β
You know you're in love when you can't fall asleep because reality is finally better than your dreams.
β
β
Dr. Seuss
β
I love sleep. My life has the tendency to fall apart when I'm awake, you know?
β
β
Ernest Hemingway
β
These woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
β
β
Robert Frost (Stopping by Woods on a Snowy Evening)
β
One cannot think well, love well, sleep well, if one has not dined well.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.
β
β
Margaret Atwood
β
When I am with you, we stay up all night.
When you're not here, I can't go to sleep.
Praise God for those two insomnias!
And the difference between them.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.
β
β
John Green (Looking for Alaska)
β
Come sleep with me: We won't make Love, Love will make us.
β
β
Julio CortΓ‘zar
β
I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, "Go to sleep, darlings, till the summer comes again.
β
β
Lewis Carroll (Aliceβs Adventures in Wonderland / Through the Looking-Glass)
β
I read once that the ancient Egyptians had fifty words for sand & the Eskimos had a hundred words for snow. I wish I had a thousand words for love, but all that comes to mind is the way you move against me while you sleep & there are no words for that.
β
β
Brian Andreas (Story People)
β
When I watch you sleep," he said shakily, "I feel overwhelmed that you exist.
β
β
Emily Henry (Beach Read)
β
I will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
β
β
Charles Bukowski
β
Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).
β
β
Milan Kundera (The Unbearable Lightness of Being)
β
Peeta, how come I never know when you're having a nightmare?β I say.
βI don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,β he says.
βYou should wake me,β I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.
βIt's not necessary. My nightmares are usually about losing you,β he says. βI'm okay once I realize you're here.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
I do my best thinking at night when everyone else is sleeping. No interruptions. No noise. I like the feeling of being awake when no one else is.
β
β
Jennifer Niven (All the Bright Places)
β
Sleep my little baby-oh
Sleep until you waken
When you wake you'll see the world
If I'm not mistaken...
Kiss a lover
Dance a measure,
Find your name
And buried treasure...
Face your life
Its pain,
Its pleasure,
Leave no path untaken.
β
β
Neil Gaiman (The Graveyard Book)
β
The man is moody as hell.β
βI am not moodyββ
βYeah, bro.β Kenji puts his utensils down. βYou are moody. Itβs always βShut up, Kenji.β βGo to sleep, Kenji.β βNo one wants to see you naked, Kenji.β When I know for a fact that there are thousands of people who would love to see me nakedβ
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
But when a woman decides to sleep with a man, there is no wall she will not scale, no fortress she will not destroy, no moral consideration she will not ignore at its very root: there is no God worth worrying about.
β
β
Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
β
You know that place between sleep and awake, that place where you still remember dreaming? Thatβs where Iβll always love you. Thatβs where Iβll be waiting.
β
β
James V. Hart (Hook)
β
I only sleep with people I love, which is why I have insomnia.
β
β
Emilie Autumn (The Asylum for Wayward Victorian Girls)
β
The Uses Of Sorrow
(In my sleep I dreamed this poem)
Someone I loved once gave me
a box full of darkness.
It took me years to understand
that this, too, was a gift.
β
β
Mary Oliver (Thirst)
β
I love to sleep. Do you? Isn't it great? It really is the best of both worlds. You get to be alive and unconscious.
β
β
Rita Rudner
β
I want to
let her know
though
that all the nights
sleeping
beside her
even the useless
arguments
were things
ever splendid
and the hard
words
I ever feared to
say
can now be
said:
I love
you.
β
β
Charles Bukowski
β
I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked too hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment.
β
β
John Steinbeck (Travels with Charley: In Search of America)
β
Dream happy dreams. You are the only one who has ever touched my heart. It will always be yours. Sleep,my only love.
β
β
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
β
Sometimes I get real lonely sleeping with you.
β
β
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
β
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
β
β
Langston Hughes
β
If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.
β
β
Anne Fadiman
β
I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.
β
β
Joss Whedon
β
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!
β
β
William Shakespeare (Hamlet)
β
You try to be faithful
And sometimes you're cruel.
You are mine. Then, you leave.
Without you, I can't cope.
And when you take the lead,
I become your footstep.
Your absence leaves a void.
Without you, I can't cope.
You have disturbed my sleep,
You have wrecked my image.
You have set me apart.
Without you, I can't cope.
β
β
Jalal ad-Din Muhammad ar-Rumi (Love: The Joy That Wounds: The Love Poems of Rumi)
β
How could I be sleeping with this particular man.... Surely only true love could justify my lack of taste.
β
β
Margaret Atwood (Lady Oracle)
β
Supposing Iβve said I hate him, or worse still, that I love him, in my sleep.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
When You Are Old"
WHEN you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
β
β
W.B. Yeats
β
You're asking me to define an abstract concept that no one has managed to explain since time began. You sort of sprang it on me," Gansey said. "Why do we breathe air? Because we love air? Because we don't want to suffocate. Why do we eat? Because we don't want to starve. How do I know I love her? Because I can sleep after I talk to her. Why?
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
Actually, you said Love, for you,
is larger than the usual romantic love. Itβs like a religion. Itβs
terrifying. No one
will ever want to sleep with you.
β
β
Richard Siken (Crush)
β
A woman unsatisfied must have luxuries. But a woman who loves a man would sleep on a board
β
β
D.H. Lawrence
β
He could totally be your boyfriend," [Angel] went on with annoying persistance. "You guys could get married. I could be like a junior bridesmaid. Total could be your flower dog."
"I'm only a kid!" I shrieked. "I can't get married!"
"You could in New Hampshire."
My mouth dropped open. How does she know this stuff? "Forget it! No one's getting married!" I hissed. "Not in New Hampshire or anywhere else! Not in a box, not with a fox! Now go to sleep, before I kill you!
β
β
James Patterson (Max (Maximum Ride, #5))
β
I lay awake for hours and watched you sleep," he murmurs. "I might have loved you even then.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Love is blind, they say; sex is impervious to reason and mocks the power of all philosophers. But, in fact, a person's sexual choice is the result and sum of their fundamental convictions. Tell me what a person finds sexually attractive and I will tell you their entire philosophy of life. Show me the person they sleep with and I will tell you their valuation of themselves. No matter what corruption they're taught about the virtue of selflessness, sex is the most profoundly selfish of all acts, an act which they cannot perform for any motive but their own enjoyment - just try to think of performing it in a spirit of selfless charity! - an act which is not possible in self-abasement, only in self-exultation, only on the confidence of being desired and being worthy of desire. It is an act that forces them to stand naked in spirit, as well as in body, and accept their real ego as their standard of value. They will always be attracted to the person who reflects their deepest vision of themselves, the person whose surrender permits them to experience - or to fake - a sense of self-esteem .. Love is our response to our highest values - and can be nothing else.
β
β
Ayn Rand
β
The way you're singing in your sleep
The way you look before you leap
The strange illusions that you keep
You don't know
But I'm noticing
The way your touch turns into arcs
The way you slide into the dark
The beating of my open heart
You don't know
But I'm noticing
β
β
David Levithan (Nick & Norah's Infinite Playlist)
β
It was one of those fine little love stories that can make you smile in your sleep at night.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
Do you know what it is like,
to lie in bed awake;
with thoughts to haunt
you every night,
of all your past mistakes.
Knowing sleep will set it right -
if you were not to wake.
β
β
Lang Leav (Love & Misadventure)
β
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
β
β
Kristan Higgins (All I Ever Wanted)
β
Can't we sleep ten minutes more? I was having a lovely dream about sneezing without covering my mouth, and giving everybody germs.
β
β
Lemony Snicket
β
I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
β
β
Nora Ephron (When Harry Met Sally)
β
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
She didn't need to understand the meaning of life; it was enough to find someone who did, and then fall asleep in his arms and sleep as a child sleeps, knowing that someone stronger than you is protecting you from all evil and all danger
β
β
Paulo Coelho (Brida)
β
Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.
β
β
Sylvia Plath (The Bell Jar)
β
My Dearest Allie. I couldn't sleep last night because I know that it's over between us. I'm not bitter anymore, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me. That's what I hope to give to you forever. I love you. I'll be seeing you. Noah
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success . . . Such emotions make a man forget food, sleep, friends, love, everything.
β
β
Nikola Tesla
β
Everyone keeps telling me that time heals all wounds, but no one can tell me what Iβm supposed to do right now. Right now I canβt sleep. Itβs right now that I canβt eat. Right now I still hear his voice and sense his presence even though I know heβs not here. Right now all I seem to do is cry. I know all about time and wounds healing, but even if I had all the time in the world, I still donβt know what to do with all this hurt right now.
β
β
Nina Guilbeau (Too Many Sisters)
β
you are a horse running alone
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn't you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can't make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love.
β
β
Warsan Shire
β
Maybe there is no Heaven. Or maybe this is all pure gibberishβa product of the demented imagination of a lazy drunken hillbilly with a heart full of hate who has found a way to live out where the real winds blowβto sleep late, have fun, get wild, drink whisky, and drive fast on empty streets with nothing in mind except falling in love and not getting arrested . . . Res ipsa loquitur. Let the good times roll.
β
β
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
β
abstraction, n.
Love is one kind of abstraction. And then there are those nights when I sleep alone, when I curl into a pillow that isn't you, when I hear the tiptoe sounds that aren't yours. It's not as if I can conjure you up completely. I must embrace the idea of you instead.
β
β
David Levithan (The Lover's Dictionary)
β
You tried to change didnβt you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you canβt make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love.
β
β
Warsan Shire
β
An eye is meant to see things.
The soul is here for its own joy.
A head has one use: For loving a true love.
Feet: To chase after.
Love is for vanishing into the sky. The mind,
for learning what men have done and tried to do.
Mysteries are not to be solved: The eye goes blind
when it only wants to see why.
A lover is always accused of something.
But when he finds his love, whatever was lost
in the looking comes back completely changed.
β
β
Jalal ad-Din Muhammad ar-Rumi (Night and Sleep)
β
I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
β
β
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
β
I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? -
Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.
β
β
Sylvia Plath
β
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when otherβs cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, βthatβs herβ, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleepβ¦..you marry him all over again.
β
β
Shannon L. Alder
β
I was sentimental about many things: a womanβs shoes under the bed; one hairpin left behind on the dresser; the way they said, 'Iβm going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because sheβs now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
β
β
Charles Bukowski (Women)
β
There is always something to do. There are hungry people to feed, naked people to clothe, sick people to comfort and make well. And while I don't expect you to save the world I do think it's not asking too much for you to love those with whom you sleep, share the happiness of those whom you call friend, engage those among you who are visionary and remove from your life those who offer you depression, despair and disrespect.
β
β
Nikki Giovanni
β
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.
β
β
Kahlil Gibran
β
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
β
β
Pablo Neruda
β
and when love came to us twice
and lied to us twice
we decided to never love again
that was fair
fair to us
and fair to love itself.
we ask for no mercy or no
miracles;
we are strong enough to live
and to die and to
kill flies,
attend the boxing matches, go to the racetrack,
live on luck and skill,
get alone, get alone often,
and if you can't sleep alone
be careful of the words you speak in your sleep;
and
ask for no mercy
no miracles;
and don't forget:
time is meant to be wasted,
love fails
and death is useless.
β
β
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
β
Some people see a magic trick and say, βImpossible!β They clap their hands, turn over their money, and forget about it ten minutes later. Other people ask how it worked. They go home, get into bed, toss and turn, wondering how it was done. It takes them a good nightβs sleep to forget all about it. And then there are the ones who stay awake, running through the trick again and again, looking for that skip in perception, the crack in the illusion that will explain how their eyes got duped; theyβre the kind who wonβt rest until theyβve mastered that little bit of mystery for themselves. Iβm that kind.β
βYou love trickery.β
βI love puzzles. Trickery is just my native tongue.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
He saw you cast into a river of life you didn't request. He saw you betrayed by those you love. He saw you with a body that gets sick and a heart that grows weak. He saw you in your own garden of gnarled trees and sleeping friends. He saw you staring into the pit of your own failures and the mouth of your own grave. He saw you in your own garden of Gethsemane and he didn't want you to be alone ... He would rather go to hell for you than to heaven without you.
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Max Lucado
β
Do not stand at my grave and weep,
I am not there, I do not sleep.
I am in a thousand winds that blow,
I am the softly falling snow.
I am the gentle showers of rain,
I am the fields of ripening grain.
I am in the morning hush,
I am in the graceful rush
Of beautiful birds in circling flight,
I am the starshine of the night.
I am in the flowers that bloom,
I am in a quiet room.
I am in the birds that sing,
I am in each lovely thing.
Do not stand at my grave bereft
I am not there. I have not left.
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Mary Elizabeth Frye
β
Human relationships were strange. I mean, you were with one person a while, eating and sleeping and living with them, loving them, talking to them, going places together, and then it stopped. Then there was a short period when you weren't with anybody, then another woman arrived, and you ate with her and fucked her, and it all seemed so normal, as if you had been waiting just for her and she had been waiting for you. I never felt right being alone; sometimes it felt good but it never felt right.
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Charles Bukowski (Women)
β
Stopping by Woods on a Snowy Evening
Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
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Robert Frost (Stopping by Woods on a Snowy Evening)
β
You deserve a lover who wants you disheveled, with everything and all the reasons that wake you up in a haste and the demons that wonβt let you sleep.
You deserve a lover who makes you feel safe, who can consume this world whole if he walks hand in hand with you; someone who believes that his embraces are a perfect match with your skin.
You deserve a lover who wants to dance with you, who goes to paradise every time he looks into your eyes and never gets tired of studying your expressions.
You deserve a lover who listens when you sing, who supports you when you feel shame and respects your freedom; who flies with you and isnβt afraid to fall.
You deserve a lover who takes away the lies and brings you hope, coffee, and poetry.
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β
EstefanΓa Mitre
β
We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...
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β
Michael Cunningham (The Hours)
β
Marry me, Kiara,β he blurts out in front of everyone.
βWhy?β she asks, challenging him.
βBecause I love you,β he says, walking up to her and bending down on one knee while he takes her hand in his, βand I want to go to sleep with you every night and wake up seeinβ your face every morninβ, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you Iβd be six feet under β¦ and because I love your family like theyβre my own β¦ and because youβre my best friend and I want to grow old with you.β He starts tearing up, and itβs shocking because Iβve never seen him cry. βMarry me, Kiara Westford, because when I got shot the only thing I was thinkinβ about was cominβ back here and makinβ you my wife. Say yes, chica.
β
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Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
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β
Richard Siken (Crush)
β
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
β
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
If you have never spent whole afternoons with burning ears and rumpled hair, forgetting the world around you over a book, forgetting cold and hunger--
If you have never read secretly under the bedclothes with a flashlight, because your father or mother or some other well-meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early--
If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless--
If such things have not been part of your own experience, you probably won't understand what Bastian did next.
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Michael Ende (The Neverending Story)
β
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
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β
E.E. Cummings (Selected Poems)
β
Do you still distrust me?β
βNo. Take your necklace with you so you can think of me when Iβm not there.ββ¨Brown brought the necklace over to her and put it on her neck.β¨βI think it rather suits me,β she laughed and left.β¨Brown didnβt understand what had made him insist she wear the necklace. Maybe itβ¨was the readiness with which she had made love, or her frequent disappearances lately,β¨he was just curious. There was no harm in checking, before he parted with the money.β¨Later that evening, before going to sleep he decided to have a look at her location andβ¨he was in for a surprise. She had not left Central City at all. In fact she was at the sameβ¨friendβs address as she had been the last time.
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Max Nowaz (The Arbitrator)
β
1. Iβm lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. Youβre a ghost town Iβm too patriotic to leave.
6. I stay because youβre the beginning of the dream I want to remember.
7. I didnβt call him back because he likes his girls voiceless.
8. Itβs not that he wants to be a liar; itβs just that he doesnβt know the truth.
9. I couldnβt love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didnβt want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. Iβm not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, Iβm insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didnβt work out.
21. My dad walked out one afternoon and never came back.
22. I canβt sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didnβt want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. Youβre the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said βI love you so bad.β
29. His heart wasnβt as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. Iβm a lover without a lover.
33. Iβm lovely and lonely.
34. I belong deeply to myself .
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Warsan Shire
β
lover, n.
Oh, how I hated this word. So pretentious, like it was always being translated from the French. The tint and taint of illicit, illegitimate affections. Dictionary meaning: a person having a love affair. Impermanent. Unfamilial. Inextricably linked to sex.
I have never wanted a lover. In order to have a lover, I must go back to the root of the word. For I have never wanted a lover, but I have always wanted lover, and to be loved.
There is no word for the recipient of the love. There is only a word for the giver. There is the assumption that lovers come in pairs.
When I say, Be my lover, I don't mean, Let's have an affair. I don't mean Sleep with me. I don't mean, Be my secret.
I want us to go back to that root.
I want you to be the one who loves me.
I want to be the one who loves you.
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β
David Levithan (The Lover's Dictionary)
β
I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations.
Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you.
Both love and hate are mirror versions of the same game - and you hΓ‘ve to win. Why? Your heart and your ego. Trust me, I should know.
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Sally Thorne (The Hating Game)
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She loved all the wolves behind her house, but she loved one of them most of all.
And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever.
Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield.
A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile.
It was a life I didn't want to leave behind.
It was a life I didn't want to forget.
I wasn't done with it yet. There was so much more to say.
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Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
β
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
The Waking
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
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Theodore Roethke (The Collected Poems)
β
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But itβs like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember Iβd shovel in my breakfast as fast as I could, so I could go knock on your door. Weβd play all day, only coming back for food and sleep. We played hide and seek, youβd push me on the swing, or weβd climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didnβt hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is βcoward.β I a year, Iβll be gone, and youβll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? Youβre a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
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Penelope Douglas (Bully (Fall Away, #1))
β
God made mud.
God got lonesome.
So God said to some of the mud, "Sit up!"
"See all I've made," said God, "the hills, the sea, the
sky, the stars."
And I was some of the mud that got to sit up and look
around.
Lucky me, lucky mud.
I, mud, sat up and saw what a nice job God had done.
Nice going, God.
Nobody but you could have done it, God! I certainly
couldn't have.
I feel very unimportant compared to You.
The only way I can feel the least bit important is to
think of all the mud that didn't even get to sit up and
look around.
I got so much, and most mud got so little.
Thank you for the honor!
Now mud lies down again and goes to sleep.
What memories for mud to have!
What interesting other kinds of sitting-up mud I met!
I loved everything I saw!
Good night.
I will go to heaven now.
I can hardly wait...
To find out for certain what my wampeter was...
And who was in my karass...
And all the good things our karass did for you.
Amen.
β
β
Kurt Vonnegut Jr. (Catβs Cradle)
β
Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
β
β
Pablo Neruda (Intimacies: Poems of Love)
β
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
β
β
Sarah Kane (Crave)
β
I want you to tell me about every person youβve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didnβt think youβd live through.
Tell me what the word home means to you
and tell me in a way that Iβll know your motherβs name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when theyβre sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your motherβs joy
when she spoke it for the very first time.
I want you to tell me all the ways youβve been unkind.
Tell me all the ways youβve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler βPoison! Poison! Poison!β really loud
or would you whisper
βThat cloud looks like a fish,
and that cloud looks like a fairy!β
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you donβt believe in miracles, tell me β
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that youβve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didnβt, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day youβre feeling good.
I wanna know what you see when you look in the mirror
on a day youβre feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you Iβve lived my entire life a little off-key?
And Iβm not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do β
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other peopleβs wounds,
and if you dream sometimes
that this life is just a balloon β
that if you wanted to, you could pop,
but you never would
βcause youβd never want it to stop.
If a tree fell in the forest
and you were the only one there to hear β
if its fall to the ground didnβt make a sound,
would you panic in fear that you didnβt exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didnβt talk β
do you think eventually, weβdβ¦ kiss?
No, wait.
Thatβs asking too much β
after all,
this is only our first date.
β
β
Andrea Gibson
β
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
β
β
Mark Z. Danielewski (House of Leaves)
β
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that wonβt compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion β put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didnβt go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
β
β
Wendell Berry
β
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
β
β
Colleen Hoover
β
Do you love me, Westley? Is that it?β
He couldnβt believe it. βDo I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love wereββ
βI donβt understand the first one yet,β Buttercup interrupted. She was starting to get very excited now. βLet me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me soβis this universal business of yours bigger than my sand? Help me, Westley. I have the feeling weβre on the verge of something just terribly important.β
βI have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelidsβ¦.Is any of this getting through to you, Buttercup, or do you want me to go on for a while?β
βNever stop.β
βThere has not beenββ
βIf youβre teasing me, Westley, Iβm just going to kill you.β
βHow can you even dream I might be teasing?β
βWell, you havenβt once said you loved me.β
βThatβs all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.β
βYou are teasing now; arenβt you?β
βA little maybe; Iβve been saying it so long to you, you just wouldnβt listen. Every time you said βFarm boy do thisβ you thought I was answering βAs you wishβ but thatβs only because you were hearing wrong. βI love youβ was what it was, but you never heard, and you never heard.
β
β
William Goldman (The Princess Bride)
β
Being in love is a good thing, but it is not the best thing. There are many things below it, but there are also things above it. You cannot make it the basis of a whole life. It is a noble feeling, but it is still a feeling. Now no feeling can be relied on to last in its full intensity, or even to last at all. Knowledge can last, principles can last, habits can last but feelings come and go. And in fact, whatever people say, the state called βbeing in loveβ usually does not last. If the old fairy-tale ending βThey lived happily ever afterβ is taken to mean βThey felt for the next fifty years exactly as they felt the day before they were married,β then it says what probably never was nor ever would be true, and would be highly undesirable if it were. Who could bear to live in that excitement for even five years? What would become of your work, your appetite, your sleep, your friendships? But, of course, ceasing to be βin loveβ need not mean ceasing to love. Love in this second sense β love as distinct from βbeing in loveβ β is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriages) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other; as you love yourself even when you do not like yourself. They can retain this love even when each would easily, if they allowed themselves, be βin loveβ with someone else. βBeing in loveβ first moved them to promise fidelity: this quieter love enables them to keep the promise. it is on this love that the engine of marriage is run: being in love was the explosion that started it.
β
β
C.S. Lewis
β
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
β
β
Sarah Williams (Twilight Hours: A Legacy of Verse)
β
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, Iβm sorry I couldnβt come to your party.
Dear So-and-So, Iβm sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldnβt?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think Iβm the dragon,
that would be so like me, but Iβm not. Iβm not the dragon.
Iβm not the princess either.
Who am I? Iβm just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes youβre washing up
in a strangerβs bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroomβs gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesnβt look that much different from home,
because it didnβt,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldnβt say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. Itβs like a religion. Itβs
terrifying. No one
will ever want to sleep with you.
Okay, if youβre so great, you do itβ
hereβs the pencil, make it work β¦
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where Iβm coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
β
β
Richard Siken