Skyline City Quotes

I look out the window and I see the lights and the skyline and the people on the street rushing around looking for action, love, and the world's greatest chocolate chip cookie, and my heart does a little dance.

I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pesthole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body.

People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.

He looked longingly out the window at the towering skyline of New York City and thought about jumping. It would hurt less than following orders.

For me, it feels like driving from truth into a lie, from adulthood to childhoold. I watch the land of pavement and glass and metal turn into an empty field. The snow is falling softly now, and I can faintly see the city's skyline up ahead, the buildings just a shade darker than the clouds.

I know for sure that I will always compare every city skyline to New York's. Just as I will always compare every boy to Daniel.

A city sparkles in the night How can it glow so bright? The neighborhoods surround the soft florescent light Designer skyline in my head Abstract and still well-read You went from numbered lines to buildings overhead

the ragged skyline of the city resembled the disturbed encephalograph of an unresolved mental crisis.

Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.

Where else, but from the industrialized world, did the suicide hijackers learn that the huge explosions and death above a city skyline are a peculiar and effective form of communication? They have mastered the language.

The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.

He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.

That’s Manhattan today—all the money goes up top, while the infrastructure wastes away from neglect. The famous skyline is a cheap trick now, a sleight-of-hand to draw your eye from the truth, as illusory as a bodybuilder with osteoporosis.

When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.

But we didn’t, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we couldn’t see, let alone decipher, or in the dark glow that replaced the real darkness of night, a darkness already stolen from us, not with the skyline rising behind us while a city gradually decayed, not in the heat of summer while a Cold War raged, despite the freedom of youth and the license of first love—because of fate, karma, luck, what does it matter?—we made not doing it a wonder, and yet we didn’t, we didn’t, we never did.

so full of life and activity, was the sky-line of that accursed city, lurid and spattered with blood (93)

It has become a secret habit, me, the city skyline, the comfort of the dark, the anonymity, and the knowledge that up here nobody knows who I am

But I also got more than one city, one hood inside me. And anyone who wants to get to know me has to know how to appreciate the multiple skylines.

It’s amazing how well you can get to know a person if you actually pay attention. People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is a postcard glimpse of a floodlit statue or a skyline. Love lets you find those hidden places in another person, even the ones they didn’t know were there, even the ones they wouldn’t have thought to call beautiful themselves.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

I've traveled the world, seen sunsets and mountains and city skylines. And my idea of love has been constantly changing, but if it means anything, I like the way love feels, when I look at you and it's like I have the whole world right beside me.

The San Francisco skyline sparkles in the distance, the bay spread out before it like a shark-infested welcome mat.

In fact, the public will accept any city plan and skyline provided that its architecture is traditional.

Alex and Conner looked up and saw a large city-limits sign above them. The sign read: BIG CITY, USA POPULATION 7,654,321 Once the handwritten words finished constructing the new dimension, the twins saw that the highway led to an enormous city a couple of miles in the distance. It had the tallest and leanest skyscrapers Alex had ever seen; the skyline looked more lie a bundle of pencils and pens than a row of buildings. "Big City, USA?" Alex asked. "You couldn't come up with anything more original than that?" "It was supposed to be a placeholder until I came up with a better name, but Big City, USA, grew on me," Conner said.

Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.

The ride had begun. The theatre and club spectaculars seemed to stick up into the sky at all sorts of crazy angles, probably because most of them were planted diagonally on rooftops. Follow Thru, Whoopee, Show Boat, El Fay Club, Club Richman, Texas Guinan's. It gave the town the appearance of standing on its ear. ("The Number's Up")

The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box. Behind the opposite window, retreating Willesden. Number 37. In the 1880s or thereabouts the whole thing went up at once – houses, churches, schools, cemeteries – an optimistic vision of Metroland. Little terraces, faux-Tudor piles. All the mod cons! Indoor toilet, hot water. Well-appointed country living for those tired of the city. Fast-forward. Disappointed city living for those tired of their countries.

The landscape of Singapore is different now. Modern buildings scratch the skyline with a pomp and display that wasn't there in days gone by. Old and new come together to create a modern Singapore that was still in the process of being made as I grew up.

Across the river there was a low red and gold grove of sassafras with hills of dark blue trees behind it and an occasional pine jutting over the skyline. Behind, in the distance, the city rose like a cluster of warts on the side of the mountain. The birds revolved downward and dropped lightly in the top of the highest pine and sat hunch-shouldered as if they were supporting the sky.

Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line. There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.

I know for sure that I will always compare every city skyline to New York's. Just as I will always compare every boy to Daniel.

The city skyline is too important to need to be welcoming. It tells you to get with the program or go home. I love it.

As the sun lowered into the city's skyline, casting an orange glow over the islands, Jana could feel people's hopes rising.

And just how many city skylines Could have evoked my tears, But I know just one city in the world, And I can find it, blindfolded, in a dream.

Wasn't this what living in New York was supposed to be like, the skyline, the anonymity, coexistence without intimacy?

Ever since, New York has existed for me simultaneously as a map to be learned and a place to aspire too--a city of things and a city of signs, the place I actually am and the place I would like to be even when I am here. As a kid, I grasped that the skyline was a sign that could be, so to speak, relocated to New Jersey--a kind of abstract, receding Vision whose meaning would always be "out of reach," not a concrete thing signifying "here you are." Even when we are established here, New York still seems a place we aspire to. Its life is one thing--streets and hot dogs and brusqueness--and its symbols, the lights across the way, the beckoning skyline, are another. We go on being inspired even when we're most exasperated.

every inch the bustling metropolis it was meant to be. The tall spires of skyscrapers and ornate pagoda towers created an impressive skyline unmatched in all the United Republic of Nations. Founded by Avatar Aang over seventy years earlier, the city served as a beacon of hope. It was a place where benders and non-benders could live together in peace. People with the

As the taxi crossed the Way Away Bridge and the steel and concrete skyline of the city came into view, Shae was struck by a sense of nostalgia so profound she found it difficult to breathe. The humid air through the open window, the sound of her native language being spoken on the radio, even the terrible traffic … She swallowed, close to tears; she had only the vaguest idea of what she was going to do in Janloon now, but she was undeniably home.

Nobody gives me more than a glance, and God, I am so in love with this city that lets me just be a full person outside of my house, surrounded by strangers, lit up with an outer-borough skyline. And I am even more in love with that boy.

Sometimes it’s the place where you grew up that says, You belong to me. No matter how long I’ve been away, when I come back to New York City in a taxi over the Triborough Bridge and the afternoon sun shifts off the steel skyline and blinds me, I feel it. In the heavy July of privet tinged with sea salt on the East End of Long Island, where I spent nearly every summer until I was twenty and many since, I know it. And in an empty theater, with the ghost light on and the darkness, warm and velvet like a dinner jacket my father once wore, it’s mine.

As much as I love to see the sun setting behind a city skyline, and to feel the pure majesty of a wild river or soaring mountain, and to fade, then disappear into a transcendent book, song or film, I am always most astounded, moved and transported by the warmth and kindness of a loving person. Always.

There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!

...it’s the city skyline that astonishes me every time I see it. It looks like a towering sculpture of lighted glass and metal, like a machined piece of art. From this distance, the city looks orderly and planned, as if all of it were created at one time for one purpose. When you’re inside it, though, it feels like chaos.

Known to Israelis as the city of Akko. Known to Palestinians still as Akka. Known beyond Israel and Palestine as Acre: a mosaic town with a low skyline of mosque and flat roof and synagogue, a town of bells and loudspeakers and muezzin calls, where the warm-water wind retreats the tongue and sneaks multiple sounds into the throat: Acre, Akko, Akka.

Golden tongues of fire licked the night-sky, lighting up Brenna’s ancient sky-line in terrible beauty. The wizard and his young companion watched the flames devour the city like a hungry beast. The knowledge they had only barely escaped from the Morg’s clutches did not fill them with relief but a sense of burgeoning panic – the sacking of Brenna was only a taste of what was to come.

People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn’t know were there, even the ones they wouldn’t have thought to call beautiful themselves.

The two boys lead the way down the hall. There are windows in this corridor, and the skyscrapers of New York City are visible in the distance—man-made mountains of steel and glass piercing a blue sky. Jane and Bruce can’t help but locate the spot where the Twin Towers used to be, the same way the tongue finds the hole where a tooth was pulled. Their sons, who were both toddlers when the towers fell, accept the skyline as it is.

At the heart of Byzantium was its capital, Constantinople, now modern Istanbul. Today it may look like a Turkish city but it contains an old city that was once a huge Roman metropolis and the largest city in Europe for nearly 1,000 years. Even today it has the remains of almost as many Roman buildings as Rome itself – towering walls and aqueducts, huge pillared underground cisterns, and churches that still dominate the modern skyline.

And although the effects were not yet visible, he also seemed to have gone back on his word to stop seemingly randomly scattered skyscrapers from trashing the city’s skyline. ‘Erectile disorder seems the occupational disease of London mayors,’ railed the commentator Simon Jenkins about Boris’s new-found enthusiasm for towers.12 As soon as Boris had taken occupancy of ‘the testicle’ (his own nickname for the elliptical City Hall), he ‘craved a phallus.’ He

Aided by the young George Pullman, who would later make a fortune building railway cars, Chesbrough launched one of the most ambitious engineering projects of the nineteenth century. Building by building, Chicago was lifted by an army of men with jackscrews. As the jackscrews raised the buildings inch by inch, workmen would dig holes under the building foundations and install thick timbers to support them, while masons scrambled to build a new footing under the structure. Sewer lines were inserted beneath buildings with main lines running down the center of streets, which were then buried in landfill that had been dredged out of the Chicago River, raising the entire city almost ten feet on average. Tourists walking around downtown Chicago today regularly marvel at the engineering prowess on display in the city’s spectacular skyline; what they don’t realize is that the ground beneath their feet is also the product of brilliant engineering.

The silhouettes of Lovat now dominated the skyline. Nine levels stretching skyward. Five hundred meters high at its apex. Each level housing buildings of various sizes sagged on the backs of buildings below. Thousands of sodium lamps twinkled in their recesses. Lovat was the oldest and largest city on the coast, and it showed its age by the haphazard mess it had become. Roads rose and dipped, elevators and staircases criss-crossed, and floors would end and then begin across the city leaving large empty spaces between levels.

The ship did not respond to queries. Without the ship, there could be no fatline relay to the Ousters, the Web, or anywhere else beyond Hyperion. Normal comm bands were down. ‘Could the ship have been destroyed?’ Sol asked the Consul. ‘No. The message is being received, just not responded to. Gladstone still has the ship in quarantine.’ Sol squinted out over the barrens to where the mountains shimmered in the heat haze. Several klicks closer, the ruins of the City of Poets rose jaggedly against the skyline. ‘Just as well,’ he said. ‘We have one deus ex machina too many as it is.’ Paul

I have this theory, that this will be the only city that future archaeologists find, Las Vegas. The dry climate will preserve it all and teams of scientists in the year 5000 will carefully sweep and scrape away the sand to find pyramids and castles and replicas of the Eiffel Tower and the New York skyline and stripper poles and snapper cards and these future archaeologists will re-create our entire culture based solely on this one shallow and cynical little shithole. We can complain all we want that this city doesn’t represent us. We can say, Yes, but I hated Las Vegas. Or I only went there once. Well, I’m sure not all Romans reveled in the torture-fests at the Colosseum either, but there it is.

I wrote about a place called Alki Beach. When I had first crossed the bridge into West Seattle, I could see the city skyline over Puget Sound. I stood on a strip of purple-gray beach sand. A pier house sold hairy mussels and one-hour bike rentals. Copper and metal signs whipped against the wind. Old couples toted bouquets under wooden pergolas. Those singing and strolling on the beach eventually curved around the bend toward the northern arc and out of sight. I wanted to live here by its waters, read its signs, admire the wind as one admires an old friend. The skyscrapers across the water might be a bracelet across my wrist—the Ferris wheel, city stadium, ships in the harbor. I had never known that joy was a practice the way poetry was a practice. Somebody asked if they could

And I see: Dominating the skyline, at the top of a tall building, a giant searchlight scanning the city. It glides eerily, swirls over the black water. It floats, soars above the skyline, encircles the nightcity. And crazily excited I wonder suddenly if that spotlight swirling nightly is not trying somehow to embrace it all—to embrace that fusion of savage contradictions within this legend called America And I know what it is I have searched beyond Neil’s immediate world of sought pain—something momentarily lost—something found again in the park, the fugitive rooms, the derelict jungles: the world of uninvited, unasked-for pain … found now, liberatingly, even in the memory of Neil himself. And I could think in that moment, for the first time really: It’s possible to hate the filthy world and still love it with an abstract pitying love.

At the outset of his career circumstances seemed to authorize the most sanguine of these expectations. For at twenty-seven, after two years of advanced theology and philosophy, young Father Grandier received his reward for so many long semesters of diligence and good behavior. By the Company of Jesus, in whose gift it lay, he was presented to the important living of Saint-Pierre du Marché at Loudun. At the same time, and thanks to the same benefactors, he was made a canon of the collegial church of the Holy Cross. His foot was on the ladder; all he now had to do was to climb. Loudun, as its new parson rode slowly toward his destination, revealed itself as a little city on a hill, dominated by two tall towers—the spire of St. Peter’s and the medieval keep of the great castle. As a symbol, as a sociological hieroglyph, Loudun’s skyline was somewhat out of date. That spire still threw its Gothic shadow across the town; but a good part of the townspeople

The sky was so blue. It’s only been five years. My skyline was never marked with an absence. Remember that wine school? Windows on the World? I had been underneath them, on the F train coming from Brooklyn just one hour before. I was late for high school but glued to the TV. I had taught a class there - on Rioja - on the night of September tenth. Chef made soup. So I heard something and looked out my window - you know I’m on the East Side. It was too low. But it was steady and went by almost in slow motion. The Owner set up a soup kitchen on the sidewalk. No, I haven’t been down there. The smoke. The dust. But the sky was so blue. My buddy was the somm at the restaurant - we came up at Tavern on the Green together. You guys never talk about it. I was going into a class called, I’m not joking, Meanings of Death. I always wondered: If I had been here, would I have stayed? And I thought, New York is so far away. My cousin was a firefighter, second-wave responder. Nothing on television is real. But am I safe? Because what else is there to do but make soup? But I really can’t imagine it. I was pouring milk into my cereal, I looked down for one second… I was asleep, I didn’t even feel the impact. A tide of people moving up the avenues on foot. Blackness. Sometimes it still feels too soon. It’s our shared map of the city. Then the sirens, for days. We never forget, really. A map we make by the absences. No one left the city. If you were here, you were temporarily cured of fear.

skyline reveals a city’s purpose and character. Oxford had its dreaming spires; Manhattan its glittering towers; Edinburgh its eccentric spikes.

kind of sorcery, this, the dearth of engine roar not ten miles from the heart of the city. He fished out his phone from the pocket of his duffle coat. News about some kind of CIA man surfacing in Moscow but no emails, no texts from her. Vanessa used to tease him about how often he fiddled with this, his ‘anxiety machine’. Oh God, how he missed her beautiful contempt. Only a few days into the new year and it had no more joy than the old one. Battery almost flat, he killed the phone and turned his back on London’s distant skyline, an old, comfortable

The S curve is not just important as a model in its own right; it’s also the jack-of-all-trades of mathematics. If you zoom in on its midsection, it approximates a straight line. Many phenomena we think of as linear are in fact S curves, because nothing can grow without limit. Because of relativity, and contra Newton, acceleration does not increase linearly with force, but follows an S curve centered at zero. So does electric current as a function of voltage in the resistors found in electronic circuits, or in a light bulb (until the filament melts, which is itself another phase transition). If you zoom out from an S curve, it approximates a step function, with the output suddenly changing from zero to one at the threshold. So depending on the input voltages, the same curve represents the workings of a transistor in both digital computers and analog devices like amplifiers and radio tuners. The early part of an S curve is effectively an exponential, and near the saturation point it approximates exponential decay. When someone talks about exponential growth, ask yourself: How soon will it turn into an S curve? When will the population bomb peter out, Moore’s law lose steam, or the singularity fail to happen? Differentiate an S curve and you get a bell curve: slow, fast, slow becomes low, high, low. Add a succession of staggered upward and downward S curves, and you get something close to a sine wave. In fact, every function can be closely approximated by a sum of S curves: when the function goes up, you add an S curve; when it goes down, you subtract one. Children’s learning is not a steady improvement but an accumulation of S curves. So is technological change. Squint at the New York City skyline and you can see a sum of S curves unfolding across the horizon, each as sharp as a skyscraper’s corner. Most importantly for us, S curves lead to a new solution to the credit-assignment problem. If the universe is a symphony of phase transitions, let’s model it with one. That’s what the brain does: it tunes the system of phase transitions inside to the one outside. So let’s replace the perceptron’s step function with an S curve and see what happens.

When Tally glanced out at the glowing horizon, her eyes opened wide. She’d never seen dawn from outside the city before. Like most uglies, she was rarely up early enough, and in any case the horizon was always hidden behind the skyline of New Pretty Town. The sight of a real sunrise amazed her. A

The New York City skyline looms before us. The skyscrapers stretch high in the sky, as if desperately trying to reach Omnis.

I know when people think of New York, they think of theater, restaurants, cultural landmarks and shopping,” I told him. “But beyond the iconic skyline and the news from Wall Street, New York is a collection of villages. In our neighborhoods, we attend school, play Kick the Can, handball and ride our bikes. I grew up knowing the names and faces of the baker, the shoe repair family, the Knish man and the Good Humor man who sold me and the other kids in my neighborhood half a popsicle for a nickel. My father took me to the playground where he pushed me on the swing, helped balance me on the seesaw and watched as I hung upside down by my feet on the monkey bars. Yes,” I told the interviewer, “people actually grow up in New York.

Midnight City" Waiting in a car Waiting for a ride in the dark The night city grows Look and see her eyes, they glow Waiting in a car Waiting for a ride in the dark Drinking in the lounge Following the neon signs Waiting for a roar Looking at the milky skyline The city is my church It wraps me in the sparkling twilight Waiting in a car Waiting for the right time Waiting in a car Waiting for the right time Waiting in a car Waiting for the right time Waiting in a car Waiting for the right time Waiting in a car Waiting for a ride in the dark

Through a trick lighting technique the skyline was made and faded with the care of a pointillist— maybe aiding us to think nothing was missing. We traded verbs about what was happening in the metropolis, realizing, in the scorched plum of dusk, actual human infinity was occurring on an island before us....

I, like a river, Have been turned aside by this harsh age. I am a substitute. My life has flowed Into another channel And I do not recognize my shores. O, how many fine sights I have missed, How many curtains have risen without me And fallen too. How many of my friends I have not met even once in my life, How many city skylines Could have drawn tears from my eyes, I who know only the one city And by touch, in my sleep, I could find it ... And how many poems I have not written, Whose secret chorus swirls around my head And possibly one day Will stifle me ... I know the beginnings and the ends of things, And life after the end, and something It isn’t necessary to remember now. And another woman has usurped The place that ought to have been mine, And bears my rightful name, Leaving me a nickname, with which I’ve done, I like to think, all that was possible. But I, alas, won’t lie in my own grave. But sometimes a madcap air in spring, Or a combination of words in a chance book Or somebody’s smile, suddenly Draws me into that non-existent life. In such a year would such have taken place, Something else in another: travelling, seeing, Thinking, remembering, entering a new love Like entering a mirror, with a dull sense Of treason, and a wrinkle that only yesterday Was absent ... But if, from that life, I could step aside, And see my life such as it is, today, Then at last I’d know what envy means ...

I saw an even more egregious example of this a few years later. I had moved to Edmonton to finish my undergraduate degree. I took an apartment with my sister, who was studying to be a nurse. She was also an up-and-out-of-there person. (Not too many years later she would plant strawberries in Norway and run safaris through Africa and smuggle trucks across the Tuareg-menaced Sahara Desert, and babysit orphan gorillas in the Congo.) We had a nice place in a new high-rise, overlooking the broad valley of the North Saskatchewan River. We had a view of the city skyline in the background. I bought a beautiful new Yamaha upright piano, in a fit of enthusiasm. The place looked good

The city’s skyline beheld from the Champlain Bridge at midday evoked in him a sentiment of unqualified ignorance—it seemed to laugh at the size and purpose of him.

For one thing, they share a willingness to consider New York from a cinematic distance, overlooking the city’s many irritants except insofar as they add grit and drama to their personal story. In day-to-day terms, this manifests as complaining vigorously about subway hardships and bedbug plagues, and then posting Instagram photos of the skyline at sunset. A not insignificant number of the New York lovers I know—especially the twenty-somethings—are actually pretty unhappy day-to-day.

For one thing, they share a willingness to consider New York from a cinematic distance, overlooking the city’s many irritants except insofar as they add grit and drama to their personal story. In day-to-day terms, this manifests as complaining vigorously about subway hardships and bedbug plagues, and then posting Instagram photos of the skyline at sunset. A not insignificant number of the New York lovers I know—especially the twenty-somethings—are actually pretty unhappy day-to-day. I picture the prom king’s date sitting near him at a party, ignored but still kind of proud to be in the room and on his arm—and incredibly offended at the suggestion that she should break up with him for someone who dotes on her more. Oh, how California dotes! Sun yourself. Take the car. Let your guard down. Breathe deeply, and you’ll smell the jasmine and dusty sage. Show up twenty minutes late. (Just text “Sorry—traffic.”) Explore the weirder corners of your spirituality. Describe yourself, without sarcasm, as a writer slash creative entrepreneur. Work from home. Spread out. Wear the comfortable pants. When I describe this sunshine-and-avocado-filled existence to some New Yorkers, they acknowledge that they really like California, too, but could never move here because they’d get too “soft.

The absence of a skyline makes him doubt he'll ever get where he's going, and behind him, where he's come from might as well not be there.

We were perfectly placed, perfectly disposed to one another. Our pieces fit so well together, not in the way that puzzle pieces are carved to click, but in a clumsier, more accidental way; we were a city skyline – unplanned architectural mastery. Designed by the heavens, and you called me your angel – even when I was undeserving of that accolade. You’d call yourself the devil and I’d feel betrayed. Because for me, we were the same, either two sinners or two saints.

There is no word to describe exactly what the High Line is to the non-architects among us, nor the collective reframing process required to see beyond its dingy path. 24 The promenade’s landscaping and minimal architectural interference is meant to find a balance between “melancholia and exuberance,” Diller told me. “Whatever that intermediate thing is, it’s ineffable and is kind of what makes the High Line so popular.” “Part of what is so successful about the High Line is that it looks like it’s about nothing,” Diller said. Everything is prohibited on the promenade but the act of moving forward or stopping to look at the vistas from that vantage point. A dedicated place for strolling, where there are no dogs, no bicycles, or wheeled objects of any kind, it is “radically old fashioned,” designed to let us do what we ordinarily don’t, like taking time to linger and gaze at passing traffic. There is even a “sunken overlook” viewing station with movie-theater-style rows of descending seats and a window instead of a screen to see Tenth Avenue’s traffic instead of a featured film. Looking at the path beneath our feet and the view before us are the High Line’s activities. The High Line’s path will extend up the island in nearly interminable stages, “perpetually unfinished.” 25 As if to underscore it, on the west-facing side of the High Line, with views of the skyline and the Hudson River, sculptor Anatsui erected a monumental mural, Broken Bridge II, a three-dimensional painting the size of a city block made of flattened, dull-finish tin and mirrors with expert placement and hours of scaling. The vista in its upper reaches blends sky and land “in such a way that you do not know where mirrors end and sky begins.” 26 Anatsui, known for his radiant, monumental murals with a unique luster, fashioned as they are out of recycled metal bottle caps from his studio in Nigeria, starts his work from an approximate center with exquisite discards. He then builds outward, unscrolling the once-scattered shards so that they shine in their new form, as if they could unfurl to the full extent of vision.

The universal Church touched every corner of western Europe and practically all aspects of life from politics to market behavior, but it was not a monolithic institution. Very much the opposite: Because it channeled and encompassed practically all spiritual life, the Church, by necessity, had to be a big tent. It contained multitudes: poor, illiterate priests in isolated rural parishes with secret wives and broods of children, who rarely saw their uninterested parishioners; charismatic Dominican preachers capable of attracting crowds of thousands in towns and cities; places like the brand-new castle church of Wittenberg, built in Renaissance style and packed with holy relics in expensive gilded cases; towering Gothic cathedrals, already centuries old, dominating the skylines of the continent’s prosperous urban centers and serving as headquarters for rich, powerful bishops who pulled political strings from London to Leipzig; leaky-roofed monasteries, housed by a few elderly monks in threadbare robes begging for donations to fix a tumbledown refectory; university theologians steeped in the brutally dense works of Thomas Aquinas and William of Ockham who spent their time teaching students and arguing about scholastic philosophy; devout laywomen, reading books of hours in the privacy of their prosperous homes; sword-swinging Hospitaller Knights, soldier-monks in armor and black habits, beheading Muslim sailors on the decks of galleys under a blue Mediterranean sky. The Church was all of these things: corrupt and saintly, worldly and mystical, impossibly wealthy and desperately impoverished.

By the 1920s, the skyline had replaced the Statue of Liberty as the symbol of the city. New Yorkers pointed to the skyline as their pride and joy,

I peep through her ocean telescope and look up through the atmospheres. All this modern underwater architecture, lit up with bioluminescence. Condos, aqua resorts, plazas, lighted vac tubes connecting them all. Like a twenty-first century skyline flipped upside down and dropped into the ocean. Refuse drones designed to look like yeti crabs claw out of septic cubes and scurry to the surface, flexing their mechanical limbs. Everything is hydropowered, motion-powered, geo-powered. Sewage, heated and pressurized into biodiesel. Holographic ads circle their gilded prey, telling people they can somehow live forever while looking like a million bucks. The underwater city is always on, data-scavenging all our habits and using the info to create a more efficient place. An underwater panoramic, lubricated by the grease of America.

Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.

The fog came quickly, tumbling across the city like an avalanche racing downhill. Every second that passed seemed to show less and less of the skyline as it was swallowed by the gray clouds. Wetness permeated the air.

Istanbul has never been the colony of the Westerners who wrote about it, drew it, filmed it, and that is why I am not so perturbed by the use Western travellers have made of my past and my history in their construction of the exotic. Indeed, I find their fears and dreams beguiling – as exotic to me as ours are to them – and I don’t just look to them for entertainment or to see the city through their eyes, but also to enter into the full-formed world they’ve conjured up. Especially when reading the Western travellers of the nineteenth century – perhaps because they wrote about familiar things in words I could easily understand – I realise the ‘my’ city is not really mine. Just as it is when I am contemplating the skyline from the angles most familiar to me – from Galata and Cihangir, where I am writing these lines – so it is, too, when I see the city through the words and images of Westerners who saw it before me: it’s at times like these that I must face my own uncertainties about the city and my tenuous place in it. I will often feel that I’ve become one with that Western traveller, plunging with him into the thick of life, counting, weighing, categorising, judging and in so doing often usurping their dreams, to become at once the object and subject of the Western gaze. As I waver back and forth, sometimes seeing the city from within and sometimes from without, I feel as I do when I am wandering the streets, caught in a stream of slippery, contradictory thoughts, not quite belonging to this place, and not quite a stranger. This is how the people of Istanbul have felt for the last hundred and fifty

what if she was only interesting as an unknown, before you actually spent time around her? Had Milan been… underwhelmed? Would Nasir lose interest the minute she became real, not a mirage against a city skyline? Why did any of it matter?

An airplane is sewn by the outside ankle of the left shoe. There’s a hockey stick and a Stanley Cup on the right. An ocean and sunset which I assume is Florida. A head of chestnut curls and I could recognize that as representing my sister even from a mile away. A number thirty-eight is nestled into Boston’s skyline for her friend Rio, I guess. I don’t let myself think too far into that because I’m just grateful there’s nothing regarding her shitty ex that she would quite literally be walking around with.

What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.

I love the skyline of a great city. To me, that's Miami.

Los Angeles is fucking lit tonight. That was the only thought in my head as I stood twenty-seven stories up on the roof deck of the city’s newest and hottest high-rise hotel, overlooking our famous skyline

They reached an exit off the highway, Amir’s favorite spot in the city. The exit curves on top of a bridge and as you look behind in the side mirror, you see the future: the pristine Downtown Dubai skyline overshadowing the cranes that are racing to the sky. And right in the middle of this immaculate horizon stands the Burj Khalifa, the tallest building in the world. But as the car turns and moves, when you look ahead and in front of you, you see two mosques, each with a pair of minarets in perfect juxtaposition, a sacred geometric omen towering the roofs of the villas scattered all around. To Amir, he sees the past in front and the future behind when a car takes this turn. Now there’s a paradox.

Glasgow can be uncommonly dreich, smirr blurring the architectural mishmash of the city's skyline. The east coast plays host to some truly cruel gales, eroding the sharp edges off fishermen's cottages in Fife and Angus. In the winter months it can feel like the country takes any opportunity to grind to a halt. The faintest threat of snow causes chaos across road, rail and air.

You grow up in a community with abandoned homes, a jobless rate of over 25 percent, underfunded schools, and you stand outside your home, look at the city's gleaming downtown skyline, at its prosperity, and you know your place in the world.

What people are saying about WAR EAGLES ​5 out of 5 stars! WW2 with a dash of fantasy! I really enjoyed stepping back in time as the race for air travel was developing. One could truly feel the passion these pilots and engineers had for these magnificent machines. The twist of stepping back into a land of Vikings and dinosaurs was very well executed. Well done to both the author and the narrator. ​ Reminiscent of Golden Age Sci Fi This audio book reminded me of some of the 40's and 50's era tales, but what it happens to be is an alternative timeline World War II era fun adventure story. Think of a weird mash-up of a screw-up Captain America wanna-be mixed with the Land of the Lost mixed with Avatar where Hitler is the real villain and you might come close. At any rate, it's load of good fun and non stop action. But don't get distracted for a minute or you'll miss something! There are american pilots, Polish spies, Vikings, giant prehistoric eagles and, of course, Nazis! What more could you ask for to while away an afternoon? Our hero even gets the (Viking) girl! Put your feet up an get lost in what might have been.... 4 out of 5 stars! it's Amelia Earnhart meets WWII This is not an accurate historical fiction book, but rather an action-packed book set an historical time. I normally listen to my books at a higher speed, however the amount of drama and action in this book I had to slow it down. I like the storyline and the narrator however, the sound effects throughout the book did kind of throw me since I'm not used to that and most audible books. still I would recommend this is a good read.​ 5 out of 5 stars! I Would Like to See this on the Silver Screen Back in the late 1930s, the director of King Kong started planning War Eagles as his next block buster film. Then World War II intervened and the project languished for decades. It helps to know this background to fully appreciate this novel. It’s a big cinematic adventure waiting to find the screen. The heroes are larger than life, but more importantly, the images are bigger and more vivid than the mighty King Kong who reinvented the silver screen. And what are those images you may ask? Nazis developing super-science weapons for a sneak attack on America, Viking warriors riding gargantuan eagles in a time-forgotten land of dinosaurs, and of course, those same Vikings fighting Nazis over the skyline of New York City. This book is a heck of a lot of fun. It starts a little bit slow but once the Vikings enter the story it chugs along at a heroic pace. There is a ton of action and colorful confrontations. Narrator William L. Hahn pulls out all the stops adding theatrical sound effects to his wide repertoire of voices which adds a completely appropriate cinematic feel to the entire story. If you’re looking for some genuinely heroic fantasy, you should try War Eagles. Wonderful story War Eagles is a really good adventure story. ​5 out of 5 stars!

The moon was a lightbulb dangling from a high ceiling, But in Brooklyn, there were no stars. Not in the sky. Miles, climbed along side his building up to the roof. Once there, he looked out at the New York City skyline and imagined that all the stars that were supposed to be there had fallen, and now sparkled much closer to the ground.

She didn't like everything about her apartment, but she loved the view. In fact, that was one of the main reasons she decided to rent the place despite the price. There was nothing particularly special about it — there must have been thousands of equally affordable units out there with a better view of the New York skyline. But for her it wasn’t about iconic silhouettes of iconic buildings. Her window was giving her exactly the kind of view of the streets that she liked. Not too far, not too close, with the right mix of buildings nearby and a straight line of an avenue cutting through the city blocks and allowing to see far away. Depending on the mood, she could feel being in the busy crowd below or outside it. Which was just the way she liked it.

As cities expand and more vehicles take to the roads, the infrastructure struggles to keep pace, resulting in congestion, compromised safety, and an increased risk of accidents. The need for a holistic approach that encompasses infrastructure development, public awareness campaigns, and stringent law enforcement becomes evident in addressing this critical issue.

fingernails; nostrils; shoelaces the gas line is leaking, the bird is out of the cage, the skyline is dotted with vultures; Benny finally got off the stuff and Betty got a job as a waitress; the chimney sweep was quite delicate and giggled up through the soot. I walked miles through the city and saw nothing as a giant claw ate at my stomach and the inside of my head felt airy as if I was about to go mad. it's not so much that nothing means anything but more that it keeps meaning nothing. there's no release, just gurus and self- appointed gods and hucksters, stupid intellectuals. the more people say, the less there is to say. even the best books are sawdust to the brain. I watch the boxing matches and take notes on futility. the gate springs open again and there are the beautiful silks riding against the sky. such a sadness: everything trying to break through into blossom. everyday should be a miracle instead of a machination.

She looked out at the city. All of Tevanne was smeared with starlit smoke and steam, a ghostly cityscape sinking into the fog. The huge white campo walls surfaced among the ramble of the Commons like the bones ofa bleached whale. Behind them stood the towers of the campos, which glowed with soft, colorful luminescence. Among them was the Michiel clock tower, its face a bright, cheery pink, and beyond that was the Mountain of the Candianos, the biggest structure in all of Tevanne, a huge dome that reminded her of a fat, swollen tick, sitting in the center of the Candiano campo. She felt lonely, and small. Sancia had always been alone. But feeling lonely was different from just being alone.

Hassler flips burgers on a grill in the shadow of the remnants of the Seattle Gas Light Company, a collection of rusted cylinders and ironwork that looms in the distance like the ruins of a steampunk skyline. The expanse of emerald grass runs down to the edge of Lake Union, which sparkles under the late afternoon sun. It’s June. It’s warm. The entire city seems to be out taking advantage of this rare, perfect day.

He also inherited my mother’s talent for selflessness. He gave his seat to a surly Candor man on the bus without a second thought. The Candor man wears a black suit with a white tie—Candor standard uniform. Their faction values honesty and sees the truth as black and white, so that is what they wear. The gaps between the buildings narrow and the roads are smoother as we near the heart of the city. The building that was once called the Sears Tower—we call it the Hub—emerges from the fog, a black pillar in the skyline. The bus passes under the elevated tracks. I have never been on a train, though they never stop running and there are tracks everywhere. Only the Dauntless ride them. Five years ago, volunteer construction workers from Abnegation repaved some of the roads. They started in the middle of the city and worked their way outward until they ran out of materials. The roads where I live are still cracked and patchy, and it’s not safe to drive on them. We don’t have a car anyway. Caleb’s expression is placid as the bus sways and jolts on the road.

You can eat wonderful food in a junked train car on plebeian plates served by waitresses more likely to start dancing with the bartender to the beat of the indie music playing on the sound system than to inquire, “More Dom Pérignon, sir?” Truffles and oysters can still appear on the Brooklyn menu, but more common is old-fashioned “comfort food” turned into something haute: burgers made from grass-fed cattle from a New York farm, butchered in-house, and served on a perfectly grilled brioche bun; mac ‘n’ cheese made from heritage grains and artisanal cow and sheep’s milk. Tarlow was not the only Williamsburg artist unknowingly helping to define a Brooklyn brand at the turn of the millennium. Around the same time he opened up Diner, twenty-six-year-old Lexy Funk and thirty-one-year-old Vahap Avsar were stumbling into creating a successful business in an entirely different discipline. Their beginning was just as inauspicious as Diner’s: a couple in need of some cash found the canvas of a discarded billboard in a Dumpster and thought that it could be turned into cool-looking messenger bags. The fabric on the bags looked worn and damaged, a textile version of Tarlow’s rusted railroad car, but that was part of its charm. Funk and Avsar rented an old factory, created a logo with Williamsburg’s industrial skyline, emblazoned it on T-shirts, and pronounced their enterprise

I go through to lie on my bed and leave the light offI watch the city lightes move accross the ceiling, splintering up the darkness. It's not ever really dark in our room. Even with the lights off, the cars and neons and street lights leave a glow all the time.

I'm used to the traffic and the way it washes through my mind, swirling with changing rhythms. It is a moving, liquid music, smooth and soothing; a song of haunting sounds and hooting woven from the speed and rushings of the city. The traffic is a song which plays my feelings as though they were a string instrument of distant drum. It erases all silences within me.

Exotic, vaguely sinister with its skyline of onion-domed mosques and slender minarets, its ornate Topkapi Palace housing the sultan's seraglio, its noisome Haydarpasar stews, the luxury hotels overlooking the Bosporus, the Golden Horn separating the city from its wealthy suburbs, Constantinople had seen Saracens and Crusaders eviscerate one another, had watched red-bearded Sultan "Abdul the Damned" butcher his subjects in the streets, and seemed stained by its memories.

Beneath our city lies another city, carved into the earth, a city of hollowness, a city of emptiness, a city of negative space. It's skyline will never be revealed, not until that time in the future when our society's final resting place is excavated and disturbed by a more advanced species. But until that day, we can only know our shadow city piece by piece, by the frail beam of a flashlight, by the touch of a hand in the darkness.