Sings 2 Quotes

We've searched our database for all the quotes and captions related to Sings 2. Here they are! All 200 of them:

If you cannot teach me to fly, teach me to sing.
J.M. Barrie (Peter Pan (Peter Pan, #2))
The Candor sing the praises of the truth, but they never tell you how much it costs.
Veronica Roth (Insurgent (Divergent, #2))
At some point, Jesper realized Kaz was gone. "Not one for goodbyes, is he?" he muttered. "He doesn't say goodbye," Inej said. She kept her eyes on the lights of the canal. Somewhere in the garden, a night bird began to sing. "He just lets go.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But I feel as if I did know Rue, and she'll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the Mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
They call her my singer—because her blood sings for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
These are the things I learned (in Kindergarten): 1. Share everything. 2. Play fair. 3. Don't hit people. 4. Put things back where you found them. 5. CLEAN UP YOUR OWN MESS. 6. Don't take things that aren't yours. 7. Say you're SORRY when you HURT somebody. 8. Wash your hands before you eat. 9. Flush. 10. Warm cookies and cold milk are good for you. 11. Live a balanced life - learn some and drink some and draw some and paint some and sing and dance and play and work everyday some. 12. Take a nap every afternoon. 13. When you go out into the world, watch out for traffic, hold hands, and stick together. 14. Be aware of wonder. Remember the little seed in the Styrofoam cup: The roots go down and the plant goes up and nobody really knows how or why, but we are all like that. 15. Goldfish and hamster and white mice and even the little seed in the Styrofoam cup - they all die. So do we. 16. And then remember the Dick-and-Jane books and the first word you learned - the biggest word of all - LOOK.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
I swear that woman had a previous career as a death-hunter selling tragic ballads down around the Seven Dials," said Will. "And I do wish she wouldn't sing about poisoning just after we've eaten.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Do you miss Wales?” Tessa inquired. Will shrugged lightly. “What’s to miss? Sheep and singing,” he said. “And the ridiculous language. Fe hoffwn i fod mor feddw, fyddai ddim yn cofio fy enw.” “What does that mean?” “It means ‘I wish to get so drunk I no longer remember my own name,’ Quite useful.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
I walk through the seasons and always the birds are singing and screaming and keening for love When you're with me it seems so absurd that I should be jealous of the jay and the dove.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Whoa. I’ve never heard him sing, not even in the shower, ever. I frown. He has a lovely voice—of course. Hmm . . . has he heard me sing? He wouldn’t be asking you to marry him if he had! My subconscious has her arms crossed and is wearing Burberry check . . . jeez.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Exactly. These guys just want me to play Snow White singing in her little cottage while they do all the work.' Lucy snorted. 'Snow White and the Seven Buttheads. You could give Disney a run for their money.' Nicholas poked her in the ribs. 'I am not a singing dwarf!' 'No, you're a butthead. Weren't you paying attention?
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
The fire on the mountain.” That was Anna. “Alchemy,” she said. “I feel it singing in my bones.” “Singing?” Mary would never understand Anna. The young woman turned away. Wiseman’s reply was tinged with respect. “That great pair of alchemists, Francis Ransome and Roberta Le More, believed the work they did affected the world’s spirit, the anima mundi. The Native Americans they met believed they too could and should interact with the Great Spirit. They lived with reverence for the land and all its peoples, the ancestors, the animals, the rocks, the trees, mountains.”  Mary’s jaw dropped; Caroline glowed; Anna pretended not to listen. Wiseman nodded, then continued. “You mean…?” began Mary. “Yes, it could have been so different, a meeting of like-minded earth-based spiritualities. Just imagine, what could have been?
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
Sing swan, Spring swan then lets fly. Follow the pretty bird across the sky. Call swan, Fall swan, then lets rest. Tucked in the branches of your quiet nest.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
It was like a scene straight out of Beauty and the Beast. I kept waiting for a teapot to start singing.
Jennifer L. Armentrout (Onyx (Lux, #2))
Tomorrow was my second chance to make things right but it never came. I’m sorry I never treasured the time we had for those regrets I take the blame. You gave everything you had. I took without giving back.” Sed paused in his song, feeling ridiculous for singing it to her while they made love. “Baby, you realize this song is about Trey’s dead dog, don’t you?
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
And there is my payment the rubies in your cheeks. Are you properly scandalized by your wicked behavior? If you were Catholic, you'd singe the ears of the priest you confessed to. Do you remember making me swear to repeat all those naughty actions agian, no matter what you said this morning?" Now that he brought it up, I did recall saying that. Great Betrayed by my own immorality. "God, Bones...some of that was depraved." "I'll take that as a compliment." He closed the distance between us."I love you. Don't be ashamed of anything we did, even if your prudery is on life support.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
How do you know when the Sarows is coming? (Is coming is coming is coming aboard) When the wind dies away but still sings in your ears, (In your ears in your head in your blood in your bones.) When the current goes still but the ship, it drifts along, (Drifts on drifts away drifts alone.) When the moon and the stars all hide from the dark, (For the dark is not empty at all at all.) (For the dark is not empty at all.) How do you know when the Sarows is coming? (Is coming is coming is coming aboard) Why you don't and you don't and you won't see it coming, (You won't see it coming at all.)
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Anything else?” asked Matthias. “I like singing,” said Alys. Wylan shook his head frantically, mouthing, No, no, no. “Shall I sing?” Alys asked hopefully. “Bajan says that I’m good enough to be on the stage.” “Maybe we save that for later—” suggested Jesper. Alys’ lower lip began to wobble like a plate about to break. “Sing,” Matthias blurted, “by all means, sing.” And then the real nightmare began. It wasn’t that Alys was so bad, she just never stopped. She sang between bites of food. She sang while she was walking through the graves. She sang from behind a bush when she needed to relieve herself. When she finally dozed off, she hummed in her sleep. “Maybe this was Van Eck’s plan all along,” Kaz said glumly when they’d assembled outside the tomb again. “To drive us mad?” said Nina. “It’s working.” Jesper shut his eyes and groaned. “Diabolical.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And I do wish she wouldn't sing about poisoning just after we have eaten.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
Gayle Forman (Where She Went (If I Stay, #2))
Wow,” Kylie muttered, and grinned. “Yeah, wow.” Della leaned in closer. “I think Perry just grew a pair.” Kylie bit down on her lip to keep from laughing. “If this was a movie, there would be some music playing in the background.” “I could sing,” Della chuckled. “And ruin it,” Kylie teased back. “I’ve heard you singing in the shower.” Both grinning, they looked back at the kissing couple.
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
The raven red, on ruby pinions winging its way between the worlds, hears dead men singing. It scarce knows it strength, the price it scarce knows, but its power will arise and the Circle will close.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Will: 'Singing the praises of our fair city? We treat you well here, don't we, James? I doubt I'd have that kind of luck in Shanghai. What do you call us there again?' Jem: 'Yang guizi ... foreign devils.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Please, I begged silently, please do not let my last moments on earth be me crammed into a tiny boat in the dark, surrounded by mechanical singing pirates.
James Patterson (School's Out—Forever (Maximum Ride, #2))
You're so hypno-something, could you be the devil, could you be an angel, your touch is something good, feels like going floating, leave my body glowing." "Katy Perry? She's singing Katy Perry in the hospital bathroom. Just when you think you've seen it all," Sally mumbled. She knocked on the door again. Still no answer, so she started banging. Then she was banging and hollering, "JEN! OPEN THE FREAKING DOOR!" Wouldn't you know, she just sang louder. Why am I not surprised, she thought.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Kishan spoke intently, "Kelsey is all that a man could ask for. She's perfect for you. She loves poetry and sits endlessly content while listening to you sing and play your guitar. She waited months for you to come after her, and she has risked her life repeatedly to save your mangy white hide. She's sweet and loving and warm and beautiful and would make you immeasurably happy." There was a pause. Then I heard Ren say incredulously, "You love her." Kishan didn't answer right away, but then said softly, almost so I couldn't hear it, "No man in his right mind wouldn't, which proves you aren't in your right mind.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
It’s only the sea,’ said Moomintroll. ‘Every wave that dies on the beach sings a little song to a shell. But you mustn’t go inside because it’s a labyrinth and you may never come out again.
Tove Jansson (Comet in Moominland (The Moomins, #2))
I knew you were the next one the second I laid my eyes on you singing in that club, but you can never imagine my surprise when I realized that you weren't just the next one—you were the last one
Georgia Cates (Beauty from Surrender (Beauty, #2))
I want to wake up ev­ery day I have left to the warmth of your lips on mine, the sound of your voice singing next to me, the feel of your fin­gers on my skin and your heart beat­ing mu­sic with mine.
Christine Zolendz (Saving Grace (Mad World, #2))
Alys Van Eck waddled along beside him. Her blindfold had been removed, and through his long glass, Matthias could see her lips moving. Sweet Djel, is she still singing? Judging from the sour expression on Kaz's face, it was a distinct possibility.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What do you like doing best in the world, Pooh?" "Well," said Pooh, "what I like best-" and then he had to stop and think. Because although Eating Honey was a very good thing to do, there was a moment just before you began to eat it which was better than when you were, but he didn't know what it was called. And then he thought that being with Christopher Robin was a very good thing to do, and having Piglet near was a very friendly thing to have; and so, when he had thought it all out, he said, "What I like best in the whole world is Me and Piglet going to see You, and You saying 'What about a little something?' and Me saying, 'Well, I shouldn't mind a little something, should you, Piglet,' and it being a hummy sort of day outside, and birds singing." "I like that too," said Christopher Robin, "but what I like doing best is Nothing.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
I never named anything I've written before no reason to since it would all have the same title anyway -for you- but I would call this one one night that night when we let the world be only you and only me we stood on it while it spun green and blue and red the music ended but we were still singing
Ally Condie (Crossed (Matched, #2))
When you love a thing too much, it is a special kind of pain to show it to others and to see that it is lacking.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
Love birds don't always sing pretty tunes.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
All these perfect days, made of glass Put on the shelf where they can cast perfect shadows that stretch and grow on the imperfect days down below. ... perfect shadows that shift and glow... ... perfect shadows that shift and grow..." "Sam singing on page 256 of Linger.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
It's you, Jack Henry. It will always be you in every song I sing.
Georgia Cates (Beauty from Surrender (Beauty, #2))
Will sat where he was, gazing at the silver bowl in front of him; a white rose was floating in it, and he seemed prepared to stare at it until it went under. In the Kitchen Bridget was still singing one of her awful sad songs; the lyrics drifted in through the door: "Twas on an evening fair I went to take the air, I heard a maid making her moan; Said, 'Saw ye my father? Or ye my mother? Or saw ye my brother John? Or saw ye the lad that I love best, And his name it is Sweet William?" I may murder her, Tessa thought. Let her make a song about that.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
We each get fifteen minutes before the Gamemakers to amaze them with our skills, but I don't know what any of us might have to show them. There's a lot of kidding about it at lunch. What we might do. Sing, dance, strip, tell jokes. Mags, who i can understand a little better now, decides she's just going to take a nap.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
His dagger was out, poised at her throat. “Sing, little bird. Sing for your little life.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I know that you make me laugh, and that I love hearing your voice, especially when you sing. I know that I haven’t stopped thinking about you since the day you sat down beside me at that coffee shop.
Cora Carmack (Faking It (Losing It, #2))
Should I sing prettily while I slit your throat?
Hafsah Faizal (We Free the Stars (Sands of Arawiya, #2))
Do you ever sing in the car?" "Generally not. But I am driving a police car." "I think people would like a singing policeman. Makes life seem more like a musical. Like Foot-tastic." "You can talk for a long time about nothing." "I certainly can, you charming man!
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Everyone mourns the first blossom, Who will weep for the rest that fall? I will remain to sing for you, Long after the spring has gone.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Because they are the knights of summer, and winter is coming.'' ''Lady Catelyn, you are wrong.'' Brienne regarded her with eyes as blue as her armor. ''Winter will never come for the likes of us. Should we die in battle, they will surely sing of us, and it's always summer in the songs. In the songs all knights are gallant, all maids are beautiful, and the sun is always shining.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Every song I write from here on out will be about Jack Henry. That's how our tale will go on and on forever—through my music. He will always be every song I sing
Georgia Cates (Beauty from Surrender (Beauty, #2))
Words can fall hard like a boulder loosed from a cliff. Words can drift unnoticed like a weed seed on a breeze. Words can sing.
Shannon Hale (Palace of Stone (Princess Academy, #2))
the bird sings as if to say that delight is easy, for those who desire it
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
The clothes are packed off to Goodwill I said my good-byes up on the hill The house is empty, the furniture sold Soon your smell will decay to mold Don't know why I bother calling, ain't nobody answering Don't know why I bother singing, ain't nobody listening "Disconnect" Collateral Damage, Track 10
Gayle Forman (Where She Went (If I Stay, #2))
Battle for the sake of honor may be a fine thing for bards to sing of, but it is no way to preserve one's homeland
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
And unless I'm remembering it wrong, mermaids don't sing and sirens don't swim." "Ariel sang in 'The Little Mermaid'," Corey said. Sam came over to join us. "Do I even want to know why you remember her name?
Kelley Armstrong (The Calling (Darkness Rising, #2))
Somewhere, someone knows the words to the songs you sing.
pleasefindthis (I Wrote This For You: Just the Words (I Wrote This For You #2))
A karaoke bar?" Mitch glared at him. "You dragged us to a karaoke bar?" "She didn't tell me it was karaoke." "You know it's bad enough having to listen to you guys howl all the time. But this...this may be asking too much. Dogs. Singing." Mitch turned to the bar and lashed Smitty with another glare. "And no goddamn liquor. You know, as per shifter law, I could legally kill you.
Shelly Laurenston (The Beast in Him (Pride, #2))
1. Write like you’ll live forever — fear is a bad editor. 2. Write like you’ll croak today — death is the best editor. 3. Fooling others is fun. Fooling yourself is a lethal mistake. 4. Pick one — fame or delight. 5. The archer knows the target. The poet knows the wastebasket. 6. Cunning and excess are your friends. 7. TV and liquor are your enemies. 8. Everything eternal happens in a spare room at 3 a.m. 9. You’re done when the crows sing.
Ron Dakron
In any serious relationship, if you don't gather your partner's opinion before making a decision that impacts you both, you're just storing up trouble for the future.
Cindy Woodsmall (The Christmas Singing (Apple Ridge #2))
I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.
Brooke Hampton
Celaena stared at the dark, tilled earth, a chill wind rustling her veil. Her chest ached, but this was the one last thing she had to do, the one last honor she could give her friend. Celaena tilted her head to the sky, closed her eyes, and began to sing.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
He has gone to a place I cannot find him. I cannot sing him home.
Alexandra Bracken (Sparks Rise (The Darkest Minds #2.5))
My peopole like to sing,” he informed her easily. “They like it best when they’re shitfaced.
Kristen Ashley (With Everything I Am (The Three, #2))
I will sing to you. As your ship burns and your soul flees, I will sing. To the contest we had.
Brandon Sanderson (Starsight (Skyward, #2))
Did you just call me a hottie? And Jax isn’t better looking than me. He’s just famous.” Amanda let out a loud cackle of laughter. “No brother dear, Jax Stone is hotness incarnate with or without the guitar and sexy as hell singing voice. You never stood a chance. He was what you call playing with the big dogs. This time you’re definitely playing within your league.
Abbi Glines (Because of Low (Sea Breeze, #2))
PEASEBLOSSOM A gloaming peace this evening with it brings In the countryside where we lay our scene Toad-ballad accompan'd, crickets sing, and cupcake crumbs make fairy hands unclean. An indignant Moth squeaked, "There were cupcakes?!
Lisa Mantchev (Perchance to Dream (Théâtre Illuminata, #2))
He's really sweet, actually." "I don't think we're talking about the same Sed. Sedric Lionheart. Tall guy. Broad shoulders. Blue eyes. Short black hair. Body befitting a Greek god. Sings. La la la la.
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
When my hands can no longer make these hammers and strings play for you, my heart will always sing to you.
Karen Quan (Write like no one is reading 2)
Then I could not help wondering what the watching gods thought of us, with our clever masks and our jokes. What we think of crickets, perhaps, whose singing we hear with pleasure, though some of us smash them with our heels when they venture into sight.
Gene Wolfe (Latro in the Mist)
And then we’ll go out, Piglet, and sing my song to Eeyore.” “Which song, Pooh?” “The one we’re going to sing to Eeyore,” explained Pooh.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
The wolf who sings alone is not happy.
Tamora Pierce (Wolf-Speaker (The Immortals, #2))
Interesting choice," Sullivan said. He slid his gaze over to Paul, who was drumming his fingers on the table in a manic, caffeine-inspired way and blinking a lot. Paul wasn't out-and-out singing along with the king of the dead, but he might as well have put out a big neon sign saying "How's My Driving? Ask Me About My Nerves: 1-800-WIG-N-OUT." --James
Maggie Stiefvater (Ballad: A Gathering of Faerie (Books of Faerie, #2))
To course across more kindly waters now my talent's little vessel lifts her sails, leaving behind herself a sea so cruel; and what I sing will be that second kingdom, in which the human soul is cleansed of sin, becoming worthy of ascent to Heaven.
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
He looked like you ripped his heart out of his chest, threw it to the ground, and stomped all over it while singing a jaunty tune.” Annwyl shrugged at Morfyd’s bemused expression. “I might have seen that look before on his brother.” “Perhaps when you stabbed our father?” Annwyl laughed. “No. Then he just looked proud.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
Fighting is better than this waiting,” Brienne said. “You don’t feel so helpless when you fight. You have a sword and a horse, sometimes an axe. When you’re armored it’s hard for anyone to hurt you.” “Knights die in battle,” Catelyn reminded her. Brienne looked at her with those blue and beautiful eyes. “As ladies die in childbed. No one sings songs about them.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
A mockingbird has moved into our neighborhood. It perches atop a telephone pole behind our backyard. Every morning it is the first thing I hear. It is impossible to be unhappy when listening to a mockingbird. So stuffed with songs it is, it can't seem to make up it's mind which to sing first, so it sings them all, a dozen different songs at once, in a dozen different voices. On and on it sings without a pause, so peppy, even frantic, as if its voice alone is keeping the world awake.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
As cheesy as this is gonna sound, everyone join hands." Alex looked from my face to our tangled fingers and smirked. "As much as I like this, I'm thinking now's not the time to sing 'Kumbaya'.
Jus Accardo (Toxic (Denazen, #2))
Because the birdsong might be pretty, But it’s not for you they sing, And if you think my winter is too cold, You don’t deserve my spring.” Erin Hanson
L.J. Shen (Ruckus (Sinners of Saint, #2))
I am yours, and so I will be your light and your laughter. I am yours, so open your eyes to look at me, and open your mouth so that I may kiss it. I am yours, I am yours, and nevermore will I leave.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
The Tower. He would come to the Dark Tower and there he would sing their names; there he would sing their names; there he would sing all their names. The sun stained the east a dusky rose, and at last Roland, no longer the last gunslinger but one of the last three, slept and dreamed his angry dreams through which there ran only that one soothing blue thread: There I will sing all their names!
Stephen King (The Drawing of the Three (The Dark Tower, #2))
A Pandava must be so precise and so skilled that they can separate a shadow from its host! They can grab the wind! They are as swift as - ' 'A river!,' shouted Aru. Mini hollered, ' With the force of a great typhoon!' 'With all the strength of a raging fiiiiire - ' sang Brynne. 'STOP SINGING MULAN!' shouted Boo.
Roshani Chokshi (Aru Shah and the Song of Death (Pandava, #2))
The supposition was that the difference in energy when n (or v) changes by one is therefore equal to hv, the product of the Planck constant and the vibration frequency was always derived using these pre-revolution mechanics. This was, of course, dependent on gravity having an effect on an atomic level, while acknowledging that it does not. Absurd right? But for a transition from level n to level n+ one due to absorption of a photon, the frequency of the photon has nothing to do with Planck…” “Atom, for god’s sake, stop it!” Hannah interrupts. “Stop? Stop what?” “Why do you do this to people?” Hannah says, causing Lylitte to laugh, and the older woman to look at Hannah curiously. “What he was going to eventually say is that we’re teaching the stem cells to sing their songs louder so that they harmonize and teach their melody to the host, once it’s introduced,” Billy explains.
Joseph A. Anderson (Eden 2:b (The Star Dreamers #1))
He sings to me at night and it makes my heart hurt. The way he looks at me, I feel like he’s trying to pull me apart and put me back together in an even better way.
Jay Crownover (Jet (Marked Men, #2))
Yeah,maybe later we can all sing a demon version of 'Kumbaya.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I sang to her. I sang every lullaby I could think of, and then I just started singing her Toby Keith songs. I think she really likes ‘I Love This Bar.’
Abbi Glines (One More Chance (Rosemary Beach, #8; Chance, #2))
A song that will remind me that even when I feel lost, the birds still sing, the moon still waxes and wanes, and the seasons still cycle.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him" The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
This is what happens when soul mates finally join as one. The stars align, the heavens sing, and everything else fades away. You know you’ll always have strength in your heart, and courage in your eyes.
Angela Richardson (Pieces of Truth (Pieces of Lies, #2))
I'll walk you to your room. I'll even sing you a lullaby . . . and maybe you could show me what makes you howl,” Connor said, a smile sliding across his mouth. “Hey!” Shay snapped out of his trance to glare at the Searcher. “Down, boy.” Connor laughed.
Andrea Cremer (Wolfsbane (Nightshade, #2; Nightshade World, #5))
Kiss the girl, already.” Johnson begins to sing. Badly. A cheesy tot hits his cheek, and he chucks a wing at Diaz in retaliation. It goes wide. “Isn’t that the song the little crab sings in The Lion King?” Dex asks. “It’s The Little Mermaid. And stop playing like you don’t know.
Kristen Callihan (The Friend Zone (Game On, #2))
The satisfying sound of bone giving way, as well as his outraged cry, made the you-had-it-coming-asshole angles sing.
J.A. Saare (The Renfield Syndrome (Rhiannon's Law, #2))
I'll sing you a song of the long ago - Seven shine the shiners, oh! What did the Seven do way back when? Why, they wove the Charter then! Five for the warp, from beginning to end. Two for the woof, to make and mend. That's Seven, but what of the Nine - What of the two who chose not to shine? The Eighth did hide, hide all away, But the Seven caught him and made him pay. The Ninth was strong and fought with might, But lone Orannis was put out of the light, Broken in two and buried under hill, For ever to lie there, wishing us ill.
Garth Nix (Lirael (Abhorsen, #2))
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
Francis Frangipane
When Cynthia smiles," said young Bingo, "the skies are blue; the world takes on a roseate hue; birds in the garden trill and sing, and Joy is king of everything, when Cynthia smiles." He coughed, changing gears. "When Cynthia frowns - " "What the devil are you talking about?" "I'm reading you my poem. The one I wrote to Cynthia last night. I'll go on, shall I?" "No!" "No?" "No. I haven't had my tea.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
She killed, for she was angry, and she did not eat what she killed, for she was heartsick.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
... He'd been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself. And the the song finished, its end as butal and sudden as Nehemia's death had been. She stood there a few moments, silent and unmoving.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The final days of training ends with our private sessions. (...) There's a lot of kidding about it at lunch. What we might do. Sing, dance, strip, tell jokes. Mags, who I can understand a little better now, decides she's just going to take a nap.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Some pieces will sing to your present, others may echo of your past, and the rest could whisper of your future.
Lang Leav (Lullabies)
i. drive the scenic route. ii. take more self-care days. iii. sing, even if it’s off-key. iv. make time for your passions. v. let yourself feel joy. -don’t waste a single moment.
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
Faith is the bird that feels the light and sings when the dawn is still dark.” As long as you have the books, you’ll always have that light. —
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
A burst of harmony so brilliant that it almost overwhelmed them surrounded Meg, the cherubim, Calvin, and Mr. Jenkins. But after a moment of breathlessness, Meg was able to open herself to the song of the farae, these strange creatures who were Deepened, rooted, yet never seperated from each other, no matter how great the distance. We are the song of the universe. We sing with the angelic host. We are musicians. The farae and the stars are the singers. Our song orders the rhythm of creation.
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
Pure truth," I said. "You are my bright penny by the roadside. You are worth more than salt or the moon on a long night of walking. You are sweet wine in my mouth, a song in my throat, and laughter in my heart. [...] "You are too good for me," I said, "You are a luxury I cannot afford. Despite this, I insist you come with me today. I will buy you dinner and spend hours waxing rhapsodic over the vast landscape of wonder that is you." [...] "I will play you music. I will sing you songs. For the rest of the afternoon, the rest of the world cannot touch us.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
And yet suddenly, terribly, he wanted it again, the way it used to be, arms linked together, all drunk and singing beautifully into the night, with visions of death from the afternoon and dreams of death in the coming dawn, the night filled with a monstrous and temporary glittering joy, fat moments, thick seconds dropping like warm rain, jewel after jewel.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
The clerk is looking at me. His expression hasn't changed. What I want to do is punch a hole in the front of the desk, reach through, grab his balls, and make him sing The Mickey Mouse Club song. But these days, I'm working on the theory that killing everyone I don't like might be counterproductive. I'm learning to use my indoor voice like a big boy, so I smile back at the clerk.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
I think falling in love should come with a warning label: CAUTION—side effects may include sporadic singing in public (specifically Celine Dion covers), emotional intoxication, constant fool grinning, stomach flipping, eye twinkling, heart palpitations, sweaty hands, jittery feet, lack of sleep, giddiness, deep sighs of contentment, sexual fantasizing, uncontrollable bouts of happiness, and the need to help everyone else around you fall in love so they can experience this blissful state.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
How perfectly whimsical. I expect we’ll be roasting marshmallows over the fireplace and singing happy sing-alongs round about midnight, yes? Perhaps someone could point me in the direction of the dormitories.
G. Norman Lippert (James Potter and the Curse of the Gatekeeper (James Potter, #2))
You’re s-singing.” Sniffling, she clung to my chest. “‘Here Comes the Sun.’” I was singing. I was doing whatever I could to make this better for her. “That’s m-my Granda Murphy’s s-song,” she hiccupped. “You remember me t-telling you t-that?” “Yeah.” I remembered her telling me about her grandfather singing this song to her when she was frightened, and it was all I could do in this moment.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
Right,' he said, sitting on Harry's ankles, 'here is your singing Valentine: His eyes are as green as a fresh pickled toad, His hair is as dark as a blackboard. I wish he was mine, he's really divine, The hero who conquered the Dark Lord.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I’ve always loved tales of broken lovers who roam through countrysides singing their stories of woe and separation, their honey- sweet longing for the next life when they can suddenly be re united. It makes other people happy, you see. It makes people grateful that it hasn’t happened to them.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
I understand. There is the journey you make through the world—the one that aches and sings. We come together with others to make our way and survive its trials,” she said. “But we are, all of us, also wayfarers on a greater journey, this one without end, each of us searching for the answers to the unspoken questions of our hearts. Take comfort, as I have, in knowing that, while we must travel it alone, this journey rewards goodness, and will prove that the things which are denied to us in life will never create a cage for our souls.” Nicholas
Alexandra Bracken (Wayfarer (Passenger, #2))
the smell of resin filled the air. A thrush was singing somewhere. Late harebells were thick among the grass, and small blue butterflies moved over the white flowers of the blackberry. There was a hive of wild bees under the roof of the chapel; their humming filled the air, the sound of summer’s end. Through
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I look forward to sleeping each night. The air is cool and it often starts to rain around 2:00 A.M., breaking the heat and singing me to sleep. And I drink my tequila as if I'd be letting you down if I didn't.
Bill Callahan (Letters to Emma Bowlcut)
What makes you feel alive? Singing like no one’s listening. Dancing like no one’s watching. Eating like calories don’t exist.
L.J. Shen (Ruckus (Sinners of Saint, #2))
When I pick songs for karaoke, I have three concerns: (1) What will this song say about me? (2) How will I sound singing it? and (3) How will it make people feel?
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Orpheus 2 He has been trying to sing Love into existence again And he has failed.
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
New start or not, there was a line to be drawn, and that line was singing musicals to yourself as serious psychological motivation.
Maureen Johnson (Scarlett Fever (Scarlett, #2))
I'll sing forever and never hear a word.
Cody McFadyen (The Face of Death (Smoky Barrett, #2))
Blood in the water I sing, and one who shed it: deadliest hunger I sing, and one who fed it- weaving the ancient-most tale of the Sea's sending: singing the tragedy, singing the joy unending This is our shame- this is the whole Ocean's glory: this is the Song of the Twelve. Hark to the story! Hearken, and bring it to pass: swift lest the sorrow long ago laid to it's rest devour us tomarrow!
Diane Duane (Deep Wizardry (Young Wizards, #2))
I take you to be my best friend, my lover, my husband, and the father of our children. I will cherish our union and love you more each day than I did the day before. I will trust you and respect you, laugh with you and cry with you, loving you faithfully through good times and bad, regardless of the obstacles we may face together. I give you my hand, my heart, and my love from this day forward, for as long as we both shall live. You will always be every song I sing.
Georgia Cates (Beauty from Surrender (Beauty, #2))
Dear Pliny,” Sevro sings over the com. If your heart beats like a drum, and your leg’s a little wet, it’s ’cause the Reaper’s come to collect a little debt. He sings this three times until Ragnar throws a table into the console. Sparks shower out. Sevro looks up slowly at the table hanging over his head. It missed by inches. He wheels around. “What the gorypissandshit is your damage, you overreacting mountain troll!” “Rhyming … nnnngh.” Ragnar makes an uncomfortable groaning sound. “You found him,” Mustang mutters as we share a look. “Which one?” I ask as Sevro curses the Stained out in every compound manner he knows. Adding the crux for good measure. “You squawk like a … like a chicken,” Ragnar says
Pierce Brown (Golden Son (Red Rising Saga, #2))
I will share every meal that I ever have with you. I will let you eat first from every dish and drink first from every cup.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
The sunset was spectacular, and they were safe in the minibus with the students from Estonia who were on their way to Salzburg for the Sound of Music tour. Jonah sat up front with girls and led a sing-along. Who would have guessed that the hip-hop star knew all the words to "Climb Ev'ry Mountain"?
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
The Field of Mars, June, death, life, white nights, Dasha, Dimitri, the all came… And went. But there Alexander still was, standing on that street, on that curb, in the sun, looking at her under the elms, looking at provenance across from him provenance in a white dress with red roses, licking her ice cream with red lips, singing. His and only his for one hundred minutes, blink of an eye and gone. It all was.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
In the past the whales had been able to sing to each other across whole oceans, even from one ocean to another because sound travels such huge distances underwater. But now, again because of the way in which sound travels, there is no part of the ocean that is not constantly jangling with the hubbub of ships’ motors, through which it is now virtually impossible for the whales to hear each other’s songs or messages. So fucking what, is pretty much the way that people tend to view this problem, and understandably so, thought Dirk. After all, who wants to hear a bunch of fat fish, oh all right, mammals, burping at each other? But for a moment Dirk had a sense of infinite loss and sadness that somewhere amongst the frenzy of information noise that daily rattled the lives of men he thought he might have heard a few notes that denoted the movements of gods.
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
The pain of your loss will return. Less, but still considerable. I know you've worked hard to release it, but it can still take hold of you. I will help you sing away the fury, but I will not bear it for you.
Alex Bledsoe (Wisp of a Thing (Tufa, #2))
A flame that burns twice as bright lasts half as long.” “You remind me of that flame Firebrand,” Riley murmured. “You burn so hot, and so bright, you set everything around you on fire. Just be careful that the people around you don’t get singed,” he said in a low voice. “Or that you don’t burn too hot, too quickly. The brightest flames are usually the ones that are extinguished first.
Julie Kagawa (Rogue (Talon, #2))
Bush put both arms round Hornblower’s shoulders and walked with dragging feet. It did not matter that his feet dragged and his legs would not function while he had this support; Hornblower was the best man in the world and Bush could announce it by singing ‘For He’s a Jolly Good Fellow’ while lurching along the alleyway.
C.S. Forester (Lieutenant Hornblower (Hornblower Saga: Chronological Order, #2))
...and her smile would make my heart sing, and I wasn't listening to the song.
Sara Desai (The Dating Plan (Marriage Game, #2))
The buzzer sounded and Neil felt it sing through every nerve in his body.
Nora Sakavic (The Raven King (All for the Game, #2))
Every heart sings a song, incomplete, until another heart whispers back.  Those who wish to sing always find a song.  At the touch of a lover, everyone becomes a poet."  -Plato
Genna Rulon (Pieces for You (For You, #2))
The eighties are a sorely underrated decade in terms of musical composition. They don’t get nearly the respect they deserve. I try to use my platform in the world to bring attention to this travesty by singing eighties ballads whenever I get the chance.
Emma Chase (Royally Matched (Royally, #2))
So we wait?” asked Severard. “We wait, and we look to our defences. That and we try to find some money. Do you have any cash, Severard?” “I did have some. I gave it to a girl, down in the slums.” “Ah. Shame.” “Not really, she fucks like a madman. I’d thoroughly recommend her, if you’re interested.” Glokta winced as his knee clicked. “What a thoroughly heartwarming tale, Severard, I never had you down for a romantic. I’d sing a ballad if I wasn’t so short of funds.” “I could ask around. How much are we talking about?” “Oh, not much. Say, half a million marks?” One of the Practical’s eyebrows went up sharply. He reached into his pocket, dug around for a moment, pulled his hand out and opened it. A few copper coins shone in his palm. “Twelve bits,” he said. “Twelve bits is all I can raise.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
And so you came to my house on the soft pads of a midwinter kitten, the whisper of your black tresses sweeping your heels, and so you came to my heart just as quietly. Why, then, did you make such a terrible noise when you let go of my hand and departed, a great trumpeting of horns, a great beating of drums?
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
She looks at her palm. It feels warmer. It feels as if it has touched something evil. And now the evil is calling. Now, evil feels attractive. Slowly, and ever so slowly, she brings her palm closer to her nose and takes a long, deep breath. Purpose … Remember your purpose—the whisper bells like the songs Meera sings every morning.
Misba (The Oldest Dance (Wisdom Revolution, #2))
I think there’s probably a controlling intelligence in the universe, a being that decided the rules, such as E = mc2, and the value of pi. But that being isn’t likely to care whether we sing its praise or not, I doubt whether its decisions can be manipulated by praying to a statue of the Virgin Mary, and I don’t believe it will organize special treatment for you on account of what you have around your neck.
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
I’m keeping my love story, not because it included both martyr and sacrifice, or because it’s the story I wanted, it’s because I would never rewrite it. And I would live it all over again just for the chance to sing with him.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Lay your head upon the snow," he sings, uncertain at first, but with more confidence as he loses himself in the lyrics. "Lay sorrow in the ice. For all that once was calm, sweet child, will belong to you tonight. Lay your heart upon the snow. Lay your tears in the ice. For all that once was still, sweet child, will belong to you tonight.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
Because after the haze of not being kissed cleared I was forced to face the facts that: 1. Jack was a very bad guy. 2. Jack had threatened Fred. 3. Just thinking that he was going to kiss me made me tingly everywhere 4. In a way no other guy had 5. And that was without our mouths even touching 6. Which meant that 7. If they did 8. Wooohoo baby! 9. Except that it did not matter 10. At all 11. Because he was plotting against fred 12. And I was complicit in whatever he planned if I didn't tell Mr. Curtis 13. And I was trapped in a boat with a woman singing showtunes.
Michele Jaffe (Bad Kitty (Bad Kitty, #1))
The way she moved, regardless if she knew it or not, was an enticement. She did nothing in particular; merely her existence made my blood thrum as if singing her praises. The night she’d stripped in front of me, I’d damn near fallen to my knees and begged for just a taste.
Amber V. Nicole (The Throne of Broken Gods (Gods & Monsters, #2))
Anyway, she sings like a mad tropical bird, and it's just a fondue of molten wanting and grieving and the sadness of the large naked swinging breasts and soft olive skin and everything that you wish you could remember and feel and know.
Nicholson Baker (Traveling Sprinkler (The Paul Chowder Chronicles #2))
Am I happy? All I can say is I guess so. That's pretty much the way it is with dreams.
Haruki Murakami (Hear the Wind Sing / Pinball, 1973 (The Rat, #1-2))
Aren’t all the best songs about a girl? It doesn’t matter if it’s metal, if it’s country, if it’s blues or rock and roll; all the songs that make us remember and make us want to sing along are about the best kind of girl, the kind you can’t live without but can’t ever get ahold of.
Jay Crownover (Jet (Marked Men, #2))
You guys know I love you, right?" I glance between them, knowing they'll freak, but it has to be said. They look at each other, exchanging a look of alarm, both of them wondering what could've possibly happened to the girl they once pegged as the Ice Queen. "Um, okay..." Haven says, shaking her head. But I just smile and grasp them both to me, squeezing them tightly as I whisper to Miles, "Whatever you do don't stop acting or singing, it's going to bring you great happiness." And before he can respond, I've moved on to Haven, knowing I have to get this over with and quick, so I can get Damen to Ava's, but determined to find a way to urge her to love herself more, and that Josh is worth hanging on to for however long it lasts. "You have so much value," I tell her. "So much to give--I just wish you could see how bright your star truly does shine." "Um, gag!" she says, laughing as she untangles herself from my grip. "Are you okay?
Alyson Noel (Blue Moon (The Immortals, #2))
I’ve had a lot of sucks in life A lot My parents died almost four years ago, right after I turned seven With every day that goes by I remember them less and less Like my mom…I remember that she used to sing. She was always happy, always dancing. Other than what I’ve seen of her in pictures, I don’t really remember what she looks like. Or what she smells like Or what she sounds like And my Dad I remember more things about him, but only because I thought he was the most amazing man in the world. He was smart. He knew the answer to everything. And he was strong. And he played the guitar. I used to love lying in bed at night, listening to the music coming from the living room. I miss that the most. His music. After they died, I went to live with my grandma and grandpaul. Don’t get me wrong…I love my grandparents. But I loved my home even more. It reminded me of them. Of my mom and dad. My brother had just started college the year they died. He knew how much I wanted to be home. He knew how much it meant to me, so he made it happen. I was only seven at the time, so I let him do it. I let him give up his entire life just so I could be home. Just so I wouldn’t be so sad. If I could do it all over again, I would have never let him take me. He deserved a shot, too. A shot at being young. But sometimes when you’re seven, the world isn’t in 3-D. So, I owe a lot to my brother. A lot of ‘thank you’d’ A lot of ‘I’m sorry’s’ A lot of ‘I love you’s’ I owe a lot to you, Will For making the sucks in my life a little less suckier And my sweet? My sweet is right now.
Colleen Hoover (Point of Retreat (Slammed, #2))
When I need his help, he turns into a sword and kills things. Sometimes he does this while I wield him. Other times he does this while flying around on his own and singing annoying pop songs. He is magical that way.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
This time we weren’t disturbed either by traveling through time or a cheeky gargoyle demon. While “Hallelujah” was running, the kiss was gentle and careful, but then Gideon buried both hands in my hair and held me very close. It wasn’t a gentle kiss anymore, and my reaction surprised me. I suddenly felt very soft and lightweight, and my arms went around Gideon’s neck of their own accord. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up and looked at his watch. “Like I said, it really is a shame I’m not allowed to kiss you anymore,” he remarked rather breathlessly. The pupils of his eyes looked huge, and his cheeks were definitely flushed. I wondered what I looked like myself. As I’d temporarily mutated into some kind of human blancmange, there was no way I could get out of my half-lying position. And I realized, with horror, that I had no idea how much time had passed since Bon Jovi stopped singing “Hallelujah.” Ten minutes? Half an hour? Anything was possible. Gideon looked at me, and I thought I saw something like bewilderment in his eyes. “We’d better collect our things,” he said at last. “And you need to do something about your hair—it looks as if some idiot has been digging both hands into it and dragging you down on a sofa. Whoever’s back there waiting for us will put two and two together—oh, my God, don’t look at me like that.” “Like what?” “As if you couldn’t move.” “But I can’t,” I said, perfectly seriously. “I’m a blancmange. You’ve turned me into blancmange.” A brief smile brightened Gideon’s face, and then he jumped up and began stowing my school things in my bag. “Come along, little blancmange. Stand up.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
My hear, if I have one, is a house of empty rooms and empty halls. My thoughts and footsteps echo. Sometimes I feel like a guest in the house of myself. But sometimes, someone’s footsteps cross my floor, and that is enough. These days, I luxuriate in my loneliness. I walk through my empty halls naked and singing.
Nina Varela (Iron Heart (Crier's War, #2))
Life 1.0”: life where both the hardware and software are evolved rather than designed. You and I, on the other hand, are examples of “Life 2.0”: life whose hardware is evolved, but whose software is largely designed. By your software, I mean all the algorithms and knowledge that you use to process the information from your senses and decide what to do—everything from the ability to recognize your friends when you see them to your ability to walk, read, write, calculate, sing and tell jokes.
Max Tegmark (Life 3.0: Being Human in the Age of Artificial Intelligence)
Always will my soul reach for yours.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
I couldn’t let myself depend on him getting me all hot and bothered so I could sing to the throb between my legs. I had no idea how much longer he’d drag me around by the panties, but it surely wouldn’t be long enough to make a career.
C.D. Reiss (Tease (Songs of Submission, #2))
What about Alys?” asked Wylan. Again Kaz shrugged. “No one is going to believe that girl had anything to do with a financial scheme. Alys will sue for divorce and probably move back in with her parents. She’ll cry for a week, sing for two, and then get over it. Maybe she’ll marry a prince.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Give me a hot coal glowing bright red, Give me an ember sizzling with heat, These are the jewels made from my beak. We fly between the flames and never get singed We plunge through the smoke and never cringe. The secrets of fire, its strange winds, its rages, We know it all as it rampages Through forests, through canyons, Up hillsides and down. We track it. We'll find it. Take coals by the pound. We'll yarp in the heart of the hottest flame Then bring back its coals an make them tame. For we are the colliers brave and beyond all We are the owls of the colliering chaw!
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
What part of his being hunched over a sheaf of papers was so interesting to her? Because that was all he had been doing all week. Perhaps he ought to liven up the spectacle. Really, it would be the kind thing to do. She had to be bored silly. He could jump on his desk and sing. Take a bite of food and pretend to choke. What would she do, then? Now that would be an interesting moral dilemma.
Julia Quinn (What Happens in London (Bevelstoke, #2))
We-when-we-are-Teixcalaan are known without singing...We-when-we-are-Teixcalaan are known with language only, and still clearly...Language is not so transparent... language is not so transparent, but we are sometimes known, even so. If we are lucky.
Arkady Martine (A Desolation Called Peace (Teixcalaan, #2))
Oh yes. Some people are just more . . . edible than others if you are a tiger.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
They lived well-fed until they were only bones, and then their bones were happy, turning white and sharp as teeth in the moonlight.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
I sit in the moon-viewing pavilion, the hem of my sleeves wet from tears, and I cannot see for the grief has stolen my eyes, and I cannot speak for the grief has stolen my tongue.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
The song of a Gypsy’s Pride: The tea leaves warned of blood and death. Four gypsy first-borns breathed the last breath. War! War! Beyond the double-dutch doors! Sing, sweet gypsies, who will be mistaken no more. Six gypsy families all stood nigh. Five gypsy families for one sacrifice. Four gypsy families broken apart. Three gypsy families turned cold of heart. Two gypsy families couldn’t back down. One gypsy family went underground. Forever is such a long time to bleed. Worst are the gypsies brought to their knees. Sing, gypsies, sing of your lies. Never trust a gypsy with no gypsy pride. Sing, gypsies, sing of your truths. The apples have all rotted; the oranges just bruised.
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
WORK, SOMETIMES I was sad all day, and why not. There I was, books piled on both sides of the table, paper stacked up, words falling off my tongue. The robins had been a long time singing, and now it was beginning to rain. What are we sure of? Happiness isn’t a town on a map, or an early arrival, or a job well done, but good work ongoing. Which is not likely to be the trifling around with a poem. Then it began raining hard, and the flowers in the yard were full of lively fragrance. You have had days like this, no doubt. And wasn’t it wonderful, finally, to leave the room? Ah, what a moment! As for myself, I swung the door open. And there was the wordless, singing world. And I ran for my life.
Mary Oliver (New and Selected Poems, Vol. 2)
So, our weapons are the Word used in various ways. We can pray the word, speak the word, sing the word, and study the word. As Paul tells us in 2 Corinthians, our weapons are not carnal (fleshly) weapons; they are spiritual. We need spiritual weapons because we are fighting master spirits, yes, even the devil himself. Even Jesus used the weapon of the Word in the wilderness to defeat the devil. (See Luke 4:1-13.) Each time the devil lied to Him, Jesus responded with, “It is written,” and quoted him the Word.
Joyce Meyer (Battlefield of the Mind (Enhanced Edition): Winning the Battle in Your Mind)
I was about to ask Alec how he was getting on with the dealf when I heard him singing. The fucker was not only good looking, but he could sing and sing really well. His choice of song caused my eyes to roll though. "Sex bomb, sex bomb, I'm a sex bomb-" "You're a sex bomb!" I corrected the lyric cutting him off as I went into the bathroom.
L.A. Casey (Alec (Slater Brothers, #2))
Part of their problem was Percy. He fought like a demon, whirling through the defenders’ ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic. Octavian screamed in a shrill voice—maybe ordering the First Cohort to stand their ground, maybe trying to sing soprano—but Percy put a stop to it. He somersaulted over a line of shields and slammed the butt of his sword into Octavian’s helmet. The centurion collapsed like a sock puppet. Frank
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Humming and singing my new song, I led them up and down the stairs, pressing my fingers against the wall like I was about to push it over; down to the lobby, where I stood in a pot plant; and finally into the alley behind the studio, where I jumped on top of the car that had brought us from the hotel, leaving dents in the roof so the car would remember me.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Your departure crashes like a thunder, and the timbers of the house shake with the force of the space you left behind.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
Her sound - dissonant, aching. Her breath and heartbeat and pulse are my new favorite symphony; I'm beginning to learn which notes will play when, and to interpret them. There is wrath and contentment and fear and desire - but she has never let the last get too far. Yet. The sun sings in her hair as her head tilts, dips toward the page. She arches forward, her shape slightly feline as she draws. My heart beats her name.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
We've dug our holes and hallowed caves Put goblin foes in shallow graves This day our work is just begun In the mines where silver rivers run Beneath the stone the metal gleams Torches shine on silver streams Beyond the eyes of he spying sun In the mines where silver rivers run The hammers chime on Mithral pure As dwarven mines in days of yore A craftsman's work is never done In the mines where silver rivers run To dwarven gods we sing or praise Put another orc in a shallow grave We know our work has just began In the mines where silver rivers run
R.A. Salvatore (Streams of Silver (Forgotten Realms: The Icewind Dale, #2; Legend of Drizzt, #5))
Everyone is so cheerful and happy,” I said “This isn’t Mister Rogers Neighborhood, Dex. It’s Miami. Only the bad guys are happy.” She looked at me without expression, a perfect cop stare. “How come you’re not laughing and singing?” “Unkind, Deb. Very unkind. I’ve been good for months.” She took a sip of water. “Uh-huh. And it’s making you crazy.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
Glenn used to say the reason you can't really imagine yourself being dead was that as soon as you say, "I'll be dead," you've said the word I, and so you're still alive inside the sentence. And that's how people got the idea of immortality of the soul - it was a consequence of grammar. And so was God, because as soon as there's a past tense, there has to be a past before the past, and you keep going back in time until you get to I don't know, and that's what God is. It's what you don't know - the dark, the hidden, the underside of the visible, and all because we have grammar, and grammar would be impossible without the FoxP2 gene; so God is a brain mutation, and that gene is the same one birds need for singing. So music is built in, Glenn said: It's knitted into us. It would be very hard to amputate it because it's an essential part of us, like water.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
Tell me, when he touches you, kisses you, does your skin sing for him? … Does your blood rush, your lips part just thinking about his kiss? Does your body vibrate when he’s close, remembering every orgasm he can wring from you?” I crossed the friendship line, sliding my fingers along her collarbone to rest inside her shirt, above her galloping heart. Her eyes flew open, and her lips parted … “Your heart doesn’t pound like this for him, does it?
Rebecca Yarros (Eyes Turned Skyward (Flight & Glory, #2))
I dinna like this, Rob,' said a Feegle. 'It's too quiet.' 'Aye, Slightly Sane Georgie, it is that-' 'You are my sunshine, my only su-' 'Daft Wullie!' snapped Rob, without taking his eyes off the strange landscape. The singing stopped. 'Aye, Rob?' said Daft Wullie from behind him. 'Ye ken I said I'd tell ye when ye wuz guilty o' stupid and inna-pro-pre-ate behavior?' 'Aye, Rob,' said Daft Wullie. 'That wuz another one o' those times, wuz it?' 'Aye.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
The more beautiful world my heart knows is possible is a world with a lot more pleasure: a lot more touch, a lot more lovemaking, a lot more hugging, a lot more deep gazing into each other’s eyes, a lot more fresh-ground tortillas and just-harvested tomatoes still warm from the sun, a lot more singing, a lot more dancing, a lot more timelessness, a lot more beauty in the built environment, a lot more pristine views, a lot more water fresh from the spring. Have you ever tasted real water, springing from the earth after a twenty-year journey through the mountain? None of these pleasures is very far away. None requires any new inventions, nor the subservience of the many to the few. Yet our society is destitute of them all. Our wealth, so-called, is a veil for our poverty, a substitute for what is missing. Because it cannot meet most of our true needs, it is an addictive substitute. No amount can ever be enough. Many of us already see through the superficial substitute pleasures we are offered. They are boring to us, or even revolting. We needn’t sacrifice pleasure to reject them. We need only sacrifice the habit, deeply ingrained, of choosing a lesser pleasure over a greater. Where does this habit come from? It is an essential strand of the world of separation, because most of the tasks that we must do to keep the world-devouring machine operating do not feel very good at all. To keep doing them, we must be trained to deny pleasure.
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
Thomas Merton expresses the need for this mystical imperative: The Christian’s vision of the world ought, by its very nature, to have in it something of poetic inspiration. Our faith ought to be capable of filling our hearts with a wonder and a wisdom which see beyond the surface of things and events, and grasp something of the inner and “sacred” meaning of the cosmos which, in all its movements and all its aspects, sings the praises of its Creator and Redeemer.2
Ilia Delio (From Teilhard to Omega: Co-creating an Unfinished Universe)
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Come along, Sally," she called out to her maid, who was lagging at least a dozen steps behind. "it's eraly," Sally moaned. "It's half seven," Olivia told her, holding steady for a few moments to allow Sally to catch up. "That's early." "Normally, I would agree with you, but as it happens I believe I am turning over a new leaf. Just see how lovely it is outside. The sun is shinning, there is music in the air..." "I hear no music," Sally grumbled. "Birds, Sally. The birds are singing." Sally remained unconvinced. "That leaf of yours - I don't suppose you'd consider turning it back over again?
Julia Quinn (What Happens in London (Bevelstoke, #2))
Call it the Human Mission-to be all and do all God sent us here to do. And notice-the mission to be fruitful and conquer and hold sway is given both to Adam and to Eve. 'And God said to them...' Eve is standing right there when God gives the world over to us. She has a vital role to play; she is a partner in this great adventure. All that human beings were intended to do here on earth-all the creativity and exploration, all the battle and rescue and nurture-we were intended to do together. In fact, not only is Eve needed, but she is desperately needed. When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him" The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
My eyes are open for always, my mouth is empty for always, and always will my soul reach for yours. In the land of the dead, there are only blackbirds, and I send this one to you, in the hopes that you remember me still. Light me a stick of incense, and so long as it burns, let me sit in the chamber outside your bedroom again. Until it goes out...Let me stay and be for you.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.
Stephen King (Doctor Sleep (The Shining, #2))
Nothing Here is Enough” I need a parrot, identical days, a quantity of needles, and artificial ink to make history. I need veiled eyelids, black lines, and ruined puppets to make geography. I need a sky wider than longing, and water that is not H2O to make wings. The days are no longer enough to distinguish the missing. I no longer see you because I no longer dream. I offer a tear to the rain as if scattering you in the Dead Sea, and in order to sing you, I need glass to muffle the sound.
Dunya Mikhail (The War Works Hard)
I've been through a bad time, Bertie, these last weeks. The sun ceased to shine - " "That's curious. We've had gorgeous weather in London." "The birds ceased to sing." "What birds?" "What the devil does it matter what birds?" said young BIngo, with some asperity. "Any birds. The birds round about here. You don't expect me to specify them by their pet names, do you? I tell you, Bertie, it hit me hard at first, very hard." "What hit you?" I simply couldn't follow the blighter. "Charlotte's calculated callousness.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
Nina bobo, ni ni bobo," he was singing in his deep, beautiful voice, an Indonesian lullaby, much older than Magnus himself. He rocked their child in his arms. Max was waving his hands as though to conduct the song, or to catch the firefly-bright and cobalt-blue sparks of magic floating around the room. Magnus was smiling down at Max, a small, tender, and impossibly sweet smile, even as he sang. Alec meant to let them be and return to bed, but Magnus paused in his song and tossed Alec a glance as though he knew he'd been watching. Alec leaned in the doorway of the bedroom, resting his hand over his head against the doorframe. "Is that your bapak?" he said to Max. After some consideration, Max said, "Bapak." The look Magnus gave Alec was golden as a coin, as Nephilim wedding cloth, as the morning light through the windows of home.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
An intellectual is usually someone who isn't exactly distinguished by his intellect," Corelli asserted. "he claims that label to compensate for his inadequacies. It's as old as that saying : "Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual. Once again, it's all the work of nature. Far from being the sylph to whom poets sing, nature is a cruel, voracious mother who needs to feed on the creatures she gives birth to in order to stay alive.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’ ‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?
Cornelia Funke (Inkspell (Inkworld, #2))
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
There are two different kinds of glee club in this world. The first sing barbershop favourites and Gershwin tunes, they swing gently, moving from side to side and sometimes clicking their fingers and winking. Howard could basically deal with that type. He had got through those occasions graced by glee clubs of that type. But these boys were not of that type. Swaying and clicking and winking were just how they got warmed up. Tonight this glee club had chosen as their opener ‘Pride (In the Name of Love)’ by U2, which they had taken the trouble to transform into a samba. They swayed, they clicked, they winked. They did coordinated spins. They switched places with each other. They moved forward, they moved back – always retaining their formation. They smiled the kind of smile you might employ when trying to convince a lunatic to quit holding a gun to your mother’s head.
Zadie Smith (On Beauty)
But I don't like it, okay? I don't like how everything is changing. It's like when you're a kid, you think that things like the holidays are meant to show you how things always stay the same, how you have the same celebration year after year, and that's why it's so special. But the older you get, the more you realize that, yes, there are all these things that link you to the past, and you're using the same words and singing the same songs that have always been there for you, but each time, things have shifted, and you have to deal with that shift. Because maybe you don't notice it every single day. Maybe it's only on days like today that you notice it a lot. And I know I'm supposed to be able to deal with that, but I'm not sure I can deal with that.--David Levithan (p. 201 in galley)
David Levithan (The Twelve Days of Dash & Lily (Dash & Lily, #2))
As the sun grew ripe and started to stop towards the horizon, Scholar Dieu read the poem, and as she did, it came to Ho Thi Thao how very beautiful she was. She has been beautiful in bed for three days, which was important, and she was beautiful now, when she was angry at having her way blocked. It came to Ho Thi Thao that perhaps she wanted to learn how else the scholar was beautiful, and even in what ways the scholar might be ugly, which could also be fascinating and beloved.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
I would give you a crown if I could,” he said. “I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn.” He reached into his pocket. “And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day.” She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they’d been singed. “You will wed a Taban sister who craves a crown,” she said. “Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I’m not the queen Ravka needs.” “And if you’re the queen I want?” She shut her eyes. “There’s a story my aunt told me a very long time ago. I can’t remember all of it, but I remember the way she described the hero: ‘He had a golden spirit.’ I loved those words. I made her read them again and again. When I was a little girl, I thought I had a golden spirit too, that it would light everything it touched, that it would make me beloved like a hero in a story.” She sat up, drew her knees in, wrapped her arms around them as if she could make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. “But that’s not who I am. Whatever is inside me is sharp and gray as the thorn wood.” She rose and dusted off her kefta. “I wasn’t born to be a bride. I was made to be a weapon.” Nikolai forced himself to smile. It wasn’t as if he’d offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he’d gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All Saints, it stung. “Well,” he said cheerfully, pushing up onto his elbows and looking up at her with all the wry humor he could muster. “Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won’t rule Ravka by my side, what does the future hold, General?” Zoya opened the door to the cargo hold. Light flooded in, gilding her features when she looked back at him. “I’ll fight on beside you. As your general. As your friend. Because whatever my failings, I know this: You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
She looped one side of the closed necklace around it, and in twisting, pulled the chain very tight around Father’s throat. “Now go to sleep,” she whispered, “in chasms deep, with darkness all around you . . .” A lullaby. Shallan spoke the song through her tears—the song he’d sung for her as a child, when she was frightened. Red blood speckled his face and covered her hands. “Though rock and dread may be your bed, so sleep my baby dear.” She felt his eyes on her. Her skin squirmed as she held the necklace tight. “Now comes the storm,” she whispered, “but you’ll be warm, the wind will rock your basket . . .” Shallan had to watch as his eyes bulged out, his face turning colors. His body trembling, straining, trying to move. The eyes looked to her, demanding, betrayed. Almost, Shallan could imagine that the storm’s howls were part of a nightmare. That soon she would awaken in terror, and Father would sing to her. As he’d done when she was a child . . . “The crystals fine . . . will glow sublime . . .” Father stopped moving. “And with a song . . . you’ll sleep . . . my baby dear.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
1) Did the people of Viet Nam use lanterns of stone? 2) Did they hold ceremonies to reverence the opening of buds? 3) Were they inclined to quiet laughter? 4) Did they use bone and ivory, jade and silver, for ornament? 5) Had they an epic poem? 6) Did they distinguish between speech and singing? 1) Sir, their light hearts turned to stone. It is not remembered whether in gardens stone lanterns illumined pleasant ways. 2) Perhaps they gathered once to delight in blossom, but after the children were killed there were no more buds. 3) Sir, laughter is bitter to the burned mouth. 4) A dream ago, perhaps. Ornament is for joy. All the bones were charred. 5) It is not remembered. Remember, most were peasants; their life was in rice and bamboo. When peaceful clouds were reflected in the paddies and the water buffalo stepped surely along terraces, maybe fathers told their sons old tales. When bombs smashed those mirrors there was time only to scream. 6) There is an echo yet of their speech which was like a song. It was reported their singing resembled the flight of moths in moonlight. Who can say? It is silent now.
Denise Levertov (Poems of Denise Levertov, 1960-1967)
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
Homer's Hymn to the Moon Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Daughters of Jove, whose voice is melody, Muses, who know and rule all minstrelsy Sing the wide-winged Moon! Around the earth, From her immortal head in Heaven shot forth, Far light is scattered—boundless glory springs; Where'er she spreads her many-beaming wings The lampless air glows round her golden crown. But when the Moon divine from Heaven is gone Under the sea, her beams within abide, Till, bathing her bright limbs in Ocean's tide, Clothing her form in garments glittering far, And having yoked to her immortal car The beam-invested steeds whose necks on high Curve back, she drives to a remoter sky A western Crescent, borne impetuously. Then is made full the circle of her light, And as she grows, her beams more bright and bright Are poured from Heaven, where she is hovering then, A wonder and a sign to mortal men. The Son of Saturn with this glorious Power Mingled in love and sleep—to whom she bore Pandeia, a bright maid of beauty rare Among the Gods, whose lives eternal are. Hail Queen, great Moon, white-armed Divinity, Fair-haired and favourable! thus with thee My song beginning, by its music sweet Shall make immortal many a glorious feat Of demigods, with lovely lips, so well Which minstrels, servants of the Muses, tell.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
The first truth about mortals is that none of us wants to die, but all of us are going to. It’s in the name – mortals – the dying ones. If you don’t understand that bit, you won’t understand the rest of it. Here you are, some 5-hundred years old and you haven’t yet figured out something that a 3 year old human is starting to understand. You see, as soon as we can even think, our brains are wrapping themselves around that One Truth, that one offensive, undeniable, irrevocable Truth. The rest of our existence grows up in the shadow of a dead leaning tree, which will at one point in the not unimaginable future fall and crush all that has grown up beneath it… …Rescue them for what? Why from dying! Does that mean they won’t die? No, it just means they won’t die today. At best, we’re talking about delaying the inevitable death sentence laid on our friends. Now how does this particular truth strike you, Mister Immortal…? …And why? Why not merely stand now and fall sooner rather than later? Because there is something precious and sacred about rearguard action. It’s an active retreat that’s been repeated valiantly and ceaselessly from the beginning of mortal time. It just seems wrong to give up. It seems invalid and invalorous. More importantly, it’s indecent to simply lie down and be overrun… …Instead we rage against it and sing our defiance through bloodied teeth. Somehow, in our pointless battle, we find moments for compassion and passion and love. Yes, love. What other reason would a mortal creature have for descending into the Abyss of Gehenna to rescue another mortal soul, sentenced to return in time to that very place, except that that soul is... his beloved, whose very existence is what makes him fight rather than lie down, is what makes him absurdly threaten an immortal creature so beyond him in strength and power and knowledge and years. Love is what makes him hold a hand up to strike an immortal being who will not even feel the blow, but will strike back with lightning fingers rather than fingers of flesh… …If you immortals have so much time, you’d think you could spend some time of it listening to mad mortals rather than always interrupting!
J. Robert King (Abyssal Warriors (Planescape: Blood Wars, #2))
Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun. "My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old. "So it would!" answered Dr. Alec, delightedly. "So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge. If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.
Louisa May Alcott (Rose in Bloom (Eight Cousins, #2))
The starting point of all achievement is DESIRE. Keep this constantly in mind. Weak desire brings weak results, just as a small fire makes a small amount of heat.” ― Napoleon Hill, Think and Grow Rich: The Landmark Bestseller Now Revised and Updated for the 21st Century 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면 좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 현재까지 많은단골분들 모시고있구요 단골분들 추천으로구입하시는분들에게는 저희가 사은품 넉넉히 챙겨드리고있습니다 Laugh, even when you feel too sick or too worn out or tired. Smile, even when you're trying not to cry and the tears are blurring your vision. Sing, even when people stare at you and tell you your voice is crappy. Trust, even when your heart begs you not to. Twirl, even when your mind makes no sense of what you see. Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring. Run, even when it feels like you can't run any more. And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started. ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 카톡【ACD5】 ♥경영항목♥ 수면제,여성최음제,ghb센트립,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,99정,정력제,남성성기확대제,카마그라젤,비닉스,센돔,남성조루방지제,네노마정,등많은제품판매하고있습니다 The starting point of all achievement is DESIRE. Keep this constantly in mind. Weak desire brings weak results, just as a small fire makes a small amount of heat
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Mary Oliver
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
The Language of the Birds" 1 A man saw a bird and found him beautiful. The bird had a song inside him, and feathers. Sometimes the man felt like the bird and sometimes the man felt like a stone—solid, inevitable—but mostly he felt like a bird, or that there was a bird inside him, or that something inside him was like a bird fluttering. This went on for a long time. 2 A man saw a bird and wanted to paint it. The problem, if there was one, was simply a problem with the question. Why paint a bird? Why do anything at all? Not how, because hows are easy—series or sequence, one foot after the other—but existentially why bother, what does it solve? And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? We do. Anyone can. Blackbird, he says. So be it, indexed and normative. But it isn’t a bird, it’s a man in a bird suit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible. Unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the paint is like looking at a bird that isn’t there, with a song in its throat that you don’t want to hear but you paint anyway. The hand is a voice that can sing what the voice will not, and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. 3 They looked at the animals. They looked at the walls of the cave. This is earlier, these are different men. They painted in torchlight: red mostly, sometimes black—mammoth, lion, horse, bear—things on a wall, in profile or superimposed, dynamic and alert. They weren’t animals but they looked like animals, enough like animals to make it confusing, meant something but the meaning was slippery: it wasn’t there but it remained, looked like the thing but wasn’t the thing—was a second thing, following a second set of rules—and it was too late: their power over it was no longer absolute. What is alive and what isn’t and what should we do about it? Theories: about the nature of the thing. And of the soul. Because people die. The fear: that nothing survives. The greater fear: that something does. The night sky is vast and wide. They huddled closer, shoulder to shoulder, painted themselves in herds, all together and apart from the rest. They looked at the sky, and at the mud, and at their hands in the mud, and their dead friends in the mud. This went on for a long time. 4 To be a bird, or a flock of birds doing something together, one or many, starling or murmuration. To be a man on a hill, or all the men on all the hills, or half a man shivering in the flock of himself. These are some choices. The night sky is vast and wide. A man had two birds in his head—not in his throat, not in his chest—and the birds would sing all day never stopping. The man thought to himself, One of these birds is not my bird. The birds agreed.
Richard Siken (War of the Foxes)
Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment. "You are right, Heidi; it is a beautiful tale," he replied, but he looked so grave as he said it that Heidi grew silent herself and sat looking quietly at her pictures. Presently she pushed her book gently in front of him and said, "See how happy he is there," and she pointed with her finger to the figure of the returned prodigal, who was standing by his father clad in fresh raiment as one of his own sons again. A few hours later, as Heidi lay fast asleep in her bed, the grandfather went up the ladder and put his lamp down near her bed so that the light fell on the sleeping child. Her hands were still folded as if she had fallen asleep saying her prayers, an expression of peace and trust lay on the little face, and something in it seemed to appeal to the grandfather, for he stood a long time gazing down at her without speaking. At last he too folded his hands, and with bowed head said in a low voice, "Father, I have sinned against heaven and before thee and am not worthy to be called thy son." And two large tears rolled down the old man's cheeks. Early the next morning he stood in front of his hut and gazed quietly around him. The fresh bright morning sun lay on mountain and valley. The sound of a few early bells rang up from the valley, and the birds were singing their morning song in the fir trees. He stepped back into the hut and called up, "Come along, Heidi! the sun is up! Put on your best frock, for we are going to church together!" Heidi was not long getting ready; it was such an unusual summons from her grandfather that she must make haste. She put on her smart Frankfurt dress and soon went down, but when she saw her grandfather she stood still, gazing at him in astonishment. "Why, grandfather!" she exclaimed, "I never saw you look like that before! and the coat with the silver buttons! Oh, you do look nice in your Sunday coat!" The old man smiled and replied, "And you too; now come along!" He took Heidi's hand in his and together they walked down the mountain side. The bells were ringing in every direction now, sounding louder and fuller as they neared the valley, and Heidi listened to them with delight. "Hark at them, grandfather! it's like a great festival!" The congregation had already assembled and the singing had begun when Heidi and her grandfather entered the church at Dorfli and sat down at the back. But before the hymn was over every one was nudging his neighbor and whispering, "Do you see? Alm-Uncle is in church!" Soon everybody in the church knew of Alm-Uncle's presence, and the women kept on turning round to look and quite lost their place in the singing. But everybody became more attentive when the sermon began, for the preacher spoke with such warmth and thankfulness that those present felt the effect of his words, as if some great joy had come to them all.
Johanna Spyri (Heidi (Heidi, #1-2))
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)