Sisyphus Boulder Quotes

I would join Sisyphus in Hades and gladly push my boulder up the slope if only, each time it rolled back down, I were given a line of Aeschylus.

On Prozac, Sisyphus might well push the boulder back up the mountain with more enthusiasm and creativity. I do not want to deny the benefits of psychoactive medication. I just want to point out that Sisyphus is not a patient with a mental health problem. To see him as a patient with a mental health problem is to ignore certain larger aspects of his predicament connected to boulders, mountains, and eternity.

Dad would call it my Sisyphus toll. Push a boulder up a hill, pretending it’s okay, and come nightfall it - and I - come crashing down. But he forgets the view each time I make it to the top.

Sisyphus is still there in the halls of Tartarus, pushing that boulder up the hill and getting almost to the top before it rolls back down and he has to start once again.

When I’m working on my art, I don’t feel like Odysseus. I feel more like Sisyphus rolling his boulder up the hill. When I’m working, I don’t feel like Luke Skywalker. I feel more like Phil Connors in the movie Groundhog Day.

...before the sunset shines,the man must rigorously seek paths, like a labyrinth, or tirelessly push boulder atop,like Sisyphus.

In a world of ceaseless labor, we are components of the Engine. Eternally struggling, pushing a Sisyphean Boulder in vain. Illusions are the keys that unlock the Doors and keep us moving on.

There must be a difference between a Sisyphus who hurries to lift the boulder, despite knowing that it’s going to roll down again and a Sisyphus who – fully aware of this fact – prefers to take a nap or play with his kids before the next lifting.

And I saw Sisyphus too, bound to his own torture, grappling his monstrous boulder with both arms working, heaving, hands struggling, legs driving, he kept on thrusting the rock uphill toward the brink, but just as it teetered, set to topple over — time and again the immense weight of the thing would wheel it back and the ruthless boulder would bound and tumble down to the plain again — so once again he would heave, would struggle to thrust it up, sweat drenching his body, dust swirling above his head.

I shall leave you to your Sisyphean task." "What does that mean?" he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus's. "It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task... rolling a huge boulder up a hill, only to have it roll down again just before he reached the top." "Then if the countess is Sisyphus," Daisy concluded, "I suppose we're..." "The boulder," Lady Westcliff said succinctly, causing both girls to laugh. "Do continue with our instruction, my lady," Lillian said, giving her full attention to the elderly woman as Marcus left the room. "We'll try not to flatten you on the way down.

We're living in a strange, complex epoch. As Hamlet says, our 'time is out of joint.' Just think. We're reaching for the moon and yet it's increasingly hard for us to reach ourselves; we're able to split the atom, but unable to prevent the splitting of our personality; we build superb communications between the continents, and yet communication between Man and Man is increasingly difficult. In other words, our life has lost a sort of higher axis, and we are irresistibly falling apart, more and more profoundly alienated from the world, from others, from ourselves. Like Sisyphus, we roll the boulder of our life up the hill of its illusory meaning, only for it to roll down again into the valley of its own absurdity. Never before has Man lived projected so near to the very brink of the insoluble conflict between the subjective will of his moral self and the objective possibility of its ethical realization. Manipulated, automatized, made into a fetish, Man loses the experience of his own totality; horrified, he stares as a stranger at himself, unable not to be what he is not, nor to be what he is.

immediately, how any task other than keeping Toby safe, keeping Toby healthy, seemed like a diversion, or an interruption. She understood with some remorse that if one of her childless friends insisted on coming over during bedtime for martinis and conversation, it wouldn’t feel exactly unwelcome, but it would feel a little irrelevant. Like Sisyphus pushing the boulder up the mountain but then stopping for tea. She realized that her old friends had not abandoned her, or at least had not done so in any volitional way; it was just that their attention had been seized, their love redirected, the purpose of each day reoriented, unavoidably and involuntarily. She finally comprehended parenthood’s strange paradox: that it was deeply annihilating while at the same time also somehow deeply comforting. It was both soul-devouring and soul-filling.

How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.

We’re not the Furies,” I said. “We just want to talk.” “Go away!” he shrieked. “Flowers won’t make it better. It’s too late to apologize!” “Look,” Thalia said, “we just want—” “La-la-la!” he yelled. “I’m not listening!” We played tag with him around the boulder until finally Thalia, who was the quickest, caught the old man by his hair. “Stop it!” he wailed. “I have rocks to move. Rocks to move!” “I’ll move your rock!”Thalia offered. “Just shut up and talk to my friends.” Sisyphus stopped fighting. “You’ll—you’ll move my rock?” “It’s better than looking at you.” Thalia glanced at me. “Be quick about it.” Then she shoved Sisyphus toward us. She put her shoulder against the rock and started pushing it very slowly uphill. Sisyphus scowled at me distrustfully. He pinched my nose. “Ow!” I said. “So you’re really not a Fury,” he said in amazement. “What’s the flower for?” “We’re looking for someone,” I said. “The flower is helping us find him.” “Persephone!” He spit in the dust. “That’s one of her tracking devices, isn’t it?” He leaned forward, and I caught an unpleasant whiff of old-guy-who’s-been-rolling-a-rock-foreternity. “I fooled her once, you know. I fooled them all.” I looked at Nico. “Translation?

Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.

History is not just a series of facts to memorize, but a narrative that provides a context and foundation of psychological and emotional support. Without a sense of history we are as condemned as Sisyphus in Greek Mythology, whose purgatory is to push a heavy boulder up hill only to have it roll back down every time he reaches the top, forcing him to begin again. We repeat the same mistakes of the past because we have no opportunity to learn from them. It is also a lonely burden being a rugged individual carrying the weight of oppression without the strength of a collective legacy. Our history gives us fortitude. It is a story that provides a sense of purpose and helps us to understand our place within society.

As a geezer one grows tired of the story of Sisyphus. Let that boulder stay where it is and, by its presence, exactly where it wished to be, but then I’m old enough to have forgotten what the boulder stood for? I think of all of the tons of junk the climbers have left up on Everest, including a few bodies. Even the pyramids, those imitation mountains, say to the gods, “We can do it too.” Despite planes you can’t get off the earth for long. Even the dead meat strays behind, changing shape, the words drift into the twilight across the lake. I’m not bold enough to give a poetry reading while alone far out in the desert to a gathering of saguaro and organ-pipe cactus or listen to my strophes reverberate off a mountain wall. At dawn I sat on a huge boulder near Cave Creek deep in the Chiracahuas and listened to it infer that it didn’t want to go way back up the mountain but liked it near the creek where gravity bought its passage so long ago. Everest told me to get this crap off my head or stay at home and make your own little pyramids.

The way of the world, with its doors and its walls. Is this all because I’ve no Muse in my sack? I don’t feel like Sisyphus, I feel like his boulder – Something used, or abused, for a task that’s not ended, That won’t be, and certainly not with this.

The trouble was that the central organizing premise and goal of Hamas was an illusion. Syria, Lebanon, Iraq, Jordan, and Egypt had repeatedly tried and failed to drive the Israelis into the sea and transform its lands into a Palestinian state. Even Saddam Hussein and his Scud missiles failed…Hamas was like Sisyphus of Greek mythology—condemned eternally to roll a boulder up a steep hill, only to see it roll back down again, never reaching the goal.

to push the boulder, like Sisyphus, up to the top of a hill, only to see it roll to the bottom again?” “Who’s Sisyphus?” “A character in a primitive myth. Yugo, you must do more reading.” Amaryl shrugged. “So I can learn about Sisyphus? Not important.

The concept of work as a curse dates as far back as Greek antiquity, goes all the way to the Industrial Revolution and still impacts how society tends to think and feel about work today. It may have started with Zeus punishing Sisyphus to an eternity of pointless labor, pushing a large boulder up a steep hill just to watch it roll back down. Ancient Greeks viewed work as demeaning, getting in the way of the ideal of a life dedicated to contemplation and the acquisition of knowledge. Romans took a similar view. And the French word for work—travail—comes from a Latin word for a torture device.

Eventually he agreed, and when Toby was born, Elizabeth came to finally understand exactly where all her friends had gone. She was astounded by how her priorities shifted, all at once, immediately, how any task other than keeping Toby safe, keeping Toby healthy, seemed like a diversion, or an interruption. She understood with some remorse that if one of her childless friends insisted on coming over during bedtime for martinis and conversation, it wouldn’t feel exactly unwelcome, but it would feel a little irrelevant. Like Sisyphus pushing the boulder up the mountain but then stopping for tea. She realized that her old friends had not abandoned her, or at least had not done so in any volitional way; it was just that their attention had been seized, their love redirected, the purpose of each day reoriented, unavoidably and involuntarily. She finally comprehended parenthood’s strange paradox: that it was deeply annihilating while at the same time also somehow deeply comforting. It was both soul-devouring and soul-filling.

She was like Sisyphus. Despite everything, she still decided to push that boulder up.

Sometimes you will hear people try to make this obsession with means into a virtue: “It’s not about where you’re going, it’s how you get there.” But if you dwell on these claims long enough, the best you can do is say with Albert Camus, “The struggle itself toward the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.”8 In his famous essay, The Myth of Sisyphus, Camus suggests that human life is much like the fate of Sisyphus from Greek mythology, who was damned to spend eternity pushing a boulder up a mountain, only to watch it roll down again. Life, then, is an endless, arduous, meaningless existence. Also, to be clear, Sisyphus is in Hades. If all society can promise us is a life in Hades pushing the boulder of the Responsibilities of Self-Belonging, then it’s not much of a promise.

could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too—things I don’t want to describe. The line coming from the right side of the judgment pavilion was much better. This one led down toward a small valley surrounded by walls—a gated community, which seemed to be the only happy part of the Underworld. Beyond the security gate were neighborhoods of beautiful houses from every time period in history, Roman villas and medieval castles and Victorian mansions. Silver and gold flowers bloomed on the lawns. The grass rippled in rainbow colors. I could hear laughter and smell barbecue cooking. Elysium. In the middle of that valley was a glittering blue lake, with three small islands like a vacation resort in the Bahamas. The Isles of the Blest, for people who had chosen to

Hearing Jucifer’s White Wall in person is unforgettable. No recording can touch that power. Pieced together over several years, Thee White Wall consists of about twenty cabinets of varying size, power, and purpose, as well as an arsenal of world-class amplifiers—all painted white. Valentine and Livengood typically need between three and five hours to construct their wall. Like Captain Ahab, only Valentine knows the secret to the whale: she’s the sole person who knows how to make Thee White Wall function. Try to fathom touring for the better part of eighteen years. Now try to imagine building that monolith every night for eighteen years without the help of roadies. Jucifer is Sisyphus pushing his boulder. By way of explanation, Valentine offered this: “We just want to feel it and hear it, this mass of sound. And I want to shape it, ride the feedback.”†

I consider the myth of Sisyphus to be an inspirational tale. It’s an idea I obviously adapted from Camus. In the eyes of the gods, Sisyphus’s endless task of pushing a boulder up a hill is a punishment. But by accepting his fate as unchangeable and continuing to do the task, Sisyphus can reject the gods’ view of him and thus be happy. Not happy in other people’s eyes—only his own. In other words, we may not be able to reject our fortune or fate, but we can reject how we approach it. Every day, we have the chance to kill the way the world sees us and push the boulder up the hill with a big, fat smile on our faces. To live life without amends.

We are like he who the gods have condemned to push the boulder up the hill only to watch it roll back down.

Camus’s answer is the Greek myth of Sisyphus. Sisyphus was the king who stole the secrets of the gods, in return for which he was condemned by Zeus to spend his life laboriously rolling an immense boulder up a hill, only to watch it roll down again and having to repeat the labour endlessly, never achieving either the final goal or rest from it. That, says Camus, is life as ‘the absurd’. And that is what we are condemned to. We can either be defeated by it, or we can refuse to be defeated. That refusal, tragic, heroic, defiant, is what gives life its glory and even its brief fragments of happiness.

This whole painful irony is especially striking in the case of email, that ingenious twentieth-century invention whereby any random person on the planet can pester you, at any time they like, and at almost no cost to themselves, by means of a digital window that sits inches from your nose, or in your pocket, throughout your working day, and often at weekends, too. The ‘input’ side of this arrangement – the number of emails that you could, in principle, receive – is essentially infinite. But the ‘output’ side – the number of messages you’ll have time to read properly, reply to, or just make a considered decision to delete – is strictly finite. So getting better at processing your email is like getting faster and faster at climbing up an infinitely tall ladder: you’ll feel more rushed, but no matter how quickly you go, you’ll never reach the top. In ancient Greek myth, the gods punish King Sisyphus for his arrogance by sentencing him to push an enormous boulder up a hill, only to see it roll back down again, an action he is condemned to repeat for all eternity. In the contemporary version, Sisyphus would empty his inbox, lean back and take a deep breath, before hearing a familiar ping: ‘You have new messages

In ancient Greek myth, the gods punish King Sisyphus for his arrogance by sentencing him to push an enormous boulder up a hill, only to see it roll back down again, an action he is condemned to repeat for all eternity. In the contemporary version, Sisyphus would empty his inbox, lean back, and take a deep breath, before hearing a familiar ping: “You have new messages…

Zeus, not before time, decides to step in. To demonstrate the necessity and even favorability of death, Sisyphus is given the task of rolling a boulder from the bottom of a hill to the top; then Zeus, in a trick of his own, which might simply be called “gravity,” returns the boulder to the bottom, where Sisyphus must resume his fruitless and unending labor. Søren Kierkegaard, the Danish brainbox, reckoned it was a good metaphor for addiction to materialism and sex: “It is comic that a mentally disordered man picks up any piece of granite and carries it around because he thinks it is money, and in the same way it is comic that Don Juan has 1,003 mistresses, for the number simply indicates that they have no value. Therefore, one should stay within one’s means in the use of the word ‘love.’ ” This analysis is resonant: this book, to a point, is about my own disillusionment with the material offerings of fame and fortune, which include money and sexual opportunity.

He’s the Sisyphus of emails, doomed to forever push a boulder uphill, never reaching the top.

Sisyphus knows at every moment rolling the giant boulder that this fate was his own doing since he knew when he defied the gods he would be punished, and so he owns his punishment. Sisyphus also wouldn't give the gods the pleasure of seeing him suffer or be defeated, so he scorns them by owning the rock and making it meaningful.

Like Sisyphus pushing the boulder up the mountain but then stopping for tea. She realized that her old friends had not abandoned her, or at least had not done so in any volitional way; it was just that their attention had been seized, their love redirected, the purpose of each day reoriented, unavoidably and involuntarily.

If one is destined to live as a Sisyphus in an abyss, there is good sense in distinguishing a meaningful boulder from insignificant pebbles. A Sisyphus making a boulder out of a pebble would only become a comedy. In the past few months I've developed a habit of scrutinizing my mind: is this thought a pebble of a thought, is this worry a pebble of a worry, is this question, seemingly unanswerable, only a pebble of a question?