“
Christmas garland and a rock?" he said, a smile in his voice. "Why not an ornament?"
"Wolves aren't fragile," I told him. "And they're... stubbon and hard to move.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
To Selene (Moon)
Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night.
With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride:
Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline.
Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon:
Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light.
Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life:
Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end.
Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil;
Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light,
Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.
”
”
Orpheus
“
He ascended the mountain in darkness, no lamplight, a world black and silver and blue. The moon lay scattered through the woods in blades, glowing palely, the wind rising now and again to moan through the trees. The trail scrawled ever upward, toward the looming darkness of the mountain's peak. Above it all the sea of night, the strange ornamentation of stars.
”
”
Taylor Brown (Gods of Howl Mountain)
“
1) Did the people of Viet Nam
use lanterns of stone?
2) Did they hold ceremonies
to reverence the opening of buds?
3) Were they inclined to quiet laughter?
4) Did they use bone and ivory,
jade and silver, for ornament?
5) Had they an epic poem?
6) Did they distinguish between speech and singing?
1) Sir, their light hearts turned to stone.
It is not remembered whether in gardens
stone lanterns illumined pleasant ways.
2) Perhaps they gathered once to delight in blossom,
but after the children were killed
there were no more buds.
3) Sir, laughter is bitter to the burned mouth.
4) A dream ago, perhaps. Ornament is for joy.
All the bones were charred.
5) It is not remembered. Remember,
most were peasants; their life
was in rice and bamboo.
When peaceful clouds were reflected in the paddies
and the water buffalo stepped surely along terraces,
maybe fathers told their sons old tales.
When bombs smashed those mirrors
there was time only to scream.
6) There is an echo yet
of their speech which was like a song.
It was reported their singing resembled
the flight of moths in moonlight.
Who can say? It is silent now.
”
”
Denise Levertov (Poems of Denise Levertov, 1960-1967)
“
Take this single tree. They could cut it down and make half of it into an incense tray, decorate it with lacquer set with gold or silver filigree, and set it in an alcove of an aristocrat or man of high rank as a tasteful ornament. The other half they could make into wooden clogs for stepping through the mud. When you look at the two different shapes, one is admired while the other is considered mean, but they’re the same in terms of the cutting down of a living tree.
”
”
Issai Chozanshi (The Demon's Sermon on the Martial Arts: A Graphic Novel)
“
It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here.
"Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT.
"That car looks like a moving Benton ad."
"Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
1. All master workmen in manufactures, especially such as belonged to ornament and the less necessary parts of the people's dress, clothes, and furniture for houses; such as ribbon-weavers and other weavers, gold and silver lacemakers, and gold and silver wire-drawers, seamstresses, milliners, shoemakers, hatmakers, and glovemakers, also upholsterers, joiners, cabinet-makers, looking-glass-makers, and innumerable trades which depend upon such as these,—I say, the master workmen in such stopped their work, dismissed their journeymen and workmen and all their dependents.
”
”
Daniel Defoe (History of the Plague in London)
“
Scavenger Hunt Day. We pair up in teams pulled out of a hat and disperse around Park City to collect photo evidence of a long list of random things Ricky and Lisa dream up for us—a silver ornament, a giant candy cane, a dog wearing a sweater, things like that. Occasionally video evidence is needed, like last year when we had to get video of a group of people doing the cancan. Permission is required, and asking strangers to do weird things can be mortifying, but mostly it’s a blast. The hunt also gives us the chance to do any last-minute Christmas shopping we might need
”
”
Christina Lauren (In a Holidaze)
“
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
”
”
Émile Zola
“
Two things weren’t. The silver bracelet he had given her—and her grandmother’s pearls. “Jesus bloody Christ.” He looked again, just to be sure, dumping out the glittering junk and spreading it on his counterpane. No pearls. Certainly no string of baroque Scottish pearls, spaced with antique gold roundels. She couldn’t be wearing them, not to an engineering conference in Sri Lanka. The pearls were an heirloom to her, not an ornament. She seldom wore them. They were her link with— “You didn’t,” he said aloud. “God, tell me you didn’t do it!
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Horne Fisher had in him something of the aristocrat, which is very near to the anarchist. It was characteristic of him that he turned into this dark and irregular entry as casually as into his own front door, merely thinking that it would be a short cut to the house. He made his way through the dim wood for some distance and with some difficulty, until there began to shine through the trees a level light, in lines of silver, which he did not at first understand. The next moment he had come out into the daylight at the top of a steep bank, at the bottom of which a path ran round the rim of a large ornamental lake.
”
”
G.K. Chesterton (The Man Who Knew Too Much)
“
They came to the treasure chest,
they asked for the keys.
They realized Volund’s skill
when they peered inside.
The boys saw
many ornaments,
all of them made
of gold and gems.
Volund said, “Come back alone,
just you two, the day after tomorrow.
I will give all this
gold to you if you do.
Don’t tell the ladies,
don’t tell the men—
don’t tell anyone at all
that you’re meeting with me.
Early on the appointed day,
one boy said to the other:
“Let’s go see the rings.”
So the two boys came
and asked for the keys.
They realized Volund’s skill
when they peered inside.
He cut off the heads
of those young boys,
he hid their bodies
under his bellows.
But he took their skulls
and scalped them,
set them with silver,
and sent them as cups to Nithuth.
And from the eyes
of those young boys
he made jewels for
their mother.
”
”
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
“
She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her.
And that was Rapunzel's most striking beauty: her hair.
Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress.
Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request.
By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.
”
”
Liz Braswell (What Once Was Mine)
“
there were solid gold and silver vessels and ornaments, crusted with gems, miles of jewel-sewn brocade, gorgeous pictures and statues that the troops just hacked and smashed, beautiful enamel and porcelain trampled underfoot, weapons and standards set with rubies and emeralds which were gouged and hammered from their settings—all this among the powder-smoke and blood, with native soldiers who’d never seen above ten rupees in their lives, and slum-ruffians from Glasgow and Liverpool, all staggering about drunk on plunder and killing and destruction. One thing I’m sure of: there was twice as much treasure destroyed as carried away, and we officers were too busy bagging our share to do anything about it. I daresay a philosopher would have made heavy speculation about that scene, if he’d had time to spare from filling his pockets. I
”
”
George MacDonald Fraser (Flashman in the Great Game (Flashman Papers #5))
“
Neliss, why is this rug wet?”
Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before.
“We have a rug there?”
“Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?”
“Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.”
“You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.”
“Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?”
“I swear, Magdelegna, I am never letting you visit that Druid ever again.”
“Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.”
“I would be a hell of a lot less moody if I could figure out what that damn noise is.”
Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them.
“What is that?”
“Remember when you asked me why I cut my hair?”
“Ah yes, the surprise. Took you long enough to get to it.”
“If you do not stop, I am not going to give it to you.”
“Okay. I am stopping. What is it?”
She held out the box tied with a ribbon to him and he accepted it with a lopsided smile.
“I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away.
“Open it.”
He reached for the ribbon and soon was pulling the top off the box.
“What is this?”
“Gideon, what does it look like?”
He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom.
“What does it say?”
“It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.”
“I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?”
“Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.”
“I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.”
“See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him.
“Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Why have you brought me here?” My voice shook. I couldn’t stop staring at the Night Bazaar. There it was. And here I was. Standing on the same plot of land shared with beings that--until now--had only existed in stories. “What do you want from me?”
He stopped. The smile was gone from his lips.
“I want your perspective and honesty,” he said, before adding in a softer voice, “I want to be humbled by you.”
Heat flared in my cheeks. I paused, the stick in my hand falling a fraction. Perspective and honesty? Humbled by me? Rajas never asked for anything other than sons from their consorts.
“My kingdom needs a queen,” he said. “It needs someone with fury in her heart and shadows in her smile. It needs someone restless and clever. It needs you.”
“You know nothing about me.”
“I know your soul. Everything else is an ornament.”
His voice wrapped around me, lustrous and dark. It was the kind of voice that could soothe you to sleep in the same moment that it slit your throat. Still, I leaned toward it.
“Come with me,” he said. “You would never be content in that world. They would cage you. They would give you playthings of silver and silk.”
His teeth burned white when he smiled. “I could give you whole worlds.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
What is Signor Dubois doing here?”
Siena shrugged. “Personal business with your aunt, I imagine.” She lifted her chin daintily. “I am not privy to Signora Querini’s affairs.”
Cass elbowed Siena in the ribs. “I am not privy to Signora Querini’s affairs,” she mimicked. “Come on, Siena. I know those ears hear everything.”
Siena dropped her glance to the floor and Cass immediately felt guilty. She hadn’t meant to imply that the girl’s ears were too big, only that the servants always seemed to be hovering just out of sight. Siena put the silver hairbrush back on the dressing table and picked up a hair ornament carved from sea coral and adorned with pearls. She began to twist Cass’s hair into a tight bun. “If I heard anything, it was purely accidental,” she said, shooting Cass’s reflection a warning look. “And only as a result of the normal course of my duties.”
Cass winked at Siena in the mirror, amazed at the sleek topknot the girl had created. “Fine. What did you accidentally hear while you were responsibly completing your duties?”
Siena pinned the pearl ornament around Cass’s hair and pursed her lips. She liberated a couple of strands from the bun and nodded as they curled naturally around Cass’s face. “I may have heard Dubois say he saw you in unsavory company at his masquerade ball last evening.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets.
Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination.
Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre.
While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
The reception tent was rigged with a custom lighting system that projected twinkling constellations in an evening sky. Every table had a massive floral centerpiece draped in lush white flowers and dripping with crystals. The china, crystal, and sterling silver were brought in from England. Fun fact: just one sterling place setting cost roughly $800. The gilded custom stage for the orchestra-style band would have been suited to a Roaring Twenties New York City ballroom. Ornamental bushes dotted the room, trimmed to resemble the constellations brought to life, from the Hunter to the Big Dipper.
However, the crown jewel was the head table, a round mirrored table underneath a huge hanging ring of white orchids, peonies, and crystals---and in front of a solid wall of five thousand white roses and ranunculus. The sight was truly breathtaking.
”
”
Mary Hollis Huddleston (Without a Hitch)
“
This manuscript had been Abbi’s most precious possession, and was now mine. It had a richly illuminated frontispiece and finispiece. All one hundred and fourteen of its surahs were calligraphed in an early Abbasid script and decorated in gold leaf. The four quls were ornamented in gold filigree and the Chapter of Light and Verse of the Throne in silver.
”
”
Charlie Jane Anders (Some of the Best from Tor.com, 2020 edition)
“
Their ornaments of gold and silver had been seized, as had monks and nuns who could be sold as slaves
”
”
Marc Morris (The Anglo-Saxons A History of the Beginnings of England: 400–1066)
“
19 For the people shall dwell in Zion at Jerusalem: thou shalt weep no more: he will be very gracious unto thee at the voice of thy cry; when he shall hear it, he will answer thee. 20 And though the Lord give you the bread of adversity, and the water of affliction [even though you go through some trying times], yet shall not thy teachers [thy teacher, the Lord] be removed into a corner any more, but thine eyes shall see thy teachers: 21 And thine ears shall hear a word behind thee, saying, This is the way, walk ye in it, when ye turn to the right hand, and when ye turn to the left [you will be surrounded with guidance and truth]. 22 Ye shall defile [cease to worship] also the covering of thy graven images of silver [your graven images covered with silver], and the ornament of thy molten images of gold: thou shalt cast them away as a menstruous cloth [they will be totally repulsive to you]; thou shalt say unto it, Get thee hence [you will shudder at the thought of idol worship]. 23 Then shall he give the rain of thy seed, that thou shalt sow the ground withal [you will prosper]; and bread of the increase of the earth, and it shall be fat and plenteous: in that day shall thy cattle feed in large pastures [things will go well when Israel repents and is gathered]. 24 The oxen likewise and the young asses that ear the ground [work the ground in agriculture] shall eat clean provender [hay], which hath been winnowed with the shovel and with the fan. 25 And there shall be upon every high mountain, and upon every high hill, rivers and streams of waters in the day of the great slaughter, when the towers fall [when your enemies have been destroyed]. 26 Moreover the light of the moon shall be as the light of the sun, and the light of the sun shall be sevenfold, as the light of seven days [everything will be better than you can imagine], in the day that the LORD bindeth up the breach of his people, and healeth the stroke of their wound [Christ heals when people repent].
”
”
David J. Ridges (Your Study of Isaiah Made Easier in the Bible and the Book of Mormon)
“
Delicious” might sound excessive, but it was the only word that properly described how he looked in worn blue jeans and chaps. Since she’d started coming down to the barns, she’d seen the other hands wearing chaps, but those cowboys hadn’t made her heart thump painfully or feel as if she should suddenly start fanning her face.
Ward wore the kind that zippered down his long muscular legs, hugging them. Made of dark tan suede, they didn’t have the fringes or ornamentation that she’d noticed on some of the ones worn by the wranglers. There was nothing to distract her eyes or to keep her gaze from zeroing in on where the chaps buckled, framing the bulge of his sex. Her internal thermostat soared just from not looking at that particular spot.
But the brim of his hat was angled downward—the better to study her new boots, she assumed. With his gaze shielded, she found the temptation impossible to resist. Yup, his crotch was truly the finest eye candy: yummy and calorie free.
”
”
Laura Moore (Once Tempted (Silver Creek, #1))
“
David’s procession had journeyed through the other side of the city, allowing the opportunity for those who were fortunate to get a glimpse of their future prince. He was clothed like a warrior priest. His long flowing hair was gathered beneath his headdress of gold and ivory. He wore new royal robes of many colored embroidered Phoenician cloth. He wore rings and a necklace of gold and silver embedded with gems. He carried an ornamental bronze sword sheathed to his hip and wore an ephod of linen beneath his robes. A pack of minstrels also led him to the palace with their playing. They arrived at the front entrance to meet Michal’s entourage. When David saw her, his loins burned for her. They had hidden their love for such a long time. They had shared souls in their singing, now they would share their bodies. They would play a concert for their king, Yahweh.
”
”
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
“
fragment of the good thiefs cross, the largest in the world. Now to the glass case.” The shelves were filled with a variety of gold and silver ornaments, intricately decorated with adorning crosses. “On the top shelf is the bone of an index finger said to belong to St Thomas.
”
”
Julian Noyce (Spear of Destiny (Peter Dennis, #2))
“
There was precious little nobility in the features of the High King's fleshy face. Like his body, his face was broad and heavy, with a wide stub of a nose, a thick brow, and deep-set eyes that seemed to look out at the world with suspicion and resentment. His hair and beard were just beginning to turn grey, but they were well combed and glistening with fresh oil perfumed... heavily... He was broad of shoulder and body, built like a squat turret, round and thick from neck to hips. He wore a sleeveless coat of gilded chain mail over his tunic... Over the mail was a harness of gleaming leather, with silver buckles and ornaments. A jewelled sword hung at his side. His sandals had gold tassels on their thongs.
”
”
Ben Bova
“
1968 Tokens of Affection Tad had been sending me tokens of affection since our unbridled liaison at “Norway of Arabia.” Most of the mementos were encrusted precious stones, inlaid into emblems of gold or silver. One costly insignia was a golden engorged penis with a tiny diamond droplet embedded on the top of the slit. This item could either be worn on a chain as a neck ornament or as a nipple or ear ring. The note that came with it read: “Until we meet again, pin this to your ...☺“ T
”
”
Young (Turpitude (A Harem Boy's Saga Book 4))
“
choosing a gown of a dark blue-gray so soft that in the shadow it looked almost indigo. The line of the neck and the sweep of the skirt were both very flattering, and cut in the fashion of the moment. Deliberately she wore no jewelry, except very small diamond drop earrings. Her shining silver hair was ornament enough.
”
”
Anne Perry (Death on Blackheath (Charlotte & Thomas Pitt, #29))
“
Like apples of gold in a silver setting is a word that is aptly spoken. It is a golden ring, an ornament of finest gold, such is a wise apology to an attentive ear.” —Proverbs 25:11–12
”
”
Richard Rohr (Breathing Underwater)
“
Molly’s been surprised to find that she looks forward to it. Ninety-one years is a long time to live—there’s a lot of history in those boxes, and she never knows what she’ll find. The other day, for example, they went through a box of Christmas ornaments from the 1930s that Vivian had forgotten she’d kept. Cardboard stars and snowflakes covered in gold and silver glitter; ornate glass balls, red and green and gold. Vivian told her stories about decorating the family store for the holidays, putting these ornaments on a real pine tree in the window.
”
”
Christina Baker Kline (Orphan Train)
“
At length, one of those low murmurs that are so apt to disturb a multitude, was heard, and the whole nation arose to their feet by a common impulse. At that the door of the lodge in question opened, and three men, issuing from it, slowly approached the place of consultation. They were all aged, even beyond that period to which the oldest present had reached; but one in the centre, who leaned on his companions for support, had numbered an amount of years to which the human race is seldom permitted to attain. His frame, which had once been tall and erect, like the cedar, was now bending under the pressure of more than a century. The elastic, light step of an Indian was gone, and in its place he was compelled to toil his tardy way over the ground, inch by inch. His dark, wrinkled countenance was in singular and wild contrast with the long white locks which floated on his shoulders in such thickness as to announce that generations had probably passed away since they had last been shorn. The dress of this patriarch — for such, considering his vast age, in conjunction with his affinity and influence with his people, he might very properly be termed — was rich and imposing, though strictly after the simple fashions of the tribe. His robe was of the finest skins, which had been deprived of their fur, in order to admit of a hieroglyphical representation of various deeds in arms, done in former ages. His bosom was loaded with medals, some in massive silver, and one or two even in gold, the gifts of various Christian potentates during the long period of his life. He also wore armlets, and cinctures above the ankles, of the latter precious metal. His head, on the whole of which the hair had been permitted to grow, the pursuits of war having so long been abandoned, was encircled by a sort of plated diadem, which, in its turn, bore lesser and more glittering ornaments, that sparkled amid the glossy hues of three drooping ostrich feathers, dyed a deep black, in touching contrast to the color of his snow-white locks. His tomahawk was nearly hid in silver, and the handle of his knife shone like a horn of solid gold. So soon as the first hum of emotion and pleasure, which the sudden appearance of this venerated individual created, had a little subsided, the name of “Tamenund” was whispered from mouth to mouth.
”
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Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
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One of the most prominent of all Jewish communities lived in the Babylonian city of Baghdad. Visiting the city shortly before 1170, Benjamin of Tudela noted that it was home to ‘about one thousand Jews, who enjoy peace, comfort and much honour under the government of the great king.’ Among them were ‘very wise men and presidents of the colleges, whose occupation is the study of the Mosaic Law.’ Benjamin also mentioned the city’s two rabbinical schools and twenty–eight synagogues, the chief one richly ornamented with marble, gold and silver. He praised the Caliph for being versed in the Torah and able to speak and write in Hebrew–highlighting further
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Martin Gilbert (In Ishmael's House: A History of Jews in Muslim Lands)
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In about 75 BC a new wave of settlers invaded Britain. We call them the Belgae, as the Romans did. They came from a part of France called by the Romans Gallia Belgica. They were great metalworkers and produced gold, silver, bronze and iron ornaments of marvellous workmanship; they also revolutionised agriculture by inventing a new, heavy plough.
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Michael Wood (In Search of the Dark Ages)
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wigs atop the disembodied heads of mannequins. My own hair is not on display yet, which I suppose makes sense. It must take time to create a wig. “Also, you should know,” Helga adds, “that all of our wigs come with a set of ornamental combs.” She digs around in a chest by the wigs until she pulls out a small box. I open it up, and inside is the most beautiful set of tortoiseshell combs. It is the loveliest Christmas gift I could imagine. Helga squints up at me with her cloudy pupils. “Do you want to be blond again?” “No,” I say thoughtfully. I run my hand through one of the red wigs. I wonder what I’d look like wearing it. People probably wouldn’t even recognize me. “I think it’s time for a change, don’t you?” She clears her throat. “What do you wish to trade for one of my wigs?” I reach into my pocket. I pull out a pocket watch with a silver chain attached to it and hold it out to her. “This is a lovely piece.” She clutches the chain of the watch with her gnarled hands. She runs her thumb over the glass cover, halting on
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Freida McFadden (The Gift)
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Now we know that man is more than two million years old,' exlaimed Heyerdahl, 'it would be very strange if our ancestors lived like primitive food collectors for all that time until suddenly they started in the Nile valley, in Mesopotamia and even in the Indus valley, to build a civilization at peak level pretty much at the same time. And there's a question I ask that I never get an answer to. The tombs from the first kingdom of Sumer are full of beautiful ornaments and treasures made of gold, silver, platinum, and semi-precious stones -- things you don't find in Mesopotamia. All you find there is mud and water -- good for planting but not much else. How did they suddenly learn -- in that one generation just about -- where to go to find gold and all these other things? To do that they must have known the geography of wide areas, and that takes time. So there must have been something before.
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Graham Hancock (Underworld: The Mysterious Origins of Civilization)
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Cherokee men were active traders. They traded silver ornaments they had crafted, as well as deerskins and beaver pelts, with other tribes and European traders. A man could become wealthy, but if he did he had to deal with the disapproval of others in the clan and town who were not as well-off. They might scorn his wealth, and the shamans might wish him ill.
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Raymond Bial (The Cherokee (Lifeways))
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Tell Father I have gone to make him proud.” Her brother swung up into his saddle, every inch the lord in his bright mail and flowing mud-and-water cloak. A silver trout ornamented the crest of his greathelm, twin to the one painted on his shield. “He was always proud of you, Edmure. And he loves you fiercely. Believe that.” “I mean to give him better reason than mere birth.
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George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
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Imagined from within the abstractions of celestial geometry, water’s movement is orderly, imbued with mathematical elegance. Even with the overtones and ornaments of irregular shorelines and ocean depths are worked into the score, all seems harmonious; Earth and ocean are governed by the steady, predictable hand of the skies. No sunlight, no Moon. A storm pounds offshore. I hear nothing but the violence of water. A few waves hiss, most give a deeper complaint as they charge, then punch. Embayments and spits impede and deflect the assault, causing waves to turn on one another, releasing slaps so loud they resonate in my chest. Every few seconds, lightning cracks the dark: surf sliced by a giant oak that lies dead on the beach; spilling breakers overtopping beaten, limp palm crowns; sea spray so dense that the lightning fires the air with silver. Then darkness. At my feet, shudders emerge from what was steady ground. Waves slam into the knee-high escarpment that marks the highest edge of the beach; body-size fragments of soil cleave away; the roots that held the soil are entirely powerless. The moon presses the tide so tight against the land that spent waves have no room to run back before the next breaker arrives. By my clock, the tide is at its highest point, it should ease back soon, but my whole being tells me, you’re next. There is no celestial harmony but atonal panic, sensory tumult that overwashes all else. Not Newtonian elegance but Prospero’s rough magic and roaring war.
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David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
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Lawn Lovely is a store two blocks from our house. It’s the place where Dad buys his lawn ornaments. A lot of lawn ornaments.
Dad is as nuts about lawn ornaments as he is about gardening. We have so many lawn ornaments in our front yard, it’s impossible to mow the lawn!
What a crowd scene! We have two pink plastic flamingos. A cement angel with huge white wings. A chrome ball on a silver platform. A whole family of plaster skunks. A fountain with two kissing swans. A seal that balances a beach ball on its nose. And a chipped plaster deer.
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R.L. Stine (Revenge of the Lawn Gnomes (Goosebumps, #34))
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Hidden up there behind some branches sits one glaring squirrel. “I don’t know,” I say. “He looks pretty pissed, though.” “Good.” I see now that there are more of them in the tree. There’s a whole team of them up there hiding. One squirrel is wearing a yellow Zorro mask. Two others stand stock-still: one green, the other disco-ball silver. Three others have matching gold-covered bellies. Together they look like a creepy family of angry Christmas ornaments. “So,
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Matthew Norman (We're All Damaged)