Skeletal Quotes

Good. So you may be dense, but you’re not an idiot.’ ‘How can you even talk to me like that? Don’t you know I can summon zombies and skeletons and –’ ‘Right now you couldn’t summon a wishbone without melting into a puddle of darkness, di Angelo,’ Will said. ‘I told you, no more Underworldy stuff, doctor’s orders. You owe me at least three days of rest in the infirmary. Starting now.’ Nico felt like a hundred skeletal butterflies were resurrecting in his stomach. ‘Three days? I – I suppose that would be okay.

Death strode away, stopped, and came back. He pointed a skeletal finger at The Duck Man. WHY, he said, ARE YOU WALKING AROUND WITH THAT DUCK? "What duck?" AH. SORRY.

There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.

She was every inch the skeletal goddess that had been promised by the bones of her feet.

I'd heard that if you saw a Reaper, you saw what you expected to see, what you thought the agents of Death would look like. Personally, I wanted to see little, fuzzy pink bunnies, but apparently my subconscious visualized tall, scary, and skeletal. My subconscious and I needed to have a long talk.

I can kill with a single word. I can hurl a ball of fire into the midst of my enemies. I rule a squadron of skeletal warriors, who can destroy by touch alone. I can raise a wall of ice to protect those I serve. The invisible is discernible to my eyes. Ordinary magic spells crumble in my presence... But I bow in the presence of a master. -- Lord Soth to Raistlin Majere

When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in the warm clear ocean that India, moving north, blanked out. Possibly as much as twenty thousand feet below the seafloor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat I had to restrict all this writing to one sentence, this is the one I would choose: The summit of Mt. Everest is marine limestone.

The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hand, a list of newly charged with addresses.

To kiss her there was to intrude into something private and skeletal, like a turtle’s shoulder.

The boy’s skeletal frame was now all that remained of him, and through his flesh could be seen the steady beat of his indomitable heart.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

There is simply no other exercise, and certainly no machine, that produces the level of central nervous system activity, improved balance and coordination, skeletal loading and bone density enhancement, muscular stimulation and growth, connective tissue stress and strength, psychological demand and toughness, and overall systemic conditioning than the correctly performed full squat.

Look on the bright side, suicide Lost eyesight I'm on your side Angel left wing, right wing, broken wing Lack of iron and/or sleeping Protector of the kennel Ecto-plasma, Ecto-skeletal Obituary birthday Your scent is still here in my place of recovery!" ~

Karsa reached down, gathered the skeletal figure into his arms, and then settled back. ‘I stepped over corpses on the way here,’ the Toblakai said. ‘People no one cared about, dying alone. In my barbaric village this would never happen, but here in this city, this civilized jewel, it happens all the time. (...) What is your name?’ ‘Munug.’ ‘Munug. This night – before I must rise and walk into the temple – I am a village. And you are here, in my arms. You will not die uncared for.’ ‘You – you would do this for me? A stranger?’ ‘In my village no one is a stranger – and this is what civilization has turned its back on. One day, Munug, I will make a world of villages, and the age of cities will be over. And slavery will be dead, and there shall be no chains – tell your god. Tonight, I am his knight.’ Munug’s shivering was fading. The old man smiled. ‘He knows.’ It wasn’t too much, to take a frail figure into one’s arms for those last moments of life. Better than a cot, or even a bed in a room filled with loved ones. Better, too, than an empty street in the cold rain. To die in someone’s arms – could there be anything more forgiving? Every savage barbarian in the world knew the truth of this.

After she has gone back to sleep, after Etienne has blown out his candle, he kneels for a long time beside his bed. The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hands, a list newly charged with addresses. Gazing first at the crew of officers unloading from their limousines into the chateau. Then at the flowing rooms of the perfumer Claude Levitte. Then at the dark tall house of Etienne LeBlanc. Pass us by, Horseman. Pass this house by.

But the wind does not stop for my thoughts. It whips across the flooded gravel pits drumming up waves on their waters that glint hard and metallic in the night, over the shingle, rustling the dead gorse and skeletal bugloss, running in rivulets through the parched grass - while I sit here in the dark holding a candle that throws my divided shadow across the room and gathers my thoughts to the flame like moths. I have not moved for many hours. Years, a lifetime, eddy past: one, two, three: into the early hours, the clock chimes. The wind is singing now

I frowned, gaping at the blond in disbelief. “You’re the grim reaper?” Tod glanced at me for the first time, his frown practically etched into place. “You were expecting someone older? Taller? Maybe kind of gaunt and skeletal?”Contempt dripped from his words like acid.

We are graced with a godlike ability to transcend time and space in our minds but are chained to death.

Death’s pale horse looked up from its oats and gave a little whinny of greeting. The horse’s name was Binky. He was a real horse. Death had tried fiery steeds and skeletal horses in the past, and found them impractical, especially the fiery ones, which tended to set light to their own bedding and stand in the middle of it looking embarrassed.

At each corner, you expect to turn and see the withered, skeletal remains of some poor researcher who got lost in the stacks and never found his way out.

I am the kind of tired that makes your bones feel skeletal and clacky. I am the kind of tired that is cement in your shoes, X-ray vest on your chest, bricks tied to your wrists.

The postures are only the "skin" of yoga. Hidden behind them are the "flesh and blood" of breath control and mental techniques that are still more difficult to learn, as well as moral practices that require a lifetime of consistent application and that correspond to the skeletal structure of the body. The higher practices of concentration, meditation and unitive ecstasy(samadhi) are analogous to the circulatory and nervous system." Georg Feuerstein The Deeper Dimension of Yoga

As the boy collapsed, Phobia withdrew the blade, sending blood splattering across the stands. He took hold of the helmet with one skeletal hand and lifted it off the boy’s head. Callum Treadwell. Wonder. “One cannot be awed who has no soul,” Phobia said, and it seemed almost as though there were humor in his brittle voice. “Just as one cannot be brave who has no fear.

Doors vurst open all along the walls, and skeletal warriors marched in, hundreds of them, from every time period and nation in Western civilization. They lined the perimeter of the room, blocking the exits. Hades bellowed, "Do you think I want war godling?" I wanted to say, 'Well, these guys don't look like peace activists'. But I thought that might be a dangerous answer.

I drove on, and between the north and southbound lanes a construction crew worked under daylight-bright industrial lamps. I saw them through a gauzy fog of dust and strong light...they wore blood-red vests and hardhats and massive goggles, and as the road sank I saw that the workers were bone thin, with skeletal jaws and long teeth. They labored on platforms over gaping holes in the earth, and among the men, piled atop rickety pallets, lolled babies, piles of them, in ashy cerements. I could not tell whether the crew was excavating or burying them.

Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.

Sometimes I look up in spite of myself and see that the hospital wall, painted in soothing pastel yellow, has been replaced with gray stones held together by ancient mortar and covered with ivy. The ivy is dead, and the branches look like skeletal hands. The small door in the wall is hidden, Astrid was right about that, but it’s there. The voice comes from behind it, drifting through an ancient rusty keyhole.

My earliest poems appear almost skeletal to me now - it seems I've learned to add meat, muscle and a nice suit of clothes.

I wasn’t sure my skeletal system had found a way of walking freely in the Societal System

Skeletal remains show that plant-fed humans were a head shorter than meat-eating hunters, prone to anemia, infectious diseases, rotten teeth, and bone disorders.

In a bravura demonstration of stonewalling, righteousness, and hurt sincerity, Steve Jobs successfully took to the stage the other day to deny the problem, dismiss the criticism, and spread the blame among other smartphone makers,” Michael Wolff of newser.com wrote. “This is a level of modern marketing, corporate spin, and crisis management about which you can only ask with stupefied incredulity and awe: How do they get away with it? Or, more accurately, how does he get away with it?” Wolff attributed it to Jobs’s mesmerizing effect as “the last charismatic individual.” Other CEOs would be offering abject apologies and swallowing massive recalls, but Jobs didn’t have to. “The grim, skeletal appearance, the absolutism, the ecclesiastical bearing, the sense of his relationship with the sacred, really works, and, in this instance, allows him the privilege of magisterially deciding what is meaningful and what is trivial.

The imprint left on her mind by the long famished body that had seemed in the darkness to consist of nothing by sharp crags and angles, the memory of its painfully-defined almost skeletal ribcage, a pattern of ridges like a washboard, was fading as rapidly as any other transient impression on a soft surface.

Mothman flew away from town, like a giant bat, and then disappeared from sight behind a thicket of skeletal autumn trees.

Heat and dryness frightens me, like skeletal shapes of war, two of them look doomed and challenge the peace blazing.

Death wrapped Hartvigsen tightly in its skeletal wings, causing the woodsman's mouth to open with an eruptive gasp.

The myosin in our own skeletal muscles is more closely related to the myosin driving the flight muscles of that irritating housefly buzzing around your head than it is to the myosin in the muscles of your own sphincters

It was a morning of gruesome cold — minus 30 degrees Celsius (minus 22 degrees Fahrenheit) says Stern. Even the exact Biberstein says that it was at least minus 20 degrees (minus 4 degrees Fahrenheit). Poldek Pfefferberg was summoned from his bunk, fetched his welding gear, and went out to the snowy siding to cut open the doors iced hard as iron. He too heard the unearthly complaints from within. It is hard to describe what they saw when the doors were at last opened. In each car, a pyramid of frozen corpses, their limbs madly contorted, occupied the centre of the floor. The hundred or more still living stank awesomely, were seared black by the cold, were skeletal. Not one of them would be found to weigh more than 34 kilos.

We need individual stories. Without individuals we see only numbers: a thousand dead, a hundred thousand dead, ‘casualties may rise to a million’. With individual stories, the statistics become people – but even then that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child. And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad of squirming children?

We were feeling something they never had—a physical link into the world of the fictional—through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real.

The Himalayas are the crowning achievement of the Indo-Australian plate. India in the Oligocene crashed head on into Tibet, hit so hard that it not only folded and buckled the plate boundaries but also plowed into the newly created Tibetan plateau and drove the Himalayas five and a half miles into the sky. The mountains are in some trouble. India has not stopped pushing them, and they are still going up. Their height and volume are already so great they are beginning to melt in their own self-generated radioactive heat. When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in a warm clear ocean that India, moving north, blanked out. Possibly as much as 20,000 feet below the sea floor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat, I had to restrict all this writing to one sentence; this is the one I would choose: the summit of Mount Everest is marine limestone.

Bill, it looked as though the thing it was riding…I thought it was a proper horse, just very skinny, but…” IT’S A SKELETAL STEED. IMPRESSIVE BUT IMPRACTICAL. I HAD ONE ONCE BUT THE HEAD FELL OFF. “A bit like flogging a dead horse, I should think.” H

Of whatever class or nation, however, all successful participants in the repetitive and unrelenting stress of aerial fighting came eventually to display its characteristic physiognomy: skeletal hands, sharpened noses, tight-drawn cheek bones, the bared teeth of a rictus smile and the fixed, narrowed gaze of men in a state of controlled fear.

The premise of Ezequiel Morsella’s PRISM model7,8 is that consciousness originally evolved for the delightfully mundane purpose of mediating conflicting motor commands to the skeletal muscles. (I have to point out that exactly the same sort of conflict—the impulse to withdraw one’s hand from a painful stimulus, versus the knowledge that you’ll die if you act on that impulse—was exactly how the Bene Gesserit assessed whether Paul Atreides qualified as “Human” during their gom jabbar test in Frank Herbert’s Dune.)

They had applied their doubts to the very head that had introduced doubt as a tool for advancing knowledge. And in the end they gave the head a nod.

Cloying tendrils of mist searched the city like skeletal fingers reaching deep into crevices, hoping to capture the elusive prey needed to satisfy gnawing hunger...

I sensed more than recognized the sound of those skeletal knuckles on the door. I was too young for it to be Death, so it had to be his mother.

Bones, Catelyn thought. This is not Ned, this is not the man I loved, the father of my children. His hands were clasped together over his chest, skeletal fingers curled about the hilt of some longsword, but they were not Ned’s hands, so strong and full of life. They had dressed the bones in Ned’s surcoat, the fine white velvet with the direwolf badge over the heart, but nothing remained of the warm flesh that had pillowed her head so many nights, the arms that had held her.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

When outsiders stare into the void that is today’s North Korea, they think of remote villages of Africa or Southeast Asia where the civilizing hand of electricity has not yet reached. But North Korea is not an undeveloped country; it is a country that has fallen out of the developed world. You can see the evidence of what once was and what has been lost dangling overhead alongside any major North Korean road — the skeletal wires of the rusted electrical grid that once covered the entire country.

After the accident that night Sloane became an even more skeletal version of herself, sucking the salt off pretzel rods and drinking copious amounts of diet soda. And nobody said a word. Should she tell her brother’s daughters all that? How the doctors said she was punishing herself, which was, itself, a male notion? That in general it seemed people were grateful when a woman admitted she was bad and punished herself. It was the only way people would then agree to help. She wanted to tell them that.

Razmišljam i ja ponekad o svom poreklu, naravno, ali pritom ne vidim bogomolje, simbole, ni šarene pantljike folklora kojima se kite konji Pripadnosti... (...) Razmišljam i ja ponekad o svom poreklu, naravno, ali naše Porodično Stablo vidim samo kao mladicu na obodu Velike Šume... Zamrznem tako likove na tajnoj večeri u bezimenoj podkarpatskoj gostionici, Sluge i Gospodare, Silne i Prepadnute, Lukave, Priglupe, Sretne... I mislim: koji je moj? Čiji sam ja to? Na talasima čije krvi penušaju mehurići moje embrionske duše, i u čijim se venama, a da grešan ni ne sluti, koprcaju kao punoglavci moja čula i tkiva, moj fosforni skelet, i usplahireno jato mladeža? Ali ne brinem puno o tome da li je Taj bio Srbin, Tatarin, Kozak? Ni da li se krstio, klanjao, pisao s leva na desno? Ne... Brinem jedino da nije bio podlac? Palikuća? Bratoubica? Ili je neko ko je sekao srce na kriške, da bude za sve... Neko kog su uvek pitali kad o čemu treba presuditi... I neko kome se i Bog obradovao kao dragom rođaku... Kada mu je umoran zakucao na Nebo...

The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.

Then she smiled that subtle, mysterious Mona Lisa smile of hers that tilted the corners of her lush mouth and caused the tiny lines at the corners of her eyes to crease, where that bastard mortality had stroked her velvet skin with skeletal fingers and carved his mark on her before she had kicked him in the balls.

Pedro of Portugal's rapt and bizarre declaration of love, in 1356, for the embalmed corpse of his murdered wife, Inez de Castro, who swayed beside him on his travels, leather-brown and skeletal, crowned with lace and gold circlet, hung about with chains of diamonds and pearls, her bone-fingers fantastically ringed.

Some say we are not like humans but we are more like them than we are different. Man and animals are in the same species as mammals as they have mammary glands that produce the milk to nurse their young. Their lungs breathe air and their blood is warm. They are vertebrates in that their skeletal system and well-designed spines hold their bodies together. Each cell is made of molecules, each molecule is made of atoms, and each atom is made of protons, neutrons and mostly electrons, which are made of waves of fibered light.

Embedded in this outlook is an idea of the body as a machine, so that illness is seen as a breakdown of the machine, healing involves repairing the broken parts, and a doctor is a kind of mechanic with medications as his or her tools.

Wanaume hupenda nyama kwenye mifupa.

And I think I decided not to love Charlie because I thought I had to be rescued. For practical reasons but also as a proof of love. It's better that Charlie and I didn't make an automatic transaction, love exchanged for rescue. All you can do after that is put the love and the rescue up on the shelf, moving them farther and farther back as you make room for all the other items you acquire over the years. This way a ragged stem still grows between us, almost pretty. Though really we should crush it now, before the buds bloom skeletal.

He traced the slight rise and fall of the earth as if he were stroking the skeletal ribs of a hungry dog. He knew that this was where his sense of reality came from. If he were honest with himself, that was just as absurd as any of Laurie’s beliefs. Still, he felt it so keenly and so very personally that he could neither question this communion nor share it with anyone else. This was his private faith.

I was a ghost, a skeletal frame of bones and sweat, a distraction for a night, barely something to cling to in the dark, a blank canvas on which to project whoever it was that they actually desired… I was a way station, a stopping-off point, to fill up and get off and move on.

No one in the modern world may without objection express the opinion that existence would be bettered by the absence of Jews, blacks, Muslims, or Englishmen. Why, then, is it virtuous to propose that the planet might be better off, if there were fewer people on it? I can’t help but see a skeletal, grinning face, gleeful at the possibility of the apocalypse, hiding not so very far behind such statements. And why does it so often seem to be the very people standing so visibly against prejudice who so often appear to feel obligated to denounce humanity itself?

As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days—four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory

When she stands in its ribcage, she recalls how she had once placed her hands on the outside of its body, and now she is inside its body, in the space created by its absent life. When she looks up, she sees the bones arching over her head against the vast starry sky like roof beams, like the skeletal beginnings of a strange new home. Something she has made from what was washed up, unwanted; something created from what was left to her.

Also essential to math is the sense in which abstracting something can mean reducing it to its absolute skeletal essence, as in the abstract of an article or book. As such, it can mean thinking hard about things that for the most part people can't think hard about-because it drives them crazy.

I don't want to read your walls ... I don't want to read your hang-ups. I don't want to read skeletal concepts of people who operate without the influence of a limbic system. You are not an archaeologist excavating and presenting old bones. Your work is the connective tissue. Give me some DNA, or don't bother.

Four tall stories were stacked haphazardly on top of each other, cresting in a black roofline against the cobalt night sky that made no sense, but leapt whimsically from flat to dangerously steep and back again. Trees with skeletal limbs, badly in need of a trim, scraped against slate, like oaken nails on the lid of a coffin.

Ebola Zaire attacks every organ and tissue in the human body except skeletal muscle and bone. It is a perfect parasite because it transforms virtually every part of the body into a digested slime of virus particles. The seven mysterious proteins that, assembled together, make up the Ebola-virus particle, work as a relentless machine, a molecular shark, and they consume the body as the virus makes copies of itself. Small blood clots begin to appear in the bloodstream, and the blood thickens and slows, and the clots begin to stick to the walls of blood vessels. This is known as pavementing, because the clots fit together in a mosaic. The mosaic thickens and throws more clots, and the clots drift through the bloodstream into the small capillaries, where they get stuck. This shuts off the blood supply to various parts of the body, causing dead spots to appear in the brain, liver, kidneys, lungs, intestines, testicles, breast tissue (of men as well as women), and all through the skin.

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

Some days I spent up to three hours in the arcade after school, dimly aware that we were the first people, ever, to be doing these things. We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. We'd fashioned an outpost in the hostile, inaccessible world of the imagination, like dangling a bathysphere into the crushing dark of the deep ocean, a realm hitherto inaccessible to humankind. This is what games had become. Computers had their origin in military cryptography - in a sense, every computer game represents the commandeering of a military code-breaking apparatus for purposes of human expression. We'd done that, taken that idea and turned it into a thing its creators never imagined, our own incandescent mythology.

On my way home, an everlasting tiredness dissipates me and the alcohol has caused my mind to project images, most of which are harsh and relentless: Passing by a derelict building and hearing a child sigh along with an older man, an elderly lady sitting by her window, tapping a long, skeletal finger against the glass, endlessly, every day, a girl I once had sex with whose back was so scarred from her boyfriend at the time that it looked like darkness was pouring out of the wounds, which crept like breathing mouths all over her naked body, people who were tethering on the brink of insanity, a by-product of living in the city, so empty and famished they drugged themselves daily to numb their ceaseless pain, and teens, most of them around my age, walking aimlessly in circles and, above all, beaming with its own empty light, the deprived husk of a message: I have never cared for anyone and I hate people.

Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

Food was becoming more abstract, more aestheticized and compartmentalized-- and indeed, after kaiseki, who can ever go back to Burger King, or even a well-made gourmet sandwich? Instead of food, I longed for other things to swell my body and buoy its lines--- lists of ancient queens, the grave and stately names for the forgotten regions of the sea, the imagined words for desire in hermetic languages; food, on the other hand, was leaving me increasingly unmoved.... I grew thinner and thinner, streamlined, my blood nourished by ever-slighter molecules, some kind of pale elongated light running the length of my body, nightmares detouring it in the most starved, and so-lightly blue-black-bruised, corners of my flesh. In this state of non-health, every step became a performance, each stride an act of contrition, a question and an answer.... On the once-dry, now-flowering branches of my skeletal limbs, the words sight, hearing, taste, smell, and touch were being invisibly but indelibly written. I was a festival of new senses.

In a rush, the world opened its mouth to her—and it was screaming. Everywhere—the air around her, the ground beneath her, the stars above—rippled with the soul-wrenching cries of hunger: the trees and bushes and plants all twisted and bent, their branches and stems clawing the sky in skeletal panic; the animals and insects, flying and crawling and burrowing, each frantic in its own way, searching incessantly to end the gnawing demand in its belly; the swarms of people, clotting the world, stuffing themselves only to beg for more, be it food or wealth or attention—all of them, desperate, insatiable. So very hungry. All of them, leeching on to her. Sucking her dry.

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

It may be that God is reminding me that I am approaching my November. Well, why regret it? November has beauty, has seen the harvest into the barns, even laid by next year's seed. No need to fret about not being allowed to stay and sow it, someone else will do that. So go contentedly into the earth with the moist, gentle, skeletal leaves, worn to cobweb fragility, like the skins of very old men, that bruise and stain at the mere brushing of the breeze, and flower into brown blotches as the leaves into rotting gold. The colors of late autumn are the colors of the sunset: the farewell of the year and the farewell of the day. And of the life of man? Well, if it ends in a flourish of gold, that is no bad ending.

lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores;

A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed. The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air. Raistlin did not move. The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted. 'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.' The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges. Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage. Then Raistlin stopped and looked around him. 'I am home,' he said.

Ebola Zaire attacks every organ and tissue in the human body except skeletal muscle and bone. It is a perfect parasite because it transforms virtually every part of the body into a digested slime of virus particles. The seven mysterious proteins that, assembled together, make up the Ebola-virus particle, work as a relentless machine, a molecular shark, and they consume the body as the virus makes copies of itself. Small blood clots begin to appear in the bloodstream, and the blood thickens and slows, and the clots begin to stick to the walls of blood vessels. This is known as pavementing, because the clots fit together in a mosaic. The mosaic thickens and throws more clots, and the clots drift through the bloodstream into the small capillaries, where

What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.

She turned and walked down the musty, dimly-lighted corridor, along a strip of carpeting that still clung together only out of sheer stubbornness of skeletal weave. Doors, dark, oblivious, inscrutable, sidling by; enough to give you the creeps just to look at them. All hope gone from them, and from those who passed in and out through them. Just one more row of stopped-up orifices in this giant honeycomb that was the city. Human beings shouldn't have to enter such doors, shouldn't have to stay behind them. No moon ever entered there, no stars, no anything at all. They were worse than the grave, for in the grave is absence of consciousness. And God, she reflected, ordered the grave, for all of us; but God didn't order such burrows in a third-class New York City hotel.

Ah.’ Hal rolls onto one elbow to hike a finger into the air. ‘Ah. But then so notice the instant group-cohesion that formed itself around all the pissing and moaning down there why don’t you. Blott. You, Kent. This was your question. The what looks like sadism, the skeletal stress, the fatigue. The suffering unites us. They want to let us sit around and bitch. Together. After a bad P.M. set we all, however briefly, get to feel we have a common enemy. This is their gift to us. Their medicine. Nothing brings you together like a common enemy.

I’ve never seen a soul here. No one shows themselves in the dismal wet fields, patchworked into sections by wire fences. No one toils behind the tufted vestiges of hedgerow. Few birds mark the sky beside the desultory spectre of a crow. As for trees, only spindly copses sprout on higher ground, shorn or shattered into piteous last stands; the woods have been whittled skeletal behind the wire of internment camps, to make room for more empty fields. And cement barns. Telegraph poles. Litter in the roadside ditches. Burst animals on tarmac, smeared, further compressed. Denatured land. Denuded. Scrub grubbed out, scraped away. Ugly and too neat. Empty. Industrial even. Blasted. Nowhere for anything to nest, take root, hide. Green but made desolate by the impact of the nearest settlement’s conquest. These are factory-farmed lowlands orbiting a city. A ring of ice encircling a blackened planet.

The immortal remains of Brother Watchtower watched the dragon flap away into the fog, and then looked down at the congealing puddle of stone, metal and miscellaneous trace elements that was all that remained of the secret headquarters. And of its occupants, he realized in the dispassionate way that is part of being dead. You go through your whole life and end up a smear swirling around like cream in a coffee cup. Whatever the gods’ games were, they played them in a damn mysterious way. He looked up at the hooded figure beside him. “We never intended this,” he said weakly. “Honestly. No offense. We just wanted what was due to us.” A skeletal hand patted him on the shoulder, not unkindly. And Death said, CONGRATULATIONS.

Coming home is terrible whether the dogs lick your face or not; whether you have a wife or just a wife-shaped loneliness waiting for you. Coming home is terribly lonely, so that you think of the oppressive barometric pressure back where you have just come from with fondness, because everything's worse once you're home. You think of the vermin clinging to the grass stalks, long hours on the road, roadside assistance and ice creams, and the peculiar shapes of certain clouds and silences with longing because you did not want to return. Coming home is just awful. And the home-style silences and clouds contribute to nothing but the general malaise. Clouds, such as they are, are in fact suspect, and made from a different material than those you left behind. You yourself were cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes dishrag-ratty, worn. You return home moon-landed, foreign; the Earth's gravitational pull an effort now redoubled, dragging your shoelaces loose and your shoulders etching deeper the stanza of worry on your forehead. You return home deepened, a parched well linked to tomorrow by a frail strand of… Anyway . . . You sigh into the onslaught of identical days. One might as well, at a time . . . Well . . . Anyway . . . You're back. The sun goes up and down like a tired whore, the weather immobile like a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, the big blue whale, a skeletal darkness. You come back with X-ray vision. Your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now, all of it: bone." A poem by - Eva H.D.

After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]

Judging Pius by what he did not say, one could only damn him. With images of piles of skeletal corpses before his eyes; with women and young children compelled, by torture, to kill each other; with millions of innocents caged like criminals, butchered like cattle, and burned like trash—he should have spoken out. He had this duty, not only as pontiff, but as a person. After his first encyclical, he did reissue general distinctions between race-hatred and Christian love. Yet with the ethical coin of the Church, Pius proved frugal; toward what he privately termed “Satanic forces,” he showed public moderation; where no conscience could stay neutral, the Church seemed to be. During the world’s greatest moral crisis, its greatest moral leader seemed at a loss for words. But the Vatican did not work by words alone. By 20 October, when Pius put his name to Summi Pontficatus, he was enmeshed in a war behind the war. Those who later explored the maze of his policies, without a clue to his secret actions, wondered why he seemed so hostile toward Nazism, and then fell so silent. But when his secret acts are mapped, and made to overlay his public words, a stark correlation emerges. The last day during the war when Pius publicly said the word “Jew” is also, in fact, the first day history can document his choice to help kill Adolf Hitler.

There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.

Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.

No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique. Without individuals we see only numbers: a thousand dead, a hundred thousand dead, “casualties may rise to a million.” With individual stories, the statistics become people—but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad squirming children? We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.

Old couples began to pair off and spin each other around, and the younger ones lined the walls, clapping and stomping their feet and swishing their drinks. In that little pub, on that little stage by the windows, Kevin was a life force, a star. With the aid of an instrument, he could spend four hours in a new country and fit in better than Maggie could after four months. He sang about drunk tanks and love and Christmas hopes, but in the spaces between the words of the song and in the cold shadows of his closed eyes rested all the things that he allowed to escape from himself only on the stage. Watching him, Maggie thought of their conversation earlier that day--how he had quit the band, quit his music, hadn't picked up a guitar in months. She could see the way he picked gingerly at the strings on his uncalloused fingers. His voice wasn't beautiful, but it had always contained a kind of arresting truth. Now too, Maggie detected a new quality--a desperation that had not been there before. Looking around the table at her family, she knew that Nanny Eli heard it, too. Her grandmother was leaning forward, holding her cigarette aloft while the ash grew longer and longer, and she was not listening to her son like the rest of them were but watching him, the movements of his long, skeletal fingers, the closed bruises of his eyes.

In asking for a relic of Descartes, the chevalier de Terlon was standing at the crossroads of the ancient and modern. He was applying to a modern thinker - the inventor of analytic geometry, no less - a primitive tradition that extends back not only to the institutionalization of Christianity in the fourth century, when Christians first broke into the tombs of saints to gather relics, but farther still, beyond the horizon of recorded history. The request is all the stranger for the fact that the man whose remains were treated in this quasisaintlike way would go down in history as the progenitor of materialism, rationalism, and a whole tradition that looked on such veneration as nonsense.

Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.

Needless to say, elderly people taking steroids may also experience the same side effects as younger persons. So, if you are a senior and need to be on a long course of steroids, what should you do? We would suggest a practical approach—which could apply to anyone on steroids, regardless of age, but may be particularly relevant for seniors because they are particularly vulnerable to side effects: • Understand and verify the need for steroids in your own situation, weighing the anticipated benefit with the possible risks. This means that you should explore the range of other treatments that may be available for your particular condition. You need to learn about the benefits and risks of any other treatment suggested. In other words, get all the information you can prior to going on treatment, be it with steroids or other medications. • Be sure that your health is well-assessed before or at the start of therapy. If you have underlying, separate health conditions, those should be noted and followed while you are on steroids. • Assess bodily systems that might particularly be affected by being on steroids. This means an assessment of your skeletal health, your eyes, your teeth, and your internal organs. • Request guidance about staying active. Physical therapy should be planned, to minimize the chances that your muscles and joints will be overtaxed or that any existing damage might get worse. • Ask to reassess the length and dose of your medication course at various intervals. A reasonable interval is every couple of months, if you are on a long course of steroids.

The stars of the Milky Way galaxy trace a big, flat circle. With a diameter-to-thickness ratio of one thousand to one, our galaxy is flatter than the flattest flapjacks ever made. In fact, its proportions are better represented by a crépe or a tortilla. No, the Milky Way’s disk is not a sphere, but it probably began as one. We can understand the flatness by assuming the galaxy was once a big, spherical, slowly rotating ball of collapsing gas. During the collapse, the ball spun faster and faster, just as spinning figure skaters do when they draw their arms inward to increase their rotation rate. The galaxy naturally flattened pole-to-pole while the increasing centrifugal forces in the middle prevented collapse at midplane. Yes, if the Pillsbury Doughboy were a figure skater, then fast spins would be a high-risk activity. Any stars that happened to be formed within the Milky Way cloud before the collapse maintained large, plunging orbits. The remaining gas, which easily sticks to itself, like a mid-air collision of two hot marshmallows, got pinned at the mid-plane and is responsible for all subsequent generations of stars, including the Sun. The current Milky Way, which is neither collapsing nor expanding, is a gravitationally mature system where one can think of the orbiting stars above and below the disk as the skeletal remains of the original spherical gas cloud. This general flattening of objects that rotate is why Earth’s pole-to-pole diameter is smaller than its diameter at the equator. Not by much: three-tenths of one percent—about twenty-six miles. But Earth is small, mostly solid, and doesn’t rotate all that fast. At twenty-four hours per day, Earth carries anything on its equator at a mere 1,000 miles per hour. Consider the jumbo, fast-rotating, gaseous planet Saturn. Completing a day in just ten and a half hours, its equator revolves at 22,000 miles per hour and its pole-to-pole dimension is a full ten percent flatter than its middle, a difference noticeable even through a small amateur telescope. Flattened spheres are more generally called oblate spheroids, while spheres that are elongated pole-to-pole are called prolate. In everyday life, hamburgers and hot dogs make excellent (although somewhat extreme) examples of each shape. I don’t know about you, but the planet Saturn pops into my mind with every bite of a hamburger I take.

After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,

For years, exercise scientists have been convinced that the only way to increase mitochondrial density is with aerobic endurance training, but recent studies have proved otherwise. Not only is an increase in the size and number of mitochondria a proven adaptation to HIIT, but the mitochondrial benefit of HIIT goes way beyond size and number. For example, all your mitochondria contain oxidative enzymes, such as citrate synthase, malate dehydrogenase, and succinate dehydrogenase. These oxidative enzymes lead to improved metabolic function of your skeletal muscles—particularly by causing more effective fat and carbohydrate breakdown for fuel and also by accelerating energy formation from ATP. So more oxidative enzymes means that you have a higher capacity for going longer and harder. And it turns out that, according to an initial study on the effect of HIIT on oxidative enzymes, there were enormous increases in skeletal muscle oxidative enzymes in seven weeks in subjects who did four to ten thirty-second maximal cycling sprints followed by four minutes of recovery just three days a week. But what about HIIT as opposed to aerobic cardio? Another six-week training study compared the increase in oxidative enzymes that resulted from either: 1. Four to six thirty-second maximal-effort cycling sprints, each followed by four-and-a-half minutes of recovery, performed three days a week (classic HIIT training) or 2. Forty to sixty minutes of steady cycling at 65 percent VO2 max (an easy aerobic intensity) five days a week The levels of oxidative enzymes in the mitochondria in subjects who performed the HIIT program were significantly higher—even though they were training at a fraction of the volume of the aerobic group. How could this favorable endurance adaptation happen with such short periods of exercise? It turns out that the increased mitochondrial density and oxidative-enzyme activity from HIIT are caused by completely different message-signaling pathways than those created by traditional endurance training.

I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.

Ubrzo sam shvatio da u meni postoje dva Akropolja, dnevni i noćni. Prvi je bio analitičan, s vodičevom glavom. Provera plana, istraživanje strukture celine, dodirivanje kamenja, zamišljanje onog što je propalo - poput studije anatomije iskopane životinje. Prvi pokušaji privikavanja, uspostavljanja ličnog odnosa prema spomeniku kulture. "Za sebe" sam izabrao Propileje i Partenon. Zbog njihove energije, mase i reda. Hram Nike je bio suviše filigranski da bih osetio njegovu kamenu materijalnost - pre je na mene ostavljao utisak uspešne kopije, Dobro urađenog zadatka na klasičnu temu. Najteže mi je bilo da uspostavim vezu s Erehtejonom. Portik karijatida ružile su metalne cevi podupirača koji su građevini oduzimali smisao i planiranu lakoću. Same karijatide, ubogaljene i lišene šarma, kao da su se zaustavile na pola puta između ljudskog oblika i stuba. Nad tamnim jezerom starih atinskih kultova ovaj jonski hram kao da govori o nemogućnosti povezivanja drevne vere s novim arhitektonskim izrazom. Drugi Akropolj - noćni, upaljen na nebu, koji se u celosti prepušta pogledima. Sedao bih na Brdo Muza, kraj samog spomenika Filopapu. Odozdo, iz sirotinjske četvrti Plaka, dopirala je banalna, svakodnevna vreva. U mraku se sjajio kreč belih kuća. U vazduhu se dizao miris ovčetine, maslina i belog luka. Akropolj u vencu mirisa crnog luka. Levo, među drvećem, svake večeri izvođena je predstava 'Son et Lumiere'. Sofoklovi horovi plakali su čas na francuskom, čas na engleskom. Svetlost je iz noći izvlačila fragmente svetog brežuljka. Crveni sjaj reflektora imitirao je požare. Tada je za mene Akropolj bio skulptura; ne arhitektonski kompleks, već skulptura. Ruinirana južna kolonada Partenona, nisko posečena stabla stubova izazivali su grč u mom srcu. Kamenje se borilo s napadom pustoši. S estetskog plana Akropolj se u mojoj svesti prebacio na plan istorije. Nisam mogao da ponovim ni uzbuđenje, ni molitve humaniste iz prošlog veka.(...) Akropolj koji mi se nalazio pred očima, sveden na skelet, odran od tela, za mene je istovremeno bio delo volje, reda i haosa, umetnika i istorije, Perikla i Morosinija, Iktinoja i lupeža. I, dodirujući pogledom njegove rane i ožiljke, osetio sam kako se u meni mešaju divljenje i sažaljenje. Ako sam crpeo posebno osećanje sreće u opasnosti, po svoj prilici to je proisticalo iz svesti o toj neobičnoj činjenici da sam "uspeo da stignem", pre nego što podelimo sudbinu svih ljudskih tvorevina na mračnom poluostrvu vremna, pre nepoznate budućnosti.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.