Silent Spectator Quotes

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The sea is intriguing and exciting. It always reinforces in me a sense of belonging. The waves bring with them a strange kind of peace and calm. The sea has been a silent spectator to many major incidents in my life. The many outings with friends and family; the long walks on the shore with dad, my hero and philosopher; the moments spent with my love, the memories are endless.
Jagdish Joghee (In Love and Free: The tale of a woman caught between two men…)
(...) I was dreading the dinner because I knew that once I found myself in the dining-room seated (...), it would no longer be possible to remain a silent spectator, I should be obliged to try and think of things to say. It had been drummed into me all my life (...) that silence at meal times is anti-social. -'So long as you chatter, Fanny, it's of no consequence what you say (...)
Nancy Mitford (Love in a Cold Climate (Radlett & Montdore, #2))
For a human life to be meaningful, it must be one in which I am not a spectator but a real participant, and a participant in something that matters to me. [...] For my life to be meaningful, those projects have to feel like _my_ projects: not in the sense that I own them, but more in the sense that they own me, that they have captured my focus.
Todd May (A Significant Life: Human Meaning in a Silent Universe)
I knew what she’d tell me. She’d say, “Something’s off about my life. I feel restless and frustrated. I have this hunch that everything was supposed to be more beautiful than this. I imagine fenceless, wide-open savannas. I want to run and hunt and kill. I want to sleep under an ink-black, silent sky filled with stars. It’s all so real I can taste it.” Then she’d look back at the cage, the only home she’s ever known. She’d look at the smiling zookeepers, the bored spectators, and her panting, bouncing, begging best friend, the Lab. She’d sigh and say, “I should be grateful. I have a good enough life here. It’s crazy to long for what doesn’t even exist.” I’d say: Tabitha. You are not crazy. You are a goddamn cheetah.
Glennon Doyle (Untamed)
Sonnet of Human Duty To deliver humanity from inhumanity, Is the duty of every human. To deliver the innocent from injustice, Is the duty of every human. The indifferent may call it god complex, Apathetic pessimists may call it idealism. I call it the meaning of life and sanity, The opposite is just a sign of doofusism. Differences won't destroy the world, Indifference is far more ominous. The problem is not the evil doers, But the silent spectators. Mark me well, the day I stay silent is the day, Lady liberty throws her torch away.
Abhijit Naskar (The Gentalist: There's No Social Work, Only Family Work)
In 1777 there was a women’s counterpart to the Boston Tea Party—a “coffee party,” described by Abigail Adams in a letter to her husband John: One eminent, wealthy, stingy merchant (who is a bachelor) had a hogshead of coffee in his store, which he refused to sell the committee under six shillings per pound. A number of females, some say a hundred, some say more, assembled with a cart and trunks, marched down to the warehouse, and demanded the keys, which he refused to deliver. Upon which one of them seized him by his neck and tossed him into the cart. Upon his finding no quarter, he delivered the keys when they tipped up the cart and discharged him; then opened the warehouse, hoisted out the coffee themselves, put it into the trunks and drove off. . . . A large concourse of men stood amazed, silent spectators of the whole transaction.
Howard Zinn (A People's History of the United States)
Teachers are silent and unassuming spectators of the beautiful world they create without expecting anything in return.
Kavita Bhupta Ghosh (Wanted Back-Bencher and Last-Ranker Teacher)
Glad you like my first tableau. Come and see number two. Hope it isn't spoilt; it was very pretty just now. This is 'Othello telling his adventures to Desdemona'." The second window framed a very picturesque group of three. Mr March in an armchair, with Bess on a cushion at his feed, was listening to Dan, who, leaning against a pillow, was talking with unusual animation. The old man was in shadow, but little Desdemona was looking up with the moonlight full upon her face, quite absorbed in the story he was telling so well. The gay drapery over Dan's shoulder, his dark colouring and the gesture of his arm made the picture very striking and both very striking, and both spectators enjoyed it with silent pleasure, till Mrs Jo said in a quick whisper: "I'm glad he's going away. He's too picturesque to have among so many romantic girls. Afraid his 'grand, gloomy and peculiar' style will be too much for our simple maids.
Louisa May Alcott (Jo's Boys (Little Women, #3))
Sometimes there is a big and scary Storm inside us, and there is nothing we can do, no one to hold to. Just you and the Storm. The world around us is dead silent, just like a spectator.
Ratish Edwards
Now that I am a father myself, I know that powerlessness is the defining characteristic of fatherhood. This begins with the pregnancy. Men spend their whole lives being active. We evolved as hunters. “Me get job, me get girl, me get girl pregnant. Now me shut mouth and wait for girl to tell me what to do.” As expectant fathers, we become silent spectators. Passive participants in a series of external events over which we have zero control.
Jim Gaffigan (Dad Is Fat)
The oppressed suffer from the duality which has established itself in their innermost being. They discover that without freedom they cannot exist authentically. Yet, although they desire authentic existence, they fear it. They are at one and the same time themselves and the oppressor whose consciousness they have internalized. The conflict lies in the choice between being wholly themselves or being divided; between ejecting the oppressor within or not ejecting them; between human solidarity or alienation; between following prescriptions or having choices; between being spectators or actors; between acting or having the illusion of acting through the action of the oppressors; between speaking out or being silent, castrated in their power to create and re-create, in their power to transform the world. This is the tragic dilemma of the oppressed which their education must take into account.
Paulo Freire (Pedagogy of the Oppressed)
Unashamed, accustomed to solitude, he began to enjoy his near-invisibility. From his position at the edge of the school around him, he took vicarious pleasure in the activities of those around him, silently celebrating the rise or fall of this or that playground emperor, or the examination failures of particularly unappetizing class-fellows: the delights of the spectator.
Salman Rushdie (Shame)
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal. But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist. Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution. It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly— "Look up, Nicholas." He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
George Eliot (Middlemarch)
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
Iris Murdoch (The Sea, the Sea)
Last Words. It will be recollected that the Emperor Augustus, that terrible man, who had himself as much in his own power and could be silent as well as any wise Socrates, became indiscreet about himself in his last words; for the first time he let his mask fall, when he gave to understand that he had carried a mask and played a comedy, - he had played the father of his country and wisdom on the throne well, even to the point of illusion! Plaudite amici, comoedia finita est! - The thought of the dying Nero: qualis artifexpereo! was also the thought of the dying Augustus: histrionic conceit! histrionic loquacity! And the very counterpart to the dying Socrates! - But Tiberius died silently, that most tortured of all self-torturers, - he was genuine and not a stage-player! What may have passed through his head in the end! Perhaps this: " Life - that is a long death. I am a fool, who shortened the lives of so many! Was I created for the purpose of being a benefactor? I should have given them eternal life: and then I could have seen them dying eternally. I had such good eyes for that: qualis spectator pereo!" When he seemed once more to regain his powers after a long death-struggle, it was considered advisable to smother him with pillows, - he died a double death.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
The Nobel Prize winner Elie Wiesel had lived only for God during his childhood in Hungary; his life had been shaped by the disciplines of the Talmud, and he had hoped one day to be initiated into the mysteries of Kabbalah. As a boy, he was taken to Auschwitz and later to Buchenwald. During his first night in the death camp, watching the black smoke coiling to the sky from the crematorium where the bodies of his mother and sister were to be thrown, he knew that the flames had consumed his faith forever. He was in a world which was the objective correlative of the Godless world imagined by Nietzsche. “Never should I forget that nocturnal silence which deprived me, for all eternity, of the desire to live,” he wrote years later. “Never shall I forget these moments which murdered my God and my soul and turned my dreams to dust.”33 One day the Gestapo hanged a child. Even the SS were disturbed by the prospect of hanging a young boy in front of thousands of spectators. The child who, Wiesel recalled, had the face of a “sad-eyed angel,” was silent, lividly pale and almost calm as he ascended the gallows. Behind Wiesel, one of the other prisoners asked: “Where is God? Where is He?” It took the child half an hour to die, while the prisoners were forced to look him in the face. The same man asked again: “Where is God now?” And Wiesel heard a voice within him make this answer: “Where is He? Here He is—He is hanging here on this gallows.”34 Dostoevsky had said that the death of a single child could make God unacceptable, but even he, no stranger to inhumanity, had not imagined the death of a child in such circumstances. The horror of Auschwitz is a stark challenge to many of the more conventional ideas of God. The remote God of the philosophers, lost in a transcendent apatheia, becomes intolerable. Many Jews can no longer subscribe to the biblical idea of God who manifests himself in history, who, they say with Wiesel, died in Auschwitz. The idea of a personal God, like one of us writ large, is fraught with difficulty. If this God is omnipotent, he could have prevented the Holocaust. If he was unable to stop it, he is impotent and useless; if he could have stopped it and chose not to, he is a monster. Jews are not the only people who believe that the Holocaust put an end to conventional theology.
Karen Armstrong (A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam)
The passive silent son acts as if life is a spectator sport. He has difficulty getting into the game. He is content to sit on the sidelines and watch, but secretly wishes he was playing, yet he doesn’t feel comfortable getting involved. Unlike many of the other types who exhibit some particular behaviors, the passive type is very difficult to break out of because of what the man is not doing. When it comes to his own interest and issues he doesn’t take a stand. He feels relatively unimportant compared to other people, and doesn’t believe he has much to offer. As a boy this was the message he received from his parents. Eventually he began to believe it, and as a man he is living it.
Robert J. Ackerman (Silent Sons: A Book for and About Men)
She stares at it for several moments before taking it out from underneath the plastic film that covers it. Then she holds it with the affection of a mother for her new-born child, tender and loving; Preeti’s eyes soften briefly just for that moment. The lava of hurt makes way into her throat, setting ablaze all that she has held within. As memories meet sentience, the apartment echoes with her muffled cries. The photograph, a silent spectator, drenches in her grief as the tears start their descent.
Faraaz Kazi (More Than Just Friends)
My mother had tried to raise me as a Catholic, but war had deracinated whatever meager plantings her efforts had achieved. No God ever would have stood silent spectator to what I saw in Vietnam. To what I did there. Either there was no God, or there was and he didn’t give a damn.
Barry Eisler (Graveyard of Memories (John Rain, #8))
India-fascist Modi Along with setting the mosque on fire, the Imam of the mosque was also martyred there. In the era of Modi fascist, neither the minorities nor their religious places are safe in India, yet the nations of the world are playing the role of silent spectators to Modi's fascist activities.
India- Modi
Although they were defeated at the London convention, the abolitionist women did discover evidence that their past struggles had achieved a few positive results. For they were supported by some of the male anti-slavery leaders, who opposed the move to exclude them. William Lloyd Garrison—“brave noble Garrison”6—who arrived too late to participate in the debate, refused to take his seat, remaining during the entire ten-day convention “a silent spectator in the gallery.”7 According to Elizabeth Cady Stanton’s account, Nathaniel P. Rogers of Concord, New Hampshire, was the only other male abolitionist who joined the women in the gallery.8 Why the Black abolitionist Charles Remond is not mentioned in Stanton’s description of the events is rather puzzling. He was also, as he himself wrote in an article published in the Liberator, “a silent listener.
Angela Y. Davis (Women, Race, & Class)
You are invited to see the Earth turn, in the Meridian Room of the Paris Observatory, tomorrow, from 2pm to 3pm,” read a notice he sent out in February. A journalist who attended the performance wrote in Le National newspaper: “At the appointed hour, I was there, in the Meridian Room, and I saw the Earth turn.” Of course, the journalist and his friends did not see the Earth turn. Nor did they feel the Earth turn. Nor did they hear the Earth turn. The turning of the Earth was invisible, and it was silent. It was, in fact, completely hidden to human sensory perceptions. The spectators were informed of this profound but invisible aspect of the world through Foucault’s pendulum and their intellectual deductions. Foucault’s pendulum, along with the first microscope two hundred years earlier, marked the beginning of a new era in the history of human civilization, in which our knowledge of nature arises not from our own sensory experience but from instruments and calculations. Since Foucault, more and more of what we know about the universe is undetected and undetectable by our bodies. What we see with our eyes, what we hear with our ears, what we feel with our fingertips, is only a tiny sliver of reality. Little by little, using artificial devices, we have uncovered a hidden reality. It is often a reality that violates common sense. It is often a reality strange to our bodies. It is a reality that forces us to re-examine our most basic concepts of how the world works. And it is a reality that discounts the present moment and our immediate experience of the world.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
The life which [Jesus] now lives in the Gospels is simply the old life lived over and over again. And in that life we have no place; in that life we are spectators, not actors. The life in which Jesus lives in the Gospels is after all, for us, but the spurious life of the stage. We sit silent in the playhouse and watch the absorbing Gospel drama of forgiveness and healing and love and courage and high endeavor; in rapt attention, we follow the fortunes of those who came to Jesus laboring and heavy laden and found rest. For a time, our own troubles are forgotten. But suddenly the curtain falls, with the closing of the book, and out we go again into the cold humdrum of our own lives… with our own problems and our own misery, and our own sin, And still seeking our own Savior. Let us not deceive ourselves, A Jewish teacher of the first century can never satisfy the longing of our souls. Clothe Him with all the art of modern research, throw upon Him… modern sentimentality; and despite it all, common sense will come to its rights again, and for our brief hour of self-deception - as through we had been with Jesus - will wreak upon us the revenge of hopeless disillusionment.
J. Gresham Machen (Christianity and Liberalism)
Second Confrontation With The Limp. Today while ascending the escalators, In the crowd of thousands of spectators, The limp appeared once again, With similar signature of pain and strain, And the drag with which he pulled his right foot, Today seemed shorter than half a foot, He appeared to be moving in a definite direction, Without any doubts or dereliction, As I was ascending the escalator, He was descending the stairs one at a time , like a helpless procrastinator, And there I caught a glimpse of human emotion, A feeling of surging and pristinely humane sensation, A man who must have been in his mid sixties and ascending the escalator beside me, With side parted grey hair and a composed look that even skies longed to see, Caught the sight of the limp holding his bag in his left hand, While he held his right leg with his right hand and pushed it to the next step, to maintain balance and anyhow stand, He descended the stairs with caution, one step at a time, And the left leg, was in complete denial to rhyme, With the floundering right foot supported by his ankle high shoes, But there was nothing to cover or hide his face bearing the painful blues, The man looked at him and turned to see him again and again, Then without making it obvious, he removed his spectacles and cleared his tears, as he revived his look simple and plain, But it seemed he missed a heart beat when he saw the man limping in the crowd, A rush of emotion crossed him and surged his existence and for anyone equally sensitive, it was silent yet very loud, His feelings of sympathy were displayed all over his face, The sadness that he managed to hide with a synthetic grace, Failed in preventing him to constantly turn his head and look at the limping man, Perhaps it reminded him of someone dear or he felt a fellow human beings pain culminating in the form of the limping man, And he quietly wept and maybe felt deeply sorry for the limp and his relentless dragging, For whatever reason the limp too turned and looked back, and both were locked in a momentary emotional tugging, Where the limp gently smiled and bowed a bit, The man tried to smile too but he couldn't, so he lifted his hand slowly and waved it at him, as if to tell him, keep walking, never stop or sit, And then both pursued, rather were lured by their destinies, One ascending, the other one descending, with their own dreams, own hopes and a bunch of certainties, The man must be where he ought to be, the limp too might be at his destination now, But today both of them conquered their destinies with that humbling and simple bow!
Javid Ahmad Tak (They Loved in 2075!)
She believed the relationship would work He wanted her to do all the work for the relationship She believed adjustments needed to be made He wanted her to improve for the sake of it She was in pain, she was suffering because of the hardships He told her the hardships were because of her. She tolerated all the abuse silently, verbal and psychological; He abused her every single time that he could She grew tired of it, finally - Started to ignore his tantrums He intensified the tantrums; She told him she was depressed He told her he was depressed It was a battle of emotions To see who wins in the end. It was not a relationship anymore, It was a game, to prove who is suffering more. She lost her calm, made it clear that she cannot take it anymore He walked away, like he always did - He made sure people knew he suffered ‘thanks’ to her She did not know what to do, What step next to take He knew exactly what he had to do - He knew the ways He pulled out his sword of manipulation Scared the other family members so much That she was scared as well - And decided to give it another chance. She’d done enough to bring herself out of the loop And finally she walked into another one willingly Because for her, the relationship mattered - She failed to see the manipulation; For her it seemed like his love for her. Promises were made - He said he’d change, She believed. Because she still wants the relationship to work - And he knows it well. Amidst all this drama between the couple In some corner, an alone child suffers - And - learns that tantrums give favourable results. In some corner, a child grows up - Trying to understand the complexities of a relationship The dynamics of it and its worthiness In some tender-mind corner, a doubt grows - Is it all worth in the end? Meanwhile - The calm after the storm continues No one bothers to see what the storm has damaged Fresh efforts are put in - She believes the relationship can work He knows he still has the control. Things might continue the same - For how long, no one knows - Why? No one knows. But it does - While others stand spectators - Trying to understand the dynamics of the relationship.
Arti Honrao