β
After all, what is happiness? Love, they tell me. But love doesn't bring and never has brought happiness. On the contrary, it's a constant state of anxiety, a battlefield; it's sleepless nights, asking ourselves all the time if we're doing the right thing. Real love is composed of ecstasy and agony.
β
β
Paulo Coelho (The Witch of Portobello)
β
sleep is the most innocent creature there is and a sleepless man
the most guilty.
β
β
Franz Kafka (Letters to Milena)
β
Oh, the terrible struggle that I have had against sleep so often of late; the pain of the sleeplessness, or the pain of the fear of sleep, and with such unknown horror as it has for me! How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.
β
β
Bram Stoker (Dracula (Signet Classics))
β
Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.
β
β
Shirley Jackson (The Haunting of Hill House)
β
He would lie in the bed and finally, with daylight, he would go to sleep. After all, he said to himself, it is probably only insomnia. Many must have it.
β
β
Ernest Hemingway (A Clean Well-Lighted Place)
β
Shut up, me,β Leo said aloud.
βWhat?β Piper asked.
βNothing,β he said. βLong night. I think Iβm hallucinating. Itβs cool.β
Sitting in front, Leo couldnβt see their faces, but he assumed from their silence that his friends were not pleased to have a sleepless, hallucinating dragon driver.
βJust joking.β Leo decided it might be good to change the subject.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
sleep is such a luxury, which i cant afford.
β
β
Robin Sikarwar
β
One day, you and I are gonna wake up and be alright. Maybe not today, maybe not tomorrow but one day. One day. I promise you.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
In this sleepless night, as the darkness advances, look up at the sky and somehow remember that somewhere in this wide world, there are always people who love you, and people who need you. Because every person can't go on living alone.
β
β
Ai Yazawa
β
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
β
β
L.M. Montgomery
β
I will go,β he said. βI will go to Troy.β
The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again.
He was watching me, his eyes as deep as earth.
βWill you come with me?β he asked.
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. βYes,β I whispered. βYes.β
Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us.
Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
β
β
Madeline Miller (The Song of Achilles)
β
It is rarely that the pleasures of the imagination will compensate for the pain of sleeplessness,
β
β
Thomas Hardy (Far From the Madding Crowd)
β
It struck him that in moments of crisis one is never fighting against an external enemy, but always against oneβs own body... On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
β
β
George Orwell (1984)
β
Bright star, would I were steadfast as thou artβ
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moorsβ
Noβyet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live everβor else swoon to death.
Bright Star
β
β
John Keats (The Complete Poems)
β
When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.
β
β
Stephen King (Nightmares and Dreamscapes)
β
I'm an insomniac, my mind works the night shift.
β
β
Pete Wentz (Gray)
β
Trust = telling someone about the things that make you sleepless.
β
β
Hillary Frank (I Can't Tell You)
β
If a composer suffers from loss of sleep and his sleeplessness induces him to turn out masterpieces, what a profitable loss it is!
β
β
Antoine de Saint-ExupΓ©ry (Night Flight)
β
What are you thinking?" he asks.
I know Gage hates it when I cry - he is completely undone by the sight of tears - so I blink hard against the sting. "I'm thinking how thankful I am for everything," I say, "even the bad stuff. Every sleepless night, every second of being lonely, every time the car broke down, every wad of gum on my shoe, every late bill and losing lottery ticket and bruise and broken dish and piece of burnt toast."
His voice is soft. "Why, darlin'?"
"Because it all led me here to you.
β
β
Lisa Kleypas (Sugar Daddy (Travises, #1))
β
Love Sorrow
Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,
what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so
utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment
by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,
as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.
β
β
Mary Oliver (Red Bird)
β
The creak of bed springs suffering under the weight of a restless man is as lonely a sound as I know.
β
β
Patrick deWitt (The Sisters Brothers)
β
Be authentic to your dreams. Be authentic to your own idea about yourself. Grind away at your own minds and bodies until you become your own invention. Be Mad Scientists.
β
β
Warren Ellis (Doktor Sleepless, Volume 1: Engines of Desire)
β
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldnβt even feel it. And yet I believe youβll be sensible of a little gap. But youβd clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shanβt make you love me any the more by giving myself away like this βBut oh my dear, I canβt be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I donβt love. I have brought it to a fine art. But you have broken down my defences. And I donβt really resent it.
β
β
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
β
When a strong woman finally gives up, itβs not because sheβs weak or because she no longer loves her man. To put it in the simplest termsβ¦sheβs just tired. Sheβs tired of the gamesβ¦sheβs tired of the sleepless nightsβ¦sheβs tired of feeling like sheβs all alone and the only one tryingβ¦ sheβs tired.
β
β
Amari Soul (Reflections Of A Man)
β
Dark circles under my eyes sink deeper and deeper into my skull, in contrast to my pale skin there is an undeniable resemblance to a fresh corpse.
β
β
Dee Remy
β
The night above. We two. Full moon.
I started to weep, you laughed.
Your scorn was a god, my laments
moments and doves in a chain.
The night below. We two. Crystal of pain.
You wept over great distances.
My ache was a clutch of agonies
over your sickly heart of sand.
Dawn married us on the bed,
our mouths to the frozen spout
of unstaunched blood.
The sun came through the shuttered balcony
and the coral of life opened its branches
over my shrouded heart.
- Night of Sleepless Love
β
β
Federico GarcΓa Lorca
β
Discover why youβre important, then refuse to settle for anyone who doesnβt completely agree.
β
β
Fisher Amelie (Thomas & January (Sleepless, #2))
β
When you're attracted to someone, it just means that your subconscious is attracted to their subconscious, subconsciously. So what we think of as fate is just two neuroses knowing that they are a perfect match.
- Sleepless in Seattle
β
β
Nora Ephron
β
Well, it was a million tiny little things that, when you added them all up, they meant we were supposed to be together... and I knew it. I knew it the very first time I touched her. It was like coming home... only to no home I'd ever known... I was just taking her hand to help her out of a car and I knew. It was like... magic.
- Sleepless in Seattle
β
β
Nora Ephron
β
Here comes goodbye, here comes the last time
Here comes the start of every sleepless night
The first of every tear Im gonna cry
Here comes the pain, Here comes me wishing things had never changed
And she was right here in my arms tonight, but here comes goodbye
β
β
Rascal Flatts
β
A poetess who had died young of cancer had said in one of her poems that for her, on sleepless nights, 'the night offers toads and black dogs and corpses of the drowned.
β
β
Yasunari Kawabata (House of the Sleeping Beauties and Other Stories)
β
Well, I'm gonna get out of bed every morning... breathe in and out all day long. Then, after a while I won't have to remind myself to get out of bed every morning and breathe in and out... and, then after a while, I won't have to think about how I had it great and perfect for a while.
- Sleepless in Seattle
β
β
Nora Ephron
β
I both wished and feared to see Mr. Rochester on the day which followed this sleepless night. I wanted to hear his voice again, yet feared to meet his eye.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
It may not be nice to be good, little 6655321. It may be horrible to be good. And when I say that to you I realize how self-contradictory that sounds. I know I shall have many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him? Deep and hard questions, little 6655321.
β
β
Anthony Burgess (A Clockwork Orange)
β
How I wished during those sleepless hours that I belonged to a different nation, or better still, to none at all.
β
β
W.G. Sebald (Vertigo)
β
β’ Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starvingβyou're high as a kite, sleepless, full of a frenetic, unstable energyβand the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.
β
β
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
β
Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craining their necks. Everybody has marks on their bodies from years of living- a trail of life left on them. Evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they are.
β
β
Katherine Center (Everyone is Beautiful)
β
If we had more sleepless nights in prayer, there would be fewer souls to have a sleepless eternal night in hell.
β
β
Leonard Ravenhill (Revival God's Way)
β
Warriors of light always have a certain gleam in their eyes.
They are of this world, they are part of the lives of others, and they set out on their journey with no saddlebags and no sandals. They are often cowardly. They do not always make the right decisions.
They suffer over the most trivial things, they have mean thoughts, and sometimes believe that they are incapable of growing. They frequently deem themselves unworthy of any blessing or miracle.
They are not always quite sure what they are doing here. They spend many sleepless nights, believing that their lives have no meaning.
That is why they are warriors of light. Because they make mistakes. Because they ask themselves questions. Because they are looking for a reason - and are sure to find it.
β
β
Paulo Coelho
β
We still groped for each other on the backstairs or in parked cars
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββas the road around us
grew glossy with ice and our breath softened the view through the glass
ββββββββββββββββββββalready laced with frost,
but more frequently I was finding myself sleepless, and he was running out of
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββlullabies.
But damn if there isnβt anything sexier
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββthan a slender boy with a handgun,
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββa fast car, a bottle of pills.
β
β
Richard Siken (Crush)
β
Water sleeps, and the enemy is sleepless.
β
β
Bram Stoker (Dracula)
β
Poems can get
sleepless too
and become
the loneliest thing
in the universe.
β
β
Sanober Khan
β
The life I know now is the only one that matters. The suffocation, the luxury, the sleepless nights, and the dead bodies. Iβve always been taught to focus on power and pain, gaining and inflicting.
I grieve nothing.
I take everything.
Itβs the only way I know how to live in this battered body.
β
β
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β
Right now I can't even control my own imagination as it grips my hair and drags me into the dark
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
On the nights I canβt sleep, like that one, like so many recently, I wish I could just turn my mind off like a lamp.
β
β
Iain Reid (I'm Thinking of Ending Things)
β
While pensive poets painful vigils keep,
Sleepless themselves, to give their readers sleep.
β
β
Alexander Pope (The Dunciad)
β
Fuck You Poem #45
Fuck you in slang and conventional English.
Fuck you in lost and neglected lingoes.
Fuck you hungry and sated; faded, pock marked, and defaced.
Fuck you with orange rind, fennel and anchovy paste.
Fuck you with rosemary and thyme, and fried green olives on the side.
Fuck you humidly and icily.
Fuck you farsightedly and blindly.
Fuck you nude and draped in stolen finery.
Fuck you while cells divide wildly and birds trill.
Thank you for barring me from his bedside while he was ill.
Fuck you puce and chartreuse.
Fuck you postmodern and prehistoric.
Fuck you under the influence of opiun, codeine, laudanum, and paregoric.
Fuck every real and imagined country you fancied yourself princess of.
Fuck you on feast days and fast days, below and above.
Fuck you sleepless and shaking for nineteen nights running.
Fuck you ugly and fuck you stunning.
Fuck you shipwrecked on the barren island of your bed.
Fuck you marching in lockstep in the ranks of the dead.
Fuck you at low and high tide.
And fuck you astride
anyone who has the bad luck to fuck you, in dank hallways,
bathrooms, or kitchens.
Fuck you in gasps and whispered benedictions.
And fuck these curses, however heartfelt and true,
that bind me, till I forgive you, to you.
β
β
Amy Gerstler (Ghost Girl)
β
Bright star, would I were steadfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite.
β
β
John Keats
β
He had brown hair, piercing green eyes and jaw line that screamed 'I might just let you kiss me here'.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Foolishness sleeps soundly, while knowledge turns with each thinking hour, longing for the dawn of answers.
β
β
Anthony Liccione
β
I just want somebody I can have a decent conversation with over dinner.β βTom Hanks, Sleepless in Seattle (1993) 11
β
β
Jenn Bennett (Alex, Approximately)
β
You need not worry or make yourself sleepless about the world; it will go on without you.
β
β
Vivekananda (Karma Yoga: The Yoga of action (art of living))
β
A few nights later, I secretly hope that I might be a genius. Why else can no amount of sleeping pills fell my brain? But in the morning my daughter asks me what a cloud is and I cannot say.
β
β
Jenny Offill (Dept. of Speculation)
β
The time between midnight and dawn when most people die, when sleep is deepest, when nightmares are most palatable. It is the hour when the sleepless are pursued by their sharpest anxieties, when ghosts and demons hold sway. The hour of the wolf is also the hour when most children are born.
β
β
Ingmar Bergman
β
I have nothing to give anyone, really. Itβs the one gift I can give that has any kind of value. It makes me feel worthy.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
β
β
Jane Austen (Northanger Abbey)
β
Oh, hell, he'd look hot in a chicken suit.
β
β
Cyn Balog (Sleepless)
β
It's sad to fall asleep. It separates people. Even when you're sleeping together, you're all alone.
β
β
J.L. Merrow (Pricks and Pragmatism (Southampton Stories #1))
β
When the black thing was at its worst, when the illicit cocktails and the ten-mile runs stopped working, I would feel numb as if dead to the world. I moved unconsciously, with heavy limbs, like a zombie from a horror film. I felt a pain so fierce and persistent deep inside me, I was tempted to take the chopping knife in the kitchen and cut the black thing out I would lie on my bed staring at the ceiling thinking about that knife and using all my limited powers of self-control to stop myself from going downstairs to get it.
β
β
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
β
Well finish your story anyway."
Where was I?"
The bubonic plague. The bulldozer was stalled by corpses."
Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people.
And Father started giggling," Castle continued.
He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head and do you know what that marvelous man said to me?" asked Castle.
Nope."
'Son,' my father said to me, 'someday this will all be yours.
β
β
Kurt Vonnegut Jr.
β
He bent his head to mine and kissed the sense out of me. If youβd asked me my name, Iβd have told you wrong. He had that kind of ability and he was mine, maybe it was because he was mine and because I loved him the way I did that his spell could cast itself over me with such ferocity.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Care keeps his watch in every old manβs eye,
And where care lodges, sleep will never lie.
β
β
William Shakespeare (Romeo and Juliet)
β
And then you met me," I said.
"And then I met you," she said, smiling softly.
"And all was right with the world," I joked.
"Exactly," she said seriously.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Oh God, midnightβs not bad, you wake and go back to sleep, one or twoβs not bad, you toss but sleep again. Five or six in the morning, thereβs hope, for dawnβs just under the horizon. But three, now, Christ, three A.M.! Doctors say the bodyβs at low tide then. The soul is out. The blood moves slow. Youβre the nearest to dead youβll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, youβd slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom thatβs burned dry. The moon rolls by to look at you down there, with its idiot face. Itβs a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead β And wasnβt it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...
β
β
Ray Bradbury (Something Wicked This Way Comes)
β
We may not have known each other our whole lives but we've definitely lived them in parallel
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Things are as bad as you fear they are. People are as bad as you think they are. The Universe does not care.
β
β
Charlie Huston (Sleepless)
β
Sexy. As. Hell. Though, now that I think about it. Is hell sexy
?
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
I'm just an insomniac struggling for a night where I don't dream of you anymore.
β
β
Lone Alaskan Gypsy
β
I feel desperate when it comes to you. Desperate and a little bit insane. All I can think about around you is what you taste like.
β
β
Fisher Amelie (Thomas & January (Sleepless, #2))
β
Great CEOs face the pain. They deal with the sleepless nights, the cold sweats, and what my friend the great Alfred Chuang (legendary cofounder and CEO of BEA Systems) calls βthe torture.β Whenever I meet a successful CEO, I ask them how they did it. Mediocre CEOs point to their brilliant strategic moves or their intuitive business sense or a variety of other self-congratulatory explanations. The great CEOs tend to be remarkably consistent in their answers. They all say, βI didnβt quit.
β
β
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
β
My happiness was tied to him in strands of transparent steel cables, nothing could break those ties except for Callum himself and I trusted him so implicitly.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
I wonder if you know yet that youβll leave me. That you
are a child playing with matches and I have a paper body.
You will meet a girl with a softer voice and stronger arms and she
will not have violent secrets or an affection for red wine or eyes
that never stay dry. You will fall into her bed and Iβll go back
to spending Friday nights with boys who never learn my last name.
I have chased off every fool who has tried to sleep beside me
You think itβs romantic to fuck the girl who writes poems about you.
You think Iβll understand your sadness because I live inside my own.
But I will show up at your door at 2 am, wild-eyed and sleepless.
and try and find some semblance of peace in your breastbone
and you will not let me in. You will tell me to go home.
β
β
Clementine von Radics
β
Everyoneβs perception is different; we all see different things. I personally think you see what you want to see.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
You are the biggest enemy of your own sleep.
β
β
Pawan Mishra
β
It was the fact that she was in every piece, in every corner, on every shelf. She was everywhere, reminding me how much in love with her I was.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Truth is dangerous. It topples palaces and kills kings. It stirs gentle men to rage and bids them take up arms. It wakes old grievances and opens forgotten wounds. It is the mother of the sleepless night and the hag-ridden day. And yet there is one thing that is more dangerous than Truth. Those who would silence Truthβs voice are more destructive by far.
It is most perilous to be a speaker of Truth. Sometimes one must choose to be silent, or be silenced. But if a truth cannot be spoken, it must at least be known. Even if you dare not speak truth to others, never lie to yourself.
β
β
Frances Hardinge (Fly by Night)
β
I feel as though whenever I create something, my Mr. Hyde wakes up in the middle of the night and starts thrashing it. I sometimes love it the next morning, but other times it is an abomination.
β
β
Criss Jami (Killosophy)
β
The reasons we donβt sleep at night are usually the same reasons we donβt truly live during the day.
β
β
Michael Xavier
β
I wanted to know what it was like to lie next to a warm body, to feel close to someone sincere because sincerity is one of those rare human qualities that feels a bit like discovering a lost treasure. It is a rare commodity but once found, is absolutely priceless.
β
β
Fisher Amelie (Callum & Harper (Sleepless, #1))
β
Love doesna always mean burning flashes o' passion. Sometimes, it's jus' the warmth o' yer hearts as they beat yer day together." ~Old Woman Nora to her three wee granddaughters on a cold winter's night.
β
β
Karen Hawkins (Sleepless in Scotland (MacLean Curse, #4))
β
Under the strain of this continually impending doom and by the sleeplessness to which I now condemned myself, ay, even beyond what I had thought possible to man, I became, in my own person, a creature eaten up and emptied by fever, languidly weak both in body and mind, and solely occupied by one thought: the horror of my other self.
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Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
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Nobody would commit suicide if the pain of being inside herself, the agony of the sleepless, tortured hours spent watching the world get smaller and uglier, were bearable or could be relieved by other people telling her how they wanted her to feel. A depressed person is selfish because her self, the very core of who she is, will not leave her alone, and she can no more stop thinking about this self and how to escape it than a prisoner held captive by a sadistic serial killer can forget about the person who comes in to torture her everyday. Her body is brutalized by her mind. It hurts to breathe, eat, walk, think. The gross maneuverings of her limbs are so overwhelming, so wearying, that the fine muscle movements or quickness of wit necessary to write, to actually say something, are completely out of the question.
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Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
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She threaded her fingers through my hair and I nearly whimpered at the feel of them, my eyes rolling to the back of my closed eyes. I clutched her waist tightly, inhaling her breaths as I practically swallowed her beautiful tongue.
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Fisher Amelie (Callum & Harper (Sleepless, #1))
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Nothing like poetry when you lie awake at night. It keeps the old brain limber. It washes away the mud and sand that keeps on blocking up the bends.
Like waves to make the pebbles dance on my old floors. And turn them into rubies and jacinths; or at any rate, good imitations.
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Joyce Cary (The Horse's Mouth)
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A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: βMake use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.β
βYou are together because a forest is always stronger than a solitary tree,β the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.β
βIf you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.β
βIf you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. βWalk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. βConfront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. βGod will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.β
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'β
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.β
βThere is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
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Paulo Coelho (Maktub)
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Please, enlighten me, Tom. What exactly did you observe?β
βThat men fly to you like a bug to a zapper.β
βLovely. Thatβs a lovely analogy. Yes, Iβm a man-eater, Tom.
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Fisher Amelie (Thomas & January (Sleepless, #2))
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What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood. He knew he was close to completing and so that's what he was doing: getting me to describe things to him, so they'd really sink in, so that maybe during those sleepless nights, with the drugs and the paint and the exhaustion, the line would blur between what were my memories and what were his.
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Kazuo Ishiguro (Never Let Me Go)
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For there is nothing quite so terror-inducing as the loss of sleep. It creates phantoms and doubts, causes one to questions one's own abilities and judgement, and, over time, dismantles, from within, the body.
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Charlie Huston (Sleepless)
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After a sleepless night the body gets weaker,
It becomes dear and not yours - and nobody's.
Just like a seraph you smile to people
And arrows moan in the slow arteries.
After a sleepless night the arms get weaker
And deeply equal to you are the friend and foe.
Smells like Florence in the frost, and in each
Sudden sound is the whole rainbow.
Tenderly light the lips, and the shadow's golden
Near the sunken eyes. Here the night has sparked
This brilliant likeness - and from the dark night
Only just one thing - the eyes - are growing dark.
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Marina Tsvetaeva
β
Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
Glanzvoller Stern! wΓ€r ich so stet wie du,
Nicht hing ich nachts in einsam stolzer Pracht!
SchautΕ½ nicht mit ewigem Blick beiseite zu,
Einsiedler der Natur, auf hoher Wacht
Beim Priesterwerk der Reinigung, das die See,
Die wogende, vollbringt am Meeresstrand;
Noch starrt ich auf die Maske, die der Schnee
Sanft fallend frisch um Berg und Moore band.
Nein, doch unwandelbar und unentwegt
MΓΆchtΕ½ ruhn ich an der Liebsten weicher Brust,
Zu fΓΌhlen, wie es wogend dort sich regt,
Zu wachen ewig in unruhiger Lust,
Zu lauschen auf des Atems sanftes Wehen -
So ewig leben - sonst im Tod vergehen!
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John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
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This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own.
It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
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Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
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What if the things that ended βthe things that broke and break your heart- what if it was the end of a chapter but the story keeps going? What it life comes back? What if love comes back? What if you would not be who you are and you would now know what you know it not for all those sleepless nights?
Iβm starting to believe those things, that the best is yet to be, that life comes back, that the dreams that live inside me are there for a reason, that life is not just a tragedy, not just a story about losing. It is also a story of surprises and grace and redemptions, of conversations and moments that feel like miracles.
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Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
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There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were.
In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
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Katherine Center (Everyone is Beautiful)
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The first thing I saw was blue. Blue sweater, blue eyes. Blue. Beautifully blue. Then I saw red as I recognized who belonged to the blue.
βFucking Wallbanger,β I hissed, frozen on the spot.
His grin slid off as well as he played place-the-face for a moment.
βFucking Pink Nightie Girl,β he finally concluded. He grimaced.
We stared, seething as the air literally turned electric between us, snapping and crackling.
The four behind us had fallen silent, listening to this little interchange. Then they caught up.
βThatβs Wallbanger?β Sophia screeched.
βWait a minute, thatβs Pink Nightie Girl?β Neil laughed, and Mimi and Ryan snorted.
My face flamed bright red as I processed this information, and Simonβs sneer became that damnable smirk Iβd seen that night in the hallwayβwhen Iβd banged on his door and made him quit giving it to the Giggler and yelled at him. When Iβd been wearingβ¦
βPink Nightie Girl. Pink Nightie Girl!β I choked out, beyond pissed. Beyond angry. Well into Furious Town. I stared at him, pouring all of my tension into that one look. All of the sleepless nights and lost Os and cold showers and banana thrusting and merciless wet dreams went into that one look.
I wanted to level him with my eyes, make him beg for mercy. But noβ¦Not Simon, Director of the International House Of Orgasms.
He
Was
Still
Smirking.
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Alice Clayton (Wallbanger (Cocktail, #1))
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Any drinker knows how the process works: the first day you get drunk is okay, the morning after means a big head but so you can kill that easy with a few more drinks and a meal, but if you pass up the meal and go on to another night's drunk, and wake up to keep the toot going, and continue on to the fourth day, there'll come one day when the drinks wont take effect because you're chemically overloaded and you'll have to sleep it off but cant sleep any more because it was alcohol itself that made you sleep those last five nights, so delirium sets in β Sleeplessness, sweat, trembling, a groaning feeling of weakness where your arms are numb and useless, nightmares, (nightmares of death)... well, there's more of that up later.
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Jack Kerouac (Big Sur)
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Every machine has had the same history β a long record of sleepless nights and of poverty, of disillusions and of joys, of partial improvements discovered by several generations of nameless workers, who have added to the original invention these little nothings, without which the most fertile idea would remain fruitless. More than that: every new invention is a synthesis, the resultant of innumerable inventions which have preceded it in the vast field of mechanics and industry.
Science and industry, knowledge and application, discovery and practical realization leading to new discoveries, cunning of brain and of hand, toil of mind and muscle β all work together. Each discovery, each advance, each increase in the sum of human riches, owes its being to the physical and mental travail of the past and the present.
By what right then can anyone whatever appropriate the least morsel of this immense whole and say β This is mine, not yours?
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Pyotr Kropotkin (The Conquest of Bread (Working Classics))
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Too many people learn about war with no inconvenience to themselves. They read about Verdun or Stalingrad without comprehension, sitting in a comfortable armchair, with their feet beside the fire, preparing to go about their business the next day, as usual.
One should really read such accounts under compulsion, in discomfort, considering oneself fortunate not to be describing the events in a letter home, writing from a hole in the mud. One should read about war in the worst circumstances, when everything is going badly, remembering that the torments of peace are trivial, and not worth any white hairs. Nothing is really serious in the tranquility of peace; only an idiot could be really disturbed by a question of salary.
One should read about war standing up, late at night, when one is tired, as I am writing about it now, at dawn, while my asthma attack wears off. And even now, in my sleepless exhaustion, how gentle and easy peace seems!
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Guy Sajer (The Forgotten Soldier)
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Journalists can sound grandiose when they talk about their profession. Some of us are adrenaline junkies; some of us are escapists; some of us do wreck our personal lives and hurt those who love us most. This work can destroy people. I have seen so many friends and colleagues become unrecognizable from trauma: short-tempered, sleepless, and alienated from friends. But after years of witnessing so much suffering in the world, we find it hard to acknowledge that lucky, free, prosperous people like us might be suffering, too. We feel more comfortable in the darkest places than we do back home, where life seems too simple and too easy. We donβt listen to that inner voice that says it is time to take a break from documenting other peopleβs lives and start building our own. Under it all, however, are the things that sustain us and bring us together: the privilege of witnessing things that others do not; an idealistic belief that a photograph might affect peopleβs souls; the thrill of creating art and contributing to the worldβs database of knowledge. When I return home and rationally consider the risks, the choices are difficult. But when I am doing my work, I am alive and I am me. Itβs what I do. I am sure there are other versions of happiness, but this one is mine.
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Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
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Speak, thou vast and venerable head,β muttered Ahab, βwhich, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this worldβs foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailorβs side, where sleepless mothers would give their lives to lay them down. Thou sawβst the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou sawβst the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed β while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
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Herman Melville (Moby-Dick or, The Whale)
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O VENENO ARDENTE DO DESGOSTO. THE WHITE HOT POISON OF ANGER.
When others make us angry at them- at their shamelessness, injustice, inconsideration- then they exercise power over us, they proliferate and gnaw at our soul, then anger is like a white-hot poison that corrods all mild, noble and balanced feelings and robs us of sleep. Sleepless, we turn on the light and are angry at the anger that has lodged like a succubus who sucks us dry and debilitates us. We are not only furious at the damage, but also that it develops in us all by itself, for while we sit on the edge of the bed with aching temples, the distant catalyst remains untouched by the corrosive force of the anger that eats at us. On the empty internal stage bathed in the harsh light of mute rage, we perform all by ourselves a drama with shadow figures and shadow words we hurl against enemies in helpless rage we feel as icy blazing fire in our bowels. And the greater our despair that is only a shadow play and not a real discussion with the possibility of hurting the other and producing a balance of suffering, the wilder the poisonous shadows dance and haunt us even in the darkest catacombs of our dreams. (We will turn the tables, we think grimly, and all night long forge words that will produce in the other the effect of a fire bomb so that now he will be the one with the flames of indignation raging inside while we, soothed by schadenfreude, will drink our coffee in cheerful calm.)
What could it mean to deal appropriately with anger? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them. Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility. Anger also teaches us something about who we are. Therefore this is what I'd like to know: What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison?
We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about. What can we do to improve this balance sheet? Why did our parents, teachers and other instructors never talk to us about it? Why didn't they tell something of this enormous significance? Not give us in this case any compass that could have helped us avoid wasting our soul on useless, self-destructive anger?
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Pascal Mercier (Night Train to Lisbon)