“
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
”
”
Pablo Neruda
“
I'm Razo, a member of Bayern's Own," he said, stopping himself from adding "Loafing is just a hobby of mine."
"Bayern's Own? But you're a child."
Razo looked up to the sky. "I'm not a child, I'm just short.
”
”
Shannon Hale (River Secrets (The Books of Bayern, #3))
“
Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street.
”
”
James Joyce (Dubliners)
“
There are no limits when you are surrounded by people who believe in you, or by people whose expectations are not set by the short-sighted attitudes of society, or by people who help to open doors of opportunity, not close them.
”
”
Neil deGrasse Tyson (The Sky Is Not the Limit: Adventures of an Urban Astrophysicist)
“
In Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below
We are the Dead. Short days ago
We lived, felt dawn saw sunset glow
Loved and were loved, and now we lie
In Flanders fields
Take up our quarrel with the foe;
To you, from falling hands we throw
The torch; be yours to hold it high
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
”
”
John McCrae
“
Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.
”
”
Roman Payne (Rooftop Soliloquy)
“
We must go for walks out of doors, so that the mind can be strengthened and invigorated by a clear sky and plenty of fresh air. At times it will acquire fresh energy from a journey by carriage and a change of scene, or from socializing and drinking freely. Occasionally we should even come to the point of intoxication, sinking into drink but not being totally flooded by it; for it does wash away cares, and stirs the mind to its depths, and heals sorrow just as it heals certain diseases.
”
”
Seneca (On the Shortness of Life)
“
The sky is the limit only for those who aren't afraid to fly!
”
”
Bob Bello (Sci-fi Almanac, 2010: An Anthology of Short Stories)
“
Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me."
"No matter."
"It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends.
”
”
Christopher Paolini
“
Grace: Outside, deep in the woods, I heard a long keening wail, and then another, as the wolves began to howl. More voices pitched in, some low and mournful, others high and short, an eerie and beautiful chorus. I knew my wolf's howl; his rich tone sang out above others as if begging me to hear it.
My heart ached inside me, torn between wanting them to stop and wishing they would go on for ever. I imagined myself there among them in the golden woods, watching them tilt their heads back and howl underneath a sky of endless stars. I blinked a tear away, feeling foolish and miserable, but I didn't go to sleep until every wolf had fallen silent.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Maybe I owe you something too, human," she said, drawing her pistol. Butler almost reacted, but decided to give Holly the benefit of the doubt.
Captain Short plucked a gold coin from her belt, flicking it fifty feet into the moonlit sky. With one fluid movement, she brought her weapon up and loosed a single blast. The coin rose another fifty feet, then spun earthward. Artemis somehow managed to snatch it from the air. The first cool movement of his young life.
"Nice shot," he said. The previously solid disk now had a tiny hole in the center.
Holly held out her hand, revealing the still raw scar on her finger. "If it wasn't for you, I would have missed altogether. No mech-digit can replicate that kind of accuracy. So, thank you too, I suppose."
Artemis held out the coin.
"No," said Holly. "You keep it, to remind you."
"To remind me?"
Holly stared at him frankly. "To remind you that deep beneath the layers of deviousness, you have a spark of decency. Perhaps you could blow on that spark occasionally."
Artemis closed his fingers around the coin. It was warm against his palm.
"Yes, perhaps.
”
”
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
“
Tonight I can write the saddest lines.
Write, for example,'The night is shattered
and the blue stars shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms
I kissed her again and again under the endless sky.
She loved me sometimes, and I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is shattered and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight searches for her as though to go to her.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. Like my kisses before.
Her voide. Her bright body. Her inifinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my sould is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
”
”
Pablo Neruda
“
The sky was rarely more than pale blue or violet, with a profusion of mighty, weightless, ever-changing clouds towering up and sailing on it, but it has blue vigour in it, and at a short distance it painted the ranges of hills and the woods a fresh deep blue.
”
”
Karen Blixen (Out of Africa)
“
Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
Tomorrow, your job is to change the world into a better place. Today, my job is to see that everyone gets there.
”
”
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
“
The heart of it all is mystery, and science is at best only the peripheral trappings to that mystery--a ragged barbed-wire fence through which mystery travels, back and forth, unencumbered by anything so frail as man's knowledge.
”
”
Rick Bass (The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West)
“
Time grows short, my love. Let’s end with the beginning of the world, shall we? Yes. We shall.
”
”
N.K. Jemisin (The Stone Sky)
“
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
There’s something satisfying, I think,’ Evans said, ‘about the idea of light travelling for millions of years through space and just at the right moment as it reaches Earth someone looks at the right bit of sky and sees it. It just seems right that an event of that magnitude should be witnessed.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
When they reached their ship, Ed gazed out at the bay. It was black. The sky was black, but the bay was even blacker. It was a slick, oily blackness that glowed and reflected the moonlight like a black jewel. Ed saw the tiny specks of light around the edges of the bay where he knew ships must be docked, and at different points within the bay where vessels would be anchored. The lights were pale and sickly yellow when compared with the bright blue-white sparkle of the stars overhead, but the stars glinted hard as diamonds, cold as ice. Pg. 26.
”
”
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
“
People have short memories, but nature is patient and implacable.
”
”
Fonda Lee (Untethered Sky)
“
[Anger] gave him the soul to keep fighting no matter how many times the world seemed bent on destroying him. He may be a broken young man, but he would never be a defeated one
”
”
Faye Fite (Skies of Dripping Gold)
“
We’re long on high principles and short on simple human understanding.
”
”
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
“
Tonight I Can Write
Tonight I can write the saddest lines.
Write, for example, 'The night is starry and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
The stars slowly faded
as the sun began to rise,
and I found eternity
in the morning sky.
”
”
Christy Ann Martine
“
I am thinking of a sky filled with spaceships, so many of them that they seem like a plague of locusts, silver against the luminous mauve of the night.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
Don’t let one bad moment steal your peace; one cloud doesn’t define the sky. Life is too short to waste on negativity.
”
”
Roy T. Bennett (The Light in the Heart)
“
Thank you for the day and night,
for rainy spells and summer’s light.
Thank you for the skies of blue
and puffy clouds in grayish hue.
Thank you for the gigglefests
and midnight’s cloak to hasten rest.
Thank you for tomorrow new
and yesterday’s tomorrow too.
Thank you for “I’m glad we met”
and also for “we haven’t yet.”
Thank you for the peace of mind
a grateful soul doth always find.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.
”
”
Halldór Laxness (Independent People)
“
That’s why all of us are working so damn hard to figure out a way around this for you. Because we believe you both deserve that. So stop selling yourself short. Stop selling her short. And decide right here and now that you’re going to fight for your girl. Really fight for her. Not just achieve this bullshit mission to right all your wrongs against her. Prove to her that you deserve her and then climb up into the fucking sky and tear the stars right out of it for her if they still don’t agree.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
New York. The world's most dramatic city. Like a permanent short circuit, sputtering and sparking up into the night sky all night long. No place like it for living. And probably no place like it for dying.
("New York Blues")
”
”
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
“
The planet Venus, a circle of silver in a green sky, pierced the edge of the evening while the wintry woods darkened about me and in the stillness the regular sound of my footsteps striking the pavement was like a the rhythmic beating of a giant stone heart.
”
”
Gore Vidal (Clouds and Eclipses: The Collected Short Stories)
“
April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near— the trees, the sky, even the moon—and one wanted to think it would always be so.
”
”
Anton Chekhov (Short Stories)
“
But others of us believed that the only true happiness our Sara had ever known in her short life on this earth had been among these people. And we wished for her soul to go to the place the Cheyennes called Seano – the place of the dead – which is reached by following the Hanging Road in the Sky, the Milky Way. Here the Cheyennes believe that all the People who have ever died live with their Creator, He’amaveho’e. In Seano they live in villages just as they did on earth – hunting, working, eating, playing, loving, and making war. And all go to the place of the dead, regardless of whether they were good or bad on earth, virtuous or evil, brave or cowardly – everyone – and eventually in Seano all are reunited with the souls of their loved ones.
”
”
Jim Fergus (One Thousand White Women: The Journals of May Dodd (One Thousand White Women, #1))
“
Your sky is full of stars and my arms too short to reach a piece to call my own
”
”
Robert M. Drake
“
Life's too short to be sat at home writing all the time.
”
”
Helen Hodgman (Blue Skies & Jack and Jill)
“
if I was a painter, and was to paint the American Eagle, how should I do it?...I should want to draw it like a Bat, for its short-sightedness; like a Bantam. for its bragging; like a Magpie, for its honesty; like a Peacock, for its vanity; like an Ostrich, for putting its head in the mud, and thinking nobody sees it -' ...'And like a Phoenix, for its power of springing from the ashes of its faults and vices, and soaring up anew into the sky!
”
”
Charles Dickens (Martin Chuzzlewit)
“
Just forget for a minute that you have spectacles on your nose and autumn in your heart. Stop being tough at your desk and stammering with timidity in the presence of people. Imagine for one second that you raise hell in public and stammer on paper. You’re a tiger, a lion, a cat. You spend a night with a Russian woman and leave her satisfied. You’re twenty five. If rings had been fastened to the earth and sky, you’d have seized them and pulled the sky down to earth
”
”
Isaac Babel
“
A story that began with, and exists because of, my love of the remoter parts of Scotland, where the bones of the Earth show through, and the sky is a pale white, and it's all astoundingly beautiful, and it feels about as remote as any place can possibly be.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Mountains clothed in snow
Robed in white against blue skies
Mirrored in the lake.
”
”
Timothy Salter (Reflections in Short Poetry)
“
The long knives made short work.
”
”
Robert A. Heinlein (Orphans of the Sky)
“
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Henry liked to put to himself when he was a schoolboy: what are the chances of this particular fish, from that shoal, off that continental shelf ending up in the pages of this copy of the Daily Mirror? Something just short of infinity to one. Similarly, the grains of sand on a beach, arranged just so. The random ordering of the world, the unimaginable odds against any particular condition, still please him. Even as a child, and especially after Aberfan, he never believed in fate or providence, or the future being made by someone in the sky. Instead, at every instant, a trillion trillion possible futures; the pickiness of pure chance and physical laws seemed like freedom from the scheming of a gloomy god.
”
”
Ian McEwan (Saturday)
“
Kip cleared his throat and gave a brave smile. ‘We destroyed our world,’ he said, ‘and left it for the skies. Our numbers were few. Our species had scattered. We were the last to leave. We left the ground behind. We left the oceans. We left the air. We watched these things grow small. We watched them shrink into a point of light. As we watched, we understood. We understood what we were. We understood what we had lost. We understood what we would need to do to survive. We abandoned more than our ancestors’ world. We abandoned our short sight. We abandoned our bloody ways. We made ourselves anew.’ He spread his hands, encompassing the gathered. ‘We are the Exodus Fleet. We are those that wandered, that wander still. We are the homesteaders that shelter our families. We are the miners and foragers in the open. We are the ships that ferry between. We are the explorers who carry our names. We are the parents who lead the way. We are the children who continue on.’ He picked up his scrib from the podium. ‘What is his name?
”
”
Becky Chambers (Record of a Spaceborn Few (Wayfarers, #3))
“
These are the three stages of enlightenment, the three glimpses of satori.
1. The first stage enlightenment:
A Glimpse of the Whole
The first stage of enlightenment is short glimpse from faraway of the whole. It is a short glimpse of being.
The first stage of enlightenment is when, for the first time, for a single moment the mind is not functioning. The ordinary ego is still present at the first stage of enlightenment, but you experience for a short while that there is something beyond the ego.
There is a gap, a silence and emptiness, where there is not thought between you and existence.
You and existence meet and merge for a moment.
And for the first time the seed, the thirst and longing, for enlightenment, the meeting between you and existence, will grow in your heart.
2. The second stage of enlightenment:
Silence, Relaxation, Togetherness, Inner Being
The second stage of enlightenment is a new order, a harmony, from within, which comes from the inner being. It is the quality of freedom.
The inner chaos has disappeared and a new silence, relaxation and togetherness has arisen.
Your own wisdom from within has arisen.
A subtle ego is still present in the second stage of enlightenment.
The Hindus has three names for the ego:
1. Ahamkar, which is the ordinary ego.
2. Asmita, which is the quality of Am-ness, of no ego. It is a very silent ego, not aggreessive, but it is still a subtle ego.
3. Atma, the third word is Atma, when the Am-ness is also lost. This is what Buddha callas no-self, pure being.
In the second stage of enlightenment you become capable of being in the inner being, in the gap, in the meditative quality within, in the silence and emptiness.
For hours, for days, you can remain in the gap, in utter aloneness, in God.
Still you need effort to remain in the gap, and if you drop the effort, the gap will disappear.
Love, meditation and prayer becomes the way to increase the effort in the search for God.
Then the second stage becomes a more conscious effort. Now you know the way, you now the direction.
3. The third stage of enlightenment:
Ocean, Wholeness, No-self, Pure being
At the third stage of enlightenment, at the third step of Satori, our individual river flowing silently, suddenly reaches to the Ocean and becomes one with the Ocean.
At the third Satori, the ego is lost, and there is Atma, pure being. You are, but without any boundaries. The river has become the Ocean, the Whole.
It has become a vast emptiness, just like the pure sky.
The third stage of enlightenment happens when you have become capable of finding the inner being, the meditative quality within, the gap, the inner silence and emptiness, so that it becomes a natural quality.
You can find the gap whenever you want.
This is what tantra callas Mahamudra, the great orgasm, what Buddha calls Nirvana, what Lao Tzu calls Tao and what Jesus calls the kingdom of God.
You have found the door to God.
You have come home.
”
”
Swami Dhyan Giten
“
When you look for a long time into the deep sky, without taking your eyes away, your thoughts and soul merge for some reason in an awareness of loneliness. You begin to feel yourself irremediably alone, and all that you once considered close and dear becomes infinitely distant and devoid of value.
”
”
Anton Chekhov (The Complete Short Novels)
“
He had imagined Scotland as being a soft place, all gentle heathery hills, but here on the north coast everything seemed sharp and jutting, even the grey clouds that scudded across the pale blue sky. It was as if the bones of the world showed through.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
The longness and shortness of the present moment can be recognized by utilizing a big image of the moon, which is reflecting on the surface of the ocean, and a small image of the moon on the surface of a cup of water, or in another example the very wide scale of the whole sky itself, and the very narrow space of the moon, which is shining in the sky.
”
”
Dōgen
“
Later that day, shortly before the sun sank in the wintry sky, despite the best efforts of the medics, Arra Sails closed her eyes, made peace with the gods of the vampires, breathed her last...and died.
”
”
Darren Shan (The Vampire Prince (Cirque Du Freak, #6))
“
Dan was shorter than me, especially as I was wearing sky blue silk stilettos. He appeared to be my age or a few years older,stocky, and thick necked with swirling tattoos just visible beneath the blue collar of his uniform.Dan gave me a plain once over as he walked me to an elevator and placed his palm against a glass screen. The screen retracted to reveal keypad. Dan then punched in a series of numbers and he said- “You’re very big.”I gave him a cursory smile, “Yes. I ate all my vegetables as a child.
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
Night had fallen, and Diane admired the deep sky behind Steve's calm countenance. They looked into each other's eyes again and felt the spark and excitement of discovery. As if to celebrate the perfect, life-enabling distance of the earth from the sun, Diane and Steve kissed again."
"-The Grand Unified Story (a Short Story) from Stories and Scripts: an Anthology
”
”
Zack Love (Stories and Scripts: an Anthology)
“
You know how when you ask someone what they'd do if the sun was headed for Earth and they had twenty-four hours left to live? And everyone always says they'd be with family, eat their favorite food, go someplace they've always wanted to go? Nobody ever says they'd spend the last day curled up in bed crying- because they wouldn't. That's not what anyone wants to do with their final hours. I mean, yeah, you'd cry. And you'd be scared because you're gonna die. And you'd find yourself looking at the sky throughout the day, knowing what's coming because that's just human nature. But for the most part, you'd just enjoy the time you had left. Especially because there's nothing you can do about it. There's no escape, nowhere to hide. So why bother? Obsessing over the end is pointless. If you spend your life dwelling on the worst possible thing, when it finally happens, you've lived it twice. I don't want to live the worst things twice. I try really hard not to think about the bad stuff. But every once in a while I'm human and I look up. Yesterday was just one of those days that I looked at the sun.
”
”
Abby Jimenez (Life’s Too Short (The Friend Zone, #3))
“
Forget-me-nots... She loved those flowers more than any other in their big beautiful garden or in the whole wide world for that matter. They were sky blue, just like his eyes, they held a promise... Forget me not.
”
”
Melanie Sargsian (Lovember: A Collection of Short Love Stories)
“
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.”
Anna laughed. “How many names would you want to collect, then?”
Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply.
“I would only want one,” said Thomas.
Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind.
“Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.”
“Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.”
“It would be a very short novel, before we got hold of the blackguard and killed him,” said James.
There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not.
“What about you, Cordelia?” said Lucie.
“One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.”
Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
So now you know that, as dark as the depths of the sea may be, as dark as the night gets without a moon, it is not really true darkness. It's just waiting for light to return. There are places that are truly dark in this world, Ven, but this place here, this open stretch of sea where you are floating, is not one of them. It's not really dark here - it's just night. If you hang on and stay awake, in a short while the edges of the sky will start to turn gray, then pink, and the sun will rise, and there will be blue above and all around you again.
”
”
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
“
The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
The sky was wide and inviting, and the grass was cool and sweetly refreshing under my bare feet as I walked across the undulating field towards the river. It was a short walk, only a mile or so, but I did not hurry it, letting my soul soak up the glorious sensation of freedom and lightness.
”
”
Susanna Kearsley (Mariana)
“
What is man—and of course the writer means all of us puny little insignificant creatures—what is a mere human being that God who made the immense universe should ever notice?' She chuckled. 'The sky does take you down to size.'
Not even big as bugs. Not even a speck of dust to the nearest star,' Angel agreed.
But the psalmist answers his own question. "Thou hast made him a little lower than the angels, and hast crowned him with glory and honor..." '
What?' Angel asked, not sure she had heard right.
A little lower than the angels, crowned with glory and honor.'
The real angels? Do you believe that?'
Yes, Angel, I do. When people look down on me, and these days'—she laughed shortly—'these days everyone over the age of five does. When people look down on me, I remember that God looks at this pitiful, twisted old thing that I have become and crowns me with glory.
”
”
Katherine Paterson (The Same Stuff as Stars)
“
The scent of flowers grew stronger and came from all sides; the grass was drenched with dew; a nightingale struck up in a lilac bush close by and then stopped on hearing our voices; the starry sky seemed to come down lower over our heads.
”
”
Leo Tolstoy (Great Short Works of Leo Tolstoy)
“
Butterfly short life, Yukio says. But butterfly live forever.... - he raises a single forefinger - in one day.
”
”
Trent Dalton (All Our Shimmering Skies)
“
I no longer love blue skies. In fact, I now prefer gray skies. The drones do not fly when the skies are gray, and for a short period of time, the mental tension and fear eases.
”
”
Zubair Rehman
“
Lies are like easy friends, there to help you out of troubled waters. Short term. But long term, they're traitors only there to make a wreckage out of your life...
”
”
Christine Leunens (Caging Skies)
“
A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.
”
”
Rose Christo (Looks Over (Gives Light, #2))
“
The attraction of snowboarding is the freedom it gives you. With a snowboard on your feet the sky is the limit. You can do anything and go anywhere. This is not just for pro riders. It is for everyone.
The other amazing thing with snowboarding is how easy it is to get away from people and enjoy the solitude of the mountains. Its almost impossible in surfing but with snowboarding it is a short hike from the top of the lift or the side of the road.
”
”
Jeremy Jones
“
A gull planed steeply over their heads, a precarious flash of white against the windy blue sky. The short, hacking cry of a baby seemed to merge seamlessly for a moment with the gull's repetitive wail, as if they were one species. One species, Falkender thought, raucous and scavenging; one species calling out in pain. To be human is to be mixed and miscegenated like this. To be lost.
”
”
M. John Harrison (Things That Never Happen)
“
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I Won’t Fly Today
Too much to do, despite the snow,
which made all local schools close
their doors. What a winter! Usually,
I love watching the white stuff fall.
But after a month with only short
respites, I keep hoping for a critical
blue sky. Instead, amazing waves
of silvery clouds sweep over the crest
of the Sierra, open their obese
bellies, and release foot upon foot
of crisp new powder. The ski
resorts would be happy, except
the roads are so hard to travel
that people are staying home.
So it kind of boggles the mind
that three guys are laying carpet
in the living room. Just goes to
show the power of money. In less
than an hour, the stain Conner left
on the hardwood will be a ghost.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
Near the snow,near the sun , in the highest field
See how those names are feted by the wavering grass,
And by the streamers of white cloud,
And whispers of wind in the listening sky;
The names of those who in their lives have fought for life,
Who wore at their hearts the fire's centre.
Born of the sun they traveled a short while towrads the sun.
And left the vivid air signed with their honour.
”
”
Stephen Spender
“
Now I was making my way through the garden. There was that strange light which follows a day of persistent rain, when the sun comes out and the sky clears too late to be of any use. The earth makes a sound as of sighs and the last drops fall from the emptied cloudless sky. A small boy, stretching out his hands and looking up at the blue sky, asked his mother how such a thing was possible. Fuck off, she said.
”
”
Samuel Beckett (The Complete Short Prose, 1929-1989)
“
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest.
Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it.
Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
”
”
Leo Tolstoy (Anna Karenina)
“
I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.
”
”
F. Scott Fitzgerald (A Short Autobiography)
“
Mizzenmast,” bellowed Caldris, and Locke and Jean both fetched up short, breathing heavily.
“Ship doesn’t bloody have one,” said Locke. “Just foremast and mainmast!”
“Oh, clever you! You’ve undone my subtle ruse, Master Kosta. Get your bloody uniform and we’ll let you act the peacock for a few hours.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
We would be in each other's lives again. No, he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
”
”
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
“
We need to cherish Father Sky and honor Mother Earth.Every THING has a purpose. Every ONE has worth. (Short story entitled THE PUZZLE, found in a book, Foxleaf Anthology, collection of works from authors in the Upper Cumberland, TN)
”
”
KoKo Nervelli
“
Take a look,” I said. “If you want to find inner happiness, go outside on a nice day with lots of sun and blue sky. Even if you stand at a window and look out over the city at the cloudless sky, like we're doing now, you'll eventually find happiness.
”
”
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
“
The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
”
”
Jhumpa Lahiri
“
When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.
”
”
Jose A. Arvide
“
There is a sky full of stars aplenty, and all you can babble about is a cold, little rock we call the moon. This is how it is with petty problems that exist too close to us.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Winter started today. The sky turned grey and the snow began to fall and it did not stop falling untill well after dark.
”
”
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
“
Behind its blue face, the love of the sky shines in the gleam of stars.
”
”
Anu Lal (Wall of Colours and Other Stories)
“
Glance at the night sky and what you see is history and lots of it—not the stars as they are now but as they were when their light left them.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Several sailors, sheltered behind the curved bottoms of their boats, were watching this battle of the sky and the sea.
”
”
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
“
Gray February skies, misty white sands, black rocks, and the sea seemed black too, like a monochrome photograph, with only the girl in the yellow raincoat adding any color to the world.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
... or else we contemplated the stars beyond the Moon, big as pieces of fruit, made of light, ripened on the curved branches of the sky, and everything exceeded my most luminous hopes ...
”
”
Italo Calvino (Cosmicomics)
“
I had this idea about America — that I’d find myself here. That’s why people get in a convertible and hit the road without a map. That’s the promise. That you’ll finally see yourself when you don’t recognize the scenery. Maybe it worked. I fell for the blue sky and sunshine. Then this country dragged me behind it, kicking and bleeding. I failed every test. I fell; I fell short.
”
”
Rainbow Rowell (Wayward Son (Simon Snow, #2))
“
There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.
”
”
C. JoyBell C.
“
Narrow road, wide road, all of us on it, unhappy,
Unsettled, seven yards short of immortality
And a yard short of not long to live.
Better to sit down in the tall grass
and watch the clouds,
To lift our faces up to the sky,
Considering—for most of us—our lives have been a constant mistake.
”
”
Charles Wright
“
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this:
She was Cunt.
She had "lost" something.
Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost").
And there I was at eleven years of age:
She was out late at night.
She was in the wrong part of town.
Her skirt was too short and that provoked him.
She liked having her eye blacked and her head banged against the sidewalk.
I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies.
I was dirty.
I was crying.
I demanded comfort.
I was being inconvenient.
I did not disappear into thin air.
”
”
Joanna Russ (The Female Man)
“
No he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
”
”
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
“
The Moon is slipping from our grasp at a rate of about 1.5 inches a year. In another two billion years it will have receded so far that it won’t keep us steady and we will have to come up with some other solution, but in the meantime you should think of it as much more than just a pleasant feature in the night sky.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
If I were to sit on the ocean floor and look toward the sky,
I might see a whale or electric eel or octopus pass by.
And if I decided to jump straight up and reach with open arms,
I might feel the pleasure of ocean flight propel me ’mid their swarms.
But if I were seated upon the shore and looking toward the stars,
I might see a comet or falling star near Mercury or Mars.
Then if I decided to jump straight up and reach with open hands,
I might feel despair when my feet refused to leave the shoreline sand.
And so I return to the ocean depths where swimming creatures fly,
For there I can soar with the whales and fish that daily touch the sky.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream.
It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
All roads, whether long or short, are hard," said Frog. "Come, you have begun your journey, and all else necessarily follows from that act. Be of good cheer. The sun is bright. The sky is blue. The world lies before you.
”
”
Russell Hoban (The Mouse and His Child)
“
I can't believe how many students don't read. They want to be writers, but they haven't read anything at all. They have looked at book covers, which usually allows them enough expertise to sneer, but they haven't read the books. How many young poets "don't like" poetry? How many fiction writers don't know Lehane from Nevada Barr?
”
”
Luis Alberto Urrea (Six Kinds of Sky: A Collection of Short Fiction)
“
I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!"
"I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry."
They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?"
Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?"
This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness.
His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return."
Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short.
As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...
”
”
Italo Calvino
“
There’s something satisfying, I think,” Evans said, “about the idea of light travelling for millions of years through space and just at the right moment as it reaches Earth someone looks at the right bit of sky and sees it.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Yet only minutes before, on the roof, a cold Havana between his lips, he had been silent, both he and his wife bundled in winter coats and hats as if about to set out on a journey. Dark against the sky. A statuesque couple. For a while the Brandenburg Gate was only a black mass, scanned off and on by police searchlights. But then the torchlight procession arrived, spreading like a stream of lava which, separated for a short time by the pylons, eventually flowed together again, unremitting, unstoppable, solemn, portentous, lighting up the night, lighting up the Gate to the quadriga of stallions, to the goddess's sign of victory. We too on the roof of Liebermann's house were lit by that fatal glow, even as we were hit with the smoke and stench of a hundred thousand and more torches.
”
”
Günter Grass (My Century)
“
Great actions have shaped our society.’ Sindermann said. The greatest of these, physically, has been the Emperor's formal and complete unification of Terra, the outward sequel to which, this Great Crusade, we are now engaged upon. But the greatest, intellectually, has been our casting off of that heavy mantle called religion. Religion damned our species for thousands of years, from the lowest superstition to the highest conclaves of spiritual faith. It drove us to madness, to war,
to murder, it hung upon us like a disease, like a shackle ball. I'll tell you what religion was... No, you tell me. You, there?'
'Ignorance, sir.’
Thank you, Khanna. Ignorance. Since the earliest times, our species has striven to understand the workings of the cosmos, and where that understanding has failed, or fallen short, we have filled in the gaps, plastered over the discrepancies, with blind faith. Why does the sun go round the sky? I don't know, so I will attribute it to the efforts of a sun god with a golden chariot. Why do people die? I can't say, but I will choose to believe it is the murky business of a reaper who carries souls to some afterworld.
”
”
Dan Abnett (Horus Rising (The Horus Heresy, #1))
“
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of Arts;
While from the bounded level of our mind
Short views we take, nor see the lengths behind,
But, more advanced, behold with strange surprise
New distant scenes of endless science rise!
So pleased at first the towering Alps we try,
Mount o’er the vales, and seem to tread the sky;
The eternal snows appear already past,
And the first clouds and mountains seem the last;
But those attained, we tremble to survey
The growing labours of the lengthened way;
The increasing prospect tires our wandering eyes,
Hills peep o’er hills, and Alps on Alps arise!
”
”
Alexander Pope
“
Mere life is a luxury, and the color of the grass, of the flowers, of the sky, the wind in the trees, the outlines of the horizon, the forms of clouds, all give a pleasure as exquisite as the sweetest music to the ear famishing for it. The
”
”
Mark Twain (The Complete Works of Mark Twain: The Novels, Short Stories, Essays and Satires, Travel Writing, Non-Fiction, the Complete Letters, the Complete Speeches, and the Autobiography of Mark Twain)
“
What he had felt for Mo Ran before was only love, which could be kept hidden. But right now, this man felt like nothing short of a fire to him, a fire that could too easily set him ablaze like he was mere kindling, sending flames soaring up to scorch the skies. Magma that had lain dormant all this time stirred awake and stretched its limbs in the abyss deep within himself, ready to burst in a violent eruption at any time. It threatened to burn through all the reservations, dignity, and restraint on which he had always prided himself… Threatened to burn it all to ash, until there was nothing left.
”
”
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 4)
“
Sometimes it doesn't make sense- the short periods of time we get with the best moments and with people, or their outcomes from their choices.
However, if we turn it over to the golden light that flies around us.
The breathing wind of the evening promises that we will see the big picture in the hereafter with a new dawn tomorrow.
Nothing is too small to be a mistake.
”
”
Deejay Kapil
“
Our northern summers, though, are versions Of southern winters, this is clear; And though we’re loath to cast aspersions, They seem to go before they’re here! The sky breathed autumn, turned and darkled; The friendly sun less often sparkled; The days grew short and as they sped, The wood with mournful murmur shed Its wondrous veil to stand uncovered; The fields all lay in misty peace; The caravan of cackling geese Turned south; and all around there hovered The sombre season near at hand; November marched across the land.
”
”
Alexander Pushkin (Eugene Onegin)
“
Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
”
”
Charles Darwin
“
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?”
He grunted.
“You don’t want to eat anything?”
“No.” He did not want to tax his stomach for the next twelve hours.
“So what now? Are we going on the run?”
He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh.
The sight jolted him out of his lethargy. “Where are your trousers?”
“They had no braces and won’t stay up. Besides, it’s warm enough in here.”
He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement.
He might have been a bit unsteady too, if he were not already lying down.
“You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
”
”
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
“
Haiku Christmas Story
New light in the sky
announces a sacred birth.
Shine brightly young star.
Hallelujah song
carries on a gentle wind,
heralding a king.
Shepherds lift their heads,
not to gaze at a new light
but to hear angels.
"Unto you is born
in the city of David
a Savior for all."
Born on straw at night
under low stable rafters,
Baby Jesus cried.
Sheep and goats and cows
gather 'round a manger bed
to awe at a babe.
Wise men come to see
a child of greater wisdom
and honor divine.
Rare and precious gifts,
gold and myrrh and frankincense,
to offer a king.
Mary and Joseph
huddle snugly together.
They cradle God's son.
On this wise He came,
the Son of God to the earth.
A humble wonder.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Things that remind me of Mother are these:
the truth ‘mid deception, a warm summer breeze,
the calm within chaos, a stitch in a rip,
a comforting blanket, the smile on her lip,
an ocean of love in a heart big as whales,
the morals in everyday stories she tells,
a wink amid laughter, the wisdom in books,
the peace in humility, beauty in looks,
the light and the life in a ray of the sun,
the hard work accomplished disguised as pure fun,
concern in a handclasp, encouragement too,
the hope in a clear morning sky azure blue,
the power in prayers uttered soft and sincere,
the faith in a promise, and joy in a tear.
These things all attest to the wonder and grace
of my precious mother, none else could replace.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
His last word—to live with,' she murmured. 'Don't you understand I loved him—I loved him—I loved him!'
"I pulled myself together and spoke slowly.
"'The last word he pronounced was—your name.'
"I heard a light sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether. . . ."
Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. "We have lost the first of the ebb," said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky—seemed to lead into the heart of an immense darkness.
”
”
Joseph Conrad (Heart of Darkness)
“
My wife and I tend to overgift to our kids at Christmas. We laugh and feel foolish when a kid is so distracted with one toy that we must force them into opening the next, or when something grand goes completely unnoticed in a corner. How consumerist, right? How crassly American. How like God. We are all that overwhelmed kid, not even noticing our heartbeats, not even noticing our breathing, not even noticing that our fingertips can feel and pick things up, that pie smells like pie and that our hangnails heal and that honey-crisp apples are real and that dogs wag their tails and that awe perpetually awaits us in the sky. The real yearning, the solomonic state of mind, is caused by too much gift, by too many things to love in too short a time. Because the more we are given, the more we feel the loss as we are all made poor and sent back to our dust.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
James Heron dreamed he was once more in the abandoned tunnels on Mars. As he walked, the barren rocky landscape transformed into hills of tangled vegetation. Lightning played in tall cumulus clouds in a darkening sky, and the sky was definitely an Earth sky, not a Martian one. He seemed to have companions, but their clothing was strange—very old fashioned, in fact, as if they belonged in the nineteenth century.
He didn’t recognise the landscape, but it seemed to be on Earth, and the group, several youths and a few older men, appeared to be suffering from the heat, plucking their shirts which displayed damp patches of perspiration. A short distance ahead of him walked a heavily built man who evidently was not enjoying the walk in the heat, his face flushed crimson and perspiring profusely.
The sky darkened and large drops of rain pelted the group, and they increased their pace. His view changed slightly as someone behind him called something he could not quite hear. The lightning seemed to be getting closer, and he and a companion—a youth, he noted ran for cover. He could smell the rain on the wet earth, and the fragrance of the vegetation intensified. He could feel the tension of the group—their fear perhaps?
Suddenly there was a blinding flash that seemed to engulf him—and then he jolted awake bathed in perspiration.
”
”
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
“
A double rainbow had changed the course of my relationship with the fox. I had been jogging when I realised that he would live only a few years in this harsh country. At the time I believed that making an emotional investment in a short-lived creature was a fool's game. Before the jog ended, a rainbow appeared in front of me. One end of the rainbow slipped through an island of tall dead poplars drowning in gray sky, their crowns splitting and spraying into each other. I stopped. A second rainbow arched over the poplars. How many rainbows had I seen in this one valley? A hundred easy, and I always paused to watch. I realised that a fox, like a rainbow and every other gift from Nature, had an intrinsic value that was quite independent of its longevity. After that, whenever I questioned devoting so much time to an animal whose lifespan barely exceeded the blink of an eye, I remembered rainbows.
”
”
Catherine Raven (Fox and I: An Uncommon Friendship)
“
She let the relaxing song waft over and through her as she lost herself in everything around her: the millions of stars glittering above, the soft quilt beneath her, the man whose hand slipped warmly into hers. And she began to understand something she hadn't only a few short minutes before; she began to feel a certain, undeniable truth seeping into her skin, her muscles, her very bones.
And when the song came to its sweet, peaceful conclusion, she continued peering up at the sky even as she leaned her head over to rest it on Lucky's shoulder. And she whispered, "You love me."
He kept gazing upward, too, his answer coming softly. "Yeah, I do."
And it sounded ... like it wasn't a surprise to him at all.
The new knowledge made Tessa's skin tingle even as her body filled with warmth. And she pulled back just slightly to peer over at him, this man who loved her. He hadn't put it into words, but he hadn't needed to---because he'd shown her, in so many sweet ways.
”
”
Toni Blake (Whisper Falls (Destiny, #3))
“
T is the perception of the beautiful,
A fine extension of the faculties,
Platonic, universal, wonderful,
Drawn from the stars, and filter'd through the skies,
Without which life would be extremely dull;
In short, it is the use of our own eyes,
With one or two small senses added, just
To hint that flesh is form'd of fiery dust.
”
”
Lord Byron (Don Juan)
“
There is no better. Only (for a short space) the night sky like a quarantine that sets you apart from your task.
”
”
Louise Glück (Poems 1962-2012 (Los Angeles Times Book Award: Poetry))
“
Darwin, landing in Brazil in 1832, had a similar reaction, colored by his reading of his predecessor." Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
”
”
Charles Darwin
“
My Darling,
It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question.
Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around.
Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied.
Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on.
I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict.
This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
I love you
”
”
Nicholas Sparks (Message in a Bottle)
“
Suppose That I'm Inevitable
Suppose that I'm inevitable
Even the veins of my right hand
Cross you from the drafts.
On my smooth nails
The breeze
Which is not from the sky
Is curving you
Either the veins of my right hand
Is running short
On my pulse.
Rolled along my fingers
Vanished
Not repeated forever
For the second.
I'm a half
Since the first.
The veins of my neck cross you all.
If the warmth of my ten fingers
Seized on your torn pieces of breath
All is over
With the dead-end alleys
all in oblivion.
(TRANSLATED FROM ORIGINAL PERSIAN INTO ENGLISH BY ROSA JAMALI)
”
”
Rosa Jamali (Selected Poems of Rosa Jamali)
“
When she moved away from him now it didn’t stink of retreat. Instead it felt as though she had seized the high ground as she sat gracefully on the ledge of the window. She crossed her long legs and her short dress hiked up another inch. The night sky — vast and open without any tall buildings blocking its reach — seemed to both swallow her and retreat from the immensity of her presence.
”
”
Armada West (war/SONG)
“
One by one our skies go black. Stars are extinguished, collapsing into distances too great to breach. Soon, not even the memory of light will survive. Long ago, our manifold universes discovered futures would only expand. No arms of limit could hold or draw them back. Short of a miracle, they would continue to stretch, untangle and vanish – abandoned at long last to an unwitnessed dissolution. That dissolution is now. Final winks slipping over the horizons share what needs no sharing: There are no miracles. You might say that just to survive to such an end is a miracle in itself. We would agree. But we are not everyone. Even if you could imagine yourself billions of years hence, you would not begin to comprehend who we became and what we achieved. Yet left as you are, you will no more tremble before us than a butterfly on a windless day trembles before colluding skies, still calculating beyond one of your pacific horizons. Once we could move skies. We could transform them. We could make them sing. And when we fell into dreams our dreams asked questions and our skies, still singing, answered back. You are all we once were but the vastness of our strangeness exceeds all the light-years between our times. The frailty of your senses can no more recognize our reach than your thoughts can entertain even the vaguest outline of our knowledge. In ratios of quantity, a pulse of what we comprehend renders meaningless your entire history of discovery. We are on either side of history: yours just beginning, ours approaching a trillion years of ends. Yet even so, we still share a dyad of commonality. Two questions endure. Both without solution. What haunts us now will allways hunt you. The first reveals how the promise of all our postponements, ever longer, ever more secure – what we eventually mistook for immortality – was from the start a broken promise. Entropy suffers no reversals. Even now, here, on the edge of time’s end, where so many continue to vanish, we still have not pierced that veil of sentience undone. The first of our common horrors: Death. Yet we believe and accept that there is grace and finally truth in standing accountable before such an invisible unknown. But we are not everyone. Death, it turns out, is the mother of all conflicts. There are some who reject such an outcome. There are some who still fight for an alternate future. No matter the cost. Here then is the second of our common horrors. What not even all of time will end. What plagues us now and what will always plague you. War.
”
”
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
“
Sorrow (A Song)
To me this world's a dreary blank,
All hopes in life are gone and fled,
My high strung energies are sank,
And all my blissful hopes lie dead.--
The world once smiling to my view,
Showed scenes of endless bliss and joy;
The world I then but little knew,
Ah! little knew how pleasures cloy;
All then was jocund, all was gay,
No thought beyond the present hour,
I danced in pleasure’s fading ray,
Fading alas! as drooping flower.
Nor do the heedless in the throng,
One thought beyond the morrow give,
They court the feast, the dance, the song,
Nor think how short their time to live.
The heart that bears deep sorrow’s trace,
What earthly comfort can console,
It drags a dull and lengthened pace,
'Till friendly death its woes enroll.--
The sunken cheek, the humid eyes,
E’en better than the tongue can tell;
In whose sad breast deep sorrow lies,
Where memory's rankling traces dwell.--
The rising tear, the stifled sigh,
A mind but ill at ease display,
Like blackening clouds in stormy sky,
Where fiercely vivid lightnings play.
Thus when souls' energy is dead,
When sorrow dims each earthly view,
When every fairy hope is fled,
We bid ungrateful world adieu.
”
”
Percy Bysshe Shelley (The Complete Poems)
“
Extending his hands from his bed, Plume was astonished not to feel the wall: “Well," he concluded, "the ants must have eaten it away.” And he went back to sleep.
Shortly thereafter, his wife shook him awake: “Take a good look, lazybones! While you were so busy sleeping, someone went and stole our house!” And indeed, stretching out on every side there was nothing but solid sky. “So it goes,” he thought.
”
”
Henri Michaux (Plume: précédé de Lointain intérieur)
“
Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
They bowed their heads together as Louie prayed. If God would quench their thirst, he vowed, he’d dedicate his life to him. The next day, by divine intervention or the fickle humors of the tropics, the sky broke open and rain poured down. Twice more the water ran out, twice more they prayed, and twice more the rain came. The showers gave them just enough water to last a short while longer. If only a plane would come.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
“
Now that the war has long been over, I know why my fear vanished beneath that spacious sky. You see, once I was alone with nature I realized, without actually being aware of it, that fear doesn't help, that it doesn't get you anywhere. Anyone who's as frightened as I was should look to nature and realize that God is much closer than most people think. From that moment on, though countless bombs fell close by, I was never truly afraid again.
”
”
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
She might fairly, as she watched them, have missed it as a lost thing; have yearned for it, for the straight vindictive view, the rights of resentment, the rages of jealousy, the protests of passion, as for something she had been cheated of not least: a range of feelings which for many women would have meant so much, but which for her husband’s wife, for her father’s daughter, figured nothing nearer to experience than a wild eastern caravan, looming into view with crude colours in the sun, fierce pipes in the air, high spears against the sky, all a thrill, a natural joy to mingle with, but turning off short before it reached her and plunging into other defiles. She
”
”
Henry James (The Golden Bowl)
“
In Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
The larks, still bravely singing, fly Scarce heard amid the guns below
We are the Dead
Short days ago
We lived, felt dawn, saw sunset glow/Loved, and were loved, and now we lie
In Flanders Fields
Take up our quarrel with the foe
To you from failing hands we throw The torch
be yours to hold it high
If ye break faith with us who die
We shall not sleep/though poppies grow
In Flanders Fields
”
”
John McCrae (In Flanders Fields)
“
Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.
”
”
Michel Leiris (Aurora)
“
So long as our untried senses and our naïve heart recognize themselves and delight in the universe of qualifications, they flourish with the aid and at the risk of the adjective, which, once dissected, proves inadequate, deficient. We say of space, of time, and of suffering that they are infinite; but infinite has no more bearing than beautiful, sublime, harmonious, ugly.... Suppose we force ourselves to see to the bottom of words? We see nothing—each of them, detached from the expansive and fertile soul, being null and void. The power of the intelligence functions by projecting a certain luster upon them, by polishing them and making them glitter; this power, erected into a system, is called culture—pryrotechnics against a night sky of nothingness.
”
”
Emil M. Cioran (A Short History of Decay)
“
I honestly can’t remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching “The Wonderful World of Disney” on Sunday nights. Sunday was a sad day—early to bed, school the next morning, I was constantly worried my homework was wrong—but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn’t pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
”
”
Donna Tartt (The Secret History)
“
What makes a taco perfect?"
"Beautiful question," Felix said. "It's a taco that tastes as good as the idea of a taco itself. A taco that'll hold steadfast through memory's attempt to erase it, a taco that'll be worthy of the nostalgia that it will cause. A taco that won't satisfy or fill but will satiate your hunger. Not just for tonight but for tacos in general, for food, for life-it-fucking-self, brother. You will feel full to your soul
"But!" he added, a callused index finger pointed straight up at the sky. "It's also a taco that will make you hunger for more tacos like it, for more tacos at all, for food, the joy of it, the beauty of it. A taco that makes you hungry for life and that makes you feel like you have never been more alive. Nothing short of that will do.
”
”
Adi Alsaid (North of Happy)
“
Dragon watched the heavens turn. He saw his namesake, Draco, the dragon, arc across the sky. There were men who said the brightest star in Draco had once been the constant star by which men measured the way north. It was no longer, but the heavens changed in their own slow time, far beyond the brief ages of man, so perhaps it once had been so.
He drank more wine. A star streaked across the sky, burning brightly in its swift flight. Then it was gone, extinguished as though it had never been.
Life was too damn short.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
We say of space, of time, and of suffering that they are infinite; but infinite has no more bearing than beautiful, sublime, harmonious, ugly… Suppose we force ourselves to see to the bottom of words? We see nothing – each of them, detached from the expansive and fertile soul, being null and void. The power of the intelligence functions by projecting a certain lustre upon them, by polishing them and making them glitter; this power, erected into a system, is called culture – a pyrotechnics against a night sky of nothingness.
”
”
Emil M. Cioran (A Short History of Decay)
“
Sunday was a sad day-early to bed, school the next morning, I was constantly worried my homework was wrong-but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, was consumed by a more general sense of dread, of imprisonment I within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn't pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
”
”
Donna Tartt (The Secret History)
“
The sky was leaden, with tufts of low, scudding grey cloud and filled with a numberless flock of rooks. There was a little hump-backed bridge over a muddy, swollen stream; joyless, beggarly, half-naked trees. A lone aspen, and in the distance, past a vegetable garden stood a log cabin that looked like a kind of outhouse. The surroundings looked so lifeless and miserable that one might easily have been tempted to hang oneself on that aspen by the little bridge. Not a breath of wind, not a cloud, not a living soul. In short—hell. Suddenly
”
”
Mikhail Bulgakov (The Master and Margarita)
“
I looked up at the millions of stars dotting the skies.
They winked at me, like old friends. I knew their names, their origin and evolution. Cassiopeia. Ursa Major. Hercules. Sagittarius. Things were different now, though. I was different. I now had memories of nights sitting under them, and whispered conversations during movies, and racing through the woods laughing with friends while golden wings rippled behind me. Despite some of the more frustrating or confusing aspects of this summer, I knew deep down that something had irrevocably changed.
”
”
Serena Kaylor (Long Story Short)
“
We destroyed our world,’ she said, ‘and left it for the skies. Our numbers were few. Our species had scattered. We were the last to leave. We left the ground behind. We left the oceans. We left the air. We watched these things grow small. We watched them shrink into a point of light. As we watched, we understood. We understood what we were. We understood what we had lost. We understood what we would need to do to survive. We abandoned more than our ancestors’ world. We abandoned our short sight. We abandoned our bloody ways. We made ourselves anew.
”
”
Becky Chambers (Record of a Spaceborn Few (Wayfarers, #3))
“
Death might have struck me down in that moment; it would have seemed to me a trivial, or rather an impossible thing, for life was not outside, it was in me; I should have smiled pityingly had a philosopher then expressed the idea that some day, even some distant day, I should have to die, that the external forces of nature would survive me, the forces of that nature beneath whose godlike feet I was no more than a grain of dust; that, after me, there would still remain those rounded, swelling cliffs, that sea, that moonlight and that sky! How was that possible; how could the world last longer than myself, since it was it that was enclosed in me, in me whom it went a long way short of filling, in me, where, feeling that there was room to store so many other treasures, I flung contemptuously into a corner sky, sea and cliffs.
”
”
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
“
I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map...Does anyone come to New York clean? I’m afraid not….Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-de-sacs? Morning of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitely forward...Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.
”
”
Stephanie Danler (Sweetbitter)
“
His right eye darker than the midnight sky, and the other the exact opposite. His left eye is so bleached of color, it’s nearly white. The scar starting from the middle of his forehead, slashing straight down through his white eye and to the middle of his cheek, is something I haven’t been able to forget since I saw him in the bookstore. Despite the ugly scar, it only serves to heighten his utter beauty. A jawline so sharp, he could cut diamonds with it. A straight, aristocratic nose. Full lips. And short black hair, just long enough to run your hands through.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
Within a raindrop there must be a heart- a heart that weeps the pain of longing. Look at her embracing her beloved and disappearing unto his yearning, but once again to set journey to the skies!
O dear, so is our union, a short while in the beautiful home named earth; but we shall continue, until the last drop water drains into the earth and there are no more rays of sun kissing these tender leaves of green!
And at last when the terrain shatters onto the Milky Way as tiny particles, O dear, remember, we will embrace once again to make a planet, a planet of love!
”
”
Preeth Padmanabhan Nambiar
“
The boughs of trees stretched high overhead, leaves of dappled green and black mottling the sky. It was called the black forest for more reasons than the inky-black foliage. The wise and cautious seldom travelled by night along its poorly-tended roads, and banditry wasn’t the main reason. In the minds of many, shadows of a threat lurked in wait, seeking an opportunity to strike during a moment of weakness. It was known among the old folk that not all who dwelled within the black forest were of human or animal-kind. Some beings were much older and believed far more dangerous.
”
”
Mara Amberly (Her Gypsy Promise: A Short Story)
“
If Only We Had Taller Been
The fence we walked between the years
Did bounce us serene.
It was a place half in the sky where
In the green of leaf and promising of peach
We'd reach our hands to touch and almost touch the sky,
If we could reach and touch, we said,
'Twould teach us, not to ,never to, be dead.
We ached and almost touched that stuff;
Our reach was never quite enough.
If only we had taller been,
And touched God's cuff, His hem,
We would not have to go with them
Who've gone before,
Who, short as us, stood tall as they could stand
And hoped by stretching, tall, that they might keep their land,
Their home, their hearth, their flesh and soul.
But they, like us, were standing in a hole.
O, Thomas, will a Race one day stand really tall
Across the Void, across the Universe and all?
And, measured out with rocket fire,
At last put Adam's finger forth
As on the Sistene Ceiling,
And God's hand come down the other way
To measure man and find him Good,
And Gift him with Forever's Day?
I work for that.
Short man, Large dream, I send my rockets forth
between my ears,
Hoping an inch of Good is worth a pound of years.
Aching to hear a voice cry back along the universal Mall:
We've reached Alpha Centauri!
We're tall, O God, we're tall!
”
”
Ray Bradbury
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.
”
”
Ralph Ellison (Invisible Man)
“
It was in December. I stood in the back of the tram, all the way in the back. It drove through the country and stopped and started again, it took hours, the countryside was endless. And the sky got bluer and bluer and the sun shone until it seemed like flowers would have to start sprouting out of the country bumpkins. And the red roofs in the villages and the black trees and the fields, most of them covered with straw, had it nice and warm, and the dunes sat bareheaded in the sun. And the road lay there, white and smarting, it couldn't bear the sunlight, and the glass panes of the village streetlamp flashed, they had trouble withstanding the glare too.
But I got colder and colder. And the tram ran as long as the sun shone. It's a long ride from Hillegom to Leiden and the days are short in December. By the end, a block of ice was standing there on the tram staring into the big stupid cold sun that was flaming red as though the revolution was finally starting, as though offices were being blown up all over Amsterdam, but still it couldn't bring a spark of life back to my cold feet and stiff legs. And it kept getting bigger and colder, the sun, and I got colder and stayed the same size, and the blue sky looked down very disapprovingly: What are you doing on that tram?
”
”
Nescio (Amsterdam Stories)
“
Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah."
"How beautiful," I said.
"It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?
”
”
Anton Chekhov (Short Stories)
“
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.”
My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.”
She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.”
I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things.
“Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees.
It disappeared from our sight.
“Poppy—” I went to speak, but she cut me off.
“Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Vane, you okay in there?” my mom calls through my door.
I jump so hard I crash into my desk and knock off some books and video game cases.
If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either.
I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts.
“Then what’s all that banging?”
Come on, Vane. Think!
Inspiration strikes. “I found a date roach in my bed.”
“Did you kill it?” My mom sounds farther away, like she jumped back.
“I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy.
“Well, I won’t distract you, then,” she says, and I can’t help smiling.
”
”
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
“
She handed him the blankets and the ground sheet and he shook them out, then put them down under the trees. Angie got down on her knees and spread the ground sheet over the leaves, then the blankets.
'You never forget do you? I mean about seeing things first.'
'Hope I never.'
He was oddly uncomfortable, hesitant. 'Good way to lose your hair, not noticing things.'
He sat down and pulled off his boots. The cottonwoods whispered more softly. The squirrel gave one short inquiring chatter, then was silent.
The lone coyote spoke to the sky and the stream rustled busily about the stones. A bit of mud fell into the stream with a faint plop.
It was night and there was no sound. Or anyway, not very much." (p 154)
”
”
Louis L'Amour
“
How many years have passed since that far-off June afternoon? More than thirty. And yet, if I close my eyes, Micòl Finzi-Contini is still there, leaning over her garden wall, looking at me and talking to me. In 1929 Micòl was little more than a child, a thin, blond thirteen-year old with large, clear, magnetic eyes. And I was a boy in short trousers, very bourgeois and very vain, whom a small academic setback was sufficient to cast down into the most childish desperation. We both fixed our eyes on each other. Above her head the sky was a compact blue, a warm already summer sky without the slightest cloud. Nothing, it seemed, would be able to alter it, and nothing indeed has altered it, at least in memory.
”
”
Giorgio Bassani (The Garden of the Finzi-Continis)
“
Will you tell us how to get into your country from our world?”
“I shall be telling you all the time,” said Aslan. “But I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder. And now come; I will open the door in the sky and send you to your own land.”
“Please, Aslan,” said Lucy. “Before we go, will you tell us when we can come back to Narnia again? Please. And oh, do, do, do make it soon.”
“Dearest,” said Aslan very gently, “you and your brother will never come back to Narnia.”
“Oh, Aslan!” said Edmund and Lucy both together in despairing voices.
“You are too old, children,” said Aslan, “and you must begin to come close to your own world now.”
“It isn’t Narnia, you know,” sobbed Lucy. “It’s you. We shan’t meet you there. And how can we live, never meeting you?”
“But you shall meet me, dear one,” said Aslan.
“Are--are you there too, Sir?” said Edmund.
“I am,” said Aslan. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
It was history’s first co-operative international scientific venture, and almost everywhere it ran into problems. Many observers were waylaid by war, sickness or shipwreck. Others made their destinations but opened their crates to find equipment broken or warped by tropical heat. Once again the French seemed fated to provide the most memorably unlucky participants. Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements. Unluckier
”
”
Bill Bryson (A Short History of Nearly Everything)
“
I am a bomb but I mean you no harm. That I still am here to tell this, is a miracle: I was deployed on May 15, 1957, but I didn’t go off because a British nuclear engineer, a young father, developed qualms after seeing pictures of native children marveling at the mushrooms in the sky, and sabotaged me. I could see why during that short drop before I hit the atoll: the island looks like god’s knuckles in a bathtub, the ocean is beautifully translucent, corals glow underwater, a dead city of bones, allowing a glimpse into a white netherworld. I met the water and fell a few feet into a chromatic cemetery. The longer I lie here, listening to my still functioning electronic innards, the more afraid I grow of detonating after all this time. I don’t share your gods, but I pray I shall die a silent death.
”
”
Marcus Speh (A Metazen Christmas)
“
So, there were seaweed people and sky people. In time the seaweed people and the sky people found attraction in each other, and intermarried and became the Irish. That’s the short version. That’s why some of us are always longing for sky and some are of us are longing for the sea, and some, like my father, were both. We’re a race of elsewhere people. That’s what makes us the best saints and the best poets and the best musicians and the world’s worst bankers. That’s why wherever you go you’ll see some of us – and it makes no difference if the place is soft and warm and lovely and there’s not a thing anyone could find wrong with it, there’ll always be what Jimmy the Yank calls A Hankering. It’s in the eyes. The idea of the better home. Some of us have it worse than others. My father had it running in the rivers of him.
”
”
Niall Williams (History of the Rain)
“
One of the problems is that Dublin is, and I mean literally and topographically, flat - so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface - if not vertically, then conceptually. (...) It’s hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it’s a democratic way to organise a city - so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
But between them and the foot of the sky there was something so white on the green grass that even with their eagles’ eyes they could hardly look at it. They came on and saw that it was a Lamb.
“Come and have breakfast,” said the Lamb in its sweet milky voice.
Then they noticed for the first time that there was a fire lit on the grass and fish roasting on it. They sat down and ate the fish, hungry now for the first time for many days. And it was the most delicious food they had ever tasted.
“Please, Lamb,” said Lucy, “is this the way to Aslan’s country?”
“Not for you,” said the Lamb. “For you the door into Aslan’s country is from your own world.”
“What!” said Edmund. “Is there a way into Aslan’s country from our world too?”
“There is a way into my country from all the worlds,” said the Lamb; but as he spoke his snowy white flushed into tawny gold and his size changed and he was Aslan himself, towering above them and scattering light from his mane.
Oh, Aslan,” said Lucy. “Will you tell us how to get into your country from our world?”
“I shall be telling you all the time,” said Aslan. “But I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
And yet, despite the multiplicity of times we've done it, it is still a funny, exultant, true thing - where for a short time you turn into something else and fly; where you stop fretting and wanting, and are simply alight with joy - and all while never venturing beyond the walls of your room. And I would put our continued success down to one simple thing. At the end of every tumbling session, one of us will turn to the other and say, "Thank you very much. That was very pleasant. Very pleasant indeed. My dear, I am much obliged to you."
Because at the end of the day, that is the hottest sex tip of all: gratitude. That you've found someone who wants to do that thing, with you, and no government has yet found a way to charge you VAT on it. You can set fire to the sky, and not be charged a penny.
Sometimes, it's great being a human.
”
”
Caitlin Moran
“
It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last line of the last page, in a summer house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and, perhaps, the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future date of my 'History', the life of the historian must be short and precarious.
”
”
Edward Gibbon
“
I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous—one of the best I’ve ever seen.
”
”
Lauren Oliver
“
The latter part of our Journey from the entrance of Wiltshire into Salisbury was very rough and abounded with Jolts, the Holes we were obliged to go through being very many and some of them Deep; and so it was with much Relief that we left the Coach at Salisbury and hired two Horses for the road across the Avon to the Plain and Stone-henge. When we came to the edge of this sacred Place, we tethered our Horses to the Posts provided and then, with the Sunne direct above us, walked over the short grass which (continually cropt by the flocks of Sheep) seemed to spring us forward to the great Stones. I stood back a little as Sir Chris. walked on, and I considered the Edifice with steadinesse: there was nothing here to break the Angles of Sight and as I gaz'd I opened my Mouth to cry out but my Cry was silent; I was struck by an exstatic Reverie in which all the surface of this Place seemed to me Stone, and the Sky itself Stone, and I became Stone as I joined the Earth which flew on like a Stone through the Firmament. And thus I stood until the Kaw of a Crow rous'd me: and yet even the call of the black Bird was an Occasion for Terrour, since it was not of this Time. I know not how long a Period I had traversed in my Mind, but Sir Chris. was still within my Sight when my Eyes were cleard of Mist. He was walking steadily towards the massie Structure and I rushed violently to catch him, for I greatly wished to enter the Circle before him. I stopped him with a Cry and then ran on: when Crows kaw more than ordinary, said I when I came up to him all out of Breath, we may expect Rain. Pish, he replied. He stopped to tye his Shooe, so then I flew ahead of him and first reached the Circle which was the Place of Sacrifice. And I bowed down.
”
”
Peter Ackroyd (Hawksmoor)
“
A short lightning flash of white snow flew into the woods frightening the animals there a hare hops around the bird-cherry there a bobcat lies in wait for an underwater mouse puffed out its muzzle raised its tasseled tail mangy beast of prey to you woodpeckers and rabbits are as scrambled eggs to us only the oak stands paying no attention to anyone itself just recently fallen from the sky the pain not yet abated the branches had not drawn apart not a reproach nor an answer did I deserve oh my spurs seize me chop me and beat me right in the back right in the back oh he’s fast I thought I see before me the torah but no the lun a tic the lunatic of my words one thing I won’t repeat will not repeat my whole life through this is ladies and gentlemen ladies and gentlemen my attentive audience that leap the leap from the heights of treesongers down on to the boards of stone the tables of stone tables of oh giant Numbers.
”
”
Daniil Kharms (Today I Wrote Nothing: The Selected Writings of Daniil Kharms: The Selected Writing of Daniil Kharms)
“
she does before she falls asleep. She pauses for a second or two, assessing the man walking up the field toward us. Then she screams, “Daddy!” and she begins to run, her sheep abandoned. I watch her racing down the field, elbows pumping. She is wearing pink shorts and red wellies and her hair trails behind her in a dark cloud. I watch Frank as he opens his arms, as she flies into them. As he swoops her up and spins her around. I can hear them laughing. I watch as Frank throws his head back and yells at the gray clouds passing overhead. “I am home. I AM HOME.” As Grace tries it, resting her neck against her father’s shoulder, face upturned to the sky. “I AM HOME. I AM HOME.” As they laugh and yell and laugh some more, this father and daughter who are meeting for the first time. Then they turn to me. Frank stretches out his right arm and Grace, cottoning on instantly, holds out her left. A giant man and girl scarecrow.
”
”
Clare Leslie Hall (Broken Country)
“
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
”
”
T.H. White
“
Mountains, a moment’s earth-waves rising and hollowing; the earth too’s an ephemerid; the stars—
Short-lived as grass the stars quicken in the nebula and dry in their summer, they spiral
Blind up space, scattered black seeds of a future; nothing lives long, the whole sky’s
Recurrences tick the seconds of the hours of the ages of the gulf before birth, and the gulf
After death is like dated: to labor eighty years in a notch of eternity is nothing too tiresome,
Enormous repose after, enormous repose before, the flash of activity.
Surely you never have dreamed the incredible depths were prologue and epilogue merely
To the surface play in the sun, the instant of life, what is called life? I fancy
That silence is the thing, this noise a found word for it; interjection, a jump of the breath at that silence;
Stars burn, grass grows, men breathe: as a man finding treasure says “Ah!” but the treasure’s the essence:
Before the man spoke it was there, and after he has spoken he gathers it,
inexhaustible treasure.
”
”
Robinson Jeffers
“
Mr Wonka Goes Too Far The last time we saw Charlie, he was riding high above his home town in the Great Glass Lift. Only a short while before, Mr Wonka had told him that the whole gigantic fabulous Chocolate Factory was his, and now our small friend was returning in triumph with his entire family to take over. The passengers in the Lift (just to remind you) were: Charlie Bucket, our hero. Mr Willy Wonka, chocolate-maker extraordinary. Mr and Mrs Bucket, Charlie’s father and mother. Grandpa Joe and Grandma Josephine, Mr Bucket’s father and mother. Grandpa George and Grandma Georgina, Mrs Bucket’s father and mother. Grandma Josephine, Grandma Georgina and Grandpa George were still in bed, the bed having been pushed on board just before take-off. Grandpa Joe, as you remember, had got out of bed to go around the Chocolate Factory with Charlie. The Great Glass Lift was a thousand feet up and cruising nicely. The sky was brilliant blue. Everybody on board was wildly excited at the thought of going to live in the famous Chocolate Factory. Grandpa Joe was singing. Charlie was jumping up and down. Mr and Mrs Bucket were smiling for the first time in years, and the three old ones in the bed were grinning at one another with pink toothless gums. ‘What in the world keeps this crazy thing up in the air?’ croaked Grandma Josephine. ‘Madam,’ said Mr Wonka, ‘it is not a lift any longer. Lifts only go up and down inside buildings. But now that it has taken us up into the sky, it has become an ELEVATOR. It is THE GREAT GLASS ELEVATOR.
”
”
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
“
The Moon’s steady gravitational influence keeps the Earth spinning at the right speed and angle to provide the sort of stability necessary for the long and successful development of life. This won’t go on forever. The Moon is slipping from our grasp at a rate of about 1.5 inches a year. In another two billion years it will have receded so far that it won’t keep us steady and we will have to come up with some other solution, but in the meantime you should think of it as much more than just a pleasant feature in the night sky.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight! The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls up solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.
”
”
Charles Dickens (Oliver Twist)
“
Depending on where it falls, the prognosis for a water molecule varies widely. If it lands in fertile soil it will be soaked up by plants or reevaporated directly within hours or days. If it finds its way down to the groundwater, however, it may not see sunlight again for many years—thousands if it gets really deep. When you look at a lake, you are looking at a collection of molecules that have been there on average for about a decade. In the ocean the residence time is thought to be more like a hundred years. Altogether about 60 percent of water molecules in a rainfall are returned to the atmosphere within a day or two. Once evaporated, they spend no more than a week or so—Drury says twelve days—in the sky before falling again as rain. Evaporation is a swift process, as you can easily gauge by the fate of a puddle on a summer’s day. Even something as large as the Mediterranean would dry out in a thousand years if it were not continually replenished. Such an event occurred a little under six million years ago and provoked what is known to science as the Messinian Salinity Crisis. What happened was that continental movement closed the Strait of Gibraltar. As the Mediterranean dried, its evaporated contents fell as freshwater rain into other seas, mildly diluting their saltiness—indeed, making them just dilute enough to freeze over larger areas than normal. The enlarged area of ice bounced back more of the Sun’s heat and pushed Earth into an ice age. So at least the theory goes. What is certainly true, as far as we can tell, is that a little change in the Earth’s dynamics can have repercussions beyond our imagining. Such an event, as we shall see a little further on, may even have created us.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
It is one of the greatest Curses visited upon Mankind, he told me, that they shall fear where no Fear is: this astrological and superstitious Humour disarms men's Hearts, it breaks their Courage, it makes them help to bring such Calamities on themselves. Then he stopped short and looked at me, but my Measure was not yet fill'd up so I begg' d him to go on, go on. And he continued: First, they fancy that such ill Accidents must come to pass, and so they render themselves fit Subjects to be wrought upon; it is a Disgrace to the Reason and Honour of Mankind that every fantasticall Humourist can presume to interpret the Skies (here he grew Hot and put down his Dish) and to expound the Time and Seasons and Fates of Empires, assigning the Causes of Plagues and Fires to the Sins of Men or the Judgements of God. This weakens the Constancy of Humane Actions, and affects Men with Fears, Doubts, Irresolutions and Terrours.
I was afraid of your Moving Picture, I said without thought, and that was why I left.
It was only Clock-work, Nick.
But what of the vast Machine of the World, in which Men move by Rote but in which nothing is free from Danger?
Nature yields to the Froward and the Bold.
It does not yield, it devours: You cannot master or manage Nature.
But, Nick, our Age can at least take up the Rubbidge and lay the Foundacions: that is why we must study the principles of Nature, for they are our best Draught.
No, sir, you must study the Humours and Natures of Men: they are corrupt, and therefore your best Guides to understand Corrupcion.
The things of the Earth must be understood by the sentient Faculties, not by the Understanding.
There was a Silence between us now until Sir Chris. says, Is your Boy in the Kitchin? I am mighty Hungry.
”
”
Peter Ackroyd (Hawksmoor)
“
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafés so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
but does it serve any useful purpose to know that Pompey was the first to exhibit the slaughter of eighteen elephants in the Circus, pitting criminals against them in a mimic battle? He, a leader of the state and one who, according to report, was conspicuous among the leaders28 of old for the kindness of his heart, thought it a notable kind of spectacle to kill human beings after a new fashion. Do they fight to the death? That is not enough! Are they torn to pieces? That is not enough! Let them be crushed by animals of monstrous bulk! Better would it be that these things pass into oblivion lest hereafter some all-powerful man should learn them and be jealous of an act that was nowise human.29 O, what blindness does great prosperity cast upon our minds! When he was casting so many troops of wretched human beings to wild beasts born under a different sky, when he was proclaiming war between creatures so ill matched, when he was shedding so much blood before the eyes of the Roman people, who itself was soon to be forced to shed more. he then believed that he was beyond the power of Nature. But later this same man, betrayed by Alexandrine treachery, offered himself to the dagger of the vilest slave, and then at last discovered what an empty boast his surname30 was.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing.
The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed.
Then it pounced.
The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time.
“Holy shit,” Jack muttered.
“Have we got a visual?”
“Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.”
“Alright, so what’s the plan?”
“They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.”
“Copy that. Be careful, cowboy.”
“Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything.
But the dragon’s head creaked around and those beady red eyes locked onto him.
Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’”
The dragon roared, its grey wings extending out from its body, and then flew straight at him.
”
”
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
“
I suppose that many think we live in a cheap and sensational age, all sky-signs and headlines; an age of advertisement and standardization. And yet, this is a more enlightened age than any human beings have lived in hitherto. For instance, practically all of us can read. Some of you may say: ‘Ah! But what? Detective stories, scandals, and the sporting news.’ No doubt, compared with Sunday newspapers and mystery stories, the Oedipus, Hamlet and Faust are very small beer. All the same, the number of volumes issued each year continually gains on the number of the population in all Western countries. Every phase and question of life is brought more and more into the limelight. Theatres, cinemas, the radio, and even lectures, assist the process. But they do not, and should not replace reading, because when we are just watching and listening, somebody is taking very good care that we should not stop and think. The danger in this age is not of our remaining ignorant; it is that we should lose the power of thinking for ourselves. Problems are more and more put before us, but, except to crossword puzzles and detective mysteries, do we attempt to find the answers for ourselves? Less and less. The short cut seems ever more and more desirable. But the short cut to knowledge is nearly always the longest way round. There is nothing like knowledge, picked up by or reasoned out for oneself.
”
”
John Galsworthy (Candelabra: Selected Essays and Addresses)
“
The Khawla historian says the people of this planet were like a virus—multiplying endlessly, consuming every resource they could wrench from land and sky, acting as if all they could survey was theirs for the taking and the ruining. Every time their planet cried out, they ignored its pleas. Instead of curbing their wasteful desires—their fossil fuels and their petroleum-fueled lives—they simply expanded their settlements, moved to new places, plundered more ground, until their land could bear it no longer and erupted in fire. There were many among the young who had spoken the truth, who gave warning of what their future could hold, but on this planet, old men didn’t plan for futures they knew they wouldn’t be there to enjoy. They couldn’t see past themselves.
”
”
Dhonielle Clayton (A Universe of Wishes: A We Need Diverse Books Anthology)
“
The Farmer's Bride
Three Summers since I chose a maid,
Too young maybe - but more's to do
At harvest-time than bide and woo.
When us was wed she turned afraid
Of love and me and all things human;
Like the shut of a winter's day
Her smile went out, and 'twasn't a woman -
More like a little frightened fay.
One night, in the Fall, she runned away.
'Out 'mong the sheep, her be,' they said,
Should properly have been abed;
But sure enough she wasn't there
Lying awake with her wide brown stare.
So over seven-acre field and up-along across the down
We chased her, flying like a hare
Before our lanterns. To Church-Town
All in a shiver and a scare
We caught her, fetched her home at last
And turned the key upon her, fast.
She does the work about the house
As well as most, but like a mouse:
Happy enough to chat and play
With birds and rabbits and such as they,
So long as men-folk keep away.
'Not near, not near!' her eyes beseech
When one of us comes within reach.
The women say that beasts in stall
Look round like children at her call.
I've hardly heard her speak at all.
Shy as a leveret, swift as he,
Straight and slight as a young larch tree,
Sweet as the first wild violets, she,
To her wild self. But what to me?
The short days shorten and the oaks are brown,
The blue smoke rises to the low grey sky,
One leaf in the still air falls slowly down,
A magpie's spotted feathers lie
On the black earth spread white with rime,
The berries redden up to Christmas-time.
What's Christmas-time without there be
Some other in the house than we!
She sleeps up in the attic there
Alone, poor maid. 'Tis but a stair
Betwixt us. Oh! my God! the down,
The soft young down of her; the brown,
The brown of her - her eyes, her hair, her hair!
”
”
Charlotte Mew
“
I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
A True Account Of Talking To The Sun On Fire Island"
The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally
so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."
"Sorry, Sun, I stayed
up late last night talking to Hal."
"When I woke up Mayakovsky he was
a lot more prompt" the Sun said
petulantly. "Most people are up
already waiting to see if I'm going
to put in an appearance."
I tried
to apologize "I missed you yesterday."
"That's better" he said. "I didn't
know you'd come out." "You may be
wondering why I've come so close?"
"Yes" I said beginning to feel hot
wondering if maybe he wasn't burning me
anyway.
"Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you're okay. You may
not be the greatest thing on earth, but
you're different. Now, I've heard some
say you're crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you're a boring
reactionary. Not me.
Just keep on
like I do and pay no attention. You'll
find that people always will complain
about the atmosphere, either too hot
or too cold too bright or too dark, days
too short or too long.
If you don't appear
at all one day they think you're lazy
or dead. Just keep right on, I like it.
And don't worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you were
I knew it and saw you moving. I was waiting
for you to get to work.
And now that you
are making your own days, so to speak,
even if no one reads you but me
you won't be depressed. Not
everyone can look up, even at me. It
hurts their eyes."
"Oh Sun, I'm so grateful to you!"
"Thanks and remember I'm watching. It's
easier for me to speak to you out
here. I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the heavens
and you should follow it to hell, if
necessary, which I doubt.
Maybe we'll
speak again in Africa, of which I too
am specially fond. Go back to sleep now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell."
"Sun, don't go!" I was awake
at last. "No, go I must, they're calling
me."
"Who are they?"
Rising he said "Some
day you'll know. They're calling to you
too." Darkly he rose, and then I slept.
”
”
Frank O'Hara
“
She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been.
(from the short story The Wanderers)
”
”
Eudora Welty
“
Urgent Story"
When the oracle said, ‘If you keep pigeons
you will never lose home.’ I kept pigeons.
They flicked their red eyes over me,
a deft trampling
of that humanly proud distance
by which remaining aloof
in it’s own fullness. I administered
crumbs, broke sky with them like breaking
the lemon-light of the soul's amnesia
for what It wants but will neither take
nor truh let go. How it revived me,
to release them! And at that moment of flight
to disavow the imprint, to tear
their compass, out by the roots of
some green meadow they might fly over
on the way to an immaculate freedom, meadow
in which a woman has taken off
her blouse, then taken off the man's flannel shirt
in their sky-drenched arc
of one, then the other above
each other's eyelids is a branding of daylight,
the interior of its black ambush
in which two joys lame the earth a while
with heat and cloudwork under wing-beats.
Then she was quiet with him. And he
with her. The world hummed
with crickets, with bees nudging the lupins.
It is like that when the earth counts
its riches—noisy with desire
even when desire has strengthened our bodies
and moved us into the soak of harmony.
Her nipples in sunlight have crossed his palm
wind-sweet with savor and the rest
is so knelt before
that when they stand upright
the flight-cloud of my tamed birds shapes an arm
too short for praise. Oracle, my dovecot
is an over and over nearer to myself
when its black eyes are empty.
But by nightfall I am dark
before dark if one bird is missing.
Dove left open by love in a meadow,
Dove commanding me not to know
where it sank into the almost-night—for you
I will learn to play the concertina,
to write poems full of hateful jasmine and
longing, to keep the dead alive, to sicken
at the least separation.
Dove, for whose sake
I will never reach home.
”
”
Tess Gallagher (My Black Horse: New & Selected Poems)
“
Tis the middle of night by the castle clock"
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit!—Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.
Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'Tis a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothèd knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.
She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.
The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady's cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky …
”
”
Samuel Taylor Coleridge (Christabel)
“
I am Nikolai Wroth.”
Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint.
“With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.”
“Myst married?” Was that where she’d been? No, no way. “That’s funny.”
“The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.”
Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes.
The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time.
“Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.”
“The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.”
“Don’t you have an appointment to go to, vampire?”
Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?”
“No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.”
A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.”
She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?”
Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly.
Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.”
“What have you done to her?” she cried.
“Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
”
”
Ian Fleming (Casino Royale (James Bond, #1))
“
I hate inconstancy—I loathe, detest,
Abhor, condemn, abjure the mortal made
Of such quicksilver clay that in his breast
No permanent foundation can be laid;
Love, constant love, has been my constant guest,
And yet last night, being at a masquerade,
I saw the prettiest creature, fresh from Milan,
Which gave me some sensations like a villain.
But soon Philosophy came to my aid,
And whisper’d, ‘Think of every sacred tie!’
‘I will, my dear Philosophy!’ I said,
‘But then her teeth, and then, oh, Heaven! her eye!
I’ll just inquire if she be wife or maid,
Or neither—out of curiosity.’
‘Stop!’ cried Philosophy, with air so Grecian
(Though she was masqued then as a fair Venetian);
‘Stop!’ so I stopp’d.—But to return: that which
Men call inconstancy is nothing more
Than admiration due where nature’s rich
Profusion with young beauty covers o’er
Some favour’d object; and as in the niche
A lovely statue we almost adore,
This sort of adoration of the real
Is but a heightening of the ‘beau ideal.’
’Tis the perception of the beautiful,
A fine extension of the faculties,
Platonic, universal, wonderful,
Drawn from the stars, and filter’d through the skies,
Without which life would be extremely dull;
In short, it is the use of our own eyes,
With one or two small senses added, just
To hint that flesh is form’d of fiery dust.
Yet ’tis a painful feeling, and unwilling,
For surely if we always could perceive
In the same object graces quite as killing
As when she rose upon us like an Eve,
’Twould save us many a heartache, many a shilling
(For we must get them any how or grieve),
Whereas if one sole lady pleased for ever,
How pleasant for the heart as well as liver!
The heart is like the sky, a part of heaven,
But changes night and day, too, like the sky;
Now o’er it clouds and thunder must be driven,
And darkness and destruction as on high:
But when it hath been scorch’d, and pierced, and riven,
Its storms expire in water-drops; the eye
Pours forth at last the heart’s blood turn’d to tears,
Which make the English climate of our years.
”
”
Lord Byron (Don Juan)
“
He closed his hand on the twenty kopecks, walked on for ten paces, and turned facing the Neva, looking towards the palace. The sky was cloudless and the water was almost bright blue, which is so rare in the Neva. The dome of the cathedral, which is seen at its best from the bridge about twenty paces from the chapel, glittered in the sunlight, and in the pure air every ornament on it could be clearly distinguished. The pain from the lash eased off, and Raskolnikov forgot about it; one uneasy and not quite definite idea now occupied him completely. He stood still, and gazed long and intently into the distance; this spot was especially familiar to him. When he was attending the university, he had hundreds of times—generally on his way home—stood still on this spot, gazed at this truly magnificent spectacle and almost always marveled at a vague and mysterious emotion it aroused in him. It left him strangely cold; for him, this gorgeous picture was blank and lifeless. He wondered every time at his somber and enigmatic impression and, mistrusting himself, put off finding an explanation for it. He vividly recalled those old doubts and perplexities, and it seemed to him that it was no mere chance that he recalled them now. It struck him as strange and grotesque that he should have stopped at the same spot as before, as though he actually imagined he could think the same thoughts, be interested in the same theories and pictures that had interested him . . . so short a time ago. He felt it almost amusing, and yet it wrung his heart. Deep down, hidden far away out of sight all that seemed to him now—all his old past, his old thoughts, his old problems and theories, his old impressions and that picture and himself and all, all . . . He felt as though he were flying upwards, and everything were vanishing from his sight. Making an unconscious movement with his hand, he suddenly became aware of the piece of money in his fist. He opened his hand, stared at the coin, and with a sweep his arm flung it into the water; then he turned and went home. It seemed to him, he had cut himself off from every one and from everything at that moment.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
He closed his hand on the twenty copecks, walked on for ten paces, and turned facing the Neva, looking towards the palace. The sky was without a cloud and the water was almost bright blue, which is so rare in the Neva. The cupola of the cathedral, which is seen at its best from the bridge about twenty paces from the chapel, glittered in the sunlight, and in the pure air every ornament on it could be clearly distinguished. The pain from the lash went off, and Raskolnikov forgot about it; one uneasy and not quite definite idea occupied him now completely. He stood still, and gazed long and intently into the distance; this spot was especially familiar to him. When he was attending the university, he had hundreds of times—generally on his way home—stood still on this spot, gazed at this truly magnificent spectacle and almost always marvelled at a vague and mysterious emotion it roused in him. It left him strangely cold; this gorgeous picture was for him blank and lifeless. He wondered every time at his sombre and enigmatic impression and, mistrusting himself, put off finding the explanation of it. He vividly recalled those old doubts and perplexities, and it seemed to him that it was no mere chance that he recalled them now. It struck him as strange and grotesque, that he should have stopped at the same spot as before, as though he actually imagined he could think the same thoughts, be interested in the same theories and pictures that had interested him… so short a time ago. He felt it almost amusing, and yet it wrung his heart. Deep down, hidden far away out of sight all that seemed to him now—all his old past, his old thoughts, his old problems and theories, his old impressions and that picture and himself and all, all…. He felt as though he were flying upwards, and everything were vanishing from his sight. Making an unconscious movement with his hand, he suddenly became aware of the piece of money in his fist. He opened his hand, stared at the coin, and with a sweep of his arm flung it into the water; then he turned and went home. It seemed to him, he had cut himself off from everyone and from everything at that moment.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.
”
”
William H. Gass (The Tunnel)
“
Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.
”
”
Stephen King (Rose Madder)
“
CUCHULAIN’S FIGHT WITH THE SEA
A MAN came slowly from the setting sun,
To Emer, raddling raiment in her dun,
And said, ‘I am that swineherd whom you bid
Go watch the road between the wood and tide,
But now I have no need to watch it more.’
Then Emer cast the web upon the floor,
And raising arms all raddled with the dye,
Parted her lips with a loud sudden cry.
That swineherd stared upon her face and said,
‘No man alive, no man among the dead,
Has won the gold his cars of battle bring.’
‘But if your master comes home triumphing
Why must you blench and shake from foot to crown?’
Thereon he shook the more and cast him down
Upon the web-heaped floor, and cried his word:
‘With him is one sweet-throated like a bird.’
‘You dare me to my face,’ and thereupon
She smote with raddled fist, and where her son
Herded the cattle came with stumbling feet,
And cried with angry voice, ’It is not meet
To idle life away, a common herd.’
‘I have long waited, mother, for that word:
But wherefore now?’
‘There is a man to die;
You have the heaviest arm under the sky.’
‘Whether under its daylight or its stars
My father stands amid his battle-cars.’
‘But you have grown to be the taller man.’
‘Yet somewhere under starlight or the sun
My father stands.’
‘Aged, worn out with wars
On foot, on horseback or in battle-cars.’
‘I only ask what way my journey lies,
For He who made you bitter made you wise.’
‘The Red Branch camp in a great company
Between wood’s rim and the horses of the sea.
Go there, and light a camp-fire at wood’s rim;
But tell your name and lineage to him
Whose blade compels, and wait till they have found
Some feasting man that the same oath has bound.’
Among those feasting men Cuchulain dwelt,
And his young sweetheart close beside him knelt,
Stared on the mournful wonder of his eyes,
Even as Spring upon the ancient skies,
And pondered on the glory of his days;
And all around the harp-string told his praise,
And Conchubar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, ‘Some man has made
His evening fire amid the leafy shade.
I have often heard him singing to and fro,
I have often heard the sweet sound of his bow.
Seek out what man he is.’
One went and came.
‘He bade me let all know he gives his name
At the sword-point, and waits till we have found
Some feasting man that the same oath has bound.’
Cuchulain cried, ‘I am the only man
Of all this host so bound from childhood on.
After short fighting in the leafy shade,
He spake to the young man, ’Is there no maid
Who loves you, no white arms to wrap you round,
Or do you long for the dim sleepy ground,
That you have come and dared me to my face?’
‘The dooms of men are in God’s hidden place,’
‘Your head a while seemed like a woman’s head
That I loved once.’
Again the fighting sped,
But now the war-rage in Cuchulain woke,
And through that new blade’s guard the old blade broke,
And pierced him.
‘Speak before your breath is done.’
‘Cuchulain I, mighty Cuchulain’s son.’
‘I put you from your pain. I can no more.’
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Conchubar sent that sweet-throated maid,
And she, to win him, his grey hair caressed;
In vain her arms, in vain her soft white breast.
Then Conchubar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus: ‘Cuchulain will dwell there and brood
For three days more in dreadful quietude,
And then arise, and raving slay us all.
Chaunt in his ear delusions magical,
That he may fight the horses of the sea.’
The Druids took them to their mystery,
And chaunted for three days.
Cuchulain stirred,
Stared on the horses of the sea, and heard
The cars of battle and his own name cried;
And fought with the invulnerable tide.
”
”
W.B. Yeats
“
Look out the window of the train: you’re moving, but you can’t remember leaving. Jagged brown crater dwellings run across the landscape, pipes with thick black smoke pouring out. Smoke overflowing, as the buildings themselves are caked with a sort of black tar.
Evening sun peeks over the horizon through rusted steel water towers and other ancient skeletons. Their frames stand fixed, albeit hunched forward, anchored in by the ankles in scrap iron dunes that stretch for miles with frigid desert rats scurrying through as giant shivering Scarabs hover in the sky: wired-in and vigilant, murmuring ancient mantras, overshadowing newer, but desperately cruel partisan inscriptions of code in the soot-stained brick facade.
Look at your superimposed reflection in the window across from your seat and envision subatomic particles acquiring sentience in the vacuum of an Accelerator. All wondering how it is they got there, who it is they presume to be.
Always wondering. Spiraling...really! Always spiraling at breakneck speeds through the vacuum—eternally in doubt. You are suddenly reminded of the words of that great Algorithmist painter, Carlotta Wakefield, 'Mediocre painters portray that which they understand. Fabulous painters: that which they Surmise...'
You wonder if that, too, applies to our constructions of reality, ersatz or otherwise.
(From the short story "Leapfrog")
”
”
Ashim Shanker (trenches parallax leapfrog)
“
Sunday, May 7, 1944
I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character!
Monday, May 22, 1944
...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews?
Thursday, May 25, 1944
The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next.
...We're going to be hungry, but nothing's worse than being caught.
Friday, May 26, 1944
...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces.
...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us?
...
...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror.
...
I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything.
Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished.
Tuesday, June 13, 1944
Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike.
It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage!
...Nature is the one thing for which there is no substitute.
”
”
Anne Frank (The Diary Of a Young Girl)
“
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said."
As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee.
Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'"
Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation.
From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together.
The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on."
And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist.
Mindy giggles as she replies, ”I guess so.”
After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles.
Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?”
“We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.”
Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering.
I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy.
Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.”
I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.”
Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle?
Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers.
“Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear.
I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.”
Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says.
Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.”
Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.”
“Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs.
“Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.”
Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
”
”
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
“
Eventually the term ended and I was on the windy mountain road to camp, still slightly worried that I’d made a wrong turn in life. My doubt, however, was short-lived. The camp delivered on its promise, concentrating all the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe."
She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit.
"My job is to minimize damage to anyone who is actually hurt."
"I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?"
Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell."
"I'd have to be a little bit crazy to deliberately fell."
"I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?"
"Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy."
"I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt."
There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life.
Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke.
"Oh,brother." She scrambled to her feet and dusted off her backside.
"Want me to do that for you?"
She paused and shot him a look guaranteed to freeze most men.
He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord."
"I know who you are."
"Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?"
"Not until the last bull rider has finished."
"Want to grab a bite to eat? When the last rider is done,of course."
"Sorry.I'll be heading home."
"Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors."
She looked him up and down. "I go home alone."
"Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening."
"You have a high opinion of yourself, McCord."
He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile."
Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun.
Because she didn't trust her voice, she merely turned on her heel and walked away from him.
It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh.
It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.
”
”
J.K. Rowling (Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies (Pottermore Presents, #1))