β
[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes βAwww!
β
β
Jack Kerouac (On the Road)
β
A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
β
β
Ian McEwan (Atonement)
β
Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.
β
β
Arthur Conan Doyle (The Complete Adventures of Sherlock Holmes)
β
As a rule, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
β
β
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
β
People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
No new horror can be more terrible than the daily torture of the commonplace.
β
β
H.P. Lovecraft (Necronomicon: The Best Weird Tales)
β
My life is spent in one long effort to escape from the commonplaces of existence. These little problems help me to do so.
β
β
Arthur Conan Doyle (The Red-Headed League - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes #2))
β
Nothing is so common-place as to wish to be remarkable.
β
β
Oliver Wendell Holmes Sr. (Autocrat of the Breakfast Table)
β
A common man marvels at uncommon things. A wise man marvels at the commonplace.
β
β
Confucius
β
Healing is impossible in loneliness; it is the opposite of loneliness. Conviviality is healing. To be healed we must come with all the other creatures to the feast of Creation.
(pg.99, "The Body and the Earth")
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
A blade of grass is a commonplace on Earth; it would be a miracle on Mars. Our descendants on Mars will know the value of a patch of green. And if a blade of grass is priceless, what is the value of a human being?
β
β
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
β
We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can make for us, which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you, have not been shaped by a paterfamilias or a schoolmaster, they have sprung from very different beginnings, having been influenced by evil or commonplace that prevailed round them. They represent a struggle and a victory.
β
β
Marcel Proust
β
Beauty belongs to the sphere of the simple, the ordinary, whilst ugliness is something extraordinary, and there is no question but that every ardent imagination prefers in lubricity, the extraordinary to the commonplace
β
β
Marquis de Sade (The 120 Days of Sodom and Other Writings)
β
It has always seemed to me. ever since early childhood, amid all the commonplaces of life, i was very near to a kingdom of ideal beauty. Between it and me hung only a thin veil. I could never draw it quite aside, but sometimes a wind fluttered it and I caught a glimpse of the enchanting realms beyond-only a glimpse-but those glimpses have always made life worthwhile.
β
β
L.M. Montgomery (Anne of Green Gables)
β
Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary.
β
β
Cecil Beaton
β
It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those thingsβa chair, a window curtain, a fork, a stone, a woman's earringβwith immense, even startling power.
β
β
Raymond Carver
β
I had no illusions about you,' he said. 'I knew you were silly and frivolous and empty-headed. But I loved you. I knew that your aims and ideals were vulgar and commonplace. But I loved you. I knew that you were second-rate. But I loved you. It's comic when I think how hard I tried to be amused by the things that amused you and how anxious I was to hide from you that I wasn't ignorant and vulgar and scandal-mongering and stupid. I knew how frightened you were of intelligence and I did everything I could to make you think me as big a fool as the rest of the men you knew. I knew that you'd only married me for convenience. I loved you so much, I didn't care. Most people, as far as I can see, when they're in love with someone and the love isn't returned feel that they have a grievance. They grow angry and bitter. I wasn't like that. I never expected you to love me, I didn't see any reason that you should. I never thought myself very lovable. I was thankful to be allowed to love you and I was enraptured when now and then I thought you were pleased with me or when I noticed in your eyes a gleam of good-humored affection. I tried not to bore you with my love; I knew I couldn't afford to do that and I was always on the lookout for the first sign that you were impatient with my affection. What most husbands expect as a right I was prepared to receive as a favor.
β
β
W. Somerset Maugham (The Painted Veil)
β
You may want to keep a commonplace book which is a notebook where you can copy parts of books you think are in code, or take notes on a series of events you may have observed that are suspicious, unfortunate, or very dull. Keep your commonplace book in a safe place, such as underneath your bed, or at a nearby dairy.
β
β
Lemony Snicket (Lemony Snicket: The Unauthorized Autobiography)
β
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
β
β
Alan Moore (Watchmen)
β
So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
β
β
Colette (The Vagabond)
β
I have seen so many extraordinary things, nothing seems extraordinary any more
β
β
Lewis Carroll
β
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.
Calendars and clocks exist to measure time, but that signifies little because we all know that an hour can seem as eternity or pass in a flash, according to how we spend it.
Time is life itself, and life resides in the human heart.
β
β
Michael Ende (Momo)
β
And I know, knew for sure, with an absolute certainty, that this is rock bottom, this what the worst possible thing feels like. It is not some grand, wretched emotional breakdown. It is, in fact, so very mundane:β¦Rock Bottom is an inability to cope with the commonplace that is so extreme it makes even the grandest and loveliest things unbearableβ¦Rock bottom is feeling that the only thing that matters in all of life is the one bad momentβ¦Rock bottom is everything out of focus. Itβs a failure of vision, a failure to see the world how it is, to see the good in what it is, and only to wonder why the hell things look the way they do and notβand not some other way.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
The truth of Zen, just a little bit of it, is what turns one's humdrum life, a life of monotonous, uninspiring commonplaceness, into one of art, full of genuine inner creativity.
β
β
D.T. Suzuki
β
For obvious reasons, I never told you about my notebook, with a cover as green as mansions long ago, which I use as a commonplace book, a phrase which here means 'place where I have collected passages from some of the most important books I have read.
β
β
Lemony Snicket (Lemony Snicket: The Unauthorized Autobiography)
β
It is a commonplace of all religious thought, even the most primitive, that the man seeking visions and insight must go apart from his fellows and love for a time in the wilderness.
β
β
Loren Eiseley
β
She was ordinary. She was remarkable. Of such commonplace contradictions are weapons made.
β
β
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
β
They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance.
β
β
Joseph Conrad (Heart of Darkness)
β
We never come out untouched from the spell of beauty. While we break away from the commonplace, upscaling and veering from the trodden path, it challenges the ordinary. On the broken pieces of the humdrum of our lives, beauty conjures up poetry and infinity.( "Absence of beauty was like hell")
β
β
Erik Pevernagie
β
...the care of the earth is our most ancient and most worthy and, after all, our most pleasing responsibility. To cherish what remains of it, and to foster its renewal, is our only legitimate hope.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
The world is full of abandoned meanings. In the commonplace I find unexpected themes and intensities.
β
β
Don DeLillo (White Noise)
β
Making the simple complicated is commonplace; making the complicated simple, awesomely simple, thatβs creative.
β
β
Charles Mingus
β
In a popular state the inhabitants are divided into certain classes,β Montesquieu affirmed in a Marxian manner a century before Marx! So, the popular state is a fiction; it is transient, fleeting, and for this reason β imaginable only. In its rigorous scientific sense of a class instrument, it is practically an empty matter sophism, a complete commonplaceness, an offspring of mental weakness. There is no such state! If it is a state, it is not popular! If it is popular, it is not a state yet! The State is a violent institution for social injustice generated by two main classes, which are main ones because they are at enmityβ¦ Any people closed in a state, are divided into classes. βFor indeed any city, however small, is in fact divided into two, one the city of the poor, the other of the rich.β(Plato, The Republic). Β Not Marx, still Plato said the truth!
β
β
Todor Bombov (Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face (A New World Order))
β
I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say: βBy-the-way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. Sheβs married, with two children.β And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again.
β
β
Daphne du Maurier (Rebecca)
β
Do not be fooled by its commonplace appearance. Like so many things, it is not what outside, but what is inside that counts.
β
β
Walt Disney Company
β
All around, everywhere you look, is dullness and uncertainty. Even something born of beauty soon leads to boredom and banality, commonplace, the human ritual, the tedious rhythm of life.
β
β
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
β
The only thing worth writing about is people. People. Human beings. Men and women whose individuality must be created, line by line, insight by insight. If you do not do it, the story is a failure. [...] There is no nobler chore in the universe than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal', the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally.
β
β
Harlan Ellison
β
I take literally the statement in the Gospel of John that God loves the world. I believe that the world was created and approved by love, that it subsists, coheres, and endures by love, and that, insofar as it is redeemable, it can be redeemed only by love. I believe that divine love, incarnate and indwelling in the world, summons the world always toward wholeness, which ultimately is reconciliation and atonement with God.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
the only people that interest me are the mad ones, the ones who are mad to live, mad to talk, desirous of everything at the same time, the ones that never yawn or say a commonplace thing.. but burn, burn, burn like roman candles across the night. Allen
β
β
Jack Kerouac (On the Road: The Original Scroll)
β
To become a happy person have a clean soul, eyes that see romance in the commonplace, a childβs heart, and spiritual simplicity.
β
β
Norman Vincent Peale (The Power of Positive Thinking)
β
Depend upon it, there is nothing so unnatural as the commonplace.
β
β
Arthur Conan Doyle (The Adventures of Sherlock Holmes (Sherlock Holmes, #3))
β
We always know when Jesus is at work because He produces in the commonplace something that is inspiring.
β
β
Oswald Chambers (My Utmost for His Highest: Selections for Everyday)
β
The freedom of affluence opposes and contradicts the freedom of community life.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
My wish simply is to live my life as fully as I can. In both our work and our leisure, I think, we should be so employed. And in our time this means that we must save ourselves from the products that we are asked to buy in order, ultimately, to replace ourselves.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
β
β
Alan Cumming (Not My Father's Son)
β
We pull on to the road, where our only company are the wandering cattle, who have become commonplace as traffic lights. Lethargic and listless, they look like they've been roaming the roads of Guinea since the dawn of time. And no doubt they will continue to long after we're gone.
β
β
Tom Hiddleston
β
nothing puts me so completely out of patience
as the utterance of a wretched commonplace
when I am talking from my inmost heart.
β
β
Johann Wolfgang von Goethe
β
I realize it's commonplace for parents to say to their child sternly, 'I love you, but I don't always like you.' But what kind of love is that? It seems to me that comes down to, 'I'm not oblivious to you - that is, you can still hurt my feelings - but I can't stand having you around.' Who wants to be loved like that? Given a choice, I might skip the deep blood tie and settle for being liked. I wonder if wouldn't have been more moved if my own mother had taken me in her arms and said, 'I like you.' I wonder if just enjoying your kid's company isn't more important.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.
β
β
Jack Kerouac (On the Road)
β
In a world plagued with commonplace tragedies, only one thing exists that truly has the power to save lives, and that is love.
β
β
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
β
The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions. Perhaps he cannot; certainly he does not, or does so very seldom.
β
β
E.M. Forster (A Room with a View)
β
Random violence makes the news precisely because it is so rare, routine kindness does not make the news precisely because it is so commonplace. (104)
β
β
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
β
Me, I've seen 45 years, and I've only figured out one thing. That's this: if a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn. I read somewhere that they said there's even different philosophies in razors. Fact is, if it weren't for that, nobody'd survive.
β
β
Haruki Murakami (Pinball, 1973 (The Rat, #2))
β
He was prepared, he thought, for any wonder. The only thing he had never expected was the utterly commonplace.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Little minds are interested in the extraordinary; great minds in the commonplace.
β
β
Elbert Hubbard
β
Evey: Who are you?
V. : Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey: Well I can see that.
V. : Of course you can, Iβm not questioning your powers of observation, Iβm merely remarking upon the paradox of asking a masked man who he is.
Evey: Oh, right.
V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the βvox populiβ now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition.
The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that itβs my very good honour to meet you and you may call me V.
Evey: Are you like a crazy person?
V. : Iβm quite sure they will say so.
β
β
Alan Moore (V for Vendetta)
β
I always liked fog, it lends such a soft, beautifying light to things that otherwise in the broad glare of day would be rude and commonplace.
β
β
Nellie Bly
β
In a society in which nearly everybody is dominated by somebody else's mind or by a disembodied mind, it becomes increasingly difficult to learn the truth about the activities of governments and corporations, about the quality or value of products, or about the health of one's own place and economy.
In such a society, also, our private economies will depend less and less upon the private ownership of real, usable property, and more and more upon property that is institutional and abstract, beyond individual control, such as money, insurance policies, certificates of deposit, stocks, and shares. And as our private economies become more abstract, the mutual, free helps and pleasures of family and community life will be supplanted by a kind of displaced or placeless citizenship and by commerce with impersonal and self-interested suppliers...
Thus, although we are not slaves in name, and cannot be carried to market and sold as somebody else's legal chattels, we are free only within narrow limits. For all our talk about liberation and personal autonomy, there are few choices that we are free to make. What would be the point, for example, if a majority of our people decided to be self-employed?
The great enemy of freedom is the alignment of political power with wealth. This alignment destroys the commonwealth - that is, the natural wealth of localities and the local economies of household, neighborhood, and community - and so destroys democracy, of which the commonwealth is the foundation and practical means.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
I am one who has always been interested only in the edges of the body and the spirit, the outlying regions of the body and the outlying regions of the spirit. The depths hold no interest for me; I leave them to others, for they are shallow, commonplace. What is there, then, at the outer most edge? Nothing, perhaps, save a few ribbons, dangling down into the void.
β
β
Yukio Mishima (Sun & Steel)
β
This is one of the goals of the Jewish way of living: to experience commonplace deeds as spiritual adventures, to feel the hidden love and wisdom in all things.
β
β
Abraham Joshua Heschel (God in Search of Man: A Philosophy of Judaism)
β
The characteristic note of our time is the dire truth that, the mediocre soul, the commonplace mind, knowing itself to be mediocre, has the gall to assert its right to mediocrity, and goes on to impose itself where it can.
β
β
JosΓ© Ortega y Gasset
β
Throughout his life, Albert Einstein would retain the intuition and the awe of a child. He never lost his sense of wonder at the magic of nature's phenomena-magnetic fields, gravity, inertia, acceleration, light beams-which grown-ups find so commonplace. He retained the ability to hold two thoughts in his mind simultaneously, to be puzzled when they conflicted, and to marvel when he could smell an underlying unity. "People like you and me never grow old," he wrote a friend later in life. "We never cease to stand like curious children before the great mystery into which we were born.
β
β
Walter Isaacson
β
Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative. We find that it is not a new scene which is needed, but a new viewpoint.
β
β
Norman Rockwell
β
Nothing fires the warriorβs heart more with courage than to find himself and his comrades at the point of annihilation, at the brink of being routed and overrun, and then to dredge not merely from oneβs own bowels or guts but from oneβs discipline and training the presence of mind not to panic, not to yield to the possession of despair, but instead to complete those homely acts of order which Dienekes had ever declared the supreme accomplishment of the warrior: to perform the commonplace under far-from-commonplace conditions.
β
β
Steven Pressfield (Gates of Fire)
β
But I know this is impossible. I know that the thing I want is exactly the thing I can never get. The old life, the jokes, the drinks, the arguments, the lovemaking, the tiny, heartbreaking commonplace.
β
β
C.S. Lewis (A Grief Observed)
β
Rock bottom is an inability to cope with the commonplace that is so extreme it makes even the grandest and loveliest things unbearable...Rock bottom is everything out of focus. It's a failure of vision, a failure to see the world as it is, to see the good in what it is, and only to wonder why the hell things look the way they do and not some other way.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.
β
β
Fyodor Dostoevsky (The Idiot)
β
Strange as my circumstances were, the terms of this debate
are as old and commonplace as man; much the same inducements and
alarms cast the die for any tempted and trembling sinner; and it
fell out with me, as it falls with so vast a majority of my
fellows, that I chose the better part and was found wanting in the
strength to keep to it.
β
β
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
β
To cease to wonder is to fall plumb-down from the childlike to the commonplaceβthe most undivine of all moods intellectual. Our nature can never be at home among things that are not wonderful to us.
β
β
George MacDonald
β
Rome took all the vanity out of me, for after seeing the wonders there, I felt too insignificant to live, and gave up all my foolish hopes in despair."
"Why should you, with so much energy and talent?"
"That's just why, because talent isn't genius, and no amount of energy can make it so. I want to be great, or nothing. I won't be a common-place dauber, so I don't intend to try anymore.
β
β
Louisa May Alcott (Little Women (Little Women, #1))
β
The mystery religions were instituted in order to protect the marvels of the commonplace from those who would devalue them.
β
β
Peter Redgrove (The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense)
β
Odd as I am sure it will appear to some, I can think of no better form of personal involvement in the cure of the environment than that of gardening. A person who is growing a garden, if he is growing it organically, is improving a piece of the world. He is producing something to eat, which makes him somewhat independent of the grocery business, but he is also enlarging, for himself, the meaning of food and the pleasure of eating.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
I was on the point of breaking off the conversation, for nothing puts me so completely out of patience as the utterance of a wretched commonplace when I am talking from my inmost heart.
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
I believe that the community - in the fullest sense: a place and all its creatures - is the smallest unit of health and that to speak of the health of an isolated individual is a contradiction in terms. (pg. 146, Health is Membership)
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
I don't know how it is, but I am so tired of commonplace happiness and commonplace goals.
β
β
Jens Peter Jacobsen (Niels Lyhne)
β
THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled.
β
β
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
β
The slogan of Hell: Eat or be eaten. The slogan of Heaven: Eat and be eaten.
β
β
W.H. Auden (A Certain World: A Commonplace Book)
β
Sometimes the most remarkable things seem commonplace. I mean when you think about it jet travel is pretty freaking remarkable. You get in a plane it defies the gravity of a entire planet by exploiting a loophole with air pressure and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research blood sweat tears and lives have gone into the history of air travel and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country and I absolutely promise you that you will find someone who in the face of all that incredible achievement will be willing to complain about the drinks.
β
β
Jim Butcher (Summer Knight (The Dresden Files, #4))
β
Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.
β
β
Neil Postman
β
The human mind searches for cause and effect, always; and we all prefer the weird and thrilling to the dull and commonplace as an answer.
β
β
Jack Finney (Invasion of the Body Snatchers)
β
The world must be romanticized. Only in that way will one rediscover its original senses. Romanticization is nothing less than a qualitative raising of the power of a thing . . . I romanticize something when I give the commonplace a higher meaning, the known the dignity of the unknown, and the finite the appearance of the infinite.
β
β
Novalis
β
If we have never had the experience of taking our commonplace religious shoes off our commonplace religious feet, and getting rid of all the undue familiarity with which we approach God, it is questionable whether we have ever stood in his presence.
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Oswald Chambers (My Utmost for His Highest: Selections for Everyday)
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Wealth is commonplace but wisdom is rare. I beg you to remember that wealth without wisdom can often end in disaster.
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Dan Brown (The Lost Symbol (Robert Langdon, #3))
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Stunt dwarf or destroy the imagination of a child and you have taken away its chances of success in life. Imagination transforms the commonplace into the great and creates the new out of the old.
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L. Frank Baum
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My mind is like a racing engine, tearing itself to pieces because it is not connected up with the work for which it was built. Life is commonplace; the papers are sterile; audacity and romance seem to have passed forever from the criminal world. Can you ask me, then, whether I am ready to look into any new problem, however trivial it may prove?
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Arthur Conan Doyle (The Complete Sherlock Holmes: Volume II)
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A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
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F. Scott Fitzgerald
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He is broken in three ways, sometimes four. I count them.
-He believes himself to be human, but is not actually. At least not anymore. This is similar to the way he believes himself to be alive.
-He has a grim affinity for drugs. This comes with no caveat and no parentheses. This is just a fact of life.
-He is doggedly unhappy and once decided to kill himself. Sadly, he has not really stopped.
-On certain occasions when these first three things have ceased to be bad enough, he loves me. The other sins are commonplace, forgivable under a big enough umbrella. This fourth is irrevocable. Unconscionable. In a word, it is utterly damning.
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Brenna Yovanoff
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in dreams it is often the case that the greatest extravagances seem bereft of their power to astonish and the most improbable chimeras seem commonplace.
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Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
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But then they danced down the street like dingledodies, and I shambled after as I've been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars...
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Jack Kerouac (On the Road)
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Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.
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Terry Pratchett
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Deep within the individual is a vast reservoir of untapped power awaiting to be used. no person can have the use of all this potential until he learns to know his or her own self. the trouble with many people is that they got through life thinking and writing themselves off as ordinary commonplace persons. having no proper belief in themselves they live aimless and erratic lives largely because they never realize what their lives really can be or what they can become
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Norman Vincent Peale
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There is a monsterous deal of stupid quizzing, & common-place nonsense talked, but scarcely any wit.
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Jane Austen
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New opinions are always suspected, and usually opposed, without any other reason but because they are not already common.
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John Locke
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Whatever evil you let ride becomes commonplace, eventually. Problem is, itβs easier to get used to it than carve it out.
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Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
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Ivan Ilyich's life had been most simple and commonplaceβand most horrifying.
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Leo Tolstoy (The Death of Ivan Ilych)
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Her death the dividing mark: Before and After. And though itβs a bleak thing to admit all these years later, still Iβve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary β I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old ladyβs face, smiles all round, waiters stepping away with their hands behind their backs β just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and Iβm sure I wouldnβt even remember it had she not died so soon after, but I thought about it again and again after her death and indeed Iβll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
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Donna Tartt (The Goldfinch)
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In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.
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Ian McEwan (Atonement)
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Every demand for the most simple bourgeois financial reform, for the most ordinary liberalism, for the most commonplace republicanism, for the flattest democracy, is forthwith punished as an "assault upon society," and is branded as "Socialism
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Karl Marx (Eighteenth Brumaire of Louis Bonaparte)
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To live, we must daily break the body and shed the blood of Creation. When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament. When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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But even in the much-publicized rebellion of the young against the materialism of the affluent society, the consumer mentality is too often still intact: the standards of behavior are still those of kind and quantity, the security sought is still the security of numbers, and the chief motive is still the consumer's anxiety that he is missing out on what is "in." In this state of total consumerism - which is to say a state of helpless dependence on things and services and ideas and motives that we have forgotten how to provide ourselves - all meaningful contact between ourselves and the earth is broken. We do not understand the earth in terms either of what it offers us or of what it requires of us, and I think it is the rule that people inevitably destroy what they do not understand.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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We are so utterly ordinary, so commonplace, while we profess to know a Power the Twentieth Century does not reckon with. But we are "harmless," and therefore unharmed. We are spiritual pacifists, non-militants, conscientious objectors in this battle-to-the-death with principalities and powers in high places. Meekness must be had for contact with men, but brass, outspoken boldness is required to take part in the comradeship of the Cross. We are "sideliners" -- coaching and criticizing the real wrestlers while content to sit by and leave the enemies of God unchallenged. The world cannot hate us, we are too much like its own. Oh that God would make us dangerous!
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Jim Elliot
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A proper community, we should remember also, is a commonwealth: a place, a resource, an economy. It answers the needs, practical as well as social and spiritual, of its members - among them the need to need one another. The answer to the present alignment of political power with wealth is the restoration of the identity of community and economy.
(pg. 63, "Racism and the Economy")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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Dying is one of the few experiences we'll eventually all enjoy firsthand, and like most shit that's commonplace, it's boring to dwell on.
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Brian K. Vaughan (Saga, Volume 6)
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The difference between a path and a road is not only the obvious one. A path is little more than a habit that comes with knowledge of a place. It is a sort of ritual of familiarity. As a form, it is a form of contact with a known landscape. It is not destructive. It is the perfect adaptation, through experience and familiarity, of movement to place; it obeys the natural contours; such obstacles as it meets it goes around.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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To hold in the mind forever two ideas which seemed to be in opposition. The first . . . acceptance totally without rancor, of life as it is, and men as they are [;] . . . the second . . . that one must never, in one's life, accept . . . injustices as commonplace but must fight them with all one's strength.
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James Baldwin
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[All the ancient wisdom] tells us that work is necessary to us, as much a part of our condition as mortality; that good work is our salvation and our joy; that shoddy or dishonest or self-serving work is our curse and our doom. We have tried to escape the sweat and sorrow promised in Genesis - only to find that, in order to do so, we must forswear love and excellence, health and joy.
(pg. 44, "The Unsettling of America")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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At that, his smile faded and he kissed her. βRoss,β she said. βDear Ross.β βI love you,β he said, βand am your servant. Demelza, look at me. If Iβve done wrong in the past, give me leave to make amends.β So he found that what he had half despised was not despicable, that what had been for him the satisfaction of an appetite, a pleasant but commonplace adventure in disappointment, owned wayward and elusive depths he had not known before, and carried the knowledge of beauty in its heart.
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Winston Graham (Ross Poldark (Poldark, #1))
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Creativity is more than just being different. Anybody can play weird-- that's easy. What's hard is to be as simple as Bach. Making the simple complicated is commonplace--making the complicated simple, awesomely simple--that's creativity.
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Charles Mingus
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We have made it our overriding ambition to escape work, and as a consequence have debased work until it is only fit to escape from. We have debased the products of work and have been, in turn, debased by them.
(pg. 43, "The Unsettling of America")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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What he says, even on his knees, about his own sinfulness is all parrot talk. At bottom, he still believes he has run up a very favorable credit-balance in the Enemy's ledger by allowing himself to be converted, and thinks that he is showing great humility and condescension in going to church with these 'smug', commonplace neighbors at all.
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C.S. Lewis (The Screwtape Letters)
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It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things-- a chair, a window curtain, a fork, a stone, a woman's earring-- with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine-- the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me.
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Raymond Carver
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Whenever anybody whom we love dies, we discover that although death is commonplace it is terribly original. We may have thought about it all our lives, but if it comes close to us, it is quite a new, strange thing to us, for which we are entirely unprepared. It may, perhaps, not be the bare loss so much as the strength of the bond which is broken that is the surprise, and we are debtors in a way to death for revealing something in us which ordinary life disguises.
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William Hale White (Clara Hopgood)
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...I cannot live without brain-work. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the dun-colored houses. What could be more hopelessly prosaic and material? What is the use of having powers, doctor, when one has no field upon which to exert them? Crime is commonplace, existence is commonplace, and no qualities save those which are commonplace have any function upon earth.
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Arthur Conan Doyle (The Sign of Four (Sherlock Holmes, #2))
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The Library didnβt only contain magical books, the ones which are chained to their shelves and are very dangerous. It also contained perfectly ordinary books, printed on commonplace paper in mundane ink. It would be a mistake to think that they werenβt also dangerous, just because reading them didnβt make fireworks go off in the sky. Reading them sometimes did the more dangerous trick of making fireworks go off in the privacy of the readerβs brain.
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Terry Pratchett (Soul Music (Discworld #16; Death, #3))
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Charity even for one person does not make sense except in terms of an effort to love all Creation in response to the Creator's love for it.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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A poet is not somebody who has great thoughts. That is the menial duty of the philosopher. A poet is somebody who expresses his thoughts, however commonplace they may be, exquisitely. That is the one and only difference between the poet and everybody else.
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Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
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The distance runner is mysteriously reconciling the separations of body and mind, of pain and pleasure, of the conscious and the unconscious. He is repairing the rent, and healing the wound in his divided self. He has found a way to make the ordinary extraordinary; the commonplace unique; the everyday eternal.
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George Sheehan (Running & Being: The Total Experience)
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I call it Joy. 'Animal-Land' was not imaginative. But certain other experiences were... The first is itself the memory of a memory. As I stood beside a flowering currant bush on a summer day there suddenly arose in me without warning, and as if from a depth not of years but of centuries, the memory of that earlier morning at the Old House when my brother had brought his toy garden into the nursery. It is difficult or find words strong enough for the sensation which came over me; Milton's 'enormous bliss' of Eden (giving the full, ancient meaning to 'enormous') comes somewhere near it. It was a sensation, of course, of desire; but desire for what?...Before I knew what I desired, the desire itself was gone, the whole glimpse... withdrawn, the world turned commonplace again, or only stirred by a longing for the longing that had just ceased... In a sense the central story of my life is about nothing else... The quality common to the three experiences... is that of an unsatisfied desire which is itself more desirable than any other satisfaction. I call it Joy, which is here a technical term and must be sharply distinguished both from Happiness and Pleasure. Joy (in my sense) has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want it again... I doubt whether anyone who has tasted it would ever, if both were in his power, exchange it for all the pleasures in the world. But then Joy is never in our power and Pleasure often is.
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C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
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How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent.
In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes.
You do not read a book for the book's sake, but for your own.
You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind.
You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life.
You may read because you did go to college.
You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too.
You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people.
Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise.
Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight.
Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it.
Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
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Earl Nightingale
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1. An honest ego in a healthy body
2. An eye to see nature
3. A heart to feel nature
4. Courage to follow nature
5. A sense of proportion (humor)
6. Appreciation of work as idea and idea as work
7. Fertility of imagination
8. Capacity for faith and rebellion
9. Disregard for commonplace (inorganic) elegance
10. Instinctive cooperation
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Frank Lloyd Wright
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TO BE GRATEFUL for an unanswered prayer, to give thanks in a state of interior desolation, to trust in the love of God in the face of the marvels, cruel circumstances, obscenities, and commonplaces of life is to whisper a doxology in darkness.
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Brennan Manning (Ruthless Trust: The Ragamuffin's Path to God)
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(...) perfectly ordinary books, printed on commonplace paper in mundane ink. It would be a mistake to think that they weren't also dangerous, just because reading them didn't make fireworks go off in the sky. Reading them sometimes did the more dangerous trick of making fireworks go off in the privacy of the reader's brain.
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Terry Pratchett
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This commonplace cycle of falling asleep and waking, in darkness, under private cover, with another creature, a pale soft tender mammal, putting faces together in a ritual of affection, briefly settled in the eternal necessities of warmth, comfort, safety, crossing limbs to draw nearer - a simple daily consolation, almost too obvious, easy to forget by daylight.
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Ian McEwan (Saturday)
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For when I speak of the banality of evil, I do so only on the strictly factual level, pointing to a phenomenon which stared one in the face at the trial. Eichmann was not Iago and not Macbeth, and nothing would have been farther from his mind than to determine with Richard III 'to prove a villain.' Except for an extraordinary diligence in looking out for his personal advancement, he had no motives at allβ¦ He merely, to put the matter colloquially, never realized what he was doingβ¦ It was sheer thoughtlessnessβsomething by no means identical with stupidityβthat predisposed him to become one of the greatest criminals of that period. And if this is 'banal' and even funny, if with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann, this is still far from calling it commonplaceβ¦ That such remoteness from reality and such thoughtlessness can wreak more havoc than all the evil instincts taken together which, perhaps, are inherent in manβthat was, in fact, the lesson one could learn in Jerusalem.
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Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
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It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace. But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one's own life, accept these injustices as commonplace but must fight them with all one's strength. This fight begins, however, in the heart and it now had been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.
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James Baldwin (Notes of a Native Son)
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Verbal abuse is the use of language to shame, scare or hurt another. Dysfunctional parents routinely use name-calling, sarcasm, and destructive criticism to overpower and control their children. Verbal abuse is as commonplace in the American family as homework and table manners. It is modeled as socially acceptable in almost every sitcom on television.
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Pete Walker (The Tao of Fully Feeling: Harvesting Forgiveness Out of Blame)
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It is among the commonplaces of education that we often first cut off the living root and then try to replace its natural functions by artificial means. Thus we suppress the child's curiosity and then when he lacks a natural interest in learning he is offered special coaching for his scholastic coaching for his scholastic difficulties.
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Alice Duer Miller
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Just understand that the end began long ago
We got here just in time
Look
All the squares in the sidewalks were already there
All these strangers have more money than you do
All the good riffs have been taken
And everyone is so scared
Murder is commonplace
I don't even flinch at the gunshots outside my window
I feel lonely without them
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Henry Rollins (Eye Scream (Henry Rollins))
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It is a mistake to confound strangeness with mystery. The most commonplace crime is often the most mysterious because it presents no new or special features from which deductions may be drawn. This murder would have been infinitely more difficult to unravel had the body of the victim been simply found lying in the roadway without any of those outrΓ© and sensational accompaniments which have rendered it remarkable. These strange details, far from making the case more difficult, have really had the effect of making it less so.
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Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
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At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.
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Patricia A. McKillip
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When the commonplace "We must all die" transforms itself suddenly into the acute consciousness "I must die-- and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first.
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George Eliot (Middlemarch)
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For what are called criminals nowadays are not criminals at all.Β Starvation, and not sin, is the parent of modern crime.Β That indeed is the reason why our criminals are, as a class, so absolutely uninteresting from any psychological point of view.Β They are not marvellous Macbeths and terrible Vautrins.Β They are merely what ordinary, respectable, commonplace people would be if they had not got enough to eat.Β
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Oscar Wilde (The Soul of Man under Socialism)
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His youth seemed never so vanished as now in the contrast between the utter loneliness of this visit and that riotous, joyful party of four years before. Things that had been the merest commonplaces of his life then, deep sleep, the sense of beauty around him, all desire, had flown away and the gaps they left were filled only with the great listlessness of his disillusion.
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F. Scott Fitzgerald (This Side of Paradise)
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As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like.
For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.
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W.H. Auden (A Certain World: A Commonplace Book)
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134. Letters are Commonplace
Letters are commonplace enough, yet what splendid things they are! When someone is in a distant province and one is worried about him, and then a letter suddenly arrives, one feels as though one were seeing him face to face. Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.
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Sei ShΕnagon (The Pillow Book)
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I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.
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Charlotte BrontΓ«
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What marriage offers - and what fidelity is meant to protect - is the possibility of moments when what we have chosen and what we desire are the same. Such a convergence obviously cannot be continuous. No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments, which give us the highest joy we can know; that of union, communion, atonement (in the root sense of at-one-ment)...
To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality.
(pg.117-118, "The Body and the Earth")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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There is nothing so annoying as to be fairly rich, of a fairly good family,
pleasing presence, average education, to be "not stupid," kindhearted,
and yet to have no talent at all, no originality, not a single idea
of one's ownβto be, in fact, "just like everyone else."
Of such people there are countless numbers in this worldβfar more
even than appear. They can be divided into two classes as all men
canβthat is, those of limited intellect, and those who are much cleverer.
The former of these classes is the happier.
To a commonplace man of limited intellect, for instance, nothing is
simpler than to imagine himself an original character, and to revel in that
belief without the slightest misgiving.
Many of our young women have thought fit to cut their hair short, put
on blue spectacles, and call themselves Nihilists. By doing this they have
been able to persuade themselves, without further trouble, that they
have acquired new convictions of their own. Some men have but felt
some little qualm of kindness towards their fellow-men, and the fact has
been quite enough to persuade them that they stand alone in the van of
enlightenment and that no one has such humanitarian feelings as they.
Others have but to read an idea of somebody else's, and they can immediately
assimilate it and believe that it was a child of their own brain.
The "impudence of ignorance," if I may use the expression, is developed
to a wonderful extent in such cases;βunlikely as it appears, it is met
with at every turn.
... those belonged to the other classβto the "much cleverer"
persons, though from head to foot permeated and saturated with
the longing to be original. This class, as I have said above, is far less
happy. For the "clever commonplace" person, though he may possibly
imagine himself a man of genius and originality, none the less has within
his heart the deathless worm of suspicion and doubt; and this doubt
sometimes brings a clever man to despair. (As a rule, however, nothing
tragic happens;βhis liver becomes a little damaged in the course of time,
nothing more serious. Such men do not give up their aspirations after
originality without a severe struggle,βand there have been men who,
though good fellows in themselves, and even benefactors to humanity,
have sunk to the level of base criminals for the sake of originality)
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Fyodor Dostoevsky (The Idiot)
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Ivanov: And this whole romance of ours is commonplace and trite: he lost heart, and he lost his way. She came along, strong and brave in spirit, and gave him an helping hand. That's all very well and plausible in novels, but in life...
Sasha: In life it's the same.
Ivanov: I see you have a fine understanding of life!
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Anton Chekhov (Ivanov (Plays for Performance Series))
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In order to survive, a plurality of true communities would require not egalitarianism and tolerance but knowledge, an understanding of the necessity of local differences, and respect. Respect, I think, always implies imagination - the ability to see one another, across our inevitable differences, as living souls. (pg. 181, Sex, Economy, Freedom, and Community)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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The great milestones of civilization always have the whiff of utopia about them at first. According to renowned sociologist Albert Hirschman, utopias are initially attacked on three grounds: futility (itβs not possible), danger (the risks are too great), and perversity (it will degenerate into dystopia). But Hirschman also wrote that almost as soon as a utopia becomes a reality, it often comes to be seen as utterly commonplace. Not so very long ago, democracy still seemed a glorious utopia. Many a great mind, from the philosopher Plato (427β347 B.C.) to the statesman Edmund Burke (1729β97), warned that democracy was futile (the masses were too foolish to handle it), dangerous (majority rule would be akin to playing with fire), and perverse (the βgeneral interestβ would soon be corrupted by the interests of some crafty general or other). Compare this with the arguments against basic income. Itβs supposedly futile because we canβt pay for it, dangerous because people would quit working, and perverse because ultimately a minority would end up having to toil harder to support the majority.
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Rutger Bregman (Utopia for Realists: And How We Can Get There β from the presenter of the 2025 BBC βMoral Revolutionβ Reith lectures)
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No, it is not a commonplace, sir! If up to now, for example, I have been told to 'love my neighbor,' and I did love him, what came of it?. . . What came of it was that I tore my caftan in two, shared it with my neighbor, and we were both left half naked, in accordance with the Russian proverb which says: If you chase several hares at once, you won't overtake any one of them. But science says: Love yourself before all, because everything in the world is based on self-interest. If you love only yourself, you will set your affairs up properly, and your caftan will also remain in one piece. And economic truth adds that the more properly arranged personal affairs and, so to speak, whole caftans there are in society, the firmer its foundations are and the better arranged its common cause. It follows that by acquiring for everyone, as it were, and working so that my neighbor will have something more than a torn caftan, not from private, isolated generosities now, but as a result of universal prosperity.
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Fyodor Dostoevsky (Crime and Punishment)
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There is an inability to sustain the tragic mood, a phoenix quality of the mind. It may be helpful or harmful, it is just a part of the will to surviveβyet, also, it has made it possible for us to engage in one weakening war after another. But it is a necessary part of our mechanism that we should be able to cry only for a time over even an ocean of spilt milkβthe spectacular must soon become the commonplace if life is to be supportable.
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John Wyndham
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Science is wonderful at destroying metaphysical answers, but incapable of providing substitute ones. Science takes away foundations without providing a replacement. Whether we want to be there or not, science has put us in the position of having to live without foundations. It was shocking when Nietzsche said this, but today it is commonplace; our historical position-and no end to it is in sight-is that of having to philosophise without 'foundations'.
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Hilary Putnam
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...but I suddenly realized what small towns are. They are places where you grow up with the peculiar -- you live next to the strange and the unlikely for so long that everything and everyone become commonplace. My cousins were both small-towners and outsiders; they had not grown up with Own Meany, who was so strange to them that he inspired awe - yet they were no more likely to fall upon him, or to devise ways to torture him, than it was likely for a herd of cattle to attack a cat.
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John Irving (A Prayer for Owen Meany)
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Loveβhe seemed to have missed it. Or was the love that others told about a mere fabrication of perfervid imagination, an exaggeration of the commonplace, a glorification of insipid monotonies such as made up his love life? Was love a combination of circumstances, or sheer native capacity of soul? In those days love was, for him, still the eternal puzzle; for love, as he knew it, was a stranger to love as he divined it might be.
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Paz Marquez Benitez (Dead Stars)
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It was like that class at school where the teacher talks about Realization, about how you could realize something big in a commonplace thing. The example he gave--and the liar said it really happened--was that once while drinking orange juice, he'd realized he would be dead someday. He wondered if we, his students, had had similar 'realizations.'
Is he kidding? I thought.
Once I cashed a paycheck and I realized it wasn't enough.
Once I had food poisoning, and realized I was trapped inside my body.
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Amy Hempel (Reasons to Live)
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It is commonplace observation that women are forever trying to straighten their hair if it is curly and curl it if it is straight, bind their breasts if they are large and pad them if they are small, darken their hair if it is light and lighten it if it is dark. Not all these measures are dictated by the fantom of fashion. They all reflect dissatisfaction with the body as it is, and an insistent desire that it be otherwise, not natural but controlled, fabricated. Many of the devices adopted by women are not cosmetic or ornamental, but disguise of the actual, arising from fear and distaste.
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Germaine Greer (The Female Eunuch)
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The accounts of rape, wife beating, forced childbearing, medical butchering, sex-motivated murder, forced prostitution, physical mutilation, sadistic psychological abuse, and other commonplaces of female experi
ence that are excavated from the past or given by contemporary survivors should leave the heart seared, the mind in anguish, the conscience in upheaval. But they do not. No matter how often these stories are told, with whatever clarity or eloquence, bitterness or sorrow, they might as well have been whispered in wind or written in sand: they disappear, as if they were nothing. The tellers and the stories are ignored or ridiculed, threatened back into silence or destroyed, and the experience of female suffering is buried in cultural invisibility and contempt⦠the very reality of abuse sustained by women, despite its overwhelming pervasiveness and constancy, is negated. It is negated in the transactions of everyday life, and it is negated in the history books, left out, and it is negated by those who claim to care about suffering but are blind to this suffering.
The problem, simply stated, is that one must believe in the existence of the person in order to recognize the authenticity of her suffering. Neither men nor women believe in the existence of women as significant beings. It is impossible to remember as real the suffering of someone who by definition has no legitimate claim to dignity or freedom, someone who is in fact viewed as some thing, an object or an absence. And if a woman, an individual woman multiplied by billions, does not believe in her own discrete existence and therefore cannot credit the authenticity of her own suffering, she is erased, canceled out, and the meaning of her life, whatever it is, whatever it might have been, is lost. This loss cannot be calculated or comprehended. It is vast and awful, and nothing will ever make up for it.
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Andrea Dworkin (Right-Wing Women)
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I dance with people I despise; amuse myself with men whose only talent lies in their feet, gain the disapprobation of people I honor and respect; return home at day break with my brain in a state which was never intended for it; and arise in the middle of the next day feeling infinitely more, in spirit and flesh like a Liliputian, than a woman with body and soul. Entry (when she was eighteen) in her Commonplace Book, 1868-1869.
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Kate Chopin
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First of all, you must never speak of anything by its name -- in that country. So, if you see a tree on a mountain, it will be better to say 'Look at the green on the high'; for that's how they talk -- in that country. And whatever you do, you must find a false reason for doing it -- in that country. If you rob a man, you must say it is to help and protect him: that's the ethics -- of that country. And everything of value has no value at all -- in that country. You must be perfectly commonplace if you want to be a genius -- in that country. And everything you like you must pretend not to like; and anything that is there you must pretend is not there -- in that country. And you must always say that you are sacrificing yourself in the cause of religion, and morality, and humanity, and liberty, and progress, when you want to cheat your neighbour -- in that country."
Good heavens!" cried Iliel, 'are we going to England?
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Aleister Crowley (Moonchild)
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To think better, to think like the best humans, we are probably going to have to learn again to judge a person's intelligence, not by the ability to recite facts, but by the good order or harmoniousness of his or her surroundings. We must suspect that any statistical justification of ugliness and violence is a revelation of stupidity. (pg.192-193, People, Land, and Community)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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Concepts that have proven useful in ordering things easily achieve such authority over us that we forget their earthly origins and accept them as unalterable givens. Thus they come to be stamped as βnecessities of thoughtβ, βa priori givensβ, etc. The path of scientific advance is often made impassable for a long time through such errors. For that reason, it is by no means an idle game if we become practiced in analyzing the long commonplace concepts and exhibiting those circumstances upon which their justification and usefulness depend, how they have grown up, individually, out of the givens of experience. By this means, their all-too-great authority will be broken. They will be removed if they cannot be properly legitimated, corrected if their correlation with given things be far too superfluous, replaced by others if a new system can be established that we prefer for whatever reason.
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Albert Einstein
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The fact is, rape is utterly commonplace in all our cultures. It is part of the fabric of everyday life, yet we all act as if itβs something shocking and extraordinary whenever it hits the headlines. We remain silent, and so we condone itβ¦Until rape, and the structures β sexism, inequality, tradition β that make it possible, are part of our dinner-table conversation with the next generation, it will continue. Is it polite and comfortable to talk about it? No. Must we anyway? Yes.β
βTo protect our children, we must talk to them about rape
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Desmond Tutu
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Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him- and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
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Colette
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Bustopher Jones is not skin and bones β
In fact, he's remarkably fat.
He doesn't haunt pubs β he has eight or nine clubs,
For he's the St. James's Street Cat!
He's the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impeccable back.
In the whole of St. James's the smartest of names is
The name of this Brummell of Cats;
And we're all of us proud to be nodded or bowed to
By Bustopher Jones in white spats!
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T.S. Eliot (Old Possum's Book of Practical Cats)
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The two ideas, justice and vocation, are inseparable.... It is by way of the principle and practice of vocation that sanctity and reverence enter into the human economy. It was thus possible for traditional cultures to conceive that "to work is to pray." (pg. 258, The Idea of a Local Economy)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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We still (sometimes) remember that we cannot be free if our minds and voices are controlled by someone else. But we have neglected to understand that we cannot be free if our food and its sources are controlled by someone else. The condition of the passive consumer of food is not a democratic condition. One reason to eat responsibly is to live free. (pg. 323, The Pleasures of Eating)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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Children...wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride,; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well underway.
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Annie Dillard (An American Childhood)
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The world must be romanticized. In this way its original meaning will be rediscovered. Romanticization is nothing but a qualitative realization of potential. The lower self is identified, in this operation, with a better self. As we are ourselves are such a qualitative series of empowerings. This operation is as yet quite unknown. Insofar as I give a higher meaning to what is commonplace, and a mysterious appearance to what is ordinary, the dignity of the unknown to what is known, a semblance of infinity to what is finite, I romanticize it.
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Novalis
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A manβs work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem. But in his book or his picture the real man delivers himself defenceless. His pretentiousness will only expose his vacuity. The lathe painted to look like iron is seen to be but a lathe. No affectation of peculiarity can conceal a commonplace mind. To the acute observer no one can produce the most casual work without disclosing the innermost secrets of the soul.
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W. Somerset Maugham (The Moon and Sixpence)
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Because everyone is guilty for everyone else. For all the 'wee ones,' because there are little children and big children. All people are 'wee ones.' And I'll go for all of them, because there must be someone who will go for all of them.
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Fyodor Dostoevsky (The Brothers Karamazov)
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In the white man's world, language, too -- and the way which the white man thinks of it--has undergone a process of change. The white man takes such things as words and literatures for granted, as indeed he must, for nothing in his world is so commonplace. On every side of him there are words by the millions, an unending succession of pamphlets and papers, letters and books, bills and bulletins, commentaries and conversations. He has diluted and multiplied the Word, and words have begun to close in on him. He is sated and insensitive; his regard for language -- for the Word itself -- as an instrument of creation has diminished nearly to the point of no return. It may be that he will perish by the Word.
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N. Scott Momaday (House Made of Dawn)
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While the government is "studying" and funding and organizing its Big Thought, nothing is being done. But the citizen who is willing to Think Little, and, accepting the discipline of that, to go ahead on his own, is already solving the problem. A man who is trying to live as a neighbor to his neighbors will have a lively and practical understanding of the work of peace and brotherhood, and let there be no mistake about it - he is doing that work...
A man who is willing to undertake the discipline and the difficulty of mending his own ways is worth more to the conservation movement than a hundred who are insisting merely that the government and the industries mend their ways.
(pg.87, "Think Little")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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The pleasure of eating should be an extensive pleasure, not that of the mere gourmet. People who know the garden in which their vegetables have grown and know that the garden is healthy will remember the beauty of the growing plants, perhaps in the dewy first light of morning when gardens are at their best. Such a memory involves itself with the food and is one of the pleasures of eating. (pg. 326, The Pleasures of Eating)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretence, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the faces of a danger it is unable to comprehend.
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Joseph Conrad (Heart of Darkness)
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If we are to have a culture as resilient and competent in the face of necessity as it needs to be, then it must somehow involve within itself a ceremonious generosity toward the wilderness of natural force and instinct. The farm must yield a place to the forest, not as a wood lot, or even as a necessary agricultural principle but as a sacred grove - a place where the Creation is let alone, to serve as instruction, example, refuge; a place for people to go, free of work and presumption, to let themselves alone. (pg. 125, The Body and the Earth)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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We do not need to plan or devise a "world of the future"; if we take care of the world of the present, the future will have received full justice from us. A good future is implicit in the soils, forests, grasslands, marshes, deserts, mountains, rivers, lakes, and oceans that we have now, and in the good things of human culture that we have now; the only valid "futurology" available to us is to take care of those things. We have no need to contrive and dabble at "the future of the human race"; we have the same pressing need that we have always had - to love, care for, and teach our children.
(pg. 73, "Feminism, the Body, and the Machine")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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You might think that, by now, people would have become accustomed to the idea of natural catastrophes. We live on a planet that is still cooling and which has fissures and faults in its crust; this much is accepted even by those who think that the globe is only six thousand years old, as well as by those who believe that the earth was "designed" to be this way. Even in such a case, it is to be expected that earthquakes will occur and that, if they occur under the seabed, tidal waves will occur also. Yet two sorts of error are still absolutely commonplace. The first of these is the idiotic belief that seismic events are somehow "timed" to express the will of God. Thus, reasoning back from the effect, people will seriously attempt to guess what sin or which profanity led to the verdict of the tectonic plates. The second error, common even among humanists, is to borrow the same fallacy for satirical purposes and to employ it to disprove a benign deity.
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Christopher Hitchens
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Good human work honors God's work. Good work uses no thing without respect, both for what it is in itself and for its origin. It uses neither tool nor material that it does not respect and that it does not love. It honors nature as a great mystery and power, as an indispensable teacher, and as the inescapable judge of all work of human hands. It does not dissociate life and work, or pleasure and work, or love and work, or usefulness and beauty. To work without pleasure or affection, to make a product that is not both useful and beautiful, is to dishonor God, nature, the thing that is made, and whomever it is made for. This is blasphemy: to make shoddy work of the work of God. But such blasphemy is not possible when the entire Creation is understood as holy and when the works of God are understood as embodying and thus revealing His spirit. (pg. 312, Christianity and the Survival of Creation)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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You have a place in my nature which no one else could fill. You have played a fundamental part in my development. And this grief, which has been like a clod between our two souls, does it not begin to dissipate? Ours is not an everyday affection. As yet, we are mortal, and to live side by side with one another would be dreadful, for somehow, with you I cannot long be trivial, and, you know, to be always beyond this mortal state would be to lose it. If people marry, they must live together as affectionate humans who may be commonplace with each other without feeling awkward- not as two souls. So I feel it.
I might marry in the years to come. It would be a woman I could kiss and embrace, whom I could make the mother of my children, whom I could talk to playfully, trivially, earnestly, but never with this dreadful seriousness. See how fate has disposed things. You, you might marry, a man who would not pour himself out like fire before you. I wonder if you understand- I wonder if I understand myself.
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D.H. Lawrence (Sons and Lovers)
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I believe that Love is at the center of everything; therefore, I accept Love as the healing power of life. I permit Love to reach out from me to every person I meet. I believe that Love is returned to me from every person I meet. I trust the guidance of Love because I believe it is the power of Good in the universe. I feel that Love is flowing through me to heal every situation I meet, to help every person I contact. Love opens the way before me and makes it perfect, straight, and glad. Love forgives everything unlike itself; it purifies everything. Love converts everything that seems commonplace into that which is wonderful. Love converts weakness into strength, fear into faith. Love
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Ernest Shurtleff Holmes (365 Science of Mind: A Year of Daily Wisdom from Ernest Holmes)
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If we are looking for insurance against want and oppression, we will find it only in our neighbors' prosperity and goodwill and, beyond that, in the good health of our worldly places, our homelands. If we were sincerely looking for a place of safety, for real security and success, then we would begin to turn to our communities - and not the communities simply of our human neighbors but also of the water, earth, and air, the plants and animals, all the creatures with whom our local life is shared.
(pg. 59, "Racism and the Economy")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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Marriage, in what is evidently its most popular version, is now on the one hand an intimate 'relationship' involving (ideally) two successful careerists in the same bed, and on the other hand a sort of private political system in which rights and interests must be constantly asserted and defended. Marriage, in other words, has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. During their understandably temporary association, the 'married' couple will typically consume a large quantity of merchandise and a large portion of each other.
The modern household is the place where the consumptive couple do their consuming. Nothing productive is done there. Such work as is done there is done at the expense of the resident couple or family, and to the profit of suppliers of energy and household technology. For entertainment, the inmates consume television or purchase other consumable diversion elsewhere.
There are, however, still some married couples who understand themselves as belonging to their marriage, to each other, and to their children. What they have they have in common, and so, to them, helping each other does not seem merely to damage their ability to compete against each other. To them, 'mine' is not so powerful or necessary a pronoun as 'ours.'
This sort of marriage usually has at its heart a household that is to some extent productive. The couple, that is, makes around itself a household economy that involves the work of both wife and husband, that gives them a measure of economic independence and self-employment, a measure of freedom, as well as a common ground and a common satisfaction.
(From "Feminism, the Body, and the Machine")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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In the loss of skill, we lose stewardship; in losing stewardship we lose fellowship; we become outcasts from the great neighborhood of Creation. It is possible - as our experience in this good land shows - to exile ourselves from Creation, and to ally ourselves with the principle of destruction - which is, ultimately, the principle of nonentity. It is to be willing in general for being to not-be. And once we have allied ourselves with that principle, we are foolish to think that we can control the results. (pg. 303, The Gift of Good Land)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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If it were not for collectors England would be full, so to speak, of rare birds and wonderful butterflies, strange flowers and a thousand interesting things. But happily the collector prevents all that, either killing with his own hands or, by buying extravagantly, procuring people of the lower classes to kill such eccentricities as appear.
...
Eccentricity, in fact, is immorality--think over it again if you do not think so now--just as eccentricity in one's way of thinking is madness (I defy you to find another definition that will fit all the cases of either); and if a species is rare it follows that it is not Fitted to Survive. The collector is after all merely like the foot soldier in the days of heavy armour-he leaves the combatants alone and cuts the throats of those who are overthrown. So one may go through England from end to end in the summer time and see only eight or ten commonplace wild flowers, and the commoner butterflies, and a dozen or so common birds, and never be offended by any breach of the monotony.
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H.G. Wells (The Wonderful Visit)
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From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.
He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")
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Ambrose Bierce (Ghost Stories (Haunting Ghost Stories))
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Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health - and create profitable diseases and dependences - by failing to see the direct connections between living and eating, eating and working, working and loving. In gardening, for instance, one works with the body to feed the body. The work, if it is knowledgeable, makes for excellent food. And it makes one hungry. The work thus makes eating both nourishing and joyful, not consumptive, and keeps the eater from getting fat and weak. This is health, wholeness, a source of delight. (pg.132, The Body and the Earth)
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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But even the longest dedication is too short and too commonplace to honor a friendship so uncommon. When I try to define this asset which has been mine now for years, I tell myself that such a privilege, however rare it may be, is surely not unique; that in the whole adventure of bringing a book successfully to its conclusion, or even in the entire life of some fortunate writers, there must have been sometimes, in the background, perhaps, someone who will not let pass the weak or inaccurate sentence which we ourselves would retain, out of fatigue; someone who would re-read with us for the twentieth time, if need be, a questionable page; someone who takes down for us from the library shelves the heavy tomes in which we may find a helpful suggestion, and who persists in continuing to peruse them long after weariness has made us give up; someone who bolsters our courage and approves, or sometimes disputes, our ideas; who shares with us, and with equal fervor, the joys of art and of living, the endless work which both require, never easy but never dull; someone who is neither our shadow nor our reflection, nor even our complement, but simply himself; someone who leaves us ideally free, but who nevertheless obliges us to be fully what we are. Hospes Comesque.
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Marguerite Yourcenar (Memoirs of Hadrian)
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Until we understand what the land is, we are at odds with everything we touch. And to come to that understanding it is necessary, even now, to leave the regions of our conquest - the cleared fields, the towns and cities, the highways - and re-enter the woods. For only there can a man encounter the silence and the darkness of his own absence. Only in this silence and darkness can he recover the sense of the world's longevity, of its ability to thrive without him, of his inferiority to it and his dependence on it. Perhaps then, having heard that silence and seen that darkness, he will grow humble before the place and begin to take it in - to learn from it what it is. As its sounds come into his hearing, and its lights and colors come into his vision, and its odors come into his nostrils, then he may come into its presence as he never has before, and he will arrive in his place and will want to remain. His life will grow out of the ground like the other lives of the place, and take its place among them. He will be with them - neither ignorant of them, nor indifferent to them, nor against them - and so at last he will grow to be native-born. That is, he must reenter the silence and the darkness, and be born again.
(pg. 27, "A Native Hill")
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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The center was not holding. It was a country of bankruptcy notices and public-auction announcements and commonplace reports of casual killings and misplaced children and abandoned homes and vandals who misplaced even the four-letter words they scrawled. It was a country in which families routinely disappeared, trailing bad checks and repossession papers. Adolescents drifted from city to torn city, sloughing off both the past and the future as snakes shed their skins, children who were never taught and would never now learn the games that had held the society together. People were missing. Children were missing. Parents were missing. Those left behind filed desultory missing- persons reports, then moved on themselves.
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Joan Didion
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The word agriculture, after all, does not mean "agriscience," much less "agribusiness." It means "cultivation of land." And cultivation is at the root of the sense both of culture and of cult. The ideas of tillage and worship are thus joined in culture. And these words all come from an Indo-European root meaning both "to revolve" and "to dwell." To live, to survive on the earth, to care for the soil, and to worship, all are bound at the root to the idea of a cycle. It is only by understanding the cultural complexity and largeness of the concept of agriculture that we can see the threatening diminishments implied by the term "agribusiness." (pg. 285, The Use of Energy)
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
The soul, in its loneliness, hopes only for "salvation." And yet what is the burden of the Bible if not a sense of the mutuality of influence, rising out of an essential unity, among soul and body and community and world? These are all the works of God, and it is therefore the work of virtue to make or restore harmony among them. The world is certainly thought of as a place of spiritual trial, but it is also the confluence of soul and body, word and flesh, where thoughts must become deeds, where goodness must be enacted. This is the great meeting place, the narrow passage where spirit and flesh, word and world, pass into each other. The Bible's aim, as I read it, is not the freeing of the spirit from the world. It is the handbook of their interaction. It says that they cannot be divided; that their mutuality, their unity, is inescapable; that they are not reconciled in division, but in harmony. What else can be meant by the resurrection of the body? The body should be "filled with light," perfected in understanding. And so everywhere there is the sense of consequence, fear and desire, grief and joy. What is desirable is repeatedly defined in the tensions of the sense of consequence.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
Self-Exam
Dear audience, please stand if you were raised
By a terrible mother. Okay, okay,
Approximately half of you. So I'd say
That terrible mothers are commonplace.
Just like terrible fathers. So let's mourn
For the children who never knew childhood.
Our grief is justified. Our anger is good.
I won't blame children for childish scorn.
But there comes a day when a broken child
Becomes an adult. On that day, you'll need
To choose between the domestic and wild.
You'll need to escalate war or declare peace.
I tell you this because I'm the kid, mother-stung,
Who became a terrible adult son.
And I'm to blame for that. I made that mess.
Because I am the Amateur of Forgiveness.
β
β
Sherman Alexie (You Don't Have to Say You Love Me)
β
A crowd whose discontent has risen no higher than the level of slogans is only a crowd. But a crowd that understands the reasons for its discontent and knows the remedies is a vital community, and it will have to be reckoned with. I would rather go before the government with two people who have a competent understanding of an issue, and who therefore deserve a hearing, than with two thousand who are vaguely dissatisfied.
But even the most articulate public protest is not enough. We don't live in the government or in institutions or in our public utterances and acts, and the environmental crisis has its roots in our lives. By the same token, environmental health will also be rooted in our lives. That is, I take it, simply a fact, and in the light of it we can see how superficial and foolish we would be to think that we could correct what is wrong merely by tinkering with the institutional machinery. The changes that are required are fundamental changes in the way we are living.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
Creation is thus God's presence in creatures. The Greek Orthodox theologian Philip Sherrard has written that "Creation is nothing less than the manifestation of God's hidden Being." This means that we and all other creatures live by a sanctity that is inexpressibly intimate, for to every creature, the gift of life is a portion of the breath and spirit of God. (pg. 308, Christianity and the Survival of Creation)
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
The modern world, which denies personal guilt and admits only social crimes, which has no place for personal repentance but only public reforms, has divorced Christ from His Cross; the Bridegroom and Bride have been pulled apart. What God hath joined together, men have torn asunder. As a result, to the left is the Cross; to the right is Christ. Each has awaited new partners who will pick them up in a kind of second and adulterous union. Communism comes along and picks up the meaningless Cross; Western post-Christian civilization chooses the unscarred Christ.
Communism has chosen the Cross in the sense that it has brought back to an egotistic world a sense of discipline, self-abnegation, surrender, hard work, study, and dedication to supra-individual goals. But the Cross without Christ is sacrifice without love. Hence, Communism has produced a society that is authoritarian, cruel, oppressive of human freedom, filled with concentration camps, firing squads, and brain-washings.
The Western post-Christian civilization has picked up the Christ without His Cross. But a Christ without a sacrifice that reconciles the world to God is a cheap, feminized, colourless, itinerant preacher who deserves to be popular for His great Sermon on the Mount, but also merits unpopularity for what He said about His Divinity on the one hand, and divorce, judgment, and hell on the other. This sentimental Christ is patched together with a thousand commonplaces, sustained sometimes by academic etymologists who cannot see the Word for the letters, or distorted beyond personal recognition by a dogmatic principle that anything which is Divine must necessarily be a myth. Without His Cross, He becomes nothing more than a sultry precursor of democracy or a humanitarian who taught brotherhood without tears.
β
β
Fulton J. Sheen (Life of Christ)
β
(...) shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming. And in the personality of a man, it is . . . how does one say it? Authority without domination? Something like that.β
Nicholaiβs imagination was galvanized by the concept of shibumi. No other ideal had ever touched him so. βHow does one achieve this shibumi, sir?β
βOne does not achieve it, one . . . discovers it. And only a few men of infinite refinement ever do that. Men like my friend Otake-san.β
βMeaning that one must learn a great deal to arrive at shibumi?β
βMeaning, rather, that one must pass through knowledge and arrive at simplicity.
β
β
Trevanian (Shibumi)
β
The Age Of Reason
1. βWell, itβs that same frankness you fuss about so much. Youβre so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.β
2. β Iβm not so much interested in myself as all thatβ he said simply.
βI knowβ, said Marcelle. It isnβt an aim , itβs a means. It helps you to get rid of yourself; to contemplate and criticize yourself: thatβs the attitude you prefer. When you look at yourself, you imagine you arenβt what you see, you imagine you are nothing. That is your ideal: you want to be nothing.ββ
3. βIn vain he repeated the once inspiring phrase: βI must be free: I must be self-impelled, and able to say: ββI am because I will: I am my own beginning.ββ Empty, pompous words, the commonplaces of the intellectual.β
4. βHe had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waitedβ¦But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existenceβ¦.He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behindβ¦.β
5. β βIt was love. This time, it was love. And Mathiue thought:β What have I done?β Five minutes ago this love didnβt exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.β
6. β The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldnβt be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once moreβ¦you like that sort of life-placid, orderly, the typical life of an official.β
ββThat freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all oneβs responsibilities.β
βWellβ¦perhaps Iβm doing you an injustice. Perhaps you havenβt in fact reached the age of reason, itβs really a moral ageβ¦perhaps Iβve got there sooner than you have.β
7. β I have nothing to defend. I am not proud of my life and Iβm penniless. My freedom? Itβs a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certaintyβ¦.Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.β
8. ββI have led a toothless lifeβ, he thought. β A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. Whatβs to be done? Break the shell? Thatβs easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.β
9.ββ A lifeβ, thought Mathieu, βis formed from the future just like the bodies are compounded from the voidβ. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:βI will be freeβ, the day when he had said: βI will be famousβ, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
β
β
Jean-Paul Sartre
β
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch β hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into β some fearful, devastating scourge, I know β and, before I had glanced half down the list of βpremonitory symptoms,β it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever β read the symptoms β discovered that I had typhoid fever, must have had it for months without knowing it β wondered what else I had got; turned up St. Vitusβs Dance β found, as I expected, that I had that too, β began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically β read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Brightβs disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaidβs knee.
...
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy Iβm ill; so I thought I would do him a good turn by going to him now. βWhat a doctor wants,β I said, βis practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.β So I went straight up and saw him, and he said:
βWell, whatβs the matter with you?β
I said:
βI will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaidβs knee. Why I have not got housemaidβs knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.β
And I told him how I came to discover it all.
Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasnβt expecting it β a cowardly thing to do, I call it β and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.
I did not open it. I took it to the nearest chemistβs, and handed it in. The man read it, and then handed it back.
He said he didnβt keep it.
I said:
βYou are a chemist?β
He said:
βI am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.β
I read the prescription. It ran:
β1 lb. beefsteak, with
1 pt. bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And donβt stuff up your head with things you donβt understand.β
I followed the directions, with the happy result β speaking for myself β that my life was preserved, and is still going on.
β
β
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
β
Once the creator was removed from the creation, divinity became only a remote abstraction, a social weapon in the hands of the religious institutions. This split in public values produced or was accompanied by, as it was bound to be, an equally artificial and ugly division in people's lives, so that a man, while pursuing Heaven with the sublime appetite he thought of as his soul, could turn his heart against his neighbors and his hands against the world...
Though Heaven is certainly more important than the earth if all they say about it is true, it is still morally incidental to it and dependent on it, and I can only imagine it and desire it in terms of what I know of the earth.
(pg. 23, "A Native Hill")
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β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming bloodβwhat do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a clichΓ© of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterdayβyet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?
β
β
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
β
If we apply our minds directly and competently to the needs of the earth, then we will have begun to make fundamental and necessary changes in our minds. We will begin to understand and to mistrust and to change our wasteful economy, which markets not just the produce of the earth, but also the earth's ability to produce. We will see that beauty and utility are alike dependent upon the health of the world. But we will also see through the fads and the fashions of protest. We will see that war and oppression and pollution are not separate issues, but are aspects of the same issue. Amid the outcries for the liberation of this group or that, we will know that no person is free except in the freedom of other persons, and that man's only real freedom is to know and faithfully occupy his place - a much humbler place than we have been taught to think - in the order of creation.
(pg.89, "Think Little")
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β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled.
β
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Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
β
I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread. Whoever really has considered the lilies of the field or the birds of the air and pondered the improbability of their existence in this warm world within the cold and empty stellar distances will hardly balk at the turning of water into wine - which was, after all, a very small miracle. We forget the greater and still continuing miracle by which water (with soil and sunlight) is turned into grapes.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
Until modern times, we focused a great deal of the best of our thought upon rituals of return to the human condition. Seeking enlightenment or the Promised Land or the way home, a man would go or be forced to go into the wilderness, measure himself against the Creation, recognize finally his true place within it, and thus be saved both from pride and from despair. Seeing himself as a tiny member of a world he cannot comprehend or master or in any final sense possess, he cannot possibly think of himself as a god. And by the same token, since he shares in, depends upon, and is graced by all of which he is a part, neither can he become a fiend; he cannot descend into the final despair of destructiveness. Returning from the wilderness, he becomes a restorer of order, a preserver. He sees the truth, recognizes his true heir, honors his forebears and his heritage, and gives his blessing to his successors. He embodies the passing of human time, living and dying within the human limits of grief and joy.
(pg.95, "The Body and the Earth")
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β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
It is impossible to see how good work might be accomplished by people who think that our life in this world either signifies nothing or has only a negative significance.
If, on the other hand, we believe that we are living souls, God's dust and God's breath, acting our parts among other creatures all made of the same dust and breath as ourselves; and if we understand that we are free, within the obvious limits of moral human life, to do evil or good to ourselves and to the other creatures - then all our acts have a supreme significance. If it is true that we are living souls and morally free, then all of us are artists. All of us are makers, within mortal terms and limits, of our lives, of one another's lives, of things we need and use...
If we think of ourselves as living souls, immortal creatures, living in the midst of a Creation that is mostly mysterious, and if we see that everything we make or do cannot help but have an everlasting significance for ourselves, for others, and for the world, then we see why some religious teachers have understood work as a form of prayer...
Work connects us both to Creation and to eternity. (pg. 316, Christianity and the Survival of Creation)
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
The forsaking of all others is a keeping of faith, not just with the chosen one, but with the ones forsaken. The marriage vow unites not just a woman and a man with each other; it unites each of them with the community in a vow of sexual responsibility toward all others. The whole community is married, realizes its essential unity, in each of its marriages...
Marital fidelity, that is, involves the public or institutional as well as the private aspect of marriage. One is married to marriage as well as to one's spouse. But one is married also to something vital of one's own that does not exist before the marriage: one's given word. It now seems to me that the modern misunderstanding of marriage involves a gross misunderstanding and underestimation of the seriousness of giving one's word, and of the dangers of breaking it once it is given. Adultery and divorce now must be looked upon as instances of that disease of word-breaking, which our age justifies as "realistic" or "practical" or "necessary," but which is tattering the invariably single fabric of speech and trust.
(pg.117, "The Body and the Earth")
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
More profoundly, Nihilist "simplification" may be seen in the universal prestige today accorded the lowest order of knowledge, the scientific, as well as the simplistic ideas of men like Marx, Freud, and Darwin, which underlie virtually the whole of contemporary thought and life.
We say "life," for it is important to see that the Nihilist history of our century has not been something imposed from without or above, or at least has not been predominantly this; it has rather presupposed, and drawn its nourishment from, a Nihilist soil that has long been preparing in the hearts of the people. It is precisely from the Nihilism of the commonplace, from the everyday Nihilism revealed in the life and thought and aspiration of the people, that all the terrible events of our century have sprung.
The world-view of Hitler is very instructive in this regard, for in him the most extreme and monstrous Nihilism rested upon the foundation of a quite unexceptional and even typical Realism. He shared the common faith in "science," "progress," and "enlightenment" (though not, of course, in "democracy"), together with a practical materialism that scorned all theology, metaphysics, and any thought or action concerned with any other world than the "here and now," priding himself on the fact that he had "the gift of reducing all problems to their simplest foundations." He had a crude worship of efficiency and utility that freely tolerated "birth control", laughed at the institution of marriage as a mere legalization of a sexual impulse that should be "free", welcomed sterilization of the unfit, despised "unproductive elements" such as monks, saw nothing in the cremation of the dead but a "practical" question and did not even hesitate to put the ashes, or the skin and fat, of the dead to "productive use." He possessed the quasi-anarchist distrust of sacred and venerable institutions, in particular the Church with its "superstitions" and all its "outmoded" laws and ceremonies. He had a naive trust in the "natural mom, the "healthy animal" who scorns the Christian virtues--virginity in particular--that impede the "natural functioning" of the body. He took a simple-minded delight in modern conveniences and machines, and especially in the automobile and the sense of speed and "freedom" it affords.
There is very little of this crude Weltanschauung that is not shared, to some degree, by the multitudes today, especially among the young, who feel themselves "enlightened" and "liberated," very little that is not typically "modern.
β
β
Seraphim Rose