Skull Tattoo Quotes

Some things in life become ingrained in your psyche. You can't shake them no matter how hard you try. They're tattooed inside your skull, lying dormant, til the moment you need to draw from them, to survive." --Mike Wech, SEVEN-X

He’s got five rings in his ear, eighteen gauge to ten gauge, but when I told him to get one in his nipple to match mine, and to get a Sailor Moon tattoo - because I like Sailor Moon? - or if not that, a skull, he stopped calling me.

He grabbed something off the floor and held it in front of his hips as he stood up. She drank in the sight of him: The tattooed slave bands around his wrists and neck, the plug in his left earlobe, his black eyes, his skull-trimmed hair. His body was as starkly lean as she remembered, all striated muscles and hard cut veins. And he threw off raw power like a scent.

No,” Winter said in a bored voice. “He has a dragon-skull tattoo for every dragon he’s ever killed,” said Qibli. “He’s covered in them.” “Sounds a bit obvious.” Winter yawned. “Why not just tattoo ‘I’M TOTALLY MENACING’ on his forehead.

Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.

Each of his largish earlobes featured a tattoo of a tiny, grinning skull.

Horace, hands on hips, paced around the circle, frowning as he studied them. They were a scruffy bunch, he thought, and none too clean. Their hair and beards were overlong and often gathered in rough and greasy plaits, like Nils’s. There were scars and broken noses and cauliflower ears in abundance, as well as the widest assortment of rough tattoos, most of which looked as if they had been carved into the skin with the point of a dagger, after which dye was rubbed into the cut. There were grinning skulls, snakes, wolf heads and strange northern runes. All of the men were burly and thickset. Most had bellies on them that suggested they might be overfond of ale. All in all they were as untidy, rank smelling and rough tongued a bunch of pirates as one could be unlucky enough to run into. Horace turned to Will and his frown faded. ‘They’re beautiful,’ he said.

Sachi scowled. ‘I saw your tattoos, I read the book, I know all about this Order of Dark and Light thingy—so what is it then? You drink blood out of people’s skulls?’ ‘Dan Brown has a lot to answer for,’ Moss said on a sigh.

I forgot to mention that Paul in person looks just as outlandish as his house—a claim I lay with the utmost aesthetic respect. He has thick dreadlocks, a beaded wizard’s beard, and tattoos. He traveled in a purple velvet frock coat and a top hat with an ermine skull attached to the brim. No one knows his age. He was once described by a mutual friend of ours as “an eighteenth-century highwayman reimagined by Tim Burton.” Paul refers to himself as “a cross between Prince and Vlad the Impaler.

He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.

Every reporter who came up in legacy media can tell you about a come-to-Jesus moment when an editor put them up against a wall and tattooed a message deep into their skull: show respect for the fundamentals of the craft, or you would not soon be part of it.

He'd changed in the ten years since he'd been gone.He'd grown taller certainly, and his body was thick with muscle, but his white blond hair was now cut close to the skull, and he had tattoos peeking out from both the collar and the cuffs of his white shirt.

He peeled out the banknotes from inside a billfold held on a chain and paid her. Andy Jackson’s eyes were X’d out. For an edgy instant she wondered if his money was counterfeit. She also noted his missing middle finger, and a skull tattoo decorated his sinewy wrist. She put down the card key. “You’re in Seven, straight down the courtyard.” He slid the card key off, but it fell to the floor. "Oops. I haven’t gotten used to this high gravity.” “I beg your pardon?” “Nothing. I’m just punchy from all the driving.

He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.

He doesn’t know anything about Max, except from what’s implied in that note; also, Max had first choice of lockers, and he chose the red one. He must be aggressive. Stan wouldn’t wish to be pushed off an extension ladder by an angry naked man, a naked man to whose rippling epidermis he now adds copious tattoos. Most likely Max also has a shaved head, covered in scars and welts from all the times he’s broken men’s teeth and jaws with the sheer force of his bullet-shaped skull. Stan

The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.

You do know, right, that between the no- longer & the still- to-come you are being continually tattooed, inked with the skulls of everyone you’ve ever loved—the you & the you & the you & the you—you don’t sit in a chair, thumb through a binder, pick a design, it simply happens each time you bring your fingers to your face to inhale him back into you . . . tiny skulls, some of us are covered. You, love, could simply tattoo an open door, light pouring in from somewhere outside, you could make your body a door so it appears you (let her fill you) are made of light.

The tattooed face of a cat, blue and grinning, covered his right hand; on one shoulder a blue rose blossomed. More markings, self-designed and self-executed, ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating, in the form of crude strokes, rays of holy light; and two sentimental concoctions—one a bouquet of flowers dedicated to MOTHER-DAD, the other a heart that celebrated the romance of DICK and CAROL, the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to “do the right thing” by another young lady, the mother of his youngest child. (“I have three boys who

if only you could see yourself now, you’re settling back into a quiet autumn and you’ve missed the smell of must, rain, and tobacco kissed into the corners and couches of the same house you share with seven others. you miss the girl who used to sleep on your couch who had the skull of the bird she is named after tattooed across her arm. you are glad you stopped drinking. it’s 2am and you’re staying up far too late. you have an interview for a job in the morning that you will come to hate in 2 months. you’re not in love the way you expected. some memories turned into broken drawers that you chose to store all your knives in, every time you open them, they always come spilling out towards you. you miss having sex with people you also love. precariousness is now the pillow you sleep upon, and you no longer have such structured repeating romance. you no longer have such a structured repeating life, and I know it killed you that you knew it wasn’t forever. i know i can’t stop you from panicking, but it will all make sense. you repeat repeat repeat repeat repeat repeat until you realized it was too early to build such a life based on repetition. you’re settling back into a quiet autumn, and you’re stone sober at 4am after a Friday night while the world starts to makes a strange kind of sense, the same way words become meaningless when repeated enough times. all of this is to say, you made it this far, and i’m proud of you.

The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.

Elizabeth comes up behind Talis. If Talis is unGoth, then Elizabeth is Ballerina Goth. She likes hearts and skulls and black pen-ink tattoos, pink tulle, and Hello Kitty. When the woman who invented Hello Kitty was asked why Hello Kitty was so popular, she said, “Because she has no mouth.” Elizabeth’s mouth is small. Her lips are chapped.

The other arm, Wormtail.” “Master, please . . . please . . .” Voldemort bent down and pulled out Wormtail’s left arm; he forced the sleeve of Wormtail’s robes up past his elbow, and Harry saw something upon the skin there, something like a vivid red tattoo — a skull with a snake protruding from its mouth — the image that had appeared in the sky at the Quidditch World Cup: the Dark Mark. Voldemort examined it carefully, ignoring Wormtail’s uncontrollable weeping. “It is back,” he said softly, “they will all have noticed it . . . and now, we shall see . . . now we shall know . . .” He pressed his long white forefinger to the brand on Wormtail’s arm. The

Bill McLemore looks like a bouncer at a biker bar: a big, barrel-chested man with a shiny, shaved dome, a gray beard, and a complex web of tattoos depicting skulls, bullets, and daggers that snake up his chunky arms. The last thing you would mistake McLemore for is a minister of God.

Let me be crystal clear, however, that being willing is very different than being open. I meet many people who are closed up for whatever reason. They may have been abandoned as children, they may have deep-seated trust issues, have been abused or be painfully shy by nature. They might simply be skeptical about me, believing that no one (especially a tattooed “exorcist” wearing a skull T-shirt) can truly help them. As long as they are willing to open up to the idea that I might help, then I’m eager to try. When I meet with closed-off clients, I know their exorcism is going to be exhausting and tough. Either they’re so full of malevolent entities that I won’t be able to see the source of the darkness inside them, or they’re so guarded that they’re going to repeatedly resist opening up to me. In the first case, I know I’ll always succeed and perform a top-notch exorcism—it’s just going to take me a little longer. But in the second case, I’ll need my client to work with me.

ANASTASIA: “Your tattoos tell a story too. The skull on your back, the black widow on your neck, the bloody axes, the broken heart—all intermixed with the sexy women. You try to paint yourself as some badass, but I see the truth. You’re not just the easygoing live-and-let-live guy. In reality, you’re more like a jaded, brokenhearted little boy who lost his momma way too early and who has a giant, sensitive, although scarred, heart that has been hurt too many times.

I tried one more search. Skull tattoo with beret and wings. That was it. Images just like the one on his arm filled the screen. Army tattoos. Kane was a member of the fucking military. Holy shit.

Fae in the dining hall and I trailed after him now, his silky black hair pulled into a topknot and the loose fitting tank top he wore showing off the endless Disney tattoos covering his arms. He was a big guy, his muscular arms tanned and looking strong enough to crush someone’s skull, and he had an air of terrifying about him

He stood out because he had a slight British accent and an odd tattoo on his neck. A skull and a flower.

Like all those in the service of the gods, the isib had an elongated skull, was shorn of all hair, and carried the tattoos and piercings of the deity on his body beneath his multicolored linen robes. He was not one of the eunuchs. He was being groomed by Lugalanu himself to become a sanga, the next highest level of priest, an administrator with an eye toward becoming an ensi, the high priest.

Claudette turned her arms upward to show us her tattooed wrists. One held the skull and crossbones of the Wilted Rose. The other resembled the flag which adorned the mast above us. A ship's wheel with two swords crossed through it.

Mortmain is an old French word that should be tattooed on the inside of any historical novelist's skull. This wonderful and terrible word means “dead hand.” Its definition is: “The influence of the past regarded as controlling the present.” (It is also used as a legal term with the same basic meaning.

Skull tattoos adorned each arm, and someone had written love and hate on his knuckles so badly that it looked as if it had been done by an illiterate blind man.

She had twisted and turned from the fever, until one side of her nightgown was rolled up above her waist and the covers were off. He couldn’t help but notice the length of her legs and the slender curve of her hip. And, while he wasn’t going to mess with her gown and take the chance of waking her up, he could pull the covers back over her. It wasn’t until he bent down to grab the blankets that he saw the small tattoo on her hip. His eyes widened. He looked at her profile. Even asleep, she appeared daunting. But this little tattoo was proof that there might be a softer side to Catherine Dupree. The tattoo was a butterfly—and it was pink. Who would ever have believed that Cat Dupree would be the kind of woman to have a girly thing like that? Barbed wire? Yes. A skull and crossbones? Sure. A snake with fangs exposed? Plausible. But a tattoo of a small pink butterfly on her butt? Priceless.

As soon as Tara looked at the skull-and-barbed-wire tattoo showing beneath the sleeve of Flynn O’Mara’s tight t-shirt, she flashed on a jail cell. Bummer. His Dad’s in jail

Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.” I’m happy to be pussy whipped. Logan walks over and high-fives me, and Emily grins at Reagan. “Thanks for taking one for the team,” I say to Paul. It won’t be hard on him. The girl is gorgeous. “The things I have to do so you guys can have sex.

Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.

Miss Burel?" In one second flat, Genevieve's thoughts died and her entire body went up in flames. Standing on her rickety porch, with the chipped white paint and the sweet double swing, was the owner of that deep, demanding baritone. Genevieve stared at him like a mole who had just seen the sun for the first time. Hot, blinding and impossible to turn away. She was sure she had never met him before. She would have remembered if she had. Her gaze moved over him. Yes. This male in dark blue jeans and a worn, black leather jacket wasn't someone you walked past without either staring, double-taking or running into a tree. He was so tall his head grazed the roof of the porch, and so broad across the chest, the white T-shirt he wore strained against all that muscle. But it wasn't just his size and fierce manner that had her skin vibrating with awareness, or the thick, dark hair, or the light dusting of stubble around his mouth - or, God, even those incredible liquid amber eyes that equally mocked and studied her. No. It was the brightly colored tattooed skull interwoven with tribal markings that covered his collarbone and ran up the length of his neck.

Humans give stuff away all the time, practically tattooing their darkest secrets in neon on their skulls for anyone to see. Perverse fuckers. If they shouldn’t think about it, they do. If they should think about it, they don’t.

I watched him, mesmerized. The ink of his tattoos bespoke the path he’d walked to get to me. A skull and crossbones on his hip. His daughter’s initial on one side of his chest and the words ‘Sine metu’ on the other. I’d learned Latin in college and I knew it meant ‘without fear’.

The tattoos that adorn his body--how clearly Bridie sees them now--are, in fact, moving. She is put in mind of Monsieur Desvigne's Mimoscope. A device of cunning construction (a wonder among wonders at the Great Exhibition), pictures looped between spools, illuminated by a spark. Bridie, transfixed, saw animals, insects, and machinery--static images--flickering to life, to bounce and flutter, slither and winch. Bridie watches this man with the same fascination as, in one continuous motion, an inked anchor drops the length of his biceps. High on his abdomen an empty-eyed skull, a grinning memento mori, chatters its jaw. A mermaid sits on his shoulder holding a looking glass, combing her blue-black hair. On finding herself observed the mermaid takes fright and swims off under the man's armpit with a deft beat of her tail. On his left pectoral an ornate heart breaks and re-forms over and over again. He is a circus to the eye.

When he finally finished, Landon tugged me off the chair and pulled me toward a mirror, so I could see the tattoo that we all had on our ribs to symbolize us, Poison. A grayscale poison bottle tattoo with a skull in the center and four roses behind it.

A particular sailor kept landing on my board. I noticed his arms first—a skull tattoo with demon eyes. “It’s called Psycho Eyes,” he said. “My Navy nickname. We all have one.” He laughed and moved his knight.

The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.

McCloud withdrew a pencil from his pocket and pointed at the remainder of Thompson’s head. “See this? It’s stippling. These marks on the remainder of the decedent’s skull prove my theory. Gunpowder tattoos indicate distance, at the minimum, six inches. Not impossible for a suicide, but unlikely. My guess, your boy here is a homicide, pure and simple.

We emerge from prison bearing agonies that would crush a stone. How do we survive these? We transform them. We get a tattoo. We ink an entire sleeve. We cover our chest and back with swastikas, death’s-heads, and quotes in bogus Mandarin from Kill Bill, Volume Two. We blast our pecs. We pierce our flesh. We customize Harleys. We shave our skull. We craft an image of ourselves, even if it’s one—especially if it’s one—as predictable as low-ride jeans and chrome-link wallet chains. That’s art. That’s our novel. This is what the writer wrestles with. This is the passage. You pound keyboards until you wear the sonsofbitches out. Each page is trash. Unreadable. Unpublishable.

Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala.

Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala. I’m not blind. Daddy sees everything. Including how you look at that Tristan kid. Stay away from him.” “Ian, she’s eight weeks old,” Serena pointed out. “Tristan recently turned one. I hardly think they’re planning to date.

A skull graces the bulging muscle of one large bicep, a rose with something stuck in it is along another arm, a spider crawls along his back, and other intricately woven lines join them all together. These tattoos mean something.

You asshole,” I punched him in the shoulder. “Gentle! I bruise easily.” He rubbed his carved biceps and I caught a glimpse of a tattoo on his arm: a skull wearing a beret. Army Ranger. Now I had seen everything.

Bill McLemore looks like a bouncer at a biker bar: a big, barrel-chested man with a shiny, shaved dome, a gray beard, and a complex web of tattoos depicting skulls, bullets, and daggers that snake up his chunky arms.

Doing a double take at his right forearm, she realized there were cookies tattooed among the colorful array of snakes, daggers, and skulls. Chocolate chip, if she wasn’t mistaken. Someone has a sweet tooth.