Skating Sayings And Quotes

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Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm. “Sorry, clumsy,” she says. “You always were, Sadie. One of your more endearing traits.” Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man … She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?” “Someone you knew in another life, honey.
Stephen King (11/22/63)
Not entirely fair?" His voice became that of the inferno: a rushing, booming howl of icy evil that flew around the great cavern, as swift and cold as the Wendigo on skates. "I am Satan, also called Lucifer the Light Bearer..." Cabal winced. What was it about devils that they always had to give you their whole family history? "I was cast down from the presence of God himself into this dark, sulfurous pit and condemned to spend eternity here-" "Have you tried saying sorry?" interrupted Cabal. "No, I haven't! I was sent down for a sin of pride. It rather undermines my position if I say 'sorry'!
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
Would you still like to go ice skating?" "Yes!" she burst out. "But---" She tried not to glance down at his injured leg. A grin tugged at his mouth. "We saved the world, Scrivener. We'll figure out a way." She relaxed. He was right. They would figure out a way. "Even if you have to pull me on a sled," Nathaniel went on. "I am not pulling you on a sled!" "Why not? I dare say you're strong enough." She sputtered.. "It would get in the papers." "I hope so. I'd want to save a clipping.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Jonah's breath came fast and shallow. I reached for his hand. He turned his face to me, his eyes wide with panic. Two frozen ponds. A boy screamed and pounded on the surface, trapped under the ice. Panicking. Trying to break through. But his screams faded, his fists flailed, and he slipped away into the dark. The boy was gone. Nothing left but the ice, clear and smooth enough to skate on.
Natalie Standiford (How to Say Goodbye in Robot)
Oh. A bigger studio. It dawns on me, stupid me, that Henry could win the lottery at any time at all; that he has never bothered to do so because it's not normal; that he has decided to set aside his fanatical dedication to living like a normal person so I can have a studio big enough to roller-skate across; that I am being an ingrate. "Clare? Earth to Clare..." "Thank you," I say, too abruptly.
Audrey Niffenegger (The Time Traveler's Wife)
I think it’s bullshit that the only meaningful stories are the ones that are deep and pondering and boring, saying all this nonsense without ever saying anything, and you’re supposed to, like, read meaning into the yellow wallpaper or something.” She rolls her eyes. “You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell. ‘Look to the stars. Aim. Ignite’—that means something to me, you know?
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
As long as you're better at it than skating...," Anna said and stood up too. She wanted to say more, but that wasn't possible because he was kissing her. Reasonable Anna wanted to draw back the danger of touch. But unreasonable Anna welcomed the kiss like happiness. Maybe, she thought, it's better to take these moments when you get them - there might not be too many in life.
Antonia Michaelis (The Storyteller)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
My mother raised me to be an unholy terror on the ice but a gentleman as soon as I take off my skates. Like a fucking Canadian should be, she’d say.
Tessa Bailey (Same Time Next Year)
Hey, honey? See the net? Yeah, it would help if you shoot the puck inside of it. Outside doesn’t count, ’kay?” I smack his ass as I skate past him and get in the team box. “You’ll pay for that later,” he says as he takes his spot next to me. I’m counting on it.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
The moms I knew when I was little didn't have to prove that it was okay to want a child. Sure, a lot of women I know wonder if they do want a child, but not why. It's assumed why. The question cis women get asked is: Why don't you want kids? And then they have to justify that. If I had been born cis, I would never even have had to answer these questions. I wouldn't have had to prove that I deserve my models of womanhood. But I'm not cis. I'm trans. And so until the day that I am a mother, I'm constantly going to have to prove that I deserve to be one. That it's not unnatural or twisted that I want a child's love. Why do I want to be a mother? After all those beautiful women I grew up with, the ones who chaperoned my classes on field trips, or made me lunch when I was at their house, or sewed costumes for all the little girls that I ice skated with — and you too, Katrina, for that matter — have to explain their feelings about motherhood, then, I'll explain mine. And do you know what I'll say? Ditto.
Torrey Peters (Detransition, Baby)
I’d say Hades will convert the Underworld into an ice skating rink before the king has a personality makeover.
Melissa Petreshock (Fire of Stars and Dragons (Stars and Souls, #1))
I remember saying that there was a difference between examining and dwelling, and if we’re cut off from our feelings, just skating on the surface, we don’t get peace or joy—we get deadness.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it. Jojo: WHAT THE FUCK JASMINE I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again. Life was all about the little things. So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad. Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared. Jojo: WHY WOULD YOU NOT TELL ME Jojo: HOW COULD YOU DO THIS TO ME Jojo: DID THE REST OF YOU KEEP THIS FROM ME Tali: What happened? What did she not tell you? Tali: OH MY GOD, Jasmine, did you get knocked up? Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty. Sebastian: Jasmine’s pregnant? Rubes: She’s not pregnant. Rubes: What happened, Jojo? Jojo: MOM DID YOU KNOW ABOUT THIS Tali: Would you just tell us what you’re talking about? Jojo: JASMINE IS SKATING WITH IVAN LUKOV Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts. Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW Tali: ARE YOU KIDDING ME? IS THIS TRUE? Tali: JASMINE Tali: JASMINE Tali: JASMINE Jojo: I’m going on Lukov’s website right now to confirm this Rubes: I just called Mom but she isn’t answering the phone Tali: She knew about this. WHO ELSE KNEW? Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you. Jojo: ^^ You’re such a vibe kill Sebastian: No, I’m just not flipping my shit because she got a new partner. Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else? Jojo: I FOUND OUT ON PICTUREGRAM Sebastian: She doesn’t like you. I wouldn’t tell you either. Tali: I can’t find anything about it online. Jojo: JASMINE Tali: JASMINE Jojo: JASMINE Tali: JASMINE Tali: Tell us everything or I’m coming over to Mom’s today. Sebastian: You’re annoying. Muting this until I get out of work. Jojo: Party pooper Tali: Party pooper Jojo: Jinx Tali: Jinx Sebastian: Annoying ... I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me. That didn’t mean my response had to be what they wanted. Me: Who is Ivan Lukov?
Mariana Zapata (From Lukov with Love)
Ruby and Aaron are both crazy patient; they’re good parents.” “I could be a good dad,” Ivan whispered, still feeding Jess. I could have told him he’d be good at anything he wanted to be good at, but nah. “Do you want to have kids?” he asked me out of the blue. I handed Benny another block. “A long time from now, maybe.” “A long time… like how long?” That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?” “Because of figure skating?” “Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.” Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.” I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.” Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything. All he said was, “Hmm.” A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?” “I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.” I frowned, the feeling in my stomach getting more intense. He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.” It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?” Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.” I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.” “Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.” I blinked. “I hope you get abducted by aliens.” Ivan laughed, and the sound of it made me smile. “You would miss me.” All I said, while shrugging was, “Meh. I know I’d get to see you again someday—” He smiled. “—in hell.” That wiped the look right off his face. “I’m a good person. People like me.” “Because they don’t know you. If they did, somebody would have kicked your ass already.” “They’d try,” he countered, and I couldn’t help but laugh. There was something wrong with us. And I didn’t hate it. Not even a little bit.
Mariana Zapata (From Lukov with Love)
It was clear to everyone that day, and in the months that followed, that Patty’s greatest warming influence was on Walter himself. Now, instead of speeding by his neighbors in his angry Prius, he stopped to lower his window and say hello. On weekends, he brought Patty over to the patch of clear ice that the neighborhood kids maintained for hockey and instructed her in skating, which, in a remarkably short time, she became rather good at.
Jonathan Franzen (Freedom)
I had a very clear vision, of Selina with her hair about her shoulders, a crimson hat upon her head, a velvet coat, ice-skates - I must have been remembering some picture. I imagined myself beside her, the air coming sharply into our mouths. I imagined how it would be if I took her, not to Italy, but only to Marishes, to my sister's house; if I sat with her at supper, and shared her room, and kissed her - I cannot say what would frighten them most - her being a spirit-medium, or a convict, or a girl.
Sarah Waters (Affinity)
She realized that the stains on the pot—like the scratches on her records, the dent on the kitchen floor where she dropped a skate, and the lines on her face—they all added up to the same thing: her life. They said, in their own way, the only thing that any of us can say, the only thing that is worth saying: I passed this way. I was here.
Stuart McLean
Don’t dream of anything too horrible,” she says. “And if you do, just add a naked woman on roller skates. That always puts an end to a bad dream.
Josh Malerman (Black Mad Wheel)
Go fuck yourself,” Damien says genially. “Fuck me yourself, you coward.” Damien trips on his skates. “Oh shit,” Rome says. “Are you okay?
E.L. Massey (All Hail the Underdogs (Breakaway, #3))
So he is my brother, and yours, too, Carl Schummel, for that matter," answered Peter, looking into Carl's eye. "We cannot say what we might have become under other circumstances. We have been bolstered up from evil since the hour we were born. A happy home and good parents might have made that man a fine fellow instead of what he is. God grant that the law may cure and not crush him!
Mary Mapes Dodge (Hans Brinker, or The Silver Skates)
the locker room,” Alex counters. “No way, it has to be on the ice. He’s going to take her to the rink tonight, flip on the scoreboard and play porn while he fucks her over the goal. They’re both wearing skates of course, porn everywhere, blaring through the speakers, there’s a hockey stick involved somehow, and he’s all veiny and sweaty and says things like my semen are scoring tonight.
Meghan Quinn (Three Blind Dates (Dating by Numbers, #1))
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting. A room intended for lovemaking. She took a step farther inside. Behind her, the door closed softly on its own. No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood. “For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.” Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them. “When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.” “Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.” She shook her head. “What would be the use?” A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.” “For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours. “I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
We all love you, Rach,” she says with a watery smile. “You deserve your happily ever after. You’ve got three knights in shining skates out there, waiting to show the world what your love means to them.” She holds out a hand. “Come on. Let’s go find them.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
Will you say my name when you come?” Warm, wet lips skate up my throat before hovering inches from my mouth. “Shout it, if you can. It’ll make me crazy.” Another laugh pops out. “Dude. I can’t control what I say during orgasm. It’s mostly gibberish.” He kisses me, his tongue toying with mine until we’re both breathless. “You’ll say my name,” he murmurs, and I don’t know if that’s another question or him just stating a fact, but either way, I don’t have the mental capacity to decode it, because he’s moving again.
Sarina Bowen (Good Boy (WAGs, #1))
You said it wasn't fair. Over and over again you kept saying that. You said, There are so many kids that want to die. She's probably the one that wanted to live the most. I thought, no, I want to live as much as she did. But only if... and then I realized how much it sucked for me to think that. Think about myself like that, complain. I was here and I could go dancing and sweat all night and eat donuts and go roller-skating and take bubble baths and grow up. I had you. Right there with me. I had you living in my life and I was alive.
Francesca Lia Block (Wasteland)
He waited for her to say something. Anything. But she only watched him watching her, their equally ragged breathing fighting for dominance. With a flick of his fingers, he slipped beneath the cotton and absorbed the feel of her delicate skin, now way past warm. Past even hot. She burned for him. Skating lower, he brushed her thatch of damp curls. His heartbeat kicked up and that lightheaded sensation overtook him again, stealing his attention from her face for as long as it took him to get control. Then he met her eyes once more before he slid into the steam.
Cari Quinn (Heart Signs)
So if I tell you I want to re-do our senior year in one day…to go ice-skating at Rockefeller Center and let you get to second base like two teenagers…” I erased the gap between us, kissing a sliver of his exposed neck, and his breath stilled. “And go eat at P.J. Clarke’s and move to third base in the bathroom…” I rasped the words against his hot flesh and dragged my eyes up to meet his stormy ones. “And end the day at a Broadway show where I’d do something very inappropriate under your seat…” We melted into each other, and sure enough, I felt the swelling in his slacks getting bigger against my stomach. “You’d say…no?” His face was the funniest thing on earth as it moved from surprised to eager, then finally to turned on. “Fuck,” he muttered, pressing his hard cock against me. From the outside, it must’ve looked like we were sharing the dirtiest hug ever. “I’m about to go ice-skating for a hand job, and I’m not even sixteen anymore.” “You’re totally going on a day date,” I joked. He rolled his eyes but followed me back outside and into the nearest subway station, buttoning his pea coat to cover the massive bulge between his legs. “Lead the way.
L.J. Shen (Vicious (Sinners of Saint, #1))
Nagel states that “an organism has conscious mental states if and only if there is something that it is like to be that organism—something it is like for the organism.” “Like” does not mean “resemble,” such as in the question “What is ice skating like? Is it like roller skating?” Instead, it concerns the subjective qualitative feel of the experience, that is, what it feels like for the subject: “What is ice skating like for you?” (For instance, is it exhilarating?) Nagel called this the “subjective character of experience.” It has also been called “phenomenal consciousness,” and, although he doesn’t say it, it is also referred to as qualia.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
be blond. I know, they're shitty prejudices. There must be Russian brunettes out there with names that are super simple to pronounce, so simple you'd shout them out for no other reason than the fun of saying such an easy name. I guess there even could be some Russian girls who have never laced up a pair of skates in their life.
Faïza Guène (Kiffe Kiffe Tomorrow: A Novel)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
It was gentler here, softer, its seethe the quietest of whispers, as if, in deference to a drawing room, it had quite deliberately put on its 'manners'; it kept itself out of sight, obliterated itself, but distinctly with an air of saying, 'Ah, but just wait! Wait till we are alone together! Then I will begin to tell you something new! Something white! something cold! something sleepy! something of cease, and peace, and the long bright curve of space! Tell them to go away. Banish them. Refuse to speak. Leave them, go upstairs to your room, turn out the light and get into bed - I will go with you, I will be waiting for you, I will tell you a better story than Little Kay of the Skates, or The Snow Ghost - I will surround your bed, I will close the windows, pile a deep drift against the door, so that none will ever again be able to enter. Speak to them!...' It seemed as if the little hissing voice came from a slow white spiral of falling flakes in the corner by the front window - but he could not be sure. ("Silent Snow, Secret Snow")
Conrad Aiken (Great Tales of Terror and the Supernatural (Modern Library))
This time Elizabeth Ann didn't answer, because she herself didn't know what the matter was. But I do, and I'll tell you. The matter was that never before had she known what she was doing in school. She had always thought she was there to pass from one grade to another, and she was ever so startled to get a little glimpse of the fact that she was there to learn how to read and write and cipher and generally use her mind, so she could take care of herself when she came to be grown up. Of course, she didn't really know that till she did come to be grown up, but she had her first dim notion of it in that moment, and it made her feel the way you do when you're learning to skate and somebody pulls away the chair you've been leaning on and says, "Now, go it alone!
Dorothy Canfield Fisher
Asher,” I tell him. “You’re the one who gets to decide who you’re going to be. You don’t have to be like your father.” He tilts his head, looking at me. “You’re so…fierce.” He reaches for my wrist, his hand skating lightly over my scars. “You’re the bravest person I know.” “I’m not brave,” I tell him. “You’re brave enough to tell the truth,” he says. Now it’s my turn to feel ashamed.
Jodi Picoult (Mad Honey)
I... I remember, she realized. A feeling came over her, so strong that for the smallest of moments, it warmed her soul. Pictures flew through her mind: She and Elsa talking in their bedroom, baking with their mother in the kitchen, running down the central staircase. Do the magic! she heard a voice say, and now she realized it was her younger self begging Elsa to create more snow. Together they had skated around the Great Hall and made snow angels. They had built Olaf! She used to marvel at Elsa's magic and always wanted her sister to use it. Do the magic! she heard herself beg again, and then she saw the moment when everything changed. In her haste to stop Anna from falling off a snow mound, Elsa had accidentally struck her. That was when she and Elsa had been ripped apart. She remembered everything!
Jen Calonita (Conceal, Don't Feel)
Week after week, counselors encounter one outstanding failure among Christians: a lack of what the Bible calls “endurance.” Perhaps endurance is the key to godliness through discipline. No one learns to ice skate, to use a yo-yo, to button shirts, or to drive an automobile unless he persists long enough to do so. He learns by enduring in spite of failures, through the embarrassments, until the desired behavior becomes a part of him. He trains himself by practice to do what he wants to learn to do. God says the same is true about godliness.
Jay E. Adams (The Christian Counselor's Manual: The Practice of Nouthetic Counseling (Jay Adams Library))
I took all the overshoes and skates and football helmets out of the hall closet and put them into a carton and put the carton in the hall by the front door. I took all the things off the stairs and put them into another carton, which I stacked in the hall next to the first carton. I was wondering what to put in the third carton when I was interrupted by Jannie to say that Ninki had just had her kittens on one of the comfortable chairs in the study and that my husband was sitting in the other comfortable chair and wanted to know what to do.
Shirley Jackson (Raising Demons)
Giving up, I admire the rose gold chain in my hand, letting it slip through my fingers like running water. It’s not a necklace, but a lanyard for my school ID badge. The delicate chain breaks every few inches with small diamond-encrusted hoops, a matching rose gold whistle hanging off a clip. My thumb rubs methodically over the words etched into the circular pendant connecting the chain to the clip. Miss Parker it says on one side. Turning it over in my palm, I smile through my quickly blurring vision at the words on the back: World’s hottest teacher. But my favorite part? The tiny hockey skate charm that dangles next to the whistle
Becka Mack (Consider Me (Playing For Keeps, #1))
Asking Wolf to couples' skate is like bungee jumping without a cord-it may be the bravest thing I've ever done in my life. Or it could be the stupidest. There's only one way to find out. I look him dead in the eyes, summoning up both my courage and my sense of reckless abandon, but before I can even speak one syllable- "Oh!" he says, looking over one shoulder and dropping his hands. "Kaitlyn's free now. I gotta get over there!" He rushes off, blowing me an air kiss. My mouth should get used to falling open when he's around, either from his good looks or from his total lack of comprehension of all things polite. Did that just happen? My face in my palms, I lean on my elbows against the rail, invisible, and fall into an intoxicating state of self-pity.
Alecia Whitaker (The Queen of Kentucky)
Pastor Jón: It is pleasant to listen to the birds chirping. But it would be anything but pleasant if the birds were always chirping the truth. Do you think the golden lining of this cloud we see up there in the atmosphere is true? But whoever isn't ready to live and die for that cloud is a man bereft of happiness. Embi: Should there be lyrical fantasies, then, instead of justice? Pastor Jón: Agreement is what matters. Otherwise everyone will be killed. Embi: Agreement about what? Pastor Jón: It doesn't matter. For instance quick-freezing plants, no matter how bad they are. When I repair a broken lock, do you then think it's an object of value or a lock for some treasure chest? Behind the last lock I mended there was kept one dried skate and three pounds of rye meal. I don't need to describe the enterprise that owns a lock of that kind. But if you hold that earthly life is valid on the whole, you repair such a lock with no less satisfaction than the lock for the National Bank where people think the gold is kept. If you don't like this old, rusty, simple lock that some clumsy blacksmith made for an insignificant food-chest long ago, then there is no reason for you to mend the lock in the big bank. If you only repair machinery in quick-freezing plants that pay, you are not to be envied for your role. Embi: What you say, pastor Jón, may be good poetry, but unfortunately has little relevance to the matter I raised with you - on behalf of the ministry. Pastor Jón: Whoever doesn't live in poetry cannot survive here on earth.
Halldór Laxness (Under the Glacier)
You. In a dress.'' That's what I wanted him to say. He didn't end up saying it, but I said it to myself many times as I greeted my reflection in the buildings going up Broadway. My high heels rocked me like roller skates, my hair that I had spent time blow-drying was whipped up, I was suddenly vulnerable to the weather, to uneven sidewalks. I nodded to the iron wedge of the Flatiron like a prestigious acquaintance. The dress was half a paycheck. A short, black silk tunic. I was still confused about the power of clothes - nobody had taught me how to dress myself. When I tried it on and looked in the mirror, I was meeting myself decades from now, when I had grown unconquerable. All in a dress. I nearly returned it twice. I saw myself in the dark-green glass of a closed bank. I turned to my reflection: You. In a dress.
Stephanie Danler (Sweetbitter)
You, sir, have a lovely and talented son. You should be proud of him. You should be encouraging him. He clearly loves to skate, and he’s bloody marvelous at it, particularly given his age. But beside the fact that you may be too ignorant and bloody-minded to see that, you’re also a monster if this is the kind of thing you say to that child at home. There is nothing inherently queer about figure skating, but even if there were, it’s what Christian wants to do. And if he does happen to be gay, that’s not a choice. It’s not a decision you can influence. It either is or it isn’t, and to try to turn that into something ugly, into something that might make that kind, clever young man turn to self-loathing, puts you among the most despicable creatures I’ve ever had the misfortune to meet. You don’t deserve that boy. And he certainly deserves better than you.
Samantha Wayland (Home & Away)
We think we make bucket lists to ward off regret, but really they help us to ward off death. After all, the longer our bucket lists are, the more time we imagine we have left to accomplish everything on them. Cutting the list down, however, makes a tiny dent in our denial systems, forcing us to acknowledge a sobering truth: Life has a 100 percent mortality rate. Every single one of us will die, and most of us have no idea how or when that will happen. In fact, as each second passes, we’re all in the process of coming closer to our eventual deaths. As the saying goes, none of us will get out of here alive. [...] Who wants to think about this? How much easier it is to become death procrastinators! Many of us take for granted the people we love and the things we find meaningful, only to realize, when our deadline is announced, that we’d been skating by on the project: our lives.
Lori Gottlieb (Maybe You Should Talk to Someone)
We think we make bucket lists to ward off regret, but really they help us to ward off death. After all, the longer our bucket lists are, the more time we imagine we have left to accomplish everything on them. Cutting the list down, however, makes a tiny dent in our denial systems, forcing us to acknowledge a sobering truth: Life has a 100 percent mortality rate. Every single one of us will die, and most of us have no idea how or when that will happen. In fact, as each second passes, we’re all in the process of coming closer to our eventual deaths. As the saying goes, none of us will get out of here alive. [...] Who wants to think about this? How much easier it is to become death procrastinators! Many of us take for granted the people we love and the things we find meaningful, only to realize, when our deadline is announced, that we’d been skating by on the project: our lives.”-Maybe You Should Talk to Someone, p.79, Lori Gottlieb “It’s no surprise that we often dream about our fears. We have a lot of fears. What are we afraid of? We are afraid of being hurt. We are afraid of being humiliated. We are afraid of failure and we are afraid of success. We are afraid of being alone and we are afraid of connection. We are afraid to listen to what our hearts are telling us. We are afraid of being unhappy and we are afraid of being too happy. We are afraid of not having our parents’ approval and we are afraid of accepting ourselves for who we really are. We are afraid of bad health and good fortune. We are afraid of our envy and having too much. We are afraid to have hope for things that we might not get. We are afraid of change and we are afraid of not changing. We are afraid of something happening to our kids, our jobs. We are afraid of not having control and afraid of our own power. We are afraid of how briefly we are alive and how long we will be dead. (We are afraid that after we die, we won’t have mattered.) We are afraid of being responsible for our own lives. Sometimes it takes a while to admit our fears, especially to ourselves.
Lori Gottlieb (Maybe You Should Talk to Someone)
Every day, on his right and left, another soul escapes toward the sky, and it sounds to him as if he can hear faraway music, as if a door has been shut on a grand old radio and he can listen only by putting his good ear against the material of his cot, although the music is soft, and there are moments when he is not certain it is there at all. There is something to be angry at, Werner is sure, but he cannot say what it is. “Won’t eat,” says a nurse in English. Armband of a medic. “Fever?” “High.” There are more words. Then numbers. In a dream, he sees a bright crystalline night with the canals all frozen and the lanterns of the miners’ houses burning and the farmers skating between the fields. He sees a submarine asleep in the lightless depths of the Atlantic; Jutta presses her face to a porthole and breathes on the glass. He half expects to see Volkheimer’s huge hand appear, help him up, and clap him into the Opel. And Marie-Laure? Can she still feel the pressure of his hand against the webbing between her fingers as he can feel hers?
Anthony Doerr (All the Light We Cannot See)
But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized. My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?” “I left early,” he says. “You? John Ambrose McClaren cut school?” He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.” I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?” “If you want.” I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear. Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April. “I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe. I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Why did you come here-that is, why did you agree to reconsider my proposal?” The question alarmed and startled her. Now that she’d seen him she had only the dimmest, possibly even erroneous recollection of having spoken to him at a ball. Moreover, she couldn’t tell him she was in danger of being cut off by her uncle, for that whole explanation was to humiliating to bear mentioning. “Did I do or say something during our brief meetings the year before last to mislead you, perhaps, into believing I might yearn for the city life?” “It’s hard to say,” Elizabeth said with absolute honesty. “Lady Cameron, do you even remember our meeting?” “Oh, yes, of course. Certainly,” Elizabeth replied, belatedly recalling a man who looked very like him being presented to her at Lady Markham’s. That was it! “We met at Lady Markham’s ball.” His gaze never left her face. “We met in the park.” “In the park?” Elizabeth repeated in sublime embarrassment. “You had stopped to admire the flowers, and the young gentleman who was your escort that day introduced us.” “I see,” Elizabeth replied, her gaze skating away from his. “Would you care to know what we discussed that day and the next day when I escorted you back to the park?” Curiosity and embarrassment warred, and curiosity won out. “Yes, I would.” “Fishing.” “F-fishing?” Elizabeth gasped. He nodded. “Within minutes after we were introduced I mentioned that I had not come to London for the Season, as you supposed, but that I was on my way to Scotland to do some fishing and was leaving London the very next day.” An awful feeling of foreboding crept over Elizabeth as something stirred in her memory. “We had a charming chat,” he continued. “You spoke enthusiastically of a particularly challenging trout you were once able to land.” Elizabeth’s face felt as hot as red coals as he continued, “We quite forgot the time and your poor escort as we shared fishing stories.” He was quiet, waiting, and when Elizabeth couldn’t endure the damning silence anymore she said uneasily, “Was there…more?” “Very little. I did not leave for Scotland the next day but stayed instead to call upon you. You abandoned the half-dozen young bucks who’d come to escort you to some sort of fancy soiree and chose instead to go for another impromptu walk in the park with me.” Elizabeth swallowed audibly, unable to meet his eyes. “Would you like to know what we talked about that day?” “No, I don’t think so.” He chucked but ignored her reply, “You professed to be somewhat weary of the social whirl and confessed to a longing to be in the country that day-which is why we went to the park. We had a charming time, I thought.” When he fell silent, Elizabeth forced herself to meet his gaze and say with resignation, “And we talked of fishing?” “No,” he said. “Of boar hunting.” Elizabeth closed her eyes in sublime shame. “You related an exciting tale of a wild board your father had shot long ago, and of how you watched the hunt-without permission-from the very tree below which the boar as ultimately felled. As I recall,” he finished kindly, “you told me that it was your impulsive cheer that revealed your hiding place to the hunters-and that caused you to be seriously reprimanded by your father.” Elizabeth saw the twinkle lighting his eyes, and suddenly they both laughed. “I remember your laugh, too,” he said, still smiling, “I thought it was the loveliest sound imaginable. So much so that between it and our delightful conversation I felt very much at ease in your company.” Realizing he’d just flattered her, he flushed, tugged at his neckcloth, and self-consciously looked away.
Judith McNaught (Almost Heaven (Sequels, #3))
Glaring, I snarled, “Kiss me. Give me one fracture of human company, and I’ll never say another word to you again. I’ll be whatever you want. Just kiss me!” His eyes narrowed. “You’re an idiot.” “So you keep telling me.” “You’re wasting your time.” “So you keep telling me.” “I don’t want to kiss you!” I lashed out. My arms came up. I opened my palm. And I slapped the self-righteous, egotistical arsehole on the cheek. The moment went from lust-heavy to stagnant with violence. We stared, caught dead centre in war. “You’re a fucking nightmare,” he snapped. “Kiss me.” “You’re ruining my life.” “Kiss me.” “You’re—” “Kiss me, Jethro. Kiss me. Just fucking kiss me and give me—” His body crashed against mine. His hands flew up, grabbing my cheeks and holding me firm. His lips, oh his lips, they bruised mine as his head tilted, and with pure anger, he gave me what I’d wanted for weeks. He kissed me. My lungs were empty—he’d stolen all my air, but I no longer survived on oxygen. I survived on his mouth, his taste, his unbridled energy pouring down my throat. His tongue tore past my lips, taking me savage and hungry. There was nothing sweet or gentle. This was a punishment. A reminder that I hadn’t won. He wasn’t kissing me. He was fighting me in every underhanded way. His hands dropped from my cheeks, cupping my breasts. The violence in his touch throbbed instantly. I arched my back, opening my mouth wider to scream, but he swallowed my cries, kissing me deeper, harder, stealing every inch of sanity I had left. I thought a kiss would put me on even ground—show him that he did care. That he was human—just like me. I hadn’t gambled on being detonated into a billion tiny pieces that had no notion of who I’d been before he’d stolen my soul. He backed me up, faster and faster to the bed. His breath saturated my lungs. His touch skated from my cheeks, to my breasts, to my waist, to my arse. Jerking me hard against the huge length of arousal in his jeans. The bed stopped our motion, tumbling us onto the sheets, but nothing, absolutely nothing could unweld our lips. We were joined, kissing, frantic, desperate. He groaned as I slid my hands beneath his t-shirt, needing to feel his skin against mine. He was blood and fire and heat. So different to the glacier he pretended to be. “Fuck,” he grunted
Pepper Winters (First Debt (Indebted, #2))
Rebecca Wallace-Segall, who teaches creative-writing workshops for kids and teens as director of Writopia Lab in New York City, says that the students who sign up for her classes “are often not the kids who are willing to talk for hours about fashion and celebrity. Those kids are less likely to come, perhaps because they’re less inclined to analyze and dig deep—that’s not their comfort zone. The so-called shy kids are often hungry to brainstorm ideas, deconstruct them, and act on them, and, paradoxically, when they’re allowed to interact this way, they’re not shy at all. They’re connecting with each other, but in a deeper zone, in a place that’s considered boring or tiresome by some of their peers.” And these kids do “come out” when they’re ready; most of the Writopia kids read their works at local bookstores, and a staggering number win prestigious national writing competitions. If your child is prone to overstimulation, then it’s also a good idea for her to pick activities like art or long-distance running, that depend less on performing under pressure. If she’s drawn to activities that require performance, though, you can help her thrive. When I was a kid, I loved figure skating. I could spend hours on the rink, tracing figure eights, spinning happily, or flying through the air. But on the day of my competitions, I was a wreck. I hadn’t slept the night before and would often fall during moves that I had sailed through in practice. At first I believed what people told me—that I had the jitters, just like everybody else. But then I saw a TV interview with the Olympic gold medalist Katarina Witt. She said that pre-competition nerves gave her the adrenaline she needed to win the gold. I knew then that Katarina and I were utterly different creatures, but it took me decades to figure out why. Her nerves were so mild that they simply energized her, while mine were constricting enough to make me choke. At the time, my very supportive mother quizzed the other skating moms about how their own daughters handled pre-competition anxiety, and came back with insights that she hoped would make me feel better. Kristen’s nervous too, she reported. Renée’s mom says she’s scared the night before a competition. But I knew Kristen and Renée well, and I was certain that they weren’t as frightened as I was
Susan Cain
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.
J.M. Darhower (Ghosted)
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Remember how we forgot? Once upon a time, we were young Our dreams hung like apples Waiting to be picked and peeled And hope was something needing to be reeled-in So we can fill the always empty big fish bin with the one that got away And proudly say that "this time, impossible is not an option" Because success is so akin to effort and opportunity they could be related So we took chances We figure skated on thin ice Believed that each slice of life was served with something sweet on the side And failure was never nearly as important as the fact that we tried That in the war against frailty and limitation We supplied the determination it takes to make ideas and goals the parents of Possibility And we believe ourselves to be members of this family Not just one branch on one tree But a forest whose roots make up a dynasty
Shane L. Koyczan (Remembrance Year)
The Spring Has Many Silences - 1901-1991 The spring has many sounds: Roller skates grind the pavement to noisy dust. Birds chop the still air into small melodies. The wind forgets to be the weather for a time And whispers old advice for summer. The sea stretches itself And gently creaks and cracks its bones…. The spring has many silences: Buds are mysteriously unbound With a discreet significance, And buds say nothing. There are things that even the wind will not betray. Earth puts her finger to her lips And muffles there her quiet, quick activity…. Do not wonder at me That I am hushed This April night beside you. The spring has many silences.
Laura Riding Jackson
I’d always said it was just a joke, and it had been, in a way. But jokes had also always been one of my safest ways of expressing myself—sometimes allowing me to skate around what I wanted to say, other times allowing me to crash right into it and then later deny I’d meant to.
Alicia Thompson (Love in the Time of Serial Killers)
A few years from now, far away from here, a young woman will be sitting on a sofa at a party. Everyone around will be dancing and drinking but his eyes will be glued to the television. It's just a short clip from concert by one of the country's most female performers right now. Her name is Maya Andersson, and the young man has always loved that name. How ordinary it sounds. He's never thought about her accent, has never reflected upon why it sound so familiar to hin, But now he sees her on television and she's singing a song about someone she loved,because it's hit birthday, and on the huge screen behind ger a photograph of him flashes up for moment. She knows no one will really see it, a thousand more images flash past right after it, she just inclided that particular photograph for her own sake. But he man on sofa recognizes it. Because he remembers fingertips and glances. Beer bottles on a worn bar counter and smoke in a silent forest. The way snow feels as it falls on your skin while a boy with sad eyes and a wild heart teaches you to skate. The man on the sofa pack almost nothing. He takes just a light bag and the case containing his bass guitar and travels to the next town on Maya's tour. He elbows past her security guard and almost gets knocked to the floor and he he calls out: "I knew him! I knew Benji! I loved him too!" Maya stops mid-stride. They look each other in the eye and see only him, the boy in the forest, sad and wild. "Do you play?" May asks. "I'm a bass player," he says. From then on he is her bass player. No one plays her songs like he does. No one else cries as much each night.
Fredrick Backman, The Winners
Was it really a good thing, for example, to so dramatically liberalize the divorce laws in the 1960s? It’s not clear to me that the children whose lives were destabilized by the hypothetical freedom this attempt at liberation introduced would say so. Horror and terror lurk behind the walls provided so wisely by our ancestors. We tear them down at our peril. We skate, unconsciously, on thin ice, with deep, cold waters below, where unimaginable monsters lurk.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Clearly you’re unfamiliar with the concept of the Regency-era duel,” I say. “Oh, I’m familiar, but since I rarely find myself flirting with the unwed daughters of powerful dukes, I figure I’m okay.” “You think we’re just going to skate over you being well versed in Regency customs?” “Harriet, I don’t get the feeling you skate over anything,” he says.
Emily Henry (Happy Place)
Adam,” Olivia says simply. “He’s a bigger DILF than Carter.” Carter tosses his leg up on the bench, stretching and glaring. “How dare you! I’m standing right here. No one out-DILFs me, Olivia.” Cara points at Adam, fixing his brand-new goalie mask over his face as he skates over. “Adam just did, babe.
Becka Mack (Unravel Me (Playing For Keeps, #3))
Why’re you still here?” She yawned. “Go away. Jared will be here any moment, and I’ll be nothing but an unfortunate memory.” I should go. Pivot and leave. To my relief, I started doing just that. The echo of my footsteps bounced on the bare walls. I did not look back. Knew that if I caught a glimpse of her again, I’d make a mistake. This was for the best. It was time to cut my losses, admit my one mistake in my thirty-one years of life, and move on. My life would return to normal. Peaceful. Tidy. Noiseless. Unexpensive. My hand curled around the doorknob, about to push it open. “Hey, asshole.” I stopped but didn’t turn around. I refused to answer to the word. “What do you say—one last time for the road?” I glanced behind my shoulder, knowing I shouldn’t, and found my soon-to-be ex-wife propped on the hood of my Maybach, her dress hiked up her waist, revealing she’d worn no panties. Her bare pussy glistened, ready for me. A dare. I never shied away from those. Throwing caution to the wind (and the remaining few brain cells she hadn’t fried with her mindless conversation), I marched to her. When I reached the car, she lifted her hand to stop me, slapping her palm against my chest. “Not so fast.” It is going to be fast and a half, seeing as I’m about to come just from watching you like this. I arched an eyebrow. “Cold feet?” “Nah, low temperature is your thing. Don’t wanna steal your thunder. Either we go all the way, or we go nowhere at all. It’s all or nothing.” It infuriated me that each time I gave her a choice, she fabricated another. If I gave her an option, she swapped it with one of her creation. And now, on the heels of my ultimatum, she’d dished out her own. And like a doomed fool, I chose everything. I chose my downfall. We exploded together in a filthy, frustrated kiss full of tongue and teeth. She latched on to my neck, half-choking me, half-hugging me. I fumbled with the zipper of my suit pants, freeing my cock, which by this point gleamed with precum, so heavy and so hard it was uncomfortable to stand. My teeth grazed down her chin, trailing her throat before I did what I hadn’t done in five fucking years and pushed into her, all at once. Bare. My cock disappeared inside her, hitting a hot spot, squeezed to death by her muscles. Oh, fuck. My forehead fell against hers. A thin coat of sweat glued us together. Never in my life had anything felt quite so good. I wanted to evaporate into mist, seep into her, and never come back. I wanted to live, breathe, and exist inside my beautiful, maddening, conniving, infuriating curse of a wife. She was the one thing I never wanted and the only thing I craved. Worst, still, was the fact that I knew I couldn’t deny her a single thing she desired, be it a frock or piece of jewelry. Or, unfortunately, my heart on a platter, speared straight through with a skewer for her to devour. Still beating and as vibrant red as candied apples. I retreated, then slammed into her harder. Pulled and rushed back in. My fingers gripped her by the waist, pinning her down, wild with lust and desire. I drove into her in jerky, frenzied movements of a man starved for sex, fucking the ever-living shit out of her. Now that I’d officially filed a restraining order against my logic, I grabbed the front of her throat, sinking my teeth onto her lower lip. My spearmint breath skated over her face. The hood of the car warmed her thighs, still hot from the engine, jacking up the temperature between us even further. Small, desperate yelps fled her mouth. The only sounds in the cavernous space came from my grunts, our skin slapping together, and her tiny gasps of pleasure. The car rocked back and forth to the rhythm of my thrusts... (chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
And how do you feel?” she whispers, like she doesn’t know she stole my heart, piece by piece, that first day in biology class, and that night we got frozen yogurt, and at our roller-skating date, bruised forehead and all. “Like I’m so in love with you, Molly Parker.” And... it feels right. The words I’ve been so scared of for years suddenly come easier than I ever thought possible. “I love you too, Alex Blackwood,” she says, and it’s all the things I never knew an “I love you” could be, meeting me exactly as I am, without a single condition. It’s coming home instead of running away.
R.Lippincott, A.Derrick
Here, let me help,” he says before stepping in front of me and kneeling on the hard floor. One big hand wraps around my ankle and pulls my skate-covered foot to rest on a thickly muscled thigh.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
You’re being sloppy, Stas!” she yells as we fly straight past her. “Sloppy girls don’t get medals!” What did I say about not throwing skates at her? “Come on, Anastasia. Put in some effort for once.” Aaron snickers, poking his tongue out at me when I shoot him a cold glare. Aaron Carlisle is the best male figure skater the University of California, Maple Hills, has to offer. When I was offered a spot at UCMH and my skating partner wasn’t, Aaron was luckily in the same position, and we became
Hannah Grace (Icebreaker)
This is Nathan, my boyfriend. Nate, this is James. He was my skating partner until I moved to Maple Hills.” Boyfriend. It’s the first time I’ve heard her say it, and she said it so confidently. I definitely didn’t imagine it. This isn’t the time to have an internal meltdown, Hawkins.
Hannah Grace (Icebreaker (Maple Hills, #1))
26 In which we say goodbye to Ophelia Jane Worthington-Whittard After the hospital, where Mr. Whittard had his arm bandaged, they went in a taxi to the hotel. They drove through the streets of the city, where it no longer snowed. Alice folded all the clothes the museum curator had given her and left them neatly on her bed. She re-dressed herself, the way she had always dressed, in jeans and a T-shirt. She applied blood-red lipstick, which was way too grown-up for her. The sun was just up. It shone everywhere on the snow and on the glistening white trees and on all the windows. Behind each window there were people waking up to Christmas Day. They would no doubt open their presents, eat, and ice-skate. They would not set a time limit; they would skate into the night, and their cheeks would burn bright, and they would smile. Somewhere a man would take a violin out and begin to play. At the airport the family’s three suitcases were checked and the large, unusually shaped package was checked as well. The unusually shaped package went through the X-ray machine, and security looked very surprised until Ophelia’s father produced his card, which read: MALCOLM WHITTARD LEADING INTERNATIONAL EXPERT ON SWORDS They took their seats and rested, waiting for takeoff. Ophelia felt for Alice’s hand, and Alice squeezed in return until they were high in the air. Ophelia looked at her watch. They would be home within a few hours. She went to calculate … and stopped. Be brave, her mother whispered in her ear, and then was gone. From the airplane window Ophelia could see the city below. All the small and winding gray cobblestone streets, all the shining silver buildings and bridges, the museum, getting smaller and smaller until it was lost. She caught just a glimpse of the vast and fabled sea before the clouds covered this world. In that tiny moment she fancied she saw blue water, perfect blue water, the whitecaps breaking. Then that view was gone, swallowed up by the whitest clouds she’d ever seen. Ophelia Jane Worthington-Whittard, brave, curious girl, closed her eyes and smiled. THE END.
Karen Foxlee (Ophelia and the Marvelous Boy)
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
John Beckman (American Fun: Four Centuries of Joyous Revolt)
A knock on the door startled her. “Heard my sister took a spill,” a familiar, deep voice boomed. She flung the door open. “Martin! I didn’t hear you come in.” “Unlike some people”—he tapped her nose—“I can manage to cross a room without tripping.” She shot him a glare. “I was skating.” “So I heard.” He leaned against the door frame. “I realize you’re injured, but why don’t you let me walk you down to the beach? It’s as hot as—” “Martin.” “What? I was going to say as hot as an oven.” “Of course you were.” She slapped her brother’s arm and followed him out.
Lorna Seilstad (A Great Catch)
When two souls stand on ice, it is easy to say which one is leading the movement and which one is following. The art of ice skating is that one is bound to fall, but nevertheless learn a lot more in the process, learn to rely on the other for balance until they can stand on their feet and skate as if touching the frozen past with a grace that doesn't allow it to affect them at all, for they no longer fall into the depths of it, but have already learned to float on its' surface.
Virgil Kalyana Mittata Iordache
Weights clank in a backdrop beat to the rock music on the stereo. I should be thinking about this weekend’s game, but my thoughts keep straying to my outing last Sunday afternoon with Charlie. To the way her eyes danced when she got determined to skate. To the adorable way she clung to me when she needed help. To her cute little ass in those cutoffs. I close my eyes, hating how conflicted I feel. No one ever believes me when I say that Charlotte and I have always been just friends. Only that somehow feels wrong now. I’m not sure what’s changed on my end. Maybe it’s because we’re living together and I see her every day? Maybe it’s because dragging her out of that fire scared the fuck out of me? Or maybe it’s because she feels like my best friend again, and lately I’ve been wondering what it would be like if we were… more? And when I thought she was going to wipe out? My heart was in my throat as I sprinted to catch her. When I remember how she looked at me in the park, my whole body heats. Fuck. I shouldn’t be thinking about Charlie like this. Because going there with her right now seems like a really bad idea. I promised myself I wouldn’t get involved with anyone this year. There’s too much on the line.
Lex Martin (Second Down Darling (Varsity Dads #4))
Anyway, to me he’s just Sunny. Come on up, Jacks, don’t be shy.” His eyes are wide, and he’s mouthing, “What the fuck?” At me while his friends shove him. “Sunny.” “What’s going on, Starlight?” His words are too quiet for the mic to pick up clearly. “You know I love you. I wouldn’t be here in this amazing city with this fantastic group of ladies if you hadn’t come crashing into my life. Literally.” His laugh has a nervous edge to it. “We might not seem like a perfect match from the outside, but somehow, we work. You make every single day a little lighter, a little more fun, and you drive me freaking insane sometimes.” He smirks. “But I love how you challenge me to be a better person. You make me whole. And so....” I scrabble in the waist pouch Jo passed to me after the bout. “Will you drive me crazy for the rest of our lives? Will you marry me, Jackson?” He leans into the mic. “Are you kidding me, Starlight? Way to steal my thunder.” “What?” I pull back. He reaches into the pocket of his jeans. “I was going to propose to you. I’ve been carrying this around for weeks. It was all planned out.” He pulls out a small grey velvet box. My chest shudders with laughter. “You always were too slow to keep up with me. Better get your skate coach to work on your speed.” “You like it when I take my time.” “Wait. So, is that a yes?” I shove at him to get a little distance. It’s entirely possible I could self combust if he doesn’t give me a bit of space. “No.” I gasp as he drops to one knee. “Starlight. You’re my world. That day I knocked you over at that shitty roller rink was the best day of my life. I say was, because every day I’ve gotten to have you in my life has been a little better, and the day I get to slide my ring on your finger to make it permanent. I can’t wait for that. So, Tasha Scar, will you marry me?” My smile spreads all the way up my face, his eyes falling to the dimple I’ve grown to appreciate. “Fine. But just remember. I asked first.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
You fucking love bossing me around. Think how good it’s going to be teaching me to figure skate. Please say yes.” “I don’t think this is a good idea…” “But say yes anyway.” Blowing out an exhausted, tension-riddled laugh, I nod. “Okay. Let’s be partners. Yes.
Hannah Grace (Icebreaker (UCMH, #1))
I’ve been on the edge since I woke up this morning with a hangover sent directly from the pits of hell, so the last thing I need right now is more grief from Coach Aubrey Brady. I focus on suppressing my annoyance, like I do every training session when she makes it her mission to push me to my limits. Rationalizing it’s her dedication that makes her such a successful coach, I decide throwing my ice skates at her is something that should stay in my imagination. “You’re being sloppy, Stas!” she yells as we fly straight past her. “Sloppy girls don’t get medals!” What did I say about not throwing skates at her?
Hannah Grace (Icebreaker)
What did I say about not throwing skates at her?
Hannah Grace (Icebreaker (UCMH, #1))
When you learn to ride a bike, ice skate, or downhill ski, the first thing you’re taught is how to stop. It’s an essential skill because if things start heading the wrong direction, you can stop and limit the damage. This same skill is necessary with conversations that have the potential to go off the rails and create lasting damage. When someone blindsides you and says something that triggers you, find the brakes, so you can hit that Pause button. This can be tricky because, by nature, we often aren’t patient communicators. We expect responses right away and feel compelled to offer the same. I’m inviting you to challenge that and request a little time to gather your thoughts. It can happen faster than you think, so I advise my clients to make simple requests that allow them to Pause. Some examples include: • Let me catch my breath here. • Can we find a place to sit down to talk about this? • Give me a moment to close my door. • Let me go to the bathroom/let the dog out/fill my coffee, and then I will give you my undivided attention. The truth is, your brain needs time to overcome some of your initial reactions and access other choices.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
Putting flow-prone kids into high-flow environments means a lot of flow. Arming them with advanced flow-hacking techniques means even more. All this flow makes the activity deeply rewarding, both fulfilling a child’s innate need for autonomy, mastery, and purpose and further increasing their sense of intrinsic motivation. When Tom Schaar says, “I love being with my friends at the skate park — that’s the greatest feeling,” what he’s saying is no one has to force him to practice, the autotelic nature of the activity — the fact that it drives him into flow — is the source code of his motivation.
Steven Kotler (Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work)
It’s not hard to find evidence that can be used to back up a parent’s decision to never let their kid venture out unsupervised (a viral story of a child lured away from a skating rink, a forced abduction from a park, a memory of a missing child from the parent’s own elementary school days). I empathize with the feelings of horror those stories evoke. To feel this way is natural. But what do we do with those feelings? I don’t think we should use them to make our safety decisions for us. I’d encourage parents to look at the data and probability of crimes involving tweens and young teens. Some will say, “Probability doesn’t matter. If it happens one time, to my child, that’s all that matters. It’s my job to protect against the possibility of danger, no matter how small.” My response to that is simple: You can’t even try to keep your child safe from random acts of tragedy.
Michelle Icard (Fourteen Talks by Age Fourteen: The Essential Conversations You Need to Have with Your Kids Before They Start High School)
I think it’s bullshit that the only meaningful stories are the ones that are deep and pondering and boring, saying all this nonsense without ever saying anything, and you’re supposed to, like, read meaning into the yellow wallpaper or something.” She rolls her eyes. “You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
Hemingway used to say that a well-written page is like a snowy field without potholes, stones, or barriers; you can ski or skate on it smoothly without losing your balance or stumbling.
Cristina De Stefano (Oriana Fallaci: The Journalist, the Agitator, the Legend)
A moment later, she returns with a gladstone bag and a thick oiled cloak thrown over her shoulders. I am still debating the best way to tell her who I am—why had I thought it would come up more naturally than this? As she fumbles with her keys, the teeth skating along the rain-slick surface of the latch, she asks, “It’s your brother, you say?” “Yes. His name is Henry Montague.” She drops her keys. I almost bend to retrieve them for her, but she spins to face me, and her gaze pins me in place. She whips off her spectacles and looks me up and down, a careful inspection, like she hadn’t truly seen me before. “Adrian,” she says. I swallow. “I’m sorry, I should have said right away, but I thought you’d . . .” No use babbling—the more I try to make excuses for the nonsensical order in which I introduced myself and my reasons for coming, the deeper I dig this grave. So I surrender any hope of a better first impression and simply say, “Yes, I’m Adrian. I’m your brother.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Take a deep breath for me, Olivia.” I do as I’m told. The way he says my name tightens my core and makes me utterly mindless. He grabs onto my hips firmly and in one fluid motion he flips me on my stomach. My toes skating across his chest before landing on the other side of him.
EJ Heater (The Choice Is Yours (New England Bookkeepers Book 1))
Boss, please know I have your best interests at heart when I say this.” “Okay?” “Put yourself out of your misery and fuck the man, already.” She lifts a brow as my lips part. “First and foremost, I’ve seen him, and not even the Messiah himself will blame you for fornicating sinfully and often with him. You can think it through all you want, but combine sexual tension, old hurts, conflicting feelings, and what-ifs, and you two are going to be hamsters on roller skates for some time.
Kate Stewart (The Finish Line (The Ravenhood, #3))
I remove my pads and skates in the locker room. Under the shower spray, I play out my argument, anticipating what he will say. I enjoy my shower fights; they always go in my favor.
Sloane St. James (Stand and Defend (Lakes Hockey, #4))
John Bull’, says someone, ‘can stand a great deal, but he cannot stand two per cent …’ Here the moral obligation arises. People won’t take 2 per cent; they won’t bear a loss of income. Instead of that dreadful event, they invest their careful savings in something impossible – a canal to Kamchatka, a railway to Watchet, a plan for animating the Dead Sea, a corporation for shipping skates to the Torrid Zone. A century or two ago, the Dutch burgomasters, of all people in the world, invented the most imaginative occupation. They speculated in impossible tulips.
Edward Chancellor (The Price of Time: The Real Story of Interest)
The seventies were crazy everywhere, but crazier in Los Angeles. It was the era of freewheeling drugs and sex, the rag end of the sixties. I refer to sprees, to strange couplings and triplings, to nights that started with beer and wine and ended with cocaine and capsules, to debaucheries too various to chronicle. In a sense, we were all Robert Mitchum, smoking rope in bed with two girls while the sun was still noon high. We thought it was normal. You would walk into a house for a pool party, and there, on the cocktail table in the center of the living room, as if it were nuts or cooked shrimp, would be a platter of cocaine. We did it because we were stupid, because we did not know the danger. When I talk about my drug years, I am talking about twenty-four months in the middle of the seventies. I was in the rock and roll world, which meant I was around the stuff all the time. Of course, it was more than mere proximity. I was fun when I was high, talkative and all-encompassing. I could go forever, never be done talking. To some extent, I was really self-medicating, using the drugs to skate over issues in my own life. The fact is, money and success had come so fast, while I was away doing something else, not paying attention, that, when I finally realized where I was and just what I had, I could not understand it. There was this voice in my head, saying, Who do you think you are? What do you think you did? You are a fraud! You don’t deserve any of this! I tortured myself, and let the anxiety well up, then beat back the anxiety with the drugs, on and on, until one day, I stood up and said, “Screw it. That’s over. I’m done.” No rehab, no counseling, nothing like that. Just a moment of clarity, in which I saw myself from the outside, the mess I was making, the waste. I was slipping, not working as hard as I used to. I started leaving the office early on Fridays, then skipping Fridays altogether. Then I started leaving early on Thursdays, then arriving late on Mondays. I was letting myself go. Then one day, I just decided, It has to stop. I threw away the pills and bottles, took a cold shower, had a barbershop shave, and stepped into the cool of Sunset Boulevard, and began fresh. Maybe it had to do with my family situation. I was a father again.
Jerry Weintraub (When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man)
I can’t mix skating and whatever we are. I like you, which pains me greatly to say out loud, but you’ve wormed your way in and made me enjoy spending time with you. I’m nice to you now. It’s a true representation of how far I’ve fallen. A disaster, some people would say.
Hannah Grace (Icebreaker)
Bastard,” she hisses. “I should kill you.” A thrill skates through my abdomen at the words, at her threatening tone. My cock twitches. “Do it then,” I say.
Rebecca F. Kenney (The Maleficent Faerie (Beloved Villains, #2))
But it still didn’t feel like enough. She could imagine the Nigerwives saying on the way home that the party was nothing special—only one bouncy castle, no Ferris wheel, no railway train, no roller-skating rink, not even proper champagne. That they expected more from the Oruwaris.
Vanessa Walters (The Nigerwife)
I'm starting a skate club at my church if you want to join," Jeannie says to me. For some reason, her Yooper accent gets even thicker when she talks about church. She really puts the "eh" in "amen.
Carrie S. Allen
“You’re staying with me?” I ask, surprised. “You can go back to the skate park, Ry. I’m fine here.” “Nah. Rem and Ry for life, remember?” he says, bumping my fist with his and finishing the secret handshake we made up a few years back. “Thank you. For everything.” “It’s no big deal." But it was to me. That’s the real Ryan. Fiercely loyal and scary as hell.
Charleigh Rose (Misbehaved)
I guess you Da Man now, Filthy, JB says. And for the first time in my life I don’t want to be. I bet the dishes you miss number fifty, he says, walking away. Where’s he going? Hey, I shout. We Da Man. And when he turns around I toss him the ball. He dribbles back to the top of the key, fixes his eyes on the goal. I watch the ball leave his hands like a bird up high, skating the sky, crossing over us.
Kwame Alexander (The Crossover (The Crossover, #1))
espresso and tapas and it’s perfect for my current mood. As I walk along, pounding the hard pavement, a woman on roller skates burns past me, her white shirt billowing around like a puff of smoke as she elbows me out of the way. The roller skates remind me of Dad, and of clinging on to his hand as I attempted to balance on the pair of rainbow-coloured roller skates I got for my tenth birthday. Thinking of Dad makes me wonder what it must have been like for him all of those years ago. I ponder for a moment, and then after remembering what Sam said in the club, I pull my mobile out from my bag and scroll through the address book to find his number. ‘Hello darling, what a wonderful surprise. Is everything OK?’ His voice sounds worried. ‘Shouldn’t you be at work?’ There’s an awkward silence. ‘I am at work,’ I reply, a little too sharply. ‘Well, I just popped out and … err, I’m sorry I couldn’t talk to you the other day,’ I manage, trying to disguise the unease in my voice. ‘So how are you?’ I add, awkwardly. ‘I’m fine. A bit tired. Anyway, enough about me. It’s so nice to hear from you,’ he says, and for a moment it’s as though everything that’s gone on between us before has been forgotten in an instant. But then my back constricts. I start to feel as though calling him was a bad idea, and I realise that I’m just not ready to forget what he did to us … especially to Mum. ‘You know I was telling Uncle Geoffrey
Alex Brown (Carrington’s at Christmas: The Complete Collection: Cupcakes at Carrington’s, Me and Mr Carrington, Christmas at Carrington’s, Ice Creams at Carrington’s)
I don’t want you to go, Brooke.” Resentful, overwhelmed, significant tears streaked down my cheeks and I turned my face toward his arm. “You don’t get to say things like that.” “Why not?” he asked, his lips skating over my neck, my shoulder. “You’re allowed to hate me just as much as I’m allowed to want you. It’s always been that way.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
Erica acted as though she didn’t even see him, rambling on about hucking off ledges and pulling kangaroo flips in the terrain park, until we were well past him and at the ice rink again. Then she turned to me, fluttered her eyelashes, and announced, “Let’s go ice-skating!” I stared at her, thrown. There weren’t any bodyguards around for her to be acting in front of, and yet “Let’s go ice-skating!” was one of the last things I would have ever expected to hear Erica Hale say, along the lines of “I love scrapbooking,” or “Unicorns are awesome.
Stuart Gibbs (Spy Ski School (Spy School, #4))
I walked out into the parking lot and found the space he’d written on the rental folder.  I frowned at the bright yellow and black machine that sat there waiting for me.  What is that?  A riding lawnmower?  “This can’t be right,” I said to no one.  I was the only one out there, so I don’t know who I thought I was talking to, but having a thousand conversations in my head over the last twenty-four hours was making me question my own sanity.  Probably talking out loud to myself wasn’t any better, but what the hell … might as well change up the crazy every once in a while to keep it fresh. I pressed the button on the key ring and the headlights flashed on once, proving this was not a mistake.  “A Smart Car?  Are you kidding me?”  It looked like a giant, wasp-yellow roller skate.  Maybe not even a giant one; maybe just a large-ish roller skate.  Surely looking like a giant wasp flying down a country road was a bad idea for a girl with a sting-allergy… I debated in my head whether I should go and argue for one of the other fifty full-sized cars on the lot, but then gave up on the idea five seconds later.  “Screw it,” I said, annoyed as hell.  “Might as well get eight hundred miles to the gallon, right?!”  The tone of my voice had drifted a little over to the hysterical side, but there was nothing I could do about it.  I was barely hanging on, the stress almost enough to send me to the looney bin.  I just kept picturing Bradley saying, “You got married?  To a complete stranger?  In Las Vegas?  When you were drunk?  By a guy named Elvis?”  It was too horrible to fully fathom.  He’d dump me just for humiliating him in front of all his clients and his frat brothers and his parents.  There were so many people expecting me to be the perfect fiancée. I threw my overnight bag in the passenger seat and drove off the lot, wishing I could peel out and really express my anger in a satisfyingly loud and obnoxious way.  But I quickly learned that a Smart Car doesn’t know how to peel out; it’s not equipped to do much with its lawn-mower sized engine.  It just knows how to deliver me from Point A to Point B on a very small amount of gas with almost zero elbow room.  I felt like a clown buzzing around in her little circus car.  The only things missing were a little face paint and some floppy shoes.  At first I thought I was also missing one of those brass honky-horns that clowns carry around, but then I pressed on the steering wheel and found out differently.  Yes, it’s true.  The Smart Car comes equipped with a clown honky-horn.
Elle Casey (Shine Not Burn (Shine Not Burn, #1))
Five minutes before practice is scheduled to end, Coach Giles blows his whistle and motions for us to join him at the bench. His typically stoic face crinkles into something like a smile. “Great news,” he says. “Just got a text from the activities office. Halcyon Lake has been selected as one of this year’s HockeyFest cities.” Carter whoops and Justin lifts me off my skates and spins me around as the guys talk over one another in their excitement. “Holy crap,” Showbiz Schroeder says. “Ho.Ly. Crap.” This is the closet Showbiz comes to swearing (admirable, considering the potty mouths on our team), further evidence that this announcement is a big deal.
Sara Biren (Cold Day in the Sun)
Even in advanced countries the labour market is built overtly on coercion. Just listen to any politician make a speech about welfare: cutting unemployment and disability benefits is designed to force people to take jobs at wages they can’t live on. In no other aspect of the market does the government coerce us to take part; nobody says ‘You must go ice skating or society will collapse.
Paul Mason (Postcapitalism: A Guide to Our Future)
says something that I know more about the geography of his face and body than I do about his mind, but then we’ve always skated around the edges of our inner lives. Letting each other in just as far as was needed and no further. Why is that? How have we let that happen?
Lesley Kara (The Rumour)
He’s giving the place a look that clearly states he thinks I’ve lost my mind. “Vampires don’t… roller skate,” he says as he gets out of his side of the vehicle even though he’s pretending he isn’t interested. “Vampires don’t do… weird things. We can already move fast enough as it is.” “You’ve never gone roller skating?” I’m sure my eyes are extremely wide at this point. This is the best news I’ve heard all day. Marcus waves at himself as he gets his brooding look out from wherever he keeps it for times like these. “Does this body look like it roller skates?” “I really can’t wait to find out,” I say.
Alice Winters (How to Vex a Vampire (VRC: Vampire Related Crimes, #1))
Unfortunately, any discussion of my powers led to thoughts of shape-shifting, which led to thoughts of Annie, which led to worry. Worry? Hell, no. Let’s call it what it really was. Outright panic. If I even started thinking of it, my heart pounded and my mouth went dry. When I tried to skate over the subject, Daniel brought me back, and we hashed it out. Turning out like Annie wasn’t a certainty--she was the only subject we knew who’d begun to shift. Growing up in a medical research town meant we knew all about side effects and outliers. Her case might be a one-off. And if it wasn’t? Then we knew where to find the scientists who’d done this to us. We didn’t trust them. We didn’t want anything to do with them. Still… “If that happens to you, we’re getting their help,” Daniel said. “But--” He put his hand over my mouth. “No buts. If it happens to you, we go to them. We’ll force them to fix you on our terms.” A wry smile. “I can make people do things, remember?” I was sure it wouldn’t be that easy. But having him say it? Be willing to take that risk for me? It meant a lot.
Kelley Armstrong (The Calling (Darkness Rising, #2))