Rumble Boxing Quotes

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Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.
Vicki Myron (Dewey the Library Cat: A True Story)
At the fairgrounds we saw them in the parking lot inhaling the effluvium of carnival, the smells of fried dough, caramel and cinnamon, the flap-flapping of tents, a carousel plinking out music-box songs, voluptuous sounds bouncing down tent ropes and along the trampled dust of the midway. Wind-curled handbills staple-gunned to telephone poles, the hum of gas-powered generators and the gyro truck, the lemonade truck, pretzels and popcorn, baked potatoes, the American flag, the rumblings of rides and the disconnected screams of riders -- all of it shimmered before them like a mirage, something not quite real.
Anthony Doerr (The Shell Collector)
The sea makes noises against the pier, as if several hippopotami were lapping at it, and were prevented by circumstances over which they had no control from drinking peaceably.  We, the boat, become violently agitated—rumble, hum, scream, roar, and establish an immense family washing-day at each paddle-box. 
Charles Dickens (The Uncommercial Traveller)
When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune. 'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man. Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls. With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass")
Lucy M. Boston (Ghost Stories (Haunting Ghost Stories))
His stomach rumbled. He hadn't eaten since breakfast, and the aromas drifting up from the kitchen below reminded him of his mother's masala box, filled with all the spices she used to make their meals- zesty cumin, sweet cinnamon, fragrant bay leaves, savory mustard seeds, rich peppercorn, pungent garam masala, and spicy chilies- they were all tied up in a sense of home.
Sara Desai (The Marriage Game (Marriage Game, #1))
and at the Napola school at Schulpforta, one hundred and nineteen twelve- and thirteen-year-olds wait in a queue behind a truck to be handed thirty-pound antitank land mines, boys who, in almost exactly one year, marooned amid the Russian advance, the entire school cut off like an island, will be given a box of the Reich’s last bitter chocolate and Wehrmacht helmets salvaged from dead soldiers, and then this final harvest of the nation’s youth will rush out with the chocolate melting in their guts and overlarge helmets bobbing on their shorn heads and sixty Panzerfaust rocket launchers in their hands in a last spasm of futility to defend a bridge that no longer requires defending, while T-34 tanks from the White Russian army come clicking and rumbling toward them to destroy them all, every last child
Anthony Doerr (All the Light We Cannot See)
Standing on the pavement was a big fat man whom Dixon recognized as his barber. Dixon felt a deep respect for this man because of his impressive exterior, his rumbling bass voice, and his unsurpassable stock of information about the Royal Family. At that moment two rather pretty girls stopped at a pillar-box a few yards away. The barber, his hands clasped behind his back, turned and stared at them. An unmistakable expression of furtive lust came over his face; then, like a courtly shyopwalker, he moved slowly towards the two girls. Welch now accelerated again and Dixon, a good deal shaken hurriedly switched his attention to the other side of the road, where a cricket match was being played and the bowler was just running up to bowl. The batsman, another big fat man, swiped at the ball, missed it, and was violently hit by it in the stomach. Dixon had time to see him double up and the wicket-keeper begin to run forward before a tall hedge hid the scene. Uncertain whether this pair of vignettes was designed to illustrate the swiftness of divine retribution or its tendency to mistake its target, Dixon was quite sure that he felt in some way overwhelmed...
Kingsley Amis
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.
Judith McNaught (Almost Heaven (Sequels, #3))
Other than the targeting of Christians, there was surprisingly little patriotic or nationalistic spirit visible in the violence that rumbled on for weeks after the outbreak: the initial mutiny in the army had opened a vast Pandora’s box of differences and grievances – economic, sectarian, religious and political – and now that the violence and settling of scores had begun, it would not be easy to bring them to a halt. In the meantime, many of the sepoys simply took the opportunity presented by the breakdown of law and order to enrich themselves, as did many Delhiwallahs.57
William Dalrymple (Last Mughal)
When he kissed me goodbye that afternoon, it had created such a frenzied rumble inside me. Hours later, as I lay in bed and stared through the open window to the darkened sky beyond, the memory of his sweet lips on mine was preventing me from falling asleep.
Katrina Kahler (Julia Jones: The Teenage Years, Boxed Set #1-3)
Uh, I am the opposite of a thrill-seeker.” I argued. “I’m nervous and awkward, and I rarely move outside my comfort zone.” He laughed, a deep rumbling sound. “But when you do, you leap out of it and straight into the unknown.” I considered what he said. He could be right. I stayed in my box until the moment I decided not to.
Aurelia Knight (Maybe Hiring (Illicit Library Collection, #1))
He laughed again. You are not helpless. And if I could, I would seal you in an iron box for eternity. Dorian glanced to the windows. To the night beyond. He had to go—quickly. But he still said, The king I wish to be is the opposite of what you are. He gave Maeve a smile. And there is only one witch who will be my queen. A groan rumbled
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Here was volume that the sea itself would have been hard pressed to match, and here was music that had never sounded from bronze strings and willow sound-boxes, music that screamed and rumbled, music that filled the club as strong mead might fill a wooden cup.
Gael Baudino (Gossamer Axe)
I am SAM, and this is my first mission. Wish me luck. Actually, don’t bother. I’m that good. I need to move fast, but I have to be careful too.This high-tech fortress disguised as a middle school has security systems like Hershey, Pennsylvania, has chocolate. My biggest concern (and archnemesis) is Jan I. Tor. He’s the half-human, half-cyborg “cleaning service” they use for “light security” around here. Yeah, right. Tor’s definition of “light security” is that he only kills you once if he finds you. So I wait in super-stealthy silence while Tor hovers past my hiding spot with his motion detectors running, laser cannons loaded, and a big dust mop attachment on his robotic arm. He’s cleaning that floor to within an inch of its life, but it could be me next. As soon as Tor’s out of range, I slip off my tungsten gripper shoes. Believe me, once he’s been through here, you do not want to leave footprints behind. That would be like leaving a business card in Sergeant Stricker’s in-box. Stricker is the big cheese who runs this place, and she’s all human, but just as scary as Tor. I don’t want to rumble with either one of those two. So I program the shoes to self-destruct and drop them in the trash. FWOOM! The coast is clear now, and I sneak back into action. I work my way up the corridor in my spy socks, quiet as a ghost walking on cotton balls. Very, very puffy cotton balls—I’m that quiet. What I need is the perfect place to leave the package I came here to deliver. That’s the mission, but I can’t just do it anywhere. I have to choose wisely. Bathroom? Nah. Too echoey. Library? Nah. Only one exit, and I can’t take that risk. Main lobby? Hmm… maybe so. In fact, I wish I’d thought of that on my way in. I could have saved myself one very expensive pair of tungsten gripper shoes. Once my radar-enabled Rolex watch tells me the main lobby is clear, I slide in there and get right to work. I enter the access code on my briefcase, confirm with my thumbprint, and then pop the case open. After that, it takes exactly seven seconds and one ordinary roll of masking tape to secure my package to the wall. That’s it. Package delivered. Mission accomplished. Catch you next time—because there’s no way you’ll ever catch me. SAM out!
James Patterson (Just My Rotten Luck (Middle School #7))
He tips his glass and drinks. So does Matt. And everyone in the crowd. Except me. “What’s wrong?” Matt asks. “Nothing,” I say. I motion my mother forward, and she puts a box in my hands. It’s small, but it’s weighty at the same time. “I have a present for you.” “I thought our honeymoon was our present to each other,” he reminds me with a scowl. We’re leaving for the Carolina coast for a week with the kids tonight. I can’t wait. I motion for him to take my package. “The vacation is our gift. This is just extra.” I blink back the tears that are already forming in my eyes. He makes a face and opens up the box. He looks inside and then gets confused. He pulls the tiny little item out of the box. It’s a onesie that has tattoo designs all over it, and on the back, it has the name Reed. “What’s this?” he asks, confused. Then his eyes grow wide. Friday gasps when she realizes what’s going on, and the rest of the crowd rumbles and fidgets. “Is this…?” he asks. He stops, because he’s choked with emotion. “Yes,” I say. Tears roll down my face, and I don’t care. I lean close to him. “You knocked me up.” He takes me in his arms and pulls me close, and a sob rolls through him. “Are you serious?” “Completely serious, Matt,” I say. “But wait.” I look down and shake the onesie out. A second one falls out, and Matt catches it in the air. “Two?” he asks. I nod, so broken by his reaction that I can’t speak. “Two tiny little heartbeats,” I say as soon as I can. “Holy fuck,” he breathes into my ear. He squeezes me so tightly that I chirp. “I love you so fucking much,” he says to me. He takes a second to breathe me in and compose himself, then he drops to his knees and lays his forehead on my belly. He says something quietly to his unborn children, and I’m not even sure what it was, but I do know it was between him and them. Or him and God. I’m not sure which. Then he stands and looks up at the crowd. Half of them are as teary-eyed as we are. “Do you know what this means?” he asks our friends and family. They rumble, but he can’t hear one voice over another. He points to Logan. “This means my sperm are better swimmers than yours, little brother!” he says. He signs while he talks, and Logan flips him off. But he’s laughing. He wraps his arms around Emily and lays his hands on the small swell of her belly. I slap his shoulder. “What if it’s my eggs that are amazing and not your sperm?” “What if it’s just us?” he asks quietly, and he kisses me. “Us together.” “I told you I believe in miracles, Matt,” I say when I can finally lift my head. “You’re my miracle,” he says. “You. Just you.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Shannon vibrated with excitement, but didn’t say anything until they were settled around the kitchen table, cups in hand. Then without a word, she handed the pictures over to Duncan. He grabbed a pair of reading glasses from the counter, then returned to look down at the pictures. “Looks like Palmer has some swimmers.” John laughed, but Shannon sniffled. Duncan glanced at her. “What am I missing? Looks like you have a beautiful baby, here.” Alex drew the small pictures toward her, then looked at Shannon with dawning joy in her eyes. “Twins?” Shannon nodded, then burst into tears. The kitchen erupted into movement. Duncan reached for a box of tissues and Alex got up to circle the table to her side, giving her a huge hug. John rubbed her back, wondering yet again how in the hell they were going to manage two babies. Duncan pounded him on the back. “Congratulations, Palmer. What a nice surprise.” John glanced at him, wondering if it was a nice surprise. He was still too dazed to decide. Then he found himself grinning in spite of all the worry cluttering his head. “Not what I expected to hear today.” Alex stood and moved the few feet to give him a hug as well, and John was surprised into responding. Then she sat back down. “You two will be amazing parents. Heartfelt congratulations to you.” “Thank you,” he rumbled, throat tight. “Twins are so special.” The women leaned toward each other to have a conversation and Duncan gave him a look. “You okay, Gunny?” John nodded and drew in a deep breath. “Just a lot to think about. One kid was crazy enough, but I can’t wrap my head around two.” Duncan grinned at him. “Couldn’t have happened to a better guy.” “Fuck you, Wilde.” They laughed together and John felt a little of the tension of the day ease. Duncan Wilde was not his father by any means, but he had the type of personality that could calm him down. He considered Duncan his best friend in the world. Clearing
J.M. Madden (Embattled Ever After (Lost and Found #5))
There is a windstorm in my heart.” Lappidoth put his arm about her, held her tightly to him. With his other hand, he took a small stone and set it beside the bread. “This is my wife’s heart,” he rumbled. Then covered the stone with his cupped hand. “This is my love for my wife, covering her heart. That the winds may pass over without tearing through her.
Stant Litore (The Zombie Bible: Digital Box Set, Volumes 1-5 (Stant Litore Omnibus Editions))
Death is a fact of life, Little Doll. Death is a fact of war. War is certain in only one respect, Bjorn said with a rumble. And death is the only certainty in life.
Robert J. Crane (Power (The Girl in the Box, #10))
Where you may say, “I finally got my oil changed,” Turbo would say, “The day started with a dark cloud hovering over my rumbling vehicle. The check engine light flickered multiple times, but it never stayed on full. I knew something was amiss so I drove to town, only to get caught in bumper-to-bumper traffic. Time felt like it stopped. People were honking their horns and two men had stepped out of their cars to settle a dispute regarding the right to merge at the last second. The small guy won. The cops showed up and I got to the shop thirty minutes later. They checked every aspect of my car until finally determining that I needed an oil change.” I
John P. Logsdon (Las Vegas Paranormal Police Department: Ian Dex Unleashed Box Set (#1-7))
The stranger’s voice is a low, gravelly rumble when he responds. “And you’ll have yours in a box if you do not remove them from her person immediately.” Mikey P.’s face turns ashen, and Ermes pauses his caress.
Sav R. Miller (Souls and Sorrows (Monsters & Muses, #5))
Time after time I have heard this item portrayed by a sudden welter of earth-shattering sound and ear-splitting screams. This is way off the mark. The earthquake effect is done in four separate parts, with a few seconds pause between each. Start with a low, shuddering rumble, bring up the gain slowly, hold for a second or two, then drop it back almost to zero. Make the sound itself by shaking two rubber balls around in a cardboard box and recording the sound at double-speed or, if you are able to do so, recording at 15 ips and playing back at 3¾ ips. Having recorded the first part of the “quake” (or “prelude” as it is known), follow on with one or two isolated crockery-smashes and mix-in once more to the rumbling effect, louder this time. Now bring in a sudden sliding, crashing sound, with a tearing metallic “ring” about it. This can be achieved by dropping a quantity of small stones on to the sloping lid of a cardboard box. The lid should be held about a foot above the table surface with a glass jam-jar (lying on its side) at the lower end of the slope. The sound sequence, thus, is that the stones strike the lid of the box, slide down its surface and strike against the side of the jam-jar before coming to rest on the table top. Record the sound at absolute maximum gain. Double-speeding may improve the item still further by both lengthening the sound and giving it a “heavier” quality. Lastly, fade in the rumbling noises once more, hold, then fade to zero. Incidentally, a most uncanny yet effective impression of brooding silence can be obtained between the individual portions of activity by recording very faintly, the sound of distant voices alone. “Panic” noises such as screaming and shouting, if desired, are best recorded ehind the third “falling-debris” section which may be superimposed over it.
R. Murray Schafer (The Soundscape: Our Sonic Environment and the Tuning of the World)
I hope you have come to talk some sense into your friend.” “He didn’t have any sense to start with,” Sed said in his rumbling baritone.
Olivia Cunning (The Sinners on Tour Boxed Set (Sinners on Tour #1-5))
Angie sat back giggling as she watched him struggle. Suddenly there was a loud rumbling noise, and his ass practically exploded right in front of her. A flame shot out, burning a hole right through his pants. A puff of grey and black smoke rose to the ceiling. Her face went straight, and she sat up, eyes wide. “Did your…did your ass just explode?” Juntto’s face scrunched in pain as he nodded, standing very still. “I told you.” His voice was hoarse and weak. “There is a dragon or something
Michael Todd (War of the Damned Boxed Set (Books 1-8), A Supernatural Action Adventure Opera: Resurrection of the Damned, No Quarter, Dark is The Night, Dim Glows The ... Story After Another Boxed Sets Book 2))
If they would but picture to themselves the state of things that once existed, when through muddy streets rumbling boxes on wheels, drawn by horses—yes, by horses!—were the only means of conveyance. Think of the railroads of the olden time, and you will be able to appreciate the pneumatic tubes through which to-day one travels at the rate of 1000 miles an hour.
H.G. Wells (7 best short stories: Dystopia (7 best short stories - specials Book 21))
There was an uneasiness in doing the Blitzstein play, which had deep anti-capitalist themes. It gave a vivid picture of an industrial tyrant, boss of the fictional “Steeltown,” and the fight of Labor against his tyranny. The WPA was already under fire for staging what some people thought were too many labor plays, and there were rumblings in Washington that its funds might be cut. The shoe fell less than three weeks before the June 16, 1937, preview—a sweeping WPA funds cut, followed by a directive prohibiting new openings until the “reorganization” caused by the cuts was implemented. Welles flew to Washington to argue his case. Failing in that, he threatened to open the play himself. The government’s response was severe: as Houseman would recall it in his memoir, on June 15 “a dozen uniformed guards took over the building in force. Project members arriving to sign in found their theater sealed and dark. The Cossacks, as they came to be known, guarded the front of the house and the box office; they hovered in the alley outside the dressing rooms with orders to see that no government property was used or removed.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Holy shit,” she says, her deep-throated chuckle rumbling into the curve of my neck and shoulder. “I can’t think straight. Did you suck my brain out when you were down there?
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))