Sinister Eyes Quotes

Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes. Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself. The inventor of the mirror poisoned the human heart.

And do I look like the kind of man that can be intimidated?" barked Uncle Vernon. "Well..." said Moody, pushing back his bowler hat to reveal his sinisterly revolving eye. Uncle Vernon lept backward in horror and collided painfully with a luggage trolley. "Yes, I'd have to say you do, Dursley.

Marylou was watching Dean as she had watched him clear across the country and back, out of the corner of her eye--with a sullen, sad air, as though she wanted to cut off his head and hide it in her closet, an envious and rueful love of him so amazingly himself, all raging and sniffy and crazy-wayed, a smile of tender dotage but also sinister envy that frightened me about her, a love she knew would never bear fruit because when she looked at his hangjawed bony face with its male self-containment and absentmindedness she knew he was too mad.

Are you threatening me, sir?” he said, so loudly that passersby actually turned to stare. “Yes, I am,” said Mad-Eye, who seemed rather pleased that Uncle Vernon had grasped this fact so quickly. “And do I look like the kind of man who can be intimidated?” barked Uncle Vernon. “Well...” said Moody, pushing back his bowler hat to reveal his sinisterly revolving magical eye. Uncle Vernon leapt backward in horror and collided painfully with a luggage trolley. “Yes, I’d have to say you do, Dursley.

You probably think battles are won with cannons and brave speeches and fearless charges." She smoothed her skirts as she spoke. "They're not. Wars are won by dint of having adequate shoe leather. They're won by boys who make shells in munition factories, by supply trains shielded from enemy eyes. Wars are won by careful attendance to boring detail. If you wait to see the cavalry charge, Your Grace, you'll have already lost.

If people want you to stop talking, or to stop dressing the way you do, or to change who you are, it's because you hurt their eyes. We've all been trained not to stare into the sun.' - Oliver

if eyes were windows to the soul, hers had been bricked up to avoid taxation.

You shall suffer for ever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea; the formless and multiform streams; the place where you shall not be; the lover whom you shall not know; flowers of monstrous shape; perfumes that cause delirium; cats that shudder, swoon and curl up on pianos and groan like women, with a voice that is hoarse and gentle! And you shall be loved by my lovers, courted by my courtiers. You shall be the queen of all men that have green eyes, whose necks also I have clasped in my nocturnal caresses; of those who love the sea, the sea that is immense, tumultuous and green, the formless and multiform streams, the place where they are not, the woman whom they do not know, sinister flowers that resemble the censers of a strange religion, perfumes that confound the will; and the savage and voluptuous animals which are the emblems of their dementia.

A cadaverousness of complexion; an eye large, liquid and very luminous...finely molded chin, speaking, in its want of prominence, of a want of moral energy.

Your eyes begin in my eyes which no longer see you. Begin in my voice which no longer speaks to you. Die out in my hands which no longer touch you. Your eyes are inscribed in my flesh. No one can bear to see me now. Sinister tattoo. I do the rain, I do the sun. For want of your eyes in my eyes.

But she didn't fear the moon because she was more lunar than solar and could see with wide-open eyes in the dark dawns the sinister moon in the sky. So she bathed all over in the lunar rays, as there are others who sunbathed. And was becoming profoundly limpid.

She raised her chin and looked him in the eye. “You see a river rushing by without end. You see a sad collection of women with thimbles, all dipping out an inconsequential amount.” He didn’t say anything. “But we’re not trying to empty the Thames,” she told him. “Look at what we’re doing with the water we remove. It doesn’t go to waste. We’re using it to water our gardens, sprout by sprout. We’re growing bluebells and clovers where once there was a desert. All you see is the river, but I care about the roses.

Men wouldn't ask any such thing. They'd already know what caught my eye. He whispered in a conspiratorial fashion. "It's your tits." "They're magnificent." He wasn't even looking at them, but Minnie's hand itched to cover herself - not to block out his sight, but to explore her own curves. To see if, perhaps, her bosom was magnificent, if it had been magnificent all these years, and she had simply never noticed.

And as for the vague something --- was it a sinister or a sorrowful, a designing or a desponding expression? --- that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver, and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare --- to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature.

Mr. Clark,” she repeated, looking up at him. “You are very tall.” “And you,” he said in a low voice, “you, my most maddeningly beautiful, brilliant, Free. You are perfectly sized. If you Mr. Clark me once more, I shall be forced to do something dreadful, something like kiss you in public.” Even her wildest fantasies had not had him saying something like that on arrival. She squeezed his hands and then looked up into his dark eyes. “I’m sorry, Mr. Clark,” she said. “What did you say, Mr. Clark? Mr. Clark, I fear that I have become rather hard of hearing. The noise of the press is terribly distracting. What was that you said you’d do if I called you Mr. Clark?

His eyes looked cruel, piercing, almost like those of a wolf seeking his prey, and his mouth looked thinner, more sinister than it had looked before.

His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the great seigneur still clung to him, so that he even ripped you up with an air, and I have been told he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding...

Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.

I’ve always found cherubs a bit sinister. The idea of winged babies flying around with no nappies on seems like an accident waiting to happen. There would be shit everywhere. If I saw a cherub flying about in real life it would terrify me, whereas a Cyclops, which is another mythical being, wouldn’t scare me at all, as it’s just a bloke with one eye. He’d be registered disabled and get a decent parking space in today’s world.

According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.

At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?" I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters. As usual he noticed my resistance even before I had said anything. "I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.

“You don’t expect love.” She shook her head in confusion. “This is the second time you’ve said that. Is this going to be like one of those dreadful novels where you warn me not to fall in love with you, and if I do, then you’ll turn into Bluebeard and try to lop my head off? You’re handsome. You have all your teeth.” She looked into his eyes and lightly touched her hand to his cheek. He grew very still. “I can offer you no promises. If you’re any good in bed, I might fall in love with you. If that is going to be anathema…” “No,” he said swiftly. He looked away from her, and when he spoke again, there was a slight rasp to his words. “No. That would be perfectly…unobjectionable.”

Miss Charingford.” The words seemed unwillingly wrested from his chest. “Yes?” “You are only the eleventh prettiest woman in all of Leicester until you open your mouth.” Her mouth dropped open. To insult her, atop all the other horrible, awful, impolite, unacceptable things that he’d said? “Thank you so much for those kind words, Grantham,” she snapped out. “I’m glad to know that my mannerisms so sink me.” But this time, he didn’t smile at her; his eyes didn’t sparkle with that familiar mischief. “Once you speak,” he said, “you have no equal.

Lucky you that you can plan and think and plot without pretense. That you can want openly, that you don't have to stuff it all inside yourself to molder. Lucky you that you can lift your eyes to the sky without singeing your wings. Lucky you that you can consider the future without terror.

Miss Marshall, are you trying to tell me that you didn’t dream of marrying a lord when you were young? That you didn’t play at being a lady, imagining what it would be like to be waited on hand and foot? I thought every little girl with any inclination at all to marry dreamed of catching the eye of a lord.” “God, no.” She looked horrified. “Farm girls who catch the eye of a lord don’t end up married. If we’re lucky, we don’t end up pregnant.

Yes.” Edward rolled his eyes. “It’s a terrible secret, that. I am trying dreadfully to conceal it. I openly altered my life for weeks on end for your sister. I single-handedly stopped an arsonist from setting fire to her business. When confronted with that evidence, it took you a mere three hours to determine that I harbored an affection for her. Truly, you have a massive intellect.

I rolled my eyes. “You have all the subtlety of a melodrama heroine,” I informed him. “And the endurance of a particularly tiny sea slug. Where is your spirit, sir? Where is your grit?” “In my other trousers,” he said, his jaws clenched.

He stood in the doorway of her office. He was, as always, the consummate scoundrel. He leaned against the doorframe, smiling—almost smirking—at her, as if he knew how rapidly her heart had started beating. If that was how they were going to do this… She simply raised an eyebrow in his direction. “Oh,” she said with a sniff. “It’s you.” “You’re not fooling anyone,” he said. She could feel the corner of her mouth twitch up. Last time she’d seen him, he’d kissed her so thoroughly she had not yet recovered. “I’m not?” “I heard it most distinctly,” he told her. “You might have said ‘It’s you,’ but there was a distinct exclamation mark at the end. In fact, I think there were two.” “Oh, dear.” Free looked down, fluttering her eyelashes demurely. “Is my punctuation showing once more?” His eyes darkened and he took a step into her office. “Don’t hide it on my account,” he growled. “You have the most damnably beautiful punctuation that I have ever seen.

An untutored observer would focus on the Duke of Clermont, apparently in full command, resplendent in a waistcoat so shot with gold thread that it almost hurt the eyes. This observer would dismiss Hugo Marshall, arrayed as he was in clothing spanning the spectrum from brown to browner. The comparison wouldn’t stop at clothing. The duke was respectably bulky without running to fat; his patrician features were sharp and aristocratic. He had mobile, ice-blue eyes that seemed to take in everything. Compared with Hugo’s own unprepossessing expression and sandy brown hair, the untutored observer would have concluded that the duke was in charge. The untutored observer, Hugo thought, was an idiot.

There was a malevolence about them, a sinister feel as their eyes locked onto us and didn’t let go.

And the eye became a body, the murky heart of a rose. The sinister shadow of an orchid. Or the indolent poppy balanced behind the ear of Baudelaire.

With no small interest, Captain Delano continued to watch her---a proceeding not much facilitated by the vapors partly mantling the hull, through which the far matin light from her cabin streamed equivocally enough; much like the sun---by this time hemisphered on the rim of the horizon, and, apparently, in company with the strange ship entering the harbor---which, wimpled by the same low, creeping clouds, showed not unlike a Lima intriquante's one sinister eye peering across the Plaza from the Indian loop-hole of her dusk saya-y-manta.

Alice's eyes sparkled, but not with mirth; there was a sinister candescence to them, lined in more black kohl than usual. 'A knife,' she replied calmly. 'A what?' I practically yelped. 'A knife,' she repeated, unwrapping the brown paper to reveal a smooth, olive wood penknife with the intials A.K.W. engraved in a crusive font. 'I had it customised, because I am nothing if not pretentious.

Any group that allows children to die unnecessarily is sinister. And if these groups invoked the name of the Flying Spaghetti Monster instead of God, their children would likely be put in foster care and their adults in an institution. But because they claim to act in the name of God, public officials often turn a blind eye. Another

Saudi women had no faces. We pulled away and ran over to the black shapes. We stared up at them, trying to make out where their eyes could be. One raised her hand, gloved in black, and we shrieked, “They have hands!” We pulled faces at her. We were truly awful, but what we were seeing was so alien, so sinister, that we were trying to tame it, make it less awful. And what these Saudi women saw, of course, was little black kids acting like baboons. After

I saw something moving round the foot of the bed, which at first I could not accurately distinguish. But I soon saw that it was a sooty-black animal that resembled a monstrous cat. It appeared to me about four or five feet long for it measured fully the length of the hearthrug as it passed over it; and it continued to-ing and fro-ing with the lithe, sinister restlessness of a beast in a cage. I could not cry out, although as you may suppose, I was terrified. Its pace was growing faster, and the room rapidly darker and darker, and at length so dark that I could no longer see anything of it but its eyes. I felt it spring lightly on the bed. The two broad eyes approached my face, and suddenly I felt a stinging pain as if two large needles darted, an inch or two apart, deep into my breast. I waked with a scream.

I’m Edward Clark. Born Edward Delacey. Now, apparently, Viscount Claridge.” He shut his eyes. “You can address me by my preferred title: 'you idiot'.” Marshall’s eyes were narrowing on this. “What have you done to my daughter, you idiot?” “To my great regret, I…” Edward’s hands were clammy. “It’s…” God, it would be better if lightning could just strike him now. “I can’t—that is, I seem to have married your daughter.” Marshall looked about the yard, as if searching for Free. When he didn’t find her, he turned back to Edward. “You regret marrying my daughter.” His voice sounded calm, if one could call the cold, black embers after a fire had burnt out calm. “No,” Edward said. “Never that. She regrets marrying me.

A wicked smirk crosses Dari’s lips and he steps closer until his face is level with Girl’s. “Break your soul we will,” he spits, his eyes sparking and sinister. “You and your empire have no place in this world and will be wiped from living memory.

The Pig Chef was - if you thought about it - one of the more sinister icons of American roadside art. Danny's personal totem. What kind of pig is a butcher? What kind of pig cooks barbeque? A traitor pig, a killer pig, a doomed preterite pig destined for eternal damnation. Danny's Pig Chefs showed the full weight of this knowledge in their mocking eyes and snaggled snouts.

You see, I'm not really left-handed." "No!" Robert and Oliver spike together in joint outrage. Sebastian's eyes widened. "An infidel! Stone him!" He looked wildly around, found a scrap of paper on the floor, and hurled it ineffectually at him. "Die, fiend, die!

Don't imagine it would be the usual kind of marriage." He seemed to withdraw even more. "It needn't even be consummated. Any woman I liked we'll enough to marry doesn't deserve to be saddled to me. If we marry, it will be a quiet wedding by special license in a back room. At the end, we'll go our separate ways--you, to your farm, and me..." He looked around the small room at the messy piles of paper. "I'm not offering to make a life with you. I'm merely giving you the chance to make your child legitimate. Nothing more." He watched her, his eyes hooded and wary. And deep inside... She had no notion as to what to say. She let out a long breath. "Oh, you are romantic.

His voice dropped to a low murmur, and he leaned down so that he was almost whispering in her ear. “You see, there’s this woman.” She wasn’t going to look at him. She wasn’t. “Normally, one might say that there was a beautiful woman—but I don’t think she qualifies as a classical beauty. Still, I find that when she’s around, I’d rather look at her than anyone else.” He set two fingers against her cheek, and Minnie sucked in a breath. She was not going to look at him. He’d see the longing in her eyes, and then… “There’s something about her that draws my eye. Something that defies words. Maybe it’s her hair, but I tried to tell her that, and she told me I was being ridiculous. I suppose I was. Maybe it’s her lips. Maybe it’s her eyes, although she so rarely looks at me.

Old Azureus's manner of welcoming people was a silent rhapsody. Ecstatically beaming, slowly, tenderly, he would take your hand between his soft palms, hold it thus as if it were a long sought treasure or a sparrow all fluff and heart, in moist silence, peering at you the while with his beaming wrinkles rather than with his eyes, and then, very slowly, the silvery smile would start to dissolve, the tender old hands would gradually release their hold, a blank expression replace the fervent light of his pale fragile face, and he would leave you as if he had made a mistake, as if after all you were not the loved one - the loved one whom, the next moment, he would espy in another corner, and again the smile would dawn, again the hands would enfold the sparrow, again it would all dissolve.

Mumbling some more, John made a speedy escape. Had he even said goodbye to Celia? Corrado wasn't sure. He wasn't sure of anything except for the look in her eyes as she leaned across the table toward him, her smile turning sinister. "Oh, we're close." "How close?" He hardly recognized his own voice, the demanding tone as the question forced its way from his lips. "Very close," she whispered seductively. "So very, very close." His jaw clenched, his eyes narrowing as his body instinctively seemed to follow her lead, moving toward her, his voice dangerously low. "You're lying." "Am I?" "You are," he insisted. "Tell me you're lying. Tell me that pesky little boy hasn't gotten close to you. Tell me he hasn't… that he hasn't touched you. Tell me he hasn't—" "What if he has?" "I'll kill him." "Why?

Nobody hurt me, Sloane. No one made me who I am. I wasn’t molested or abused, or made to perform disturbing sexual acts. You have to know that there isn’t always a sinister shadow standing over the shoulder of someone like me. We’re a rare and dark breed. I carry that bag because I like it. I cut myself while I’m fucking sometimes because I like it. I play with a knife occasionally because I like it. I do all of the things that I do to you because I like it. And you know what, angry girl? The thing that disturbs you the most…” My breath catches in my throat. I can hardly fucking breathe. Zeth’s tongue carefully flicks out, teasing my upper lip just once. I close my eyes as his words hit home, words that are whispered yet more powerful than a shout. “…is that you like it, too. You’re just like me, Sloane. You’re just like me.

I have imagined him in my mind for so long, my imagination creating a monster of grotesque features and proportions. But standing before me, his head tilted and eyes sharp, is just a man. Slightly balding, twenty pounds too heavy, whose mouth is turning into a sneer. Whose eyes are narrowing, stance strong, the combined effect sinister. This man, this balding thick man, has whispered in my ear, poured out the disgusting thoughts in his soul, showed me the dark evil in his heart. And now he is stepping closer, the excitement radiating from his body like a foul smell. He thinks I am weak. He thinks he can manipulate me and subdue me. Kill me. He has no idea that my small frame and delicate features contain an evil that rivals his own. I finger the knife in my pocket and fight to keep a grin off my face. This is it. This is my time.

Jane.” Miss Johnson set a hand on her employer’s shoulder. “Why don’t you go speak to the staff and inform them of what is to come? I’ll talk with Lady Amanda.” No. Amanda felt her eyes widen in panic, but she could hardly cling to Mrs. Marshall and beg her to stay. What was she to say? 'I’m afraid of your secretary. She’s too pretty'.

It was the eyes, the cold black eyes with layers of black wrinkles around them. Great eyes. Unforgettable eyes. His hair was white and thin on top with thickets around the ears, and the whiteness contrasted sharply with the rest of his face. When he spoke, the eyes narrowed and the black pupils glowed fiercely. Sinister eyes. Knowing eyes.

I detected sarcoma." He put his finger on his neck. "Right here." The other man nodded--his head seemed to be nodding continually--and muttered: "Yes. There's no possibility of operating." "Of course not," said the old specialist, his eyes shining with a kind of sinister irony. "There's only one thing that could remove it--the guillotine.

Orin's special conscious horror, besides heights and the early morning, is roaches. There'd been parts of metro Boston near the Bay he'd refused to go to, as a child. Roaches give him the howling fantods. The parishes around N.O. had been having a spate or outbreak of a certain Latin-origin breed of sinister tropical flying roaches, that were small and timid but could fucking fly, and that kept being found swarming on New Orleans infants, at night, in their cribs, especially infants in like tenements or squalor, and that reportedly fed on the mucus in the babies' eyes, some special sort of optical-mucus — the stuff of fucking nightmares, mobile flying roaches that wanted to get at your eyes, as an infant — and were reportedly blinding them; parents'd come in in the ghastly A.M.-tenement light and find their infants blind, like a dozen blinded infants that last summer; and it was during this spate or nightmarish outbreak, plus July flooding that sent over a dozen nightmarish dead bodies from a hilltop graveyard sliding all gray-blue down the incline Orin and two teammates had their townhouse on, in suburban Chalmette, shedding limbs and innards all the way down the hillside's mud and one even one morning coming to rest against the post of their roadside mailbox, when Orin came out for the morning paper, that Orin had had his agent put out the trade feelers.

What truly captivated Rachael were her eyes—wide, deer-like, yet hauntingly sinister green with flecks of gold dancing in silent mirth.

He wanted her to lift her head at this moment. He wanted her to look him in the eyes and realize that he loved her. He wanted her to love him back.

There’s nothing better than a hard-ass in a sexy package with intelligence shining in his eyes.

Apple of My Eye is a twisted collection of short stories by Amy Grech, including the sexy and deadly title story that makes you want to stay home with the door locked and the lights on. Grech's stories are sinister, sneaky, convoluted and dangerous—and absolutely not to be missed!” — Jonathan Maberry, Bram Stoker Award-Winning Author of Ghost Road Blues and Dead Man's Song

The downtown local pulled in, its four yellow lights suggesting the feelers of some great dashing worm. Jane stood at the very rear of the train, and absently watched the tunnel lights. With a spurt, yellow meteors jumped up and arranged themselves in a row behind, one end of it growing, the other fading away in the tunnel. Sometimes a blue one flew into the row. Once the red eyes of an express train behind loomed up, a monster roaring past out of the dark. It was sinister but impersonal. It didn’t care in the least whether or not Jane liked civilization. It was civilization.

Well, aren't you a spicy little thing." Said Silas as he gave an appreciative look at Tori. "If you think I'm spicy now, you should see me when I have Mexican. I'm a regular jalépeno." She explained with hands proudly placed on her hips, sporting a sinister smile aimed at the Frenchman. He and the guys laughed while I rolled my eyes. Praying we wouldn't get fired for her wicked tongue.

Alice's eyes sparkled, but not with mirth; there was a sinister candescence to them, lined in more black kohl than usual. 'A knife,' she replied calmly. 'A what?' I practically yelped. 'A knife,' she repeated, unwrapping the brown paper to reveal a smooth, olive wood penknife with the intials A.K.W. engraved in a cursive font. 'I had it customised, because I am nothing if not pretentious.

They glided out of the heat-haze on their camels like specters. There were twenty of them, and they were Tuareg. Their faces were hidden by black veils that left only slits for the eyes, and they wore purple robes that fluttered in the desert wind. They carried swords, muskets and seven-foot iron spears, and wore stilettos in sheaths on their left forearms. They were an impressive, sinister sight.

Behind my office, to the south-east, was Police Headquarters, and I imagined all the good hard work that was being done there to crack down on Berlin's crime. Villainies like speaking disrespectfully of the Führer, displaying a 'Sold Out' sign in your butcher's shop window, not giving the Hitler Salute, and homosexuality. That was Berlin under the National Socialist Government: a big, haunted house with dark corners, gloomy staircases, sinister cellars, locked rooms and a whole attic full of poltergeists on the loose, throwing books, banging doors, breaking glass, shouting in the night and generally scaring the owners so badly that there were times when they were ready to sell up and get out. But most of the time they just stopped up their ears, covered their blackened eyes and tried to pretend that there was nothing wrong. Cowed with fear, they spoke very little, ignoring the carpet moving underneath their feet, and their laughter was the thin, nervous kind that always accompanies the boss's little joke.

It was a tremendously virile and yet sinister face which was turned towards us. With the brow of a philosopher above and the jaw of a sensualist below, the man must have started with great capacities for good or for evil. But one could not look upon his cruel blue eyes, with their drooping, cynical lids, or upon the fierce, aggressive nose and the threatening, deep-lined brow, without reading Nature’s plainest danger-signals.

His habitual melancholy was changing day by day into something more sinister. There were moments when he would desecrate the crumbling and mournful mask of his face with a smile more horrible than the darkest lineaments of pain. Across the stoniness of his eyes a strange light would pass for a moment, as though the moon were flaring on the gristle, and his lips would open and the gash of his mouth would widen in a dead, climbing curve

I will erase this world of yours with such magnificence of my presence that your vision will remain no more, your eyes fading to darkness and your soul barren before me, in my grasp that I shall corrupt to a slave of mine.

The way he looked at her made her heart thump, her breath catch. For a second, those dark eyes seemed to have no end to them, as if she were looking into a hall of mirrors and seeing reflection upon reflection echoing into infinity.

The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.

THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it. What he did know was that his foot hurt badly, more than he had expected. He was sixty-five years old and had become a large man. His hair had turned gray, his mustache nearly white, but his eyes were as blue as ever, bluer at this instant by proximity to the sea. His foot had forced him to delay the voyage, and now it kept him anchored in his suite while the other first-class passengers, his wife among them, did what he would have loved to do, which was to explore the ship’s more exotic precincts. The man loved the opulence of the ship, just as he loved Pullman Palace cars and giant fireplaces, but his foot problem tempered his enjoyment.

To Renard's suspicious eye, Elizabeth's nebulous role at court had taken on a new and sinister signifiance. This unspoken Protestant heir presumptive was suddenly the greatest obstacle to Prince Philip's path to England and Renard had already resolved to dispose of her at his earliest conveneicne. Accordingly, he invited her to dance and tried his hand at a little subtle flattery. They manoevered delicately down the Hall, like two scorpions locked in mortal combat, but no matter how he tried, he could not get close enough to sting.

Monsieur Guillaume naturally thought that this sinister personage had an eye to the till of the Cat and Racket. After quietly observing the mute duel which was going on between his master and the stranger, the eldest of the apprentices, having seen that the young man was stealthily watching the windows of the third floor, ventured to place himself on the stone flag where Monsieur Guillaume was standing. He took two steps out into the street, raised his head, and fancied that he caught sight of Mademoiselle Augustine Guillaume in hasty retreat

But you’ve presented me with….” Quinn’s eyes traveled down the length of my body to where his hand was still moving on my leg. “You’ve presented me with a very unique opportunity.” He said this last part almost to himself and sounded every inch the monologuing supervillain. His grin was brazenly sinister.

She felt enthralled by him, enthralled by her own sexuality. He bared something in her that she hadn't even known was there before she married him. Something base, primal. Had it always been there, this fierce drive to feel? Or was it something that had been engendered by his touching her? Her touching him? She knew that she should be wary of this part of herself. Ladies were often exhorted to ignore any animal urges. To be polite. Formal. Cold. But the flames of her desire, meeting and burning higher with his compulsion, were intoxicating. It felt wonderful. Too good to ignore. Too good to give up. And when his fingers traced the wetness of her vulva, into the depths of her pleasure, she cried out, her eyes still caught with his. He smiled, crooked and sinister because of his scar, but a smile nonetheless. A smile that wasn't exactly nice or gentlemanly. But a smile that was all for her. Only her. No man- no one- had ever looked at her so before.

You're trying to charm me with mathematics," she said. "It's it working?" She looked up at him. Yes, said her dark eyes, shining up at him. Yes, said the past of her lips, the fingers that drew up to brush her hair. Yes, said the tilt of her body in his direction. "No," she told him with a firm shake of her head. "It isn't.

Grant adopted unusual precautions, returning to the Willard Hotel twice daily for meals and staying indoors at night. When he set eyes on images of John Wilkes Booth, he immediately recognized the sinister horseman who had shadowed his path to the train station and knew that he himself had stood on the death list of intended victims.

The Convergence of the Twain Thomas Hardy, 1840 - 1928 (Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.

When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune. 'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man. Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls. With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass")

I shall get nothing from these fools,' he muttered; 'and I am very much afraid of being here between a drunkard and a coward. Here's an envious fellow making himself boozy on wine when he ought to be nursing his wrath, and here is a fool who sees the woman he loves stolen from under his nose and takes on like a big baby. Yet this Catalan has eyes that glisten like those of the vengeful Spaniards, Sicilians, and Calabrians, and the other has fists big enough to crush an ox at one blow. Unquestionably, Edmond's star is in the ascendant, and he will marry the splendid girl--he will captain, too, and laugh at us all, unless'--a sinister smile passed over Danglars' lips--'unless I take a hand in the affair,' he added.

In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.

her fists. A sharp pain in the shoulder quickly put the hammering to an end, but she continued to call out. When she was certain that she had been heard, she put her eye back to the crack in the door. The four soldiers stood silently before the door, each in full combat armor, complete with face masks. The first was speaking calmly with her captor while the others looked on. They made no motion toward the door. She strained her ears to hear what the two were saying. Only the soldier spoke loudly enough to hear. "The one who touched the sword? We are charged with her return, as well as that of the sword," he said, in response to the kidnapper's unheard comment. The sinister figure pulled a bundle from inside the cloak and

You braved the wasteland of Violet Waterfield, the dangerous shark-invested waters of her most treacherous coats. And you lived to tell the tale." The was a hard light in her eyes as she spoke. You're not a wasteland, he wanted to say. She'd do anything for the people she loved- anything, except tale compliments from them. So he just shrugged. "I brought tea for the wasteland.

He turned abruptly his great searching eyes from the sea to Stephen's face. --The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you. --Someone killed her, Stephen said gloomily. --You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . . He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips. --But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all. He shaved evenly and with care, in silence, seriously. Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.

Running a hand through the wolf’s thick fur, he brought the wolf closer to him so that his snout rested against his shoulder. He held him in an embrace and closed his eyes, taking in the familiar earthy scent that was Cade and his wolf. He let his mind slip into Cade’s. It was dark in there, the opposite of Phoenix’s mind. There was something else in the darkness … something sinister … Shit. It was silver. No

I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.

The polished wood door is still carved with an enormous and sinister face, still flanked with lanterns, but sprites no longer fly in desperate circles within. A soft glow of magic emanates instead. 'My king,' the door says fondly, it's eyes opening. Cardan smiles in return. 'My door,' he says with a slight hitch in his voice, as though perhaps everything about returning here feel strange. 'Hail and welcome,' it says, and swings wide.

During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.

Owen was not an attractive person, in appearance or in temperament. A photograph from his late middle years shows him as gaunt and sinister, like the villain in a Victorian melodrama, with long, lank hair and bulging eyes—a face to frighten babies. In manner he was cold and imperious, and he was without scruple in the furtherance of his ambitions. He was the only person Charles Darwin was ever known to hate. Even Owen’s son (who soon after killed himself) referred to his father’s “lamentable coldness of heart.

The absence of portraits of Margaret Beaufort as an attractive young woman to counterbalance the images of her in old age have helped give credit to the sinister reputation she has gained. But the face that stands out from her story is not that of the widow with the hooded eyes, praying amidst the riches of a royal chapel and seen in her portraits, but a young girl, riding in the biting wet of a Welsh winter, to Pembroke Castle where she must deliver her child. Now it was for her grandchildren and great-grandchildren to continue the Tudor story.

But the young Count insisted on the Beauty selecting a flower for him. He was waiting impatiently for her second present, the promised kiss — her first kiss. The Beauty looked at the flowers. Once again her face was darkened by a delicate shade of sadness. Suddenly, as if prompted by some strange will, she quickly stretched out a hand, so exquisite in its naked whiteness, and plucked a many-petaled flower. Her hand hesitated, and she bowed her head, and finally with an expression of shy indecision she approached the Count and placed the flower in a buttonhole of his cloak. The powerful and pungent scent wafted into the young Count's face, which grew pale as his head reeled in languid impotence. Indifference and tedium overcame him. He was scarcely aware of himself, he hardly noticed that the Beauty took him by the arm and led him into the house, away from the fragrances of the wondrous Garden. In one of the rooms of the house where all was bright, white and rosy, the Count came to himself. A youthful vitality returned to his face, his black eyes were aflame with passion once again, and he felt the joy of life and the surge of desire anew. But already the inescapable lay in wait for him. A white hand, bare, slender, lay on his neck; and the fragrant kiss of the Beauty was tender, sweet, long. The two blue lightnings of her eyes flashed close to his eyes and were masked with the subtle mystery of her long eyelashes. The sinister fires of some sweet pain swirled like a whirlwind about the heart of the young Count. He raised his arms to embrace the Beauty — but with a soft cry she stepped away and softly, quietly, ran away, leaving him alone. ("The Poison Garden")

I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.

It’s just that you’re trying to use my attraction to you to set me on edge.” She smiled at him. “It won’t work. I’ve been attracted to you since the moment I laid eyes on you, and it hasn’t made me stupid once.” “Did you expect me to deny it?” Free shrugged as complacently as she could. “You should read more of my newspaper. I published an excellent essay by Josephine Butler on this very subject. Men use sexuality as a tool to shut up women. We are not allowed to speak on matters that touch on sexual intercourse—even if they concern our own bodies and our own freedom—for fear of being labeled indelicate. Any time a man wishes to scare a woman into submission, he need only add the question of sexual attraction, leaving the virtuous woman with no choice but to blush and fall silent. You should know, Mr. Clark, that I don’t intend to fall silent. I have already been labeled indelicate; there is nothing you can add to that chorus.” "I've found that the best way to deal with the tactic is to speak of sexual attraction in terms of clear, unquestionable facts. The same men who try to make me feel uneasy by hinting at an attraction can never live up to their own innuendos.

Stupendous carnage was painted on the canvas, A depiction of repulsion was executed around the structure. It revealed its dark emblem by painting its sinister Red. Three intertwined bloated eyes are encrusted together, awfully deformed - the horrendous stench of decay can be smelt from it, for it exudes a sulfurous aroma of rotting animals. A torn torso of a butchered rabbit laid on the eye sockets, with all its arms, legs, and head severed off. A sludge-like, bubbling, dripping fluid oozed from the abnormally large eyes, leaving the ground deserted to rust and becoming the midst of a terrible famine. Blood Gushes from the slashes of each hideous eye, gouging out gore from the torn skin, spluttering and erupting gasping cries as it struggles in its own twisted misery of giving birth, as it was preparing to give shape-shifting life to a black-glass body, horn-like entity, unlike any childbirth you have ever witnessed. Satanic was this creature, whose muscle mass was disintegrated. All of his blood was squeezed out, forlorn and cold to the touch. The thorns on his head were intertwined into horns. A serpent's nose and wolf-like fangs were all this child had, as he had no gift of sight or hearing, he had only the smell of terror as his power.

I would have, Damien! I would have! I would have rather died a thousand painful, torturous deaths than watch you die one! I would have given up anything to go back to that day and relive it!” Damien takes a step back as I run shaky fingers through my hair. I lower my voice and cry, “When you died, I thought I lost everything. I was empty. Numb inside. And the pain...the pain of feeling my heart break over and over again was never ending. I'm sorry about what happened. I think you know that. But what I think you know more than anything is you haunting me and reminding me of what you sacrificed is the most mean-spirited thing you've ever done.” More tears well in my eyes, and I suck them back trying to be strong. “The Damien, I knew wouldn't want this for me. He wouldn't want me to live the rest of my life, loving his ghost. My Damien was too proud, good, and selfless for that.” The one thing that I forgot was that in this dream, this is not my Damien. He's a sinister, sick, and twisted version of the boy I loved. And I know this when he lunges at me, wraps both of his hands around my neck, cuts off the air in my throat, and whispers in a deadly voice, “Love me.” “No!” I bolt upright in my bed choking on air. “No!” I try to steady my breathing, but I'm too shaken up to concentrate

You must know something.” “And why is Archer Cross here?” That was from Jenna. His voice had apparently changed over the summer, since he actually said the words instead of squeaking them. “He’s an Eye.” “Didn’t he try to kill you?” Nausicaa had drifted up, and she narrowed her eyes at me. “And if so, why exactly were you holding his hand earlier?” Conversations like this usually ended in pitchforks and torches, so I held my hands out in what I hoped was an “everyone just calm the heck down” gesture. But then Jenna spoke up. “Sophie doesn’t know anything,” she said, nudging my behind her. That might’ve been more effective if Jenna weren’t so short. “And whatever reason we’re here, the Council had nothing to do with it.” Jenna didn’t add that that was because the entire Council, with the exception of Lara Casnoff and my dad, was dead. “She’s just freaked out as the rest of us, so back. Off.” From the expressions on the other kids’ faces, I guessed Jenna had bared her fangs, and maybe even given a flash of red eyes. “What’s going on here?” a familiar voice brayed. Great. Like this night didn’t suck out loud enough already. The Vandy-who had been a cross between school matron and prison guard at Hex Hall-shoved her way through the crowd, breathing hard. Her purple tattoos, marks of the Removal, were nearly black against her red face. “Downstairs, now!” As the group began moving again, she glared at Jenna and me. “Show your fangs again, Miss Talbot, and I’ll wear them as earrings. Is that understood?” Jenna may have muttered, “Yes, ma’am,” but her tone said something totally different. We jogged down the stairs to join the rest of the students lining up to go into the ballroom. “At least one thing at Hex Hall hasn’t changed,” Jenna said. “Yeah, apparently the Vandy’s powers of bitchery are a constant. I find that comforting.” Less comforting was the creeptasticness of the school at night. During the day, it had just been depressing. Now that it was dark, it was full-on sinister. The old-fashioned gas lamps on the walls had once burned with a cozy, golden light. Now, a noxious green glow sputtered inside the milky glass, throwing crazy shadows all over the place.

What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.

Just then a familiar voiced spoke right in to Stephens’s ear which startled him as his eyes once again began slowly opening. “Don’t try to move or talk you two, not that you could if you wanted to anyway.” It was Bob inches away from his face and he sounded very different now, his voice was low and threatening and his eyes were unsmiling and cold. “Very soon you will be gone and there will be no trace of any of you here, or us for that matter.” He felt Bob go through his pockets until eventually he saw that he had pulled his van keys out of his pocket. Stephen looked around for his baby and he could see the others passing a sleeping Rosie clutching Roo and her dummy to the goblin like creatures. They grabbed her with their long thin hands with talon like fingers and then began sniffing her like animals that smelt out the prey. Bob saw him looking at them walking off with Rosie. “Don’t worry Stephen. The sproggers will care for her” Bob told him before letting out a spine shivering sinister laugh.

Cheng Xin’s eyes moistened. She was thinking of Tianming, of the man who struggled alone in the long night of outer space and an eerie, sinister alien society. To convey his important message to the human race, he must have racked his brain until he had devised such a metaphorical system, and then spent ages in his lonely existence to create over a hundred fairy tales and carefully disguise the intelligence report in three of those stories. Three centuries ago, he had given Cheng Xin a star; now, he brought hope to the human race. Thereafter, steady progress was made in deciphering the message. Other than the discovery of the metaphorical system, the effort was also aided by another guess that was commonly accepted, though unconfirmed: While the first part of the message to be successfully deciphered involved escape from the Solar System, the rest of the message likely had to do with the safety notice. The interpreters soon realized that compared to the first bit of intelligence, the rest of the information hidden in the three stories was far more complex. At

Yet after all they are but gates, and when turning our eyes from the temporary and the contingent in the Negro problem to the broader question of the permanent uplifting and civilization of black men in America, we have a right to inquire, as this enthusiasm for material advancement mounts to its height, if after all the industrial school is the final and sufficient answer in the training of the Negro race; and to ask gently, but in all sincerity, the ever-recurring query of the ages, Is not life more than meat, and the body more than raiment? And men ask this to-day all the more eagerly because of sinister signs in recent educational movements. The tendency is here, born of slavery and quickened to renewed life by the crazy imperialism of the day, to regard human beings as among the material resources of a land to be trained with an eye single to future dividends. Race-prejudices, which keep brown and black men in their “places,” we are coming to regard as useful allies with such a theory, no matter how much they may dull the ambition and sicken the hearts of struggling

The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")

The fifth was a blond man wearing a navy peacoat and standing with his hands in his pockets. He did not smile or point or make faces. He was staring at Laura. After a few minutes during which the stranger’s gaze did not shift from the child, Bob became concerned. The guy was good looking and clean-cut but there was a hardness in his face, too, and some quality that could not be put into words but that made Bob think this was a man who had seen and done terrible things. He began to remember sensational tabloid stories of kidnappers, babies being sold on the black market. He told himself that he was paranoid, imagining a danger where none existed because, having lost Janet, he was now worried about losing his daughter as well. But the longer the blond man studied Laura, the more uneasy Bob became. As if sensing that uneasiness, the man looked up. They stared at each other. The stranger’s blue eyes were unusually bright, intense. Bob’s fear deepened. He held his daughter closer, as if the stranger might smash through the nursery window to seize her. He considered calling one of the crèche nurses and suggesting that she speak to the man, make inquiries about him. Then the stranger smiled. His was a broad, warm, genuine smile that transformed his face. In an instant he no longer looked sinister but friendly. He winked at Bob and mouthed one word through the thick glass: ‘Beautiful.’ Bob

Let us drink deep brothers,' he cried, leaving off his strange anointment for a while, to lift a great glass, filled with sparkling liquor, to his lips. 'Let us drink to our approaching triumph. Let us drink to the great poison, Macousha. Subtle seed of Death, - swift hurricane that sweeps away Life, - vast hammer that crushes brain and heart and artery with its resistless weight, -I drink to it.' 'It is a noble concoction, Duke Balthazar,' said Madame Filomel, nodding in her chair as she swallowed her wine in great gulps. 'Where did you obtain it?' 'It is made,' said the Wondersmith, swallowing another great draught of wine ere he replied, 'in the wild woods of Guiana, in silence and in mystery. Only one tribe of Indians, the Macoushi Indians, know the secret. It is simmered over fires built of strange woods, and the maker of it dies in the making. The place, for a mile around the spot where it is fabricated, is shunned as accursed. Devils hover over the pot in which it stews; and the birds of the air, scenting the smallest breath of its vapour from far away, drop to earth with paralysed wings, cold and dead.' 'It kills, then, fast?' asked Kerplonne, the artificial-eye maker, - his own eyes gleaming, under the influence of the wine, with a sinister lustre, as if they had been fresh from the factory, and were yet untarnished by use. 'Kills?' echoed the Wondersmith, derisively; 'it is swifter than thunderbolts, stronger than lightning. But you shall see it proved before we let forth our army on the city accursed. You shall see a wretch die, as if smitten by a falling fragment of the sun.' ("The Wondersmith")

In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once.

But the bed I made up for myself was sufficiently uncomfortable to give me a wakeful night, and I thought a good deal of what the unlucky Dutchman had told me.I was not so much puzzled by Blanche Stroeve’s action, for I saw in that merely the result of a physical appeal. I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognizes its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction in security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to its spiritual value. It is an emotion which is defenceless against passion. I suspected that Blanche Stroeve's violent dislike of Strickland had in it from the beginning a vague element of sexual attraction. Who am I that I should seek to unravel the mysterious intricacies of sex? Perhaps Stroeve's passion excited without satisfying that part of her nature, and she hated Strickland because she felt in him the power to give her what she needed.I think she was quite sincere when she struggled against her husband's desire to bring him into the studio; I think she was frightened of him, though she knew not why; and I remembered how she had foreseen disaster. I think in some curious way the horror which she felt for him was a transference of the horror which she felt for herself because he so strangely troubled her. His appearance was wild and uncouth; there was aloofiness in his eyes and sensuality in his mouth; he was big and strong; he gave the impression of untamed passion; and perhaps she felt in him, too, that sinister element which had made me think of those wild beings of the world's early history when matter, retaining its early connection with the earth, seemed to possess yet a spirit of its own. lf he affected her at all. it was inevitable that she should love or hate him. She hated him. And then I fancy that the daily intimacy with the sick man moved her strangely. She raised his head to give him food, and it was heavy against her hand; when she had fed him she wiped his sensual mouth and his red beard.She washed his limbs; they were covered with thick hair; and when she dried his hands, even in his weakness they were strong and sinewy. His fingers were long; they were the capable, fashioning fingers of the artist; and I know not what troubling thoughts they excited in her. He slept very quietly, without movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently. and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy? Blanche Stroeve was in the cruel grip of appetite. Perhaps she hated Strickland still, but she hungered for him, and everything that had made up her life till then became of no account. She ceased to be a woman, complex, kind, and petulant, considerate and thoughtless; she was a Maenad. She was desire.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.