Inspiring Chandelier Quotes

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See how the fearful chandelier trembles above you each time you open your mouth to sing. Sing.
Donald Justice (Collected Poems of Donald Justice)
Love’s time’s beggar, but even a single hour, bright as a dropped coin, makes love rich. We find an hour together, spend it not on flowers or wine, but the whole of the summer sky and a grass ditch. For thousands of seconds we kiss; your hair like treasure on the ground; the Midas light turning your limbs to gold. Time slows, for here we are millionaires, backhanding the night so nothing dark will end our shining hour, no jewel hold a candle to the cuckoo spit hung from the blade of grass at your ear, no chandelier or spotlight see you better lit than here. Now. Time hates love, wants love poor, but love spins gold, gold, gold from straw.
Carol Ann Duffy (Rapture)
As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.
Vladimir Nabokov
The animators who work here are free to—no, encouraged to—decorate their work spaces in whatever style they wish. They spend their days inside pink dollhouses whose ceilings are hung with miniature chandeliers, tiki huts made of real bamboo, and castles whose meticulously painted, fifteen-foot-high styrofoam turrets appear to be carved from stone.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Out of all the palace's awe-inspiring interiors, the Round Library had always been Jasmine's favorite. A marble floor painted with a lotus-flower motif gave way to three tiers of balconies lined with books, stretching up to an arched ceiling where a bronze chandelier flooded the circular space with candlelight. Bound books had still been a novelty when the sultan was young, but in the intervening years, he'd amassed a collection of nearly three thousand titles from across the East. This was where Jasmine had come to fill in the gaps in her knowledge while her nonroyal peers were sent off to school. It was thanks to the books in this room that she'd learned to read and write in Greek and Latin along with Persian and Arabic, that she could look at an astrolabe and point out the different planets in the universe. It was where she'd fallen in love with studying maps and imagining other lands, far from here
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
The Coming Out Dawn has ushered in Yet another era Whilst the sun sets on the other Bidding it farewell Rotating like the globe Each era getting its time to shine Like a star as it should Fulfilling its destiny before the sun sets Ushering out yet another era Shuttered for too long Shunned Dismissed Scattered underground among thorns Bristles,debris and twigs Among inhabitable bats, rats and stones Stalactites as chandeliers Stalagmites as cedar floors Mustaches touching their feet Beards touching the ground Disheveled unshaven hairs covered their entire bodies The people looked around They noticed their sharp resemblance To the animals living above them Surely the people thought... They must have evolved from these creatures living above them And as time passes they outgrew their long tails “Oh God!” Pleaded the people “Did You not make room for us too?” God heard the pleas of the people and pitied them And God showed the people mercy Grateful were the people Pale from the dark shelter of the caves and unshaven hairs They were guided to a place where they could share in the land The people thanked God for taking them to green pastures They set up systems On the money the people put God first and boldly proclaimed “In Almighty God We Trust" The people established a Holiday specifically to thank God for remembering them God prospered the people He brought out from the underground caves As time passes the people became selfish, greedy and violent The underground people forgot how God took them out of the dark caves The people from below forgot God's mercy Because the people lived among the stony caves They knew not how to make the land productive The people sought expertise exploitively The people concocted and instituted bitter irrational laws To hold the experts as hostages against their will Experts brought great success The experts grew crops that were traded profitably Experts were unpaid Even with the huge booming success of the crops they grew The people that came out from below the caves Unrelentingly wants everything above the caves As the era rotates From one era to the next Like each era is destined to be Until the era's sun sets
Maisie Aletha Smikle