Sinatra Quotes

To be is to do - Socrates To do is to be - Sartre Do Be Do Be Do - Sinatra

Alcohol may be man's worst enemy, but the bible says love your enemy.

The best revenge is massive success.

The big lesson in life, baby, is never be scared of anyone or anything.

To be is to do - Socrates. To do is to be - Jean-Paul Satre. Do be do be do -Frank Sinatra.

You may be a puzzle, but I like the way the parts fit.

I'm gonna live till I die.

Basically, I'm for anything that gets you through the night - be it prayer, tranquilizers or a bottle of Jack Daniels.

....A simple I love you means more than money....

With the possible exception of clothes, beauty salons and Frank Sinatra, there are few subjects all women agree upon.

The cigarettes you light one after another won’t help you forget her.

I would like to be remembered as a man who had a wonderful time living life, a man who had good friends, fine family - and I don't think I could ask for anything more than that, actually.

Go fuck yourself," I replied, always the lady. "I'm staying here.

For nobody else, gave me thrill-with all your faults, I love you still. It had to be you, wonderful you, it had to be you.

I feel sorry for people that don't drink, because when they wake up in the morning, that is the best they are going to feel all day-

Don’t hide your scars. They make you who you are

The best is yet to come and won't that be fine.

You only go around once, but if you play your cards right, once is enough.

Maybe, in the final analysis, they saw me as something I wasn't and I tried to turn them into something they could never be. I loved them all but maybe I never understood any of them. I don't think they understood me.

Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs." So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne. "I tell you what," I said, "I'll call it 'The Children's Crusade.'" She was my friend after that.

I like intelligent women. When you go out, it shouldn't be a staring contest.

The best is yet to come.

Louis Armstrong on Mondays, Frank Sinatra on Wednesdays, Glenn Miller on Fridays, and Mozart on Sundays. Unless it was raining. If it's raining, it's always Billie Holiday.

You only live once, and the way I live, once is enough.

This is the kind of detail that is forbidden in literature; in a book, no one would dare combine a full moon with Frank Sinatra. The problem with fiction is that it must seem credible, while reality seldom is.

When lip service to some mysterious deity permits bestiality on Wednesday and absolution on Sunday, cash me out.

That's life,and I can't deny it/Many times I thought of cuttin' out but my heart won't buy it.

When you have to face up to the fact that marriage to the man you love is really over, that's very tough, sheer agony. In that kind of harrowing situation, I always go away and cut myself off from the world. Also, I sober up immediately when there is genuine bad news in my life; I never face it with alcohol in my brain. I just rented a house in Palm Springs and sat there and just suffered for a couple of weeks. I suffered there until I was strong enough to face it.

For what is a man, what has he got. If not himself, then he has naught.

He turned to leave, then hesitated. "One more thing." He walked up to me. "I've also been thinking about your declaration of undying love or whatever." "I didn't - it wasn't -" He clamped his hands on the sides of my gooey face and kissed me. I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away. He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest. I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that? The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that. In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me. "Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower." He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".

Of all the spirits I have seen, only Elvis and Mr. Sinatra are able to manifest in the garments of their choice. Others haunt me always in whatever they were wearing when they died. This is one reason I will never attend a costume party dressed as the traditional symbol of the New Year, in nothing buy a diaper and a top hat. Welcomed into either Hell or Heaven, I do not want to cross the threshold to the sound of demonic or angelic laughter. ~Odd Thomas

See, Don, I have this question, and I hope you’ll be honest with me.” He pulled at the end of his eyebrow. “I think you know you can count on my honesty.” “Can I?” I asked with an edge. “All right, then tell me: How long have you been fucking me?” That caused him to stop tugging his brow. “I don’t know what you’re saying—” “Because if I was going to fuck you,” I interrupted, “I’d get a bottle of gin, some Frank Sinatra music…and a crash cart for the heart attack you’d have. But you, Don, you’ve been fucking me for years now, and I haven’t gotten any liquor, music, flowers, candy, or anything!

To be is to do’ — Socrates. ‘To do is to be’ — Jean-Paul Sartre. ‘Do be do be do’ — Frank Sinatra.

i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.

(While accepting the Jean Hersholt Humanitarian Award) I've been thinking about why you have to get famous to get an award for helping other people...If your name is John Doe, and you work night and day doing things for your helpless neighbors, what you get for your effort is tired. So, Mr. and Mrs. Doe, and all of you who give of yourselves, to those who carry too big a burden to make it on their own, I want you to reach out and take your share of this...Because if I have earned it, so too have you.

Great idea," I said. "Call the police. Call the fucking police.

I feel sorry for people who don't drink. When they wake up in the morning, that's as good as they're going to feel all day.

I have to know.” “Know what?” Jaden demanded. “Well, for starters, I have to know why you left without even saying goodbye.” Without thinking, he caressed the soft curve of her cheek with his thumb, stroking it affectionately as he stared into her green eyes. “But more importantly, I need to know why a woman I barely know has left such a gaping hole in my chest, why when I open my eyes in the morning I’m disappointed that you aren’t there, and why every song on the radio sounds like Frank Sinatra. Why is it that one night with you felt more like a thousand?

Ya gotta love livin', pally, cuz dyin's a pain in the ass!

And if Mozart is for Sundays, who do you listen to the rest of the week?" "Louis Armstrong on Mondays, Frank Sinatra on Wednesdays. And Glenn Miller on Fridays, unless it's raining. If it's raining, it's always Billie Holiday." "What about Tuesday, Thursday, and Saturday?" I asked. "Those days are quiet. Unless it's raining.

Fairy tales can come true It can happen to you If you're young at heart

I caught his drift, but I wasn't going to argue for a single second. Just get me to the Hampshire House, that's all I cared about. Besides, how could I say, "No, I'm not a prositute. I'm Mrs. Frank Sinatra out for an early morning walk in the rain"?

What is love? Great minds have been grappling with this question through the ages, and in the modern era, they have come up with many different answers. According to the Western philosopher Pat Benatar, love is a battlefield. Her paisan Frank Sinatra would add the corollary that love is a tender trap. The stoner kids who spent the summer of 1978 looking cool on the hoods of their Trans Ams in the Pierce Elementary School parking lot used to scare us little kids by blasting the Sweet hit “Love Is Like Oxygen”—you get too much, you get too high, not enough and you’re gonna die. Love hurts. Love stinks. Love bites, love bleeds, love is the drug. The troubadours of our times all agree: They want to know what love is, and they want you to show them. But the answer is simple. Love is a mix tape.

When you don’t do your job, you get fired.  That’s your warning.

When Frank Sinatra sings Stormy Weather, the flies and the spiders get along together.

The size of Frank Sinatra's penis had been on my mind for weeks. I don't know why it was bothering me so much, but it was.

There are things about organized religion which I resent. Christ is revered as the Prince of Peace, but more blood has been shed in his name than any other figure in history. You show me one step forward in the name of religion, and I'll show you a hundred retrogressions…I'm for decency—period. I'm for anything and everything that bodes love and consideration for my fellow man. But when lip service to some mysterious deity permits bestiality on Wednesday and absolution on Sunday—count me out.

I believe in you and me. I'm like Albert Schweitzer and Bertrand Russell and Albert Einstein in that I have a respect for life -- in any form. I believe in nature, in the birds, the sea, the sky, in everything I can see or that there is real evidence for. If these things are what you mean by God, then I believe in God. But I don't believe in a personal God to whom I look for comfort or for a natural on the next roll of the dice.

If you possess something but you can't give it away, then you don't possess it ... it possesses you.

To them the appearance of the Hell’s Angels must have seemed like a wonderful publicity stunt. In a nation of frightened dullards there is a sorry shortage of outlaws, and those few who make the grade are always welcome: Frank Sinatra, Alexander King, Elizabeth Taylor, Raoul Duke... they have that extra “something”.

Our phone bills were astronomical, and when I found the letters Frank wrote me the other day, the total could fill a suitcase. Every single day during our relationship, no matter where in the world I was, I'd get a telegram from Frank saying he loved me and missed me. He was a man who was deseperate for companionship and love. Can you wonder that he always had mine!

As she dampens my shirt with sadness and snot, I realize I'm about to do another thing I've never done before. I suck in air and attempt to sing. “You're . . . sensational . . . ,” I croak, struggling for a trace of Frank's melody. “Sensational . . . that's all.” There's a pause, and then something shifts in Julie's demeanor. I realize she's laughing. “Oh wow,” she giggles, and looks up at me, her eyes still glistening above a grin. “That was beautiful, R, really. You and Zombie Sinatra should record Duets III.” I cough. “Didn't get . . . warm-up.

I liked old time music but what i meant by that was the period from the 1930s through the 60s, nothing before and little after.  Performers like fats waller, Sinatra, billie holiday, louis armstrong, rosemary clooney, ella, sammy Davis Jr, dean martin... If the lyrics weren't stupid. Words were important.

Cock your hats, angles are attitudes

Then, aided by the booze, like a fool I tossed off one of those throwaway lines that would have been better thrown away. "Ah, Frank! I thought you were going to be down here fucking Lana.

The Best Things In Life Are Free" The moon belongs to everyone, The best things in life are free. The stars belong to everyone, They gleam there for you and me. The flowers in spring, the robins that sing, The moonbeams that shine, they're yours, they're mine. And love can come to everyone, The best things in life are free.

Welcome to warrior paradise, where you can listen to Frank Sinatra in Norwegian FOREVER!

I feel like a nineteen forties teenager at a Frank Sinatra concert! (On finally being published)

I’m a Fool” may not be a great song, but Sinatra’s shattering performance of it transcends the material. His emotion is so naked that we’re at once embarrassed and compelled: we literally feel for him.

Hell hath no fury like a hustler with a literary agent.

And Mick, for the first time in all his life, was speechless.

Some trick gets to tell me how to handle my own child

Frank Sinatra stopped his car. The light was red. Pedestrians passed quickly across his windshield but, as usual, one did not. It was a girl in her twenties. She remained at the curb staring at him. Through the corner of his left eye he could see her, and he knew, because it happens almost every day, that she was thinking, It looks like him, but is it? Just before the light turned green, Sinatra turned toward her, looked directly into her eyes waiting for the reaction he knew would come. It came and he smiled. She smiled and he was gone.

The style sounded like I look. What good would it do if I sounded like Sinatra? People would look at me and look at him and choose him.

A Clinton staffer tells me his theory. Think about Frank Sinatra, he says: born to sing. Think about Willie Mays: born to play ball. These guys got their power from living lives perfectly suited to their natures. Same with Clinton: his life is perfectly suited to his nature.

There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.

I wouldn't say I'm a romantic, exactly. but I believe in romance, which is to say, I believe in calling to inquire about a date instead of texting, & flowers after sex, & Frank Sinatra at an engagement. And New York City in December.

I thought it best, finally, to start seeing where I've been rather than where I'm going.

Success is the best revenge

Regrets, I've had a few; But then again, too few to mention.

Maya Angelou said when people show you who they are, believe them.

She closed her eyes because, when it happened, when he took her there, she knew it was going to be a hard, exciting, exhilarating ride.

I feel bad for people who don't drink. When they wake up in the morning, that's as good as they're going to feel all day.

You were just babies then!", she said. "What?" I said. "You were just babies in the war - like the ones upstairs!" I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood. "But you're not going to write it that way, are you." This wasn't a question. It was an accusation. "I-I don't know", I said. "Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs." So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne. "I tell you what," I said, "I'll call it 'The Children's Crusade.'" She was my friend after that.

We're going to pray right now. Then you'll stay for Bible Study, at least praise time. You need to remember how Jesus sees you,and lift up your voice in thanks for it." "Julia, I can't hold a tune, much less carry it." "Hey, to Him, you're Sinatra. Now, let's pray.

You’ll pretend you were men instead of babies, and you’ll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we’ll have a lot more of them. And they’ll be fought by babies like the babies upstairs.

During the same Monte Carlo trip, Churchill, while waiting outside the casino for his car, was buttonholed by Frank Sinatra, the American singer, who rushed up to him and shook his hand, saying, “I’ve wanted to do that for twenty years.” After the singer departed, a puzzled Churchill inquired of an assistant, “Who the hell was that?” Churchill

Dos gruesos gerontes de las heladas tierras del norte sostienen sus cartas de vinos desde una de las atiborradas terrazas del Sinatra. Están inquietos porque piensan que, como comensales europeos, tienen derecho a decir lo que les dé la gana o bien a guardar silencio. Porque saben que todo lo que coman puede ser cargado en su cuenta y que tienen derecho a una sangría y a un plato de calamares, y que, de no poder pagarla, el hormiguero común pangeico de los soldados de Cristo puede proporcionarles una paella de oficio

dont walk in front of me, i may not follow. don't walk behind me, I may not lead. walk beside me and be my friend

Mick the Tick didn’t give a fuck.

what?” Charles said.  “So what?”  He walked over to her, but not to confront her.  He, instead, leaned back and slapped the shit out of her.

Why are you here?” she asked her. “Because she belongs with us,” Charles said.  “Which is more than I will ever say for your sorry ass!

I go where my wife goes.  Nobody will be taking her into any backrooms, and I will not be excusing myself. 

Because that apple, no matter how delicious, never fell far from that tree.

I discovered very early that my instrument wasn't my voice," he said to me once. "It was the microphone.

I'm mad about good books , can't get my fill .

You only live once...

Hubo un largo silencio y sólo se oyó la brisa del desierto y el sonido del jacuzzi calentándose y de la piscina vaciándose. También se oía a Frank Sinatra cantando «Summer Wind», y recé para que el director dijera el nombre. Por algún motivo me parecía muy importante. Necesitaba que el director dijera el nombre. El director abrió la boca y dijo: —Lo he olvidado.

The year was 1952.” I clear my throat and look down at my paper. “It was summer, and Frank Sinatra was on the radio. Lana Turner and Ava Gardner were the starlets of the day. Stormy was eighteen. She was in the marching band, she was voted Best Legs, and she always had a date on Saturday night. On this particular night, she was on a date with a boy named Walt. On a dare, she went skinny-dipping in the town lake. Stormy never could turn down a dare.” Mr. Perelli laughs and says, “That’s right, she never could.” Other people murmur in agreement, “She never could.” “A farmer called the police, and when they shined their lights on the lake, Stormy told them to turn around before she would come out. She got a ride home in a police car that night.” “Not the first time or the last,” someone calls out, and everyone laughs, and I can feel my shoulders start to relax. “Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.

Walter Benjamin, in his prescient 1923 essay “One Way Street,” said a book was an outdated means of communication between two boxes of index cards. One professor goes through books, looking for tasty bits he can copy onto index cards. Then he types his index cards up into a book, so other professors can go through it and copy tasty bits onto their own index cards. Benjamin’s joke was: Why not just sell the index cards? I guess that’s why we trade mix tapes. We music fans love our classic albums, our seamless masterpieces, our Blonde on Blondes and our Talking Books. But we love to pluck songs off those albums and mix them up with other songs, plunging them back into the rest of the manic slipstream of rock and roll. I’d rather hear the Beatles’ “Getting Better” on a mix tape than on Sgt. Pepper any day. I’d rather hear a Frank Sinatra song between Run-DMC and Bananarama than between two other Frank Sinatra songs. When you stick a song on a tape, you set it free.

For what is a man, what has he got? If not himself then he has naught Not to say the things that he truly feels And not the words of someone who kneels Let the record show I took all the blows and did it my way.

Sinatra’s final radio days were filled with minor quarter-hours and one full-length series in which he was relegated to the role of a disc jockey. By 1950 people were writing his professional obituary. His public image had taken a beating, his personal life a succession of wives, scrapes, and alleged friendships with gangsters. It would take a 1953 film, From Here to Eternity, and a subsequent acting career to save him.

If love lyrics were too mushy, he could sing them and make wised-up fun of the mush, and still, in some part of the self, acknowledge that there was some truth to the words. He could be tender and still be a tough guy. Ruth Etting could sing her weepy torch songs, but for men, whining or self-pity was not allowed; they were forbidden by the male codes of the city. Sinatra slowly found a way to allow tenderness into the performance while remaining manly. When he finally took command of his own career, he perfected the role of the Tender Tough Guy and passed it on to several generations of Americans. Before him, that archetype did not exist in American popular culture. That is one reason why he continues to matter; Frank Sinatra created a new model for American masculinity.

But you’re not going to write it that way, are you.” This wasn’t a question. It was an accusation. “I—I don’t know,” I said. “Well, I know,” she said. “You’ll pretend you were men instead of babies, and you’ll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we’ll have a lot more of them. And they’ll be fought by babies like the babies upstairs.” So then I understood. It was war that made her so angry. She didn’t want her babies or anybody else’s babies killed in wars.

By all accounts, John Frankenheimer was singularly obsessed with The Manchurian Candidate, a film that, according to Daniel O’Brien, the director regarded “as his first truly personal project, feeling that the story made an all too valid point regarding the political manipulation and conditioning of American society.

In December, Angela Lansbury had been signed to play Raymond’s mother, the arch-villainess Eleanor Shaw Iselin. Apparently, Sinatra originally wanted Lucille Ball for the role, a fascinating casting notion, as Tom Santopietro points out: “As Ball aged, she grew into an increasingly hardened performer, losing all traces of the vulnerability that so informed her brilliant multiyear run on television’s I Love Lucy. The resulting quality of toughness would have suited the role of [Eleanor] very well, although it is anyone’s guess whether or not Ball would have felt comfortable delving into the dark recesses of [her] warped character.

One of the very hot topics between Jimmy and Sam Giancana was Senator John F. Kennedy’s upcoming campaign for president. This was very controversial between them. Giancana had been promised by Kennedy’s old man that he could control Bobby and nobody had to worry about Bobby if Jack got in. The Kennedy old man had made his money alongside the Italians as a bootlegger during Prohibition. He brought in whiskey through Canada and distributed it to the Italians. The old man kept his contacts with the Italians over the years as he branched out into more legitimate things, like financing movie stars like Gloria Swanson who he was having affairs with. Sam Giancana was going to help John F. Kennedy against Nixon and so were Giancana’s buddy Frank Sinatra and practically all of Hollywood.

I have never hated anything as much as I hated being a teenager. I could not have been more ill-suited to the state of adolescence. I was desperate to be an adult; desperate to be taken seriously. I hated relying on anyone for anything. I'd have sooner cleaned floors than be given pocket money or walked three miles in the rain at night than be given a lift home by a parent. I was looking up the price of one-bedroom flats in Camden when I was fifteen, so I could get a head start on saving up with my babysitting money. I was using my mum's recipes and dining table to host 'dinner parties' at the same age, forcing my friends round for rosemary roast chicken tagliatelle and raspberry pavlova with a Frank Sinatra soundtrack, when all they wanted to was eat burgers and go bowling. I wanted my own friends, my own schedule, my own home, my own money and my own life. I found being a teenager one big, frustrating, mortifying, exposing, co-dependent embarrassment that couldn't end fast enough. Alcohol, I think, was my small act of independence. It was the one way I could feel like an adult.

One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.

The summer wind came blowin' in From across the sea It lingered there so warm and fair To walk with me All summer long, we sang a song And then we strolled on golden sand Two amigos And the summer wind Like painted kites Those days and nights, they went flyin' by The world was new Beneath a bright blue umbrella sky Then softer than a piper man One day, it called to you And I lost you, I lost you To the summer wind The autumn wind and the winter winds They have come and they have gone And still the days, those lonely days They go on and on And guess who sighs his lullabies Through nights that never end My fickle friend, the summer wind The summer wind, the summer wind The summer wind