childhood to womanhood between one season and the next. Now Daisy was performing the same miracle. She looked so like Miggy that it caught his heart; tall and slender, pale-skinned and delicate-boned. Her bright curls were the same coppery shade but her eyes were honey-brown – Patrick’s legacy – and set differently from Miggy’s green ones. She still loved to sail and row and swim but there was a dreaminess about her now, a secretive shyness, that touched him and evoked his natural protectiveness. He looked down over the creek to the mill and thought of Hattie. He was delighted that she had sold her cottage to her old friend Sarah who, to everyone’s relief, had long since abandoned her attitude of disapproval towards Miggy. It was a pity that people generally had to fall prey to their own weaknesses before they could understand or sympathise with others who had made mistakes but at least Sarah showed no tendencies to be hypocritical. Now, Hattie only had one cottage to worry about and, if all went according to plan, the other cottage would soon be occupied. Toby gave a great sigh of pleasure as he watched the heron, still

Tertullian uses the notion of a common human nature. His principle of discontinuity would not entitle him to this. According to it, he should attribute to each man afresh a total independence of his fellows. But must maintain some slender connection between all men. This slender connection by way of common human nature presupposes at the back of it a commonality between man and God. And it is this assumption of a common nature or being which, since it is participant in divinity, is said in some measure to be always good even in the midst of evil. The result of all this for Tertullian's view of the nature of sin is that its biblical character of ethical alienation from God is not fully appreciated. Tertullian's notion of sin is still largely controlled by the idea that sin is the metaphysical opposite of the good. It is, as it were, lower in the scale of being than is the good. Sin is however inevitably, or almost inevitably, present in human nature on account of the slenderness of being that is man's character.

In person she was very attractive; her figure was rather tall and slender, her step light and firm, and her whole appearance expressive of health and animation. In complexion she was a clear brunette with a rich colour; she had full round cheeks, with mouth and nose small and well formed, bright hazel eyes, and brown hair forming natural curls close round her face. If not so regularly handsome as her sister, yet her countenance had a peculiar charm of its own to the eyes of most beholders.

...O if we but knew what to do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender,

He sat on the edge of the mattress, his nerves sizzling as Daisy gathered up the loose folds of her nightgown. She crawled into his lap with the delicacy of a cat. The scent of sweet female skin filled his nostrils, and her weight settled on his thighs. Linking her slender arms around his neck, she said gravely, “I missed you.” His palms charted the shape of her body; the tender curves, the slender waist, the firm heart-shaped bottom. But as enchanting as he found Daisy’s physical charms, they didn’t affect him a fraction as intensely as the warm, lively intelligence of her nature. “I missed you too.” Daisy’s fingers played in his hair, the delicate touch sending jolts of pleasure from the base of his skull to his groin. Her voice turned provocative. “Did you meet many women in Bristol? Westcliff mentioned something about a dinner, and a soirée given by your host—” “I didn’t notice any women.” Matthew found it hard to think over the exquisite writhing desire. “You’re the only one I’ve ever wanted.” She touched the tip of her nose to his in a playful nudge. “You weren’t celibate in the past, however.” “No,” Matthew admitted, closing his eyes as he felt the caress of her breath against his skin. “It’s a lonely feeling, wishing the woman in your arms was someone else. Not long before I left New York, I realized that every woman I’d been with in the past seven years had resembled you in some way. One would have your eyes, another your hands, or your hair…I thought I would spend the rest of my life searching for little reminders of you. I thought—” Her mouth pressed against his, absorbing the raw confession.

Family meeting!" Avery called from the bottom of the stairs up toward Autumn's and Robert's bedrooms. Autumn was first out her door. At almost ten years old, she was the image of Avery—tall, slender, naturally graceful with beautiful long blonde hair flowing as she bounded down the stairs. Robert easily overtook her as he ran full throttle. This year, he'd hit a growth spurt, reaching five foot three, and could easily navigate the stairs two at a time.

Black women were thought to aggressively pursue White men sexually, and Black men were thought to aggressively pursue White women sexually. Neither could help it, the racist myth posited. They naturally craved superior Whiteness. Black women possessed a “temper hot and lascivious, making no scruple to prostitute themselves to the Europeans for a very slender profit, so great is their inclination to white men,” dreamt William Smith, the author of New Voyage to Guinea in 1744. And all of this lasciviousness on the part of Black men and women stemmed from their relatively large genitalia, the theory went. As early as 1482, Italian cartographer Jayme Bertrand depicted Mali emperor Mansa Musa almost naked on his throne with oversized genitals.26

The choices we make in life determine human identities. A person might choose to avoid or confront their deepest night terrors. A person can elect to live carefully or rashly. A person can embrace ignorance or incessantly work to acquire knowledge of the larger world filled with people, nature, and ideas. A person can live a placid life or boldly seek out vivid encounters is a world filled with anarchy, chaos, hazards, and incomparable beauty and slender. A person can hold onto attachments and fear death or live their life as a mere witness and perceive their personal death as part of the collective story and the culmination of a life will lived. A person can employ their time in a material world to enhance personal pleasures or to develop their innate skills and strive towards attaining self-realization. A person may perceive their existence as pitiful drudgery, or live a courageously, making a statement with their wounds and scars that life is a thrilling mystery filled with longing, love, and holiness.

She dressed carefully in her favorite shade: pale green, more delicate than the earliest leaves, known as “waters of the Nile,” or in the far more sophisticated French “eau de Nil.” It was the softest silk, floating when she moved, and the sheen of it caught the light. Naturally it was the latest cut: soft at the shoulder and neck, smooth and slender at the hip. Pearls might have been more appropriate considering the name of the color, but she wore diamonds. She wanted the fire and the sparkle.

As a boy, I sometimes sat down from my wandering only to wake up an hour later, surprised to find I had fallen asleep in a warm patch of grass. That wouldn’t happen in bear country. When I walk in a place like Yellowstone, it’s always with a slight but solemn recognition of the slender possibility that I will die, that some wild animal will kill me. My senses come alive: I taste the air, listen for sounds beneath the wind. Suddenly, nature is not the backdrop to life, it is life itself, and I am no longer myself, but myself in nature. I note and classify even small changes: a shrew darting across the path, an updraft twisting a fern frond, a hummingbird gathering spiderweb for its nest. Light and form take on greater clarity, and given enough time to sink into these sensations , visual tricks will arise that are somewhere between vigilance and hallucination, such as seeing clearly every trembling leaf on a tree while in the same moment watching a bumblebee pass by in slow motion. As my senses reach outward, I spread away from myself. The world expands. It’s the closest a person can feel, I think, to being a flock of birds. The naturalist John Livingston described this perspective as a participatory state of mind, and speculated that among wild animals it is the ordinary form of consciousness. It would seem to have to be.

When I am told God became man, I can follow the idea, but I just do not understand what it means. For what man, if left to his natural promptings, if he were God, would humble himself to lie in the feedbox of a donkey or to hang upon a cross? God laid upon Christ the iniquities of us all.      This is that ineffable and infinite mercy of God which the slender capacity of a man's heart cannot comprehend and much less utter-that unfathomable depth and burning zeal of God's love toward us. And truly the magnitude of God's mercy engenders in us not only a hardness to believe but also incredulity itself.

Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her. Hunter grew amused, watching Loretta. When she threw him an accusing glance, he noted that her pupils had flared until her irises were almost black. Crimson rode her cheeks, and a rosy flush colored her slender throat. He wondered if her entire body was pink and wish they were alone so he could find out. Soon. Tonight he would build a fire so she couldn’t hide in shadows, and he would learn every inch of her, slowly.

SEEING HER   Time stands still in a swelling moment where my curiosity draws me to be still in thought as the breaking speed of sound causes my heart to ascend to where I now know. An almost desperate attempt is made to catch my breath. In all I recognize that she is the first to seduce me with an absolute fascination. I make note of the incredible lines that veer beyond the vantage of what beauty I can absorb. It’s as if to say I’ve come upon an undiscovered passage at the center of nature’s secret that has led me to wonder. She is a woman, if whose flaws were to unveil would only make her even more distinctly unique with beauty. Her ivory-colored complexion bears the brilliance of champagne balanced by a hint of ochre. Ringlets of black thread and pearl lay gracefully alongside her charming features. Her lips look as if they speak of love often but only to herself. Her style, grace, elegance, and posture display the pure determination that she has made clear in her mind. The slight indent on the bridge of her adorable nose complements her slender face and endearing qualities. Her elegance alone surpasses any expression I’ve ever encountered. There she sits in long black dress pants with the perfect crease down the front. Her small feet show through her black sandal heels that wrap around her thin ankles. Her pants waistline reaches up passed her hips secured by a leather belt and designer buckle. She wears her grey-collared dress shirt tucked in, allowing only me to make note of those lines that press firmly and loosely against her body.

EUPHORIA   Holding her in my arms makes me feel young and makes me feel old. Here there is no question as to how strong our love is and always will be. Reaching for her face, both my hands now caress her above the eyes before drawing a single finger down the side of her face in close examination of her perfect beauty. She now takes each breath in congruence to my every touch. Holding her close to me I follow the main artery reaching up into her brain cavity, ever so gently grabbing a hold of her shape with each amalgamating crimp of my lip’s kiss. Her honeyed lips now overlap in a mesmerizing sequence of twists and turns defining all of nature within this gravitating romance. Beautifully naked in a sciatic squirm of innate belonging her igneous hourglass-like figure curls up against mine in a deliquescent manner formulating the equilibrium of our edifying.   She woos me with her altruism and her childlike glow. Gliding over the emollient ewer of her extricating kiss our hearts conjoin in this luminescent rectitude of irrepressible euphoria. Sketching down her solar plexus by my touch abreast we bask in the bounteous espy of everlasting jubilance. When we kiss it’s as if we are dancing in the serene existence of Mother Nature’s melody. Her slender arms and hands revolve around my face and shoulders with an enchanting gentleness like gracious fireflies gleaming against the starry dusk of a fervid fantasia. Intertwined within the gradient of our love’s desiderated gavotte her second nature becomes aware of herself in me–and I in her.

The night-hawk circled overhead in the sunny afternoons—for I sometimes made a day of it—like a mote in the eye, or in heaven’s eye, falling from time to time with a swoop and a sound as if the heavens were rent, torn at last to very rags and tatters, and yet a seamless cope remained; small imps that fill the air and lay their eggs on the ground on bare sand or rocks on the tops of hills, where few have found them; graceful and slender like ripples caught up from the pond, as leaves are raised by the wind to float in the heavens; such kindredship is in Nature. The hawk is aerial brother of the wave which he sails over and surveys, those his perfect air-inflated wings answering to the elemental unfledged pinions of the sea.

larynx (pp. 352–354), and (2) smaller intrinsic muscles that control tension in the glottal vocal folds or that open and close the glottis. These smaller muscles insert on the thyroid, arytenoid, and corniculate cartilages. The opening or closing of the glottis involves rotational movements of the arytenoid cartilages. When you swallow, both sets of muscles work together to prevent food or drink from entering the glottis. Food is crushed and chewed into a pasty mass, known as a bolus, before being swallowed. Muscles of the neck and pharynx then elevate the larynx, bending the epiglottis over the glottis, so that the bolus can glide across the epiglottis rather than falling into the larynx. While this movement is under way, the glottis is closed. Foods or liquids that touch the vestibular folds or glottis trigger the coughing reflex. In a cough, the glottis is kept closed while the chest and abdominal muscles contract, compressing the lungs. When the glottis is opened suddenly, a blast of air from the trachea ejects material that blocks the entrance to the glottis. Sound Production How do you produce sounds? Air passing through your open glottis vibrates its vocal folds and produces sound waves. The pitch of the sound depends on the diameter, length, and tension in your vocal folds. The diameter and length are directly related to the size of your larynx. You control the tension by contracting voluntary muscles that reposition the arytenoid cartilages relative to the thyroid cartilage. When the distance increases, your vocal folds tense and the pitch rises. When the distance decreases, your vocal folds relax and the pitch falls. Children have slender, short vocal folds, so their voices tend to be high pitched. At puberty, the larynx of males enlarges much more than that of females. The vocal cords of an adult male are thicker and longer, so they produce lower tones than those of an adult female. Sound production at the larynx is called phonation (fo.-NA .-shun; phone, voice). Phonation is one part of speech production. Clear speech also requires articulation, the modification of those sounds by voluntary movements of other structures, such as the tongue, teeth, and lips to form words. In a stringed instrument, such as a guitar, the quality of the sound produced does not depend solely on the nature of the vibrating string. Rather, the entire instrument becomes involved as the walls vibrate and the composite sound echoes within the hollow body. Similar amplification and resonance take place within your pharynx, oral cavity, nasal cavity, and paranasal sinuses. The combination gives you the particular and distinctive sound of your voice. That sound changes when you have a sinus infection and your nasal cavity and paranasal sinuses are filled with mucus rather than air.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

feathers projecting from her hat as of the bellhops dragging her luggage behind her. But what guaranteed her position as the natural center of attention were the two borzois she had on leash. In an instant the Count could see that they were magnificent beasts. Their coats silver, their loins lean, their every sense alert, these dogs had been raised to give chase in the cold October air with a hunting party hot on their heels. And at day’s end? They were meant to sit at the feet of their master before a fire in a manor house—not adorn the hands of a willow in the lobby of a grand hotel. . . . The injustice of this was not lost on the dogs. As their mistress addressed Arkady at the front desk, they tugged every which way, sniffing about for familiar landmarks. “Stop it!” the willow commanded in a surprisingly husky voice. Then she yanked in a manner that showed she had no more familiarity with the wolfhounds on her leashes than she had with the birds that had feathered her hat. The Count gave the situation the shake of the head it deserved. But as he turned to go, he noticed with some amusement that a slender shadow suddenly jumped from behind a wingback chair to the edge of one of the potted palms. It was none other than Field Marshal Kutuzov attaining higher ground to take measure of his foes. When the dogs turned their heads in unison with their ears upright,

On either side of us were stinging nettles, a couple of feet deep; past that, slender trunks that bowed under the weight of their fresh foliage. Some of the older trees were fallen, spiked, half covered by mosses, lichens, slime molds in bubblegum pink and neon yellow we could just make out in the escalating light.

I do all my studying now by the pool in the Land of Uprightness, among those wonderful, tall, slender trees. I'm a Druidess in the woods--I regard trees with something more than love--worship. And then, too, trees, unlike so many humans, always improve on acquaintance. no matter how much you like them at the start you are sure to like them much better further on, and best of all when you have known them for years and enjoyed intercourse with them in all seasons. I know a hundred dear things about these trees in the Land of Uprightness that I didn't know when I came here two years ago.

First it had been the natural impulse of the thoroughbred —brute or human—to guard the helpless. Then, as the shapeless yellow baby grew into a slenderly graceful collie, his guardianship changed to stark adoration. He was Lady’s life slave.

He takes his time, and the movement of his hips and shoulders, along with the way he holds his head slightly upturned, are all evidence of his colossal self-confidence. It oozes out of him and he radiates success, power, and determination. His slender body is shaped perfectly for my modest taste: wide shoulders, narrow hips, strong arms and muscles, his summer clothes doing nothing to hide their soft outline. I am not really an admirer of male bodies, but I am definitely having trouble resisting the urge to undress this one and see the whole picture, so to speak. He is manly, but it is not a manliness that comes from time spent at the gym, but rather from nature – organically. Nobility, gentility, and elegant manners all make up Alex’s very being. You can find them in his every movement, gesture, phrase, word, and look.

May we not think of the two friends together in a College chamber, Addison of slender frame, with features wanting neither in dignity nor in refinement, Steele of robust make, with the radiant 'short face' of the 'Spectator', by right of which he claimed for that worthy his admission to the Ugly Club. Addison reads Dryden, in praise of whom he wrote his earliest known verse; or reads endeavours of his own, which his friend Steele warmly applauds. They dream together of the future; Addison sage, but speculative, and Steele practical, if rash. Each is disposed to find God in the ways of life, and both avoid that outward show of irreligion, which, after the recent Civil Wars, remains yet common in the country, as reaction from an ostentatious piety which laid on burdens of restraint; a natural reaction which had been intensified by the base influence of a profligate King. Addison, bred among the preachers, has a little of the preacher's abstract tone, when talk between the friends draws them at times into direct expression of the sacred sense of life which made them one.

Instantly, who knows from where, angels small in stature, followed by swifts, flitted out and started tracing patterns above Brother Mocius while chiming in. Eagles, their white beards loosed to the wind, stooped, screeching. Swarms of fierce bees streaked by, obedient and humming; diverse butterflies swishes, vipers crawled from their dens, whistling, and hyenas leapt out, sobbing and weeping. Howl, peep, roar, flutter. Everything was keening. Even the humble gentian and saxifrage, customarily dumb, as is meet for plants, contributed a barely audible squeak, not to mention the slender lizards, darting in with their hatchlings

The Minister for Natural Health asked about a stack of extremely slender volumes, and Zhu smiled happily. As a reaction against these endless compendiums, he explained, he had gotten into the habit of buying any books he came across that seemed required by their subject matter to be short, often so short that their titles would scarcely fit on their spines. Thus “Secrets to Successful Marriage,” or “Good Reasons to Have Hope for the Future,” or “Stories About Not Being Afraid of Ghosts.

She was breathtaking in the violet gown, her slender neck encircled with diamonds, her hair rich with dark fire. Nature had blessed her with abundant beauty. But it was her smile that made her irresistible, a smile so sweet and brilliant that it warmed him from the inside out. Harry wished she would smile at him like that. She had, in the beginning. There had to be something that would induce her to warm to him, to like him again. Everyone had a weakness. In the meantime, Harry stole glances of her whenever he could, his lovely and distant wife . . . and he drank in the smiles she gave to other people.

Beneath heaven’s vault remember always walking through halls of cloud down aisles of sunlight or through high hedges of the green rain walk in the world highheeled with swirl of cape hand at the swordhilt of your pride Keep a tall throat Remain aghast at life Enter each day as upon a stage lighted and waiting for your step Crave upward as flame have keenness in the nostril Give your eyes to agony or rapture Train your hands as birds to be brooding or nimble Move your body as the horses sweeping on slender hooves over crag and prairie with fleeing manes and aloofness of their limbs Take earth for your own large room and the floor of the earth carpeted with sunlight and hung round with silver wind for your dancing place

Exploring sacred teachings from around the world demonstrates that nature, including anymals, is sacred, that anymals are central to our spiritual landscape, and that we owe them respect, justice, and compassion. Religious texts remind us that we share a fundamental kinship with tabby cats, rose-ringed parakeets, and slender pygmy swordtails, and that anymals are understood to be remarkable and marvelous—superior to humans in many ways—in the world’s religious traditions. Sacred literature indicates that nonhumans and humans share the same fate after death; faiths that have a Creator teach human beings that the divine is personally invested in the life of every anymal, from the large flightless common rhea to each critically endangered Jenkin’s shrew, from a factory-farmed chicken to each bovine trucked to slaughter. Religious exemplars remind us that all species have personality and intellect—other creatures, whether insects, fish, reptiles, mammals, or birds, can offer much-needed spiritual wisdom for the betterment of humanity. Religions teach of a deep and fundamental unity on planet Earth. Interestingly, consistent with Darwin, the world’s dominant religions teach people that there is much more continuity than separation across species.

Why do you fear me, Raven? You have seen me at my worst, as a killer, a dispenser of justice for our people.” His thumbs stroked her nipples, a slow, erotic brush that sent liquid heat curling through her. “Do you believe I am evil? Touch my mind, little one. It is impossible for me to hide anything from you. I never concealed my true nature from you. You looked upon me once with the eyes of compassion and love. Of acceptance. Has that all been forgotten?” Raven closed her eyes, long lashes sweeping down on high cheekbones. “I don’t know what to believe anymore.” “Kiss me, Raven. Merge your mind with mine. Share your body so that we are completely one being. You trusted me before. Do so now. Look at me with the eyes of love, in forgiveness for the things I have been forced to do, for the beast in my nature. Do not look at me through the eyes of one who would wish to destroy our people and us. Give yourself to me.” His voice was seductive, a black magic spell, his hands caressing every beloved inch of her satin skin. He had committed every hollow, every curve, to memory. His body burned with need, and his hunger was rising. Her hunger, his. Very gently, so as not to alarm her, Mikhail pressed her slender body to the quilt, his muscular frame covering her smaller one like a blanket. She was so petite, so fragile, beneath his exploring hands. “Why have you become my life, Mikhail? I’ve always been alone and strong and sure of myself. You seem to have taken over my life.” His palms slid up the curve of her body to frame her face. “You are my only life, Raven. I will admit I took you from all you knew, but you were never meant to live in isolation. I know what that does, how desolate life can be. The people you worked for were using you up. Eventually they would have destroyed you. Can you not feel that you are my other half--that I am yours?” His mouth drifted over her eyes, her cheekbones, each corner of her mouth. “Kiss me, Raven. Remember me.” She lifted long lashes and searched his black, hungry gaze with blue eyes that had darkened to deep purple. There was a burning intensity in the heat of his gaze, of his body. “If I kiss you, Mikhail, I won’t be able to stop.

I’m sorry. I didn’t intend to do anything but go for a short walk. When I heard him, I felt the need to make certain he was all right. I didn’t know, Mikhail, that I was seeking human company.” “I do not blame you, little one, never that.” His voice was so gentle, it turned her heart over. “I can easily read your memories. I know of your intent. And I would never blame you for your compassionate nature.” “I guess we both have difficulties to contend with,” she said softly. “I can’t be what you want me to be, Mikhail. You use the word ‘human’ like a curse, something less than what you are. Did it ever occur to you that you’re prejudiced against my race? Carpathian blood may flow in my veins, but in my heart and my mind I’m human. I didn’t set out to betray you. I went for a walk. That’s all I did. I’m sorry, Mikhail, but all my life I’ve known freedom. Changing my blood is not going to change who I am.” He paced across the floor with quick, fluid energy, all power and coordination. “I am not prejudiced,” he denied. “Of course you are. You view my race with a measure of contempt. Would you have been happy if I had fed, using Romanov’s blood? Is that acceptable? To use him for food, but not for a few friendly words?” “I do not like this picture you paint of me, Raven.” Mikhail crossed the room to hold out his hand for the cape. The bedchamber was warm and smelled of nature--wood and meadow. Reluctantly Raven slipped the cape from her shoulders. Mikhail frowned when he saw that she was clad only in his crisp white shirt. Although the tails reached her knees and covered her bottom, a generous portion of her thighs was exposed, right up to her hips. The effect was incredibly sexy, with her long, wild mane of hair cascading in waves down to the bed, framing her slender form. “O köd belső--darkness take it,” Mikhail swore softly, a few choice words in his own language, thankful he hadn’t realized she was wearing nothing but his shirt beneath his cape.

Mikhail crossed the room to hold out his hand for the cape. The bedchamber was warm and smelled of nature--wood and meadow. Reluctantly Raven slipped the cape from her shoulders. Mikhail frowned when he saw that she was clad only in his crisp white shirt. Although the tails reached her knees and covered her bottom, a generous portion of her thighs was exposed, right up to her hips. The effect was incredibly sexy, with her long, wild mane of hair cascading in waves down to the bed, framing her slender form. “O köd belső--darkness take it,” Mikhail swore softly, a few choice words in his own language, thankful he hadn’t realized she was wearing nothing but his shirt beneath his cape. He probably would have torn out Romanov’s throat. The thought of Raven approaching the young man, smiling at him, mesmerizing him with her siren’s eyes, bending her head to his throat, touching him with her mouth, her tongue, her teeth…His gut clenched in total rebellion at the picture. He raked a hand through his hair, hung the cape in his closet, and filled the old-fashioned pitcher and basin with warm water. Once he had his imagination under firm control, he could answer her with his usual gentleness. “No, little one, after giving it thought, I cannot say I would have been happy had you been feeding.

When Maxime went to the Bois de Boulogne, with his waist tightly compressed like a woman's, lightly dancing in the saddle on which he was swayed by the canter of his horse, he was the god of the age, with his strongly developed hips, his long slender hands, his sickly lascivious air, his correct elegance, and his slang learnt at petty theatres. At twenty years of age he placed himself above all surprises and all disgusts. He had certainly dreamt of the most unusual beastliness. But with him vice was not an abyss, as it is with certain old men, but a natural external bloom. It curled upon his fair hair, smiled upon his lips, and dressed him like his clothes. However his great characteristic was especially his eyes, two clear and smiling blue apertures, true mirrors for a coquette, but behind which one perceived all the emptiness of his brain. Those harlot eyes were never lowered; they courted pleasure, a pleasure without fatigue which one summons and receives.

MAUDE LAURENT, A TALL, slender, sixteen-year-old girl with smooth brown skin, was quickly walking in Carvin’s deserted streets in the rain. Her long eyelashes drooped to avoid the droplets from entering her wide brown eyes. Her dark natural hair, usually held back in a bun, had frizzled with the rain and rebellious locks of hair covered her forehead under her soaked hood. She could barely see where she was going, but walked steadily nonetheless, her step firm and graceful at the same time although she carried two heavy grocery bags.

It can’t work. I have obligations. I can’t afford a relationship right now. And you’re looking for something intense, passionate, forever, some eternal bond. I’m just not like that. I don’t have all that much to give anyone.” Her fingers twisted together in agitation; he felt his heart twist in answer. The smile deep in his soul at her foolish words never found its way to his face. Shea had a passionate nature, and her need for him was as great as his need for her. She knew it, and it terrified her. More than anything, that knowledge was what made her determined to run from him. She had taught herself to be a solitary person, had no idea how to share her life. She would never, could never be like her mother. “Are you listening to me, Jacques?” He moved closer, crowded her slender body. His arms swept her to him, nearly crushing her. “Of course I am listening. I hear that you are afraid. I feel it.” His warm breath caressed her neck. The way he held her was completely protective, gentle, tender. “I am afraid, too. I have no past, Shea. Only a living hell that shaped a madman. Those people you call my family mean nothing to me. I do not trust them. Any one of them could be the betrayer.” He laid his head over hers, a soothing gesture of unity. “I cannot always distinguish reality from the madness. There is only you, my love, to keep me sane. If you choose to desert me, I fear for myself and any who dare to come near.

I used to walk out, at night, to the breakwater which divides the end of the harbor form the broad moor of the salt marsh. There was nothing to block the wind that had picked up speed and vigor from its Atlantic crossing. I’d study the stars in their brilliant blazing, the diaphanous swath of the milk Way, the distant glow of Boston backlighting the clouds on the horizon as if they’d been drawn there in smudgy charcoal. I felt, perhaps for the first time, particularly American, embedded in American history, here at the nation’s slender tip. Here our westering impulse, having flooded the continent and turned back, finds itself face to face with the originating Atlantic, November’s chill, salt expanses, what Hart Crane called the “unfettered leewardings,” here at the end of the world.

Luciferians identify with the symbol of the Adversary in nature: evolve, become and conqueror. You can recognize this essential Luciferian Trait just by observing the words and actions of another. If they are “victims” and fill the air with complaints of another person causing their “failures” then they have revealed that they are sheep: avoid the downtrodden sheep who sometimes try to fit a slenderer “wolf-skin” over their overweight, soft and “wool-covered” bodies. The Wolf-Skin might be stretched over the lazy Sheep body for a time, but the covering will not hold. Natural survival instincts hold contempt for weakness; this is evident within the animal kingdom. Luciferians often help those who are attempting to help themselves first. Our philosophy is flexible and adaptable to the individual, trust your “gut feelings” and avoid the “victim” who inherently cannot exist as a Luciferian. •

I know he makes mistakes, but basically he’s a good kid,” she told him. “Trust him, and trust yourself.” She looked so earnest, he thought, as aroused as he was amused. “You’re the one who shouldn’t be trusting me,” he told her, right before he kissed her. As he lowered his mouth to hers, he wrapped his arms around her and drew her close. She leaned into him, her slender body warm and supple in his embrace. Her lips clung, then parted. When he swept inside, she was hot, sweet and more than willing to take him on. The second his tongue touched hers, she moaned. Her fingers dug into his shoulders, and he felt a shudder ripple through her body. He went from hard to ready to explode in two seconds. The way they were next to each other on a log didn’t allow him to explore her the way he wanted, so he broke the kiss and pulled her to her feet. Phoebe went willingly, if a little unsteadily. When they were both standing, he pressed his mouth to her jaw before sliding to her neck. She moaned and leaned back her head. Their lower bodies brushed against each other. When her belly came in contact with his erection, it was his turn to groan. He slid one hand from her waist up to her breast and cupped the feminine curve. Even through the layers of her shirt and bra, he could feel her tight nipple. One sweep of his thumb against it had her gasping. She touched his head and guided his mouth back to hers. This time when he entered her, she closed her lips around his tongue and sucked. He dropped his free hand to the small of her back, holding her in place so he could rub against her. The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on. It was paradise. It was pure torture. He swore. She broke the kiss and smiled at him. “So you find me annoying, but you still want me,” she whispered. “I don’t find you annoying.” He pushed against her crotch. “I don’t find you annoying, either.

slender bodies