Skeleton King Quotes

A short story is a different thing altogether – a short story is like a quick kiss in the dark from a stranger.

Words, I think, are such unpredictable creatures. No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.

The Skeleton Chattering finch and water-fly Are not merrier than I; Here among the flowers I lie Laughing everlastingly. No: I may not tell the best; Surely, friends, I might have guessed Death was but the good King's jest, It was hid so carefully.

Of the Seven Deadly Sins, anger is possibly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back--in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you.

There are things of such darkness and horror—just, I suppose, as there are things of such great beauty—that they will not fit through the puny human doors of perception.

You know what talent is? The curse of expectation. As a kid you have to deal with that, beat it somehow. If you can write, you think God put you on earth to blow Shakespeare away. Or if you can paint, maybe you think--I did--that God put you on earth to blow your father away.

That rational voice was right to be frightened. There's something in us that is very much attracted to madness. Everyone who looks off the edge of a tall building has felt a faint, morbid urge to jump.

Grab onto my arm now. Hold tight. We are going into a number of dark places, but I think I know the way. Just don't let go of my arm. And if I should kiss you in the dark, it's no big deal; it's only because you are my love.

What I didn't realize was how many doors the act of writing unlocks, as if my Dad's old fountain pen wasn't really a pen at all, but some strange variety of skeleton key.

No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.

Even a zombie lurching through the night can seem pretty cheerful compared to the existential comedy/horror of the ozone layer dissolving under the combined assault of a million fluorocarbon spray cans of deodorant.

I have a real problem with bloat -- I write like fat ladies diet.

even the most well-adjusted person is holding on to his or her sanity by a greased rope.

You may wonder about long-term solutions. I assure you, there are none. All wounds are mortal. Take what's given. You sometimes get a little slack in the rope but the rope always has an end. So what? Bless the slack and don't waste your breath cursing the drop. A grateful heart knows that in the end we all swing.

And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it.

I know about skeletons. Once I went to a museum and saw dinosaur skeletons. They are like jigsaw puzzles for scientists.

I sometimes think about old tombs and weeds That interwreathe among the bones of kings With cold and poisonous berry and black flower: Or ruminate upon the skulls of steeds Frailer than shells and on those luminous wings - The shoulder blades of Princes of fled power, Which now the unrecorded sandstorms grind Into so wraith-like a translucency Of tissue-thin and aqueous bone - A Reverie of Bone

Instinct's the iron skeleton under all our ideas of free will.

I believe instinct's the iron skeleton under all our ideas of free will. Unless you're willing to take the pipe or eat the gun or take a long walk off a short dock, you can't say no to some things. You can't refuse to pick up your option because there is no option.

Of the seven deadly sins, anger is possbly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back--in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you.

[...] what's the use of lying down to die as long as we can stand up and walk.

I could tell you that dying's an art / and I am learning fast.

She turns her back to us, starting up the stairs slowly, her legs shaking with every step. I think she forgot to put her skeleton in, says Margot.

But women were complicated, subtle, and so much stronger than men always wanted to give them credit. They could swallow hurt whole and let it eat them from the inside out in a way none of his brothers ever could. And when they fought, their claws were sharper.

All the same, you don’t do it for money, or you’re a monkey. You don’t think of the bottom line, or you’re a monkey. You don’t think of it in terms of hourly wage, yearly wage, even lifetime wage, or you’re a monkey. In the end you don’t even do it for love, although it would be nice to think so. You do it because to not do it is suicide.

... the subconscious leaves its fingerprints, but there's a stranger down there, too. A hell of a weird guy who knows a hell of a lot. (Ballad of the Flexible Bullet)

There’s something powerful about knowing the shortest way, even if you take the longer way because you know your mother-in-law is sitting home.

‪'Do you love?' This question had begun to plague her, and she did not even know what it meant.

I am Skeleton King. Gravedigger, taxidermist, and necrophiliac. The industry of decay is my kingdom, cemeteries my solace. I’m a nightmare merchant that thrives in the darkness. I belong in the cold, not with her light and warmth. Her beauty would only deteriorate in my presence.

As Lily Cavenaugh says in The Talisman (and it was Peter Straub's line, not mine), "You can never be too thin or too rich." And if you don't believe it, you were never really fat or really poor.

Leaving for the night, it came to me. What I should have told her. Life goes on - that's what I should have said. That's what you say to people when a loved one dies. But, thinking it over, I was glad I didn't. Because maybe that's what she was afraid of.

Words, I think, are such unpredictable creatures. No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.

I kept telling myself: Cold roast beef. Cold roast beef. Cold roast beef.

‪Yes, I love; I have loved, anyway, or at least tried to love, but memory is so wide and so deep, and I cannot cross.

I want to fuck you, trust that. And it would be very, very good for you. But I won’t try to trick you into it. You’ll have to say you want it.” Oh

Garish could see Rollins lying dead in a ditch with maggots in his eyes. Rollins wouldn't care. Neither would the maggots. You either ate the world or the world ate you and it was okay either way.

There seems to be an audience that demands everything be explained to them that everything be easy. And I don t think that s doing us any good as a culture. The ease with which we can accomplish or conjure any possible imaginable scenario through CGI is almost directly proportionate to how uninterested we re becoming in all of this. I can remember Ray Harryhausen s animated skeletons in Jason and the Argonauts. I can remember Willis O Brien s King Kong. I can remember being awed at the artistry that had made those things possible. Yes I knew how it was done. But it looked so wonderful. These days I can see half a million Orcs coming over a hill and I am bored. I am not impressed at all. Because frankly I could have gotten someone a passerby on the street who could have gotten the same effect if you d given them half a million dollars to do it. It removes artistry and imagination and places money in the driver s seat and I think it s a pretty straight equation—that there is an inverse relationship between money and imagination.

Hamet, Seid, and Abdallah were stung by the irony that on the wild desert, where people had virtually nothing, they shared freely, but here, where resources were comparatively abundant, no one would offer them so much as a drink.

You’ll have to excuse my daughter, King Ula. When she hears an asshole blabbering drivel from his fool mouth, she tends to not beat around the bush. I have tried many times to teach her to be respectful to those who are weaker of mind than she, but she does not listen. I haven’t a clue where she picked up the trait.

One man may shoot himself in the forehead with a .38 and wake up in the hospital. Another may shoot himself in the forehead with a .22 and wake up in hell...if there is such a place. I tend to believe it's here on earth, possibly in New Jersey.

It's instinct, babe . . . and I guess I believe instinct's the iron skeleton under all our ideas of free will.

The horrors of the Inquisition are nothing compared to the fates your mind can imagine for your loved ones. I grabbed them both hard and jerked them away.

Do you love?

Sofort überkam mich der allmächtige, rechtschaffene Zorn, den nur ein betrunkener Student empfinden kann.

What I didn’t realize was how many doors the act of writing unlocks, as if my Dad’s old fountain pen wasn’t really a pen at all, but some strange variety of skeleton key.

Yes, she told me about how you defeated a great, big slime monster?” I gave her a half smile. “Oh…” “And how you fought with a powerful skeleton warlord?” “Ah, the Skeleton King…” “And how you’ve built a wall around this village to protect it?” “Well, actually, Tommy is building it now.” “You’re quite helpful, aren’t you?” I smiled. “Well, I try…” Cindy giggled a bit and Lisa laughed.

It's Halloween! It's Halloween! The moon is full and bright and we shall see that can't be seen on any other night skeletons and ghosts and ghouls, grinning goblins fighting duels, werewolves rising from their tombs, witches on their magic brooms. In masks and gowns we haunt the street and knock on doors for trick or treat. tonight we are the king and queen, for oh tonight it's Halloween!

I sit on the bench in front of Bell's Market and think about Homer Buckland and about the beautiful girl who leaned over to open his door when he come down that path with the full red gasoline can in his right hand - she looked like a girl of no more than sixteen, a girl on her learner's permit, and her beauty was terrible, but I believe it would no longer kill the man it turned itself on; for a moment her eyes lit on me, I was not killed, although a part of me died at her feet." (from the short story Mrs. Todd's Shortcut)

I didn't see anybody I knew and I began to feel lonely, but pleasantly so. I was at that stage of the evening where you fantasize that everyone is looking at you, the romantic stranger, out of the corners of their eyes.

That’s a very long story that doesn’t need telling to a woman I’m trying to impress.”               She felt her face grow warm. “There’s not a lot that impresses me.”               “Give it a bit. I expect that’ll change.”   ~*~

It feels like a fairy tale from one of those happily-ever-after books where the princess storms the castle, slays a goblin-dragon, and takes over the kingdom for herself. Except I am not golden-haired or fine-boned. I have no bones at all. I am a rag doll who married a skeleton king. A rag doll who woke from the impossible daydream and found herself in her own heroine story--a tale whose ending hasn't yet been written; but instead, is only just the beginning.

I turned Skel and asked for more speed as we raced across the land of Faerie toward Goblin Town, a passed-out fae king against my back, an ousted goblin riding in front, and a skeleton’s finger bone tucked between my boobs. How could anything possibly go wrong?

At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned King with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy.

He proved, back in 1923, that a man couldn't run a mile in under four minutes. He proved that. But people do it all the time, and do you know what that means? It means that no blue ribbon is forever. Someday—if the world doesn't explode itself in the meantime—someone will run a two-minute mile in the Olympics. It may take a hundred years or a thousand, but it will happen. Because there is no ultimate blue ribbon. There is zero, and there is eternity, and there is mortality, but there is no ultimate.

Aidan and Carter had shown up about fifteen minutes ago with a pressure washer, lots of detergent, and a bad case of being mentally twelve.

Figure there’s not too many British bikers around here named Kingston Walsh.”               “You

They rode into the unknown, death as their only guide.

communicate

The coins had weighed out at an average of 4.5 ounces each on his postal scale.

But women were complicated, subtle, and so much stronger than men always wanted to give them credit.

and I guess I believe instinct’s the iron skeleton under all our ideas of free will.

Randy screamed. He screamed. And then, for variety, he screamed some more.

Jim and Myron LaFleur, with the entire beer cooler and wine rack at their disposal, were abysmally shitfaced.

of it in terms of hourly wage, yearly wage, even lifetime wage, or you’re

Ewe! Are you guys doin’ it?

And if people are frightened badly enough for long enough, they'll turn to anyone that promises a solution.

I would do anything - take any chances - just to see the sun again.

Terror is the widening of perspective and perception.

even the most well-adjusted person is holding on to his or her sanity by a greased rope. I really believe that. The rationality circuits are shoddily built into the human animal.

It’s not good for a man to be alone, you know. I think that, even for the most self-sufficient of men, being isolated from the flow of humanity must be the worst form of torture!

Candles are funny things, you know. You lay them by every spring, knowing that a summer storm may knock out the power. And when the time comes, they hide.

Es verschafft einem ein Machtgefühl, den kürzesten Weg zu kennen, selbst wenn man dann den weitesten fährt, weil man weiß, dass daheim die Schwiegermutter sitzt.

Es gibt nämlich keine endgültige Goldmedaille. Es gibt den Nullpunkt und die Ewigkeit, und es gibt die Sterblichkeit, aber es gibt nichts Endgültiges.

Ich konnte nicht damit umgehen, deshalb ließ ich es in Ruhe, wie man das als Mann so macht, wenn man weiß, dass die Sonne sowieso aufgehen wird.

Sie hatte Haare, bei denen ein Mann unwillkürlich denkt, wie sie auf einem Kopfkissen aussehen würden.

Er legte mir den Arm um den Hals, was für Männer die einzige Möglichkeit ist, Zuneigung zu zeigen – weil die Welt sie ja nur Frauen küssen lässt –, und lachte und stand auf.

These are things made for thinking on slowly, ... Things to be thought on at length, while the hands do their work and the coffee sits in a solid china mug nearby. Do the Dead Sing

He told me that Li-Tsu had played one of his jokes four months ago and that his wife had been blown up when she turned on the ignition of her Opel. Since then there had been no more jokes.

She gazed around at all of us. “Prepare to meet your God!” “Prepare to meet shit,” Myron LaFleur said in a drunken snarl from the beer cooler. “Old woman, I believe your tongue must be hung in the middle so it can run on both ends.

You, my dear ... have been wondering why she stuck with him. Although you haven't said as much, it's been on your mind. Am I right?' She nodded. 'Yes. And I'm not going to offer a long motivational thesis - the convenient thing about stories that are true is that you need only say this is what happened and let people worry for themselves about why. Generally, nobody ever knows why things happen anyway ... particularly the ones who say they do. (Ballad of the Flexible Bullet)

Spleen Je suis comme le roi d'un pays pluvieux, Riche, mais impuissant, jeune et pourtant très vieux, Qui, de ses précepteurs méprisant les courbettes, S'ennuie avec ses chiens comme avec d'autres bêtes. Rien ne peut l'égayer, ni gibier, ni faucon, Ni son peuple mourant en face du balcon. Du bouffon favori la grotesque ballade Ne distrait plus le front de ce cruel malade; Son lit fleurdelisé se transforme en tombeau, Et les dames d'atour, pour qui tout prince est beau, Ne savent plus trouver d'impudique toilette Pour tirer un souris de ce jeune squelette. Le savant qui lui fait de l'or n'a jamais pu De son être extirper l'élément corrompu, Et dans ces bains de sang qui des Romains nous viennent, Et dont sur leurs vieux jours les puissants se souviennent, II n'a su réchauffer ce cadavre hébété Où coule au lieu de sang l'eau verte du Léthé // I'm like the king of a rain-country, rich but sterile, young but with an old wolf's itch, one who escapes his tutor's monologues, and kills the day in boredom with his dogs; nothing cheers him, darts, tennis, falconry, his people dying by the balcony; the bawdry of the pet hermaphrodite no longer gets him through a single night; his bed of fleur-de-lys becomes a tomb; even the ladies of the court, for whom all kings are beautiful, cannot put on shameful enough dresses for this skeleton; the scholar who makes his gold cannot invent washes to cleanse the poisoned element; even in baths of blood, Rome's legacy, our tyrants' solace in senility, he cannot warm up his shot corpse, whose food is syrup-green Lethean ooze, not blood. — Robert Lowell, from Marthiel & Jackson Matthews, eds., The Flowers of Evil (NY: New Directions, 1963)

The couple had been parking out here and were found in the boyfriend’s 1959 Mercury.The Merc had real leather seats and a large chrome hood ornament.The occupants had been found in the back seat.Also in the front seat, the trunk, and the glove compartment.

Then she laughed, kind of soft, and she gave me a kiss. That was the best kiss I ever had in my whole life. It was just on the cheek, and it was the chaste kiss of a married woman, but it was as ripe as a peach, or like those flowers that open in the dark, and when her lips touched my skin I felt like...I don't know exactly what I felt like, because a man can't easily hold on to those things that happened to him with a girl who was ripe when the world was young or how those things felt...Those things all get a red cast to them in your memory and you cannot see through it at all.

Riley had no doubt that an "immediate and merciful act of the Almighty" had saved them from the surf at Bojador. According to him, all of his men believed this too. Later, when a friend advised him to play down this conviction, because skeptics would use it to discredit the rest of his account of the voyage, Riley refused.

There were no thunderstorms on the night it came (his) turn to walk the Green Mile. It was seasonably cold for those parts at that time of year, in the thirties, I'd guess, and a million stars spilled across used up, picked out fields where frost glittered on fenceposts and glowed like diamonds on the dry skeletons of July's corn.

Writing short stories hasn’t gotten easier for me over the years; it’s gotten harder. The time to do them has shrunk, for one thing. They keep wanting to bloat, for another (I have a real problem with bloat—I write like fat ladies diet). And it seems harder to find the voice for these tales—all too often the I-Guy just floats away.

Sapete cos'è il talento? La dannazione dell'aspettativa. Da ragazzo vi occorre affrontarla questa cosa, batterla in qualche modo. Se sapete scrivere, pensate che Dio vi abbia messo sulla terra per spazzar via Shakespeare. Se sapete disegnare, forse pensate - io lo pensavo - che Dio vi abbia messo sulla terra per spazzar via vostro padre.

On the nights after Lona and Hal had gone back with their parents to the mainland in Al Curry’s boat, the children standing astern and waving good-bye, Alden considered that question, and others, and the matter of his father’s cap. Do the dead sing? Do they love? On those long nights alone, with his mother Stella Flanders at long last in her grave, it often seemed to Alden that they did both.

And that night he dreamed of the monkey again, one of its cymbals striking the Philco radio as it babbled out Dean Martin singing Whenna da moon hitta you eye like a big pizza pie ats-a moray, the radio tumbling into the bathtub as the monkey grinned and beat its cymbals together with a JANG and a JANG and a JANG; only it wasn’t the Italian rag-man who was in the tub when the water turned electric. It was him. •

They stood in a circle in the storm, the dead of Goat Island, and the wind screamed around them, driving its packet of snow, and some kind of song burst from her. It went up into the wind and the wind carried it away. They all sang them, as children will sing in their high, sweet voices as a summer evening draws down to a summer night. They sang, and Stella felt herself going to them and with them, finally across the Reach.

1:52-53 THE NIGHT VIGIL Darkness has been given a nightshirt to sleep in (25:47). Remember how human beings were composed from water and dust for blood and flesh with oily resins heated in fire to make a skeleton. Then the soul, the divine light, was breathed into human shapes. The work now is to help our bodies become pure light. It may look like this is not happening. But in a cocoon every bit of worm-dissolving slime becomes silk. As we take in light, each part of us turns to silk. We made the night a darkness, but we bring shining dawnlight out of that. In the same way the mound of your grave will bloom with resurrection. Sufis and those on the path of the heart use darkness to go within. During the night vigil the universe is theirs (40:16). With all the kings and sultans and their learned counselors asleep, everyone is unemployed, except those wakeful few and the divine presence.

When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.

Though all the Protestant denominations have historically condemned the veneration of holy objects (relics) and their use in healing, the Catholic church - until recently - preferred to depend entirely upon the magical qualities attributed to the possessions or actual physical parts of various saints and biblical characters for healing. The Vatican not only permitted but encouraged this practice, which entered history in the third century. Catholic churches and private collections still overflow with hundreds of thousands of items. Included are pieces of the True Cross (enough to build a few log cabins), bones of the children slain by King Herod, the toenails and bones of St. Peter, the bones of the Three Wise Kings and of St. Stephen (as well as his complete corpse, including another complete skeleton!), jars of the Virgin Mary’s milk, the bones and several entire heads and pieces thereof that were allegedly once atop John the Baptist, 16 foreskins of Christ, Mary Magdalene’s entire skeleton (with two right feet), scraps of bread and fish left over from feeding the 5,000, a crust of bread from the Last Supper, and a hair from Christ’s beard - not to mention a few shrouds, including the one at Turin.

In the end, it was such a simple, small thing. He had felt flashes of it before in his life, the absolute certainty. But the truth was that he'd kept walking away from it. It was a far more terrifying idea to imagine how much control he really had over how his life turned out. Easier to believe that he was a gallant ship tossed by fate than to captain it himself. He would steer it now, and if there were rocks near shore, so be it. "Tell me where Owen Glendower is," he said to the darkness. Crisp and sure, with the same power he had used to command Noah, to command the skeletons in the cave. "Show me where the Raven King is.

Whoa, whoa, calm down, everyone!” I said. “Lemme try to talk to them and see what’s up?” “What’s up? Don’t you see what’s up?” said Devlin. “They’re about to fire on us!” “But they haven’t yet. Just chill and let me salvage this.” I stepped out in front of Devlin’s shield. “I said do not take one step further!” yelled the announcer. “Hey, hey, remember me?” I said. “It’s Steve.” “You! What’s the meaning of this?!” “Of what?” “This army! Why did you bring an army to our doorstep?!” yelled the announcer. “Uh, I’m here on business. Is the Skeleton King in? Can I speak to him?” I asked. “I speak for our king! Now tell me what’s the meaning of this army?! Is it war you want?!” “What?! No, no, not at all! I’m telling you, we’re here on business!” “What kind of business?! The hostile takeover business?!” “No, no, you got it all wrong!” “We were kind to your people. We took you in and this is how you repay us? With a hostile takeover?!” “No! I’m serious! We’re not here to overthrow you!” “Why else would you bring such a huge army?!” “They’re here for another fight!” “Yeah, right! You mean the fight that’s going to start right after we let you past our walls?!” “What?! No!” Then the announcer turned around and said, “Bring out the golem!” “The golem? Is he talking about Bob?” I said to Devlin. “Probably,” replied the paladin. Then Alex came up to me. “Steve, you need to deescalate this situation quickly before it gets out of hand.” I nodded. “You’re right, yeah.” Some skeleton guards brought out Bob to the front of the wall. He was all chained up. “Bob!” I yelled at the sight of my friend in bindings. “Steve! What’s going on?!” said Bob. “They think we’re here to fight them,” I said. “Now tell us the truth or we’ll beat this golem!” said the announcer. Bob chuckled. “Beat me? It’s not like you guys could hurt me.” “Bob, be quiet!” I yelled. “You’re not helping. Just let me deal with them.” “Quit your stalling and start explaining!” yelled the announcer.  “Dude! We’re not here to fight. We’re not here to take over your home. I’m telling you the truth! This is a huge misunderstanding,” I explained.  “Bring out the girl!” yelled the announcer. “The girl? Is he talking about Emily?” I said softly. “She’ll make him speak the truth!” Some skeleton guards dragged out Emily. She was kicking and screaming all over the place. Her arms were also tied behind her back like Bob’s. “Unhand me, you stupid skeletons!” yelled Emily. “Emily!” I yelled. “Steve!” “Let her go!” “Tell me the truth, or else she’s going to get it!” yelled the announcer as he drew out a stone sword and pointed it at Emily’s throat.

She pictures herself in early 1939, aged nine, standing in front of the astronomical clock in Prague’s Old Town Hall square. She’s sneaking a peek at the old skeleton. It keeps watch over the rooftops of the city with huge empty eye sockets. They’d told them at school that the clock was a piece of mechanical ingenuity, invented by Maestro Hanuš more than five hundred years ago. But Dita’s grandmothers told her a darker story. The king ordered Hanuš to construct a clock with figures, automatons that paraded on the stroke of every hour. When it was completed, the king ordered his bailiffs to blind the clockmaker so that he could never make another wonder like it. But the clockmaker took revenge, putting his hand into the mechanism to disable it. The cogs shredded his hand, the mechanism jammed, and the clock was broken, unfixable for years. Sometimes Dita had nightmares about that amputated hand snaking its way around the serrated wheels of the mechanism. Dita,

Jesus contrasts who blesses and curses. The sheep are blessed “by my Father.” We might assume, then, that the goats are inversely cursed by the Father; but no such thing is said. Jesus simply says they are cursed. Like the rich man clutching his greed in the rubble of his riches while heaven calls him “son.” Like the wedding crasher refusing wedding clothes while the King calls him “friend.” Like the older brother weeping and gnashing his teeth in the backyard while the Father invites him inside to join the prodigal’s party. God blesses; we curse. The Father is good; we want to be left alone. The Light shines brightly; we prefer darkness. Ultimately, we are judged not for our failure to successfully wrap our hands around God’s arm, but rather for our stubborn refusal to be grasped by him, our incessant prying of his fingers from our recalcitrant hearts. God redeems his world; our destructive power is cast outside. God’s kingdom is established; the wildfire is banished. God brings an end to the bondage of creation.

Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

We went away, leaving Dan sitting on the door-sill reading his book, and Jimmy P. snoozing blissfully on the sofa. When we returned—Felix and the girls and I were ahead of the others—Dan was still sitting in precisely the same place and attitude; but there was no Jimmy in sight. "Dan, where's the baby?" cried Felicity. Dan looked around. His jaw fell in blank amazement. I never say any one look as foolish as Dan at that moment. "Good gracious, I don't know," he said helplessly. "You've been so deep in that wretched book that he's got out, and dear knows where he is," cried Felicity distractedly. "I wasn't," cried Dan. "He MUST be in the house. I've been sitting right across the door ever since you left, and he couldn't have got out unless he crawled right over me. He must be in the house." "He isn't in the kitchen," said Felicity rushing about wildly, "and he couldn't get into the other part of the house, for I shut the hall door tight, and no baby could open it—and it's shut tight yet. So are all the windows. He MUST have gone out of that door, Dan King, and it's your fault." "He DIDN'T go out of this door," reiterated Dan stubbornly. "I know that." "Well, where is he, then? He isn't here. Did he melt into air?" demanded Felicity. "Oh, come and look for him, all of you. Don't stand round like ninnies. We MUST find him before his mother gets here. Dan King, you're an idiot!" Dan was too frightened to resent this, at the time. However and wherever Jimmy had gone, he WAS gone, so much was certain. We tore about the house and yard like maniacs; we looked into every likely and unlikely place. But Jimmy we could not find, anymore than if he had indeed melted into air. Mrs. Patterson came, and we had not found him. Things were getting serious. Uncle Roger and Peter were summoned from the field. Mrs. Patterson became hysterical, and was taken into the spare room with such remedies as could be suggested. Everybody blamed poor Dan. Cecily asked him what he would feel like if Jimmy was never, never found. The Story Girl had a gruesome recollection of some baby at Markdale who had wandered away like that— "And they never found him till the next spring, and all they found was—HIS SKELETON, with the grass growing through it," she whispered. "This beats me," said Uncle Roger, when a fruitless hour had elapsed. "I do hope that baby hasn't wandered down to the swamp. It seems impossible he could walk so far; but I must go and see. Felicity, hand me my high boots out from under the sofa, there's a girl." Felicity, pale and tearful, dropped on her knees and lifted the cretonne frill of the sofa. There, his head pillowed hardly on Uncle Roger's boots, lay Jimmy Patterson, still sound asleep!

The Agricultural Revolution was history’s biggest fraud.2 Who was responsible? Neither kings, nor priests, nor merchants. The culprits were a handful of plant species, including wheat, rice and potatoes. These plants domesticated Homo sapiens, rather than vice versa. Think for a moment about the Agricultural Revolution from the viewpoint of wheat. Ten thousand years ago wheat was just a wild grass, one of many, confined to a small range in the Middle East. Suddenly, within just a few short millennia, it was growing all over the world. According to the basic evolutionary criteria of survival and reproduction, wheat has become one of the most successful plants in the history of the earth. In areas such as the Great Plains of North America, where not a single wheat stalk grew 10,000 years ago, you can today walk for hundreds upon hundreds of kilometres without encountering any other plant. Worldwide, wheat covers about 2.25 million square kilometres of the globe’s surface, almost ten times the size of Britain. How did this grass turn from insignificant to ubiquitous? Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew. The body of Homo sapiens had not evolved for such tasks. It was adapted to climbing apple trees and running after gazelles, not to clearing rocks and carrying water buckets. Human spines, knees, necks and arches paid the price. Studies of ancient skeletons indicate that the transition to agriculture brought about a plethora of ailments, such as slipped discs, arthritis and hernias. Moreover, the new agricultural tasks demanded so much time that people were forced to settle permanently next to their wheat fields. This completely changed their way of life. We did not domesticate wheat. It domesticated us. The word ‘domesticate’ comes from the Latin ‘domus’, which means ‘house’. Who’s the one living in a house? Not the wheat. It’s the Sapiens.