“
I sit beside the fire and think
Of all that I have seen
Of meadow flowers and butterflies
In summers that have been
Of yellow leaves and gossamer
In autumns that there were
With morning mist and silver sun
And wind upon my hair
I sit beside the fire and think
Of how the world will be
When winter comes without a spring
That I shall ever see
For still there are so many things
That I have never seen
In every wood in every spring
There is a different green
I sit beside the fire and think
Of people long ago
And people that will see a world
That I shall never know
But all the while I sit and think
Of times there were before
I listen for returning feet
And voices at the door
”
”
J.R.R. Tolkien
“
If this were my last moment alive, how would I want it to be?
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I love to watch the fine mist of the night come on,
The windows and the stars illumined, one by one,
The rivers of dark smoke pour upward lazily,
And the moon rise and turn them silver. I shall see
The springs, the summers, and the autumns slowly pass;
And when old Winter puts his blank face to the glass,
I shall close all my shutters, pull the curtains tight,
And build me stately palaces by candlelight.
”
”
Charles Baudelaire (Les Fleurs du Mal)
“
Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.
Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.
My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.
My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.
Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.
Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
fool who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter.
”
”
Pablo Neruda
“
Save a horse, ride a cowboy.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
What the hell is the cowboy hat rule? You wear the hat, you ride the cowboy.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Willa might be a bit of a psycho—after all, she did just push a child into the pool—but the more time I spend with her, the more I feel like she’s my psycho.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
She and I really are binary stars, stuck in each other’s orbit, drawn together by forces we can’t see or understand—but that we can feel.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Life lesson, shithead. Careful who you pick a fight with. Someone insane might love him.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
You don’t tell a person you love them with the expectation they’ll say it back. You tell them because you want to. You tell them because it’s true.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
It strikes me that perhaps I’m not an easy woman to love, but Theo does it so effortlessly that I feel like I could be. Like I deserve to be.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
And I realize in that moment maybe I am heartless after all, because the beautiful girl with the copper hair grinning back at me right now is the one who stole it.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
You were out there this whole time, and now I know you exist, and I can never go back. Wouldn’t want to if I could.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I could fucking bury whoever made you believe you’re as unlovable as you seem to think.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Times have changed, Sloane. I’m not scared anymore. You’re not my fucking friend. You’re just mine.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
Princess, you look like you were made for me."
"I feel like I was made for you.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I think people mistake you being in a bad mood when you’re just overwhelmed. I think you needed to lie here for a few minutes with no one needing you. I think you’re overstimulated and even the best of us require some time to collect ourselves.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
That knowledge humbles me, melts my bones, closes my ears, and makes my teeth rock loosely in their gums. And it also liberates me. I am a big bird winging over high mountains, down into serene valleys. I am ripples of waves on silver seas. I'm a spring leaf trembling in anticipation.
”
”
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
“
Don’t you get it, Jas? I’ve seen all the darkest parts of you and I’m still here. I still want more. Stop trying to scare me away. It isn’t going to work.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
It means . . . I live you. Like I see you everywhere, you are in everything. Our connection is more than physical.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
”
”
Antonia Michaelis (The Storyteller)
“
Willa: You only live once, you know. This is a story you could tell your kids one day. Summer: What the fuck kind of stories do you plan on telling your children, Wils?
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I don’t care. Don’t you get it? I’m in love with you, Willa. Prickly legs, random carrots in your purse, pregnant, not pregnant. I want you.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
The answer is no. None of that shit matters. Because we’re me and you. We’re us. Unlikely and inevitable all at once. We’re forever.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
Have you tried talking to him?” I blink at her. “Talking?” “Yes. You know . . . where you use your mouth to create words that describe what’s going through your head.” “Sounds weird. Sounds awkward. Don’t like it. Not approved by me.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I just remembered that he called me the morning after you two first got together. And do you know what he said to me?
He said, ‘Mom, I met her.’ And I said, ‘Who?’ He said, ‘The woman I’m going to marry one day.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Please don’t cry. I fucking hate it when you cry. It’s like a bullet to my chest.” “Taken many bullets, have you?” My voice is weak, and I hate that. “No,” he husks, “but I would. For you, I would.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
You’ve got me, Princess. Only you, I promise,
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Careful, that one’s got claws,” Cade offers right as Willa shoves a pointy elbow into his ribs. I grin. “That’s okay. I like having my back scratched.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
See, Sloane? You can wear someone else’s ring, but we both know you’ve always been mine.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
I love the stillness of the wood;
I love the music of the rill:
I love the couch in pensive mood
Upon some silent hill.
Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
and, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break into mar the holy peace
Of this great solitude.
Here may the silent tears I weep
Lull the vested spirit into rest,
As infants sob themselves to sleep
Upon a mothers breast.
But when the bitter hour is gone,
And the keen throbbing pangs are still,
Oh, sweetest then to couch alone
Upon some silent hill!
To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow-light.
For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?
Shall the poor transport of an hour
Repay long years of sore distress—
The fragrance of a lonely flower
Make glad the wilderness?
Ye golden house of life's young spring,
Of innocence, of love and truth!
Bright, beyond all imagining,
Thou fairy-dream of youth!
I'd give all wealth that years have piled,
The slow result of Life's decay,
To be once more a little child
For one bright summer's day.
”
”
Lewis Carroll
“
I’m done pretending to be head over heels in love with you because I’m legitimately head over heels in love with you. And acting like I’m not tears me up.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Watch your fucking tone when you’re talking to the mother of my child.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
I love your freckles,” he murmurs from behind me, the pad of his finger tracing lines across the expanse of my back. “They remind me of all the constellations. Like I could draw lines between them, and pictures would appear.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Grave and thoughtful was her glance, as she looked on the king with cool pity in her eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
Thus Aragorn for the first time in the full light of day beheld Eowyn, Lady of Rohan, and thought her fair; fair and cold, like a morning of pale spring that is not yet come to womanhood. And she now was suddenly aware of him: tall heir of kings, wise with many winters, grey cloaked, hiding a power that yet she felt. For a moment still as stone she stood, then turning swiftly she was gone.
”
”
J.R.R. Tolkien
“
You have to freak out with me because I need you. And I love you. I love you so much it paralyzes me to think of carrying on without you. You’re not allowed to shut me out. Because you made me need you, and now you have to deal with the consequences.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Keep talking like that and I’m going to fuck the filth right out of your pretty mouth.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I don’t know. New sounds scary. It sounds like failure.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Did Winter say something to you? Do we like her? Do we hate her? Am I supposed to be mad at something with you? Because I will be if you are. Just tell me how to be supportive.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I’ll take a boozy brunch with my bestie and a dirty book in bed by eight for a thousand, Alex.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Beau: Willa doesn’t run my show. Cade: You must be new here. Willa runs everyone’s show.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
If we’re struggling, we’re still in motion, yeah? Heading somewhere better. That’s what I keep telling myself anyway.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Nah, Sunny. You’re my only girl.
”
”
Elsie Silver (Powerless (Chestnut Springs #3))
“
Sunny, you’re gonna make me lose my mind.” “Good,” I murmur against his mouth. “We’ll be insane together. I’m so tired of doing it alone.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
For too long, I was a soft, demure little dove. And then they burned me. Scorched me. Turns out I’m a dragon and I’m fed the fuck up with boys and their bullshit.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
I can’t wait to be old and retired and say things just to see how people will react to get my kicks. That’s the dream right there.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I must have a stupid smile on my face as I stare back at him because I feel an elbow nudge against mine. “It’s nice to see someone looking at Cade like that. Defending him like that,” Jasper says. “Like they can see him for who he is rather than the man circumstances forced him to become.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Hey, Willa?” “Hey, Luke,” I reply dryly, since the be quiet part obviously didn’t register. “Sometimes I wish you were my mom.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
You know what I'm sick of, Summer?"
"What's that?"
"Having you think I'm out fucking everything that moves when I've looked at nothing and no one since the first day I laid eyes on you. I stepped into that godforsaken boardroom, and you practically demanded I become obsessed with you.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Choosing each other. Finding each other. Showing up for each other. And everything about the moment is flawless.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
You heard me, Red. You keep barking at me like that and I’m going to put you on your knees, open those strawberry lips, and fuck your face just to shut you up.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Play stupid games, win stupid prizes.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
One more championship and maybe I'll take my gold buckle and hang up my hat.
Preferably on Summer Hamilton's head.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
It bothers me that what we’re doing here can be filed away as fake when it’s the most real thing I’ve felt in my life.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Because the very last thing I need in my life is someone who makes me feel like there’s not enough oxygen in my lungs when I’ve only just caught my breath.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Sounds like her loss, because you might be the coolest kid I’ve ever met.” She doesn’t use a sad voice, or a baby voice, she just talks to him like a normal human being. “Fucking hell,” I curse under my breath because she just practically hired herself.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
We’re often blind to the people we love the most.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
Beg.” “Pardon me?” “You heard me.” Her lips don’t even twitch. She’s not joking at all. “Beg.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
This girl has brought me back to life without even trying. All that time I searched for someone to make me feel something, and she was right fucking there.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Your kiss thrilled me beyond imagining,” he whispered. “Every night for the rest of my life, I’ll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I’m an old man, and my brain has fallen to wrack and ruin, I’ll remember the sweet fire of your lips under mine, and I’ll say to myself, ‘Now, that was a kiss.’” Silver-tongued devil, Pandora thought, unable to hold back a crooked grin.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
You are not a burden. You are not a waste of time. You are very wanted. And anyone who makes you feel you’re anything less deserves Rhett Eaton’s fist to their face. Or yours. You can hit back too, you know? I’ll bail you out every fucking time.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
The first flash of color always excites me as much as the first frail, courageous bloom of spring. This is, in a sense, my season--sometimes warm and, when the wind blows an alert, sometimes cold. But there is a clarity about September. On clear days, the sun seems brighter, the sky more blue, the white clouds take on marvelous shapes; the moon is a wonderful apparition, rising gold, cooling to silver; and the stars are so big. The September storms--the hurricane warnings far away, the sudden gales, the downpour of rain that we have so badly needed here for so long--are exhilarating, and there's a promise that what September starts, October will carry on, catching the torch flung into her hand.
”
”
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
“
None of that shit matters. Because we’re me and you. We’re us. Unlikely and inevitable all at once. We’re forever.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
He’s constantly trying to blend into the background, but even when he’s hiding, I see him.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
That’s everyone, Tink. You’ve ruined me. Don’t you get it? I only see you. You’ve got all my attention. Every last bit of it.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Sometimes we seize the moment, and sometimes it seizes us.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I know you’re scared of losing control around me.” Her chin tips up as though she’s told me something that will make me back down. Run me off. It doesn’t. “No, I’m scared of you becoming something I can’t live without.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Your name is a -- bird in my hand
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.
”
”
Marina Tsvetaeva
“
I'll never be a poet,' said Amory as he finished. 'I'm not enough of a sensualist really; there are only a few obvious things that I notice as primarily beautiful: women, spring evenings, music at night, the sea; I don't catch the subtle things like 'silver-snarling trumpets.' I may turn out an intellectual, but I'll never right anything but mediocre poetry.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
I want to do distinctly ungentlemanly things to Summer Hamilton.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I loved you the moment you walked into that boardroom and smirked at me like you knew something I didn’t. It bothered me, and I couldn’t stop thinking about it.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
You do know you’re in love with that girl, don’t you?”
“Yeah, Mom. I know.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
There's something fractured about Beau. About his spirit. Like he's torn between so many versions of himself and doesn't know which one to pick.
I wish he knew it's okay to be all of them with me.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
I will go wherever you want. I will wear whatever you want. I will never turn my phone off again. I will always, always be there for you. For Vivi. You don’t need to beg, and you don’t need to say please. For as long as I live, for as long as you need me, you’ll have me. Okay? Never doubt that.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Rhett: Can you fuck off now? Beau: Sadly, no. You’re stuck with me forever. Don’t die out there tonight! Rhett: What if that was the last thing you ever said to me? Beau: Then I’d think to myself: if only Rhett had listened to my good advice.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I love you, Sloane Winthrop. I always have. I love you so damn hard I don’t even know what to do with it. You’re my person. And I think I’m yours too.” “You have always been my person,” she chokes out. “I love you so much.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
I’m trying to give you what you need. But if you think I don’t like what I see, then I’m not the one who needs his head checked. Because your wellbeing has quickly become my number one priority.”
“Why?”
“Because I fucking adore you. Haven’t you been paying attention?
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Tell me what to do, Summer. Tell me, and I’ll do it. Was I unclear before? Because I want to be crystal clear now. I love you. I loved you the moment you walked into that boardroom and smirked at me like you knew something I didn’t. It bothered me, and I couldn’t stop thinking about it. Wanting to know what you know. I fixated on it, but I think I was just fixated on you.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings. Thus Aragon for the first time in the full light of day beheld Eowyn, lady of Rohan, and thought her fair, fair and cold, like a morning of pale spring that is not yet come to womanhood.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
No, Sunny. I shouldn’t be scared. You’re the least scary thing in my life. You’re not just tattooed on my skin. You’re branded on my heart. Woven into the fiber of my being. The most constant and reassuring person in my life. When I close my eyes, I see you. When you’re away from me, I dream about you. When I need someone to lean on, you are always there for me. God. You’ve loved me when I haven’t even been able to love myself.” My hands squeeze her cheeks and tears seep out over them. But she’s smiling up at me like I hung the moon.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
He had to get inside. It was essential that he know everything, the routes she took, her schedule, and the lay of the land.
The silver moon glowed overhead, mocking him. Somewhere in the trees an owl hooted its laughter at his failure.
Randy--from Spring Cleaning--Coming Summer 2012
”
”
Brandi Salazar (Spring Cleaning)
“
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
”
”
Nema Al-Araby (Remnants and Ashes)
“
And the man clad in black and silver with a silver rose upon him? He would like to think that he has learned something of trust, that he has washed his eyes in some clear spring, that he has polished an ideal or two. Never Mind. He may still be only a smart-mouthed meddler, skilled mainly in the minor art of survival, blind as ever the dungeons knew him to the finer shades of irony. Never mind, let it go, let it be. I may never be pleased with him.
”
”
Roger Zelazny (The Courts of Chaos (The Chronicles of Amber, #5))
“
You’re not just tattooed on my skin. You’re branded on my heart. Woven into the fiber of my being. The most constant and reassuring person in my life. When I close my eyes, I see you. When you’re away from me, I dream about you. When I need someone to lean on, you are always there for me. God. You’ve loved me when I haven’t even been able to love myself.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
Cade is the embodiment of actions speaking louder than words. He wasn’t about to fall all over himself apologizing for not making enough coffee for me. Instead, he just made more and left me a mug, knowing that it would make me feel good. And a Post-it note addressed to Red. Maybe I’m an idiot but it feels sweet. Coming from Cade, it is sweet.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.
”
”
James Thompson (Snow Angels (Inspector Kari Vaara, #1))
“
I WANT her though, to take the same from me.
She touches me as if I were herself, her own.
She has not realized yet, that fearful thing, that
I am the other,
she thinks we are all of one piece.
It is painfully untrue.
I want her to touch me at last, ah, on the root and
quick of my darkness
and perish on me, as I have perished on her.
Then, we shall be two and distinct, we shall have
each our separate being.
And that will be pure existence, real liberty.
Till then, we are confused, a mixture, unresolved,
unextricated one from the other.
It is in pure, unutterable resolvedness, distinction
of being, that one is free,
not in mixing, merging, not in similarity.
When she has put her hand on my secret, darkest
sources, the darkest outgoings,
when it has struck home to her, like a death, "this is _him!_"
she has no part in it, no part whatever,
it is the terrible _other_,
when she knows the fearful _other flesh_, ah, dark-
ness unfathomable and fearful, contiguous and concrete,
when she is slain against me, and lies in a heap
like one outside the house,
when she passes away as I have passed away
being pressed up against the _other_,
then I shall be glad, I shall not be confused with her,
I shall be cleared, distinct, single as if burnished in silver,
having no adherence, no adhesion anywhere,
one clear, burnished, isolated being, unique,
and she also, pure, isolated, complete,
two of us, unutterably distinguished, and in unutterable conjunction.
Then we shall be free, freer than angels, ah, perfect.
VIII
AFTER that, there will only remain that all men
detach themselves and become unique,
that we are all detached, moving in freedom more
than the angels,
conditioned only by our own pure single being,
having no laws but the laws of our own being.
Every human being will then be like a flower, untrammelled.
Every movement will be direct.
Only to be will be such delight, we cover our faces
when we think of it
lest our faces betray us to some untimely fiend.
Every man himself, and therefore, a surpassing
singleness of mankind.
The blazing tiger will spring upon the deer, un-dimmed,
the hen will nestle over her chickens,
we shall love, we shall hate,
but it will be like music, sheer utterance,
issuing straight out of the unknown,
the lightning and the rainbow appearing in us
unbidden, unchecked,
like ambassadors.
We shall not look before and after.
We shall _be_, _now_.
We shall know in full.
We, the mystic NOW.
(From the poem the Manifesto)
”
”
D.H. Lawrence
“
The Calores are children of fire, as strong and destructive as their flame, but Cal will not be like the others before. Fire can destroy, fire can kill, but it can also create. Forest burned in the summer will be green by spring, better and stronger than before. Cal's flame will build and bring roots from the ashes of war. The guns will quiet, the smoke will clear, and the soldiers, Red and Silver both, will come home. One hundred years of war, and my son will bring peace. He will not die fighting. He will not. HE WILL NOT.
”
”
Victoria Aveyard (Queen Song (Red Queen, #0.1))
“
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
One day, years down the road, we’ll be gray-haired and soft in the middle section, drinking an enormous glass of spiced rum and eggnog around the Christmas tree. I’ll make some joke about the night I offered friends-with-benefits to you. Rhett will howl. Summer will roll her eyes, because I’m going to tell her tomorrow, and she’ll think I’m ridiculous for bringing it up so many years later. Your small-town wifey will throw a hand over her chest”—Willa imitates the motion—“and act scandalized all night. In fact, she’ll give me the cold shoulder for the rest of our lives. And I’ll outlive her, so that’s fine. Joke’s on her. I win. And my husband will be accustomed to my antics, so he’ll just roll his eyes and continue drinking.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
”
”
Anne Rivers Siddons (Colony)
“
Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.
”
”
Ken Kesey (Sometimes a Great Notion)
“
I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky.
”
”
Peter Matthiessen (The Snow Leopard)
“
To Juan at the Winter Solstice
There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison to all true kings that ever reigned?
Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.
Or is it of the Virgin's silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right hand she crooks a finger, smiling,
How many the King hold back?
Royally then he barters life for love.
Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?
Much snow if falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses:
There is one story and one story only.
Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.
”
”
Robert Graves
“
He thought he stood upon an English hillside. Rain was falling; it twisted in the air like grey ghosts. Rain fell upon him and he grew thin as rain. Rain
washed away thought, washed away memory, all the good and the bad. He no longer knew his name. Everything was washed away like mud from a stone. Rain filled him up with thoughts and memories of its own. Silver lines of water covered the hillside, like intricate lace, like the veins of an arm. Forgetting that he was, or ever had been, a man, he became the lines of water. He fell into the earth with the rain.
He thought he lay beneath the earth, beneath England. Long ages passed; cold and rain seeped through him; stones shifted within him. In the Silence and the Dark he grew vast.
He became the earth; he became England. A star looked down on him and spoke to
him.
A stone asked him a question and he answered it in its own language. A river
curled at his side; hills budded beneath his fingers. He opened his mouth and breathed out spring.
He thought he was pressed into a thicket in a dark wood in winter. The trees went on for
Over dark pillars separated by thin, white slices of winter light. He looked
down. Young saplings pierced him through and through; they grew up through his body, through his feet and hands. His eye-lids would no longer close because twigs had grown up through them.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.”
Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers.
Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?”
“I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now.
He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.”
They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t.
“Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch.
“Poor little rich girl!” Jay accused, grabbing her arm and pulling her down.
She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side.
“Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!”
That was how her aunt and uncle found them.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie