Skating Life Quotes

We've searched our database for all the quotes and captions related to Skating Life. Here they are! All 100 of them:

Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm. “Sorry, clumsy,” she says. “You always were, Sadie. One of your more endearing traits.” Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man … She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?” “Someone you knew in another life, honey.
Stephen King (11/22/63)
Champions never sleep, the eternal spirit keep them alert and awake.
Amit Ray (Enlightenment Step by Step)
Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
Shah Asad Rizvi
Dance less in motion and more in spirit; awaken the dreamer within.
Shah Asad Rizvi
Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
Shah Asad Rizvi
I felt I was drawing close to that age, that place in life, where you realize one day what you'd told yourself was a Zen detachment turns out to be naked fear. You'd had one serious love relationship in your life and it had ended in tragedy, and the tragedy had broken something inside you. But instead of trying to repair the broken place, or at least really stop and look at it, you skated and joked. You had friends, you were a decent citizen. You hurt no one. And your life was somehow just about half of what it could be.
Roland Merullo (A Little Love Story)
Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
Shah Asad Rizvi
If movements were a spark every dancer would desire to light up in flames.
Shah Asad Rizvi
If spirit is the seed, dance is the water of its evolution.
Shah Asad Rizvi
Dance is the timeless interpretation of life.
Shah Asad Rizvi
Show me a person who found love in his life and did not celebrate it with a dance.
Shah Asad Rizvi
If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
Shah Asad Rizvi
Don't breathe to survive; dance and feel alive.
Shah Asad Rizvi
Life is an affair of mystery; shared with companions of music, dance and poetry.
Shah Asad Rizvi
Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.
Shah Asad Rizvi
Music does not need language of words for it has movements of dance to do its translation.
Shah Asad Rizvi
It is not over. Champions extend their limits and make things happen.
Amit Ray
You said that life's just like skating; I just need to kick forward and take a chance, push off the ground and follow through. And when everything works out, I'll coast.
Jay McLean (Kick, Push)
Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.
Shah Asad Rizvi
DANCE – Defeat All Negativity (via) Creative Expression.
Shah Asad Rizvi
I skate to where the puck is going to be, not where it has been.
Wayne Gretzky
She who is a dancer can only sway the silk of her hair like the summer breeze.
Shah Asad Rizvi
Soar like an eagle beyond skies of heavens reach; as wings of dreams dance with winds of reality.
Shah Asad Rizvi
Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,
Shah Asad Rizvi
It's only life. We all get through it. Not all of us complete the journey in the same condition. Along the way, some lose their legs or eyes in acidents or altercations, while others skate through the years with nothing worse to worry about than an occassional bad-hair day. I still possessed both legs and both eyes, and even my hair looked all right when I rose that Wednesday morning in late January. If I returned to bed sixteen hours later, having lost all my hair but nothing else, I would consider the day a triumph. Even minus a few teeth, I'd call it a triumph.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Dance is the ritual of immortality.
Shah Asad Rizvi
When the melody plays, footsteps move, heart sings and spirit begin to dance.
Shah Asad Rizvi
One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.
Shah Asad Rizvi
I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
What is a quote? A quote (cognate with quota) is a cut, a section, a slice of someone else’s orange. You suck the slice, toss the rind, skate away. Part of what you enjoy in a documentary technique is the sense of banditry. To loot someone else’s life or sentences and make off with a point of view, which is called “objective” because you can make anything into an object by treating it this way, is exciting and dangerous.
Anne Carson (Decreation: Poetry, Essays, Opera)
As long as you're better at it than skating...," Anna said and stood up too. She wanted to say more, but that wasn't possible because he was kissing her. Reasonable Anna wanted to draw back the danger of touch. But unreasonable Anna welcomed the kiss like happiness. Maybe, she thought, it's better to take these moments when you get them - there might not be too many in life.
Antonia Michaelis (The Storyteller)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
About suffering they were never wrong, The Old Masters; how well, they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree. In Breughel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water; and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, had somewhere to get to and sailed calmly on.
W.H. Auden
Skateboarding has taught me two things - that symbolise a meaning of life. How to keep a balance and how to pick yourself up when you've fallen.
Nikki Rowe
Burdened no more is soul for whom life flows through dance and not breath.
Shah Asad Rizvi
Dance is that delicacy of life radiating every particle of our existence with happiness.
Shah Asad Rizvi
We live amid surfaces, and the true art of life is to skate on them well,” wrote Emerson. Is it true? If so, who can bear to believe it?
Maggie Nelson (The Art of Cruelty: A Reckoning)
But the laughter was like a water bug on a pond, skating across the surface of his mind. He was amused and he laughed, but nothing was deeply funny; life was simply stupid most of the time.
John Sandford (Secret Prey (Lucas Davenport, #9))
The woman is not just a pleasure, nor even a problem. She is a meniscus that allows the absolute to have a shape, that lets him skate however briefly on the mystery, her presence luminous on the ordinary and the grand. Like the odor at night in Pittsburgh’s empty streets after summer rain on maples and sycamore.
Jack Gilbert (Collected Poems)
Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.
Shah Asad Rizvi
Hearts shall dance once again; when canvas of ice is painted with the brush of skates.
Shah Asad Rizvi
Allure goes beyond appearances to the way they grace the world. Some women propel themselves by means of an internal gyroscope. Others glide through life as if on ice skates. Some women convey their tortured lives through their eyes; others encircle you in the music of their laughter.
Keith Donohue (The Stolen Child)
She was a strange, unsettled planet that had had once sustained life. She was a language that I had thought I almost understood even though I couldn't speak it. She hadn't always been this way. She used to wear high knee socks and short shorts and tube tops, and travel everywhere on roller skates.
Miriam Toews (The Flying Troutmans)
I’m not the kind of girl who spends hours getting ready. I don’t blow dry my hair. And I hate make up. I’m not pretty. And I don’t want to be. I am passionate and restless and wild. I’m exhausted by prudent ideologies. I’m not inferior because of my lack of convention. I’m as strong as I am broken. I’m tired of having my sexuality mistaken for an invitation. I will sweat and I will run. I will let the rain come down on me. I want to feel life as I am. I don’t want to skate through having my immoderation controlled by weak judgements. By fear. I don’t want to be who I’m supposed to be, I want to be who I am.
Jacqueline Simon Gunn
He wagged his finger in my face. "You're not SUPPOSED to do anything. YOU'RE the one trying to change ME. Remember? As far as I'M concerned, YOU can do anything you want." "Except criticize you." "Hey," he said, "if that's how you want to spend your life, getting on my case"--he threw out his arms--"be my guest." He turned his deep blue eyes on me. "And anyway--" He let it hang there. He was smirking. Suddenly I felt as if I were on roller skates. "What?" "I know why you're doing it." I stopped. He walked on. "Doing what?" I said. "What? Why?" I think I was babbling. He flipped his answer as blithely as a candy wrapper over his shoulder: "You know.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
World seems like a void of silence every time footsteps are deprived of dancing shoes.
Shah Asad Rizvi
When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.
Shah Asad Rizvi
We live amid surfaces, and the true art of life is to skate well on them.
Ralph Waldo Emerson (Selected Journals, 1841-1877)
It seemed to me that life was a giant ice skating rink, and I was the only one who didn’t have skates. Most people fear death. I don’t. I’m only afraid of not living. I don’t want to be the one behind the ice rink fence, watching other people having fun.
Milena Veen (Just Like a Musical)
No, you don't write about love for the very same reason you refuse to learn to roller skate. You dislike the idea of introducing anything that requires hurting yourself repeatedly before you get good at it.
Amber Dawn (How Poetry Saved My Life: A Hustler's Memoir)
Every time you come to the limit of what is demanded of you, you are faced with the same problem - to be yourself! And with the first step you make in this direction you realize that there is neither plus nor minus; you throw the skates away and swim. There is no suffering any more because there is nothing which can threaten your security. And there is no desire to be of help to others even, because why rob them of a privilege which must be earned? Life stretches out from moment to moment in stupendous infinitude. Nothing can be more real than what you suppose it to be. Whatever you think the cosmos to be it is and it could not possibly be anything else as long as you are you and I am I. You live in the fruits of your action and your action is the harvest of your thought. Thought and action are one, because swimming you are in it and of it, and it is everything you desire it to be, no more, no less. Every stroke counts for eternity. The heating and cooling system is one system, and Cancer is separated from Capricorn only by an imaginary line. You don't become ecstatic and you are not plunged into violent grief; you don't pray for rain, neither do you dance a jig. You live like a happy rock in the midst of the ocean: you are fixed while everything about you is in turbulent motion. You are fixed in a reality which permits the thought that nothing is fixed, that even the happiest and mightiest rock will one day be utterly dissolved and fluid as the ocean from which it was born.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Recalling his childhood in later life, Adams wrote of the unparalleled bliss of roaming in the open fields and woodlands of the town, of exploring the creeks, hiking the beaches, "of making and sailing boats...swimming, skating, flying kites and shooting marbles, bat and ball, football...wrestling and sometimes boxing," shooting at crows and ducks, and "running about to quiltings and frolics and sances among the boys and girls." The first fifteen years o fhis life, he said, :went off like a fairytale".
David McCullough (John Adams)
Skate, if it were possible to choose who we fall in love with, no one would ever get it done, because we’d all be chasing after this ideal person who doesn’t even exist.
Genevieve Dewey (The Good Life)
Skate, you’re about to pop the best wheelie of your life.
Genevieve Dewey (The Bird Day Battalion (Dom and Kate #1))
Burdened no more is soul for whom life flows through dance like breath.
Shah Asad Rizvi
Make dance the mission every moment seeks to accomplish.
Shah Asad Rizvi
Order is the public façade we’re called upon to wear, the politeness of a gathering of civilized strangers, and the thin ice on which we all skate.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
No. No risk, no failure. And without failure you’re not really human. You’re just skating on the surface of life.
Olen Steinhauer (All the Old Knives)
Spirit is a child, the tune of dancing feet its lullaby.
Shah Asad Rizvi
There is a complexity to life that I often overlook. There is a depth of thinking, there is a richness. I am skating on the surface.
Augusten Burroughs (Possible Side Effects)
That’s the great thing about music. If you played it, it’s correct. The worst musical train wreck hurts absolutely no one. It’s all part of the show. In fact it’s how we get to the great stuff. There is no penalty for skating on the edge or throwing ourselves off the cliff. So we do.
Stewart Copeland (Strange Things Happen: A Life with The Police, Polo, and Pygmies)
The male rabbits began chattering their teeth against another’s, filling the room with a spastic, scratching sound, similar to a full shift of skate blades on a puck chase, cutting fresh ice. “An animal on a farm has no worth if it isn’t useful. I earned my right to survive--I’m named!
Kevin Moccia (The Beagle and the Hare)
She was her own kind of dreamer, a blind mathematician skating along the thin surface of life, believing in the saving power of logic, reason, and information, overlooking the whole murky expanse of feeling and animal instinct that was the real driver of human behavior, the real author of history.
Jessica Shattuck (The Women in the Castle)
Horror and terror lurk behind the walls provided so wisely by our ancestors. We tear them down at our peril. We skate, unconsciously, on thin ice, with deep, cold waters below, where unimaginable monsters lurk.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
About how you can skate over the surface of the world for your entire life, visiting, leaving, without ever really falling through. But you can’t do that, it isn’t good enough. You have to be able to fall through. You have to be able to sink, to immerse yourself. You can’t just skate over the surface and visit and leave.
Emily St. John Mandel (Last Night in Montreal)
You want religion?” Finn pushed back a lock of my hair. “Then I’ll get on my knees and worship you for the rest of my life. You want to save someone? You’ve already done it. You saved me. You want heaven?” His hand skated up the back of my skirt. I shivered. His deep voice hummed in my ear. “I’ll take you there right now.
T.M. Frazier (The Outliers (The Outskirts Duet, #2))
Life itself seemed so alarmingly exigent, to require so much of the self. It was too difficult to remember and think and express and understand - all things I needed to be able to do to talk. To keep my face animated at the same time was insult added to injury. It was like trying to cook and roller-skate and sing and type all at once.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it. Jojo: WHAT THE FUCK JASMINE I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again. Life was all about the little things. So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad. Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared. Jojo: WHY WOULD YOU NOT TELL ME Jojo: HOW COULD YOU DO THIS TO ME Jojo: DID THE REST OF YOU KEEP THIS FROM ME Tali: What happened? What did she not tell you? Tali: OH MY GOD, Jasmine, did you get knocked up? Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty. Sebastian: Jasmine’s pregnant? Rubes: She’s not pregnant. Rubes: What happened, Jojo? Jojo: MOM DID YOU KNOW ABOUT THIS Tali: Would you just tell us what you’re talking about? Jojo: JASMINE IS SKATING WITH IVAN LUKOV Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts. Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW Tali: ARE YOU KIDDING ME? IS THIS TRUE? Tali: JASMINE Tali: JASMINE Tali: JASMINE Jojo: I’m going on Lukov’s website right now to confirm this Rubes: I just called Mom but she isn’t answering the phone Tali: She knew about this. WHO ELSE KNEW? Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you. Jojo: ^^ You’re such a vibe kill Sebastian: No, I’m just not flipping my shit because she got a new partner. Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else? Jojo: I FOUND OUT ON PICTUREGRAM Sebastian: She doesn’t like you. I wouldn’t tell you either. Tali: I can’t find anything about it online. Jojo: JASMINE Tali: JASMINE Jojo: JASMINE Tali: JASMINE Tali: Tell us everything or I’m coming over to Mom’s today. Sebastian: You’re annoying. Muting this until I get out of work. Jojo: Party pooper Tali: Party pooper Jojo: Jinx Tali: Jinx Sebastian: Annoying ... I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me. That didn’t mean my response had to be what they wanted. Me: Who is Ivan Lukov?
Mariana Zapata (From Lukov with Love)
don’t have anybody special in my life anymore. To be honest… that’s why I didn’t write you back for a while. My girl broke up with me right after I got here. It came out of nowhere. How long have you been with your boyfriend? Ice-skating
Mariana Zapata (Dear Aaron)
It's only life. We all get through it. Not all of us complete the journey in the same condition. Along the way, some lose their legs or eyes in accidents or altercations, while others skate through years with nothing worse to worry about than an occasional bad-hair day.
Dean Koontz (Odd Hours (Odd Thomas, #4))
Life may be chemistry, but it's a special circumstance of chemistry. Organisms exist not because of reactions that are possible, but because of reactions that are barely possible. Too much reactivity and we would spontaneously combust. Too little, and we would turn cold and die. Proteins enable these barely possible reactions, allowing us to live on the edges of chemical entropy-skating perilously, but never falling in.
Siddhartha Mukherjee (The Gene: An Intimate History)
It is understandable you would want to come back as yourself into a wonderland with the sharpness of color of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon. It may even be greater than the scope of mathematics. We cannot talk with definition about our souls, but it is certain that we will decompose. Some dust of our bodies may end up in a horse, wasp, cockerel, frog, flower, or leaf, but for every one of these sensational assemblies there are a quintillion microorganisms. It is far likelier that the greater part of us will become protists than a skyscraping dormouse. What is likely is that, sooner or later, carried in the wind and in rivers, or your graveyard engulfed in the sea, a portion of each of us will be given new life in the cracks, vents, or pools of molten sulphur on which the tonguefish skate. You will be in Hades, the staying place of the spirits of the dead. You will be drowned in oblivion, the River Lethe, swallowing water to erase all memory. It will not be the nourishing womb you began your life in. It will be a submergence. You will take your place in the boiling-hot fissures, among the teeming hordes of nameless microorganisms that mimic no forms, because they are the foundation of all forms. In your reanimation you will be aware only that you are a fragment of what once was, and are no longer dead. Sometimes this will be an electric feeling, sometimes a sensation of the acid you eat, or the furnace under you. You will burgle and rape other cells in the dark for a seeming eternity, but nothing will come of it. Hades is evolved to the highest state of simplicity. It is stable. Whereas you are a tottering tower, so young in evolutionary terms, and addicted to consciousness.
J.M. Ledgard (Submergence: A Novel)
Limit not to only five, when the divine gifts the supreme sixth; the sense of dance
Shah Asad Rizvi
Jacob explains that he distinguishes ordinary questioning from “deep questioning.” Ordinary questioning skates along the surface, like Siri. Deep questioning is slow and immersive.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
Well, we spent enough on gymnastics.' 'Christ, did we,' said Maureen. 'So many lessons.' So many lessons, it was true: art and music and ice-skating; Lily's every fleeting interest enthusiastically, abundantly indulged. Not to mention the many more practical investments--chemistry tutoring when she struggled, English enrichment when she excelled, SAT courses to propel her to the school and then, presumably, the career of her dreams. What costs had been sunk, what objections had been suppressed, to deliver their daughter into the open and waiting arms of her beautiful life.
Jennifer duBois (Cartwheel)
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
Shah Asad Rizvi
Or rather, she could - could find a way to skip from house to house, like stones skating across the river - but she will not. Because when she thinks of it, she feels neither like the river nor the stone, but like a hand, as it tires of throwing
V.E. Schwab (The Invisible Life of Addie LaRue)
You said it wasn't fair. Over and over again you kept saying that. You said, There are so many kids that want to die. She's probably the one that wanted to live the most. I thought, no, I want to live as much as she did. But only if... and then I realized how much it sucked for me to think that. Think about myself like that, complain. I was here and I could go dancing and sweat all night and eat donuts and go roller-skating and take bubble baths and grow up. I had you. Right there with me. I had you living in my life and I was alive.
Francesca Lia Block (Wasteland)
You can skate over the surface of the world for your entire life, visiting, leaving, without ever really falling through. But you can’t do that, it isn’t good enough. You have to be able to fall through. You have to be able to sink, to immerse yourself. You can’t just skate over the surface and visit and leave.
Emily St. John Mandel (Last Night in Montreal)
be blond. I know, they're shitty prejudices. There must be Russian brunettes out there with names that are super simple to pronounce, so simple you'd shout them out for no other reason than the fun of saying such an easy name. I guess there even could be some Russian girls who have never laced up a pair of skates in their life.
Faïza Guène (Kiffe Kiffe Tomorrow: A Novel)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
I want to wear flip-flops for the rest of my life.  They’re not just mere footwear.  They can act as makeshift fly swatters, they clap for you when your hands are tired.  And once I saw a lady take off her flop and swat her kid on the butt.  Yeah, that was probably going to be me one day.  ‘The beatings will continue until morale improves.
Lila Felix (Love and Skate: Books 1-5, The Complete Series)
Not a panic attack exactly, more like a spin, a particular condition that surfaced some fourteen years ago, where I suddenly feel as though I'm on a whirring merry-go-round that has just been unplugged mid-ride. It's like I'm gradually slowing to a stop, the silence between my heart's weakening beats stretching longer and longer, as I skate the last loops of my life.
Jessica Knoll (Luckiest Girl Alive)
Give a man a fish and he'll eat for a day. Teach him how to fish with the right line, the right bait, at the right time of day, at the right sort of spot, and if he has the right recreational or commercial licence he may, with practise and experience, actually be able to feed himself and his family for a lifetime. And that is something worth fishing for!
Cameron Semmens (ICE SKATING IN THE TAJ MAHAL - a totally non-depressing look at poverty (in poems you'll want to share))
I... I remember, she realized. A feeling came over her, so strong that for the smallest of moments, it warmed her soul. Pictures flew through her mind: She and Elsa talking in their bedroom, baking with their mother in the kitchen, running down the central staircase. Do the magic! she heard a voice say, and now she realized it was her younger self begging Elsa to create more snow. Together they had skated around the Great Hall and made snow angels. They had built Olaf! She used to marvel at Elsa's magic and always wanted her sister to use it. Do the magic! she heard herself beg again, and then she saw the moment when everything changed. In her haste to stop Anna from falling off a snow mound, Elsa had accidentally struck her. That was when she and Elsa had been ripped apart. She remembered everything!
Jen Calonita (Conceal, Don't Feel)
James Brown had many guises, many names: Crip, Music Box, The Hardest Working Man In Show Business, Mr. Please Please Please, Butane James, Soul Brother Number One, Skates, The Godfather of Soul...He was His Own Bad Bad Self, the Sex Machine, Black Elvis, the Minister of the New New Super Heavy Funk, The Original Disco Man, Universal James. But before any of them, he was simply a dancer doing the James Brown.
R.J. Smith (The One: The Life and Music of James Brown)
Look, no one wants to hear that maybe she’s the reason her mother flew the coop. But my advice to you is to put this behind you. File it away in the drawer that’s saved for all the other crap that isn’t fair, like how the Kardashians are famous and how good-looking people get served faster at restaurants and how a kid who can’t skate to save his life winds up on the varsity hockey team because his dad is the coach.
Jodi Picoult (Leaving Time)
There are vanishingly few of them, those days when the game can still surprise us. When it does happen, it comes without warning; we just have to trust that we’ll recognize it. So when the echo of the skates cutting into the ice bounds up the banks of seating, Sune stops and pauses for a moment before casting one final glance over his shoulder again. He sees the fifteen-year-old turn, holding his stick lightly in his hand, then set off again at blistering speed, and Sune will remember this as one of the true blessings in his life: seeing the impossible happen in Beartown for a third time. The caretaker looks up from the screws in the railing and sees the old coach sink onto one of the seats on the top row. At first he seems to be seriously ill. Then the caretaker realizes that it’s because he’s never seen the old man laugh before. Sune is breathing through his nose with tears in his eyes, and the whole rink smells of cherry blossom.
Fredrik Backman (Beartown (Beartown, #1))
There are details about your life I really do not want to know about. You told me he taught you how to fight with weapons, but I guess I never…” “Put two and two together?” Katie grinned. “That’s not like you, detective Jules.” “I know. I guess I overlooked the gory details. Blood and guts have never been my forte. I like action. Give me Mission Impossible and CSI, but leave out the gruesome details.” They stopped upon reaching the entrance to the barn. “Roller skating disco lover turns FBI crime scene investigator. I think there’s a book waiting to be written for you.
Mary Abshire (Immortal Revenge (Legacy, #1))
Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination. While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.' Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.
Pamela Paul (My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues)
Asking Wolf to couples' skate is like bungee jumping without a cord-it may be the bravest thing I've ever done in my life. Or it could be the stupidest. There's only one way to find out. I look him dead in the eyes, summoning up both my courage and my sense of reckless abandon, but before I can even speak one syllable- "Oh!" he says, looking over one shoulder and dropping his hands. "Kaitlyn's free now. I gotta get over there!" He rushes off, blowing me an air kiss. My mouth should get used to falling open when he's around, either from his good looks or from his total lack of comprehension of all things polite. Did that just happen? My face in my palms, I lean on my elbows against the rail, invisible, and fall into an intoxicating state of self-pity.
Alecia Whitaker (The Queen of Kentucky)
As she grew up, as her character was built, as she became headstrong rather than pert, and clever enough to know when to hide her cleverness, as she discovered friends and social life and a new kind of loneliness, as she came from country to town and began amassing her future memories, she admitted her mothers's rule: they made their mistakes, now you make your mistakes. And there was a logical consequence of this, which became part of Martha's creed: after the age of twenty-five, you were not allowed to blame anything on your parents. Of course, it didn't apply if your parents had done something terrible - had raped and murdered you and stolen all your money and sold you into prostitution - but in the average course of an average life, if you were averagely competent and averagely intelligent, and more so if you were more so, then you were not allowed to blame your parents. Of course you did, there were times when it was just too tempting. If only they'd bought me roller-skates like they promised, if only they'd let me go out with David, if only they'd been different, more loving, richer, cleverer, simpler. If only they'd been more indulgent; if only they'd been more strict. If only they'd encouraged me more; if only they'd praised me for the right things...None of that. Of course Martha felt it, some of the time, wanted to cuddle such resentments, but then she would stop and give herself a talking-to. You're on your own, kid. Damage is a normal part of childhood. Not allowed to blame anything on them anymore. Not allowed.
Julian Barnes (England, England)
Pastor Jón: It is pleasant to listen to the birds chirping. But it would be anything but pleasant if the birds were always chirping the truth. Do you think the golden lining of this cloud we see up there in the atmosphere is true? But whoever isn't ready to live and die for that cloud is a man bereft of happiness. Embi: Should there be lyrical fantasies, then, instead of justice? Pastor Jón: Agreement is what matters. Otherwise everyone will be killed. Embi: Agreement about what? Pastor Jón: It doesn't matter. For instance quick-freezing plants, no matter how bad they are. When I repair a broken lock, do you then think it's an object of value or a lock for some treasure chest? Behind the last lock I mended there was kept one dried skate and three pounds of rye meal. I don't need to describe the enterprise that owns a lock of that kind. But if you hold that earthly life is valid on the whole, you repair such a lock with no less satisfaction than the lock for the National Bank where people think the gold is kept. If you don't like this old, rusty, simple lock that some clumsy blacksmith made for an insignificant food-chest long ago, then there is no reason for you to mend the lock in the big bank. If you only repair machinery in quick-freezing plants that pay, you are not to be envied for your role. Embi: What you say, pastor Jón, may be good poetry, but unfortunately has little relevance to the matter I raised with you - on behalf of the ministry. Pastor Jón: Whoever doesn't live in poetry cannot survive here on earth.
Halldór Laxness (Under the Glacier)
And as Adeline watches, she realizes she cannot stay. Or rather, she could—could find a way to skip from house to house, like stones skating across the river—but she will not. Because when she thinks of it, she feels neither like the river nor the stone, but like a hand, as it tires of throwing. There is Estele, closing her door. There is Isabelle, one moment kind, and the next filled with horror. Later, much later, Addie will make a game of these cycles, will see how long she can step from perch to perch before she falls. But right now, the pain is too fresh, too sharp, and she cannot fathom going through those motions, cannot weather the weary look on her father’s face, the rebuke in Estele’s eyes. Adeline LaRue cannot be a stranger here, to these people she has always known. It hurts too much, watching them forget her.
V.E. Schwab (The Invisible Life of Addie LaRue)
We think we make bucket lists to ward off regret, but really they help us to ward off death. After all, the longer our bucket lists are, the more time we imagine we have left to accomplish everything on them. Cutting the list down, however, makes a tiny dent in our denial systems, forcing us to acknowledge a sobering truth: Life has a 100 percent mortality rate. Every single one of us will die, and most of us have no idea how or when that will happen. In fact, as each second passes, we’re all in the process of coming closer to our eventual deaths. As the saying goes, none of us will get out of here alive. [...] Who wants to think about this? How much easier it is to become death procrastinators! Many of us take for granted the people we love and the things we find meaningful, only to realize, when our deadline is announced, that we’d been skating by on the project: our lives.
Lori Gottlieb (Maybe You Should Talk to Someone)
But in the Petit Palais, which Daphne had not visited in thirty years, Roland had what she liked to call ‘a moment’. He retired early from the paintings and waited in the main hall. After she had joined him and they were walking away he let rip. He said that if he ever had to look at one more Madonna and Child, Crucifixion, Assumption, Annunciation and all the rest he would ‘throw up’. Historically, he announced, Christianity had been the cold dead hand on the European imagination. What a gift, that its tyranny had expired. What looked like piety was enforced conformity within a totalitarian mind-state. To question or defy it in the sixteenth century would have been to take your life in your hands. Like protesting against Socialist Realism in Stalin’s Soviet Union. It was not only science that Christianity had obstructed for fifty generations, it was nearly all of culture, nearly all of free expression and enquiry. It buried the open-minded philosophies of classical antiquity for an age, it sent thousands of brilliant minds down irrelevant rabbit holes of pettifogging theology. It had spread its so-called Word by horrific violence and it maintained itself by torture, persecution and death. Gentle Jesus, ha! Within the totality of human experience of the world there was an infinity of subject matter and yet all over Europe the big museums were stuffed with the same lurid trash. Worse than pop music. It was the Eurovision Song Contest in oils and gilt frames. Even as he spoke he was amazed by the strength of his feelings and the pleasure of release. He was talking – exploding – about something else. What a relief it was, he said as he began to cool down, to see a representation of a bourgeois interior, of a loaf of bread on a board beside a knife, of a couple skating on a frozen canal hand in hand, trying to seize a moment of fun ‘while the fucking priest wasn’t looking. Thank God for the Dutch!
Ian McEwan (Lessons)
Evolution is largely a temporal phenomenon, Merrill. The environment changes, and populations in that environment change in turn, or they languish. Individual organisms don't evolve; populations do. Nature doesn't give a damn about individuals. The only role we play in evolution is surviving long enough to give birth to offspring who are slightly different from us. Some of our offspring will prosper in a changing environment, and some of them will not. As for us individuals, once we've reproduced, nature has no more use for us. We perish along with our ill-adapted young. Death has always been an essential factor in species survival. Now consider the human race. We are a partial exception to the rule. Unlike other species, we have developed culture. Instead of adapting to a changing environment biologically, we can sometimes adapt to it culturally. If an Ice Age comes along, we don't need to grow fur on our bodies if we invent the fur coat. Culture allows us to adapt to almost any environment, including the harshest, like space. In fact, our cultural adaptation is so robust that it all but obviates the need to evolve biologically. We are so good at adapting to changing conditions with our knowledge and technology that we may deceive ourselves into believing that we are above nature. But only a fools believes that. Nature always has the last word. A star in our neighborhood could go supernova and wipe out all life in our solar system, and no amount of culture could save us from that. That, I believe, is the main reason you want to seed humanity throughout the galaxy. So as not to have all our eggs in one basket... The chief difference between biological and cultural adaptation is that while biological evolution doesn't care about individuals, cultural evolution does, often at the expense of the species. Look at how many times we've nearly wiped ourselves out through cultural means: the nuclear bomb, pollution, climate change, the Outrage. We can't seem to help ourselves. Look at what we've done: we've made individuals all but immortal, even when it means we can have no more children. In one stroke, we've eliminated the two key ingredients of evolution: offspring and death. From a biological perspective, we're skating on mighty thin ice. ... ...as long as the individual reigns supreme, there's a finite limit to our survival. ... We need a means for the individual, not just the species, to participate in biological evolution, and that's what my project is all about. We need to be able to let our biological bodies die, to have offspring that are molded by the changing needs of the environments we find ourselves in, and yet to serially inhabit these bodies as the same individual. That means we need to be able to move our minds from one body to the next. ... Mine is a singularity in which the obsolete individual is invited to cross over to the new, not simply to die out. The existing person need not die to make room for the newcomer. Anyone can play.
David Marusek (Mind Over Ship)
Why did you come here-that is, why did you agree to reconsider my proposal?” The question alarmed and startled her. Now that she’d seen him she had only the dimmest, possibly even erroneous recollection of having spoken to him at a ball. Moreover, she couldn’t tell him she was in danger of being cut off by her uncle, for that whole explanation was to humiliating to bear mentioning. “Did I do or say something during our brief meetings the year before last to mislead you, perhaps, into believing I might yearn for the city life?” “It’s hard to say,” Elizabeth said with absolute honesty. “Lady Cameron, do you even remember our meeting?” “Oh, yes, of course. Certainly,” Elizabeth replied, belatedly recalling a man who looked very like him being presented to her at Lady Markham’s. That was it! “We met at Lady Markham’s ball.” His gaze never left her face. “We met in the park.” “In the park?” Elizabeth repeated in sublime embarrassment. “You had stopped to admire the flowers, and the young gentleman who was your escort that day introduced us.” “I see,” Elizabeth replied, her gaze skating away from his. “Would you care to know what we discussed that day and the next day when I escorted you back to the park?” Curiosity and embarrassment warred, and curiosity won out. “Yes, I would.” “Fishing.” “F-fishing?” Elizabeth gasped. He nodded. “Within minutes after we were introduced I mentioned that I had not come to London for the Season, as you supposed, but that I was on my way to Scotland to do some fishing and was leaving London the very next day.” An awful feeling of foreboding crept over Elizabeth as something stirred in her memory. “We had a charming chat,” he continued. “You spoke enthusiastically of a particularly challenging trout you were once able to land.” Elizabeth’s face felt as hot as red coals as he continued, “We quite forgot the time and your poor escort as we shared fishing stories.” He was quiet, waiting, and when Elizabeth couldn’t endure the damning silence anymore she said uneasily, “Was there…more?” “Very little. I did not leave for Scotland the next day but stayed instead to call upon you. You abandoned the half-dozen young bucks who’d come to escort you to some sort of fancy soiree and chose instead to go for another impromptu walk in the park with me.” Elizabeth swallowed audibly, unable to meet his eyes. “Would you like to know what we talked about that day?” “No, I don’t think so.” He chucked but ignored her reply, “You professed to be somewhat weary of the social whirl and confessed to a longing to be in the country that day-which is why we went to the park. We had a charming time, I thought.” When he fell silent, Elizabeth forced herself to meet his gaze and say with resignation, “And we talked of fishing?” “No,” he said. “Of boar hunting.” Elizabeth closed her eyes in sublime shame. “You related an exciting tale of a wild board your father had shot long ago, and of how you watched the hunt-without permission-from the very tree below which the boar as ultimately felled. As I recall,” he finished kindly, “you told me that it was your impulsive cheer that revealed your hiding place to the hunters-and that caused you to be seriously reprimanded by your father.” Elizabeth saw the twinkle lighting his eyes, and suddenly they both laughed. “I remember your laugh, too,” he said, still smiling, “I thought it was the loveliest sound imaginable. So much so that between it and our delightful conversation I felt very much at ease in your company.” Realizing he’d just flattered her, he flushed, tugged at his neckcloth, and self-consciously looked away.
Judith McNaught (Almost Heaven (Sequels, #3))
We think we make bucket lists to ward off regret, but really they help us to ward off death. After all, the longer our bucket lists are, the more time we imagine we have left to accomplish everything on them. Cutting the list down, however, makes a tiny dent in our denial systems, forcing us to acknowledge a sobering truth: Life has a 100 percent mortality rate. Every single one of us will die, and most of us have no idea how or when that will happen. In fact, as each second passes, we’re all in the process of coming closer to our eventual deaths. As the saying goes, none of us will get out of here alive. [...] Who wants to think about this? How much easier it is to become death procrastinators! Many of us take for granted the people we love and the things we find meaningful, only to realize, when our deadline is announced, that we’d been skating by on the project: our lives.”-Maybe You Should Talk to Someone, p.79, Lori Gottlieb “It’s no surprise that we often dream about our fears. We have a lot of fears. What are we afraid of? We are afraid of being hurt. We are afraid of being humiliated. We are afraid of failure and we are afraid of success. We are afraid of being alone and we are afraid of connection. We are afraid to listen to what our hearts are telling us. We are afraid of being unhappy and we are afraid of being too happy. We are afraid of not having our parents’ approval and we are afraid of accepting ourselves for who we really are. We are afraid of bad health and good fortune. We are afraid of our envy and having too much. We are afraid to have hope for things that we might not get. We are afraid of change and we are afraid of not changing. We are afraid of something happening to our kids, our jobs. We are afraid of not having control and afraid of our own power. We are afraid of how briefly we are alive and how long we will be dead. (We are afraid that after we die, we won’t have mattered.) We are afraid of being responsible for our own lives. Sometimes it takes a while to admit our fears, especially to ourselves.
Lori Gottlieb (Maybe You Should Talk to Someone)
Glaring, I snarled, “Kiss me. Give me one fracture of human company, and I’ll never say another word to you again. I’ll be whatever you want. Just kiss me!” His eyes narrowed. “You’re an idiot.” “So you keep telling me.” “You’re wasting your time.” “So you keep telling me.” “I don’t want to kiss you!” I lashed out. My arms came up. I opened my palm. And I slapped the self-righteous, egotistical arsehole on the cheek. The moment went from lust-heavy to stagnant with violence. We stared, caught dead centre in war. “You’re a fucking nightmare,” he snapped. “Kiss me.” “You’re ruining my life.” “Kiss me.” “You’re—” “Kiss me, Jethro. Kiss me. Just fucking kiss me and give me—” His body crashed against mine. His hands flew up, grabbing my cheeks and holding me firm. His lips, oh his lips, they bruised mine as his head tilted, and with pure anger, he gave me what I’d wanted for weeks. He kissed me. My lungs were empty—he’d stolen all my air, but I no longer survived on oxygen. I survived on his mouth, his taste, his unbridled energy pouring down my throat. His tongue tore past my lips, taking me savage and hungry. There was nothing sweet or gentle. This was a punishment. A reminder that I hadn’t won. He wasn’t kissing me. He was fighting me in every underhanded way. His hands dropped from my cheeks, cupping my breasts. The violence in his touch throbbed instantly. I arched my back, opening my mouth wider to scream, but he swallowed my cries, kissing me deeper, harder, stealing every inch of sanity I had left. I thought a kiss would put me on even ground—show him that he did care. That he was human—just like me. I hadn’t gambled on being detonated into a billion tiny pieces that had no notion of who I’d been before he’d stolen my soul. He backed me up, faster and faster to the bed. His breath saturated my lungs. His touch skated from my cheeks, to my breasts, to my waist, to my arse. Jerking me hard against the huge length of arousal in his jeans. The bed stopped our motion, tumbling us onto the sheets, but nothing, absolutely nothing could unweld our lips. We were joined, kissing, frantic, desperate. He groaned as I slid my hands beneath his t-shirt, needing to feel his skin against mine. He was blood and fire and heat. So different to the glacier he pretended to be. “Fuck,” he grunted
Pepper Winters (First Debt (Indebted, #2))