Sinister Villain Quotes

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You cannot wait for an untroubled world to have an untroubled moment. The terrible phone call, the rainstorm, the sinister knock on the door—they will all come. Soon enough arrive the treacherous villain and the unfair trial and the smoke and the flames of the suspicious fires to burn everything away. In the meantime, it is best to grab what wonderful moments you find lying around.
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.
Carmen Maria Machado (In the Dream House)
...Nobody knows what an idea will do when it goes off to entertain itself, particularly if the idea comes from a sinister villain.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the great seigneur still clung to him, so that he even ripped you up with an air, and I have been told he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding...
J.M. Barrie (Peter Pan)
His eyes looked cruel, piercing, almost like those of a wolf seeking his prey, and his mouth looked thinner, more sinister than it had looked before.
Serena Valentino (The Beast Within (Villains, #2))
When one man has been under very remarkable obligations to another, with whom he subsequently quarrels, a common sense of decency, as it were, makes of the former a much severer enemy than a mere stranger would be. To account for your own hard-heartedness and ingratitude in such a case, you are bound to prove the other party's crime. It is not that you are selfish, brutal, and angry at the failure of a speculation--no, no--it is that your partner has led you into it by the basest treachery and with the most sinister motives. From a mere sense of consistency, a persecutor is bound to show that the fallen man is a villain--otherwise he, the persecutor, is a wretch himself.
William Makepeace Thackeray (Vanity Fair)
Once upon a time, during a time after all the happily-ever-afters, and perhaps even after the ever-afters after that, all the evil villains of the world were banished from the United Kingdom of Auradon and imprisoned on the Isle of the Lost. There, underneath a protective dome that kept all manner of enchantment out of their clutches, the terrible, the treacherous, the truly awful, and the severely sinister were cursed to live without the power of magic. King Beast declared the villains exiled forever.
Melissa de la Cruz (The Isle of the Lost (Descendants #1))
Was she having lunch with a modern-day Robin Hood or someone more sinister? A cold-blooded killer, a kidnapper, a lurid, cartoonish monster. A villain!
Silvia Moreno-Garcia (Velvet Was the Night)
The only tall, dark, and handsome guy who came to mind was Blár Vilulf. But he just happened to be rude, sinister, and villainous.
Maham Fatemi (The Ruins of the Heartless Fae (The Heartless and the Wicked #1))
Owen was not an attractive person, in appearance or in temperament. A photograph from his late middle years shows him as gaunt and sinister, like the villain in a Victorian melodrama, with long, lank hair and bulging eyes—a face to frighten babies. In manner he was cold and imperious, and he was without scruple in the furtherance of his ambitions. He was the only person Charles Darwin was ever known to hate. Even Owen’s son (who soon after killed himself) referred to his father’s “lamentable coldness of heart.
Bill Bryson (A Short History of Nearly Everything)
This is a book about the story of Polari and the people who spoke it – mostly camp gay men. They were a class of people who lived on the margins of society. Many of them broke the law – a law which is now seen in civilized societies as being unfair and cruel – and so they were at risk of arrest, shaming, blackmail and attack. They were not seen as important or interesting. Their stories were not told. If they were ever represented in books, films, plays or songs, they were usually given tiny supporting roles, and the audience was not supposed to identify with or root for them. In the rare cases when they did appear, they were often implied to be silly or sinister, victims or villains. So because of their criminal status, they learnt to speak in an unfamiliar tongue – their voices changed out of recognition so that they could not be understood by others. This is a book which gives them a voice. But first, I ought to tell you about how I got involved in all of this.
Paul Baker (Fabulosa!: The Story of Polari, Britain’s Secret Gay Language)
Yes, well, my family are either megalomaniacal villains or royal wastrels who will not acknowledge my existence. Tiberius is worth twenty of any one of them.” “I suppose he is,” Stoker said slowly. “But make certain he never hears that. I shan’t hear the end of it.” “Too late,” said a cool voice.
Deanna Raybourn (A Sinister Revenge (Veronica Speedwell, #8))
Many people villainize those who have stood against corrupt systems and have faced the brutal tyranny that is unleashed when people of integrity stand against the sinister agendas of the depraved. Others have blasted those who refused to align themselves with the prolific propagation of toxic ideals and have subsequently faced the wrath of those who (out of their own fear) demand blind adherence to those ideals. Yet, the greatest madness is not found in the fact that people do these things. Rather, the greatest madness is found in the fact that we do nothing about the fact that they’re doing these things.
Craig D. Lounsbrough
the forces that had blighted the America of a century earlier would be dramatically visible yet again: rage against immigrants and refugees, racism, Red-baiting, fear of subversive ideas in schools, and much more. And, of course, behind all of them is the appeal of simple solutions: deport aliens, forbid critical journalism, lock people up, blame everything on those of a different color or religion. All those impulses have long been with us. Other presidents, both Republican and Democrat, have made dog-whistle appeals on the issue of race. The anti-Communist witch-hunting of Senator Joseph McCarthy and his imitators would prove far more influential in American political life than the country’s minuscule Communist Party, putting people in prison, wrecking careers, and causing thousands to leave the country. The American tendency to blame things on sinister conspiracies has found new targets; instead of the villains being the pope or the Bolsheviks, in recent times they have included Sharia law, George Soros, Satanist pedophile rings, and more.
Adam Hochschild (American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis)
On Memorial Day 1927, a march of some 1,000 Klansmen through the New York City borough of Queens turned into a brawl with the police. Several people wearing Klan hoods were arrested, one of them a young real estate developer named Fred Trump. Ninety years later, his son, with similar feelings about people of color, would enter the White House. During Donald Trump’s presidency, the forces that had blighted the America of a century earlier would be dramatically visible yet again: rage against immigrants and refugees, racism, Red-baiting, fear of subversive ideas in schools, and much more. And, of course, behind all of them is the appeal of simple solutions: deport aliens, forbid critical journalism, lock people up, blame everything on those of a different color or religion. All those impulses have long been with us. Other presidents, both Republican and Democrat, have made dog-whistle appeals on the issue of race. The anti-Communist witch-hunting of Senator Joseph McCarthy and his imitators would prove far more influential in American political life than the country’s minuscule Communist Party, putting people in prison, wrecking careers, and causing thousands to leave the country. The American tendency to blame things on sinister conspiracies has found new targets; instead of the villains being the pope or the Bolsheviks, in recent times they have included Sharia law, George Soros, Satanist pedophile rings, and more.
Adam Hochschild (American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis)
You don't know what to do with the jam jar, the chicken stink, the sinister mountain fog that is everywhere, but the adults pretend to ignore when you are in the room. It seems the only thing you can do is listen for it. You hear it in the four measures of Vivaldi's "Winter" that you can still remember from Sarah and the Squirrel, and once you make the connection between the music and mountain fog you play the notes over and over again inside your head. You paw up the trash-strewn ravine. The sky is low and gray, the color of the cinder blocks the men in your town manufacture from ash and dust. The dirt-filled strawberry jam jar is in your denim coat pocket. Vivaldi is in your head. The music you hear is like the blaze-orange clothing the men wear on the mountainsides while deer hunting in autumn. The music is like a bulletproof vest, a coiled copperhead, a rabies shot. The music is both a warning and a talisman. The music tells you things: You're not imagining this. Better children than you die in the snow for no reason. The music says: What's hidden beneath this picture of strawberry jam? The music says: This isn't a Disney movie. Death doesn't just take the wicked villain. Look at that dirt in the jar. It will take you. It will take everyone, and everyone, and everyone. The music says: What you feel is real. Follow me. Run.
Jessica Chiccehitto Hindman (Sounds Like Titanic: A Memoir)
The original flagship for the company was the MS City of New York, commanded by Captain George T. Sullivan, On March 29, 1942, she was attacked off the coast of Cape Hatteras, North Carolina, by the German submarine U-160. The torpedo struck the MS City of New York at the waterline under the ship’s bridge, instantly disabling her. After allowing the survivors to get into lifeboats the submarine sunk the ship. Almost two days after the attack, a destroyer, the USS Roper, rescued 70 survivors, of which 69 survived. An additional 29 others were picked up by USS Acushnet, formerly a seagoing tugboat and revenue cutter, operated by the U.S. Coast Guard. All these survivors were taken to the Naval Base in Norfolk, Virginia. Almost two weeks later, on April 11, 1942, a U.S. Army bomber on its way to Europe spotted a lifeboat drifting in the Gulf Stream. The boat contained six passengers: four women, one man and a young girl plus thirteen crew members. Tragically two of the women died of exposure. The eleven survivors picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers died as well as one armed guard and sixteen crewmen. Photo Caption: the MS City of New York Hot books by Captain Hank Bracker available at Amazon.com “Salty & Saucy Maine,” is a coming of age book that recounts Captain Hank Bracker’s formative years. “Salty & Saucy Maine – Sea Stories from Castine” tells many sea stories of Captain Hank’s years at Maine Maritime Academy and certainly demonstrates that life should be lived to the fullest! In 2020 it became the most talked about book Down East! “The Exciting Story of Cuba -Understanding Cuba’s Present by Knowing Its Past” ISBN-13: 978 1484809457. This multi-award winning history of Cuba is written in an easy-to-read style. Follow in the footsteps of the heroes, beautiful movie stars and sinister villains, who influenced the course of a country that is much bigger than its size! This book is on the shelf as a reference book at the American Embassy in Havana and most American Military and Maritime Academies.
Hank Bracker
A virulent form of utopianism has indeed afflicted the modern age, but its name is not Marxism. It is the crazed motion that a single global system known as the free market can impose itself on the most diverse cultures and economies and cure all their ills. The purveyors of this totalitarian fantasy are not to be found hiding scar-faced and sinisterly soft-spoken in underground bunkers like James Bond villains. They are to be seen dining at upmarket Washington restaurants and strolling on Sussex estates.
Terry Eagleton (Why Marx Was Right)