Sizzy Quotes

We've searched our database for all the quotes and captions related to Sizzy. Here they are! All 31 of them:

Isabelle!" he called again. "Let down your raven hair!' "Oh my God," Clary muttered. "There was something in that blood Raphael gave you, wasn't there? I'm going to kill him.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Simon hid the fact that he was inordinately pleased by this. “Are we officially boyfriend and girlfriend? Is there a Shadowhunter ritual? Should I change my Facebook status from ‘it’s complicated’ to ‘in a relationship’?” Isabelle screwed up her nose adorably. “You have a book that’s also a face?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
None of this is fair. It isn't fair that part of your life was ripped from you. It's not fair that you were ripped away from me. I'm so angry Simon.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Simon, don’t you think I’m scared of that too? You’re not the only one on that ledge. If we jump, we jump together. We fall together.
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
I am here to determine my relationship." Simon goggled. She couldn't be talking about him. Could she? "Do you see that man?" Isabelle asked, pointing at Simon. Apparently she was talking about him. "That's Simon Lewis, and he is my boyfriend. So if any of you think about trying to hurt him because he's a mundie or--may the Angel have mercy on your soul--pursuing him romantically, I will come after you, I will hunt you down and I will crush you to powder.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
If you're texting Magnus to say 'I think ur kewl,' I'm going to kill you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Isabelle!” Simon called. “Stop throwing clothes at me! Just because you’re a Shadowhunter and I’m a vampire doesn’t mean we can never happen. Our love is forbidden like the love of a shark and a—and a shark hunter. But that’s what makes it special.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Mothers,lock up your daughters, then lock up your maidservants, then lock up yourselves. Lord Montgomery is on the prowl
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Oh, Lord Montgomery, what do you mean to do with me in this bedroom when you have me all alone? An innocent maiden, and unprotected? Is my virtue safe? 'I, ah- what?' 'I know you are a dangerous man. Some call you a rake. Everybody knows you are a devil with the ladies with your poetically puffed shirt and irresistible pants. I pray you will consider my innocence. And my poor, vulnerable heart.' Simon decided this was a lot like role-playing in D&D, but potentially more fun.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Simon bristled. She wasn’t his Isabelle, not anymore. He wondered if she ever truly had been. Isabelle didn’t seem like the type of girl to belong to someone. It was one of the things he liked best about her.
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
Simon," Isabelle interrupted, "you're talking like a nerd." She said it almost fondly, but it freaked Simon out more. "And I don't know how to be smooth, sexy vampire Simon for you, either!" Isabelle's perfect mouth curved, like a dark half-moon in her pale face. "You were never that smooth, Simon." "Oh," said Simon. "Oh, thank God. I know you've had a lot of boyfriends. I remember that was a faerie, and"--another flash of memory, this time most unwelcome--"a...Lord Montgomery? You dated a member of the nobility? How am I ever going to compete with that?" Isabelle still looked fond, but it was diluted with a good deal of impatience. "You're Lord Montgomery, Simon!
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Isabelle. It was always Isabelle.
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
I’m a mess, but I’m not an idiot. I just wanted to be alone and think depressing thoughts.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
I'm not your boyfriend, Isabelle," he called out. She went white, Simon was horrified by how badly his words had come out. "I mean, I can't be your boyfriend, Isabelle," he said. "I'm not him--that guy who was your boyfriend. That guy you want.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Speaking of luck, Isabelle Lightwood is a total babe. Actually, she's better than a babe: She's a hero. She came all the way here to tell the world you were hers. You're telling me she doesn't know another hero when she sees one? You're going to figure out what you're doing here. Isabelle Lightwood believes in you, and for what it's worth, I do too.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
She was so overwhelmingly beautiful and impressive, he found it too much to handle. He could barely believe any of his new memroies, but the idea that Isabelle Lightwood had been his girlfriend seemed more unbelievable than the fact that vampires were real and Simon had been one. He didn't have the faintest idea how he had made her feel that way about him once, and so he didn't have the faintest idea how to make her feel that way about him again. It was like asking him to fly.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Isabelle. Simon's mouth moved to form the shape of her name, pressing it into his pillow. He'd told himself he wasn't going to think about her, not until he was really getting somewhere in the Acedemy. Not until he was on his way to being better, being the person she wanted him to be.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
I think about him all the time,” she said. “It’s awful. Nothing like this has ever happened to me before.” “You mean Simon?” “Scrawny little mundane bastard,” she said, and took her hands off Jordan’s chest. “Except he isn’t. Scrawny, anymore. Or a mundane. And I like spending time with him. He makes me laugh. And I like the way he smiles. You know, one side of his mouth goes up before the other one—Well, you live with him. You must have noticed.” “Not really,” said Jordan. “I miss him when he’s not around,” Isabelle confessed.
Cassandra Clare
I need a hero. I'm holding out for a hero, in fact, until the morning light. And she's gotta be sure, and it's gotta be soon - because I have been kidnapped by evil faeries - and she's gotta be larger than life
Cassandra Clare (Tales from the Shadowhunter Academy)
There are things we want, down under what we know, under even what we feel. There are things our souls want, and mine wants you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Losing myself,” he said. “What?” “That’s what I’m afraid of. Losing myself, in this. In you. I’ve spent this whole year trying to find myself, to figure out who I am, and now there’s you, there’s us, there’s this all-consuming, terrifying black hole of a feeling, and if I give into it . . . I feel like I’m standing on the edge of the Grand Canyon, you know? Like, here’s something bigger, deeper than the human mind is built to fathom. And I’m just supposed to . . . jump in?
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
Oh, please," said Simon. "All I did was tell you the entire plot if Star Wars" "I don't think I remember that," said Isabelle, taking a cookie from the plate on the table. "Oh, yeah? Who was Luke Skywalker's best childhood friend?" "Biggs Darklighter," Isabelle said immediately, and hit the table with the flat of her hand. "That is so cheating!" Still, she grinned at him around her cookie. "Ah," said Magnus. "Nerd love. It is a beautiful thing...
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I love you, and I won’t go away until you tell me you love me too!” “Tell him you love him,” Helen called up. “He’s scaring the whole street.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Once you Ascend, you'll get all your memories back!" Isabelle shouted at him. "If I Ascend, it will be in two years. I'm not going to be the same guy in two years, even if I do get all the memories back, because there will be so many other memories. You're not going to be the same girl. I know you believed in me, Isabelle, I know you believed because you--you cared about him. That means more than I can tell you. But, Isabelle, Isabelle, it isn't fair of me to take advantage of your belief. It isn't fair to keep you waiting for him, when he isn't ever coming back.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Notaba las cicatrices de ella bajo los dedos, y quiso decirle que para él eran como adornos, testimonios de su valentía que sólo la hacían más hermosa.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Izzy, no se porque esperarías por mí pero si lo haces, prometo hacerme digno de esa espera. O voy a intentarlo. Puedo prometer que voy a intentarlo.
Cassandra Clare (Tales from the Shadowhunter Academy)
Just as in the microcosm there are seven ‘windows’ in the head (two nostrils, two eyes, two ears, and a mouth), so in the macrocosm God has placed two beneficent stars (Jupiter, Venus), two maleficent stars (Mars, Saturn), two luminaries (sun and moon), and one indifferent star (Mercury). The seven days of the week follow from these. Finally, since ancient times the alchemists had made each of the seven metals correspond to one of the planets; gold to the sun, silver to the moon, copper to Venus, quicksilver to Mercury, iron to Mars, tin to Jupiter, lead to Saturn. From these and many other similar phenomena of nature such as the seven metals, etc., which it were tedious to enumerate, we gather that the number of planets is necessarily seven... Besides, the Jews and other ancient nations as well as modern Europeans, have adopted the division of the week into seven days, and have named them from the seven planets; now if we increase the number of planets, this whole system falls to the ground... Moreover, the satellites [of Jupiter] are invisible to the naked eye and therefore can have no influence on the earth, and therefore would be useless, and therefore do not exist.
Francesco Sizzi (Dianoia astronomica, optica, physica, qua Syderei Nuncij rumor de quatuor planetis à Galilaeo Galilaeo mathematico celeberrimo recens perspicillì cuiusdam ope conspectis, vanus redditur)
In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.
Jennifer Nagel (Knowledge: A Very Short Introduction)
Smells Like Sex — Sizzy Rocket
Sophie Lark (The Bully (Kingmakers, #3))
(Sizzy-cus, rhymes with…pretty much nothing)
Rick Riordan (Percy Jackson's Greek Heroes (A Percy Jackson and the Olympians Guide))
in the place where Sizzy herself had found both refuge and work for many years: in Matthew Mulhollan’s Marvelous Circus. Zasper’s petition for retirement was granted routinely.
Sheri S. Tepper (Sideshow (Arbai, #3))