Singing Bowl Quotes

We've searched our database for all the quotes and captions related to Singing Bowl. Here they are! All 68 of them:

Will sat where he was, gazing at the silver bowl in front of him; a white rose was floating in it, and he seemed prepared to stare at it until it went under. In the Kitchen Bridget was still singing one of her awful sad songs; the lyrics drifted in through the door: "Twas on an evening fair I went to take the air, I heard a maid making her moan; Said, 'Saw ye my father? Or ye my mother? Or saw ye my brother John? Or saw ye the lad that I love best, And his name it is Sweet William?" I may murder her, Tessa thought. Let her make a song about that.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
never trust a man who wears a pinkie ring. . . the only jewelry a guy should wear is a wedding band or a super bowl ring
Jodi Picoult (Sing You Home)
I was especially perceptive to all things beautiful that morning—raspberries in blue china bowls were enough to make the heart sing.
Irene Hunt (Up a Road Slowly)
When we can't find my sister, we know / she is under the kitchen table, a book in her hand, / a glass of milk and a small bowl of peanuts beside her. / We know we can call Odella's name out loud, / slap the table hard with our hands, / dance around it singing 'She'll Be Coming 'Round the Mountain' / so many times the song makes us sick / and the circling makes us dizzy / and still / my sister will do nothing more / than slowly turn the page.
Jacqueline Woodson (Brown Girl Dreaming) power to negative thoughts or fears was bringing ideas to life in physical world,idea in mind became emotion in heart,emotion turned into words spoken,written,painted,strummed across guitar strings,or vibrantly held note by Tibetan singing bowl, thoughts affected physical world.
Christina Westover (The Man Who Followed Jack Kerouac (The Man Who Followed Jack Kerouac, #1))
Archer’s eyes narrowed. “I can’t believe you two..” The whole time he was talking, I was singing “Don’t Cha” in my head, desperately trying not to think about the marriage, but one of us must’ve failed, because Archer’s mouth snapped shut, and he looked floored. Like someone just explained to him that you can have an endless salad bowl at Olive Garden.
Jennifer L. Armentrout (Origin (Lux, #4))
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
The most work he did on [the urinals] was to run a brush once or twice apiece, singing some song as loud as he could in time to the swishing brush; then he'd splash in some Clorox and he'd be through. ... And when the Big Nurse...came in to check McMurphy's cleaning assignment personally, she brought a little compact mirror and she held it under the rim of the bowls. She walked along shaking her head and saying, "Why, this is an outrage... an outrage..." at every bowl. McMurphy sidled right along beside her, winking down his nose and saying in answer, "No; that's a toilet bowl...a TOILET bowl.
Ken Kesey (One Flew Over the Cuckoo's Nest)
When icicles hang by the wall, And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp'd, and ways be foul, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot. When all aloud the wind doe blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot.
William Shakespeare (Love's Labour's Lost)
The public is fortunate. Everything pleases them: icecream cones, rock concerts, singing, swinging, love, hate, masturbation, hot dogs, country dances, Jesus Christ, roller skating, spiritualism, capitalism, communism, circumcision, comic strips, Bob Hope, skiing, fishing murder bowling debating, anything. They don’t expect much and they don’t get much. They are one grand gang.
Charles Bukowski (South of No North)
A lot of his songs, when they started out, sounded like old music. They arrived on his doorstep, wandering orphans, the lost children of large and venerable musical families. They came to him in the form of Tin Pan Alley sing-alongs, honky-tonk blues, Dust Bowl plaints, lost Chuck Berry riffs. Jude dressed them in black and taught them to scream.
Joe Hill (Heart-Shaped Box)
Rest you here, enchanter, while the light fades, Vision narrows, and the far Sky-edge is gone with the sun. Be content with the small spark Of the coal, the smell Of food, and the breath Of frost beyond the shut door. Home is here, and familiar things; A cup, a wooden bowl, a blanket, Prayer, a gift for the god, and sleep. (And music, says the harp, And music.) Rest here, enchanter, while the fire dies. In a breath, in an eyelid's fall, You will see them, the dreams; The sword and the young king, The white horse and the running water, The lit lamp and the boy smiling. Dreams, dreams, enchanter! Gone with the harp's echo when the strings Fall mute; with the flame's shadow when the fire Dies. Be still, and listen. Far on the black air Blows the great wind, rises The running tide, flows the clear river. Listen, enchanter, hear Through the black air and the singing air The music….
Mary Stewart
A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot On my bed, my green comforter draped over my knees like a lumpy turtle, I think about the Berlin Wall of years that separates us. In my own life, the years are beginning to stack up like a Guinness World Record’s pile of pancakes, yet I’m still searching for some kind of syrup to believe in. In the shadows of my pink sheet, I see your face, Desnos’ face, and two clock faces staring at each other. I see a gaping wound that ebbs rose petals, while a sweaty armpit holds an orchestra. Beethoven, maybe. A lover sings a capella, with the frothiness of a cappuccino. Starbucks, maybe. There’s an hourglass, too, and beneath the sands lie untapped oil reserves. I see Dali’s mustache, Magritte’s pipe, and bowling shoes, which leaves the question-- If you could time travel through a trumpet, would you find today and tomorrow too loud?
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
Everybody had his arms on everybody else’s shoulders, and they were all singing. Mike was sitting at the table with several men in their shirt-sleeves, eating from a bowl of tuna fish, chopped onions and vinegar. They were all drinking wine and mopping up the oil and vinegar with pieces of bread. “Hello, Jake. Hello!” Mike called. “Come here. I want you to meet my friends. We are all having an hors d’œuvre.
Ernest Hemingway (The Sun Also Rises)
We were singing ‘We Are the Champions’ for the twentieth time or so,” she said from the hospital in Bowling Green, where most of the survivors were taken.
Stephen King (The Bazaar of Bad Dreams)
Momma, always self-conscious at public displays of emotions not traceable to a religious source, told me to come with her and we'd bring the bread and bowls.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
I was talking out of my arse at this point. My explanation sounded artsy-fartsy at best and delusional mumbo jumbo at worst, but that was the beauty of being a musician. No one could dispute your process, even if it essentially involved sitting on a Chinese takeout joint’s rooftop, stark naked, balancing a fruit bowl on your head while singing “We Are the World”—
L.J. Shen (Midnight Blue)
She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles. Leonie kill things.
Jesmyn Ward (Sing, Unburied, Sing)
She went to the church to sit in the cave of stone, filled with the voices of strangers. Murmurs coming through the air, bowling in the ceiling and sifting down with the speckled greens and blues, the deep dark red of the stained glass at the end of the nave. She sat in the hard wooden pew and waited for the hymns. And when the singing started, she could weep. She went to the church to open her mouth and feel her heart again, constricted, struggling, banging against her throat, the tears there in the place of words, her voice struggling out in the vast air, stopped by grief.
Sarah Blake (The Guest Book)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Your hair grows by itself, your heart beats by itself, and your breath happens pretty much by itself. Your glands secrete the essences by themselves and you do not have voluntary control over these things, and so we say they happen spontaneously. So, when you go to bed and try to go to sleep you interfere with the spontaneous process of going to sleep. If you try to breathe real hard you will find you get balled-up in your breathing. So if you are to be human, you just have to trust yourself to go to sleep, to digest your food, and to have bowel movements. Of course if something goes seriously wrong and you need a surgeon that is another matter, but by and large the healthy human being does not from the start of life need surgical interference. One lets it happen by itself, and so with the whole picture that is fundamental to it. You have to let go and let it happen, because if you don’t then you are constantly going to be trying to do what happens easily only if you do not try. When you think a bit about what people really want to do with their time, and you ask what they do when they are not being pushed around or somebody is telling them what to do, you find they like to make rhythms. They listen to music and they dance or they sing, or perhaps they do something of a rhythmic nature like playing cards, bowling, or raising their elbows. Given the chance, everybody wants to spend their time swinging.
Alan W. Watts (The Tao of Philosophy (Alan Watts Love of Wisdom))
in his twenties, he had thought of drugs the way he thought of desserts, which he also loved: a consumable that had been forbidden to him as a child and which was now freely available. Doing drugs, like having post-dinner snacks of cereal so throat-singeingly sweet that the leftover milk in the bowl could be slurped down like sugarcane juice, was a privilege of adulthood, one he intended to enjoy.
Hanya Yanagihara (A Little Life)
McCormack and Richard Tauber are singing by the bed There's a glass of punch below your feet and an angel at your head There's devils on each side of you with bottles in their hands You need one more drop of poison and you'll dream of foreign lands When you pissed yourself in Frankfurt and got syph down in Cologne And you heard the rattling death trains as you lay there all alone Frank Ryan brought you whiskey in a brothel in Madrid And you decked some fucking blackshirt who was cursing all the Yids At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair And in the Euston tavern you screamed it was your shout But they wouldn't give you service so you kicked the windows out They took you out into the street and kicked you in the brains So you walked back in through a bolted door and did it all again At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair You remember that foul evening when you heard the banshees howl There was lousy drunken bastards singing Billy in the Bowl They took you up to midnight mass and left you in the lurch So you dropped a button in the plate and spewed up in the church Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round" At the gravesite of Cuchulainn we'll kneel around and pray And God is in his heaven, and Billy's down by the bay "The Sick Bed of Cuchulainn
Shane MacGowan
The whole day of Bel Tine would be taken up with singing and dancing and feasting, with time out for footraces, and contests in almost everything. Prizes would be given not only in archery, but for the best with the sling, and the quarterstaff. There would be contests at solving riddles and puzzles, at the rope tug, and lifting and tossing weights, prizes for the best singer, the best dancer and the best fiddle player, for the quickest to shear a sheep, even the best at bowls, and at darts.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
A man reaches close and lifts a quarter from inside a girl’s ear, from her hands takes a dove she didn’t know was there. Which amazes more, you may wonder: the quarter’s serrated murmur against the thumb or the dove’s knuckled silence? That he found them, or that she never had, or that in Portugal, this same half-stopped moment, it’s almost dawn, and a woman in a wheelchair is singing a fado that puts every life in the room on one pan of a scale, itself on the other, and the copper bowls balance.
Jane Hirshfield (Poetry Magazine September 2012)
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014
Saijo Yaso
Lhasa The sage blue sky awakens before the earth which slumbers a bit longer to still the chill of her bones and dream until the sun peeks hot through her cragged peaks bestirring weary monks to the swirl of their yak butter tea. Monks meditate upon this whorl which echoes the birth of galaxies, the twist of DNA, the curlicue of hair at the back of an infant’s head, eddying clockwise like Buddha’s journey, winding like a prayer wheel, in the resonance ofinterconnection. Bells tinkle, bowls sing, incense suffuses hints of heaven, rainbows of Jingfan prayer flags clap wildly in the wind, waving me to my quest, to surge forward, to trek to higher and higher ground -- to the rarefied air that is my mind.
Beryl Dov
Tibetan Dreams The sage blue sky awakens before the earth which slumbers a bit longer to still the chill of her bones and dream until the sun peeks hot through her cragged peaks bestirring weary monks to the swirl of their yak butter tea. Monks meditate upon this whorl which echoes the birth of galaxies, the twist of DNA, the curlicue of hair at the back of an infant’s head, eddying clockwise like Buddha’s journey, winding like a prayer wheel, in the resonance ofinterconnection. Bells tinkle, bowls sing, incense suffuses hints of heaven, rainbows of Jingfan prayer flags clap wildly in the wind, waving me to my quest, to surge forward, to trek to higher and higher ground -- to the rarefied air that is my mind.
Beryl Dov
Charlie Pop is 15 years old. He has 2 dogs: Bruno and Rex. He lives with his parents Kath and Ron. Today is the 22nd April 2025. Charlie and his friends have been going to the Landfawcett space bowling club all their lives. Charlie’s friends are called Harry Em, Eric Tweet, Paul Key, Robert Storm, Chris Leaf, Jay Laugh, Darren Rain and Tom Breeze. They all have short hair and dress casually especially Ben Steps and George Sing. Jake Train is the cleverest of them all. He has invented a secret waterproof wireless finger camera that takes photographs; it is attached to Charlie and his friend’s fingers. Rex and Bruno have a camera attached to the fur on their heads. Images are shared with each other from the app recording onto their phones and laptops. It is their space bowling tournament today.
Anita Kirk (In a Quarter of a Second)
But now, sitting on this airplane on my way back to the life I went on to fashion after she left, I think of her differently. I see her so many ways: sitting back on her heels at the side of the bathtub, singing softly as she washes Sharla and my backs; watching at the window for the six o’clock arrival of our father; wrapping Christmas presents on the wide expanse of her bed; biting her lip as she stood before the open cupboards, making out the grocery list; leaning out the kitchen window that last summer to call Sharla and me in for supper. Most clearly, though, I see her sitting at the kitchen table, in her old, usual spot. There is a cup of coffee before her, but she doesn’t drink it. Instead, she stares out the window. I see the sharp angle of her cheekbone, the beautiful whitish down at the side of face, illuminated by the sun. Her hands are quiet, resting in the cloth bowl of her apron. She sits still as a statue - waiting, I can see now; she was always waiting. -What We Keep
Elizabeth Berg
Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, “What is happening?” for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt. The light came on, and Miss Tanner said in a furry voice, “Hear that? They’re celebrating . It’s the Armistice. The war is over, my dear.” Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, “My country, ’tis of thee…” Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, “Sweet land of Liberty-” “Oh, say, can you see?” their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. “The war is over,” said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, “Please open the window, please, I smell death in here.
Katherine Anne Porter (Pale Horse, Pale Rider)
To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Mary Oliver
My husband, Eric, has a joke he likes to say: “Ask Jessica to sing about Jesus or America, and she’ll be there. Super Bowl, backyard cookout, whatever you got, she’s coming to sing ‘God Bless America.’ ” And he’s right. Growing up in Texas, I sang that song over and over. From Memorial Day parades to Veteran’s Day pancake breakfasts—I was your girl. When I sang it at the East Room of the White House, I finally found out I had been flubbing the lyrics all those years. I was there to kick off the USO holiday tour for troops fighting in Afghanistan. It was the first time they let celebrities in after 9/11, because, well, they were busy. It was surreal to hear President Bush speak, thanking the chairman of the Joint Chiefs of Staff for his service, the transportation secretary for keeping the airlines safe. And then he added, “I want to thank Rob Schneider and Jessica Simpson as well.” They asked me to sing “God Bless America,” and I gave it my all. President Bush was in the front row, right next to Laura, and I watched him quietly sing along, his mouth moving along with mine. Something went wrong after we got to the mountains, though. I said, “to the rivers,” just like I always did, and, well, he knew it was “the prairies.” I was so embarrassed that I apologized to him and Mrs. Bush after. “I swear all this time I thought it was rivers!” I said. “That’s okay, Jessica,” he said. “God blessed the rivers, too.
Jessica Simpson (Open Book)
But wait. My eyes are almost burned by what I see. There’s a bowl in front of me that wasn’t there before. A brown button bowl and in it some apricots, some small oranges, some nuts, cherries, a banana. The fruits, the colours, mesmerize me in a quiet rapture that spins through my head. I am entranced by colour. I lift an orange into the flat filthy palm of my hand and feel and smell and lick it. The colour orange, the colour, the colour, my God the colour orange. Before me is a feast of colour. I feel myself begin to dance, slowly, I am intoxicated by colour. I feel the colour in a quiet somnambulant rage. Such wonder, such absolute wonder in such an insignificant fruit. I cannot. I will not eat this fruit. I sit in quiet joy, so complete, beyond the meaning of joy. My soul finds its own completeness in that bowl of colour. The forms of each fruit. The shape and curl and bend all so rich, so perfect. I want to bow before it. Loving that blazing, roaring, orange colour ... Everything meeting in a moment of colour and form, my rapture no longer abstract euphoria. It is there in that tiny bowl, the world recreated in that broken bowl. I feel the smell of each fruit leaping into me and lifting me and carrying me away. I am drunk with something that I understand but cannot explain. I am filled with a sense of love. I am filled and satiated by it. What I have waited and longed for has without my knowing come to me, and taken all of me. For days I sit in a kind of dreamy lethargy, in part contemplation and in part worship. The walls seem to be singing. I focus all of my attention on the bowl of fruit. At times I fondle the fruits, at times I rearrange them, but I cannot eat them. I cannot hold the ecstasy of the moment and its passionate intensity. It seems to drift slowly from me as the place in which I am being held comes back to remind me of where I am and of my condition. But my containment does not oppress me. I sit and look at the walls but now this room seems so expansive, it seems I can push the walls away from me. I can reach out and touch them from where I sit and yet they are so far from me.
Brian Keenan (An Evil Cradling)
Taking the bowl in his hands, he turned it as he read aloud, “Lord our God, hear my prayer, the prayer of my heart.” Looking up, he held my gaze a moment before continuing. “Bless the largeness inside me, no matter how I fear it. Bless my reed pens and my inks. Bless the words I write. May they be beautiful in your sight. May they be visible to eyes not yet born. When I am dust, sing these words over my bones: she was a voice.
Sue Monk Kidd (The Book of Longings)
The drink in their drinking-bowls seemed to be clear cold water, yet it went to their hearts like wine and set free their voices. The guests became suddenly aware that they were singing merrily, as if it was easier and more natural than talking.
J.R.R. Tolkien
At work one must behave according to the expectations for one’s role, and be a competent mechanic, a sober judge, a deferent waiter. At home one has to be a caring mother or a respectful son. And in between, on the bus or the subway, one has to turn an impassive face to the world. It is only with friends that most people feel they can let their hair down and be themselves. Because we choose friends who share our ultimate goals, these are the people with whom we can sing, dance, share jokes, or go bowling. It is in the company of friends that we can most clearly experience the freedom of the self and learn who we really are.
Mihaly Csikszentmihalyi (Flow: The Psychology of Optimal Experience)
Makes 4 to 6 servings 6 tablespoons (90 g) margarine or butter, melted About 11/2 cups (375 ml) buttermilk 11/2 cups (200 g) all-purpose flour 2 teaspoons (10 g) coarse salt 1 teaspoon (5 g) ground black pepper 1 cup (125 g) crushed cornflakes 1/2 teaspoon (2.5 ml) poultry seasoning, or dried thyme and/or sage One 31/2-pound chicken, cut into 8 to 10 pieces (about 1.5 kg) 1 tablespoon (8 g) paprika, for dusting Preheat the oven to 375°F (190°C). Using about 2 tablespoons (30 ml) of the margarine, coat the bottom of a roasting pan or a baking dish large enough to hold the chicken pieces in one layer without touching. Place the buttermilk in a shallow bowl or dish. In another bowl, mix the flour, salt, pepper, cornflakes, and poultry seasoning. Dip each chicken piece into the buttermilk. Shake off the excess and roll in the flour mixture to coat. Place the chicken pieces in the prepared roasting pan, skin side up. Drizzle the rest of the margarine evenly over the chicken. Dust the chicken liberally with paprika. Put the roasting pan on the middle rack of the oven, uncovered. Bake for about 1 hour, until the chicken is golden and cooked through. (Small pieces may be done at 45 minutes, so check.) To confirm, push an instant-read thermometer into a meaty section; it should register at least 165°F (74°C). Serve warm. Leftovers reheat nicely in a toaster oven. CHAPTER 2 The Farm on Coldwater Road
Kathleen Flinn (Burnt Toast Makes You Sing Good: A Memoir of Food and Love from an American Midwest Family)
Why water more wine in the great bowl? Why do you drown your gullet in grape? I cannot let you spill out your life on song and drink. Let us go to sea, and not let the wintry calm of morning slip by as a drunken sleep. Had we boarded at dawn, seized rudder and spun the flapping crossjack into the wind, we would be happy now, happy as swimming in grape. But you draped a lazy arm on my shoulder, saying: 'Sir, a pillow, your singing does not lead me to ships'.
The smell of the seasons The taste of your food The feeling of cool wind on your cheek The beautiful flight of a single plastic disc The sound of chains ring Like Tibetan singing bowls Echoing through the woods This is heaven
Patrick McCormick (The Complete Zen Disc Golf: Contains two books: Zen & The Art of Disc Golf AND Discs & Zen PLUS A Bonus Chapter)
Often the pursuit of thin lasts a lifetime and the goal is never reached. To these people, thin isn’t really about being slender. Thin is being more beautiful than you are. Thin is coming from a wealthier family. Thin is a bigger chest. Thin is a smaller nose. Thin is more followers on Twitter. Thin is a more popular channel on YouTube. Thin is more friends on Facebook. Thin is more famous. Thin is a perfect score on the SAT. Thin is your first choice college. Thin is an iPhone not a rip-off. Thin is having a better singing voice. Thin is being from somewhere better. Thin is being respected. Thin is loving yourself. Thin may be one of these things or all of them or something else entirely. The reason it’s impossible for so many p[people to ever get thin is that what they truly seek is something that can’t be microwaved or ladled into a bowl. In fact, the more obsessed someone is in getting thin, the more certain it becomes that one will never get there.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
Still I wondered: why was it that, whatever you desire, you could find a poor women to sell it? You could buy an ass or a vagina or a mouth or a tongue. You could buy a womb, a human greenhouse for unfurled human seed. You could buy hands to change diapers, voices to sing nursery rhymes, backs and arms to carry babies, breasts to flow with milk. You could buy a video of a woman truly insulted and then gagged with a penis until she vomits into a dog bowl. Such videos are popular; men watch them. But, of course, men never admit to watching such things. When it comes to culpability, it is always something else. Prevailing culture dictates that we must separate the strands into individual phenomena: sex work, pornography, domestic labor, and surrogacy. but, in one sense all of those transactions exist along the same continuum—you may buy anything from a woman and discard the rest.
Megan K. Stack (Women's Work: A Reckoning with Work and Home)
Still I wondered: why was it that, whatever you desire, you could find a poor women to sell it? You could buy an ass or a vagina or a mouth or a tongue. You could buy a womb, a human greenhouse for unfurled human seed. You could buy hands to change diapers, voices to sing nursery rhymes, backs and arms to carry babies, breasts to flow with milk. You could buy a video of a woman truly insulted and then gagged with a penis until she vomits into a dog bowl. Such videos are popular; men watch them. But, of course, men never admit to watching such things. When it comes to culpability, it is always something else. Prevailing culture dictates that we must separate the strands into individual phenomena: sex work, pornography, domestic labor, and surrogacy. but, in one sense all of those transactions exist along the same continuum—you may buy anything from a woman and discard the rest.
Megan K. Stack (Women's Work: A Reckoning with Work and Home)
You make this man feel like a bowl of milk that some magical cats are licking. Perhaps you are petting these cats and smiling as you dream of me. You sing and a leaf falls into this bowl and it ripples(I ripple). Then a man sees this bowl of milk and he drinks it. He also splashes some of it onto his armpits. He is thirsty and needs nourishment. So kind and gracious of you to offer nurturing sustenance to this man by making me feel like a bowl of milk. This man has patches on his eyes(The cats won't rip his eyes out). You embody and exemplify what it is to share. Thankyou darling, thankyou.-
Junipurr sometimes Trudy
too. -In the Jets Super Bowl III win over the Colts, Matt Snell would put together the first 100 yard rushing game in Super Bowl history when he carried the ball 30 times for 121 yards and a touchdown. -Singer Aaron Neville was the first person to sing the national anthem at two different Super Bowls. He first did it at Super Bowl XXIV in New Orleans and then did it again at Super Bowl XL in Detroit. -Quarterback Joe Namath won the MVP Award of Super Bowl III without even throwing a touchdown pass. -At one point in Super Bowl XLI the Colts called eight straight rushing plays and all of them were hand offs to running back Dominic Rhodes. --Cowboys running back Duane Thomas was the
Mark Peters (The Super Bowl Record Book)
Their mother had white hands, long tapered fingers, and when she kneaded dough, her wedding ring clinked against the bowl. She was always singing softly as she played the piano with her white hands. She accompanied Emily's dance recitals and she could play anything, but Chopin was the one that Gillian loved. She played Chopin every night, and when she turned the pages, she wasn't really looking at the music. She knew the saddest Waltzes by heart. The saddest were the ones that she knew best, and she would play at bedtime, so falling asleep was like drifting off in autumn forests filled with golden leaves.
Allegra Goodman (The Cookbook Collector)
Tibet The sage blue sky awakens before the earth which slumbers a bit longer to still the chill of her bones and dream until the sun peeks hot through her cragged peaks bestirring weary monks to the swirl of their yak butter tea. Monks meditate upon this whorl which echoes the birth of galaxies, the twist of DNA, the curlicue of hair at the back of an infant’s head, eddying clockwise like Buddha’s journey, winding like a prayer wheel, in the resonance ofinterconnection. Bells tinkle, bowls sing, incense suffuses hints of heaven, rainbows of Jingfan prayer flags clap wildly in the wind, waving me to my quest, to surge forward, to trek to higher and higher ground -- to the rarefied air that is my mind.
Beryl Dov
Why, I wondered, were all these people here? Why would they layer on extra socks and stand for hours in the cold? I could imagine people bundling up and waiting to hear a band whose every lyric they could sing or enduring a snowy Super Bowl for a team they’d followed since childhood. But politics? This was unlike anything I’d experienced before. It began dawning on me that we were the band. We were the team about to take the field. What I felt more than anything was a sudden sense of responsibility. We owed something to each one of these people. We were asking for an investment of their faith, and now we had to deliver on what they’d brought us, carrying that enthusiasm through twenty months and fifty states and right into the White House. I hadn’t believed it was possible, but maybe now I did. This was the call-and-response of democracy, I realized, a contract forged person by person. You show up for us, and we’ll show up for you. I had fifteen thousand more reasons to want Barack to win.
Michelle Obama (Becoming)
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
Normally, singing was an essential ingredient in any recipe. Mom's mellifluous voice would weave its way into a pie or a lasagna, making the cherries or the tomatoes sweeter. As she continued to flip the cookie dough, over and over again, the kitchen was painfully silent. She looked up when she heard me in the doorway. Her eyes were puffy, her cheeks still colorless. How was breakfast? Dad let us get three different kinds of pancakes. Did he? She returned her attention on the bowl of cookie dough. That was nice of him. I wanted her to start singing, to break her own trance. She continued to watch the dough thud against the sides of the mixing bowl, and I wondered if the cookies would taste as good without her secret ingredient.
Amy Meyerson
This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.
Mark Epstein (Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective)
My son was singing to us of our Father! Of Yeshua…Of himself, the truest part of him, and of me, the me that was now risen and complete, joined in Yeshua’s identity, like water in a bowl and the bowl in the water at once. He was the Way. The Truth. Life. No one could know the Father without this joining. And the song said more, all at once, like the opening of eyes to see an entire landscape once darkened by blindness. The mystery Talya sang to me in that single note could fill a hundred scrolls. I stood high in that arena and I trembled with wonder.    TALYA
Ted Dekker (A.D. 33 (A.D., #2))
There was an alchemy in this noise and exultation: spellbound in the sorcery of these songs, I became we, me became us. For there was an empowerment in this empathy, a catharsis in this energy, as if each man gathered the bare bones of his personal circumstances and was banging a rhythm out of them, a rhythm that sang with the ferocious energy of survival, a heartbeat that said they weren’t beat. Because singing was breathing and dancing was moving, and breathing and moving were for the quick and not the dead. And suddenly, the air was full of wet — damp with breath and sweat. Face were dripping, arms were flailing, kids were kissing, Pas were cussing, and Mas were laughing, and all were swaying in a way that had something to do with the homebrew, something to do with the music, with the way things are, with the way they should be, and the way they have always been.
Nick Hayes (Woody Guthrie and the Dust Bowl Ballads)
Almost every child will complain about their parents sometimes. It is natural, because when people stay together for a long time, they will start to have argument. But ignore about the unhappy time, our parents love us all the time. No matter what happen to us, they will stand by our sides. We should be grateful to them and try to understand them. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정팝니다,팔팔정구입방법,팔팔정구매방법,팔팔정판매사이트,팔팔정약효, 비아그라복용법,시알리스복용법,레비트라복용법 The fire of the liquid, which makes you, when you wake up, when you wake up, when you're stoned, when you're stoned, when you turn heaven and earth upside down, when you turn black and white, when the world turns right and wrong, when it turns human history upside down, when it turns four arts of the Chinese scholar, when it turns red and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white and white, when it turns black and white and white, when it turns Crazy poem immortal, Make Public Cao Cao, write hongmen banquet, Wet Qingming Apricot rain, thin Begonia Li Qingzhao, Jingyanggang, help Wu Song three Fists Kill Tigers, Xunyang Tower, Vertical Song Jiang Poem Rebellion, you Ah, you, how many Heroes Jin Yong's Linghu Chong put down how many village men singing and dancing with you, beauty with you, urge poetry, Zhuang Literati Bold, some people borrow you crazy, some people borrow you to seize power, sometimes you are just a prop, to set off the atmosphere at the negotiating table, sometimes you are more like a hidden weapon, knocking out the opponents who drink too much. You, you, have entered both the luxurious houses of Zhu men and the humble cottages, both overflowing the golden bottles of the Royal Family and filling the coarse bowls of the peasant family. You are needed for sorrow, and you are needed for joy, on your wedding night, when you meet a friend from another country, when your name is inscribed on the gold list, the migrating and exiled prisoners, the down-and-out Literati, the high-flying officials of the imperial court, are all your confidants, your companions, and even the condemned prisoners who are about to go on their way, they all want you to say goodbye to them because of you, how many great events have been delayed, because of you, how many unjust cases have been made, because of you, how many anecdotes have been kept alive, because of you, how many famous works have been produced, but also because of you, how many people's liver cancer has been created, and the soul has gone to heaven, it is true, there are successes and failures as well as you, life also has you, death also has you, you drown sorrow more sorrow, poor also has you, rich also has you, thousands of families also can not leave you.
팔팔정처방 카톡:ppt33 팔팔정판매 팔팔정구매 팔팔정파는곳 팔팔정구입사이트
If Zeidy isn’t home, Bubby sings. She hums wordless tunes in her thin, feathery voice as she skillfully whisks a fluffy tower of meringue in a shiny steel bowl. This one is a Viennese waltz, she tells me, or a Hungarian rhapsody. Tunes from her childhood, she says, her memories of Budapest. When Zeidy comes home, she stops the humming. I know women are not allowed to sing, but in front of family it is permitted. Still, Zeidy encourages singing only on Shabbos. Since the Temple was destroyed, he says, we shouldn’t sing or listen to music unless it’s a special occasion. Sometimes Bubby takes the old tape recorder that my father gave me and plays the cassette of my cousin’s wedding music over and over, at a low volume so she can hear if someone’s coming. She shuts it off at the merest sound of creaking in the hallway.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Under the name The Waterson Family, they made their recording debut for Topic, one of four upcoming acts on the showcase compilation Folk-Sound of Britain (1965). Dispensing with guitars and banjos, they hollered unadorned close harmonies into a stark, chapel-like hush. The consensus was that they ‘sounded traditional’, but in a way no other folk singers did at the time. It was the result of pure intuition: there was no calculation in their art. When Bert Lloyd once commented joyfully on their mixolydian harmonies, they had to resort to a dictionary. Later in 1965 the quartet gathered around the microphone set up in the Camden Town flat of Topic producer Bill Leader and exhaled the extraordinary sequence of songs known as Frost and Fire. In his capacity as an artistic director of Topic, Lloyd curated the album’s contents. Focusing on the theme of death, ritual sacrifice and resurrection, he subtitled it A Calendar of Ritual and Magical Songs. The fourteen tracks are divided by calendrical seasons, and the four Watersons begin and end the album as midwinter wassailers, a custom popularised in the late eighteenth and early nineteenth centuries as groups of singers – ‘waits’ – made the rounds of the towns and villages, proffering a decorated bowl of spiced ale or wine and asking – in the form of a song, or ‘wassail’ – for a charitable donation. Midwinter comes shortly before the time of the first ploughing in preparation for the sowing of that year’s new crop, and the waits’ money, or food and drink, can be considered a form of benign sacrifice against the success of the next growth and harvest. The wassail-bowl’s rounds were often associated with the singing of Christmas carols.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
Other Kinds of Fun LARGE MOTOR SKILLS ♦  Take a walk on a balance beam, along the curb, or even down a line on the sidewalk. ♦  Play catch (start with a large, slightly deflated ball). ♦  Jump over things (anything more than a few inches, though, will be too high for most kids this age). ♦  Throw, kick, roll, and toss balls of all sizes. ♦  Ride a tricycle. ♦  Spin around till you drop. ♦  Pound, push, pull, and kick. ♦  Make music using drums, xylophones, flutes, and anything else you have handy. ♦  Play Twister. SMALL MOTOR SKILLS ♦  Puzzles (fewer than twenty pieces is probably best). You might even want to cut up a simple picture from a magazine and see whether your toddler can put it back together. ♦  Draw on paper or with chalk on the sidewalk. ♦  Sculpt with clay or other molding substance. ♦  Finger paint. ♦  Play with string and large beads. ♦  Pour water or sand or seeds from one container to another. ♦  Get a big box (from a dishwasher or refrigerator), then build, paint and decorate a house together. THE BRAIN ♦  Matching games. ♦  Alphabet and number games (put colorful magnetic letters and numbers on the fridge and leave them low enough for the child to reach). ♦  Lots of dress-up clothes. ♦  Dolls of all kinds (including action figures). ♦  Pretending games with “real” things (phones, computer keyboards). ♦  Imaginary driving trips where you talk about all the things you see on the road. Be sure to let your toddler drive part of the way. ♦  Sorting games (put all the pennies, or all the triangles, or all the cups together). ♦  Arranging games (big, bigger, biggest). ♦  Smelling games. Blindfold your toddler and have him identify things by their scent. ♦  Pattern games (small-big/small-big). ♦  Counting games (How many pencils are there?). A FEW FUN THINGS FOR RAINY DAYS (OR ANYTIME) ♦  Have pillow fights. ♦  Make a really, really messy art project. ♦  Cook something—kneading bread or pizza dough is especially good, as is roasting marshmallows on the stove (see pages 214–20 for more). ♦  Go baby bowling (gently toss your toddler onto your bed). ♦  Try other gymnastics (airplane rides: you’re on your back, feet up in the air, baby’s tummy on your feet, you and baby holding hands). ♦  Dance and/or sing. ♦  Play hide-and-seek. ♦  Stage a puppet show. ♦  If it’s not too cold, go outside, strip down to your underwear, and paint each other top-to-bottom with nontoxic, water-based paints. Otherwise, get bundled up and go for a long, wet, sloppy, muddy stomp in the rain. If you don’t feel like getting wet, get in the car and drive through puddles.
Armin A. Brott (Fathering Your Toddler: A Dad's Guide To The Second And Third Years (New Father Series))
But another theme, another refrain, is equally marked, and this one is missed by the cynic. This is the refrain which sings the great gift of God. Under the sun, vanity is God’s scepter (5:18; 8:15; 9:9). For those who fear Him, He gives the gift of being able to actually enjoy this great big marching band of futility—the tubas of vanity bringing up the rear. God gives to a wise man the gift of watching, with a pious and grateful chuckle, one damn thing after another. All things considered, the furious activity of this world is about as meaningful as the half-time frenzy at the Super Bowl. But a wise man can be there and enjoy himself. This is the gift of God. The wise will notice how this point is hammered home, throughout the book, again and again. Slowly it dawns on a man that this is really a book of profound . . . optimism.
Douglas Wilson (Joy at the End of the Tether: The Inscrutable Wisdom of Ecclesiastes)
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
At the Super Bowl that year, three young girls ran up to me, all excited. “Oh my god,” said one. “You’re Aaron Reid’s father.” On one hand, it made me chuckle, but on the other, it kind of got to me. It might sound petty, but it touched a nerve because, in truth, I was struggling a bit with not getting recognized for what I’d accomplished.
L.A. Reid (Sing to Me: My Story of Making Music, Finding Magic, and Searching for Who's Next)
I drink only tea. That was lovely, tea Says in a snooty accent. Even the worst Dreams release me. You love me. Death will be a morning.
Joan Logghe (The Singing Bowl (Mary Burritt Christiansen Poetry))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
I desire to write, be wildly in love, support my son to be who he is, keep my hair thick and shiny, get more tattoos, recite mantras, speak onstage, sleep in linen sheets, drive alone in the wide open spaces of New Mexico for hours, be flexible and productive, be alone at parties, be alone at home, be alone, be liked-loved-respected, keep a temple-tidy house, drive a reliable car, make millions of dollars and give lots away, meditate, get caught in thunderstorms, dance long and hard, wear cashmere, make things that make people want to make things of their own, sleep in, recycle, be One, seek approval, go to weddings (and funerals), order in, worship Rothko paintings, call my grandmother, free spiders, go back to India, stay up too late, get just the right font spacing, listen to Tibetan singing bowls on repeat for hours, watch three documentaries in a row, give all I have to give at any given moment to pretty much anybody, wear perfume every day of the week, shave my head, burn everything I’ve ever written, give insight, give money, give time, find my True Nature, and touch the face of God … Why do I desire what I desire? The answer is fast, clear, and simple: to feel good, of course.
Danielle LaPorte (The Desire Map: A Guide to Creating Goals with Soul)
During the meal I consume every last bite of my shrimp and grits, relishing the uniquely Southern combinations: tart lemon juice, savory scallions, crisp bacon, and a dash of paprika all mixed in with freshly grated Parmesan and creamy white cheddar. It's been tossed with sautéed wild mushrooms and minced garlic, cayenne pepper, and Gulf shrimp, all atop a bowl of steaming Mississippi Delta stone-cut grits. My belly sings a psalm of thanks with every flavor-punched drop, and that doesn't even count the homemade biscuits baked big as fists and the silver-dollar pickles fried deep with salt. Drown it all together with a swig of syrup-sweet tea, and the name of this country song would be "Welcome Home.
Julie Cantrell (Perennials)
The teenager brought us a small white plate with a square slab of white cheese doused in a clear liquor. He used a lighter and after several tries flames leapt up, surely singeing the hair on his fingers, then died down to a cool, stovetop blue before going out, leaving the cheese prettily browned and crisp. I wrote, Saganaki---scary but fun. "Oh!" I said. "I forgot about the booze, Charlotte. That was insensitive of me." "It's all burned off," she said. "Besides, if I'm going to blow thirty-two years of sobriety and get drunk, it won't be on flaming Greek cheese!" We scooped it onto warm, puffy pita bread. "If I closed my eyes, I could be in Patmos right now," said Belinda. A bowl of cunning little meatballs appeared with its snow-white yogurt and fish-egg dip. Another plate held three plump, golden triangular spinach pies.
Michelle Huneven (Search)
My heart, sit only with those who know and understand you. Sit only under a tree that is full of blossoms. In the bazaar of herbs and potions don't wander aimlessly, find the shop with a potion that is sweet. If you don't have a measure, people will rob you in no time. You will take counterfeit coins thinking they are real. Don't fill your bowl with food from every boiling pot you see. Not every joke is humorous, so don't search for meaning where there isn't one. Not every eye can see, not every sea is full of pearls. My heart, sing the song of longing like a nightingale. The sound of your voice casts a spell on every stone, on every thorn. First, lay down your head, then one by one let go of all distractions. Embrace the light and let it guide you beyond the winds of desire. There you will find a spring and, nourished by its sweet waters, like a tree you will bear fruit forever.