Sit And Enjoy The View Quotes

I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,

The Eating Guidelines 1. Eat when you are hungry. 2. Eat sitting down in a calm environment. This does not include the car. 3. Eat without distractions. Distractions include radio, television, newspapers, books, intense or anxiety-producing conversations or music. 4. Eat what your body wants. 5. Eat until you are satisfied. 6. Eat (with the intention of being) in full view of others. 7. Eat with enjoyment, gusto, and pleasure.

...Usually i’d sit back and just enjoy the view for what it was because it’s not often you come across something so ridiculously out of place, a girl like you, on the subway, it’s like spotting a unicorn at the zoo. I reasoned how to pull this off, to get you, to say hi, to ask your name, what your voice sounded like, if you had a cute smile because i like cute smiles. In ten minutes I had a thousand thoughts of you and you had no clue...

Let's make no mistake about this: The American Dream starts with the neighborhoods. If we wish to rebuild our cities, we must first rebuild our neighborhoods. And to do that, we must understand that the quality of life is more important than the standard of living. To sit on the front steps--whether it's a veranda in a small town or a concrete stoop in a big city--and to talk to our neighborhoods is infinitely more important than to huddle on the living-room lounger and watch a make-believe world in not-quite living color. ... And I hardly need to tell you that in the 19- or 24-inch view of the world, cleanliness has long since eclipsed godliness. Soon we'll all smell, look, and actually be laboratory clean, as sterile on the inside as on the out. The perfect consumer, surrounded by the latest appliances. The perfect audience, with a ringside seat to almost any event in the world, without smell, without taste, without feel--alone and unhappy in the vast wasteland of our living rooms. I think that what we actually need, of course, is a little more dirt on the seat of our pants as we sit on the front stoop and talk to our neighbors once again, enjoying the type of summer day where the smell of garlic travels slightly faster than the speed of sound.

We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows." "Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.

Philosophy being nothing else but the study of wisdom and truth, it may with reason be expected that those who have spent most time and pains in it should enjoy a greater calm and serenity of mind, a greater clearness and evidence of knowledge, and be less disturbed with doubts and difficulties than other men. Yet so it is, we see the illiterate bulk of mankind that walk the high-road of plain common sense, and are governed by the dictates of nature, for the most part easy and undisturbed. To them nothing that is familiar appears unaccountable or difficult to comprehend. They complain not of any want of evidence in their senses, and are out of all danger of becoming Sceptics. But no sooner do we depart from sense and instinct to follow the light of a superior principle, to reason, meditate, and reflect on the nature of things, but a thousand scruples spring up in our minds concerning those things which before we seemed fully to comprehend. Prejudices and errors of sense do from all parts discover themselves to our view; and, endeavouring to correct these by reason, we are insensibly drawn into uncouth paradoxes, difficulties, and inconsistencies, which multiply and grow upon us as we advance in speculation, till at length, having wandered through many intricate mazes, we find ourselves just where we were, or, which is worse, sit down in a forlorn Scepticism.

Of course it's not enough to sit around wanting to be happy; you must make the effort to take steps toward happiness by acting with more love, finding work you enjoy, and all the rest. But for me, asking myself whether I was happy had been a crucial step toward cultivating my happiness more wisely through my actions. Also, only through recognizing my happiness did I really appreciate it. Happiness depends partly on external circumstances, and it also depends on how you view those circumstances. -Gretchen Rubin

Hey.”  Erik was now eye level with Cara’s breasts and thoroughly enjoying the view.  Maybe he should try and strike up a conversation.  “Come here often?” “Are you talking to my breasts again?”  Cara huffed in exasperation. “Oh… do that again, the huffing thing.” Cara grabbed a fistful of the hair on his clearly undamaged head and yanked so Erik was forced to sit up and make actual eye contact with her.  “I can’t tell if you’re brain damaged or if you’ve always been like this. 

But he told me that most of the time he stayed on the boardwalk, facing the water, just the way we were sitting now even when it got cold and he had to wear his newspapers after he read them. And I asked him why. Why didn't he go to one of the shelters? Why didn't he check himself into the hospital for detox? And he just stared out at the ocean and said, "Look at the view, young lady. Look at the view.

In the time we spend reeling in confusion, grasping at straws trying to piece our egos together, we forget to acknowledge some things. Society created gender roles and categorizations and lifestyles and names and titles because we fear the unknown, especially when the unknown is us. It’s as though we’re stranded in the middle of an ocean, but we were promised the current would bring us back ashore. We’re given all we need on the life raft. As far as we can see, we’re being led back, slowly. We don’t know when we’ll approach the shore, but all evidence points to the fact that we will. But we don’t spend our time looking around, enjoying the view, seeing who came with us, and riding out the waves. We sit and panic about what we’re doing and why we came here. It doesn’t matter where we started because we may never know. It matters where we’re going, because that, we do. We begin and we end. We’ve seen one, so there’s only one other option.

I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.

he grabbed her around the waist and threw her over his shoulder. “This is for the caveman comment earlier,” he said. “Jordan! Let me go!” she squealed, laughing madly. “You’re molesting the princess!” “You say molesting, I say assisting,” Jordan corrected. “Just sit back, relax, and enjoy the scenic view.” “Of your backside?” D.C. said dryly. “Believe me, it’s not all it’s cracked up to be.” There was silence in the clearing for a moment before all four of them burst out laughing. Jordan had to set D.C. back on her feet because he was laughing so hard. “I didn’t mean…” D.C. tried to explain, but she couldn’t get the words out amid her own laughter. She inhaled deeply and tried again. “I didn’t mean for it to come out like that!” Jordan’s eyes were sparkling. “I think we’ve underestimated you, Princess.

What do they have in common, all these people I read in college and thereafter? All men, and all dead. Their distance from us in chronology seems to give them overwhelming authority. But they were not dead when they wrote and they were as human as the rest of us. They caught colds in damp weather and had occasional pimples in adolescence. I like to think that they enjoyed making love, spending an evening with friends, tramping through the woods with the dogs. The fact that they were men simply speaks for their day when women may have been powers behind the throne; but they were kept behind it. Whatever possessed these writers to sit down and write their view on the creative process? Maybe they were prodded, as I have been, and maybe at least a few of them hesitated at the presumption of it.

Because the purpose of an interview should be to best simulate a situation that will give evaluators the most accurate view of how a candidate really behaves, it seems to me that getting them out of the office and doing something slightly more natural and unconventional would be a better idea. Heck, even taking a walk or going shopping is better than sitting behind a desk. The key is to do something that provides evaluators with a real sense of whether the person is going to thrive in the culture of the organization and whether other people are going to enjoy working with him or her.

Damon stared at the house, drawn to the warmth of it. It seemed almost alive, begging him to come closer. He went outside onto his deck, intending to sit in the chair and enjoy his view of the sea. Instead he found himself limping his way steadily up the path toward the cliffs. It was nearly a compulsion.

You deserve so much better” are the words of advice I give you as we enjoy a meal together, hoping you realize I am the better choice of whom I speak of. I don’t understand why you even entertain these clowns who don’t understand your worth as I sit here loving you until it hurts. Being this close to you is a curse because you only view me as a friend and nothing more, but I figured if I play the part then maybe we could one day be something more. “Friend Zone” from Crucified for 33 Thoughts

Training builds discipline, perseverance and patience. Mountains are climbed with these superior characteristics, lives are saved and nations are shaped. Tough exercise puts order and rhythm in our lives, diminishing confusion and reducing stress, and that’s worth more than a few trips to a psychiatrist’s couch. As quality is added to life, so is it extended with useful and enjoyable years. When once we said, ‘I can’t,’ after gaining fitness and well-being through dedicated exercise, we say, ‘Don’t just sit there, let’s get moving.

When Franz returned to himself, he seemed still to be in a dream. He thought himself in a sepulchre, into which a ray of sunlight in pity scarcely penetrated. He stretched forth his hand, and touched stone; he rose to his seat, and found himself lying on his bournous in a bed of dry heather, very soft and odoriferous. The vision had fled; and as if the statues had been but shadows from the tomb, they had vanished at his waking. He advanced several paces towards the point whence the light came, and to all the excitement of his dream succeeded the calmness of reality. He found that he was in a grotto, went towards the opening, and through a kind of fanlight saw a blue sea and an azure sky. The air and water were shining in the beams of the morning sun; on the shore the sailors were sitting, chatting and laughing; and at ten yards from them the boat was at anchor, undulating gracefully on the water. There for some time he enjoyed the fresh breeze which played on his brow, and listened to the dash of the waves on the beach, that left against the rocks a lace of foam as white as silver. He was for some time without reflection or thought for the divine charm which is in the things of nature, specially after a fantastic dream; then gradually this view of the outer world, so calm, so pure, so grand, reminded him of the illusiveness of his vision, and once more awakened memory. He recalled his arrival on the island, his presentation to a smuggler chief, a subterranean palace full of splendor, an excellent supper, and a spoonful of hashish. It seemed, however, even in the very face of open day, that at least a year had elapsed since all these things had passed, so deep was the impression made in his mind by the dream, and so strong a hold had it taken of his imagination. Thus every now and then he saw in fancy amid the sailors, seated on a rock, or undulating in the vessel, one of the shadows which had shared his dream with looks and kisses. Otherwise, his head was perfectly clear, and his body refreshed; he was free from the slightest headache; on the contrary, he felt a certain degree of lightness, a faculty for absorbing the pure air, and enjoying the bright sunshine more vividly than ever.

One way to evaluate our practice is to see whether life is more and more OK with us. And of course it’s fine when we can’t say that, but still it is our practice. When something’s OK with us we accept everything we are with it; we accept our protest, our struggle, our confusion, the fact that we’re not getting anywhere according to our view of things. And we are willing for all those things to continue: the struggle, the pain, the confusion. In a way that is the training of sesshin. As we sit through it an understanding slowly increases: “Yes, I’m going through this and I don’t like it—wish I could run out—and somehow, it’s OK.” That increases. For example: you may enjoy life with your partner, and think, “Wow, this is the one for me!” Suddenly he or she leaves you; the sharp suffering and the experience of that suffering is the OKness. As we sit in zazen, we’re digging our way into this koan, this paradox which supports our life. More and more we know that whatever happens, and however much we hate it, however much we have to struggle with it—in some way it’s OK. Am I making practice sound difficult? But practice is difficult. And strangely enough, those who practice like this are the people who hugely enjoy life, like Zorba the Greek. Expecting nothing from life, they can enjoy it. When events happen that most people would call disastrous, they may struggle and fight and fuss, but still they enjoy—it’s OK.

Geopolitics is ultimately the study of the balance between options and lim­itations. A country's geography determines in large part what vulnerabilities it faces and what tools it holds. "Countries with flat tracks of land -- think Poland or Russia -- find building infrastructure easier and so become rich faster, but also find them­selves on the receiving end of invasions. This necessitates substantial stand­ing armies, but the very act of attempting to gain a bit of security automat­ically triggers angst and paranoia in the neighbors. "Countries with navigable rivers -- France and Argentina being premier examples -- start the game with some 'infrastructure' already baked in. Such ease of internal transport not only makes these countries socially uni­fied, wealthy, and cosmopolitan, but also more than a touch self-important. They show a distressing habit of becoming overimpressed with themselves -- and so tend to overreach. "Island nations enjoy security -- think the United Kingdom and Japan -- in part because of the physical separation from rivals, but also because they have no choice but to develop navies that help them keep others away from their shores. Armed with such tools, they find themselves actively meddling in the affairs of countries not just within arm's reach, but half a world away. "In contrast, mountain countries -- Kyrgyzstan and Bolivia, to pick a pair -- are so capital-poor they find even securing the basics difficult, mak­ing them largely subject to the whims of their less-mountainous neighbors. "It's the balance of these restrictions and empowerments that determine both possibilities and constraints, which from my point of view makes it straightforward to predict what most countries will do: · The Philippines' archipelagic nature gives it the physical stand-off of is­lands without the navy, so in the face of a threat from a superior country it will prostrate itself before any naval power that might come to its aid. · Chile's population center is in a single valley surrounded by mountains. Breaching those mountains is so difficult that the Chileans often find it easier to turn their back on the South American continent and interact economically with nations much further afield. · The Netherlands benefits from a huge portion of European trade because it controls the mouth of the Rhine, so it will seek to unite the Continent economically to maximize its economic gain while bringing in an exter­nal security guarantor to minimize threats to its independence. · Uzbekistan sits in the middle of a flat, arid pancake and so will try to expand like syrup until it reaches a barrier it cannot pass. The lack of local competition combined with regional water shortages adds a sharp, brutal aspect to its foreign policy. · New Zealand is a temperate zone country with a huge maritime frontage beyond the edge of the world, making it both wealthy and secure -- how could the Kiwis not be in a good mood every day? "But then there is the United States. It has the fiat lands of Australia with the climate and land quality of France, the riverine characteristics of Germany with the strategic exposure of New Zealand, and the island fea­tures of Japan but with oceanic moats -- and all on a scale that is quite lit­erally continental. Such landscapes not only make it rich and secure beyond peer, but also enable its navy to be so powerful that America dominates the global oceans.

Let’s look again at the example of someone’s birthday that is approaching quickly. Because of things that have happened in the past, we have resentments and feel unwilling to do anything for the birthday. Somehow, it just seems impossible to get out and shop for a birthday present. We resent having to spend the money. The mind conjures up all kinds of justifications: “I don’t have time to shop”; “I can’t forget how mean she was”; “She should apologize to me first.” In this case, two things are operating: clinging to the negative and the smallness in ourselves, and resisting the positive and the greatness in ourselves. The way out of apathy is to see, first of all, that “I can’t” is an “I won’t.” In looking at the “I won’t,” we see that it is there because of negative feelings and, as they come up, they can be acknowledged and let go. It is also apparent that we are resisting positive feelings. These feelings of love, generosity, and forgiveness can be looked at one by one. We can sit down and imagine the quality of generosity and let go resisting it. Is there something generous within ourselves? In this case, we may not be willing to apply it to the birthday person in the beginning. What we can begin to see is the existence of such a quality as generosity within our consciousness. We begin to see that, as we let go resisting the feeling of generosity, there is generosity. We do, in fact, enjoy giving to others under certain circumstances. We begin to remember the positive flood of feeling that comes upon us when we express gratitude and acknowledge the gifts that others have given us. We see that we have really been suppressing a desire to forgive and, as we let go of the resistance to being forgiving, there emerges the willingness to let go of the grievance. As we do this, we stop identifying with our small self and become consciously aware that there is something in us that is greater. It is always there but hidden from view.

Iola isn’t a medium or a mentally ill soothsayer. That child enjoys the goddess’s favor. Don’t pull silly faces, if you please. As I said, your view on religion is known to me, it’s never particularly bothered me and, no doubt, it won’t bother me in the future. I’m not a fanatic. You’ve a right to believe that we’re governed by Nature and the Force hidden within her. You can think that the gods, including my Melitele, are merely a personification of this power invented for simpletons so they can understand it better, accept its existence. According to you, that power is blind. But for me, Geralt, faith allows you to expect what my goddess personifies from nature: order, law, goodness. And hope.” “I know.” “If you know that, then why your reservations about the trance? What are you afraid of? That I’ll make you bow your head to a statue and sing canticles? Geralt, we’ll simply sit together for a while—you, me and Iola—and see if the girl’s talents will let her see into the vortex of power surrounding you. Maybe we’ll discover something worth knowing. And maybe we won’t discover anything. Maybe the power and fate surrounding you won’t choose to reveal themselves to us, will remain hidden and incomprehensible. I don’t know. But why shouldn’t we try?” “Because there’s no point. I’m not surrounded by any vortex or fate. And if I were, why the hell would I delve into it?” “Geralt, you’re sick.” “Injured, you mean.” “I know what I mean. There’s something not quite right with you. I can sense that. After all, I have known you ever since you were a youngster. When I met you, you came up to my waist. And now I feel that you’re spinning around in some damned whirlpool, tangled up in a slowly tightening noose. I want to know what’s happening. But I can’t do it myself. I have to count on Iola’s gifts.” “You want to delve too deeply. Why the metaphysics? I’ll confide in you, if you like. I’ll fill your evenings with tales of ever more astounding events from the past few years. Get a keg of beer so my throat doesn’t dry up and we can start today. But I fear I’ll bore you because you won’t find any nooses or vortexes there. Just a witcher’s ordinary tales.” “I’ll willingly listen to them. But a trance, I repeat, would do no harm.” “Don’t you think”—he smiled—“that my lack of faith makes such a trance pointless?” “No, I don’t. And do you know why?” “No.” Nenneke leaned over and looked him in the eyes with a strange smile on her pale lips. “Because it would be the first proof I’ve ever heard of that a lack of faith has any kind of power at all.

I missed her so much that I wanted to build a hundred foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view.

Ejoy the stunning view of Paje lagoon with over 200 different menu items. From our rich breakfast menu to our swahili section, there is something for everyone.You can reserve a table for the same day up to noon. All meals are custom made on the same day with fresh ingredients. Dinner is recommended to start at 18:30 with drinks in order to catch the last glimpses of the sun. Just sit back and enjoy the stars and meals reveal themselves one by one.

The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want

Mindfulness (A poem) *** MINDFULNESS ****** We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens;   the things that we did at our free will. We're in sync with the future and past tensions.   Indeed, we could enjoy the present intentions.    But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care;   give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming inbetween the past and the future. Opportunities to love others in truth are being missed. Communities could share love so true; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.

Being a man, she thinks as she watches him sitting there, is like living in Guatemala. No seasons, no cycles, no swings—just sun and stasis in the body, seventy-seven degrees all year round. Being a man is like being a stowaway on the upper deck and simply enjoying the view. As for a woman, she’s struggling in the Arctic on a sputtering ship, its engines threatening to deadlock any second now, all the while she hopes that an iceberg won’t block her progress so she can keep sailing along for another few sea miles at a decent speed.

The fact that the work today has become common property may console us for the other fact that an analysis of it is almost as impossible as it is to depict a wood by enumerating the trees and describing their appearance. We can only repeat again and again—take them and play them and penetrate into this world for yourself. Aesthetic elucidation of any kind must necessarily be superficial here, What so fascinates us in the work is not the form or the build of the piece, but the world-view that is mirrored in it. It is not so much that we enjoy the Well-tempered Clavichord as that we are edified by it. Joy, sorrow, tears, lamentation, laughter—to all these it gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.

In Xenophon's summary of the allegory [Prodicus' "Choice of Heracles'' ] the young Heracles has sat down at a crossroads, not knowing which path to follow through life. As he sits deliberating, two women appear to him. Their physical appearance is a study in contrasts, and they are clearly villainness and heroine. Evil (Kakia) is overfed, plump, rouged, and all powdered up. She wears revealing clothes and is vain, viewing herself in a mirror and turning around to see if she is being admired. Virtue (Arete), on the other hand, wears simple white; her only adornments are purity, modesty, and temperance. These apparitions proceed to give speeches in praise of the life that they can give Heracles. Evil speaks first-an ominous choice, since in such debates, the first speaker typically loses. She offers Heracles a life of free, effortless pleasure. There will be no delights that he will not taste, no difficulties that he will not avoid. He need never worry about wars and affairs. All he need trouble himself about will be what food or drink to take; what to look at, hear, smell or touch for his pleasure; what partner he might enjoy, how he might sleep softest, and how he can obtain all these with the least toil (aponOtata). If ever there are shortages, he will not suffer ponos or hardship either in body or soul. Rather "you will enjoy those things that others work to produce, and you will not hold back from profiting everywhere." Evil tells Heracles her name, but adds confidentially that to her friends she is known as Happiness (Eudaimonia). Very different is the tone and substance of Virtue's argument. For while Evil would have Heracles live for himself alone and treat others as means to his self-gratification, Virtue begins by saying that she knows Heracles' parents and nature: Heracles must live up to his Olympian heritage. Therefore she will not deceive him with "hymns to pleasure." Evil's enticements are in fact contrary to the divine ordering, "for the gods have given men nothing good without ponos and diligence." There follows a series of emphatic verbal nouns to hammer home this truth: if you want divine favor, you must worship the gods; if you want to be admired, you must do good works for your friends; if you want to be honored, you must benefit your city and Greece; if you want the earth to bear crops, you must cultivate the land. Flocks require tending, war demands practice. And if you want strength (Heracles' trademark), you must accustom your body to serve your will, and you must train "with ponoi and sweat:' At this point, Evil bursts in to deplore such a harsh lifestyle. She is immediately silenced, however, as Virtue argues that duality is essential to a sense of fulfillment and even to pleasure itself. For paradoxically, ponos (pain, struggle) makes pleasure pleasurable. Evil's vision of happiness is one of continual and languid orgy-food without hunger, drink without thirst, sex without desire, sleep without weariness. But as experience shows, continual partying soon loses its zest, even if one goes so far as to cool expensive drinks "with snow" in summertime. By contrast, Virtue's own followers have no real trouble in satisfying their desires. They do so not by committing violence against others or living off others' labor, but by simply "holding off until they actually do desire" food or drink. Hunger is the best sauce, and it is free. Furthermore, Virtue appeals to Heracles' native idealism. What hedonists have ever accomplished any "fine work" (ergon kalon)? None, for no beautiful or divine deed is ever done "without me [Virtue] ." Therefore, wherever there are energetic, effective people, Virtue is present: she is a helper to craftsmen, a guard of the household, a partner in peacetime ponoi, an ally for the works (erga) of war, the best support of friendship. To choose Evil would be shameful and not even extremely pleasurable, while with Virtue one will lead the most varied and honorable life.

Ejoy the stunning view of Paje lagoon with over 200 different menu items. From our rich breakfast menu to our swahili section, there is something for everyone.You can reserve a table for the same day up to noon. All meals are custom made on the same day with fresh ingredients. Dinner is recommended to start at 18:30 with drinks in order to catch the last glimpses of the sun. Just sit back and enjoy the stars and meals reveal themselves one by one.

Every time I am shown to an old, dimly lit, and, I would add, impeccably clean toilet in a Nara or Kyoto temple, I am impressed with the singular virtues of Japanese architecture. The parlor may have its charms, but the Japanese toilet is truly a place of spiritual repose. It always stands apart from the main building, at the end of a corridor, in a grove fragrant with leaves and moss. No words can describe that sensation as one sits in the dim light, basking in the faint glow reflected from the shoji, lost in meditation or gazing out at the garden. The novelist Natsume Sōseki counted his morning trips to the toilet a great pleasure, “a physiological delight” he called it. And surely there could be no better place to savor this pleasure than a Japanese toilet where, surrounded by tranquil walls and finely grained wood, one looks out upon blue skies and green leaves. As I have said there are certain prerequisites: a degree of dimness, absolute cleanliness, and quiet so complete one can hear the hum of a mosquito. I love to listen from such a toilet to the sound of softly falling rain, especially if it is a toilet of the Kantō region, with its long, narrow windows at floor level; there one can listen with such a sense of intimacy to the raindrops falling from the eaves and the trees, seeping into the earth as they wash over the base of a stone lantern and freshen the moss about the stepping stones. And the toilet is the perfect place to listen to the chirping of insects or the song of the birds, to view the moon, or to enjoy any of those poignant moments that mark the change of the seasons. Here, I suspect, is where haiku poets over the ages have come by a great many of their ideas. Indeed one could with some justice claim that of all the elements of Japanese architecture, the toilet is the most aesthetic. Our forebears, making poetry of everything in their lives, transformed what by rights should be the most unsanitary room in the house into a place of unsurpassed elegance, replete with fond associations with the beauties of nature.

Two o’clock found us sitting in Julian’s office high atop Sarasota’s only true skyscraper—One Sarasota Place. The office was impressive—an elaborate desk, expensive furniture and carpet, subdued lighting, fancy media wall. Normally, I enjoyed the panoramic view of the bay, the Keys, the Gulf. That day, I could have cared less.

One of the other firemen joined us. His damp T-shirt clung to a stomach that had required far too many sit-ups, but I enjoyed the view anyway. He was tall, broad-shouldered, blond, and looked like he should have been carrying a surfboard or visiting Barbie in her Malibu dream house. There was a smear of soot on his smiling face, and his eyes were red-rimmed. He offered his hand without being introduced. “I’m Wren.” No rank, just his name. Confident. He held my hand just a little longer than necessary. It wasn’t obnoxious, just interested. I dropped my eyes. Not out of shyness, but because some men mistake direct eye contact as a come-on. I had about as much beefcake on my plate as I could handle without adding amorous firemen. Captain

As soon as he took his chair, the waitress came over, her eyebrows raised, as if he were a new customer. He waved her away. There was something about sitting at an empty table in full view of hungry men and women that Burton enjoyed. What you want, I can take or I can leave, it said. All I want is to keep your options for myself. Erich and Oestra sat. “That boy,” Burton said, letting the words take on an affected drawl, “is some piece of work.” “Yeah,” Oestra said. “He’s good at what he does,” Erich said. “He’ll get better.” Burton was quiet for a long moment. A man at the front door pointed an angry finger toward Burton’s table, demanding something of the waitress. She took the stranger’s hand and pushed it down. The angry man left. Burton watched him go. If he didn’t know any better, this wasn’t the place for him.

Third places remain upbeat because of the limited way in which the participants are related. Most of the regulars in a third place have a unique and special status with regard to one another. It is special in that such people have neither the blandness of strangers nor that other kind of blandness, which takes zest out of relationships between even the most favorably matched people when too much time is spent together, when too much is known, too many problems are shared, and too much is taken for granted. Many among the regulars of a third place are like Emerson's "commended stranger" who represents humanity anew, who offers a new mirror in which to view ourselves, and who thus breathes life into our conversation. In the presence of the commended stranger, wrote Emerson, "We talk better than we are wont. We have the nimblest fancy, a richer memory, our dumb devil has taken leave for a time. For long hours, we can continue a series of sincere, graceful, rich communications, drawn from the oldest, secretest experience, so that those who sit by, of our kinsfolk, and acquaintance, shall feel a lively surprise at our unusual power.: The magic of commended strangers fades as one comes to know them better. They are fallible. They have problems and weaknesses like everyone else and, as their luster fades, so does their ability to inspire our wit, memory, and imagination. The third place, however, retards that fading process, and it does so by keeping the lives of most of its regulars disentangled. One individual may enjoy the company of others at a mutual haunt for years without ever having seen their spouses; never having visited their homes or the places where they work; never having seen them against the duller backdrop of their existence on the "outside." Many a third place regular represents conversationally and socially what the mistress represents sexually. Much of the lure and continuing allure of the mistress rests in the fact that only pleasure is involved. There is no rising from bed to face the myriad problems that husband and wife must share and that contaminates their lives and their regard for one another. Third places surely contain many of these "mistresses of conversation," people who meet one another only to share good times and scintillating activities and with whom good times and scintillation thus come to be associated. Out of tacit agreement not to share too much, the excitement attaching the commended stranger is preserved among third place regulars. What, after all, are such incidentals as home and family and job when the nature of life itself, the course of the world in modern times, or the booted ball that cost a victory in last night's game are on the agenda?

This attitude is by no means unusual, even in Bagan. Nearly a hundred years ago, British writer Somerset Maugham passed through the region, recounting the visit in his book The Gentleman in the Parlour. Maugham enjoyed Bagan, calling it a “strange and melancholy spot,” but had no interest in exhausting himself through obsessive temple-hopping: “My curiosity,” he wrote, “was satisfied with a visit to half a dozen of the pagodas.” One night, as Maugham relaxed on the veranda of his guesthouse, a fellow traveler joined the author and began explaining the particulars of several notable temples—when they were built, under what king, etc. His lecture fell on deaf ears: But I did not want to know the facts he gave me. What did it matter to me what kings had reigned there, what battles they had fought and what lands they had conquered? I was content to see them as a low relief on a temple wall in a long procession, with their hieratic attitudes, seated on a throne and receiving gifts from the envoys of subjugated nations, or else, with a confusion of spears, in the hurry and skelter of chariots, in the turmoil of battle. No, no, no, that won’t do, said his companion. Facts and context are what matter, he insisted: “I want to know things. Whenever I go anywhere I read everything about it that has been written…. I am a mine of information.” To which Maugham replied, “But what is the good of information that means nothing to you? Information for its own sake is like a flight of steps that leads to a blank wall.” It is better, Maugham would probably say, to simply sit back and enjoy the view.

I scooch my body over so I’m on the bed, and we’re head to toe. She’s lying next to me. “Sixty-nine,” I say with a smirk. “Oh. I’ve never done that.” “Hop on. Don’t be shy.” She doesn’t hesitate, and the next thing I know, my tongue is on her again and my cock is taken in by her magical mouth. I love the weight of her tits on my abs as she bobs up and down on me. I wrap my arms around her waist, and as much as I want to see what she’s doing that is making me feel so amazing, I love how I can make her wiggle in this position. Her body shudders again, and I wonder if she’s coming. I damn well hope so. I feel some combination of her hands, mouth, and tongue on me as she slides up and down, slick hands on my rock-hard erection. I gyrate up and down a little, rocking my hips into her. Our bodies press together in an explosion of sixty-nine heat and sweat and sex. For a moment, I pull her hands behind her back, forcing her to sit up and on my face. She’s hesitant at first, but I think my enthusiasm overrides any shyness she might have, and she’s twisting into me as she comes again. I know because she tells me, even though her words are barely a whimper at this point. She lifts her body up and off me, then kneels between my legs and pushes her hair behind her head. “D, tell me how you want me to finish you,” she says as she runs her hand up and down on my cock. I bite my lip. “I’d be lying if I said I didn’t want to fuck your tits.” “Well, I’m glad you’re not lying.” She looks down. “Fuck these things? And how would you do that?” I narrow my eyes. “You’ve never done that?” She shakes her head. “Never.” “So I get to take your boobs’ V card?” I exclaim. “Let’s not make a big deal out of it.” She lies down on her back and I position my legs on either side, straddling her upper body. I slide my cock between her breasts, and just enjoy the beautiful view for a moment. When I lean back with one arm for balance, I find myself fondling her clit again—instinct—but she grabs my arm. “Nah-ah. This is about you, now. This is about D.” Grabbing my cock, she pulls me toward her face and leans forward at the same time, then takes me to the back of her throat, leaving me nice and slick. She puts my cock between her tits and then presses them together. “You like that?” she asks, and I nod vigorously. “Very much,” I grit out. “Good. I like watching you do it.” Her eyes flicker with excitement and that turns me on even more. I press her boobs together myself and she grabs hold of my ass and slides her hands around my hips. It’s so damn hot and this is goddamn reckless abandon, and I feel like I can do anything sexually with this woman, like I’m free and she’s my toy and I’m hers, too. I pump my cock between her tits again and she lets out a moan that puts me over the edge. “Gonna come,” I growl. “Where should I come.” “My tits, baby,” she says throatily, and next thing I know I spurt ropes all over her breasts and neck. By some miracle, none gets on her face. When it’s all over, both of our hearts are racing. She looks down at her chest, and then up at me. “Wow.” “I would say sorry, but that would be a lie.” She touches a tiny bit of the liquid with her finger and taps her tongue. “You taste good, actually. I mean, I already tasted you before.” I laugh as I unstraddle her and go grab a towel. “I’ll let you taste me as much as you want, babe. By the way, let me just say you kind of look hot as hell right now.” “Thanks.” I wipe her off, wipe myself off, and then lean down to kiss her. I envisioned a peck, but it ends up being a long, lingering kiss that promises more. She takes my hand and I stand there for a minute, next to her.

We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens; the things that we did at our free will. We're in sync with the future and past tensions. Indeed, we could enjoy the present intentions. But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care; give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming between the past and the future. Opportunities to love others in truth are being missed. Communities could share true love; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.

In short, we had rather be Sir Walter Scott (meaning thereby the Author of Waverley) than Lord Byron a hundred times over, and for the reason just given, namely, that he casts his descriptions in the mould of nature, ever-varying, never tiresome, always interesting and always instructive, instead of casting them constantly in the mould of his own individual impressions. He gives us man as he is, or as he was, in almost every variety of situation, action and feeling. Lord Byron makes man after his own image, woman after his own heart; the one is a capricious tyrant, the other a yielding slave; he gives us the misanthrope and the voluptuary by turns; and with these two characters, burning or melting in their own fires, he makes out everlasting centos of himself. He hangs the cloud, the film of his existence over all outward things, sits in the centre of his thoughts, and enjoys dark night, bright day, the glitter and the gloom 'in cell monastic.' We see the mournful pall, the crucifix, the death's-heads, the faded chaplet of flowers, the gleaming tapers, the agonized brow of genius, the wasted form of beauty; but we are still imprisoned in a dungeon; a curtain intercepts our view; we do not breathe freely the air of nature or of our own thoughts. The other admired author draws aside the curtain, and the veil of egotism is rent; and he shows us the crowd of living men and women, the endless groups, the landscape background, the cloud and the rainbow, and enriches our imaginations and relieves one passion by another, and expands and lightens reflection, and takes away that tightness at the breast which arises from thinking or wishing to think that there is nothing in the world out of a man's self! In this point of view, the Author of Waverley is one of the greatest teachers of morality that ever lived, by emancipating the mind from petty, narrow, and bigoted prejudices: Lord Byron is the greatest pamperer of those prejudices, by seeming to think there is nothing else worth encouraging but the seeds or the full luxuriant growth of dogmatism and self-conceit. In reading the Scotch Novels, we never think about the author, except from a feeling of curiosity respecting our unknown benefactor: in reading Lord Byron's works, he himself is never absent from our minds. The colouring of Lord Byron's style, however rich and dipped in Tyrian dyes, is nevertheless opaque, is in itself an object of delight and wonder: Sir Walter Scott's is perfectly transparent. In studying the one, you seem to gaze at the figures cut in stained glass, which exclude the view beyond, and where the pure light of Heaven is only a means of setting off the gorgeousness of art: in reading the other, you look through a noble window at the clear and varied landscape without. Or to sum up the distinction in one word, Sir Walter Scott is the most dramatic writer now living, and Lord Byron is the least so.

Review of my book Hope's Motel by Jacob Airey of LonestarInspirations. Men are enjoying it as much as women! "Hope’s Motel by Danyele Read is a Christian contemporary romance fiction first person narration. You can find it on Amazon. Hope Cassel is a Christian, single mother who inherits a motel from her uncle and aunt. After she renovates it and opens it, she encounters a series of characters that sometimes challenge her faith and other times, strengthens it. Within trials, tribulations, and victories, she finds courage, inspiration, and even romance. Hope’s Motel is not a genre I typically read and this goes to the “don’t judge a book by its cover” proverb. I found the story and narration very entertaining and inspiring. While the book is episodic in nature, dealing with issues like PTSD and drug addiction, it has an overarching storyline that keeps the book cohesive. I also enjoyed reading the perception of the main character: Hope. She was a very likable person who was easy to relate to. Bottom line, it is a perfect book to read while you’re sitting by the fire and sipping your warm tea. This review is based on a free copy from the author. All my views and opinions are my own.

Pump changed my own umwelt. Walking through the world with her, watching her reactions, I began to imagine her experience. My enjoyment of a narrow winding path in a shady forest, lined with low bushes and grasses, comes in part from seeing how Pump enjoyed it: the cool of the shade, of course, but also the pathiness, allowing her to zoom along unchecked, stopping only for rousing scents along the sides. I now see city blocks, and their sidewalks and buildings, with their investigatory sniffing possibilities in mind: a sidewalk along an uninterrupted wall without fences, trees, or variation, is a block I'd never want to walk down. Where I'll choose to sit in the park--which bench, what rock--is based on where a dog at my side would have the best panoramic olfactory view. Pump loved large open lawns--to plop down in, to roll repeatedly in, to sniff endlessly--and high grass or brush--to lope regally through. I came to love large open laws and high grass and brush in anticipation of her enjoyment. (The interest in rolling in unseen smells remains elusive...) I smell the world more. I love to sit outside on a breezy day. My day is tilted toward morning. The importance of mornings has always been that if I awoke early enough, we could have a long, off-leash walk together in a relatively unpeopled park or beach. I still have trouble sleeping in. It is a very small bit comforting to realise how deeply she is in me, even over a year from the day when she was also aside me, willing to submit to a tickle of the dense curls under her chin as she rested it on the ground for the last time.

Patience is drawing on underlying forces; it is powerfully positive, though to a natural view it looks like just sitting it out. How would I persist against positive eroding forces if I were not drawing on invisible forces? And patience has a positive tonic effect on others; because of the presence of the patient person, they revive and go on, as if he were the gyroscope of the ship providing a stable ground. But the patient person himself does not enjoy it.

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My wish for you is to appreciate every lesson, and know you have the strength to climb your own mountain. May you enjoy every rock and difficult step, and remember you can always just sit and enjoy the view.

Patience is drawing on underlying forces; it is powerfully positive, though to a natural view it looks like just sitting it out. How would I persist against positive eroding forces if I were not drawing on invisible forces? And patience has a positive tonic effect on others; because of the presence of the patient person, they revive and go on, as if he were the gyroscope of the ship providing a stable ground. But the patient person himself does not enjoy it. PAUL GOODMAN

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