Metallic Nails Quotes

I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.

Anika walked to the workbench, which was flanked by two metal cabinets. She opened the cabinet on the left and spotted sundry items—nails, paint, and whatnot—that one expected to see. Even the rat poison with skull and crossbones on the bag made sense. She also saw, however, several boxes wrapped in white and labeled, “Explosive Plastic Comp-4 (C-4).” Paralyzed, she tried not to panic or stare. 

Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and...get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY!

The rubber tip had worn away from around the right heel, and although she had coloured the shoe in with an old black bingo marker, the sharp metal nail scraped the floor with the screech of hard times.

Don't ever," he said, "be afraid of me." But I was. He'd driven a silver nail through my heart.

We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees.

What you must remember is that the magic itself is neither good nor bad, no more so than this ship might be used for right or wrong. It might be used by a fisherman to feed a village, for example. Or, the same vessel might be sailed by pirates to murder and pillage...the lumber, rope, nails, cotton, and everything that goes into it-is created by the True One. Humans decide how it is to be put together and how it is used.

A stretch of time when I was rewarded with so many mystic moments, a chunk of red chalk, a chestnut, a rusted piece of scrap metal, a nail, a flat stone shaped like an ancient tablet. Although suggesting little of the magnificent work I had seen, these objects helped inspire my newfound contentedness. I placed them with the same care as a police detective into a clean plastic bag. Evidence of an awareness of the relative value of insignificant things.

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.

and still others believe the world will end when a ship constructed with the untrimmed nails of the dead arrives carrying a corpse army to do battle with the gods at the end of days. (Norse mythology will always be the most metal, sorry.)

I turned faceup on the slab of stone, gazed at the sky, and thought about all the man-made satellites spinning around the earth. The horizon was still etched in a faint glow, and stars began to blink on in the deep, wine-colored sky. I gazed among them for the light of a satellite, but it was still too bright out to spot one with the naked eye. The sprinkling of the stars looked nailed to the spot, unmoving. I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.

My mother looked at me, her long turquoise nail on the lift button. “Darling, I do hope, since you haven’t yet found a lover, that you’re masturbating regularly, as I suggested.

As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep. But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere. I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.

that I would give up my life readily if I found myself in war, or if my plane crashed into a desert. I would struggle tooth and nail to survive. It’s as though my life and I, having sat in opposition to each other, hating each other, wanting to escape each other, have now bonded forever and at the hip. The opposite of depression is not happiness but vitality, and my life, as I write this, is vital, even when sad. I may wake up sometime next year without my mind again; it is not likely to stick around all the time. Meanwhile, however, I have discovered what I would have to call a soul, a part of myself I could never have imagined until one day, seven years ago, when hell came to pay me a surprise visit. It’s a precious discovery. Almost every day I feel momentary flashes of hopelessness and wonder every time whether I am slipping. For a petrifying instant here and there, a lightning-quick flash, I want a car to run me over and I have to grit my teeth to stay on the sidewalk until the light turns green; or I imagine how easily I might cut my wrists; or I taste hungrily the metal tip of a gun in my mouth; or I picture going to sleep and never waking up again. I hate those feelings, but I know that they have driven me to look deeper at life, to find and cling to reasons for living. I cannot find it in me to regret entirely the course my life has taken. Every day, I choose, sometimes gamely and sometimes against the moment’s reason, to be alive. Is that not a rare joy?

...Liquid fire was the very blood of the earth. It was his mission to upset, mash, and draw out the metal into the useful things that made society operate: nails, horseshoes, plows, knives, guns. Chains. Working the spirit, he called it.

Suddenly there were two strong arms around her, holding her tightly, more tightly than Triss's parents had ever dared to hug Triss. Violet smelt of oil, cigarettes, and some kind of perfume. Her coat was rough against Not-Triss's face. Not Triss could feel Pen there too, scrambling to be part of it, resting her head against Not-Triss's back. "You're all thorny," whispered Pen, shifting position. "I'll hurt you both," whispered Not-Triss. "My thorns - they'll hurt you." "What, me?" answered Violet. "Don't be silly. I'm tough as nails. I've got a hide like a dreadnought." Violet did not feel cold or metallic lke nails or a battleship. She felt warm. Her voice was a bit shaky, but her hug was as firm as the hills or the horizons.

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.

She imagined Jack standing among the bins of nails and tool belts and the ranks of crowbars, unspoken to beyond the ordinary courtesies, seeming unaware of their awareness of him, watching flickering television in that cave full of the smells of leather and wood and oily metal, idle among all those implements of force and purpose, citified among the steel-toed boots and the work shirts. An odd place for a man to loiter who was so alive to embarrassment, so predisposed to sensing even the thought of rebuke.

O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm? The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--

In the cell was a rack, a winch, a furnace, a set of branding irons, a pot for melting wax, nails of different lengths. A thumbscrew, a pair of flesh-tongs, heavy tweezers, a set of surgical instruments, a series of small metal trays, ropes, wire, preparations of quicklime, a hood and a blindfold.

Jesus wasn’t blowing smoke. His major contribution to the world was not a set of aphorisms. He was born in a turdy barn, grew up in a dirty world, got baptized in a muddy river. He put his hands on the oozing wounds of lepers, he let whores brush his hair and soldiers pull it out. He went to dinner with dirtbags, both religious and irreligious. His closest friends were a collection of crude fishermen and cultural traitors. He felt the spittle of the Pharisees on his face and the metal hooks of the jailer’s whip in the flesh of his back. He got sweaty and dirty and bloody—and he took all of the sin and mess of the world onto himself, onto the cross to which he was nailed naked.

Whatever was on your shopping list—linseed oil, two-inch masonry nails, coal scuttle, small can of Brasso metal polish—Mr. Morley had it. I am sure if you said to him, “I need 125 yards of razor wire, a ship’s anchor, and a dominatrix outfit in a size eight,” he would find them for you after rooting around for a few minutes among bird feeders and bags of bone meal. Mr.

For who has not wondered whether everything in this world might be alive? Though it be made of stone or wood or metal, there might be life in it, or opinion or, worst of all, resentment. The hewn boards of any boardwalk, did they recall the bite of the saw? Does memory linger in them? Perhaps the forge’s fire still dreams in each nail. A building might be made entirely of injured and brooding things.

Sergeant Pepper was dead. G.I. Joe lived on. George Bush was president, movies stars were dying from AIDS, kids were smoking crack in the ghettos and the suburbs, Muslims were blowing airliners from the skies, rap music ruled, and nobody cared much about the Movement anymore. It was a dry and dusty thing, like the air in the graves of Hendrix, Joplin, and God. She was letting her thoughts take her into treacherous territory, and the thoughts threatened her smiley face. She stopped thinking about the dead heroes, the burning breed who made the bombs full of roofing nails and planted them in corporate boardrooms and National Guard Armories. She stopped thinking before the awful sadness crushed her. The sixties were dead. The survivors limped on, growing suits and neckties and potbellies, going bald and telling their children not to listen to that satanic heavy metal. The clock of the Age of Aquarius had turned, hippies and yippies had become preppies and yuppies. The Chicago Seven were old men. The Black Panthers had turned gray. The Grateful Dead were on MTV, and the Airplane had become a Top-40 Starship. Mary Terror closed her eyes, and thought she heard the noise of wind whistling through the ruins.

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was...She brought with her, two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.

One tradesman the same as the next? Not in the real world. Any man with a steady hand and a cleaver can call himself a butcher: but without the smith, where does he get that cleaver? Without the man who works in metal, where are your hammers, your scythes, your sickles, scissors and planes? Your arms and armour, your arrowheads, your pikes and your guns? Where are your ships at sea and their anchors? Where are your grappling hooks, your nails, latches, hinges, pokers and tongs? Where are your spits, kettles, trivets, your harness rings, buckles and bits? Where are your knives?

How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?

She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.

They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!

DRILL BOLT HOLES AND CUT OPENING IN DOOR Drill prescribed boltholes. Next drill starter holes just inside the corners of the cutout rectangle for the jig saw blade. If the door is metal, pound a dimple into the surface at each hole location with a nail, and then drill through with progressively larger bits until you can fit your saw blade through. Cut along the side and bottom cutout lines with a jig saw. Cut the top side last. Tape the cutout in the door as you go to support it and to keep it from splintering or tearing

Dyes, fragrances, foaming agents, heavy metals as stabilizers and texturizers, tanners, inks, alcohols, and hundreds of other potential poisons are frequently included in cosmetic formulas. Nail products, hair products, deodorants—all the ordinary products in your bathroom cabinet and makeup kit as well as the ones in your neighborhood beauty salon and nail spa have chemical

When my son Jack was four, he pointed to a car antenna and said, “Look, Daddy, stick.” I clarified: “Actually, that is an antenna.” Jack then asked, “What’s an antenna?” After realizing I had no idea how an antenna worked, I explained, “It’s a … stick. A metal stick. You nailed it, buddy.

An old man sat down next to me on the bus and noticed that I wasn’t from around there. “Who are you looking for?” “Well,” I began, “there used to be a camp here.” “Oh, the barracks? They dismantled the last of those buildings two years ago. People built themselves sheds and saunas out of the bricks. Took the soil back to their dachas for planting. Put camp wire around their gardens. My son’s place is out there. It’s so, you know, unpleasant…In the spring, the snows and rains leave bones sticking out of their potato patches. No one is squeamish about that sort of thing around here because they’re so used to it. There are as many bones as stones in this soil. People just toss them out to the edge of their property, stamp them down with their boots. Cover them up. It happens all the time. Just stick your hand in the dirt, run your fingers through it…” It felt like the wind had been knocked out of me. Like I had passed out. Meanwhile, the old man turned to the window and pointed: “Over there, behind that store, they covered over the old cemetery. Behind that bathhouse, too.” I sat there, unable to breathe. What had I expected? That they had erected pyramids? Mounds of Glory?*4 The first line is now the street named after someone or other…Then the second line…I looked out the window, but I couldn’t see anything, I was blinded by tears. Kazakh women were selling their cucumbers and tomatoes at every bus stop…pails of blackcurrants. “Fresh from the berry patch. From my own garden.” Lord! My God…I have to say that…It was physically difficult for me to breathe, something was going on with me out there. In a matter of just a few days, my skin dried out, my nails started chipping off. Something was happening to my entire body. I wanted to fall down on the ground and lie there. And never get up. The steppe…it’s like the sea…I walked and walked until finally, I collapsed. I fell next to a small metal cross that was up to the crossbeam in the earth. Screaming, in hysterics. There was no one around…just the birds.

How do you answer, “Daddy, why are you a stand-up chameleon?” or “Why don’t dogs get the chicken pops?” When my son Jack was four, he pointed to a car antenna and said, “Look, Daddy, stick.” I clarified: “Actually, that is an antenna.” Jack then asked, “What’s an antenna?” After realizing I had no idea how an antenna worked, I explained, “It’s a … stick. A metal stick. You nailed it, buddy.” Even

The Devourer’s dress of metal and bone clings to her like darkness. Her red eyes are bright behind the helmet of bone. She traces her long, pointed nails along Rishi’s cheek.

a shiny metal sign nailed to the house, just to the side of the door. Her fingers traced the graven words, Lost Are Found. “What is this?” she asked Carpenter. “Mr. Wheatley’s work, at Joy’s request. A reminder to us all that God knows where Edmund is. A reminder to us all that we are to pray and not give up hope.” Tabitha stared at the sign with new understanding. Then she placed her hand on it and prayed aloud. “O Lord, we do not forget. We have asked you to bring Edmund home. Your eyes are upon the whole earth, and you see him, even right now. Father, we trust you to bring him back to us, for in you, the lost are found.” “Amen,” came Carpenter’s heartfelt response. When Tabitha opened her eyes, his palm was upon the sign, next to hers.

Knowing that he couldn’t play this strange music with such reservations and distractions, he strove to find a calming place within himself. To remember and fall back into a time when he was a boy and Cadence was all he had known. When he loved the sea and the hills and the mountains, the caves and the heather and the rivers. A time when he had yearned to behold a spirit, face-to-face. His fingers grew nimble, and Lorna’s notes began to trickle into the air, metallic beneath his nails. He could hardly contain the splendor of them anymore, and he played and felt as if he were not flesh and blood and bone but made by the sea foam, as if he had emerged one night from the ocean, from all the haunted deep places where man had never roamed but where spirits glided and drank and moved beneath. He sang up the spirits of the sea, the timeless beings that belonged to the cold depths. He sang them up to the surface, to the moonlight, with Lorna’s ballad. He watched the tide cease, just as it had done the night he returned to Cadence. He watched eyes gleam from beneath the water like golden coins; he watched webbed fingers and toes drift beneath the shallow ripples. The spirits manifested into their physical forms; they came with barbed fins and tentacle, with hair like spilled ink, with gills and iridescent scales and endless rows of teeth. They rose from the water and gathered close about him, as if he had called them home.

Capture Criteria #2: Is It Useful? Carpenters are known for keeping odds and ends in a corner of their workshop—a variety of nails and washers, scraps of lumber cut off from larger planks, and random bits of metal and wood. It costs nothing to keep these “offcuts” around, and surprisingly often they end up being the crucial missing piece in a future project.

In this step you need to stay focused on features and capabilities (also called attributes), rather than the value that those features drive for customers (we will get to that in Step 6). I define features as something your product or company has or does. Some examples of features: “a 15-megapixel camera,” “integrates with QuickBooks,” “one-click installation” and “metal construction.

Attributes like “15-megapixel camera” or “all-metal construction” enable benefits for customers such as “sharper images” or “a stronger frame.” Articulating value takes the benefits one step further: putting benefits into the context of a goal the customer is trying to achieve. Value could be “photos that are sharp even when printed or zoomed in,” “a frame that saves you money on replacements,” “every level of the organization knows the status of key metrics” or “help is immediately available across every time zone.” Features enable benefits, which can be translated into value in unique customer terms.

to release his bed, and there was probably an alcove behind it with storage, maybe some traps to keep out unwanted visitors. At least, that’s the way Leo would’ve designed it. A fire pole came down from the second floor, even though the cabin didn’t appear to have a second floor from the outside. A circular staircase led down into some kind of basement. The walls were lined with every kind of power tool Leo could imagine, plus a huge assortment of knives, swords, and other implements of destruction. A large workbench overflowed with scrap metal—screws, bolts, washers, nails, rivets, and a million other machine parts. Leo had a strong urge to shovel them all into his coat pockets. He loved that kind of stuff. But he’d need a hundred more coats to fit it all. Looking around, he could almost imagine he was back in his mom’s machine shop. Not the weapons, maybe—but the tools, the piles of scrap, the smell of grease and metal and hot engines. She would’ve loved this place. He pushed that thought away. He didn’t like painful memories. Keep moving—that was his motto. Don’t

He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.

De Caussade nails this point: “This work in our souls cannot be accomplished by cleverness, intelligence, or any subtlety of mind, but only by completely abandoning ourselves to the divine action, becoming like metal poured into a mold,

The day scraped by like a hundred pieces of jagged metal slowly pulled across broken asphalt. The slow, unchanging pace of it was maddening, nails on a chalkboard for hours without end.

Blood stink and blood sweat, teeth unhappy in your shoulder, my hair ripe, clothes tumbled and wet. The madwoman in the attic groans down to me, your fingers in my mouth, your nails bitten sweet and salty-metallic. I groan up to her, my mouth at her ear, another voice in the clear air. I think of Highsmith’s snails, the silver trails they leave on the tablecloth between us. A canyon behind the house, murder house and happy. Sleep drunk and blood drunk, you man, you husband. The night in my mouth a fricative waiting to be born, a downpouring of silence that goes on and on

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn’t have known. There was smoke in her nose, thick and black, and she couldn’t breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn’t her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol’ hands with scars on the fingers. Men’s hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and-

Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s

As I come back to myself, I feel Wes enter me. My arms go around his shoulders and my legs around his hips as he pulls me from his car with his hands on my ass then presses me into the cold metal of his truck. “I like the idea of you having my son,” he tells me, causing the walls of my vagina to contract around him. “Seems you like it too, baby.” He smiles, lifting me higher with his hands around my thighs. My heels dig into his ass and my nails grasp into his tee-covered back. “I’m going to come,” I moan then clamp down on his shoulder with my teeth, coming hard. “Fuck!” he roars, pulling me down hard on him, making the orgasm already flowing through me reignite as I feel him get bigger as warmth floods my insides. His hips still and my mouth releases his skin as he gathers me close to his chest.” Excerpt From: Aurora Rose Reynolds. “Until July.” Aurora Rose Reynolds, 2015-04-13T04:00:00+00:00. iBooks. This material may be protected by copyright.

before. She recognized it and nailed the diagnosis.   According to their best guess, a spider had bitten his arm, causing the rapid onset of a bacterial infection called necrotizing fasciitis. The gangrene-like, flesh-eating infection immediately had begun digging into his skin and muscle. The hospital staff told Hanneman if he had waited another hour to come in, he would have died46-4.   The hospital admitted Jeff immediately.

The blacksmith was gunsmith, farrier, coppersmith, millwright, machinist, and surgeon general to all broken tools and implements. His forge was a center of social as well as industrial activity. From soft bar iron, nails as well as horse shoes were forged as needed. . . . Chains, reaping hooks, bullet molds, yoke rings, axes, bear and wolf traps, hoes, augers, bells, saws, and the metal parts of looms, spinning wheels, sausage grinders, presses and agricultural implements were a few of the items either manufactured or repaired in his shop.

My fingers brushed against his arm and a sob caught in my throat as I felt the cool metal of the Phoenix Kiss I’d gifted him there, returned to its bangle form following his passage from this world, another nail in the coffin of this unjust destiny.

Two appendages lowered from a port in the ceiling and passed a few feet from his face: they were complex, robotic hands, a left and a right. They were sleek in design, and had a flat-black finish. One of them positioned itself near Will's outstretched hand, and a glistening, curved blade popped out of one of its fingertips—the thumb. It moved in slowly, and all Will could do was watch as it approached. He felt cold metal touch his skin, and the blue-metallic blade slowly sliced its way under his left thumbnail, vibrating as it moved. It dug in about half way to the cuticle, and stopped. His thumb throbbed and burned at the same time, and the pressure mounted even though the blade remained still. After about five minutes, it continued on its path to the nail bed, and paused. His legs and arms twitched uncontrollably, but the blade remained stationary. A few minutes later, another blade popped out from the mechanical hand, and slowly carved a path under his left index fingernail. It took another five, long minutes to reach the nail bed. Will screamed sporadically, his voice diminishing to a raspy whisper, as the procedure was repeated for each of his fingers. After about two hours, the machine had finished inserting blades into the ten nail beds, and the program paused as the pressure in his fingertips increased. The fluid that oozed from under his nails had gone from blood to a clear liquid, and he heard it drip on the floor. Just as Will's nerves were beginning to settle, the bladed, mechanical fingers started to tap. Tap tap tap ... the machine played a tune of pain. Every muscle in his body convulsed with each minute percussion of the blades. After what seemed like an eternity, the program reached a final phase: the twisting of the blades. Will whimpered pitifully, continually on the verge of passing out.

you’re going to need a blade. Now …” He moved to the next box, tearing off the lid, nails and all. “Why don’t you make yourself useful and look through a few of these yourself? See if anything jumps out at you. Remember, you’re looking for a blade. Not a mace or a maul or a huge spiked chain that you’d probably hurt yourself with trying to learn.” “Fine.” I wandered down the aisle, looking at random articles. “But I still say the flail looked like it could bash in a vamp’s head pretty efficiently.” “Allison—” “I’m going, I’m going.” More wooden boxes lined the aisle to either side, covered in dust. I brushed back a film of cobwebs and grime to read the words on the side of the nearest carton. Longswords: Medieval Europe, 12th century. The rest was lost to time and age. Another read: Musketeer Rapie … something or other. Another apparently had a full suit of gladiator armor, whatever a gladiator was. A clang from Kanin’s direction showed him holding up a large, double-bladed ax, before he laid it aside and moved on to another shelf. One box caught my attention. It was long and narrow, like the other boxes, but instead of words, it had strange symbols printed down the side. Curious, I wrenched off the lid and reached in, shifting through layers of plastic and foam, until my fingers closed around something long and smooth. I pulled it out. The long, slightly curved sheath was black and shiny, and a hilt poked out of the end, marked with diamond pattern in black and red. I grasped that hilt and pulled the blade free, sending a metallic shiver through the air and down my spine. As soon as I drew it, I knew I had found what Kanin wanted. The blade gleamed in the darkness, long and slender, like a silver ribbon. I could sense the razor sharpness of the edge without even touching it. The sword itself was light and graceful, and fit perfectly into my palm, as if it had been made for me. I swept it in a wide arc, feeling it slice through the air, and imagined this was a blade that could pass through a snarling rabid without even slowing down. A chuckle interrupted me. Kanin stood a few yards away, arms crossed, shaking his head. His mouth was pulled into a resigned grin. “I should have known,” he said, coming forward. “I should have known you would be drawn to that. It’s very fitting, actually.

Viv was a fast study and a reasonable hand with a hammer and nails. Accurately slinging a slab of metal and striking a target was squarely within the realm of her abilities.

I place the nail in my right palm, the tip pointed toward Landulf, and stare at it. Neither Yaksha’s nor the child’s nor my daughter’s blood is in this present form of mine. I am strong but still only a shadow of what I will be in the future. Since returning to Sicily I have felt no power of psychokinesis, the ability to move objects with my mind. It was Kalika’s blood alone that gave me that ability, and my daughter hasn’t even been born yet. Still, my daughter gave her life to save the child, paid for his life with her own. And the child’s blood, in an earlier reincarnation, was once on this nail. There is a connection that can reasonably be made here, or else mystically contrived. No doubt a particle of Christ’s blood still remains on the metal, deep in the folds of the atoms that bind it together. It is on this invisible blood I focus. I still believe in the miracle of this blood. My belief is born of experience. I have seen it bring a friend back to life. My belief is stronger than evil incantations spoken to cruel spirits, and bloody pentagrams drawn on forsaken cliffs. I made a serious mistake by stealing the girl’s heart, but now I will give my own heart in exchange for hers. And in exchange for my life, for just a second of time, I ask for the power that my daughter already gave to me. I ask it out of favor to Kalika, whom I am sure would not want her mother to go down without a final chance of victory. Yes, I have the nerve to remind God that he owes me for my daughter’s sacrifice. But I also have the faith to believe he hears me. And my faith is stronger than stone.

And the nails we used were not of iron, but of finer and more precious stuff of which human life is made. Out of our hearts we took the refined metals of will and feeling and thought, and from them we fashioned the nails of suspicion and rebellion and neglect. By unworthy thoughts about Him and unfriendly attitudes toward Him we grieved and quenched Him days without end. The truest and most acceptable repentance is to reverse the acts and attitudes of which we repent. A thousand years of remorse over a wrong act would not please God as much as a change of conduct and a reformed life. “Let the wicked forsake his way, and the unrighteous man his thoughts: and let him return unto the LORD, and he will have mercy upon him; and to our God, for he will abundantly pardon.” (Isaiah 55:7) We can best repent our neglect by neglecting Him no more. Let us begin to think of Him as One to be worshiped and obeyed. Let us throw open every door and invite Him in. Let us surrender to Him every room in the temple of our hearts and insist that He enter and occupy as Lord and Master within His own dwelling. And let us remember that He is drawn to the sweet name of Jesus as bees are drawn to the fragrance of clover. Where Christ is honored the Spirit is sure to feel welcome; where Christ is glorified He will move about freely, pleased and at home.

Golden Gold Vine Part Two This miser did prize her, this golden gold vine. His smile would gleam at all of her shine. He gave her his all, so she’d answer his call. Rejoiced every inch that her length grew up tall. But soon she outgrew his garden, until, she then made her way into his house on the hill. She twisted and curled in every inch. No room to move, he was prodded and pinched. He shoved out his furniture to be left in the rain, abandoned front door, knocked out window panes. Every offering he made, she grew larger still. Her metallic glint covered each floorboard and sill. This miser hoarded every petal and thorn. Skin marred with scratches where sharp barbs had torn. When his hair was all gone, but he still wanted more, he gave up his nails, taking them, peel from core. He presented them all, onto stems he did pour. Not once did he ask, what’s it all for? Her flowers, so pretty, grew heavy with gold. Though his fingers too sore to take them to hold. So he split them away by the work of his teeth. Bit them from vine and hid them in sheaths. All gathered, so heavy, hundreds of blooms. All golden, these flowers, but he ran out of room. The old miser didn’t dare ever take some to town. If they knew of his treasure, they’d surely come ‘round. So spend them he never, and stayed home forever. Loved ones he severed, (he thought himself clever.) He murmured and pet, each golden rosette. Her vine he let twine, all while whispering, “mine.” But without reparation, she’d quickly go dim, so frantic, he’d cut, blade into limb. When his nails were all gone, from ten fingers and toes, he had to give up his ears and his nose. The blood that he spilt, he staunched with petals of guilt. But the drips of his red made the vine rightly fed. This miser bled freely so his wealth may yet grow. He let veins collapse, let his heartbeat go slow. Her vine slurped his life like nectar to birds, and he lay in the room, his body submerged. While she grew out of the house and over the hill, a contagion that caught every space up to fill. But he wanted still, he had to have more, so out plucked his eyes, sockets empty and sore. He had no room to sleep, and no eyes to weep, but from this golden gold vine, ever more would he seek. To be continued...

I stop thinking anything at all. I launch myself at Adrian. I throw myself at him, scratching and punching and hitting. ‘My daughter, my baby,’ I hear myself screaming over and over again. My nails pull away flesh on his cheeks, my fingers pull out a chunk of hair and the car swerves all over the road. The noise of other cars hooting fills my head and Adrian speeds up as he tries to lift his arms to fend off my attack. Blood trickles down the side of his face, thick and red. He turns to me, his eyes show real fear. He is looking at me as though he has discovered a wild animal inside his car. He’s right. I am all animal now, I am the mother lion and I am attacking the man who hurt my cub. He slams on the brake, veering the car sideways. The wheezing scream of his brakes invade my ears as they jolt the car to a full stop in the middle of the road. I take a deep breath because my lungs have run out of air and turn to look at him, just as another car comes straight for us, hitting us on the driver-side door. There is no slowing down of those last few moments, no watching of my life passing before my eyes. Instead the car hits us at exactly the same time our car stops. The smell of burning rubber seeps in through my window as smoke from desperate brakes fills the air. I catch a glance of the driver as his car hits us. His mouth is open as he screams, shock and despair written across his face. I feel, rather than hear, the crunch of metal and the shattering of glass. Then I hear noise everywhere. I think I am screaming and there are other screams and then lights and then I close my eyes. I need to get out of the car, I think, but I need a minute. I just need a minute.

...it's too bad bad you're not like the Suriel, spouting any information I want if I'm clever enough to snare you.' For a moment, he blinked at me. Then his mouth twisted to the side and that metal eye whizzed and narrowed on me. 'I suppose you won't tell me what you want to know.' 'You have your secrets, and I have mine,' I said carefully. I couldn't tell whether he would try to convince me otherwise if I told him the truth. 'But if you were a Suriel,' I added with deliberate slowness, in case he hadn't caught my meaning, 'how, exactly, would I trap you?' Lucien set down the knife and picked at his nails. For a moment, I wondered if he would tell me anything at all. Wondered if he would go right to Tamlin and tattle. But then he said. 'I'd probably have a weakness for groves of young birch trees in the western woods, and freshly slaughtered chickens, and would probably be so greedy that I wouldn't notice the double-loop snare rigged around the grove to pin my legs in place.' 'Hmm,' I didn't dare ask why he had decided to be so accommodating. There was still a good chance he wouldn't mind seeing me dead, but I would risk it. 'I somehow prefer you as a High Fae.' He smirked, but the amusement was short-lived. 'If I were insane and stupid enough to go after a Suriel, I'd also take a bow and quiver, and maybe a knife just like this one.' He sheathed the knife he'd cleaned and set it down on the edge of the table- an offering. 'And I'd be prepared to run like hell when I freed it- to the nearest running water, which they hate crossing.' 'But you're not insane, so you'll be here, safe and sound?' 'I'll be conveniently hunting on the grounds, and with my superior hearing, I might be feeling generous enough to listen if someone screams from the western woods. But it's a good thing I had no role in telling you to go out today, since Tam would eviscerate anyone who told you how to trap a Suriel; and it's a good thing I had planned to hunt anyway, because if anyone caught me helping you, there would be trouble of a whole other hell awaiting us. I hope your secrets are worth it.' He said it with his usual grin, but there was an edge to it- a warning I didn't miss. Another riddle- and another bit of information. I said, 'It's a good thing that while you have superior hearing, I possess superior abilities to keep my mouth shut.' He snorted as I took the knife from the table and turned to procure the bow from my room. 'I think I'm starting to like you- for a murdering human.

he second man was tall with strong uild. As he turned, Kelsier was able to see that a thick metal spike had been pounded tip-first through each of the man’s eyes. With shafts as wide as an eye socket , the nail-like spikes were long enough that their sharp points jutted out about an inch from the back of the man’s clean-shaven skull. The flat spike ends shone like two silvery disks, sticking out of the sockets in the front, where the eyes should have been. A steel Inquisitor.

Richey James, the band’s resident depressive and ropey rhythm guitarist, is less enthusiastic, despite appearing quite content. “I never find it exciting to go anywhere,” he shrugs. “You get much more true information from literature than from travelling. Like, if I want to know about France, I’ll buy the book.

I had about 40 different nicknames, and I hated it, but I still thought I was better than the rest, because I was caring, sensitive and intelligent, and they weren’t!

I still like to think of Richey as being holed up in a Welsh valley somewhere, with a pile of books and a dog.

For this event, Richey insists on taking a suicidal Joy Division tape along as backing music. “Oh yeah!” mocks Nicky. “That’ll really get the tea party rockin’!

He justifies the cigarette burns as, “my way of not screaming or shouting when things fuck up. It’s just discipline, and something to do. We never call each other cunts and wankers in this band. We just walk away.” “What I usually do,” pitches in Nicky, “is put all my clothes in the sink and wash ‘em. That’s the difference between him and me!

HALF AN hour later, Richey James sits alone in the dressing room, smoking a cigarette and staring straight ahead. He’s not saying anything. Is it because he treasures his guitars, that he never smashes them? “No, I dislike my guitar intensely,” he sighs. “I can’t even be bothered to smash the fucking thing. It doesn’t deserve death...

Richey currently smokes 50 cigarettes a day, having started two weeks ago. “Whenever I do something, I like to do it a lot,” he explains back at the hotel. “When I was 13, I did a Shakespeare project that was 859 pages long. Everyone else just did six. I just had fuck all else to do but sit in and write...

Nicky: “19’ s probably your last good year. It’s all downhill from there...

I think of my black slug, slithering around, slurping up my potential energy for joy. I press my hand to my stomach and desperately wish that it didn't exist. That there was a way to fix me, fix him. I dig my nails into the flesh of my stomach and wince. Roman reaches out and puts his hand on top of mine. 'But the most confusing thing is that me being confused about seeing you happy doesn't change anything.' He lowers his voice so only I can hear him. 'I still want to die on April 7th. 'And I still need you to do it with me.' All of a sudden the carnival seems too loud. I hear the clunking of the metal faris wheel and the swirling of the teacups and the screams of delighted kids. I move to touch my hand to my head but he grabs it interlocking his fingers with mine and pulling it down to his side. 'I get it' I say in a strained whisper. 'I won't flake on you.' He squeezes my hand so tight I can't feel it anymore. I wish someone would do that to my heart.

Some marriages are made in bed, while others burgeon in the kitchen to the metallic music of the kitchen knife and the egg whisk; some couples are nest builders, forever redecorating, snapping up bargain lots of timber for their dacha plot, nails, drying oil, and fiberglass wrap; other couples live for blazing, set-piece rows. Masha and Alik’s marriage was consummated in conversations. This was their ninth year together, but every evening when he came home from work, the soup would be left to get cold and the rissoles to burn while they told each other about the important events of the day.

Last Star Standing (Feb. 18, 2021) It's set in the near future - 2094 - and follows an alien invasion - so it HAS to be marketed as science fiction - but it's really about the narrator's tough, terrifying, but ultimately life-affirming personal journey. The book hit me, about three years ago, when I was meditating. This is something I do very badly! - but I have had amazing experiences - swirling colours, images - and, in this case, a character. I found myself looking down, from the Earth's surface, about a hundred metres, down a metallic shaft, at a young man imprisoned in a metal chair. It was Aiden, my narrator, and - from that bizarre introduction - he wouldn't leave me alone. With sinking heart I realised that I was being asked to write - at least technically - science fiction, of which I'd read exactly three - 1984, Ishiguro's Never Let Me Go and The Handmaid's Tale. The idea was crazy and I fought it tooth and nail. But Aiden fought back. He wanted his book to happen. He wanted to BE. And - long story short - he won! It's jst been published. If you read it, I hope you enjoy it. If you enjoy it, I hope you review it. And I very, VERY much hope, in these tough times, it really does offer a little escape! Spaulding Taylor

Yes, sir,” the butler agreed as he handed me my boots and a fresh set of clothes. “Lunch is ready in the dining hall.” I nodded shakily before I followed the man down the hall, and I could already tell by the delicious smell that he’d nailed the burger endeavor. The scent of grilled onions and melted cheese wafted through the mansion like a beacon of hope, and I took deep, mouthwatering breaths until I made it to the table. Then I clutched my clothes against my chest as I took in the sight of over a dozen burgers with glistening, buttered buns, two-inch thick patties, and all the fixings packed in so tight, they dripped down the sides. Extra toppings were neatly lined on platters while little bowls of what looked a lot like ketchup and mustard dotted the table, and there was even a frothing mug of ale waiting beside my place setting. “Alfred, how much do I pay you?” I asked. “An exorbitant amount, sir,” the butler assured me. I clapped him on the shoulder. “Double it.” “Certainly, sir.

Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like