Kicking Off Summer Quotes

I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.

The Bear and the Maiden Fair A bear there was, a bear, a bear! All black and brown, and covered with hair! The bear! The bear! Oh, come, they said, oh come to the fair! The fair? Said he, but I'm a bear! All black, and brown, and covered with hair! And Down the road from here to there. From here! To There! Three boys, a goat, and a dancing bear! [He] danced and spun, all the way to the Fair! The Fair! The Fair! [...] Oh, sweet she was, and pure, and fair! The maid with honey in her hair! Her hair! Her hair! The maid with honey in her hair! [The bear,] smelled the scent on the summer air. The bear! The bear! All black and brown and covered with hair. He smelled the scent on the summer air! He sniffed and roared and smelled it there! Honey on the summer air! Oh, I'm a maid, and I'm pure and fair! I'll never dance with a hairy bear! A bear! A bear! I'll never dance with a hairy bear! He lifted her high into the air! The bear! The bear! I called for a knight, but you're a bear! A bear! A bear! All black and brown and covered with hair! She kicked and wailed, the maid so fair, But he licked the honey from her hair, Her hair! Her hair! Then she sighed and squealed and kicked the air! My bear! She sang. My bear so fair! And off they went, from here to there, The bear, the bear, and the maiden fair. ~"The Bear and the Maiden Fair",

Have you ever thought that if one thing hadn't happened, a whole set of things never would have either? Like dominoes in time, a single event kicked off an unstoppable series of changes that gained momentum and spun out of control, and nothing was ever the same again. Don't ever doubt that a mere second can change your life forever.

When did you guys even start speaking again?” Ernie shrugged and popped a peanut into his mouth. “He’s probably just sniffing around here so I leave him my property when I kick it.” He drank his beer and leaned back into his easy chair. “Eh, he’s a good kid. My sister’s only son. He’s family. Family’s family. Never forget that, Conrad.” “Ernie, two commercial breaks ago, you told me that if I didn’t try and break up my brother’s wedding, I was a punk!” Picking at his teeth, Ernie said, “If a girl’s the one, all bets are off, family or no family.

It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.” “Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?” “Dicky,” Summer chides. “You’re being grumpy.” I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter. The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.” Oh for fuck’s sake.

It was a cold still afternoon with a hard steely sky overhead, when he slipped out of the warm parlour into the open air. The country lay bare and entirely leafless around him, and he thought that he had never seen so far and intimately into the insides of things as on that winter day when Nature was deep in her annual slumber and seemed to have kicked the clothes off. Copses, dells, quarries and all hidden places, which had been mysterious mines for exploration in leafy summer, now exposed themselves and their secrets pathetically, and seemed to ask him to overlook their shabby poverty for a while, til they could riot in rich masquerade as before, and trick and entice him with the old deceptions. It was pitiful in a way, and yet cheering-even exhilarating. He was glad that he liked the country undecorated, hard, and stripped of its finery. He had got down to the bare bones of it, and they were fine and strong and simple. He did not want the warm clover and the play of seeding grasses; the screens of quickset, the billowy drapery of beech and elm seemed best away; and with great cheerfulness of spirit he pushed on towards the Wild Wood, which lay before him low and threatening, like a black reef in some still southern sea.

Riots always seem to kick off in the summer.

Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

Summer: Hi! Just messaging to see if you’d like to come for dinner? Harvey: Hi, son. Thinking I could take Luke off your hands for the day. Rhett: My wife messaged you about dinner. You haven’t answered. Don’t be rude to her or I’ll drive over and kick your ass. Jasper: Want free tickets to the game tonight? Would love to see you and Luke. Violet: I was told to message you and see if you’d respond. You’re too old to sulk, Cade. Knock it off.

There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through. And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June. Feo had felt blind cold only once.

Johnny leapt off the boat and threw his own vest on the dock. First thing, he ran up to Mirren and kicked her. Then he kicked me. Kicked the twins. Walked over to our grandparents and stood up straight. “Good to see you, Granny and Granddad. I look forward to a happy summer.

Solitary Swedish Houses" A mix-max of black spruce and smoking moonbeams. Here’s the croft lying low and not a sign of life. Till the morning dew murmurs and an old man opens – with a shaky hand – his window and lets out an owl. Further off, the new building stands steaming with the laundry butterfly fluttering at the corner in the middle of a dying wood where the mouldering reads through spectacles of sap the proceedings of the bark-drillers. Summer with flaxen-haired rain or one solitary thunder-cloud above a barking dog. The seed is kicking inside the earth. Agitated voices, faces fly in the telephone wires on stunted rapid wings across the moorland miles. The house on an island in the river brooding on its stony foundations. Perpetual smoke – they’re burning the forest’s secret papers. The rain wheels in the sky. The light coils in the river. Houses on the slope supervise the waterfall’s white oxen. Autumn with a gang of starlings holding dawn in check. The people move stiffly in the lamplight’s theatre. Let them feel without alarm the camouflaged wings and God’s energy coiled up in the dark.

In the courtyard, jasmine sugared the air, great white sprays tumbling from the top of a wooden arbor at the side of the lawn. Huge goldfish swam slowly near the surface of the pool, listing their plump bodies backwards and forwards to court the afternoon sun. It was heavenly, but I didn't stick around; a distant band of trees was calling to me and I wove my way towards it, through the meadow dusted with buttercups, self-sown amid the long grass. Although it wasn't quite summer, the day was warm, the air dry, and by the time I reached the trees my hairline was laced with perspiration. I spread the rug in a patch of dappled light and kicked off my shoes. Somewhere nearby a shallow brook chattered over stones and butterflies sailed the breeze. The blanket smelled reassuringly of laundry flakes and squashed leaves, and when I sat down the tall meadow grasses enclosed me so I felt utterly alone.

My Christmas present? That’s nice. But I’m not really in the mood to—” “Open the goddamn thing or I’ll kill you where you stand.” “Sir! Opening it.” She ripped the paper, stuffed it hurriedly in her pocket, and pulled off the lid. “It’s a key code.” “That’s right. It’s to the ground transpo that’ll be at the airport over in that foreign country. Air transpo’s been arranged, for two, on one of Roarke’s private shuttles. Round trip. Merry fricking Christmas. Do what you want with it.” “I—you—one of the shuttles? Free?” Peabody’s cheeks went pink as a summer rose. “And—and—and—a vehicle when we get there? It’s so… It’s so seriously mag.” “Great. Can we go now?” “Dallas!” “No. No. No hugs. No hugs. No. Oh, shit,” she muttered as Peabody threw her arms around her and squeezed. “We’re on duty, we’re in public. Let me go or I swear I’ll kick your ass so hard that extra five pounds you’re whining about will end up in Trenton.

Stop it,” came Eustace’s voice, squeaky with fright and bad temper. “It’s some silly trick you two are playing. Stop it. I’ll tell Alberta--Ow!” The other two were much more accustomed to adventures, but, just exactly as Eustace Clarence said “Ow,” they both said “Ow” too. The reason was that a great cold, salt splash had broken right out of the frame and they were breathless from the smack of it, besides being wet through. “I’ll smash the rotten thing,” cried Eustace; and then several things happened at the same time. Eustace rushed toward the picture. Edmund, who knew something about magic, sprang after him, warning him to look out and not to be a fool. Lucy grabbed at him from the other side and was dragged forward. And by this time either they had grown much smaller or the picture had grown bigger. Eustace jumped to try to pull it off the wall and found himself standing on the frame; in front of him was not glass but real sea, and wind and waves rushing up to the frame as they might to a rock. He lost his head and clutched at the other two who had jumped up beside him. There was a second of struggling and shouting, and just as they thought they had got their balance a great blue roller surged up round them, swept them off their feet, and drew them down into the sea. Eustace’s despairing cry suddenly ended as the water got into his mouth. Lucy thanked her stars that she had worked hard at her swimming last summer term. It is true that she would have got on much better if she had used a slower stroke, and also that the water felt a great deal colder than it had looked while it was only a picture. Still, she kept her head and kicked her shoes off, as everyone ought to do who falls into deep water in their clothes. She even kept her mouth shut and her eyes open. They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went.

What about the backyard stuff?” he asked. “What about it?” “Is it okay if I use it, too?” “Oh, sure. The equipment is in a metal shed in the back. Just help yourself. It’s not locked or anything. And if you want company, just let me know. I’d be happy to play with you.” Did I just say that? I did not just say that. Like we were six years old and heading for a sandbox. He was grinning again, like he thought it was funny or stupid or I was having a Tiffany moment. “I didn’t mean play with you exactly,” I said. “I meant…you know, keep you company so you don’t feel awkward…you know, like I exercised with you.” “I’ll be okay alone in the backyard.” He stepped off the treadmill. “I’m going to go shower.” He waited a heartbeat, like he expected me to say I’d be happy to keep him company in the shower, too. Fortunately, my brain finally kicked in, and I kept my mouth shut. I watched him walk out of the room. I thought I’d known everything that would be involved in having a baseball player living with us for the summer. I was discovering that I didn’t have a clue.

INTERNATIONAL LAW WAS CREATED DURING THE BUSH ADMINISTRATION BECAUSE a group of Mexicans—and one African American—gang-raped and murdered two teenaged girls in Houston, Texas.1 The crime made history in another way: It led to the most death sentences handed out for a single crime in Texas since 1949.2 Do you even know about this case? The only reason the media eventually admitted that the lead rapist, Jose Ernesto Medellin, was an illegal alien from Mexico was to try to overturn his conviction on the grounds that he had not been informed of his right, as a Mexican citizen, to confer with the Mexican consulate. Journalists have an irritating tendency to skimp on detail when reporting crimes by immigrants, a practice that will not be followed here. One summer night in June 1993, fourteen-year-old Jennifer Ertman and Elizabeth Peña, who had just turned sixteen, were returning from a pool party, and decided to take a shortcut through a park to make their 11:30 p.m. curfew. They encountered a group of Hispanic men, who were in the process of discussing “gang etiquette,” such as not complaining if other members talked about having sex with your mother.3 The girls ran away, but Medellin grabbed Jennifer and began ripping her clothes off. Hearing her screams, Elizabeth came back to help her friend. For more than an hour, the five Hispanics and one black man raped the teens, vaginally, anally, and orally—“every way you can assault a human being,” as the prosecutor put it.4 The girls were beaten, kicked, and stomped, their teeth knocked out and their ribs broken. One of the Hispanic men told Medellin’s fourteen-year-old brother to “get some,” so he raped one of the girls, too. But when it was time to kill the girls, Medellin said his brother was “too small to watch” and dragged the girls into the woods.5 There, the girls were forced to kneel on the ground and a belt or shoelace was looped around their necks. Then a man on each side pulled on the cord as hard as he could. The men strangling Jennifer pulled so hard they broke the belt. Medellin later complained that “the bitch wouldn’t die.” When it was done, he repeatedly stomped on the girls’ necks, to make sure they were dead.6 At trial, Medellin’s sister-in-law testified that shortly after the gruesome murders, Medellin was laughing about it, saying they’d “had some fun with some girls” and boasting that he had “virgin blood” on his underpants.7 It’s difficult to understand a culture where such an orgy of cruelty is bragged about at all, but especially in front of women.

It served as a symbol of the opulence and prosperity of Detroit until the summer of 1967, when the 12th Street Riot kicked off the white flight to the suburbs and the city took its first steps toward ruination. The

firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she

Ray picked up a slice of summer sausage and chewed, taking a deep breath when some heat kicked in. "Watch out for that one. It's chili-spiked. Eat some cheese," Rick said. Ray broke off a hunk of crumbling aged cheddar that had come from a nearby dairy. When he bit into it, tiny crystals popped on his tongue. "Five years?" he guessed. "Six." "It's good." The cheese coated his tongue and eased the worst of the heat.

I made a valiant attempt to mount Molasses, kicking hard off the ground. I swung up into the saddle—and nearly toppled right off the other side of the horse. I had to throw myself forward and wrap my arms around his neck to prevent this from happening, which was not very suave. I caught a glimpse of Summer giggling at my failure.

Sweet and Sour Summers “There is something my parents did, and it was pretty unique. My brother and I refer to it as ‘The Sweet and Sour Summer.’ My parents would send us, for the first half of the summer, to an internship with a relative or a friend of the family who had an interesting job. So, at 12, I went and interned with my godbrother, who is a lobbyist in D.C. I would go along with him to pitch congressmen. I had one tie, and I was a pretty good writer. I’d write up one-page summaries of these bills we were pitching, and I’d literally sit there with these congressmen with these filthy mouths—you know, the old Alabaman senator and stuff like that—and watch the pitch happen. It was awesome. I learned so much and developed so much confidence, and really honed my storytelling skills. “But then, from there, I would come home and work in a construction outfit, in a nasty, nasty job. I mean, hosing off the equipment that had been used to fix septic systems, gassing shit up, dragging shit around in the yard, filling up propane tanks. Just being the junior guy on the totem pole, and quite literally getting my ass kicked by whichever parolee was angry at me that day. I think it was part of their master plan, which was: There’s a world of cool opportunities out there for you, but let’s build within you a sense of not just work ethic, but also, a little kick in the ass about why you don’t wanna end up in one of those real jobs. . . .” TIM: “You had the introduction to the godbrother, for the lobbying. Did your parents also help organize the sour part of each summer?” CHRIS: “The guy who ran that construction company is my dad’s best friend, and he was under strict orders to make sure we had the roughest day there.

Ronan hadn't thought much about the future. This was a way he and Adam had always been opposites. Adam seemed to only think about the future. He thought about what he wanted to happen days or weeks or years down the road, and then he backfilled actions to make it happen. He was good at depriving himself in the now in order to have something better in the later. Ronan, on the other hand, couldn't seem to get out of the now. He always remembered consequences too late. After a bloody nose. A broken friendship. A huge tattoo. A cat with human hands. But his head didn't seem built to hold the future. He could imagine it for just a few seconds until, like a weak muscle, his thoughts collapsed back into the present. But there was one future he could imagine. It was a little bit of a cheat, because it was buried in a memory, and Ronan was better at thinking of the past than the future. It was an indulgent memory, too, one he'd never have copped to out loud. There wasn't much to it. It was from the summer after Adam had graduated, the summer he'd spent with Ronan at the Barns. Ronan had come in from working on the fences outdoors and tossed his work gloves onto the grass-cluttered rug by the mudroom door. As he did, he'd seen that Adam's mechanic gloves were lined up neatly on top of his shoes. Ronan had already known Adam was inside the house, but nonetheless, the image made him pause. They were just gloves, grease-stained and very old. Thrifty Adam always tried to get as much wear out of things as possible. They were long and narrow like Adam himself, and despite their age and stains, they were otherwise impeccably clean. Ronan's work gloves, in comparison, were cruddy and creased and coarse-looking, tossed with carefree abandon, the fingers lassoed over Adam's. Seeing the two pairs tumbled together, a nameless feeling had suddenly overwhelmed Ronan. It was about Adam's gloves here, but it was also Adam's jacket tossed on the dining room chair, his soda can forgotten on the foyer table, him somewhere tossed with equal comfort in the Barns, his presence commonplace enough that he was not having to perform or engage with Ronan at all times. He was not dating Ronan; he was living in Ronan's life with him. Shoes kicked off by the door, gloves off.

As I scramble for my shirt to cover my chest--thank God I’d decided against changing bras--I grumble, “Don’t you knock?” He crosses his arms and rests against the door frame. “It is my room.” My heart pounds in my ears. I should yell, kick him out, slam the door, but I can’t take my eyes off him. Russet skin, solid jaw line, caramel eyes, perfectly messy black hair. Shoulders and arm muscles stretching his baby-blue shirt tight. Is this Bruno or Luca? I adjust the shirt hiding me, equal parts embarrassed and flattered that someone so hot is checking me out. He brushes a hand over the tips of his hair before resting it up high on the doorjamb. I’m not sure I can feel my legs. I can’t believe I’m sharing an apartment with him for the whole summer. Chiara pushes past him into the room and stops, first looking me over, then frowning at him. “You did not knock?” He smirks. “It is my room.” Chiara spouts off in Italian, waving her hands around, and soon they’re pretty much yelling at each other. Then they erupt into laughter and he shoves her shoulder before pulling her in for a hug. “Bruno, this is my friend Pippa. Pippa, my cousin Bruno.” Bruno. The in-with-the-wrong-crowd Bruno. Divinely and supernaturally gorgeous Bruno. And he just winked at me. Not good.

I come back to the geography of it, the land falling off to the left where my father shot his scabby golf and the rest of us played baseball into the summer darkness until no flies could be seen and we came home to our various piazzas where the women buzzed To the left the land fell to the city, to the right, it fell to the sea I was so young my first memory is of a tent spread to feed lobsters to Rexall conventioneers, and my father, a man for kicks, came out of the tent roaring with a bread-knife in his teeth to take care of the druggist they’d told him had made a pass at my mother, she laughing, so sure, as round as her face, Hines pink and apple, under one of those frame hats women then This, is no bare incoming of novel abstract form, this is no welter or the forms of those events, this, Greeks, is the stopping of the battle It is the imposing of all those antecedent predecessions, the precessions of me, the generation of those facts which are my words, it is coming from all that I no longer am, yet am, the slow westward motion of more than I am There is no strict personal order for my inheritance. No Greek will be able to discriminate my body. An American is a complex of occasions, themselves a geometry of spatial nature. I have this sense, that I am one with my skin Plus this—plus this: that forever the geography which leans in on me I compell backwards I compell Gloucester to yield, to change Polis is this