Singers Important Quotes

There is nothing more important to true growth than realizing that you are not the voice of the mind - you are the one who hears it.

Do not let anything that happens in life be important enough that you’re willing to close your heart over it.

I couldn’t help but notice it was always this way. At state events or important dinners, Mom was beside Dad or situated right behind him. But when they were just husband and wife—not king and queen—he followed her everywhere.

If it is in our power to prevent something bad from happening, without thereby sacrificing anything of comparable moral importance, we ought, morally, to do it.

Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.

There is nothing more important to true growth than realizing that you are not the voice of the mind - you are the one who hears it

The world is made by the singer for the dreamer.

The most important thing in life is your inner energy. If you’re always tired and never enthused, then life is no fun. But if you’re always inspired and filled with energy, then every minute of every day is an exciting experience. Learn to work with these things. Through meditation, through awareness and willful efforts, you can learn to keep your centers open. You do this by just relaxing and releasing. You do this by not buying into the concept that there is anything worth closing over. Remember, if you love life, nothing is worth closing over.

I had a dream about you. We were in a band. I was the lead singer, guitar player, saxophonist, harpist, violinist, bassist, cellist, harmonica player, pianist, and drummer. Oh, and I played the trumpet. And you, you had the important role—you played air guitar. I feel this dream accurately reflects me as an unselfish person, willing to stand in the shade so someone else might enjoy the spotlight and get all the glory.

The most important thing in life is your inner energy. If you’re always tired and never enthused, then life is no fun. But if you’re always inspired and filled with energy, then every minute of every day is an exciting experience.

[I]n adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult readers who do deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us, because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. [Contemporary writers, however,] take up their stories as with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.

But pain is pain, and the importance of preventing unnecessary pain and suffering does not diminish because the being

The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.

There is nothing more important to true growth than realizing that you are not the voice of the mind—you are the one who hears it. If you don’t understand this, you will try to figure out which of the many things the voice says is really you. People go through so many changes in the name of “trying to find myself.” They want to discover which of these voices, which of these aspects of their personality, is who they really are. The answer is simple: none of them. If

Do not let anything that happens in life be important enough that you are willing to close your heart over it. When your heart starts to close just say, “No. I’m not going to close. I’m going to relax. I’m going to let this situation take place and be there with it.” Honor and respect the situation, and deal with it. By all means deal with it. Do the best you can. But deal with it with openness. Deal with it with excitement and enthusiasm. No matter what it is, just let it be the sport of the day. In time, you will forget how to close. No matter what anyone does, no matter what situation takes place, you won’t even feel the tendency to close. You will just embrace life with all your heart and soul.

Do not let anything that happens in life be important enough that you’re willing to close your heart over it. When your heart starts to close, just say, “No. I’m not going to close. I’m going to relax. I’m going to let this situation take place and be there with it.” Honor and respect the situation, and deal with it. By all means deal with it. Do the best you can. But deal with it with openness. Deal with it with excitement and enthusiasm. No matter what it is, just let it be the sport of the day. In time,

I feel that one of the most important lessons that can be learned is that what we "see" may be different than what is actually in front of us.

I detest love lyrics. I think one of the causes of bad mental health in the United States is that people have been raised on 'love lyrics'. You're a young kid and you hear all those 'love lyrics', right? Your parents aren't telling you the truth about love, and you can't really learn about it in school. You're getting the bulk of your 'behaviour norms' mapped out for you in the lyrics to some dumb fucking love song. It's a subconscious training that creates desire for an imaginary situation which will never exist for you. People who buy into that mythology go through life feeling that they got cheated out of something. What I think is very cynical about some rock and roll songs -- especially today -- is the way they say: "Let's make love." What the fuck kind of wussy says shit like that in the real world? You ought to be able to say "Let's go fuck", or at least "Let's go fill-in-the-blank" -- but you gotta say "Let's make love" in order to get on the radio. This creates a semantic corruption, by changing the context in which the word 'love' is used in the song. When they get into drooling about love as a 'romantic concept' -- especially in the lyrics of sensitive singer/songwriter types -- that's another shove in the direction of bad mental health. Fortunately, lyrics over the last five or six years have gotten to be less and less important, with 'art rock groups' and new wavers specializing in 'nonjudgemental' or 'purposely inconsequential' lyrics. People have stopped listening to the lyrics -- they are now only 'pitched mouth noises'.

These people who are always talking, reading, and thinking about sex are like singers who think more about their larynx than about singing. They make that which is subordinate to a higher purpose so all important that the harmony of life is upset.

The important things to remember she remembered, she told herself. The rest was chaff, which time would have winnowed out of active memory anyway.

Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.

Conversation lets you be an artist every time you open your mouth--or shut it. As Robert Louis Stevenson said, "The most important art is to omit"; the key to being a master conversationalist is to listen at least as much as you talk. Just as the other arts include pauses in a dramatic play, white margins around printed text, and space between a singer's phrases, conversation is about silences as well as about words.

When I asked a Big Dog friend of mine whether it was important to sell up through an organization and obtain consensus along the way, he chuckled, and with a low growl said, “That would be a colossal waste of time—find the ‘man,’ set up the meeting and do the deal!

Quentin took a deep breath. “My true name,” he said, “ . . . is SUN WUKONG.” A cold wind passed through the open window, rustling my loose papers like tumbleweed. “I have no idea who that is,” I said. Quentin was still trying to cement his “look at me being serious” face. It took him a few seconds to realize I wasn’t flipping out over whoever he was. “The Sun Wukong,” he said, scooping the air with his fingers. “Sun Wukong the Monkey King.” “I said, I don’t know who that is.” His jaw dropped. Thankfully his teeth were still normal-size. “You’re Chinese and you don’t know me?” he sputtered. “That’s like an American child not knowing Batman!” “You’re Chinese Batman?” “No! I’m stronger than Batman, and more important, like—like. Tian na, how do you not know who I am!?” I didn’t know why he expected me to recognize him. He couldn’t have been a big-time actor or singer from overseas. I never followed mainland pop culture, but a lot of the other people at school did; word would have gotten around if we had a celebrity in our midst. Plus that was a weird stage name. Monkey King? Was that what passed for sexy among the kids these days?

singer you did really well. You saved the number.” The director said the same thing at the end of the show. “You did a great job,” he told me. To which I replied: “Mr. Voice has sung his last song.” Messing up on live TV taught me an important lesson about show business: learn to laugh at yourself.

Laws and a settled decision procedure to generate them are a good thing. This gives us one important reason for obeying the law. By obeying the law, I can contribute to the respect in which the established decision procedure and the laws are held. By disobeying, I set an example to others that may lead them to disobey too.

great spiritual teacher once said, “Every day bite off more than you can chew, and chew it.” Life was teaching me some very important lessons.

Our jobs determine what we deem more important: a painter is likely to claim that he or she would rather be deaf than be blind, whereas a singer is likely to claim the opposite.

[Giordano] Bruno died, despised and suffering, after eight years of agony. From that moment, his works have attracted interest, and he has long been recognized as an important figure in the development of modern thought. Nevertheless, few are familiar with the many and often bewildering pages of his writings. His Italian works have their place in the history of Italian literature. The Latin works in prose and verse are much more bulky and diffuse, but the few who grapple with them are rewarded by passages of great beauty and eloquence.

An important feature of good characterization in a novel is that the characters are dimensionalized and are not all of one piece. Human beings, as Singer noted, have contradictions.

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.

If we want to We will become a people, if we want to, when we learn that we are not angels, and that evil is not the prerogative of others We will become a people when we stop reciting a prayer of thanksgiving to the sacred nation every time a poor man finds something to eat for his dinner We will become a people when we can sniff out the sultan’s gatekeeper and the sultan without a trial We will become a people when a poet writes an erotic description of a dancer’s belly We will become a people when we forget what the tribe tells us, when the individual recognizes the importance of small details We will become a people when a writer can look up at the stars without saying: ‘Our country is loftier and more beautiful!’ We will become a people when the morality police protect a prostitute from being beaten up in the streets We will become a people when the Palestinian only remembers his flag on the football pitch, at camel races, and on the day of the Nakba We will become a people, if we want to, when the singer is allowed to chant a verse of Surat al-Rahman at a mixed wedding reception We will become a people when we respect the right, and the wrong.

After fleeing Nazi-occupied Poland, Nobel laureate Isaac Bashevis Singer compared species bias to the “most extreme racist theories.” Singer argued that animal rights was the purest form of social-justice advocacy, because animals are the most vulnerable of all the downtrodden. He felt that mistreating animals was the epitome of the “might-makes-right” moral paradigm. We trade their most basic and important interests against fleeting human ones only because we can.

In the Talmud (a record of discussions of Jewish law and ethics by ancient rabbis) it is said that charity is equal in importance to all the other commandments combined, and that Jews should give at least 10 percent of their income as tzedakah.

The most important thing in life is your inner energy. If you’re always tired and never enthused, then life is no fun. But if you’re always inspired and filled with energy, then every minute of every day is an exciting experience. Learn to work with these things. Through meditation, through awareness and willful efforts, you can learn to keep your centers open. You do this by just relaxing and releasing. You do this by not buying into the concept that there is anything worth closing over. Remember, if you love life, nothing is worth closing over. Nothing, ever, is worth closing your heart over.

In every interview I’m asked what’s the most important quality a novelist has to have. It’s pretty obvious: talent. Now matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. This is more of a prerequisite than a necessary quality. If you don’t have any fuel, even the best car won’t run.The problem with talent, though, is that in most cases the person involved can’t control its amount or quality. You might find the amount isn’t enough and you want to increase it, or you might try to be frugal and make it last longer, but in neither case do things work out that easily. Talent has a mind of its own and wells up when it wants to, and once it dries up, that’s it. Of course, certain poets and rock singers whose genius went out in a blaze of glory—people like Schubert and Mozart, whose dramatic early deaths turned them into legends—have a certain appeal, but for the vast majority of us this isn’t the model we follow. If I’m asked what the next most important quality is for a novelist, that’s easy too: focus—the ability to concentrate all your limited talents on whatever’s critical at the moment. Without that you can’t accomplish anything of value, while, if you can focus effectively, you’ll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else. … After focus, the next most important thing for a novelist is, hands down, endurance. If you concentrate on writing three or four hours a day and feel tired after a week of this, you’re not going to be able to write a long work. What’s needed of the writer of fiction—at least one who hopes to write a novel—is the energy to focus every day for half a year, or a year, or two years. … Fortunately, these two disciplines—focus and endurance—are different from talent, since they can be acquired and sharpened through training. You’ll naturally learn both concentration and endurance when you sit down every day at your desk and train yourself to focus on one point. This is a lot like the training of muscles I wrote of a moment ago. You have to continually transmit the object of your focus to your entire body, and make sure it thoroughly assimilates the information necessary for you to write every single day and concentrate on the work at hand. And gradually you’ll expand the limits of what you’re able to do. Almost imperceptibly you’ll make the bar rise. This involves the same process as jogging every day to strengthen your muscles and develop a runner’s physique. Add a stimulus and keep it up. And repeat. Patience is a must in this process, but I guarantee results will come. In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him. … Most of what I know about writing I’ve learned through running every day. These are practical, physical lessons. How much can I push myself? How much rest is appropriate—and how much is too much? How far can I take something and still keep it decent and consistent? When does it become narrow-minded and inflexible? How much should I be aware of the world outside, and how much should I focus on my inner world? To what extent should I be confident in my abilities, and when should I start doubting myself? I know that if I hadn’t become a long-distance runner when I became a novelist, my work would have been vastly different. How different? Hard to say. But something would definitely have been different.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

There is nothing more important to true growth than realizing that you are not the voice of the mind—you are the one who hears it. If you don’t understand this, you will try to figure out which of the many things the voice says is really you. People go through so many changes in the name of “trying to find myself.” They want to discover which of these voices, which of these aspects of their personality, is who they really are. The answer is simple: none of them.

And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!

In accepting as two primary texts, Singer's Animal Liberation and Regan's The Case for Animal Rights--texts that valorize rationality--the animal defense movement reiterates a patriarchal disavowal of emotions as having a legitimate role in theory making. The problem is that while on the one hand it articulates positions against animal suffering, on the other hand animal rights theory dispenses with the idea that caring about and emotionally responding to this suffering can be appropriate sources of knowledge. Emotions and theory are related. One does not have to eviscerate theory of emotional content and reflection to present legitimate theory. Nor does the presence of emotional content and reflection eradicate or militate against thinking theoretically. By disavowing emotional responses, two major texts of animal defense close off the intellectual space for recognizing the role of emotions in knowledge and therefore theory making. As the issue of caring about suffering is problematized, difficulties with animal rights per se become apparent. Without a gender analysis, several important issues that accompany a focus on suffering are neglected, to the detriment of the movement. Animal rights theory offers a legitimating language for animal defense without acknowledging the indebtedness of the rights-holder to caring relationships. Nor does it provide models for theoretically engaging with our own emotional responses, since emotions are seen as untrustworthy. Because the animal advocacy movement has failed to incorporate an understanding of caring as a motivation for so many animal defense activists, and because it has not addressed the gendered nature of caring--that it is woman's duty to provide service to others, while it is men's choice--it has not addressed adequately the implications that a disproportionate number of activists are women motivated because they care about animal suffering. Animal rights theory that disowns or ignores emotions mirrors on the theoretical level the gendered emotional responses inherent in a patriarchal society. In this culture, women are supposed to do the emotional work for heterosexual intimate relationships: 'a man will come to expect that a woman's role in his life is to take care of his feelings and alleviate the discomfort involved in feeling.' At the cultural level, this may mean that women are doing the emotional work for the animal defense movement. And this emotional work takes place in the context of our own oppression.

The boy who wears his comic books like armor often sits alone. He is more comfortable with Iron Man and his own thoughts than he will ever be with a woman. Because of his nervous ticks, no matter how long they are together, she will never feel commonplace to him. She will always know she is special. The boy who wears his comic books like armor tries to tell her that he loves her every day. She does not understand. When he says, You remind me of Psylocke, he is not saying he actually thinks she is a scantily clad assassin. He is just saying, Damn girl, you must be psychic. How else could you always know the right thing to make me smile? You have to be a ninja. How else could you have stolen my heart so easily? He is saying, Dammmmmmmmnnnnnn girl, you absolutely have to be Psylocke! She is the only character I have ever read about who is as graceful and daring as you are. She does not understand. The boy who wears his comic books like armor is not a good lover. The way he barely touches her makes her feel unattractive. Like he is only doing this because she wants him to. This could not be further from the truth. He is simply treating her like the only thing that has ever been this important to him before: comic books. He removes her clothes like he would the slipcover from a brand new issue, as careful not to wrinkle her clothing as he is not to damage the plastic. One day, she will leave him because feeling special isn’t as important as feeling loved. He does love her. She can’t understand. He will spend the rest of his life wishing he were Peter Parker, knowing that if he had a mask to remove, then, just like Mary Jane, she would be with him forever. But he doesn’t have a mask to remove, just an awkward smile. He hopes that one day that’s enough.

When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.

Effective altruism is an advance in ethical behavior as well as in the practical application of our ability to reason. I have described it as an emerging movement, and that term suggests that it will continue to develop and spread. If it does, then once there is a critical mass of effective altruists, it will no longer seem odd for anyone to regard bringing about “the most good I can do” as an important life goal. If effective altruism does become mainstream, I would expect it to spread more rapidly, for then it will be apparent that it is easy to do a great deal of good and feel better about your life as a result.

No,’ he says very firmly. ‘It doesn’t matter how good a drummer, singer, or trombone-mimer you are, bragging about anything is bad form. They have a mantra in the business – “Lego over ego” – and people follow it.’ He tells me that he and his fellow non-Danes have been guided towards the writings of a 1930s Danish-Norwegian author, Aksel Sandemose, for a better understanding of how best to ‘integrate’ into the workplace in Denmark. Sandemose outlines ten rules for living Danishly (otherwise known as ‘Jante’s Law’) in his novel, A Fugitive Crosses His Tracks. These, as far as Google Translate and I can make out, are: You’re not to think you are anything special You’re not to think you are as good as we are You’re not to think you are smarter than us You’re not to convince yourself that you are better than us You’re not to think you know more than us You’re not to think you are more important than us You’re not to think you are good at anything You’re not to laugh at us You’re not to think anyone cares about you You’re not to think you can teach us anything ‘Crikey, you’re not to do much round here, are you?’ ‘Oh, and there’s another, unspoken one.’ ‘Yes?’ ‘“Don’t put up with presenteeism”. If anyone plays the martyr card, staying late or working too much, they’re more likely to get a leaflet about efficiency or time management dropped on their desk than any sympathy.

But it is quite possible that, even in what concerns the millennial existence of the human race, the philosophy of the journalist, according to which everything is destined to oblivion, is less true than a contrary philosophy which would predict the conservation of everything. In the same newspaper in which the moralist of the ‘Paris column’ says to us of an event, of a work of art, all the more forcibly of a singer who has enjoyed her ‘crowded hour’: “Who will remember this in ten years’ time?” overleaf does not the report of the Académie des Inscriptions speak often of a fact, in itself of smaller importance, of a poem of little merit, which dates from the epoch of the Pharaohs and is now known again in its entirety?

Well-known neuropsychiatrist Dan Siegel has emphasized the importance of such integration in healing and has described IFS as a good way to achieve that. He writes, “Health comes from integration. It’s that simple, and that important. A system that is integrated is in a flow of harmony. Just as in a choir, with each singer’s voice both differentiated from the other singers’ voices but also linked, harmony emerges with integration. What is important to note is that this linkage does not remove the differences, as in the notion of blending: instead it maintains these unique contributions as it links them together. Integration is more like a fruit salad than a smoothie.”5 This, again, is one of the basic goals of IFS. Each part is honored for its unique qualities while also working in harmony with all the others.

threatened at first to overwhelm the lighter soprano instrument of Michelle. Elliot learned to control the instrument in the ensemble, but never relinquished what has been described as her “let it all hang out vitality.”[70] The particular gifts of her voice were in no danger of being stifled, and throughout her career with earlier bands through the post-Mamas and Papas years, her “distinctive voice always emerged from the group in which she sang.”[71] Interested in a variety of genres, Elliot often mentioned her love for classical music, and had appeared regularly as a jazz singer before being drawn into the hippie folk revolution. A Broadway devotee as well, she sang several prominent roles in residence and on tour, and even dueled Barbra Streisand to a near draw for an important role in I Can Get It for You Wholesale on Broadway, before being

Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.

Singer, and Jones (1965) on the campus of Yale University. The subjects were Yale seniors who were given some persuasive education about the risks of tetanus and the importance of going to the health center to receive an inoculation. Most of the students were convinced by the lecture and said that they planned to go get the shot, but these good intentions did not lead to much action. Only 3 percent actually went and got the shot. Other subjects were given the same lecture but were also given a copy of a campus map with the location of the health center circled. They were then asked to look at their weekly schedules, make a plan for when they would go and get the shot, and look at the map and decide what route they would take. With these nudges, 28 percent of the students managed to show up and get their tetanus shot. Notice that this manipulation was very

No society has succeeded in abolishing the distinction between ruler and ruled... to be a ruler gives one special status and, usually, special privileges. During the Communist era, important officials in the Soviet Union had access to special shops selling delicacies unavailable to ordinary citizens; before China allowed capitalist enterprises in its economy, travelling by car was a luxury limited to tourists and those high in the party hierarchy Throughout the 'communist' nations, the abolition of the old ruling class was followed by the rise of a new class of party bosses and well-placed bureaucrats, whose behaviour and life-style came more and more to resemble that of their much-denounced predecessors. In the end, nobody believed in the system any more. That, couple with its inability to match the productivity of the less bureaucratically controlled, more egoistically driven capitalist economies, led to its downfall.

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ...카톡【ACD5】텔레【KKD55】 We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. ♥물뽕 구입♥물뽕 구매♥물뽕 판매♥물뽕 구입방법♥물뽕 구매방법♥물뽕 파는곳♥물뽕 가격♥물뽕 파는곳♥물뽕 정품구입♥물뽕 정품구매♥물뽕 정품판매♥물뽕 가격♥물뽕 복용법♥물뽕 부작용♥ Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 It is a five-member boy group of YG Entertainment who debuted in 2006. It is a group that has had a great influence on young fashion trends, the idol group that has been pouring since then, and the Korean music industry from the mid to late 2000s. Since the mid-2000s, he has released a lot of hit songs. He has played an important role in all aspects of music, fashion, and trends enjoyed by Korea's generations. In 2010, the concept of emphasizing exposure, The number of idols on the line as if they were filmed in the factory instead of the "singer", the big bang musicality got more attention, and the ALIVE of 2012, the great success of the MADE album from 2015 to 2016, It showed musical performance, performance, and stage control, which made it possible to recognize not only the public in their twenties and thirties but also men and women, both young and old, as true artists with national talents. Even today, it is in a unique position in terms of musical performance, influence, and trend setting, and it is the idol who keeps the longest working and longest position. We have made the popularity of big bang by combining various factors such as exquisite talent of all members, sophisticated music, trendy style, various arts and performances in broadcasting, lovecalls and collaboration of global brands, and global popularity. The big bang was also different from the existing idols. It is considered to be a popular idol, a idol, because it has a unique musicality, debut as a talented person in a countless idol that has become a singer as a representative, not a talent. In addition, the male group is almost the only counterpart to the unchanging proposition that there is not a lot of male fans, and as mentioned several times, it has been loved by gender regardless of gender.

Despite the rise of the mental health profession, people are becoming increasingly vulnerable to depression. Why? Martin Seligman, a brilliant psychologist with no religious ax to grind, has a theory that it’s because we have replaced church, faith, and community with a tiny little unit that cannot bear the weight of meaning. That’s the self. We’re all about the self. We revolve our lives around ourselves. Ironically, the more obsessed we are with our selves, the more we neglect our souls. All of our language reflects this. If you’re empty, you need to fulfill yourself. If you’re stressed, learn how to take care of yourself. If you’re on a job interview, you have to believe in yourself. If you’re at the tattoo parlor, you must learn to express yourself. If someone dares to criticize you, you have to love yourself. If you’re not getting your own way, you have to stand up for yourself. What should you do on a date? You ought to be yourself. What if your self is a train wreck? What do you do then? Self is a stand-alone, do-it-yourself unit, while the soul reminds us we were not made for ourselves. The soul always exists before God. So soul is needed for deep art, poetry, and music. Former opera singer Scott Flaherty said it best: “I mean, when you sing you’re giving voice to your soul.” Imagine singing, “Then sings my self, my Savior God to thee,” or “Jesus, lover of my self.” Innately we know that the self is not the soul, even as we do everything we can to preserve it.

The labour of some of the most respectable orders in the society is, like that of menial servants, unproductive of any value, and does not fix or realize itself in any permanent subject, or vendible commodity, which endures after that labour is past, and for which an equal quantity of labour could afterwards be procured. The sovereign, for example, with all the officers both of justice and war who serve under him, the whole army and navy, are unproductive labourers. They are the servants of the public, and are maintained by a part of the annual produce of the industry of other people. Their service, how honourable, how useful, or how necessary soever, produces nothing for which an equal quantity of service can afterwards be procured. The protection, security, and defence, of the commonwealth, the effect of their labour this year, will not purchase its protection, security, and defence, for the year to come. In the same class must be ranked, some both of the gravest and most important, and some of the most frivolous professions; churchmen, lawyers, physicians, men of letters of all kinds; players, buffoons, musicians, opera-singers, opera-dancers, etc. The labour of the meanest of these has a certain value, regulated by the very same principles which regulate that of every other sort of labour; and that of the noblest and most useful, produces nothing which could afterwards purchase or procure an equal quantity of labour. Like the declamation of the actor, the harangue of the orator, or the tune of the musician, the work of all of them perishes in the very instant of its production.

Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.

There is nothing more important to true growth than realizing that you are not the voice of the mind—you are the one who hears it.

If our holding certain values had no effect at all on what we chose to do, values would lose all their importance. Now

Ten things you should never do when you form a group 1.​Work with your friends (they won’t be for long if you do) 2.​Let the singer do his own backing vocals (this is a great opportunity for the band to pull together – ignore it at your peril; see also ‘narcissism’) 3.​Have a couple in the band (they will always conspire against you) 4.​Listen to an A&R man (apart from Pete Tong, everyone I have ever met has been an idiot) 5.​Let your manager open a club/bar (see The Haçienda: How Not to Run a Club) 6.​Let the publishing/performance split go unspoken (sort it out as soon as the recording is finished and put it in writing; this is the worst thing you will ever have to do, but the most important, and usually splits most bands before they even start) 7.​Get off the bus (Fatty Molloy did this once and has regretted it ever since) 8.​Think one member is bigger than the group (courtesy Gene Simmons again) 9.​Sign anything that says ‘in perpetuity’ (that means forever, even you won’t live that long) 10.​Let your record company owe you money (see Factory Records) 11.​Ship your gear – always hire (a very famous sub-dance sub-indie outfit once phoned their manager after they’d split and said, ‘Hey, where did all the money go?’ See above!) 12.​Interfere with another group member’s sleep (they will turn very nasty and may call the police) 13.​Interfere with another group member’s girlfriend/wife (this will always end in violence) 14.​Never have a party in your own hotel room (always go to someone else’s) . . . Oh shit, way too many. I’ll stop now.

is the strength of the songwriting. Dark Side contained strong, powerful songs. The overall idea that linked those songs together – the pressures of modern life – found a universal response, and continues to capture people’s imagination. The lyrics had depth, and had a resonance people could easily relate to, and were clear and simple enough for non-native-English speakers to understand, which must have been a factor in its international success. And the musical quality spearheaded by David’s guitar and voice and Rick’s keyboards established a fundamental Pink Floyd sound. We were comfortable with the music, which had had time to mature and gestate, and evolve through live performances – later on we had to stop previewing work live as the quality of the recording equipment being smuggled into gigs reached near-studio standards. The additional singers and Dick Parry’s sax gave the whole record an extra commercial sheen. In addition, the sonic quality of the album was state of the art – courtesy of the skills of Alan Parsons and Chris Thomas. This is particularly important, because at the time the album came out, hi-fi stereo equipment had only recently become a mainstream consumer item, an essential fashion accessory for the 1970s home. As a result, record buyers were particularly aware of the effects of stereo and able to appreciate any album that made the most of its possibilities. Dark Side had the good fortune to become one of the definitive test records that people could use to show off the quality of their hi-fi system. The packaging for the album by Storm and Po at Hipgnosis was clean, simple, and immediately striking, with a memorable icon in the shape of the prism.

It is important to note that women are not singularly attracted to men with resources; rather, they can be equally attracted to men who have yet to achieve status but are on a trajectory of social ascendancy. Accordingly, cues of intelligence, ambition, drive, and focus can be equally intoxicating to women. Unique talents that are socially valued, including those possessed by successful artists, singers, athletes, and actors, are typically desired by women. Ceteris paribus, professors, politicians, business executives, lawyers, and surgeons make for attractive long-term male partners. This point demonstrates that Darwinian principles are not deterministic.

There is nothing more important to true growth than realizing that you are not the voice of the mind—you are the one who hears it. If you don’t understand this, you will try to figure out which of the many things the voice says is really you. People go through so many changes in the name of “trying to find myself.

For me, politics are a fundamental element of being human. They are the process by which we collectively interact with each other, resolve conflicts and try to solve larger social or environmental problems. There are family politics, neighborhood politics, local politics, national politics and international politics. Humans are political animals and I find those interactions interesting, amusing and important. (2014 interview with iamhiphop)

What are your feelings from Bush to Obama? Besides being responsible for the death of half a million people, I feel like Bush dealt a huge economic and social blow to the USA, one from which we may never fully recover. He directly flushed 3 trillion dollars down the toilet on hopeless, pointlessly destructive wars in Afghanistan and Iraq …and they’re not even over! For years to come, we’ll be paying costs for all the injured veterans (over 50,000) and destabilizing three countries, because you have to look at the impact that the Afghan war has on Pakistan. Bush expanded the use of torture, and created a whole new layer of government bureaucracy (the “Department of Homeland Security”) to spy on Americans. He created Indefinite Detention (at Guantanamo and other US military bases) and expanded the use of executive-ordered assassinations using the new drone technology. On economic issues, his administration allowed corporations to run things and regulate themselves. The agency that was supposed to regulate oil drilling had lobbyist-paid prostitutes sleeping with employees while oil industry lobbyists basically ran the agency. Energy companies like Enron, and the country’s investment banks were deregulated at the end of the Clinton administration and Bush allowed them to run wild. Above all, he was incompetent and appointed some really stupid people to important positions at every level of government. Certainly, Obama has been involved in many of these same activities. A few he’s increased, such as the use of drone assassinations, but most of them he has at least tried to scale back. At the beginning of his first term, he tried to close the Guantanamo prison and have trials for many of the detainees in the United States but conservatives (including many Democrats) stirred up public resistance and blocked this from happening. He tried to get some kind of universal healthcare because over 50 million Americans don’t have health insurance. This is one of the leading causes of personal bankruptcies and foreclosures because someone gets sick in a family, loses their job, loses their health insurance (because American employers are source of most people’s healthcare) and they can’t pay their health bills or their mortgage. Or they use up all their money caring for a sick family member. So many people in the US wanted health insurance reform or single-payer, universal health care similar to what you have in the UK. Members of Obama’s own party (The Democrats) joined with Republicans to narrowly block “The public option” but they managed to pass a half-assed but not-unsubstantial reform of health insurance that would prevent insurers from denying you coverage when you’re sick or have a “preexisting condition.” The minute it was signed into law, Republicans sued in the courts (all the way to the supreme court) and fought, tooth and nail to block its implementation. Same thing with gun control, even as we’re one of the most violent industrial countries in the world. (Among industrial countries, our murder rate is second only to Russia). Obama has managed to withdraw troops from Iraq and Afghanistan over Republican opposition but, literally, everything he tries to do, they blast it in the media and fight it in Congress. So, while I have a lot of criticisms of Obama, he is many orders of magnitude less awful than Bush and many of the positive things he’s tried to do have been blocked. That said, the Democratic and Republican parties agree on more things than they disagree. Both signed off on the Afghan and Iraq wars. Both signed off on deregulation of banks, of derivatives, of mortgage regulations and of the energy and telecom business …and we’ve been living with the consequences ever since. I’m guessing it’s the same thing with Labor and Conservatives in the UK. Labor or Democrats will SAY they stand for certain “progressive” things but they end up supporting the same old crap... (2014 interview with iamhiphop)

Do not let anything that happens in life be important enough that you’re willing to close your heart over it. When your heart starts to close, just say, “No. I’m not going to close. I’m going to relax. I’m going to let this situation take place and be there with it.” Honor and respect the situation, and deal with it. By all means deal with it. Do the best you can. But deal with it with openness. Deal with it with excitement and enthusiasm. No matter what it is, just let it be the sport of the day. In time, you will find that you forget how to close. No matter what anyone does, no matter what situation takes place, you won’t even feel the tendency to close. You

Hymn melodies are not only the most straightforward and concise musical expressions within Lutheran worship but, arguably, the most important, for the congregational hymn is where the assembled singers and listeners of the congregation join to play their part in proclaiming the Gospel and in “worship[ing] one God in Trinity and Trinity in Unity” (Athanasian Creed 4; LSB, p. 319).

The way you teach is more important than what you teach.” – Blair Singer

This is the nature of almost all your automatic thoughts. They are not to be seen as some important truth or great insight into what is really going on. They are simply your mind attempting to cleanse the patterns you have stored in there.

I just hope most artists will realise it is not just talent only that makes you succeed. There is a lot. Planning, structuring, hard work, commitment, dedication, training, perseverance, and most importantly working well with others.

There is nothing more important to true growth than realizing that you are not the voice of the mind—you are the one who hears it. If you

Lionel Richie is a singer of great repute. His love songs are balms that soothe an ailing heart, caressing it back to life with therapeutic compositions they carry along. His music is soft, warm, and, like an abluent, cleanses whatever smut may have stained the tender frame of a plagued mind. His most important song, SELA, contains a fother of love the whole world should be proud to bear. I listen to it, drumming hard on the skin of selective ballyhoo. ~ Nkwachukwu Ogbuagu

To forestall misunderstandings: there is value in creating and enjoying art. To many people, drawing, painting, sculpting, singing, and playing a musical instrument are vital forms of self-expression, and their lives would be poorer without them. People produce art in all cultures and in all kinds of situations, even when they cannot satisfy their basic physical needs. Other people enjoy seeing art. In a world in which everyone had enough to eat, basic health care, adequate sanitation, and a place at school for each of their children, there would be no problem about donating to museums and other institutions that offer an opportunity to see original works of art to all who wish to see them, and (more important, in my view) the opportunity to create art to those who lack opportunities to express themselves in this way. Sadly, we don’t live in that world, at least not yet.

I want to start everything in New, what's the bad point?? I don't want to have problems with people which we can be friends or nothing, but not argue as before. What's the purpose what did you gain??? Points?? Money?? PS3??? Xbox??? Nothing just useless and making troubles with people, if we must discuss something let's to be about the fucking Bulgarian Schools, talk about them, I hate them as much as you hate them, I hate the Bulgarian as much as you hate them, I hate the fucking teachers in the fucking schools with which just have fucking problems. How can somebody joke with your spelling or with your mistakes for months???? ... What more to tell you??? That I'm sorry that I'm a Bulgarian guy, because I'm sorry, I can't live with this fucking people, what do they created??? Nothing just staying home and jerkoff non-stop, very creative! And guest what happened??? Here come the "?" people which are terrorists in france and have killed a lot of people and here will be planed the same....,what more only the thought that somebody has graduated from the best school existed in Bulgaria and to have fails with the writing like making so easy mistakes that nobody will make ever, to make mess on the sheets and many other things and this on very important day. A day in which you choose the president or the pre-minister or some kind like this, which is important. I'm very sorry that I'm Bulgarian guy, I don't want to be the cases are this, I want to be an American or a guy from Great Britain, but whatever to be, but to know this language. All people use it, and we are the only people which or some others as one User said that France and Germany are also with the worst English in case that Germany words are like English, but little fucked like spelled and written different like Sänger - singer songster schreiben WOw, this is really fucked just look how arae spelled how are written little like joking with English, aren't they??? If they aren't okay, that's your opinion _ I don't have something against it! If there was chance to be other race no matter what American guy or whatever ot to change my country ot my native language I will do it. If there is chance to and learn English, I go and learnt it without giving and shit about the fucking Bulgarian, I won't call my parents, friends and everything, just everything will be mainly for learning English the best way as possible. I fill fucked there are people which can't read, english, to don't talk about bulgarian, all day I'm seeing how mass media brain washes. I don't see how can be improved Bulgaria it's a fail I know why Adolf Hitler wanted to destroyed it and why Churchill Wanted also, I'm not sure about Churchill, but for HItler I'm sure that he wanted to kill us because of that, whatever you understand me what level we are as nation. I hate the fucking Bulgarian people what to learn from them to joke with people badly??? Very Creative??? To jerkoff all time and to don't give a damn shit about the things around the world?? Or to be with friends which can't think or people which are so much stupid that I'm sorry about them... Whatever, read it if you want if you don't want don't read it, but first check it before you block me. Thank you I appreciate your reading!

Listening, Imitation and Memory are very important factors in the student's development.

From the perspective of an effective altruist, Tzu Chi does some surprising things. After the earthquake and tsunami that hit Japan in 2011, Tzu Chi raised funds to distribute hot meals to survivors, and in the wake of Hurricane Sandy, which battered New York and New Jersey in 2012, Tzu Chi distributed $10 million dollars worth of Visa debit cards, with $600 on each card, to victims of the storm.7 When I visited the Tzu Chi hospital in Hualien, I asked Rey-Sheng Her, a spokesman for Tzu Chi, why the organization would give aid to the citizens of wealthy countries like Japan and the United States, when the money could do much more good if used to help people in extreme poverty. His answer was that it is important for Tzu Chi to show compassion and love for all, rich and poor.

L'homo technicus-economicus croit aussi, à sa manière, se suffire à lui-même. Arrogant, démiurge, autosatisfait, il se frotte les mains, dispose de tout ce qu'offre la planète, s'arroge tous les droits, ignore ses devoirs, coupe les liens qui le relient aux autres humains, à la nature, à l'histoire et au cosmos. Il pousse si loin l'émancipation qu'il court le risque de déchirer tous les fils et de décrocher, de se décrocher, de s'auto-expulser de la création. Son idéologie est si simpliste que n'importe quel fondamentalisme religieux apparaît en comparaison subtil et pluriel. Un seul précepte, une seule loi, un seul paramètre, un seul étalon : le rendement ! Qui dit mieux dans la trivialité criminelle d'un ordre unique ? Comment ne pas voir que chaque subside retiré à la culture et à l'éducation devra être multiplié par cent pour renflouer les services médicaux, l'aide sociale et la sécurité policière ? Car sans connaissances, sans vision et sans fertilité imaginaire, toute société sombre tôt ou tard dans le non-sens et l'agression. Il existe à ce jeu macabre un puissant contre-poison. A portée de la main, à tout instant : c'est la gratitude. Elle seule suspend notre course avide. Elle seule donne accès à une abondance sans rivage. Elle révèle que tout est don et qui plus est : don immérité. Non parce que nous en serions, selon une optique moralisante, indignes, mais parce que notre mérite ne sera jamais assez grand pour contrebalancer la générosité de la vie ! (p. 13-14)

There is no sense of loss in this transcendence of the quest to satisfy desires that previously seemed so important or of the pleasures that came from their satisfaction, for enlightenment involves detachment from one’s desires.

sing the phrase as written without consonants, letting the singers connect vowel sound to vowel sound. This is particularly helpful when the choir has had difficulty singing in a legato manner. It helps the choir understand the importance of singing the vowel sound for its longest possible rhythmic duration, and of short, crisp consonants. Both

In explaining the importance of understanding our biology, Dawkins writes; “Let us understand what our own selfish genes are up to, because we may then at least have the chance to upset their designs, something which no other species has ever aspired to.

When it seems just the right people are noticing you and your gifting, it is important to realize that it is the Lord who is directing their eyes and not your abilities gaining their attention. Everything we have has been given us from the Lord.

Calwyn felt suddenly very solemn and serious. Usually during lessons and lectures she felt only a fierce desire to be elsewhere or an irresistible urge to fidget, but now she sat as still as a statue, sensing that what Marna was about to tell her was more important, and certainly more interesting, than herb lore or weaving patterns.

Et si Dieu l'a si bien caché - ce monde réel - c'est pour qu'il ne traîne pas n'importe où, au vu et au su des indifférents, des cyniques, des gredins. C'est pour qu'on soit contraint de se mettre à sa recherche. L'intime désastre du quotidien, les implosions muettes de la souffrance... tout prend alors un sens.

For example, in many developing countries, children, and in particular girls, do not spend enough time at school, even when school is free, to learn as they should. To change this, the following strategies have been suggested: •Unconditional cash transfers for girls; •Cash transfers for girls, conditional on attendance; •Merit scholarships for girls; •Free primary school uniforms; •Deworming through primary schools; •Providing information to parents about the increased wages of those who stay at school. All of these strategies look plausible. When resources for education are scarce, as they always are, especially in developing countries, which one should be tried? In the absence of randomized testing, it would be impossible to know. But the Jameel Poverty Action Lab has tested them and found that the last one on the list is by far the most cost-effective. Every $100 spent on providing information to parents about the increased wages of those who stay at school results in an amazing 20.7 additional years spent at school! Deworming through primary schools is also highly cost-effective, leading to 13.9 additional years spent at school per $100 spent. Of the remaining interventions, the first two are relatively ineffective, both gaining less than 1 additional year per $100, and the cash transfers, whether conditional or unconditional, gain less than one-tenth of an additional year per $100.8 The most effective method thus results in more than two hundred times the benefits of the two least effective methods, which means that for every $100 spent on one of the least effective methods, $99.50 is wasted. When resources are limited and education is so important to the future of children, that waste means that many human beings do not achieve their full potential.

This is a point that our generation cannot afford to ignore. Why is it that we constantly parade Christian athletes, media personalities, and pop singers? Why should we think that their opinions or their experiences of grace are of any more significance than those of any other believer? When we tell outsiders about people in our church, do we instantly think of the despised and the lowly who have become Christians, or do we love to impress people with the importance of the men and women who have become Christians? Modern Western evangelicalism is deeply infected with the virus of triumphalism, and the resulting illness destroys humility, minimizes grace, and offers far too much homage to the money and influence and “wisdom” of our day. Paul

The questions raised by Lucretia [Mott]'s life are "How are you called into action?" and "Are you faithful to that call?" Your actions might be public or so quiet that they are never notices, which Emily [Dickinson] would have applauded. Your act of courage might be taking the time and developing the spirit to reconcile a relationship. Or it might be simply getting out of bed if you suffer from depression or going to that first A.A. meeting. You might be quietly writing letters to political prisoners through Amnesty International or sending anonymous donation to help the orphans in South Africa. You might take time each week to go to the hospital nursery to rock the neglected babies with AIDS. You may have a strong desire to cultivate your own garden and participate in growing the food you eat, allowing time for your inner spirit to grow and be nurtured as well. You may be protecting and valuing time as a parent. It is not important whether our actions are considered large or small; it is important that they stem from the center of our being. When we learn to live from our own authenticity, we activate our still inner voice. Although Lucretia [Mott] was a lead singer on the world stage, she would have been perfectly happy singing backup for someone else -- as long as the music was right and all the people were included in the dancing.

The trend of our epoch up to this time has been consistently towards specialism and professionalism. We tend to have trained soldiers because they fight better, trained singers because they sing better, trained dancers because they dance better, specially instructed laughers because they laugh better, and so on and so on. . . . [Yet] our civilization has decided, and very justly decided, that determining the guilt or innocence of men is a thing too important to be trusted to trained men. When it wishes for light upon that awful matter, it asks men who know no more law than I know, but who can feel the things that I felt in the jury box. When it wants a library catalogued, or the solar system discovered, or any trifle of that kind, it uses up its specialists. But when it wishes anything done which is really serious, it collects twelve of the ordinary men standing round. The same thing was done, if I remember right, by the Founder of Christianity.15

In fact, the Nazis did not have a euthanasia program, in the proper sense of the word. Their so-called euthanasia program was not motivated by concern for the suffering of those killed. If it had been, they would not have kept their operations secret, deceived relatives about the cause of death of those killed, or exempted from the program certain privileged classes, such as veterans of the armed services or relatives of the euthanasia staff. Nazi ‘euthanasia’ was never voluntary and often was involuntary rather than nonvoluntary. ‘Doing away with useless mouths’ – a phrase used by those in charge – gives a better idea of the objectives of the program than ‘mercy-killing’. Both racial origin and ability to work were among the factors considered in the selection of patients to be killed. It was the Nazi belief in the importance of maintaining a pure Aryan Volk – a quasi-mystical racist concept that was thought of as more important than mere individuals’ lives – that made both the so-called euthanasia program and later the entire holocaust possible. Proposals for the legalization of euthanasia, on the other hand, are based on respect for autonomy and the goal of avoiding pointless suffering.

Cherokee stories have been passed down through many generations. Storytelling is an art form. Storytellers are actors, singers, dancers, and mimes who tell stories about the Cherokee people and animals. Animals are important in Cherokee stories. Many stories tell of people who could speak with the animals. Some stories tell how the Cherokee could once communicate with animals. According to this belief, the Cherokee lost this ability because their ancestors were greedy and talked too much.

Death is too important to absorb all at once. It is like a precious wine to be savored slowly. Those who commit suicide want to escape death once and for all. But those who aren't such cowards learn to enjoy its taste.

Kazuo Ishiguro was pushing for such an expansion in his 1917 Nobel Lecture. After speaking so movingly about the effect singers have on his writing and discussing a film, amidst his literary musings and remembrances, he ended with a plea that serves well as a conclusion to this Nobel Prize section with its comments on future generations, genre and form: “… we must widen our common literary world to include many more voices from beyond our comfort zones of the elite first world cultures. We must search more energetically to discover the gems from what remain today unknown literary cultures, whether the writers live in far away countries or within our own communities. Second: we must take great care not to set too narrowly or conservatively our definitions of what constitutes good literature. The next generation will come with all sorts of new, sometimes bewildering ways to tell important and wonderful stories. We must keep our minds open to them, especially regarding genre and form, so that we can nurture and celebrate the best of them.

Kazuo Ishiguro was pushing for such an expansion in his 1917 Nobel Lecture. After speaking so movingly about the effect singers have on his writing and discussing a film, amidst his literary musings and remembrances, he ended with a plea that serves well as a conclusion to this Nobel Prize section with its comments on future generations, genre and form: “… we must widen our common literary world to include many more voices from beyond our comfort zones of the elite first world cultures. We must search more energetically to discover the gems from what remain today unknown literary cultures, whether the writers live in far away countries or within our own communities. Second: we must take great care not to set too narrowly or conservatively our definitions of what constitutes good literature. The next generation will come with all sorts of new, sometimes bewildering ways to tell important and wonderful stories. We must keep our minds open to them, especially regarding genre and form, so that we can nurture and celebrate the best of them. In a time of dangerously increasing division, we must listen. Good writing and good reading will break down barriers. We may even find a new idea, a great humane vision, around which to rally.

Don’t play up mental roadblocks that will keep you from a newly discovered passion. But don’t minimize important considerations either—like whether you’ve got at least the basics of what it might take to succeed. You don’t want to be like a cluelessly bad karaoke singer warbling haplessly into the night.

The great supposed breakthrough of Haufmann and Eisen was an argument that this meant distance did not exist at all. Distance was a construct, an illusion. That was thinking around the problem, Crystal said. That was important men deciding that if they couldn't explain something, it must be unexplainable.

There is another important objection to making viability the cut-off point. The point at which the fetus can survive outside the mother's body varies according to the state of medical technology. Until the development of modern methods of intensive care, it was generally accepted that a baby born more than two months premature could not survive. Now a six-month-old fetus – three months premature – can often be pulled through, thanks to sophisticated medical techniques, and fetuses born after as little as five and a half months of gestation have survived.

Because of what the rich nations are doing, lands that now grow crops will become barren, glaciers that for millennia have fed rivers will dwindle, the sea will take over fertile fields, tropical diseases will spread, and people will starve or become refugees. For at least the past twenty years, the rich countries have known that their actions risk causing these effects; and from some time in the first decade of the twenty-first century, they have known that their actions very probably will have these effects. The fact that these harms are an unwanted but unavoidable side effect of pursuing otherwise innocuous goals, like giving people the kind of lifestyle they desire, is no justification for causing such harms. According to the doctrine of double effect, knowingly causing harm can be justified if the harm is not intended, the goal is sufficiently important to outweigh the harm caused, and there is no other way of achieving the goal without causing at least as great a harm. In the case of global warming, however, the reverse is the case: the harm caused far outweighs the good obtained.

More important still, we do not yet know how many of these differences are really due to the different genetic endowments of the different races and sexes, and how many are due to poor schools, poor housing, and other factors that are the result of past and continuing discrimination. Perhaps all of the important differences will eventually prove to be environmental rather than genetic.

53 Separation for a better you Then the rest of the people-the priests, Levites, gatekeepers, singers, Temple servants, and all who had separated themselves from the pagan people of the land in order to obey the Law of God, together with their wives, sons, daughters, and all who were old enough to understand joined their leaders and bound themselves with an oath. (Nehemiah 10:28-29a NLT)   Take a moment and think about the people in your life and the activities that you’re involved in.  Do these people and activities pull you closer to God or push you further away? Sometimes you have to separate yourself from people and situations in order to fully obey God.  There is nothing wrong with that.  You must get to a place in your life where your relationship with God is more important than the opinions of others. You must also recognize that no one is exempt from being led away from God and into sin.  Your title and status do not matter. Take King Solomon for example; even he was led into sin by his foreign wives. (see Nehemiah 13:26)  This is proof that the people in your life can cause you to sin. You must be careful about whom you allow into your life because they influence your behavior. Prayer for Today: Heavenly Father, thank You for Your mercy and grace. Give me wisdom to discern the character of those who are in my life. Let me not be influenced by those who do not find joy in Your presence. Show me activities and people in my life that I need to separate from in order that I may fully obey You. In Jesus’ name, Amen. Additional Scripture reading: Nehemiah 10 and Nehemiah 13

Do not let anything that happens in life be important enough that you’re willing to close your heart over it. When your heart starts to close, just say, “No. I’m not going to close. I’m going to relax. I’m going to let this situation take place and be there with it.” Honor and respect the situation, and deal with it. By all means deal with it. Do the best you can. But deal with it with openness.

In response to this situation, the Australian philosopher Peter Singer wrote a now famous essay, “Famine, Affluence, and Morality,” in which he argued that spending money on the trappings of middle-class life rather than on famine relief, or some other form of charitable aid, was not merely stingy but depraved. His argument went like this: If you walk past a shallow pond and see a child drowning, ought you to save the child, even if it would mean muddying your clothes? Most people would say that of course you should—muddy clothes are nothing compared with a dead child. Well, he argued, children are dying all the time, so if we can save them without sacrificing anything of equal importance, particularly something as unimportant as extra clothes, we ought to do it. Most of these children are nowhere near us, but what moral difference does it make if the child is in front of us or far away? If we spend two hundred dollars on clothes that could have bought lifesaving food or medicine, we’re still responsible for a death. And, by extension, if we don’t give much of what we own and earn for the relief of suffering, then we’re responsible for many deaths. This

Most people have been there at some time in their lives. You feel that you have no way out, and it seems like you will stay there forever. Then suddenly, one day, the phone rings. It’s your girlfriend. That’s right, the one who dumped you three months ago. She’s crying as she says, “Oh, my God! Do you remember me? I hope you’ll still talk to me. I just feel so terrible. Leaving you was the worst mistake I ever made. I see now how important you are to me, and I can’t live without you. The only real love I ever felt in my life was during the time we were together. Would you please forgive me? Could you ever forgive me? Can I come over and see you?” Now how are you doing? Seriously, how long does it take you to get enough energy to jump out of bed, clean up the apartment, take a shower, and get some color back in your face? It’s practically instantaneous. You’re filled with energy the moment you hang up the phone. How does this happen? You were completely drained. For months and months, you had no energy. Then out of nowhere, in a matter of seconds, there is so much energy it blows you away. You can’t just ignore these enormous shifts in your energy level. Where exactly did all that energy come from? There was no sudden change in your eating or sleeping habits. Yet when your girlfriend comes by, you end up talking all night and going out to see the sunrise in the morning. You’re not tired at all. You’re together again and you’re holding hands and these rushes of joy just won’t stop overwhelming you. People see you and they remark that you look like a bundle of light. Where did all this energy come from?

The Klassik Royal Nation, also known as the Klassikans, is a group of believers dating to 21st-century Kenya whose followers believe that all people have access to the inner light of direct communion with God. Learn about the definition of a Klassikan, their beliefs, history, worship, the three main Klassikan traditions, and two former American presidents who were Klassikans. WHAT ARE KLASSIKANS? Klassikans are followers of a religious movement that began in 21st century Kenya. The movement emphasizes equal, inward access to God for all people. Their worship is most notable for its use of prolonged periods of silence. There were approximately 140,000 Klassikans worldwide as of 2021. Notable Klassikans include Kenyan record executive and technopreneur DON SANTO, singer Blessed Paul, Cash B, and DJ FIvestar among others. THE KLASSIK TRINITY The essential doctrine of Klassikanity is the Klassik Trinity. Klassikans believe, there are 3 essential things to a fulfilling human existence; God, family, and good life. Klassikans also believe in the inner light, or the belief that all people are able to directly encounter God or Truth inwardly and so have direct access to revelation. Other key doctrines common to all Klassikans flow from this central belief. Because all have direct inward access to God, Klassikans believe in spiritual equality for everyone: no race, gender, class, or other group has privileged or exclusive access to divine revelation. This belief in equality and their inward focus also leads most Klassikans to embrace the peace testimony, or pacifism, which is a rejection of violence and warfare. Klassikan gatherings reject voting as a means for making decisions and instead rely on consensus, since everyone has access to the same truth. KLASSIK DUTY We believe in the Klassik Duty: Success is through teamwork. Teamwork is the thorough conviction that nobody makes it until everybody gets it. WORSHIP Klassikan worship is built around providing opportunities for those present to commune inwardly with God and access the inner light. Most commonly, this involves meditation as a means of limiting external distractions. Kalpop music is also an important agent for spreading Klassikanity. Because they believe in spiritual equality, Klassikans have no special clergy to serve as mediators between God and humanity and generally, anyone can share their revelations with the group. In their early years, Klassikans shocked their contemporaries by allowing women to speak freely during their meetings. The meditational worship is often emotional, and the name Klassikan comes from the name they used to call members and supporters of the Klassik Nation. ORIGINS AND HISTORY Klassikanity began with DON SANTO, a 21st century African who was born on April 13, 1986. Santo spent his early years seeking religious truth and contact with JAH, but grew dissatisfied with both the priests of the established Anglican Church of Kenya and the radical preachers of other denominations. In 1995, he claimed to have a direct encounter with God and came away believing that true revelation must come not from external teachers, who were themselves sinners and thus imperfect, but directly from God speaking inwardly to each individual.

I loved music. What struck me most about a song wasn’t the lyrics or genre but simply the way it sounded. It’s like when you hear that right song, no matter where you are or what you are doing, the way it sounds just stirs something inside of you. Maybe it’s the melody, the instruments, or the singer’s voice, but for that short moment you forget everything else on your mind and just feel.