Skins Uk Quotes

You think you know death, but you don't, not until you've seen it, really seen it... And it gets under your skin and lives inside you. You also think you know life, stand on the edge of things and what you go by but you're not living it, not really, you're just a tourist, a ghost, then you see it, really see it, it gets under your skin and lives inside you, and there's no escape, there's nothing to be done, and you know what? it's good, it's a good thing. And that’s all I’ve got to say about it.

For others, I suspect the vehement dislike of tattoos [on women] is really a fear of women's skin. When a woman makes her own mark on it, she isn't quite as available to receive whatever fantasies you might want to project on to her. If skin is a screen, and a woman writes on it, she is telling the world (or even just herself) that her own standards of attractiveness are more important to her than the standards of anyone else who might cross her path. She is taking ownership. - from "Painted ladies: why women get tattoos" @theguardian.co.uk

Given that the historically most violent regions of the UK had virtually no black population at all and given that working-class youth gangs stabbing and shooting people had existed in Britain for well over a century - who do you think the gangs attacking our grandparents when they arrived were? - you can imagine my shock when I discovered that there was, in the UK, such a thing as ‘black-on-black’ violence. None of what occurred in Northern Ireland had ever been referred to as ‘white-on-white’ crime, nor Glasgow, nor either world war, the Seven Years War, the Napoleonic Wars, nor any conflict or incident of murder, however gruesome, between humans racialised as white. Despite hundreds of millions of ‘white’ people killing each other throughout European history, witch hunts, mass rapes, hangings, torture and sexual abuse, and despite the fact that the two most violent regions of Britain in the 1990s were almost entirely white, there was no such thing as white-on-white violence. Yet apparently working-class black Londoners had imported from America a rap-induced mystery nigger gene (similar to the slave sprint one?) that caused black people to kill not for all of the complex reasons that other humans kill, but simply because they are ‘black’, and sometimes because they listened to too much rap, grime or dancehall. This is, after all, what the phrase ‘black-on-black crime’ is designed to suggest, is it not? That black people are not like the rest of humanity, and that they do not kill as a complex result of political, historical, economic, cultural, religious and psychological factors, they kill simply because of their skin: their excessive melanin syndrome. The fact that yellow-on-yellow crime, mixed race-on-mixed race crime or white-on-white violence just sound like joke terms but black on black violence has ‘credibility’ speaks very loudly about the perceived relationship between blackness and depravity in this culture.

How to start… My name: well, it's really Russell, but people know me as Spike, and these chapters are how I remember them. They are memories around the skinhead cult of the late 70s until now; Punks, Mods, and others are here. I'm not going to put everything in precise date order as some events and time-line are hard to completely put together. Some things I say may not be agreeable to everyone, as the truth will hurt, but they're from my own experience and how I feel.

far as to say that white-skinned people are actually black-skinned mutants who lost the ability to produce significant amounts of eumelanin. Redheads, with their characteristic milky white skin and freckles, may be a further mutation along the same lines. In order to survive in places with infrequent and weak sunlight, such as in parts of the U.K., they may have evolved in a way that almost completely knocked out their body’s ability to produce eumelanin, the brown or black pigment.

If you ever meet a person who was a Skin from the late 70s and 80s and they say they never got into politics, I'm afraid to say they're lying to themselves. You could not help being drawn into far right or far left. Not because you were just patriotic. Left or Right are both patriotic, but a lot of things were changing all around and you followed what your mates and family were doing; you were young and ‒ well you went along with the flow, but the biggest influence was the music scene.

Here are just two stand-out facts from a major study in the Annals of Epidemiology entitled ‘Vitamin D for Cancer Prevention.’[3] “Women with higher solar UVB exposure had only half the incidence of breast cancer as those with lower solar exposure.” “Men with higher residential solar exposure had only half the incidence rate of fatal prostate cancer.” To put that in simple English, if you spend longer in the sun, you may be far less likely to die of breast and prostate cancer (and lots of other cancers as well, but more on cancer later). But what about the increased risk of dying of skin cancer! I hear you cry. Well, what of it? Around 2,000 people a year die of malignant melanoma in the UK each year. If increased sun exposure were to double this figure, we would have 2,000 more cases. On the other hand, breast cancer kills around 20,000 a year, as does prostate cancer. If we managed to halve the rate of breast and prostate cancer, we would reduce cancer deaths by 20,000 a year. Which is ten times as great any potential increase in deaths from malignant melanoma.

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The Antioxidant Canon, for Westerners In 2010 the UK’s Daily Mirror published a list of foods recommended by experts to combat aging. Among these foods readily available in the West are: Vegetables such as broccoli and chard, for their high concentration of water, minerals, and fiber Oily fish such as salmon, mackerel, tuna, and sardines, for all the antioxidants in their fat Fruits such as citrus, strawberries, and apricots; they are an excellent source of vitamins and help eliminate toxins from the body Berries such as blueberries and goji berries; they are rich in phytochemical antioxidants Dried fruits, which contain vitamins and antioxidants, and give you energy Grains such as oats and wheat, which give you energy and contain minerals Olive oil, for its antioxidant effects that show in your skin Red wine, in moderation, for its antioxidant and vasodilatory properties Foods that should be eliminated are refined sugar and grains, processed baked goods, and prepared foods, along with cow’s milk and all its derivatives. Following this diet will help you feel younger and slow the process of premature aging.

In understanding the widespread use of skin-lightening creams among black women in South Africa, the USA, the UK, and many other societies, from Brazil and the Philippines to Nigeria, Ghana, Kenya, and the Caribbean, the role of white colonialism by the British, Spanish, and Portuguese cannot be underestimated.

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Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!

Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!

For colour’s sake alone, Purletta Johnson belonged to the Jamaican bourgeoisie. She was fair-skinned, had light grey eyes, and worse, she spoke the kind of upper-St Andrew English culled from the BBC news which radios in middle- and upper-class Jamaican houses were always tuned to. In America at the time they would have described her as ‘yellow’. In Jamaica, she had been ‘red’. In a future England they would call her mixed-race, but at the time Purletta arrived in the country there was no such denominator, so she was simply coloured. Only briefly did this new assignment of class and race disturb her. Others in her position did everything to pass for white; they straightened their hair even more and then lightened it; they bleached their faces. These young women would have counselled Purletta to do the same, arguing that she had a distinct advantage with her grey eyes. She had arrived in England in the late 1960s, burdened by her mother’s idea that she should live there long enough to transform the UK-Right of Abode stamped into her Jamaican Passport (a gift from her father who was a citizen), into a full UK passport. No doubt Purletta’s mother also wanted her daughter to come back a cultivated English woman. But Purletta did the opposite. In the land of the BBC she suddenly abandoned her BBC accent. Away from Jamaica, she learned to talk Jamaican. She braided her hair close to her scalp and thereafter gave in to every possible stereotype, whether negative or positive. She became loud and colourful. Learned how to laugh from her gut, clapping her hands, leaning over and placing the palms of her hands on her thighs, shouting wooooooooiiii. She became fat and started to walk a kind of walk that was all hips. She got a gold tooth. Then she transformed herself into the kind of person who, as they said in Jamaica, any pan knock she was there!, so she started to go to every reggae show and would boogie all night until she was sticky with sweat. Purletta began to grow ganja on her balcony. She smoked, especially on evenings when she was getting ready to go out, and this would make her even louder, even more outrageous. A bona

Knowing what causes differentiation in human skin pigmentation, fascinating though that is, does not furnish a satisfactory explanation for the phenomenon of racism. Similarly, the biological explanation for why one person is right-handed whilst another is left-handed, is of less interest than why, even recently, being left-handed was considered such a stigma (…).Do we need to know what ‘causes’ homosexuality or heterosexuality? (…)Would the discovery of a genetic basis to sexual attraction finally undermine discrimination against non-heterosexual people by establishing that variations of sexual orientation are all equally rooted in nature? Or would it furnish powerful homophobic forces with a new weapon in their drive to undermine and remove the rights of non-heterosexual people, perhaps even the right to life itself? The infamous remarks of a senior religious leader (a former Chief Rabbi) in the UK a few years ago that, if a gay gene could be discovered, he would consider it morally acceptable to test pregnant women and offer them the option of aborting any foetus likely to develop into a non-heterosexual person - homophobic extermination in the womb - indicate that the huge moral and cultural debates around sexuality and human identity will not be solved either way by the biological sciences alone

Don’t even think about it, Mimi. You are not coming out with me if you have garlic breath.”   “But I haven’t eaten anything since breakfast. I could brush my teeth twice,” I offered.   “No. We don’t have time. You haven’t even finished your costume yet. We’re in and out, OK? Maybe Rachel’ll put some in the fridge for you.”   “You’re heartless.”   “Like that’s news to anyone. Stop whining.”   Rachel poked her head out of the kitchen, a baguette in her hand. She pointed it at Jack. Pointing is a Luci-family thing. Beatrice does it too, only she’s usually holding a sharp dental instrument, so it’s considerably scarier.   “Are you bullying Mio again?” Rachel demanded. The warm light from the kitchen made her pale brown skin glow, and her long, toffee-coloured hair – the same colour as Jack’s before she bleached it – gleam. Jack and Rachel’s grandmother was from Barbados, which means they both have an amazing all-year-round golden tan. Unlike me. According to the manga I read, if I lived in Japan, my naturally pale skin would be totally sexy. Shame it only counts as pasty in the UK.   “No,” Jack said.   “Yes.” I did my pitiful expression. “She won’t let me have any dinner.”   Behind trendy square glasses, Rachel narrowed her eyes at her sister. “If you’re thinking of developing an eating disorder, you’d better know right now that I will intervention your ass off, Jacqueline.” Rachel is a graduate psychology student. She likes to work that into the conversation as often as she can.   “Oh, save it,” Jack said, yawning for effect. “We’re just in a rush, that’s all. We’ve got a party to go to.

digging when she got back. It was estimated that there were more than eight thousand people sleeping rough on the streets of London. And last year more than six hundred deaths of homeless people were recording across the country. More than a hundred of those were in London alone. And those were just the ones who were found. She wondered how many died and never got recorded — how many slipped through the cracks and weren’t added to the statistics.  More than a quarter of a million people were reported missing every year in the UK, and these numbers were growing. Twenty-eight missing kids, though. She looked at the files. They had nothing in common other than that they were young, and someone, somewhere, was wondering where they were. How many were dead already?  ‘Johansson,’ Roper said, his voice hard. ‘Hmm?’ She looked up, still in her chair. ‘I asked what you’d been doing all morning?

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Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.

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The day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. The French have already discovered that the blackness of the skin is no reason why a human being should be abandoned without redress to the caprice of a tormentor. It may come one day to be recognised, that the number of the legs, the villosity of the skin, or the termination of the os sacrum, are reasons equally insufficient for abandoning a sensitive being to the same fate. What else is there that should trace the insuperable line? Is it the faculty of reason, or, perhaps the faculty of discourse? But a full-grown horse or dog is beyond comparison a more rational, as well as a more conversible animal than an infant of a day, or a week, or even a month old? But suppose the case were otherwise, what would it avail? The question is not, Can they reason?, nor Can they talk? but Can they suffer?

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