“
Accept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.
”
”
Paulo Coelho (Brida)
“
Aurelia was just about to take a sip of a mimosa when Mother Guardian snatched the flute away and promptly downed the drink in one gulp. Burping unashamedly, she said, "We can't have the validity of the marriage contracts jeopardized because the bride got rat-assed on her wedding day.
”
”
Therisa Peimer (Taming Flame)
“
If Eli really was a hero, and Victor meant to stop him, did that make him a villain?
He took a long sip of his drink, tipped his head back against the couch, and decided he could live with that.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Never be ashamed,’ he said. ‘Accept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.’
‘How will I know which is which?’
‘By the taste. You can only know a good wine if you have first tasted a bad one.
”
”
Paulo Coelho (Brida)
“
Everybody has secrets,' she says, taking a sip of her drink. 'That's nondebatable. The only question is whether you're keeping your own, or someone else's.
”
”
Karen M. McManus (The Cousins)
“
When I dance, I’m so fluid you could drink my moves. And if you sip it with your morning coffee, you’ll be light on your feet all day.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Why sip from a tea cup, when you can drink from the river.
”
”
Steve Martin (L.A. Story and Roxanne: Screenplays)
“
The paper called Eli a hero. The word made Victor laugh. Not just because it was absurd, but because it posed a question. If Eli was really a hero, and Victor meant to stop him, did that make him a villain? He took a long sip of his drink, tipped his head back against the couch, and decided he could live with that.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Next thing you know she'll be on the bus and selling T-shirts in the parking lot, showing off her boobs to get in the stage door."
"At least she has boobs to show," Jess said.
"I have boobs," Chloe said, pointing to her chest. "Just because they're not weighing me down doesn't mean they're not substantial."
"Okay, B cup," Jess said, taking a sip of her drink.
"I have boobs!" Chloe said again, a bit too loudly--she'd already had a couple of minibottles at the Spot. "My boobs are great, goddammit. You know that? They're fantastic! My boobs are amazing.
”
”
Sarah Dessen
“
I gestured my frustration. “I don’t know. She’s much better already. She wasn’t talking half an hour ago.
Look at her now.”
We all turned, finding Ceri sobbing quietly and drinking her tea in small reverent sips as the pixy girls
hovered over her. Three were plating her long, fair hair and another was singing to her.
Okay,” I said as we turned back. “Bad example.
”
”
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
“
One sip of this will bathe the drooping spirits in delight, beyond the bliss of dreams.
”
”
John Milton (Comus)
“
Dude, you ever taste harpy’s blood? We’re rarer than shit so I’m betting not. Want to go out for a drink sometime? If you put out, I might let you have a sip.
”
”
Thea Harrison (Storm's Heart (Elder Races, #2))
“
Ugh. Feelings.” I take a long drink, then pass her the bottle. She has another delicate sip. “You were right—it’s less horrid now.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
You should see him with his shirt off."
Ansel rocks on his heels, sipping his drink. "Please continue as if I"m not here. This is fantastic.
”
”
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
“
Imagine a delicious glass of summer iced tea.
Take a long cool sip. Listen to the ice crackle and clink.
Is the glass part full or part empty?
Take another sip.
And now?
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
That sounds like Russian interference to me.” “Agreed.”
They sat sipping their drinks.
“Should we even be drinking vodka?
”
”
Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
“
The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup.
“But the Composer is still dead.
”
”
Lemony Snicket (The Composer Is Dead)
“
She raised her hand to cut me off. "I am aware of your epistolary flirtation. Which is all well and good--as long as it's well and good. Before I ask you some questions, perhaps you would like some tea?"
"That would depend on what kind of tea you were offering."
"So diffident! Suppose it was Earl Grey."
I shook my head. "Tastes like pencil shavings."
"Lady Grey."
"I don't drink beverages named after beheaded monarchs. It seems so tacky."
"Chamomile?"
"Might as well sip butterfly wings."
"Green tea?"
"You can't be serious."
The old woman nodded her approval. "I wasn't."
"Because you know when a cow chews grass? And he or she chews and chews and chews? Well, green tea tastes like French-kissing that cow after it's done chewing all that grass."
"Would you like some mint tea?"
"Only under duress."
"English breakfast."
I clapped my hands. "Now you're talking!
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Scheide,'Noah said.
I decided to give the drink another shot. 'What does that mean?' I asked, then sipped.
'Vagina'
I almost choked, and covered my mouth with my hand.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Glasses are for people that sips instead of drinks.
”
”
Kai Starr (Three Ways From Sunday: A Desperado Novel)
“
I'm a big believer in first impressions," he finally said. "Tell me what your first thought was when Jason walked into the courtroom."
Taylor took a sip of her drink and grinned. This one was easy. "I vowed to hate him forever."
Jeremy's brown eyes twinkled at this. "That's exactly what I said nineteen years ago, five minutes after he first walked into our dorm room.
”
”
Julie James (Just the Sexiest Man Alive)
“
I just want to drink the day's loveliness in . . . I feel as if she were holding it out to my lips like a cup of airy wine and I'll take a sip at every step.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
AWAY with funeral music - set
The pipe to powerful lips -
The cup of life's for him that drinks
And not for him that sips.
”
”
Robert Louis Stevenson
“
I didn't really care for coffee-it was too bitter for my tastes-but I knew it would help wake me up, so I braced myself to take a drink.
Before I could even sip, Maxon slid the bowl of sugar in front of me. Like he knew.
”
”
Kiera Cass (The One (The Selection, #3))
“
How do you know if you can really trust someone?" I finally ask.
Noah raises his eyebrows and takes a sip of his drink.
Then he looks into my eyes and the expression in his is so earnest I feel like he's answering from a deeply personal place.
"If you need to ask that question, then you probably already know the answer," he says.
”
”
Sarah Pekkanen (An Anonymous Girl)
“
One sip of this wine
and you will go mad with drunkenness.
You will drop your masks
and tear your clothes — destroying
everything that separates you from the Lover.
Once you taste the fruit of this vine,
you will be kicked out of the city of yourself.
You will forget the world. You will forget yourself.
I tell you:
you will become a madman
who wanders the streets looking for the Lover
once you drink this Wine of Love.
”
”
Kamand Kojouri
“
Oh, life, life!" Bastidas complained, sipping his drink. "What is life? A little flame at the tip of a candle, exposed to a strong wind.
”
”
Julio Ramón Ribeyro (Marginal Voices: Selected Stories)
“
He takes a sip of his drink, leaving behind a milk mustache he quickly wipes away. It’s then I realize where I recognize him from: the milk advertisements. Sweet Lord, I’ve been jilling off to him.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
Thirty- eight years old and he was finished. He sipped at the coffee and remembered where he had gone wrong -- or right. He'd simply gotten tired -- of the insurance game, of the small offices and high glass partitions, the clients; he'd simply gotten tired of cheating on his wife, of squeezing secretaries in the elevator and in the halls;
he'd gotten tired of Christmas parties and New Year's parties and birthdays, and payments on new cars and furniture payments -- light, gas, water -- the whole bleeding complex of necessities.
He'd gotten tired and quit, that's all. The divorce came soon enough and the drinking came soon enough, and suddenly he was out of it. He had nothing, and he found out that having nothing was difficult too. It was another type of burden. If only there were some gentler road in between. It seemed a man only had two choices -- get in on the hustle or be a bum.
”
”
Charles Bukowski (South of No North)
“
His eyes dart from the horizon to my red bikini and back again. “I saw that,” I say.
He sips his drink. “Saw what?”
“You checked out my chest.”
“Of course I did. It’s like having two other people up here with us. I don’t want to be rude.
”
”
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
“
I smiled, sipped deliciously at my drink, and made a new rule for myself: if life hands you a compliment, take it.
”
”
James Patterson (Little Black Dress)
“
I took a sip from my second martini, feeling as decadent as one of those jazz piano players who smoke a lot and drink a lot and are found dead in a gutter at the end of every film.
”
”
André Aciman (Call Me by Your Name)
“
When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
You know," said Sydney, after a sip. "I kind of can taste some citrus in this. Just barely. Like a hint of orange. And it's sweeter than I thought, but that'd make sense if the guy said it was late harvest varietal. Grapes retain more sugar the longer they stay on the vine."
"I knew it," I said triumphantly. "I knew this was exactly what would happen if I ever got you to drink."
She titled her head, puzzled. "What?"
"Never mind.
”
”
Richelle Mead (Silver Shadows (Bloodlines, #5))
“
I flick my eyes to the spot on her shoulder where her freckles match the constellations in the sky, and I smile. I get lost in her skin, sipping my drink and mapping the stars on her arm while everyone else talks and eats and laughs around me.
”
”
Jennifer Dugan (Hot Dog Girl)
“
When he was done adding sloe gin and grenadine, Danny shoved the glass across the counter to Drew. "Try that and tell me what it needs."
Drew took a sip, then coughed and set the glass down. "That's awful."
Danny scowled and tossed a dripping tablespoon at him. "You're awful. I'm looking for constructive feedback, asshole. What does it need?"
Drew threw the tablespoon back. "It needs to be taken out and shot."
"Make your own damn drink, Mr. Mixology.
”
”
Brenna Yovanoff (The Replacement)
“
Hannah returns to our booth carrying our drink orders. Or rather, Allie and Dex’s drink orders. Logan and I asked for sodas, but what we get is water.
“Where’s my Dr. Pepper, Wellsy?” Logan whines.
She levels him with a stern look. “Do you know how much sugar is in a soft drink?”
“A perfectly acceptable amount and therefore I should drink it?” supplies Logan.
“Wrong. The answer is too damn much. You’re playing Michigan in an hour—you can’t get all hopped up on sugar before a game. You’ll get a five-minute energy boost and then crash halfway through the first period.”
Logan sighs. “G, why is your girl our nutritionist now?”
I pick up my water glass and take a sip of defeat. “Do you want to argue with her?”
Logan looks at Hannah, whose expression clearly conveys: you’ll get a soda over my dead body. Then he looks back at me. “No,” he says glumly.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
You look different." His words, normally crisp,are now sluggish.
"So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?"
"Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea."
"No,it isn't" I'm not sure I like Four this way.There's something unsettling about it.
"Didn't know you had a tattoo," he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath.
"Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way."
I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand.
"What way?" I ask. "Drunk?
"Yeah...well,no." His voice softens. "Real,I guess."
"I'll pretend I didn't."
"Nice of you." He puts his lips next to my ear and says, "You look good, Tris."
His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?"
"Of course." He winks at me.
I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends.
Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot.
"Come on,little girl," he says, "I'm taking you to dinner."
I rest my elbows on Al's back and wave at Four as he carries me away.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
There were five full glasses of wine in front of me, but the wine teacher told us that we were not allowed to drink any of them until after we finished the lesson. I imagine this is how dogs feel when you put a biscuit on their nose and tell them not to eat it. Except I totally stole sips of the wine when the teacher wasn’t looking, because I’m really shitty at being an obedient dog.
”
”
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
“
The better you do your job, the easier it looks.
Timeline is important though, everyone remembers how well you did the job. Aspire to Exceed expectations.
Plan your day. Its like sipping an Energy Drink .
Simply simplify your Job – You yourself will be spellbound at your competence.
”
”
Gautam Mukhopadhyay (Rise to Eminence)
“
Love is meant to be sipped, rather than chugged, like a glass of wine you drink strait from the bottle.
”
”
Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
“
I couldn't find my cup of tea.
So probably, I've been simply taking a sip from everyone else's cup. May be it shouldn't matter as long as there is tea to drink. Or should it?
”
”
Sanhita Baruah
“
They have all sipped from the Drink Me bottle. They have all unwound the clew of red thread. They have all fallen through the looking glass.
”
”
Adrian McKinty (The Chain)
“
Everybody has secrets,” she says, taking a sip of her drink. “That’s nondebatable. The only question is whether you’re keeping your own, or someone else’s.
”
”
Karen M. McManus (The Cousins)
“
Your love has wrested me away from me,
You’re the one I need, you’re the one I crave.
Day and night I burn, gripped by agony,
You’re the one I need, you’re the one I crave.
I find no great joy in being alive,
If I cease to exist, I would not grieve,
The only solace I have is your love,
You’re the one I need, you’re the one I crave.
Lovers yearn for you, but your love slays them,
At the bottom of the sea it lays them,
It has God’s images-it displays them;
You’re the one I need, you’re the one I crave.
Let me drink the wine of love sip by sip,
Like Mecnun, live in the hills in hardship,
Day and night, care for you holds me in its grip,
You’re the one I need, you’re the one I crave.
Even if, at the end, they make me die
And scatter my ashes up to the shy,
My pit would break into this outcry:
You’re the one I need, you’re the one I crave.
“Yunus Emre the mystic” is my name,
Each passing day fans and rouses my flame,
What I desire in both worlds in the same:
You’re the one I need, you’re the one I crave.
”
”
Yunus Emre
“
I don’t drink coffee,” she said, taking a sip from her tea. “Coffee is for Americans and Protestants. Irish people should drink tea. That’s how we were brought up after all. Give me a nice cup of Lyons and I’m content.” “I don’t mind the occasional cup of Barry’s myself.” “No, that’s from Cork.
”
”
John Boyne (The Heart's Invisible Furies)
“
I sip my ice-cold drink and bask in the double-barreled serotonin coursing through me. Is there anything better than iced coffee and a bookstore on a sunny day? I mean, aside from hot coffee and a bookstore on a rainy day.
”
”
Emily Henry (Book Lovers)
“
The smell of blood... it was on his breath.
What does he do? I think. Drink it? I imagine him sipping it from a teacup. Dipping a cookie into the stuff and pulling it out dripping red.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
michelle would get picked up and bang someone anonymous stud in the bathroom, and i would sip my drink wishing i could go home and curl up with a book. i sigh. thats ok. she was my vicarious slutty friend. and for that i loved her
”
”
Marata Eros (Reapers (The Druid Breeders, #1))
“
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks
up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me.
“You look different.” His words, normally crisp, are now sluggish.
“So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?”
“Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.”
“No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it.
“Didn’t know you had a tattoo,” he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath.
“Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds,
“I’d ask you to hang out with us, but you’re not supposed to see me this way.”
I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in
his hand.
“What way?” I ask. “Drunk?”
“Yeah...well, no.” His voice softens. “Real, I guess.”
“I’ll pretend I didn’t.”
“Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.”
His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea
what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?”
“Of course.” He winks at me.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
For more than three decades, coffee has captured my imagination because it is a beverage about individuals as well as community. A Rwandan farmer. Eighty roast masters at six Starbucks plants on two continents. Thousands of baristas in 54 countries. Like a symphony, coffee's power rests in the hands of a few individuals who orchestrate its appeal. So much can go wrong during the journey from soil to cup that when everything goes right, it is nothing short of brilliant! After all, coffee doesn't lie. It can't. Every sip is proof of the artistry -- technical as well as human -- that went into its creation.
”
”
Howard Schultz (Onward: How Starbucks Fought for Its Life without Losing Its Soul)
“
Right, what's there possibly to worry about?" she said. "Just some surgery in the garage with a drunk doctor."
Little miss," said Doc, pointing a finger at Cass. "I'm drinking. I'm not drunk. There's a difference." He took another sip from his cup. "But in another ten minutes or so, that might change, so you should stop stalling.
”
”
Gregg Rosenblum (Revolution 19 (Revolution 19, #1))
“
If we could once forget the conventional things, the roses, the pierced hearts, the fairy wings and get to something larger, something true; instead of sipping from exhausted springs to drink from the full river in its flow.
”
”
Edmond Rostand (Cyrano de Bergerac)
“
There’s something about sober living and sober thinking, about facing long afternoons without the numbing distraction of anesthesia, that disabuses you of the belief in externals, shows you that strength and hope come not from circumstances or the acquisition of things but from the simple accumulation of active experience, from gritting the teeth and checking the items off the list, one by one, even though it’s painful and you’re afraid. When you drink, you can’t do that. You can’t make the distinction between getting through painful feelings and getting away from them. All you can do is just sit there, numb and sipping, numb and drunk.
”
”
Caroline Knapp (Drinking: A Love Story)
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Prohibition is to abstain from intoxicating liquor, as it makes us morbid and sometimes drunk. But we get drunk every day, nevertheless, not so much by the strength of what we sip from the cup, but that which we eat, the water we drink, and the air we inhale, which at fermentation conspire at eventide to make us so drunk and tired that we lose control of ourselves and fall asleep. Everybody is a drunkard, and if we were to enforce real prohibition we should all be dead.
”
”
Marcus Garvey (The Philosophy and Opinions of Marcus Garvey, Or, Africa for the Africans (The New Marcus Garvey Library, No. 9))
“
I didn’t know if we were heading for the gallows or an interrogation chamber. The night had passed without sleep; save for a swig from the German’s flask, there hadn’t been a sip to drink since the rooftop of the Kirov; a lump the size of an infant’s fist had swelled where my forehead had cracked the ceiling- it was a bad morning, really; among my worst- but I wanted to live.
”
”
David Benioff (City of Thieves)
“
Then I got undressed and, crawling under the covers, sat up in bed and sipped my drink. I felt like I was going to fade out any second, but I had to allow myself this luxury. A ritual interlude I like so much between the time I get into bed and the time I fall asleep. Having a drink in bed while listening to music and reading a book. As precious to me as a beautiful sunset or good clean air.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
Strangman shrugged theatrically. "It might," he repeated with great emphasis. "Let's admit that. It makes it more interesting—particularly for Kerans. 'Did I or did I not try to kill myself?' One of the few existential absolutes, far more significant than 'To be or not to be?', which merely underlines the uncertainty of the suicide, rather than the eternal ambivalence of his victim." He smiled down patronisingly at Kerans as the latter sat quietly in his chair, sipping at the drink Beatrice had brought him. "Kerans, I envy you the task of finding out—if you can.
”
”
J.G. Ballard (The Drowned World)
“
Chris, soap people are like
us-they seldom go outdoors. And when they do, we only hear about it,
never see it. They loll about in living rooms, bedrooms, sit in the
kitchens and sip coffee or stand up and drink martinis-but never, never
go outside before our eyes. And whenever something good happens,
whenever they think they're finally going to be happy, some catastrophe
comes along to dash their hopes.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
I’m sorry your evening has been spoilt; I hope Juffrouw van Doorn won’t be too upset.’
‘She will be livid,’ he observed with calm. ‘Drink your brandy, it will prevent you catching cold.’ He leant over Bertie for a moment and listened to the dog’s snores. ‘He’ll be all right now.’
Becky sipped her brandy, wrinkling her nose. ‘This tastes very peculiar.’
Not a muscle of the Baron’s face moved. He would hardly have described his best Napoleon brandy as peculiar.
”
”
Betty Neels (The Promise of Happiness)
“
Oliver came up to me and asked me to play something on the piano.
'What would you like?' I asked.
'Anything.'
This would be my thanks for the most beautiful evening of my life. I took a sip from my second martini, feeling as decadent as one of those jazz piano players who smoke a lot and drink a lot and are found dead in a gutter at the end of every film.
”
”
André Aciman (Call Me by Your Name)
“
Graham: I said "Hi." And Karen just said, "Hi."
Karen: We were sort of quiet on the phone for a second. And then I said, "How come you've never made a move on me?"
I could hear him drinking a beer. I could hear him take a sip. He said, "I don't take shots I know I'll miss."
It was out of my mouth before I'd decided to say it. I said, "I don't think you'll miss, Dunne."
And then as soon as I said it, there was a dial tone.
Graham: I have never run anywhere faster then down that hall to her room.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
I live 30 times faster and more intensely than most people, so every year is a whole generation for me. I’d like my combo meal with a side of long white beard, and I’d like it to go. Now, damnit! Fast food simply isn’t fast enough for me. I’m so quick that I need a refill on my drink, and I haven’t even taken a sip.
”
”
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
“
She said to me, over the phone
She wanted to see other people
I thought, Well then, look around. They're everywhere
Said that she was confused...
I thought, Darling, join the club
24 years old, Mid-life crisis
Nowadays hits you when you're young
I hung up, She called back, I hung up again
The process had already started
At least it happened quick
I swear, I died inside that night
My friend, he called
I didn't mention a thing
The last thing he said was, Be sound
Sound...
I contemplated an awful thing, I hate to admit
I just thought those would be such appropriate last words
But I'm still here
And small
So small.. How could this struggle seem so big?
So big...
While the palms in the breeze still blow green
And the waves in the sea still absolute blue
But the horror
Every single thing I see is a reminder of her
Never thought I'd curse the day I met her
And since she's gone and wouldn't hear
Who would care? What good would that do?
But I'm still here
So I imagine in a month...or 12
I'll be somewhere having a drink
Laughing at a stupid joke
Or just another stupid thing
And I can see myself stopping short
Drifting out of the present
Sucked by the undertow and pulled out deep
And there I am, standing
Wet grass and white headstones all in rows
And in the distance there's one, off on its own
So I stop, kneel
My new home...
And I picture a sober awakening, a re-entry into this little bar scene
Sip my drink til the ice hits my lip
Order another round
And that's it for now
Sorry
Never been too good at happy endings...
”
”
Eddie Vedder
“
But Hojo-san! The teacup isn’t broken!” He looked up, surprised. “To me, it is,” he said. “It is the nature of a teacup to be broken. That is why it is so beautiful now, and why I appreciate it when I can still drink from it.” He looked at it fondly, took a last sip, and then placed the empty cup carefully back on the tray. “When it is gone, it is gone.” That day, my teacher gave me a priceless lesson in the impermanence of form, and the empty nature of all things.
”
”
Ruth Ozeki (The Book of Form and Emptiness)
“
I took a sip of my purple drink and almost spat it out. It was so sweet. I covered it up by trying one of the fries. My mouth exploded with flavor, and I froze, eyes wide. I practically melted into a puddle. I’d had fried algae before, but it had been nowhere near as good as this. What were those spices? “Spin?” Arturo asked. “You look like someone just stepped on your toe.” I held up a fry, fingers trembling. “So. GOOD.” “She’s been living on rats for the last few months,” FM pointed out. “Her taste buds are undergoing serious atrophy.
”
”
Brandon Sanderson (Skyward (Skyward, #1))
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands.
After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.
”
”
Patricia Highsmith (The Price of Salt)
“
She’s having a party, you
know. This coming week.”
He took a sip of wine. “I know. I received an invitation this morning before you arrived.
According to her flowing prose, I am to be the guest of honor.” He shuddered.
Miranda couldn’t help but laugh. “Yes, my mother is quite taken with you now that you’re assisting us financially. I’m sure she’ll fawn over you all evening.”
He downed the remainder of his wine in one swig. “Dear God, now I wish I hadn’t accepted the invitation.”
She giggled at his twisted, pained expression. “Oh, of course you must come. Drink the wine, appreciate the orchestra. After all, you’re paying for it.”
Ethan’s expression went from a playfully pained one to a truly pained one for a brief instant. His frown drew down and he looked at her evenly.
“No, Miranda. I believe it is you who are paying,” he said softly.
”
”
Jess Michaels (Everything Forbidden (Albright Sisters, #1))
“
Love is an elixir,
so poets claim, a frothy hormonal
brew to cure what's ailing you. Drink
it in. Sip it slowly. Savor
its peculiar flavour as loneliness
and pain all melt away.
Dive headlong into the rush,
ride the raging river up against
the brink, careful not to drown. Drop
over the edge. Negotiate your fall,
for drug or love or object thrown,
one thing is certain. What goes up
eventually come down.
”
”
Ellen Hopkins (Flirtin' With the Monster: Your Favorite Authors on Ellen Hopkins' Crank and Glass)
“
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more.
“The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’
“The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’
“The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
”
”
Fisher Amelie (Thomas & January (Sleepless, #2))
“
You're a heartbreaker, Katherine Devereaux."
"That has nothing to do with me and everything to do with them," I say, blowing on my coffee before sipping it. There's chicory in the brew and I drink it appreciatively while we walk. "I have already had to tell more than one of them that I am not interested in courtship, thinking about courtship, hearing about courtship, or talking about the possibility of courtship. What is it with men thinking every woman they meet must be half in love with them?
”
”
Justina Ireland (Deathless Divide (Dread Nation, #2))
“
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
”
”
David Lehman (When a Woman Loves a Man: Poems)
“
Last night I learned how to be a lover of God,
To live in this world and call nothing my own.
I looked inward
And the beauty of my own emptiness
filled me till dawn.
It enveloped me like a mine of rubies.
Its hue clothed me in red silk.
Within the cavern of my soul
I heard the voice of a lover crying,
“Drink now! Drink now!”—
I took a sip and saw the vast ocean—
Wave upon wave caressed my soul.
The lovers of God dance around
And the circle of their steps
becomes a ring of fire round my neck.
Heaven calls me with its rain and thunder—
a hundred thousand cries
yet I cannot hear.....
All I hear is the call of my Beloved.
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
The sliding door opened, and then Michael was clomping across the porch. Gabriel didn’t look at him, just kept his gaze on the tree line.
Michael dropped into the chair beside him. “Here."
Gabriel looked over. His brother was holding out a bottle of Corona.
Shock almost knocked him out of the chair. They never had alcohol of any kind in the house. When Michael had turned twenty-one, they’d all spent about thirty seconds entertaining thoughts of wild parties supplied by their older brother.
Then they’d remembered it was Michael, a guy who said if he ever caught them drinking, he’d call the cops himself. Really, he’d driven the point home so thoroughly that by the time he and Nick started going to parties, they rarely touched the stuff.
Gabriel took the bottle from his hand. "Who are you, and what have you done with my brother?”
Michael tilted the botle back and took a long draw. "I thought you could use one. I sure can."
Gabriel took a sip, but tentatively, like Michael was going to slap it out of his hand and say Just kidding. "Where did this even come from?"
"Liquor store."
Well, that was typical Michael. "No, jackass, I meant-"
"I know what you meant." Michael paused to take another drink. "There's a mini-fridge in the back corner of the garage, under the old tool bench.
”
”
Brigid Kemmerer (Spark (Elemental, #2))
“
She sipped the tonic. Her face puckered again. She gagged, covered her mouth and mumbled in disgust, "Oh my God!"
"I said it tasted better, not great."
Abby continued to force the sour tonic down in sips. She could taste a hint of vanilla but the potion left a bitter aftertaste that was similar to vinegar. Her stomach gurgled and burned.
"Water," she coughed after her last sip of tonic.
"No. You'll dilute it," Noel said firmly, relieving her of the glass.
Smartly, she rebutted, "Isn't that what you're supposed to do after drinking poison? Or is it throw up?
”
”
Devon Ashley (Ordained (The Immortal Archives, #1))
“
Well, I'm over it. Let's just forget about it.”
He blinked at me, seeming surprised by my easy forgiveness. I gave him a small smile and took a sip of my juice. He leaned back in his chair and observed me.
“How's your orange juice, Ann? Does it have a touch of lime?”
The glass paused at my lips as I processed his innuendo, and I took a second to make sure my embarrassment stayed hidden inside. I let the drink swish over my tongue a moment before swallowing and answering.
“Actually it's a little sour,” I said, and he laughed.
“That's a shame.” He picked up a green pear from his plate and bit into it, licking juice that dripped down his thumb. My cheeks warmed as I set down my glass.
“Okay, now you're just being crude,” I said.
He grinned with lazy satisfaction.
“I have no idea what you're talking about. I'm just enjoying my breakfast.” He took another bite and I shook my head. The boy had a major effect on me, but some of the shock factor was beginning to wear off, and I found myself being less offended by his incorrigible nature.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Really?” he whispers as the flight attendant walks past us. “Excuse me, can we have two more champagnes, please?” he asks her. “Of course, sir.” His eyes come back to meet mine. “Well, do tell. What was your first impression of me?” I pretend to look around for Jessica the flight attendant. “You may need something stronger to drink to hear this, Jim. You’re not going to like it.” He laughs out loud, and I find myself smiling broadly as I watch him. “What’s funny?” I ask. “You are.” “Why am I funny?” I frown. “This sense of righteousness that you have.” “Oh, like you don’t have that too . . . Mr. I’ll Have Two Champagnes.” Our drinks arrive, and he smiles as he passes mine to me. His eyes linger on my face as he takes a sip.
”
”
T.L. Swan (The Stopover (Miles High Club, #1))
“
She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.
”
”
Margo Lanagan (Tender Morsels)
“
Hello? Tonight I am going to the Restaurant, where I will eat a killed and burned-up bird and drink old purple grapes and also I will gulp clear water that used to have bugs and poop and poison in it but has been cleaned up so that it doesn’t make us blow chunks. Oh Joy I am going to the Restaurant and I am just drooling at the thought of the killed and burned bird and I want to sip the grape gunk and so I put skin-colored paint all over my face and I dab pasty red pigment on my lips and swish peachy powder on my cheeks and I take a pencil and draw an eye-shaped line around my eye so that people know where my blinkers are.
”
”
Jenny Slate (Little Weirds)
“
If you don’t drink coffee, you should think about two to four cups a day. It can make you more alert, happier, and more productive. It might even make you live longer. Coffee can also make you more likely to exercise, and it contains beneficial antioxidants and other substances associated with decreased risk of stroke (especially in women), Parkinson’s disease, and dementia. Coffee is also associated with decreased risk of abnormal heart rhythms, type 2 diabetes, and certain cancers.12, 13 Any one of those benefits of coffee would be persuasive, but cumulatively they’re a no-brainer. An hour ago I considered doing some writing for this book, but I didn’t have the necessary energy or focus to sit down and start working. I did, however, have enough energy to fix myself a cup of coffee. A few sips into it, I was happier to be working than I would have been doing whatever lazy thing was my alternative. Coffee literally makes me enjoy work. No willpower needed. Coffee also allows you to manage your energy levels so you have the most when you need it. My experience is that coffee drinkers have higher highs and lower lows, energywise, than non–coffee drinkers, but that trade-off works. I can guarantee that my best thinking goes into my job, while saving my dull-brain hours for household chores and other simple tasks. The biggest downside of coffee is that once you get addicted to caffeine, you can get a “coffee headache” if you go too long without a cup. Luckily, coffee is one of the most abundant beverages on earth, so you rarely have to worry about being without it. Coffee costs money, takes time, gives you coffee breath, and makes you pee too often. It can also make you jittery and nervous if you have too much. But if success is your dream and operating at peak mental performance is something you want, coffee is a good bet. I highly recommend it. In fact, I recommend it so strongly that I literally feel sorry for anyone who hasn’t developed the habit.
”
”
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
“
Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.
”
”
Bernard Malamud (The Magic Barrel)
“
They each look at Ava, then at me, in turn, scanning down from our heads to our feet, their eyes taking us in like little mouths sipping strange drinks. As they do, their noses twitch, their eight eyes do not blink, but stare and stare. Then they look back at the Duchess and lean in to each other, their lip-glossed mouths forming whispery words. Ava squeezes my arm, hard. The Duchess turns and arches an eyebrow at us. She raises a hand up. Is there an invisible gun in it? No. It’s an empty, open hand. With which she then waves. At me. With something like a smile on her face. Hi, her mouth says. My hand shoots up of its own accord before I can even stop myself. I’m waving and waving and waving. Hi, I’m saying with my mouth, even though no sound comes out. Then the rest of the Bunnies hold up a hand and wave too.
”
”
Mona Awad (Bunny)
“
What's that?"
"My friend St. Clair bought it for me. So I wouldn't feel out of place."
She raises her eyebrows as she pulls back onto the road. "Are there a lot of Canadians in Paris?"
My face warms. "I just felt,you know, stupid for a while. Like one of those lame American tourists with the white sneakers and the cameras around their necks? So he bought it for me, so I wouldn't feel....embarrassed. American."
"Being American is nothing to be ashamed of," she snaps.
"God,Mom,I know.I just meant-forget it."
"Is this the English boy with the French father?"
"What does that have anything to do with it?" I'm angry. I don't like what she's implying. "Besides,he's American. He was born here? His mom lives in San Francisco. We sat next to each other on the plane."
We stop at a red light.Mom stares at me. "You like him."
"OH GOD,MOM."
"You do.You like this boy."
"He's just a friend.He has a girlfriend."
"Anna has a boooy-friend," Seany chants.
"I do not!"
"ANNA HAS A BOOOY-FRIEND!"
I take a sip of coffee and choke. It's disgusting. It's sludge. No, it's worse than sludge-at least sludge is organic. Seany is still taunting me. Mom reaches around and grabs his legs,which are kicking her seat again.She sees me making a face at my drink.
"My,my. Once semester in France, and suddenly we're Miss Sophisticated. Your father will be thrilled."
Like it was my choice! Like I asked to go to Paris! And how dare she mention Dad.
"ANNNN-A HAS A BOOOY-FRIEND!"
We merge back onto the interstate. It's rush hour,and the Atlanta traffic has stopped moving. The car behind ours shakes us with its thumping bass. The car in front sprays a cloud of exhaust straight into our vents.
Two weeks.Only two more weeks.s
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I walked into the kitchen and found Mad Rogan in it. He sat at the table, dressed in a blue Henley shirt and jeans, sipping coffee out of a mug with a little grey kitten on it. His dark hair was combed back from his face. His jaw was once again clean shaven. I am a polite, nonthreatening kind of dragon with excellent manners. Horns are hidden, tail is tucked away, fangs covered. I would never do anything cruel, like stab a man with a knife about ten times to get him to answer a question.
Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands. After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee.
Mad Rogan saw me and smiled.
And my mind went right into the gutter.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
Tea, tea, tea - what? What?' I said.
It wasn't what I had meant to say. My idea had been to be a good deal more formal, and so on. Still, it covered the situation. I poured her out a cup. She sipped it and put the cup down with a shudder.
'Do you mean to say, young man,' she said, frostily, ' that you expect me to drink this stuff?'
'Rather! Bucks you up, you know.'
'What do you mean by the expression "Bucks you up"?'
'Well, makes you full of beans, you know. Makes you fizz.'
'I don't understand a word you say. You're English, aren't you?'
I admitted it. She didn't say a word. And she did it in a way that made it worse than if she had spoken for hours. Somehow it was brought home to me that she didn't like Englishmen, and that if she had had to meet an Englishman I was the one she'd have chosen last.
Conversation languished once more after that.
Then I tried again. I was becoming more convinced every moment that you can't make a real lively salon with a couple of people, especially if one of them lets it go a word at a time.
”
”
P.G. Wodehouse
“
Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.
”
”
Haruki Murakami (After Dark)
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?"
I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance.
Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads?
To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations.
But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular.
So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow.
Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power.
Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city.
When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
”
”
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
“
All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine. The rough, irregular stones of the street, pointing every way, and designed, one might have thought, expressly to lame all living creatures that approached them, had dammed it into little pools; these were surrounded, each by its own jostling group or crowd, according to its size. Some men kneeled down, made scoops of their two hands joined, and sipped, or tried to help women, who bent over their shoulders, to sip, before the wine had all run out between their fingers. Others, men and women, dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women’s heads, which were squeezed dry into infants’ mouths; others made small mud-embankments, to stem the wine as it ran; others, directed by lookers-on up at high windows, darted here and there, to cut off little streams of wine that started away in new directions; others devoted themselves to the sodden and lee-dyed pieces of the cask, licking, and even champing the moister wine-rotted fragments with eager relish. There was no drainage to carry off the wine, and not only did it all get taken up, but so much mud got taken up along with it, that there might have been a scavenger in the street, if anybody acquainted with it could have believed in such a miraculous presence.
”
”
Charles Dickens (A Tale of Two Cities (Bantam Classics))
“
champagne, n.
You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne.
You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water.
"The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time."
You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour.
"But why?" I ask as you hand me my glass.
You raise yours and ask, "Why not? What better way to start the day?"
We drink a toast to that.
”
”
David Levithan (The Lover's Dictionary)
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...]
"So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could. . ." Fenchurch thought about it.
"I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .'
Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine."”
"We went through the whole packet like this. Him, me, him, me . . ."
"The whole packet?"
"Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time."
"Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling."
"There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course.
"As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ."
"Yes?"
"Were my biscuits."
"What?" said Fenchurch. "What?"
"True."
"No!
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
Wow, Skye.” He kneels in front of me, ready to put one of his huge, strong hands on my knees. I recoil suddenly before I catch myself. Someone normal doesn’t react like that at the mere possibility of an innocent touch. “Okay, I’m going to sit on your friend’s bed.” He does just that, his eyes locked with mine. I have the sense I’m trapped and I don’t like it. I don’t want to ever feel like that again.
“You should go,” I say, my voice wavering and barely above a whisper.
He takes a sip of his coffee absentmindedly, his eyes never leaving my face. I don’t drink mine. I don’t even feel the mug between my hands. I feel nothing besides the hammering of my heart in my chest. I’m having difficulty breathing, and my forehead and neck are sweaty under my hair.
“Can I say something before I go?” he asks me in a voice calmer than he must feel if I take into account his clenched fist and the shaking of his hand holding the mug of coffee. I just nod, not sure I’m able to mutter a word through the lump in my throat. “I’m not the enemy. I’m not the kind of guy who would try to hurt you more when I know you’re already hurting, but I’m someone willing to hear you and understand you. I want to be able to help.
”
”
Stephanie Witter (Patch Up (Patch Up, #1))
“
Tell me the story," said Fenchurch firmly. "You arrived at the station."
"I was about twenty minutes early. I'd got the time of the train wrong."
"Get on with it." Fenchurch laughed.
"So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee."
"You do the crossword?"
"Yes."
"Which one?"
"The Guardian usually."
"I think it tries to be too cute. I prefer The Times. Did you solve it?"
"What?"
"The crossword in the Guardian."
"I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee."
"All right then. Buy the coffee."
"I'm buying it. I am also," said Arthur, "buying some biscuits."
"What sort?"
"Rich Tea."
"Good Choice."
"I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round."
"All right."
"So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he look like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine.
”
”
Douglas Adams
“
The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.
We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.
My mother is going to look like that.
My mother is going to have a baby.
My brain still can’t process this.
Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.
She laughs at my expression. “He’s trying to get comfortable.”
The elevator dings, and we all get on. Her stomach keeps moving.
I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.
She laughs again, softly, then comes closer. “Here. You can feel it.”
“It’s okay,” I say quickly.
Melonhead chuckles, and I scowl.
“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”
“I’m not used to random women asking me to touch them,” I say.
“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.
Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.
Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.
“He says hi,” the woman says.
I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.
I try to imagine her encouraging me to touch the baby, and I fail.
Four months.
The elevator dings.
“Come on, Murph,” says Melonhead.
I look at the pregnant lady. I have no idea what to say. Thanks?
“Be good,” she says, and takes a sip of her drink.
The elevator closes and she’s gone
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)