Simpsons Famous Quotes

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They’re only famous because the public needs to believe that there are people worth idolizing—it’s the malady of the herd.” “I
David Simpson (Post-Human Series Books 1-4)
One [event] is the discovery of the anesthetic properties of chloroform [in 1847] by James Simpson of Scotland. Following the reports of [William] Morton’s demonstration [1846], he tried ether but, dissatisfied, searched for a substitute and came upon chlorophorm. He was an obstetrician. His use of anesthesia to alleviate the pains of childbirth was violently opposed by the Scottish clergy on the ground that pain was ordained by the scriptural command, “In sorrow thou shalt bring forth children”, and that it was impious to attempt to avert it by anesthetic agents. And it was Simpson who stilled this opposition by his own famous quotation from scripture; he pointed out that when Eve was born, God cast Adam into deep sleep before performing upon him the notable costalectomy. Anesthesia was thus permissible by scriptural precedent.
Howard Wilcox Haggard
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
Julien Duvivier
home of Elon Simpson. We were right off of Washington Square, a part of the city marked by well-appointed brownstones with shuttered windows and a park hailing back to this country’s birth. Here was the seat of this city’s Quality—and the seat of our dead. I had, by then, done my share of reading on Philadelphia, so I knew that, in another time, when the Task was here in Pennsylvania, the city had fallen victim to a wave of fever. And among the men who combatted this fever was Benjamin Rush, a famous doctor, which is hard to countenance given the theory he put forth in defense of the city. Colored people were immune to the fever, he told Philadelphia, and more than immune, their very presence could alter the air itself, sucking up the scourge and holding it captive in our fetid black bodies. And so tasking men were brought in by the hundreds on the alleged black magic of our bodies. They all died. And when the city began to fill with their corpses, its masters searched for a space far from the whites who were felled by the disease. And they chose a patch of land where no one lived, and tossed us into pits. Years later, after the fever had been forgotten, after the war had birthed this new country, they built rows and rows of well-appointed houses right on top of those people, and named a square for their liberating general. It struck me that even here, in the free North, the luxuries of this world were built right on top of us.
Ta-Nehisi Coates (The Water Dancer)
From The Titanic Test: I pulled him back down to me, this time for a slow-burn kiss, the kind designed to set your hair on fire and take all the oxygen out of your lungs. I didn’t want to talk. Didn’t want to think. Didn’t want to hear any high school crap. We were on the deck of one of the most famous ships in the world. He was a guy in a tuxedo. I was a girl in a glamorous gown. We’d danced the night away. It was our movie moment.
Ann K. Simpson (The Titanic Test: A Love Story)
This special was followed one month later by “Bart the Genius.” This was the first genuine episode of The Simpsons , inasmuch as it premiered the famous trademark opening sequence and included the debut of Bart’s notorious catchphrase “Eat my shorts.” Most noteworthy of all, “Bart the Genius” contains a serious dose of mathematics. In many ways, this episode set the tone for what was to follow over the next two decades, namely a relentless series of numerical references and nods to geometry that would earn The Simpsons a special place in the hearts of mathematicians.
Simon Singh (The Simpsons and Their Mathematical Secrets)
From The Titanic Test: 'I pulled him back down to me, this time for a slow-burn kiss, the kind designed to set your hair on fire and take all the oxygen out of your lungs. I didn’t want to talk. Didn’t want to think. Didn’t want to hear any high school crap. We were on the deck of one of the most famous ships in the world. He was a guy in a tuxedo. I was a girl in a glamorous gown. We’d danced the night away. It was our movie moment.
Ann K. Simpson (The Titanic Test: A Love Story)
The surrender gave rise to one of Cunningham’s most famous signals (and demonstrated his Nelsonian sense of history): ‘Be pleased to inform Their Lordships that the Italian Battle fleet now lies at anchor under the guns of the fortress of Malta.’38
Michael K. Simpson (A Life of Admiral of the Fleet Andrew Cunningham: A Twentieth Century Naval Leader (Cass Series: Naval Policy and History Book 25))
When Lizzie Borden was acquitted of her parents’ murder in 1893, the people of New England were outraged — but Lizzie didn’t taunt the public for failing to convict her. She just moved into a nice house with her sister and became a recluse. A century later, Borden is “hated” by no one; anyone captivated by her life is predisposed to think about the murders from her perspective (and to hunt for any clue that might validate her improbable innocence). Over time, the public will grow to accept almost any terrible act committed by a celebrity; everything eventually becomes interesting to those who aren’t personally involved. But Simpson does not allow for uninvolvement. He exceeds the acceptable level of self-directed notoriety and changes the polarity of the event; by writing this book, he makes it seem like the worst part of Brown and Goldman’s murder was what happened to him, and that he perversely wants the world to remember that he killed them (even if he’s somehow internally convinced himself that he did not, which is what I always assumed during the trial). He keeps reminding people that he is famous because two other people are dead.
Chuck Klosterman (I Wear the Black Hat: Grappling With Villains (Real and Imagined))
I'm in deep mourning' (Max) 'Oh. I'm sorry. Who-' (Phoebe) 'My phone.' 'I'd feel manipulated here if this was anybody but you.
Dana Simpson (Unicorn Famous (Phoebe and Her Unicorn #13))
If at every point that you encounter a surprise or frustration in JavaScript, your response is to add it to the blacklist (as some are accustomed to doing), you soon will be relegated to a hollow shell of the richness of JavaScript. While this subset has been famously dubbed “The Good Parts,” I would implore you, dear reader, to instead consider it the “The Easy Parts,” “The Safe Parts,” or even “The Incomplete Parts.
Kyle Simpson (You Don't Know JS: Async & Performance)
There’s a famous quote which goes something like, ‘You are what you are, having secretly become what you wanted to be’. Maybe there’s some truth to that. We like to think that society shapes us, but I don’t think that that’s the way it happens. Select, 1991
Mark Simpson (Saint Morrissey)