Skins Naomi Quotes

Whatever is deeply, essentially female--the life in a woman's expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin--is being reclassified as ugly, and ugliness as disease. These qualities are about an intensification of female power, which explains why they are being recast as a diminution of power. At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not exist on the woman's body, and how much of a female life does not show on her face?

Beauty’s not only skin deep. Just because a person is beautiful doesn’t mean there’s no soul beneath. Doesn’t mean that person hasn’t suffered like everyone else, doesn’t mean they don’t hope to still be a good human being in an awful world. (Gabriel)

a clean top over clean showered skin: bliss.

You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.

Skin had hope, that's what skin does. Heals over the scarred place, makes a road.

Making a Fist For the first time, on the road north of Tampico, I felt the life sliding out of me, a drum in the desert, harder and harder to hear. I was seven, I lay in the car watching palm trees swirl a sickening pattern past the glass. My stomach was a melon split wide inside my skin. "How do you know if you are going to die?" I begged my mother. We had been traveling for days. With strange confidence she answered, "When you can no longer make a fist." Years later I smile to think of that journey, the borders we must cross separately, stamped with our unanswerable woes. I who did not die, who am still living, still lying in the backseat behind all my questions, clenching and opening one small hand.

I was so tired that I was nothing but my body: the steady dull throb in my thighs, the tremor all along my arms, the thick grime of dust muffling my skin.

Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?

like our parents always told us not to like firefighters warn against we're playing games and making the rules up as we go we're matching warmth to warmth starting fires burning wishes into our skin we're hidden holding forbidden lights we're children whose fathers have never taught never touch but we're finding these new flames we smother at the sound of footsteps.

She knelt over the grave, until her nose was touching the dirt. “When you are ready to inhabit a new skin,” she said, “we will be waiting for you.

Naomi isn't just under my skin anymore; she's in my blood and my brain and all sorts of strange friggin' places that ache for her.

And there has been no more effective way to convince white voters to support the defunding of schools, bus systems, and welfare than by telling them (however wrongly) that most of the beneficiaries of those services are darker-skinned people, many of them “illegal,” out

She’d never put words to it, but she believed most humans wanted laws—to feel safe from people with the wrong amount of money, the wrong color skin, the wrong religion or thoughts or words, and so they begged for them. They worshipped laws, because laws were how they puffed themselves up and pushed their foes into the mud. In one blink of Ryn’s eye, though, the laws turned around like tigers and mauled the ones who made them. It was idiotic, and she felt bad for Naomi’s father, because he had a principle; but there weren’t many like him. Most of their kind loved flags. Most deserved to choke on them.

Gram had taken to calling me “brown shaggy dog” because of my wild mop and my predisposition to brown-ness (eyes, hair and skin).

[…] at once, the diet and skin care industries became the new cultural censors of women’s intellectual space, and because of their pressure, the gaunt, youthful model supplanted the happy housewife as the arbiter of successful womanhood.

When men are more aroused by symbols of sexuality than by the sexuality of women themselves, they are fetishists. Fetishism treats a part as if it were the whole; men who choose a lover on the basis of her “beauty” alone are treating the woman as a fetish—that is, treating a part of her, her visual image, not even her skin, as if it were her sexual self. Freud suggests that the fetish is a talisman against the failure to perform. The woman’s value as a fetish lies in the way her “beauty” gives him status in the eyes of other men.

Wherever you are, the richness and complexity and inexhaustible, unplumbable thereness of the whole rushes in through your eyes and your ears and your nose and across your skin. Every single thing around you is right there and so are you. The teeming world is right there, and all of it is neither good nor bad, it just is.

Oh, he’s riled. He’s hands on hips, tie yanked loose, so upset I can see his skin retracting as a shadow of stubble breaks through. His mouth is a slash of contempt. His eyes dip to the Steelers logo on my hoodie and he clenches his jaw so tight I know there’s a hairline fracture there with my name on it. An X-ray technician will be astounded to see the word Naomi etched into his bones one day.

I put my fingers up to brush the fine links. Even lying on my skin, it still felt cool to the touch, and when I looked at myself in the mirror, in the glass I was not standing in my father's study. I was in a grove of dark winter trees, under a pale grey sky, and I could almost feel the snow falling onto my skin.

The man with laughing eyes stopped smiling to say, “Until you speak Arabic, you will not understand pain.” Something to do with the back of the head, an Arab carries sorrow in the back of the head, that only language cracks, the thrum of stones weeping, grating hinge on an old metal gate. “Once you know,” he whispered, “you can enter the room whenever you need to. Music you heard from a distance, the slapped drum of a stranger’s wedding, well up inside your skin, inside rain, a thousand pulsing tongues. You are changed.” Outside, the snow has finally stopped. In a land where snow rarely falls, we had felt our days grow white and still. I thought pain had no tongue. Or every tongue at once, supreme translator, sieve. I admit my shame. To live on the brink of Arabic, tugging its rich threads without understanding how to weave the rug…I have no gift. The sound, but not the sense. I kept looking over his shoulder for someone else to talk to, recalling my dying friend who only scrawled I can’t write. What good would any grammar have been to her then? I touched his arm, held it hard, which sometimes you don’t do in the Middle East, and said, I’ll work on it, feeling sad for his good strict heart, but later in the slick street hailed a taxi by shouting Pain! and it stopped in every language and opened its doors.

Almond Flatbread Autophagy activators: SP, SA, SU, PO, VIT Makes 4 servings • Prep time: 5 minutes • Cook time: 25 minutes This flatbread uses high-protein almond flour instead of wheat or other grain-based flour, giving you a bread that won’t cause a spike in your blood sugar. Enjoy it with Tahini. 1 cup almond flour 1 teaspoon sea salt 1 teaspoon freshly ground black pepper 4 tablespoons tea seed oil, plus more for brushing ½ large onion, thinly sliced 1 cup finely chopped kale 2 teaspoons chopped fresh rosemary 1. Preheat the oven to 450°F. Put a well-seasoned cast-iron skillet in the oven to preheat. 2. In a large bowl, combine the almond flour, salt, and pepper. While whisking, slowly add 1 cup lukewarm water and whisk to eliminate lumps. Stir in 2 tablespoons of the oil. Cover and let sit while the oven heats, or for up to 12 hours. The batter should have the consistency of heavy cream. 3. Carefully remove the hot pan from the oven, pour the remaining 2 tablespoons oil into the pan, and swirl to coat. Add the onion and return the pan to the oven. Bake, stirring once or twice, until the onion is well browned, 6 to 8 minutes. Add the kale and rosemary and stir to combine. 4. Carefully remove the pan from the oven and transfer the onion-kale mixture to the bowl with the batter. Stir to combine, then immediately pour the batter into the pan. 5. Bake for 10 to 15 minutes, until the edges look set. Remove from the oven and switch the oven to broil, with a rack a few inches away from the heating element. 6. Brush the top of the bread with 1 to 2 tablespoons oil. Broil just long enough for the bread to brown and blister a little on top. 7. Cut the bread into four wedges, and serve hot or warm with some grass-fed ghee or butter. Nutritional analysis per serving (¼ flatbread): fat 28g, protein 6g, carbohydrate 8g, net carbs 4g

Two Countries Naomi Shihab Nye - 1952- Skin remembers how long the years grow when skin is not touched, a gray tunnel of singleness, feather lost from the tail of a bird, swirling onto a step, swept away by someone who never saw it was a feather. Skin ate, walked, slept by itself, knew how to raise a see-you-later hand. But skin felt it was never seen, never known as a land on the map, nose like a city, hip like a city, gleaming dome of the mosque and the hundred corridors of cinnamon and rope. Skin had hope, that's what skin does. Heals over the scarred place, makes a road. Love means you breathe in two countries. And skin remembers--silk, spiny grass, deep in the pocket that is skin's secret own. Even now, when skin is not alone, it remembers being alone and thanks something larger that there are travelers, that people go places larger than themselves.

And it doesn’t matter anyway. Because Luca’s already in the car, feeling the corners of the flash drive bite into her skin she’s holding it so hard, and then Naomi joins her and they drive off, leaving Jada fading into the background where she’s so afraid to be.

The dark-skinned one was Aisha Mahdi. She was a pretty Persian, with long black hair and dark almond eyes. On her brow was a thin, silver-colored diadem. I couldn’t tell if it was connected to her brain as a precept enhancement, or if she was some kind of princess. I decided her petulant lips made her look like royalty. The last girl was, well, she was different—like a golden sunrise is different. She had honey blond curls, freckles, and skin the color of café au lait. She looked like she was actually listening to the instructor. Her nametag said Naomi Parish and, unlike the rest of ours, it had a red star drawn after her name. I had no idea what that meant. But I wanted to know.

Naomi stretched as she woke with an exaggerated yawn in her own bed. How the hell did I get here? Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly. The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts. “Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge. “You called?” A head topped with tousled hair poked out from around the door frame of the bathroom. Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile. Despite her irritation, her body flooded with warmth. “You!” She pointed at him and shot him a dark glare. He grinned wider. “What about me, darling?” “I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?” Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him. No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them. She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants. “It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone. Scowling, Naomi mentally planned a loud diatribe for her mother. “Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault. She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body. The first two she’d handle shortly, the third, she’d make him pay for. He stood his ground as she approached, the idiot. “What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark. “Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.” His jibe hurt, but not as much as her foot when it connected with his undefended man parts. He ended up bent over, wheezing while Naomi smirked in satisfaction. “That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.” “Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish. Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?” “Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.

My heart is racing, my skin is flushed. The smell of earth and dirt fills my nostrils, stunning me. Feeling feverish, I swipe my hand across my brow and shake my head. Something isn’t right. I look at my hands and find them covered in blood. My chin radiates with pain. Touching the scrape, I flinch and glance around to see if anyone noticed but no one is paying attention to me. I quickly replace the mask over my face, but desperate for fresh air, I leave the terminal and head for my apartment. Thankfully I run into no one. Once I’m alone and behind closed doors, perfectly safe within the four walls of my unit, I feel the dampness between my legs. Dampness… from… My hand smells like… I tear off my clothes and run into the bathroom to clean up and bandage my chin. When my nerves settle and I’m composed once more, I head back to the medical sector and my office. Waiting for me is an encrypted message from Dr. Ursula. I close out my research paper and scan the note. Running my hands over my face, I sit back in my chair. My guess was correct; she’ll be in charge of the alien. Now I’m expected at her office thirty minutes before my next shift for a debriefing. I’ll be needed to run the technology they plan to use on him. Which means… I’ll be seeing the alien again, and soon. Very soon.

Her fingers stiffened, going wide, and suddenly her veins ran brilliant green in her arms. Drops of sap burst trickling from her eyes and nose in rivulets down her face like tears, the bright fresh sweet smell horribly wrong. Her mouth hung open in a silent cry, and then tiny white rootlets crept out from beneath her nails, like an oak-tree growing overnight. They climbed with sudden horrible speed all over the manacles, hardening into grey wood even as they went, and with a noise like ice breaking in midsummer, the chains broke. I did nothing. There was no time to do anything: it happened quicker than I could even see it. One moment Kasia was chained, the next she was leaping for me. She was impossibly strong, flinging me to the ground. I caught her shoulders and held her off with a scream. Sap was running from her face, staining her dress, and it fell on me with a pattering like rain. It crawled over my skin, beading up against my protection spell. Her lips peeled back from her teeth in a snarl. Her hands closed around my throat like brands, hot, burning hot, and those strangling rootlets began to crawl over me. I looked up into Kasia’s face, hungry for one last sight of her, but the Wood looked out of her eyes at me: black rage, full of smoke, burning, roots planted too deep to uproot.

Even now, years later, there’s only one face I see when I hear the word “beautiful.” High cheekbones with alabaster skin. The most astonishing green irises set in unblinking almond eyes. Long black hair, sleek as a waterfall of onyx.

One was dark-haired and brown-skinned, tall and finely muscled—the Helhound. His jet-black wings shimmered faintly, like a crow’s feathers. But it was the wicked scar snaking down his neck, forking across the column of his throat, that snared the eye. Hunt knew that scar—he’d given it to the Helhound thirty years ago. Some powers, it seemed, even immortality couldn’t guard against. Baxian’s obsidian eyes simmered as they met Hunt’s stare. But Pollux’s cobalt eyes lit with feral delight as he sized up Naomi, then Isaiah, and finally Hunt. Hunt allowed his lightning to flare as he stared down the golden-haired, golden-skinned leader of Sandriel’s triarii. The most brutal, sadistic asshole to have ever walked Midgard’s soil. Motherfucker Number One.

When they returned they brought the white man with them in brown bottles. Spirits, Naomi called them. Bad spirits. Those spirits made the grown-ups move in strange, jerky ways and their talk was twisted. I fell asleep to evil laughter. Sometimes my mother lurched to her feet and danced around the fire, and the shadow she threw against the skin of the tent was like the outline of a skeleton. I clutched my robe tight to my throat, lay across the space my brother once filled and waited for sleep to claim me.

I wanted to watch her skin paint a story her lips refused to tell.

I could see light shining through my own skin, making a blazing lantern of my body, and when I held up my hands, I saw to my horror faint shadows moving there beneath the surface. Forgetting the feverish pain, I caught at my dress and dragged it off over my head. He knelt down on the floor with me. I was shining like a sun, the thin shadows moving through me like fish swimming beneath the ice in winter. “Get them out,” I said. Now that I saw them, I suddenly felt them, also, leaving a trail inside me like slime. I’d thought, stupidly, that I was safe because I hadn’t been scratched, or cut, or bitten. I’d thought he was only taking precautions. Now I understood: I’d breathed in corruption with the very air, under the boughs of the Wood, and I hadn’t noticed the creeping feeling of them because they’d slipped in, small and subtle. “Get them out—

The Dragon raised a hand. “Kulkias vizhkias haishimad,” he said, and a light shone out of his hand and onto her skin. Where it played over her I saw thick green shadows, mottled like deep layers of leaves on leaves. Something looked at me out of her eyes, its face still and strange and inhuman. I recognized it: what looked out at me was the same thing I had felt in the Wood, trying to find me. There was no trace of Kasia left at all.

Naomi Wolf writes in her book The Beauty Myth that “whatever is deeply, essentially female—the life in a woman’s expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin—is being reclassified as ugly, and ugliness as disease.” This perceived ugliness is, she notes, good for business, because industries like retail and advertising—not to mention salons and plastic surgeons—are “fueled by sexual dissatisfaction.