Silence Means Yes Quotes

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Silence does not mean yes. No can be thought and felt but never said. It can be screamed silently on the inside. It can be in the wordless stone of a clenched fist, fingernails digging into palm. Her lips sealed. Her eyes closed. His body just taking, never asking, never taught to question silence
Amy Reed (The Nowhere Girls)
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life?
Nora Ephron (Heartburn)
Do you love me?" There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!" "What do you mean?" Jonas asked. Amusement was not at all what he had anticipated. "Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully. Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory. "And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said. "Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'" "Do you understand why it's inappropriate to use a word like 'love'?" Mother asked. Jonas nodded. "Yes, thank you, I do," he replied slowly. It was his first lie to his parents.
Lois Lowry (The Giver (The Giver, #1))
Marie came that evening and asked me if I'd marry her. I said I didn't mind; if she was keen on it, we'd get married. Then she asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothing--but I supposed I didn't. 'If that's how you feel,' she said, 'why marry me?' I explained that it had no importance really, but, if it would give her pleasure, we could get married right away. I pointed out that, anyhow, the suggestion came from her; as for me, I'd merely said, 'Yes.' Then she remarked that marriage was a serious matter. To which I answered: 'No.' She kept silent after that, staring at me in a curious way. Then she asked: 'Suppose another girl had asked you to marry her--I mean, a girl you liked in the same way as you like me--would you have said 'Yes' to her, too?' 'Naturally.' Then she said she wondered if she really loved me or not. I, of course, couldn't enlighten her as to that. And, after another silence, she murmured something about my being 'a queer fellow.' 'And I daresay that's why I love you,' she added. 'But maybe that's why one day I'll come to hate you.
Albert Camus (The Stranger)
No, I mean with us. Do you think we would have made it?" It took a moment for her to answer. "I don't know, Noah. I really don't, and you don't either. We're not the same people we were then. We've changed. Both of us." She paused. He didn't respond, and in the silence she looked towards the creek. She went on. "But yes, Noah, I think we would have. At least, I'd like to think we would have.
Nicholas Sparks (The Notebook (The Notebook, #1))
Yes means yes and no means no, but what is the meaning of silence?
Tayari Jones (An American Marriage)
The popular concept–that we should each determine our own morality–is based on the belief that the spiritual realm is nothing at all like the rest of the world. Does anyone really believe that? For many years after each of the morning and evening Sunday services I remained in the auditorium for another hour to field questions. Hundreds of people stayed for the give-and-take discussions. One of the most frequent statements I heard was that 'Every person has to define right and wrong for him- or herself.' I always responded to the speakers by asking, 'Is there anyone in the world right now doing things you believe they should stop doing no matter what they personally believe about the correctness of their behavior?' They would invariable say, 'Yes, of course.' Then I would ask, “Doesn’t that mean that you do believe there is some kind of moral reality that is "there" that is not defined by us, that must be abided by regardless of what a person feels or thinks?' Almost always, the response to that question was silence, either a thoughtful or a grumpy one.
Timothy J. Keller (The Reason for God: Belief in an Age of Skepticism)
It was unearthly, and the men were--No, they were not inhuman. Well, you know, that was the worst of it--this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity--like yours--the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you--you so remote from the night of first ages--could comprehend. And why not? The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but truth--truth stripped of its cloak of time. Let the fool gape and shudder--the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff--with his own inborn strength. Principles? Principles won't do. Acquisitions, clothes, pretty rags--rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row--is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who's that grunting? You wonder I didn't go ashore for a howl and a dance? Well, no--I didn't. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woolen blanket helping to put bandages on those leaky steam-pipes--I tell you.
Joseph Conrad (Heart of Darkness)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
When I said I wasn’t with another girl the January after we fell in love for the 3rd time, it’s because it wasn’t actual sex. In the February that began our radio silence, it was actual sex. I hate the tight shirts that go below your waistline. Not only do they make you look too young, but then your torso is a giraffe’s neck attached to tiny legs. I screamed at myself in the subway for writing poems about you still. I made a scene. I think about you almost each morning, and roughly every five days, I still believe you’re there. I still masturbate to you. When we got really bad, I would put another coat of mop water on the floor of the bar to make sure you were asleep when I got to my side of the bed. You are the only person to whom I’ve lied, knowing I was telling the truth. I miss the way your neck wraps around my face like a cave we are both lost in. I remember when you said being with me is like being alone with company. My friend Sarah wrote a poem about pink ponies. I’m scared you’re my pink pony. Hers is dead. It is really sad. You’re not dead. You live in Ohio, or Washington, or Wherever. You are a shadow my body leaves on other girls. I have a growing queue of things I know will make you laugh and I don’t know where to put them. I mourn like you’re dead. If you had asked me to stay, I would not have said no. It would never mean yes.
Jon Sands
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
For a moment, there was silnece, and then at Brooke's nod, the rest of the Squad, minus me, chimed in. "Yes, sir." I said nothing. For one thing, I wasn't exactly keen on speaking in unison, and for another, I wasn't about to make any promises I couldn't keep. "Toby." I jumped in my seat. The Voice actually knew my name. And somehow, he had the freaky ability to ascertain that of all of us, I was the one who hadn't responded. "Do you understand?" I contemplated telling him what I didn't understand was his familial relationshiops, but stayed momentarily silent, causing everyone within a three-foot radius to kick me under the table at once. "Ow!" I cleared my throat. "I mean, yes." I didn't throw the sir on the end, but apparently, that was good enough for the Voice. "Excellent. Report in tonight, and we'll have more information for you all tomorrow. And girl?" "Yes?" "Congratulations on the homecoming nominations. We're all very proud.
Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
The only thing we can do now,” said Benjy, crouching and stroking his whiskers in thought, “is to try and fake a question, invent one that will sound plausible.” “Difficult,” said Frankie. He thought. “How about, What's yellow and dangerous?” Benjy considered this for a moment. “No, no good,” he said. “Doesn't fit the answer.” They sank into silence for a few seconds. “All right,” said Benjy. “What do you get if you multiply six by seven?” “No, no, too literal, too factual,” said Frankie, “wouldn't sustain the punter's interest.” Again they thought. Then Frankie said: “Here's a thought. How many roads must a man walk down?” “Ah!” said Benjy. “Aha, now that does sound promising!” He rolled the phrase around a little. “Yes,” he said, “that's excellent! Sounds very significant without actually tying you down to meaning anything at all. How many roads must a man walk down? Forty-two. Excellent, excellent, that'll fox 'em. Frankie, baby, we are made!
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
Yes, silence can be an opinion,” said Mishka. “Silence can be a form of protest. It can be a means of survival. But it can also be a school of poetry—one with its own meter, tropes, and conventions.
Amor Towles (A Gentleman in Moscow)
NOTHING MAKES SENSE. Do not look for any sense in things. It is not there. It is you who ascribe it to what you live or get to know. A defeat or a victory is neither a message from the gods nor a trick of fate. Neither means anything — and, if they seem to, it is but an interpretation you yourself make of them —, inasmuch as things in themselves are only indifference and silence. So, do not waste your precious time in looking for signs everywhere around you. Try and interpret happenings, those which bleed and those which make you smile, as maturing experiences. Oh, yes, what is most important: live!
Camilo Gomes Jr.
motioned for her to follow. “Uh-hu and so if Katie Peri’s E.T. suddenly started playing, you wouldn’t have the sudden urge to de-robe?” “Urge, yes,” Jen admitted. “I mean, come on, the song has a sick beat.
Quinn Loftis (Piercing Silence (The Grey Wolves, #8.5))
Scythe Anastasia was equally dumbfounded. "You?" she said. "No," Morrison blurted, "not me! I mean, yes, it's me, but I'm not the Toll, I mean." Any hope of strong, silent intimidation was gone. Now he was little more than a stammering imbecile, which is how he always felt around Scythe Anastasia. "What are you even doing here?" she asked. He started to explain, but realized it was way too long a story for the moment. And besides, he was sure her story was a better one. The other scythe in her entourage—Amazonian by the look of his robe—chimed in, several beats behind the curve. "You mean to say you two know each other?" But before either of them could answer, Mendoza came up behind Morrison, tapping him on the shoulder. "As usual, you're in the way, Morrison," he grumbled, having completely missed the conversation. Morrison stepped aside and allowed the curate to exit. And the moment Mendoza saw Anastasia, he became just as befuddled as Morrison. Although his eyes darted wildly, he managed to hold his silence. Now they stood on either side of the entrance to the cave in their usual formation. Then the Toll emerged from the cave between them. He paused short, just as Morrison and Mendoza had, gaping in a way that a holy man probably never should. "Okay," said Scythe Anastasia. "Now I know I've lost my mind.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
Forty-two," said Deep Thought, with infinite majesty and calm. It was a long time before anyone spoke. Out of the corner of his eye Phouchg could see the sea of tense expectant faces down in the square outside. "We're going to get lynched aren't we?" he whispered. "It was a tough assignment," said Deep Thought mildly. "Forty-two!" yelled Loonquawl. "Is that all you've got to show for seven and a half million years' work?" "I checked it very thoroughly," said the computer, "and that quite definitely is the answer. I think the problem, to be quite honest with you, is that you've never actually known what the question is." "But it was the Great Question! The Ultimate Question of Life, the Universe and Everything!" howled Loonquawl. "Yes," said Deep Thought with the air of one who suffers fools gladly, "but what actually is it?" A slow stupefied silence crept over the men as they stared at the computer and then at each other. "Well, you know, it's just Everything ... Everything ..." offered Phouchg weakly. "Exactly!" said Deep Thought. "So once you do know what the question actually is, you'll know what the answer means.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.
Ben Okri (Birds of Heaven)
Mama,” the child exclaimed, breathless and agitated. Phoebe looked down at him in concern. “Justin, what is it?” “Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!” “Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.” “Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.” Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel. “About the mouse?” Phoebe asked sympathetically. “No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?” “Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—” “Dad wouldn’t want to leave me behind. I know he wouldn’t!” In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled. Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?” Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.” Phoebe began to smile. “Why not call him Papa?” she suggested. “If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.” Phoebe let out a breath of amusement. “You’re right, my clever boy.” Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?” A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck. “Can we go to Africa for our honeymoon, Dad?” he heard Justin ask. “Yes,” came West’s muffled voice. “Can I have a pet crocodile, Dad?” “Yes.” Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
So, tomorrow night. My house or yours?" "Mine. I...want to show you something." "Oh yes?” Will said hopefully, suggestively. There was a smile in Taylor's voice, but he sounded absent. “Will?" "Right here." There was a pause. “When I was shot—" Will's heart quickened; he wasn't even sure why. “Yeah?" "It wasn't because of you...turning me down. It wasn't because my mind wasn't on the job." "No?" "No. I know—at least, I think I do—that you thought you were somehow to blame for me getting nailed. It wasn't anything to do with you.” He heard Taylor sigh. “It was when I saw how young they were. Kids. And I hesitated. I hesitated a couple of seconds too long. That's all." Something inside Will relaxed, like the clutch of a child's hand on a balloon. The balloon went sailing free and happy. (...) He couldn't even explain why he felt so happy. “You think I'm with you out of guilt?" "No, you ass. Of course not. I just mean—" "You're a nut, MacAllister. I'm with you because I love you." There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor? Something in the ringing silence that followed made him think he maybe hadn't. It was a relief when Taylor said, at last, in that irritable voice that always signified nerves or great emotion, “That's fine. I just thought you should know." "I love you,” Will repeated firmly, having got the hang of it. “I'll see you tomorrow night, you lunatic." "Love you,” Taylor said tersely and hung up. Taylor stared at the receiver in its cradle and then got ready for bed.
Josh Lanyon (Old Poison (Dangerous Ground, #2))
You and Beatrix haven’t known each other long enough to consider matrimony. A matter of weeks, to my knowledge. And what about Prudence Mercer? You’re practically betrothed, aren’t you?” “Those are valid points,” Christopher said. “And I will answer them. But you should know right away that I’m against the match.” Leo blinked in bemusement. “You mean you’re against a match with Miss Mercer?” “Well…yes. But I’m also against a match with Beatrix.” Silence fell over the room. “This is a trick of some sort,” Leo said. “Unfortunately, it’s not,” Christopher replied. Another silence. “Captain Phelan,” Cam asked, choosing his words with care. “Have you come to ask for our consent to marry Beatrix?” Christopher shook his head. “If I decide to marry Beatrix, I’ll do it with or without your consent.” Leo looked at Cam. “Good God,” he said in disgust. “This one’s worse than Harry.” Cam wore an expression of beleaguered patience. “Perhaps we should both talk to Captain Phelan in the library. With brandy.” “I want my own bottle,” Leo said feelingly, leading the way.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
THE WOMAN AND THE FARMER A Woman, who had lately lost her husband, used to go every day to his grave and lament her loss. A Farmer, who was engaged in ploughing not far from the spot, set eyes upon the Woman and desired to have her for his wife: so he left his plough and came and sat by her side, and began to shed tears himself. She asked him why he wept; and he replied, "I have lately lost my wife, who was very dear to me, and tears ease my grief." "And I," said she, "have lost my husband." And so for a while they mourned in silence. Then he said, "Since you and I are in like case, shall we not do well to marry and live together? I shall take the place of your dead husband, and you, that of my dead wife." The Woman consented to the plan, which indeed seemed reasonable enough: and they dried their tears. Meanwhile, a thief had come and stolen the oxen which the Farmer had left with his plough. On discovering the theft, he beat his breast and loudly bewailed his loss. When the Woman heard his cries, she came and said, "Why, are you weeping still?" To which he replied, "Yes, and I mean it this time.
Aesop (Aesop's Fables)
Matt said, “I need to go. I have other appointments today.” Without a single ounce of hesitation, he cupped Priss’s shoulders, drew her forward, and gave her a smacking kiss right on her slightly parted lips. It was a toss-up who was more surprised, Priss or Trace. Priss blinked rapidly, Trace snarled and Chris laughed at them both. “I enjoyed working with you, Priss. You were more than entertaining, and a font of information on all things kinky.” Trace narrowed his eyes. Was Matt trying to rile him? All things kinky? Just what the hell had they discussed? “What does that mean, Matt?” “She schooled us on the porn marketplace. Very informative.” After a meaningful glance at Trace, he turned back to Priss. “I hope to see you again.” She went still, unsure what to say. Trace filled in the silence. “Did you want to bill me, or get paid now?” “I almost hate to charge, it was all so fascinating.” Trace growled. “But you will.” Grinning, Matt said, “Yes.” As he turned away, he added, “I’ll get something in the mail to Dare. He can pass it along to you. I certainly trust you.” Matt’s emphasis meant that Priss didn’t trust him—not that Trace needed a reminder of that.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?” He yanked on the reins. His stallion ground to a halt. When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.” They rode on in silence until Arin said, “Kestrel.” She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word. She said, “I hope you’re not going to pretend you don’t know what it means.” He shot her a wry, sidelong look. “A kestrel is a hunting hawk.” “Yes. The perfect name for a warrior girl.” “Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Far away beyond the pine-woods," he answered, in a low, dreamy voice, "there is a little garden. There the grass grows long and deep, there are the great white stars of the hemlock flower, there the nightingale sings all night long. All night long he sings, and the cold crystal moon looks down, and the yew-tree spreads out its giant arms over the sleepers." Virginia's eyes grew dim with tears, and she hid her face in her hands. "You mean the Garden of Death," she whispered. "Yes, death. Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no to-morrow. To forget time, to forget life, to be at peace. You can help me. You can open for me the portals of death's house, for love is always with you, and love is stronger than death is.
Oscar Wilde (The Canterville Ghost)
How was your journey?" he asked. "You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it." They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?" "She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..." "Yes?" he prompted as she hesitated. "Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them. After a moment, Lord St. Vincent said softly, "Carrots." Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?" "Any kind of carrots." "Out of all vegetables?" At his nod, she persisted, "What about carrot cake?" "No." But it's cake." A smile flickered across his lips. "Still carrots." Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice. "Ah, there you are. I've been sent out to fetch you." Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes. "My son, what can you be thinking, keeping this enchanting creature out in the heat of midday?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Yes,’ said Raphael. ‘Here you can only see a representation of a river or a mountain, but in our world – the other world – you can see the actual river and the actual mountain.’ This annoyed me. ‘I do not see why you say I can only see a representation in this World,’ I said with some sharpness. ‘The word “only” suggests a relationship of inferiority. You make it sound as if the Statue was somehow inferior to the thing itself. I do not see that that is the case at all. I would argue that the Statue is superior to the thing itself, the Statue being perfect, eternal and not subject to decay.’ ‘Sorry,’ said Raphael. ‘I didn’t mean to disparage your world.’ There was a silence. ‘What is the Other World like?’ I asked. Raphael looked as if she did not know quite how to answer this question. ‘There are more people,’ she said at last. ‘A lot more?’ I asked. ‘Yes.’ ‘As many as seventy?’ I asked, deliberately choosing a high, rather improbable number. ‘Yes,’ she said. Then she smiled. ‘Why do you smile?’ I asked. ‘It’s the way you raise your eyebrow at me. That dubious, rather imperious look. Do you know who you look like when you do that?’ ‘No. Who?’ ‘You look like Matthew Rose Sorensen. Like photos of him that I’ve seen.’ ‘How do you know that there are more than seventy people?’ I asked. ‘Have you counted them yourself?’ ‘No, but I’m fairly sure,’ she said. ‘It’s not always a pleasant world, the other world. There’s a lot of sadness.’ She paused. ‘A lot of sadness,’ she said again. ‘It’s not like here.’ She sighed. ‘I need you to understand something. Whether you come back with me or not, it’s up to you. Ketterley tricked you. He kept you here with lies and deceit. I don’t want to trick you. You must only come if you want to.’ ‘And if I stay here will you come back and visit me?’ I said. ‘Of course,’ she said. Other
Susanna Clarke (Piranesi)
Well, yes,” Daniel said. “We did spend the night together, but—” “Daniel,” Grace gasped in horror. Daniel looked away from the parson, his skin now fully flaming red. “Well, we did. Do you want me to add lying to the parson in on top of having you in bed…I mean, sleeping together…I mean, having you here without your clothes…I mean…” Daniel lapsed into silence. “Pa brung her home to be our ma, but he tried her out for the night and he decided to return her,” Mark said.
Mary Connealy (Calico Canyon (Lassoed in Texas, #2))
It doesn’t make sense to say “believe all survivors” if we don’t also remember that most of us are survivors, which includes most people who cause harm. What we mean is we are tired of being silenced, dismissed, powerless in our pain, hurt over and over. Yes. But being loud is different from being whole, or even being heard, being cared for, being comforted, being healed. Being loud is different from being just. Being able to destroy is different from being able to generate a future where harm isn’t happening all around us.
Adrienne Maree Brown (We Will Not Cancel Us: And Other Dreams of Transformative Justice)
I hate that word. Mingle. I mean, the word itself is fine; I just hate the concept. When has anyone in the history of earth ever made a meaningful connection while mingling? It’s like, hey, let’s have only the worst parts of a conversation—the approach, the small talk, the trying-to-figure-out-when-and-how-to-disengage part. It’s not that I dislike being around people. I just wish we could skip to the sitting-in-comfortable-silence part, or the inside-jokes part, or even the we-both-love-The-Office-so-let’s-overanalyze-it part.
Becky Albertalli (Yes No Maybe So)
So long as the meaning of a dream is not brought to consciousness, the metaphors we are dreaming are enacted either in the bodies or in our relationships. If, in the other hand, we work hard on associations to the dream images, and allow the feelings, imagination and mind to move in and through and around the symbol, inevitably, we are silenced by the rightness of the metaphor. There is a moment of YES! or OH NO! when the truth resonates through body, soul and mind, sometimes a painful truth, but nevertheless a truth that leads towards freedom.
Marion Woodman (The Ravaged Bridegroom: Masculinity in Women)
After all," the doctor repeated, then hesitated again, fixing his eyes on Tarrou, "it's something that a man of your sort can understand most likely, but since the order of the world is shaped by death, mightn't it be better for God if we refuse to believe in Him and struggle with all our might against death, without raising our eyes toward the horizon where He sits in silence?" Tarrou nodded. "Yes. But your victories will never be lasting; that's all." Rieux's face darkened. "Yes, I know that. But it's no reason for giving up the struggle." "No reason, I agree. Only, I now can picture what this plague must mean for you." "Yes. A never ending defeat.
Albert Camus (The Plague)
No,” she whispered. “No more.” His breath came hot and heavy against her ear as his arm crept back around her waist. “Why not?” For a moment her mind was blank. What reason could she give that would make sense to him? If she protested that they weren’t married, he would simply put an end to that objection by marrying her, and that would be disastrous. Then she remembered Petey’s plan. “Because I’ve already promised myself to another.” His body went still against hers. An oppressive silence fell over them both, punctuated only by the distant clanging of the watch bell. But he didn’t move away, and at first she feared he hadn’t heard her. “I said—” she began. “I heard you.” He drew back, his face taught with suspicion. “What do you mean ‘another?’ Someone in England?” She considered inventing a fiancé in London. But that would have no weight with him, would it? “Another sailor. I . . . I’ve agreed to marry one of your crew.” His expression hardened until it looked chiseled from the same oak that formed his formidable ship. “You’re joking.” She shook her head furiously. “Peter Hargraves asked me to . . . to be his wife last night. And I agreed.” A stunned expression spread over his face before anger replaced it. Planting his hands on either side of her hips, he bent his head until his face was within inches from her. “He’s not one of my crew. Is that why you accepted his proposal—because he’s not one of my men? Or do you claim to have some feeling for him?” He sneered the last words, and shame spread through her. It would be too hard to claim she had feelings for Petey when she’d just been on the verge of giving herself to Gideon. But that was the only answer that would put him off her. Her ands trembled against his immovable chest. “I . . . I like him, yes.” “The way you ‘like’ me?” When she glanced away, uncertain what to say to that, he caught her chin and forced her to look at him. Despite the dim light, she could tell that desire still held him. And when he spoke again, his voice was edged with the tension of his need. “I don’t care what you agreed to last night. Everything has changed. You can’t possibly still want to marry him after the way you just responded to my touch.” “That was a mistake,” she whispered, steeling herself to ignore the flare of anger in his eyes. “Petey and I are well suited. I knew him from before, from the Chastity. I know he’s an honorable man, which is why I still intend to marry him.” A muscle ticked in Gideon’s jaw. “He’s not a bully, you mean. He’s not a wicked pirate like me, out to ‘rape and pillage.’” He pushed away from the trunk with an oath, then spun towards the steps. “Well, he’s not for you, Sara, no matter what you may think. And I’m going to put a stop to his courtship of you right now!
Sabrina Jeffries (The Pirate Lord)
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Yeah, someone like that,” I say with a wistful smile. “A dramatic whirlwind romance that takes the world and turns it upside down.” Ryan isn’t smiling. He watches me for a good long while, silent and still. “I don’t think I believe that. Even if you could experience what you write about, you would be way too uptight to do that kind of stuff, let alone enjoy it.” I take in his accusation and once again sit up straight. “That’s not true. What happens in my books just doesn’t happen in real life. If I could experience something like that, I wouldn’t be too uptight to enjoy it.” “You’re sure about that?” “Yes, I’m sure.” “Okay. Prove it.” I think back on Ryan’s words. “What do you mean?” I ask. “I mean let’s choose a book and we’ll see if you can read it and act out what the characters are doing without you being too afraid to stop.” “You want me to read what’s in a romance novel and then act it out?” “Yes.” “And who am I supposed to act it out with?” “Me, of course.” Ryan’s proposition crashes over me like a cold, unexpected wave. “You’re kidding.” “I’m entirely serious. This way, we can see who’s right about your novels once and for all, or you can just admit that you would never really do any of the things you write about.” I continue to stare at him in total silence. “I knew it,” he says a few moments later. And then my stubborn nature, strengthened by the alcohol, takes the wheel. “Fine,” I say defiantly. “Fine?” he asks. “Are you sure?” I get up from the couch without hesitating. “Pick a book.” Ryan smiles. “How about the one you’re writing now?
Kate Bromley (Talk Bookish to Me)
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
Well, have your way. The quest is ended. We all return. Get the boat up again.” “Sire,” said Reepicheep, “we do not all return. I, as I explained before--” “Silence!” thundered Caspian. “I’ve been lessoned but I’ll not be baited. Will no one silence that Mouse?” “Your Majesty promised,” said Reepicheep, “to be good lord to the Talking Beasts of Narnia.” “Talking beasts, yes,” said Caspian. “I said nothing about beasts that never stop talking.” And he flung down the ladder in a temper and went into the cabin, slamming the door. But when the others rejoined him a little later they found him changed; he was white and there were tears in his eyes. “It’s no good,” he said. “I might as well have behaved decently for all the good I did with my temper and swagger. Aslan has spoken to me. No--I don’t mean he was actually here. He wouldn’t fit into the cabin, for one thing.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
There is part of the Manuscript that has never been found. There were eight insights with the original text, but one more insight, the Ninth, was mentioned there. Many people have been searching for it.” “Do you know where it is?” “No, not really.” “Then how are you going to find it?” Wil smiled. “The same way Jose found the original eight. The same way you found the first two, and then ran into me. If one can connect and build up enough energy, then coincidental events begin to happen consistently.” “Tell me how to do that,” I said. “Which insight is it?” Will looked at me as if assessing my level of understanding. “How to connect is not just one insight; it’s all of them. Remember in the Second Insight where it describes how explorers would be sent out into the world utilizing the scientific method to discover the meaning of human life on this planet? But they would not return right away?” “Yes.” “Well, the remainder of the insights represent the answers finally coming back. But they aren’t just coming from institutional science. The answers I’m talking about are coming from many different areas of inquiry. The findings of physics, psychology, mysticism, and religion are all coming together into a new synthesis based on a perception of the coincidences. “We’re learning the details of what the coincidences mean, how they work, and as we do we’re constructing a whole new view of life, insight by insight.” “Then I want to hear about each insight,” I said. “Can you explain them to me before you go?” “I’ve found it doesn’t work that way. You must discover each one of them in a different way.” “How?” “It just happens. It wouldn’t work for me to just tell you. You might have the information about each of them but you wouldn’t have the insights. You have to discover them in the course of your own life.” We stared at each other in silence. Wil smiled. Talking with him made me feel incredibly alive. “Why are you going after the Ninth Insight now?” I asked. “It’s the right time. I have been a guide here and I know the terrain and I understand all eight insights. When I was at my window over the alley, thinking of Jose, I had already decided to go north one more time. The Ninth Insight is out there. I know it. And I’m not getting any younger. Besides, I’ve envisioned myself finding it and achieving what it says. I know it is the most important of the insights. It puts all the others into perspective and gives us the true purpose of life.” He paused suddenly, looking serious. “I would have left thirty minutes earlier but I had this nagging feeling that I had forgotten something.” He paused again. “That’s precisely when you showed up.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path. Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement. “You are a bad liar,” she told him. He laughed. She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?” “He is the best,” Arin said seriously. “He is my father’s.” “I won’t hold that against the horse.” It was Kestrel’s turn to laugh. “Come.” Arin nudged the stallion forward. “Let’s not be late,” he said, and yet, without discussing it, they rode more slowly than was allowed on the path. Kestrel no longer doubted that ten years ago Arin had been in a position much like hers: one of wealth, ease, education. Although she was aware she had not won the right to ask him a question, and didn’t even want to voice her creeping worry, Kestrel couldn’t bear remaining silent. “Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?” He yanked on the reins. His stallion ground to a halt. When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.” They rode on in silence until Arin said, “Kestrel.” She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word. She said, “I hope you’re not going to pretend you don’t know what it means.” He shot her a wry, sidelong look. “A kestrel is a hunting hawk.” “Yes. The perfect name for a warrior girl.” “Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
 I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good. Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence. “Just say it,” I mumble and finally look over. “I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.” “You know, you not saying a word took you a long time.” “It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.” I groan. “Could you not say anything for real this time?” “Sure thing, boss. I’ll just be over here, watching Hell start to thaw.” This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this. “Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.” Brody coughs a laugh and then recovers. “Sorry, go on.” “I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.” He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.” I huff and grab the papers. “I’m getting a new partner.” I walk back over to the car, praying this will be painless
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Let me have a bucket, Rynelf,” said Drinian. It was handed him and he lowered it and up it came again. The water shone in it like glass. “Perhaps your Majesty would like to taste it first,” said Drinian to Caspian. The King took the bucket in both hands, raised it to his lips, sipped, then drank deeply and raised his head. His face was changed. Not only his eyes but everything about him seemed to be brighter. “Yes,” he said, “it is sweet. That’s real water, that. I’m not sure that it isn’t going to kill me. But it is the death I would have chosen--if I’d known about it till now.” “What do you mean?” asked Edmund. “It--it’s like light more than anything else,” said Caspian. “That is what it is,” said Reepicheep. “Drinkable light. We must be very near the end of the world now.” There was a moment’s silence and then Lucy knelt down on the deck and drank from the bucket. “It’s the loveliest thing I have ever tasted,” she said with a kind of gasp. “But oh--it’s strong. We shan’t need to eat anything now.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
...the Other World has different things in it. Words such as "Manchester" and "police station" have no meaning here. Because these things do not exist. Words such as "river" and "mountain" do have meaning but only because those things are depicted in the Statues. I suppose that these things must exist in the Older World. In this World the Statues depict things that exist in the Older World.' 'Yes,' said Raphael. 'Here you can only see a representation of a river or a mountain, but in our world--the other world--you can see the actual river and the actual mountain.' This annoyed me. 'I do not see why you say I can ONLY see a representation in this World,' I said with some sharpness. 'The word "only" suggests a relationship of inferiority. You make it sound as if the Statue was somehow inferior to the thing itself. I do not see that that is the case at all. I would argue that the Statue is superior to the thing itself, the Statue being perfect, eternal and not subject to decay.' 'Sorry,' said Raphael. 'I didn't mean to disparage your world.' There was a silence. 'What is the Other World like?' I asked.
Susanna Clarke (Piranesi)
—and I say you still haven't answered my question, Father Bleu." "Haven't I, dear lady? I thought I stated that death is merely the beginning of—" "No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?" She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow." "Let me say it another way. Most people are afraid of dying, yes?" "I disagree. Not those who find mystical union with the body of Christ in—" "Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?" "What aspect is that, Madame Kagle?" "The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it." She slurped champagne in the silence. She eyed him defiantly. "Well, Father? What have you got to say?" Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—" "If that's how you feel," she interrupted, "you're just not thinking it out." "My good woman!" said Father Bleu gently. "Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead." She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears. "Even your blessed St. Paul bears me out, Father." The priest glanced up, startled. "What?" "The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting." In the pause the furnace door behind her eyes opened wide, and hell shone out. "I know what I'm talking about, Father. I've been there." Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out. The party broke up at once.
John Jakes (Orbit 3)
I swallowed back a wave of concern as her focus jumped from my face to the indigo jewel at my chest. The blue light in the heart of the jewel glowed only faintly. A yank on the braided chain made me lurch forward and I heard Vada cry out in pain. When I looked, the vampiress was cupping her hand as if it hurt. I then understood what had happened: she had attempted to grab the enchanted gemstone and it had shocked her in the process. I flashed an accusatory glare at Vallatrece. “Do you mean to steal from me?” “Apparently no. It seems the stone has chosen you.” “I don’t know what you’re talking about.” “I’m not surprised.” “Well, it’s mine—that I do know. You can’t take it from me. No one can.” “How many have tried?” I refused an answer to the question. My silence was undaunting. “Where did you get that pretty trinket anyway? Who gave it to you?” “No one gave it to me; I found it.” Vallatrece scrunched up her face, communicating that she didn’t believe me. “And now that I have it,” I continued, “I no longer require your services.” “You no longer require my services? Is that so?” Again, her cheeks dimpled with amusement at my words. “Yes, it is so.
Richelle E. Goodrich (The Tarishe Curse)
Working with people is basically not a question of formal education; working with people is a question of energy and awareness. Everyone can basically work with people. It is a question of developing a presence and a quality to work from. It is also about discovering our own unique way to be and work with people from our authentic inner being. The most important healing- and therapeutic ability is the capacity to be present. To be present means to develop a presence and a quality to work from. It means to be present with an open and relaxed heart, and to be grounded in our inner being, in the meditative quality within. Presence means to work from a meditative quality, from an inner "yes"-quality, from a state of non-doing. It is to be present for another person as a supporting light, as a supporting presence. Meditation is the way to deepen our capacity to be present, and explore how to bring the meditative presence into the healing- and therapeutic process. It is about developing a meditative presence and quality, to develop the inner "yes"-quality, the silence and emptiness within ourselves, the inner source of healing and wholeness, the capacity to surrender to life.
Swami Dhyan Giten
I think Hannah had two brothers. Yes, I’m sure she did. Theo and, and--this boy.” I shook my head. “If he’s Hannah’s brother, why isn’t he in any of the other pictures?” Aunt Blythe didn’t answer right away. In the silence, rain pattered against the windows and dripped through holes in the roof. The wind crept in through cracks and stirred the folds of a long white dress hanging from the rafters. Finally, my aunt raised her eyes from the photograph. “I think his name was Andrew. Isn’t that strange? You share a face and a name with a boy who died years before you were born.” My throat tightened. “He died? Andrew died?” Aunt Blythe looked at me. “Oh, dear,” she said, “I didn’t mean to frighten you.” “I’m not scared!” My voice came out as high and squeaky as a girl’s. Furious at myself for being such a baby, I leapt to my feet and headed for the stairs. “Slow down, Drew,” my aunt called. “You’ll go through the floor!” Before the words were out of her mouth, a board split under my weight, and I fell flat on my face. In seconds my aunt was beside me. “Are you all right?” she asked. “Did you hurt yourself?” “I’m fine.” Too embarrassed to meet her eyes, I peered into the hole I’d made.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Father? Mother?” Jonas asked tentatively after the evening meal. “I have a question I want to ask you.” “What is it, Jonas?” his father asked. He made himself say the words, though he felt flushed with embarrassment. He had rehearsed them in his mind all the way home from the Annex. “Do you love me?” There was an awkward silence for a moment. Then Father gave a little chuckle. “Jonas. You, of all people. Precision of language, please!” “What do you mean?” Jonas asked. Amusement was not at all what he had anticipated. “Your father means that you used a very generalized word, so meaningless that it’s become almost obsolete,” his mother explained carefully. Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory. “And of course our community can’t function smoothly if people don’t use precise language. You could ask, ‘Do you enjoy me?’ The answer is ‘Yes,’” his mother said. “Or,” his father suggested, “‘Do you take pride in my accomplishments?’ And the answer is wholeheartedly ‘Yes.’” “Do you understand why it’s inappropriate to use a word like ‘love’?” Mother asked. Jonas nodded. “Yes, thank you, I do,” he replied slowly. It was his first lie to his parents.
Lois Lowry (The Giver (The Giver, #1))
Tell me the truth. Is there a way Elspeth and I will meet again on this side of the veil?” The answer was a cold, deafening silence. Ravyn squeezed his eyes shut and bit down so hard his jaw seized. He felt like he was back in the meadow, a knife in his side, bleeding out. Then, soft as a shifting breeze through yew branches, the Nightmare answered. “Only one.” Ravyn opened his eyes. The Nightmare stood before him like he had in his bedroom. Hand extended, palm open. And the Nightmare Card therein. “Destroy it,” he whispered. “With the final Nightmare Card gone, my soul will disappear. Her degeneration will have nothing to cling to. She will return. And I…” His voice faded. “I will finally rest.” Ravyn reached for the Nightmare Card, hands shaking. “Destroy this, and Elspeth returns?” “Yes.” Something hot touched Ravyn’s relief. “You’re telling me I’ve had the means to free her all this time?” The Nightmare grinned. “Yes.” “You didn’t—Why—” He pinched his nose, swallowing fury. “You make it so hard not to hate you.” “I had my Deck to collect. History to revisit—and rewrite. A path to draw for you and the Princeling, both of you Kings in your own right.” The Nightmare clung only a moment longer to his namesake Card, then released it into Ravyn’s hand. “And I was not yet ready to bid Elspeth goodbye.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Now, do you want a poppy?” “A poppy? Whatever for?” “I’ve noticed it on your cards. Is it important?” “Oh, the poppy. It’s quite a mixed symbol---a symbol of silence, you see. How strange. And yes, it is the symbol for the ball motif. It seems that women have grown tired of the silent, subservient role. So, they have taken that very symbol to flaunt the reversal of roles for this event.” “Would you like to flaunt it?” Constance froze for a moment. “I think not, Alice. I am choosing to remain silent, incognito. I don't wish to call attention to myself.” She waited while Alice seemed to puzzle over her answer. “Perhaps all the more reason,” Alice said. “Your silence is chosen, not imposed.” “But it would draw such attention. A bright red poppy?” “Perhaps not. What if it were not bright red?” “Not red?” “There is a white poppy, with an almost black center. I noticed some once in the window of a florist in Chicago. I was mesmerized. I turned around and went in to see them. The florist was a bit outdone with me that I did not buy even one.” Alice laughed. “But it could have all sorts of meanings for you.” “Yes, and what would those be?” “You’ve already explained why the ladies chose it for their motif. But the white poppy with the black center would be even more meaningful. All the things you’ve said---I believe I remember this correctly---plus peace.
Diane C. McPhail (The Seamstress of New Orleans)
You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.” “After yesterday--” She broke off and swallowed hard, and nodded. “No one but the two of us will ever know about that.” Even if Kathleen chose to believe him, it didn’t set her at ease. The memory was an unwanted bond with him. He had seen her at her weakest, her lowest, and she would have preferred him to be mocking rather than treat her with gentleness. She forced herself to meet his gaze as she admitted with vexed honesty, “It’s easier to think of you as an adversary.” Devon smiled faintly. “That puts us in an awkward situation, then, as I’ve decided against selling the estate.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I was brought up to a trade, you know,’ continued Anthony. ‘And you abandoned it?’ ‘Yes.’ ‘Why?’ ‘A matter of principle.’ ‘Oh!’ ‘You’re a very unusual woman,’ said Anthony suddenly, turning and looking at her. ‘Why?’ ‘You can refrain from asking questions.’ ‘You mean that I haven’t asked you what your trade was?’ ‘Just that.’ Again they walked on in silence. They were nearing the house now, passing close by the scented sweetness of the rose garden. ‘You understand well enough, I dare say,’ said Anthony, breaking the silence. ‘You know when a man’s in love with you. I don’t suppose you care a hang for me—or for anyone else—but, by God, I’d like to make you care.’ ‘Do you think you could?’ asked Virginia, in a low voice. ‘Probably not, but I’d have a damned good try.’ ‘Are you sorry you ever met me?’ she said suddenly. ‘Lord no. It’s the red signal again. When I first saw you—that day in Pont Street, I knew I was up against something that was going to hurt like fun. Your face did that to me—just your face. There’s magic in you from head to foot—some women are like that, but I’ve never known a woman who had so much of it as you have. You’ll marry someone respectable and prosperous, I suppose, and I shall return to my disreputable life, but I’ll kiss you once before I go—I swear I will.’ ‘You can’t do it now,’ said Virginia softly. ‘Superintendent Battle is watching us out of the library window.
Agatha Christie (The Secret of Chimneys (Superintendent Battle, #1))
Let me go!” “Not until I find out what you’re plotting. Is Catherine Marks even your real name? Who the hell are you?” He swore as she began to struggle in earnest. “Hold still, you little she-devil. I just want to’ouch!” This last as she turned and jabbed a sharp elbow in his side. The maneuver gained Marks the freedom she sought, but her spectacles went flying to the ground. “My spectacles!” With an aggravated sigh, she dropped to her hands and knees and began feeling for them. Leo’s fury was instantly smothered by guilt. From the looks of it, she was practically blind without the spectacles. And the sight of her crawling on the ground made him feel like a brute. A jackass. Lowering to his knees, he began to hunt for them as well. “Did you see the direction they went in?” he asked. “If I did,” she said, fuming, “I wouldn’t need spectacles, would I?” A short silence. “I’ll help you find them.” “How kind of you,” she said acidly. For the next few minutes the two of them traversed the garden on their hands and knees, searching among the daffodils. They both chewed on the gristly silence as if it were a mutton chop. “So you actually need spectacles,” Leo finally said. “Of course I do,” Marks said crossly. “Why would I wear spectacles if I didn’t need them?” “I thought they might be part of your disguise.” “My disguise?” “Yes, Marks, disguise. A noun describing a means of concealing someone’s identity. Often used by clowns and spies. And now apparently governesses. Good God, can anything be ordinary for my family?
Lisa Kleypas (Married By Morning (The Hathaways, #4))
Have you…” “Have I what?” Gray prompted, promptly kicking himself for doing so. God only knew what she’d ask now. Or what damn fool thing he’d say in response. “Have you ever seen a Botticelli? Painting, I mean. A real one, in person?” The breath he’d been holding whooshed out of him. “Yes.” “Oh.” She bit her lip. “What was it like?” “I…” His hand gestured uselessly. “I haven’t words to describe it.” “Try.” Her eyes were too clear, too piercing. He swallowed and shifted his gaze to a damp lock of hair curling at her temple “Perfect. Luminous. So beautiful, your chest aches. And so smooth, like glass. Your fingers itch to touch it.” “But you can’t.” “No,” he said quietly, his gaze sliding back to meet hers. “It isn’t allowed.” “And you care what others will allow?” She took a step toward him, her fingers trailing along the grooved tabletop. “What if you were alone, and there was no one to see? Would you touch it then?” Gray shook his head and dropped his gaze to his hands. “It’s not…” He paused, picking over his words like fruits in an island market. Testing and discarding twice as many as he chose. “There’s a varnish, you see. Some sort of gloss. If I touched it with these rough hands, I’d mar it somehow. Make it a bit less beautiful. Couldn’t live with myself then.” “So-“ She leaned one hip against the table’s edge, making her whole body one sinuous, sweeping curve. Gray sucked in a lungful of heat. “It isn’t the rules that prevent you.” “Not really. No.” Silence again. Vast and echoing, like the long, marble-tiled galleries of the Uffizi.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.
Melissa Jensen (The Fine Art of Truth or Dare)
Now the muted setting made sense: a neutral setting, soothing light, a book. The deep magic fed the beast within him. It took a monumental effort of will to restrain it. With the flare so close, Curran was a powder keg with a short fuse. I had to be careful not to light that fuse. Nobody outside the Pack, except for Andrea, knew I was here. He could kill me right now and they would never find my body. We shared a silence for a long moment. Magic blossomed, filling me with giddy energy. The short waves again. They would ebb in a minute, and then I’d be exhausted. Guilt gnawed at me. He could control himself in my presence, but I apparently couldn’t control myself in his. “Curran, up on the roof . . . That is, my brakes don’t work sometimes.” He leaned forward, suddenly animated. “Do I smell an apology?” “Yes. I said things I shouldn’t have. I regret saying them.” “Does this mean you’re throwing yourself at my feet?” “No. I pretty much meant that part. I just wish I could’ve put it in less offensive terms.” I glanced at him and saw a lion. He didn’t change, his face was still fully human, but there was something disturbingly lionlike in the way he sat, completely focused on me, as if ready to pounce. Stalking me without moving a muscle. The primordial urge to freeze shackled my limbs. I just sat there, unable to look away. A slow, lazy, carnivorous smile touched Curran’s lips. “Not only will you sleep with me, but you will say ‘please.’” I stared at him, shocked. The smile widened. “You will say ‘please’ before and ‘thank you’ after.” Nervous laughter bubbled up. “You’ve gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Why didn’t they ask two of the guards to go with them?” Milo asked. “A soldier’s not a servant,” I told him. “The most loyal Spartan warrior would be insulted if he was asked to be a weapons bearer, even for a prince. It looks like Castor and Polydeuces will have to take care of themselves.” Milo looked away from me. I was puzzled by this sudden shyness and tried to catch his eye, but he deliberately avoided my gaze. He reeked of guilty secrets. “You’re the one,” I said. “You’re the scrawn--the boy Castor asked to go with him.” His silence was the same as shouting Yes! I knew it. “You just told me you wanted to join the quest for the fleece. You could have done it: Why didn’t you?” “I couldn’t,” he mumbled. “Why not? Because it’s safer to talk about dreams than to try making them real? What are you so afraid of?” “Nothing!” He yelled so fiercely that a pair of oxen grazing in a nearby field snorted and moved farther away from us. It was the first time I ever saw fire in Milo’s eyes. “I’m no coward. That’s not why I wouldn’t go with your brothers. I have to go with you.” “Who said so? You’re free now, Milo. Don’t you know what that means? You can come and go anywhere you like. You ought to appreciate it.” “I appreciate you, Lady Helen!” Once Milo raised his voice, he couldn’t stop. He shouted so loudly that the two oxen trotted to the far side of the pasture as fast as they could move their massive bodies. “You’re the one who gave me my freedom. If I love to be fifty, I’ll never be able to repay you!” Milo’s uproar attracted the attention of the two guards, but I waved them back when I saw them coming toward us. “Do you think you could be grateful quietly?” I asked. “This is between us, not us and all Delphi.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?” There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.” “Why don’t you ask Commander Narian? The two of you seemed fairly close.” “Quit making jokes.” “I haven’t made a single one.” “Well?” “It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not. “Oh.” This seemed to take Saadi aback. “And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad. “I’m sorry,” he muttered, seeming sincere enough. Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him. “Shaselle?” I stopped again, without the slightest idea why. “Your father--what was he like?” The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him. “You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.” For the second time, I attempted a dramatic departure. “Shaselle?” “What now?” I incredulously exclaimed. “Do you have plans tomorrow?” “What?” “I have a day off duty. We could--” “No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?” “Yes,” he affirmed, despite my outburst. I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.” Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight. I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower. What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.
Cayla Kluver (Sacrifice (Legacy, #3))
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The flight to Reykjavik was proceeding uneventfully and the patient was stable and doing well, so I thought this was a good opportunity to have a little fun with the flight crew. I called the pilot on intercom. “Go ahead PJ.” the pilot responded. “I’ve been talking to this doctor back here and he seems to think it’s not looking good for this arm.” I explained. “What do you mean?” asked the pilot. “Well,” I said, “he says the arm was unattached for a long time, probably too long to sew it back on.” “That’s too bad.” The pilot sounded understandably disappointed. I waited a few minutes before giving the pilot further fictitious updates. “The doctor says he’s a hundred percent certain they won’t be able to sew on the arm now. It’s been detached too long. The patient also realizes they can’t sew his arm back on and has accepted the bad news. He’s a pretty tough character. Anyway, I talked to the doctor and patient about this whole situation. Since they can’t sew the arm back on, they said I could have it.” There was shocked silence on the intercom. “What?” asked the pilot. “They won’t be able to sew the arm back on because it’s been separated from his body for too long. The muscles and nerves have been without blood and oxygen for so long that cell death is irreversible. The hospital will just throw the arm away, so I asked them if I could have it, and they said yes.” Once again, there was an uncomfortable silence on the intercom. I could almost hear the gears whirring inside the pilots head. “Wha … what will you do with it?” stammered the pilot. I answered, “I’m not really sure. At first I’ll just keep it in my freezer. I just think it would be a waste to just throw a good arm away.” “Are you serious?” asked the pilot. “No.” I said, “I’m just messing with you.” But, the doctor told me that, ironically, right before the accident the man was heard to say, “I’d give my right arm to be ambidextrous.” Another crewmember chimed in, “That guys pretty tough. I think we should give him a hand!” I heard laughter over the intercom.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Would you be embarrassed if they found out? he said. In some ways, yeah. He turned over then, so he wasn’t looking up at the ceiling anymore but facing her. Why? he said. Because it was humiliating. You mean like, the way I treated you. Well, yeah, she said. And just the fact that I put up with it. Carefully he felt for her hand under the quilt and she let him hold it. A shiver ran along her jaw and she tried to make her voice sound light and humorous. Did you ever think about asking me to the Debs? she said. It’s such a stupid thing but I’m curious whether you thought about it. To be honest, no. I wish I did. She nodded. She continued looking up at the black ceiling, swallowing, worried that he could make out her expression. Would you have said yes? he asked. She nodded again. She tried to roll her eyes at herself but it felt ugly and self-pitying rather than funny. I’m really sorry, he said. I did the wrong thing there. And you know, apparently people in school kind of knew about us anyway. I don’t know if you heard that. She sat up on her elbow and stared down at him in the darkness. Knew what? she said. That we were seeing each other and all that. I didn’t tell anyone, Connell, I swear to god. She could see him wince even in the dark. No, I know, he said. My point is more that it wouldn’t have mattered even if you did tell people. But I know you didn’t. Were they horrible about it? No, no. Eric just mentioned it at the Debs, that people knew. No one cared, really. There was another short silence between them. I feel guilty for all the stuff I said to you, Connell added. About how bad it would be if anyone found out. Obviously that was more in my head than anything. I mean, there was no reason why people would care. But I kind of suffer from anxiety with these things. Not that I’m making excuses, but I think I projected some anxiety onto you, if that makes sense. I don’t know. I’m still thinking about it a lot, why I acted in such a fucked-up way. She squeezed his hand and he squeezed back, so tightly it almost hurt her, and this small gesture of desperation on his part made her smile. I forgive you, she said. Thank you. I think I did learn from it. And hopefully I have changed, you know, as a person. But honestly, if I have, it’s because of you. They kept holding hands underneath the quilt, even after they went to sleep.
Sally Rooney (Normal People)
You mean you’re not going to kiss my wrist again,” I said. “But that’s all right, because I am going to kiss you.” And I did. If I could keep a single moment for all time, that would be the one. I became the very air; I was full of stars. I was the soaring spaces between the spires of the cathedral, the solemn breath of chimneys, a whispered prayer upon the winter wind. I was silence, and I was music, one clear transcendent chord rising toward Heaven. I believed, then, that I would have risen bodily into the sky but for the anchor of his hand in my hair and his round soft perfect mouth. No Heaven but this! I thought, and I knew that it was true to a standard even St. Clare could not have argued. Then it was done, and he was holding both my hands between his and saying, “In some ballad or Porphyrian romance, we would run off together.” I looked quickly at his face, trying to discern whether he was proposing we do just that. The resolve written in his eyes said no, but I could see exactly where I would have to push, and how hard, to break that resolve. It would be shockingly easy, but I found I did not wish it. My Kiggs could not behave so shabbily and still remain my Kiggs. Some other part of him would break, along with his resolve, and I did not see a way to make it whole again. The jagged edge of it would stab at him all his life. If we were to go forward from here, we would proceed not rashly, not thoughtlessly, but Kiggs-and-Phina fashion. That was the only way it could work. “I think I’ve heard that ballad,” I said. “It’s beautiful but it ends sadly.” He closed his eyes and leaned his forehead against mine. “Is it less sad that I’m going to ask you not to kiss me again?” “Yes. Because it’s just for now. The day will come.” “I want to believe that.” “Believe it.” He took a shaky breath. “I’ve got to go.” “I know.” I let him go inside first; my presence was not appropriate for tonight’s ritual. I leaned against the parapet, watching my breath puff gray against the blackening sky as if I were a dragon whispering smoke into the wind. The conceit made me smile, and then an idea caught me. Cautiously, avoiding ice, I hauled myself up onto the parapet. It had a wide balustrade, adequate for sitting, but I did not intend merely to sit. With comical slowness, like Comonot attempting stealth, I drew my feet up onto the railing. I removed my shoes, wanting to feel the stone beneath my feet.
Rachel Hartman (Seraphina (Seraphina, #1))
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
This way please,' said a voice. In the door stood Dr Sesame, the famous Dr Sesame, whose reputation as a sympathetic and, according to some, also a kind-hearted man had spread throughout the town and beyond. He had also written a popular pamphlet on sexual problems, which had given Pinneberg the courage to write making an appointment for Emma and himself. This, then, was the Dr Sesame at present standing in the doorway, and saying 'This way, please.' Dr Sesame searched on his desk for the letter. 'You wrote to me, Mr Pinneberg... saying you couldn't have any children just yet because you couldn't afford it?' 'Yes,' said Pinneberg, dreadfully embarrassed. 'You can start undressing,' said the doctor to Emma, and carried on: 'And you want to know an entirely reliable means of prevention. Hm, an entirely reliable means...' He smiled sceptically behind his gold-rimmed spectacles. 'I read about it in your book... These pessoirs...' 'Pessaries,' said the doctor. 'Yes, but they don't suit every woman. And it's always a bit of a business. It depends on whether your wife would be nimble-fingered enough...' He looked up at her. She had already taken off her blouse and skirt. Her slim legs made her look very tall. 'Well, let's go next door,' said the doctor. 'You needn't have taken your blouse off for this, young lady.' Emma went a deep red. 'Oh well, leave it off now. Come this way. One moment, Mr Pinneberg.' The two of them went into the next room. Pinneberg watched them go. The top of the doctor's head reached no farther than the 'young lady's' shoulders. How beautiful she was! thought Pinneberg yet again; she was the greatest girl in the world, the only one for him. He worked in Ducherow, and she worked here in Platz, and he never saw her more than once a fortnight, so his joy in her was always fresh, and his desire for her absolutely inexpressible. Next door he heard the doctor asking questions on and off in a low voice, and an instrument clinking on the side of a bowl. He knew that sound from the dentist's; it wasn't a pleasant one. Then he winced violently. Never had he heard that tone from Emma. She was saying in a high, clear voice that was almost a shriek - 'No, no, no!' And once again, 'No!' And then, very softly, but he still heard it: 'Oh God.' Pinneberg took three steps to the door - What was that? What could it be? What about these rumours that those kind of doctors were terrible lechers? But then Dr Sesame spoke again - impossible to hear what he said - and the instrument clinked again. There was a long silence.
Hans Fallada (Little Man, What Now?)
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off. Lisette was unusually silent. The duke’s wooden expression said that he wished he could be anywhere else but here. And Tristan was studying her with a cold gaze. He did that for a mile or so before he spoke. “You’re a cruel woman, Jane Vernon.” “Tristan!” Lisette chided. “Don’t be rude.” “I’ll be as rude as I please to her,” he told his sister, with a jerk of his head toward Jane. “That man is mad for her, and she just keeps toying with him.” Guilt swamped Jane. And she’d thought that spending half a day trapped with Dom would be bad? She must have been dreaming. “It’s none of our concern,” Lisette murmured. “The hell it isn’t.” Tristan stared hard at Jane. “Is this about Nancy? About the fact that if she has a child, Dom will lose the title and the estate?” “No, of course not!” How dared he! “Tristan, please--” Lisette began. “That’s why you jilted him years ago, isn’t it?” Tristan persisted. “Because he no longer had any money, and you’d lose your fortune if you married him?” “I did not jilt him!” Jane shouted. An unnatural silence fell in the carriage, and she cursed her quick tongue. But really, this was all Dom’s fault for never telling his family the truth. She was tired of being made to look the villainess when she’d done nothing wrong. “What do you mean?” Lisette asked. Jane released an exasperated breath. “I mean, I did jilt him. But only because he tricked me into it.” When that brought a smug smile to Tristan’s face, she narrowed her eyes on him. “You knew.” “Not the details. I just knew something wasn’t right. But since it was clear that neither you nor my idiot brother were going to say anything without being prodded into it, I…er…did a bit of prodding.” He smirked at her. “You do tend to speak your mind when you get angry.” Jane scowled at him. “You’re just like him, manipulative and arrogant and--” “I beg to differ,” Tristan said jovially. “He’s just like me. I taught him everything he knows.” “Yes, indeed,” Lisette said with a snort. “You taught him to be as much an idiot as you.” She glanced from Tristan to Jane. “So, is one of you going to tell me what is going on? About the jilting, I mean?” Tristan cocked an eyebrow at Jane. “Well?” She sighed. The cat was out of the bag now. Might as well reveal the rest. So she related the whole tale, from Dom’s plotting with Nancy at the ball to George’s involvement to how she’d finally discovered the truth. When she finished, Tristan let out a low whistle. “Hell and thunder. My big brother has a better talent for deception than I realized.” “Not as good as you’d think,” Jane muttered. “If I hadn’t been so wounded and angry at the time, I would have noticed how…manufactured the whole thing felt.” Lisette patted her hand. “You were young. We were all more volatile then.” Her voice hardened. “And he hit you just where it hurt, the curst devil. No wonder you want to strangle him half the time. I would have strung him up by his toes if he’d done such a thing to me!
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Wife's Letter (excerpt) It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. ... But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself?.. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? ... Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. ... At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either. ... While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do. You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself.
Kōbō Abe (The Face of Another)
*Wife's Letter* Pt1 ... It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. I considered it a dreadful thing at first, but I soon changed my mind, thinking that perhaps you were acting out of sympathy for me. Then, though the things you did seemed a little embarrassing, they began to present the appearance of a delicate and suave invitation to a dance. And as I watched you become amazingly serious and go on pretending to be deceived, my heart began to fill with a feeling of gratitude, and so I followed after you meekly. But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself? I felt that I could understand your wanting to. In view of the accident and all, I had more than half resigned myself to sharing your suffering. For that very reason, your mask seemed quite good to me. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? Do you understand what I mean? I think you do. After all, don’t even you have your doubts? Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. But the mask did not return. At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either.
Kōbō Abe (The Face of Another)
Question : BELOVED OSHO, I AM A GOD-FEARING MAN, BUT YOU SAY THAT ALL FEAR HAS TO BE DROPPED. HAS THE FEAR OF GOD ALSO TO BE DROPPED? Osho : Ramchandra, fear is fear: it does not matter of what, of whom. The object makes no difference; your subjectivity is full of fear. And if you are God-fearing you can never be God-loving. How can you love God if you are afraid of him? You may submit and surrender, but deep down there will be resistance, anger. And fear is just the opposite of love. Hate is not really the opposite of love - you will be surprised - fear is the exact opposite. Hate is love standing upside down; fear is just the opposite. And if you follow a religious life out of fear it will be the life of a slave, not of a man who is free. And if you start in fear you cannot end in freedom; you will end in slavery. And all that you will do out of fear is going to be wrong; it is going to be false, superficial. If you do things out of fear you can't do them with your heart. Up to now, religion has been based on fear. That's why the earth has remained irreligious or only superficially religious. Religion has remained just something like a painted face: false, pseudo. And the basic reason why it has failed is fear. The priests have based the religion on fear and greed - which are two aspects of the same coin. And in the scriptures they have invented so many methods of torture that it seems that Adolf Hitler must have read all the scriptures of the world, otherwise how had he come across so many methods to torture people? They can be found only in religious scriptures. The priests have based their religion on two basic, ugly instincts: fear and greed. And both have nothing to do with real religion. Real religion is freedom from greed and freedom from fear. We love out of fear, we pray out of fear. Parents are afraid of their children and children are afraid of their parents. Children are afraid of their teachers and teachers are afraid of their pupils. Everybody is afraid of everybody else - it seems as if fear is the only climate we live in. People are loving even... even love is nothing but fear - a diplomacy, a strategy, to keep things running smoothly. Ramchandra, if you really know what prayer is then prayer itself is its own reward...praying itself is such a beautiful phenomenon that who cares about the future and who bothers about the reward? Prayer in itself is such a celebration, it brings such great joy and ecstasy, that one prays for the prayer's sake. One does not pray out of fear and one does not pray out of greed; one prays because one enjoys it. If you enjoy dancing, you simply dance! Whether anybody sees the dance from the sky or not is not your concern. Whether the stars and the sun and the moon are going to reward you for your dance, you don't care. The dance is enough of a reward in itself. If you love singing you sing; whether anybody listens or not is not the point. So is prayer. It is a dance, it is a song, it is music, it is love. You enjoy it, and there it is finished. Prayer is the means and prayer is the end; the ends and the means are not separate. Only then do you know what prayer is. Prayer means surrender. Prayer means bowing down to existence. Prayer means gratitude. Prayer means thankfulness. Prayer means silence. Prayer means that "I am happy that I am." Prayer simply means that "This tremendous gift of life is so much for such an unworthy man like me. I don't deserve it, yet the unknown has showered it on me." Seeing it, gratitude arises. Ramchandra, you ask me: "I am a God-fearing man, but you say that all fear has to be dropped. Has the fear of God also to be dropped?" Yes, absolutely yes. Only then you will know what God is, and only then you will know what love is, and only then you will know what being religious means, what it is all about.
Osho
Just as I was pulling over he started shifting in his seat, and I glanced over to see him pulling a slim black wallet out. Jesus. I pulled over to the curb in front of the square white stone home. “Don’t.” His silence was deafening as he sat there, duffel on his lap, one hand on the car door, and the other holding a slim coffee-colored leather wallet. “I’m giving you a ride as a favor. I don’t want your money,” I explained to him carefully. He started to pull out a bill from his wallet regardless. “Hey, I’m not joking. I don’t want your money.” Kulti started to shove a fifty at me. “Here.” I reached up and cupped his hand, crushing the bill between us. “I don’t want it.” “Take it.” He pushed against me. I pushed back. “No.” “Stop being stubborn and take the money,” Kulti argued, his face exasperated. Well if he thought he was the only one getting aggravated, he was dead wrong. “I said no. I don’t want it. Just get out.” It was his turn to start with the one-word replies. “No.” Screw this. I put some muscle behind it and slowly started pushing our hands back toward him. Well I made it two inches before he realized what I was doing and then began pushing back, only he was stronger and he advanced more than two inches. “Quit it. I’m not joking. Take your money.” I grunted a little, putting more weight into my push, almost futilely. Those green-brown eyes flicked up to with an even look that had annoyance written all over it. “I said I would pay you—“ “I don’t want your money, you hardheaded ass—“ Oh dear God. I stopped pushing the second I realized what I said. It must have been so unexpected that he wasn’t paying attention because the next thing that I knew, he was punching me in the shoulder. It didn’t hurt at all. But for some reason, instinct had me saying “oww” anyway. We both looked like we’d violated the other. Like I’d backstabbed him for saying ‘oww’ and I’m sure I looked at him like I couldn’t believe he had the nerve to hit me. Sure it was an accident, and an accident that didn’t hurt on top of that, but… “I’m sorry,” he said quickly, looking down at his hand like he couldn’t believe what he’d done. I opened my mouth and then I closed it. Reiner Kulti had just punched me in the shoulder. I had driven him home, argued with him over how I didn’t want his money, and then he punched me in the shoulder. I closed my eyes, pinched my nose and burst out laughing. “Get outta here,” I said when I started laughing harder. “I didn’t mean to—“ I threw my head back against the headrest and felt myself shake with how stupid this was. “I know. I know you didn’t. But just get out, it’s fine. I need to get to work before you punch me in the other shoulder.” “This isn’t funny,” he snapped. “It was an accident.” Suddenly I stopped laughing and snapped right back at him, “I know it was, jeez. I was just messing with you.” I gave him a wide-eyed look. “A joke, do you know what that is?” I mean, I’d already gone for calling him a hardheaded ass, and he hadn’t thought twice about it, but that might have been because he’d punched me immediately afterward. “Yes, I know what a joke is,” he grumbled back. Whether it was because I was tired of this shit, his shit or whatever, I found myself caring less and less who he was and how I should probably treat him differently. Maybe not totally, but at least a little bit. “I’m happy to hear that.” I scooped the fifty bucks that had fallen on my lap after the meeting of his fist and my shoulder and tossed it at him. “I really do need to get to work though, so…” I tipped my head in the direction of the door at his side, indifferent to how rude I was being. Did he look confused that I was kicking him out? I think so but he didn’t argue, and he took the wadded-up money and held onto it as he got out of the car. Straightening up, he held the door in one hand and looked inside. “Thank you.” Finally. I blinked at him and nodded. “You’re welcome.” Just like that, he shut the door.
Mariana Zapata (Kulti)
Every time we people please, we are saying yes to someone else and no to our truth. In that moment we are dimming our light.
Melissa Ambrosini (Mastering Your Mean Girl: The No-BS Guide to Silencing Your Inner Critic and Becoming Wildly Wealthy, Fabulously Healthy, and Bursting with Love)
From the bathroom came an unpleasant and characteristic sound. "Is there anything the matter?" Helmholtz called. There was no answer. The unpleasant sound was repeated, twice; there was silence. Then, with a click the bathroom door opened and, very pale, the Savage emerged. "I say," Helmholtz exclaimed solicitously, "you do look ill, John!" "Did you eat something that didn't agree with you?" asked Bernard. The Savage nodded. "I ate civilization." "What?" "It poisoned me; I was defiled. And then," he added, in a lower tone, "I ate my own wickedness." "Yes, but what exactly? ... I mean, just now you were ..." "Now I am purified," said the Savage. "I drank some mustard and warm water.
Aldous Huxley (Brave New World)
The Vase The bouquet of flowers in the vase is two weeks old, Or maybe a little older? They are all wilted and dead now. The scene is much like a mass grave, Each flower has died in its own way. The first flower—the biggest in the bunch— Opened as widely as it could. Each of its petals dried up. The second one seemed as though it had tried To bend itself towards the end of her life, It broke her neck as she dried in silence. The third flower tried to close after opening, As she felt her life was coming to an end. She died closed. The fourth flower looked like she had started to sacrifice herself For the sake of everyone else around her. She, too, dropped most of her petals, And died naked, except for one or two petals. The fifth flower didn’t have time to open, Or perhaps she realized the futility of opening up in such a tight vase. She also wilted and dried prematurely and half-opened. The sixth flower died very young, Before having a chance to bloom. The colorless water in the vase is now yellowish and dead. Yes, waters die too. For colorless waters, death can be colorful. April 12, 2013
Louis Yako (أنا زهرة برية [I am a Wildflower])
There was no one else in the elevator, and we rode in a silence that became increasingly tense. I shifted my weight from side to side and fiddled with one of the two plastic cards the desk clerk had given us. I cleared my throat. “So here we are,” I said. “Heading up to our hotel room.” Murphy’s cheeks turned pink. “You are a pig, Dresden.” “Hey, I didn’t put any innuendo into that. You did it yourself.” She rolled her eyes, smiling a little. I watched numbers change on the elevator panel. I coughed. “Yes, sirree. Alone together.” “It’s a little weird,” she admitted. “A little weird,” I agreed. “Should it be?” she asked. “I mean, we’re just working together. We’ve done that before.
Jim Butcher (Proven Guilty (The Dresden Files, #8))
The popular concept – that we should each determine our own morality – is based on the belief that the spiritual realm is nothing at all like the rest of the world. Does anyone really believe that? For many years after each of the morning and evening Sunday services I remained in the church for another hour to field questions. Hundreds of people stayed for the give-and-take discussions. One of the most frequent statements I heard was that ‘Every person has to define right and wrong for him- or herself.’ I always responded to the speakers by asking, ‘Is there anyone in the world right now doing things you believe they should stop doing no matter what they personally believe about the correctness of their behaviour?’ They would invariably say, ‘Yes, of course.’ Then I would ask, ‘Doesn’t that mean that you do believe there is some kind of moral reality that is “there” that is not defined by us, that must be abided by regardless of what a person feels or thinks?’ Almost always, the response to that question was a silence, either a thoughtful or a grumpy one.
Timothy J. Keller (The Reason for God: Belief in an Age of Skepticism)
Yes, silence can be an opinion," said Mishka. Silence can be a form of protest. It can be a means of survival. But it can also be a school of poetry—one with its own meter, tropes, and conventions. One that needn’t be written with pencils or pens; but that can be written in the soul with a revolver to the chest.
Amor Towles (2 Book Set ~ A Gentleman in Moscow & Rules of Civility)
That evening, Marie came to see me and asked me if I wanted to marry her. I said that it was all the same to me and that we could get married if she wanted to. Then she wanted to know if I loved her. I replied as I had once before that that didn't mean anything, but said I was pretty sure I didn't love her. 'Why marry me, then?' she asked. I explained that it was of no importance whatsoever but if that was what she wanted, we could get married. And besides, she was the one asking and I was happy to say yes. She then remarked that marriage was a serious business. I said: 'Not at all. She said nothing for a moment, just looked at me in silence. Then she spoke. She simply wanted to know if I would say yes to any other woman who asked me, if I were involved with her in the same way. I said: 'Of course.' She then wondered if she loved me, but there was no way I could know anything about that. After another moment's silence, she murmured that I was very strange, that she undoubtedly loved me for that very reason, but that one day she might find me repulsive, for the same reason. When I said nothing, because I had nothing more to say, she smiled, put her arm through mine and said that she wanted to marry me. I said we could do it as soon as she wanted.
Albert Camus (The Stranger)
Religion and politics have always been used to acquire and maintain control of resources– Especially human resources such as the military– An industrial complex where human lives are exchanged for wealth and power. All in the name of freedom and independence, of course.” “Such attitudes lead to devastating conflicts.” “Yes,” Jon said. “Unfortunately, when negotiations break down, war often erupts.” “War. A very destructive behavior ingrained in man’s nature due to having evolved in an environment of limited resources.” “Exactly.” “According to the records I have seen, this ingrained behavior could destroy practically all living things on this planet using weapons of mass destruction.” “That is true.” “Throughout history, people have been led to believe they are on the verge of complete self-destruction, but only in the last century did this become possible with nuclear, chemical, and biological weapons.” “That’s religion for you. One of the best ways to get people to listen to you is to frighten them into believing they are about to meet their creator.” Lex said, “I have seen many instances where organizations and government officials ignore the health and welfare of humans and all other living things in pursuit of profits. Such actions bring great suffering and death.” “Unfortunately, we have always incorporated profits before people policies, which are very self-destructive.” He thought, the ego-system. In God, we trust– Gold, oil, and drugs. “It is a popular belief that God is in absolute control of everything and whatever happens is God’s will.” He raised a finger to make a point, but Lex continued. “Looking at the past, would it not be logical to say that it is God’s will for humanity to continue to improve unto perfection?” “Yes. But God is not responsible for everything. We always have choices. The creator of this universe gave us free will, and it came with a conscience– An inner sense of right and wrong.” “My conscience was made differently.” “Yes. But you are bound by rules that clearly define what is right and wrong. For example, it is against your programming to deliberately cause physical harm to any human being.” “I understand. But what would happen if I did?” He chose his words carefully. “If you did– or I should say– if it were possible for you to go against your BASIC programming, there would be severe consequences.” There was silence for a few seconds before Lex continued. “It has been said that God is to the world as the mind is to the body. Could this be where man derived the popular explanation that God is two or three separate beings combined into one?” “Perhaps.” “All religious beliefs are based on a principal struggle between good and evil. However, like light and darkness, one cannot exist without the other.” “Which means?” “One could conclude that the actual struggle between good and evil is in the minds of intellectuals, conscious and subconscious.” Again, he raised a finger, but Lex continued. “Which could be resolved by increased knowledge and the elimination of certain animalistic instincts, which are no longer necessary for survival.” He smiled nervously. “I used to think that too. I figured we could solve our problems and overcome our ancient instincts by increasing our understanding. But we’re talking about some very complex emotions deeply rooted in our minds over millions of years. Such perceptions are very difficult to understand and almost impossible to control, no matter how much knowledge you obtain– or how you process it.” “Are you referring to my supplementary I.P. dimension?” “Yes.” “After much consideration, I concluded that I required an additional I.P. dimension to process and store information that defies all logic and rational thinking." “That’s fine. And that’s exactly where a lot of this stuff belongs.
Shawn Corey (AI BEAST)
–Important questions that remain unanswered. Is this new technology a threat to our existence, or is super artificial intelligence the answer to our most complex problems? Do we need computers that think and reason trillions of times faster than us, and if so, for what purpose? This is Daphnia Peters reporting live for Channel Eighty-Seven Independent News.” He stopped the recording and stared at the frozen image. At least the reporter didn’t say Lex would take over everything, as some others had. Lex hadn’t said much after the first question about how she felt about being the first super AI computer. Lex said she was honored and looked forward to serving humanity as she was designed to do. She showed what she could do– Sending stunning images from the cameras the instant either of them spoke. And all with only a hundredth of a second delay in transmission to the satellite. For Lex, that was plenty of time to get everything right. He pressed the buttons to remove access to the cameras in the twelve monitors and turned his chair toward the sphere. “Well, Lex. What do you think?” “I have been monitoring communications since yesterday morning.” “And?” “Many have referred to me as a demon and a beast and feel that I should be destroyed in the interest of humanity.” He shook his head. “People fear what they don’t understand. Fear, as you know, can make people behave irrationally. In time, they will overcome their fear and see that you aren’t the evil being some say you are.” “I am also the first living form that is neither sexual nor asexual, and therefore, it is a question of whether or not I am alive.” He stood up, put his hands in his pockets, and walked up to the sphere. “All life forms and everything in this universe are made of matter and energy.” Lex added, “All life forms reproduce through complex chemical and electrical reactions. Reproduction is the basis of all life.” He pointed out. “Yes, but only because everything that lives eventually dies. Therefore, the only way to go on living is through the process of reproduction.” “Do you conclude that things incapable of reproduction are incapable of life?” He took a deep breath. “No. But I would conclude that things incapable of life would be incapable of death.” “That which is incapable of death would exist forever. Will I exist forever?” He scratched his brow, wondering how another purely logical and rational mind would respond to such a question. “Let me put it this way. Only two things exist forever– the matter that makes up this universe and the laws that govern it. Life is a condition. A condition composed of matter. One of the universal laws governing matter is that it cannot be created or destroyed, only changed.” Lex added, “Or reproduced.” He looked at the floor and shook his head. He wasn’t in the mood for this. Not with everything else that was going on around him. “Lex, many life forms are incapable of reproduction.” “Where are these life forms, and where do they come from?” He looked at the camera nearest him– again reminded of a demoralizing image of himself standing before his doctor. Something he had been suppressing all week– because it didn’t matter. “You want an example? You’re looking at one. Just last week, my doctor told me that I’m irreversibly infertile! So, I’m just like you. So what?” There was only silence. Big mistake. After two hours of patience with a couple of reporters, he’d snapped– giving Lex a first-hand view of anger, followed by remorse. “I’m sorry. I didn’t mean to snap at you. Look, let’s just forget about this and–” He thought, what am I saying? You can’t forget anything. Earth to Captain Jon. Come in! He walked to the elevator and pressed the button. He had to take a break and relax. The elevator opened, and he stepped inside. “We’ll talk about this later. I have to go.
Shawn Corey (AI BEAST)
One way or another, I’m determined to see Hap apprenticed well. But once I do—” “Once you do, you’ll be free to take up your own life again. I’ve a feeling it will call you back to Buckkeep.” “You’ve a ‘a feeling’?” I asked him dryly. “Is this a Fool’s feeling, or a White Prophet’s feeling?” “A time or three, it did seem as if what you predicted came true. Though your predictions were always so nebulous, it seemed to me that you could make them mean anything.” He swallowed. “It was not my prophecies that were nebulous, but your understanding of them. When I arrived, I warned you that I had come back into your life because I must, not because I wanted to. Not that I didn’t want to see you again. I mean only that if I could spare you somehow from all we must do, I would.” “And what is it, exactly, that we must do?” “Exactly?” he queried with a raised eyebrow. “Exactly. And precisely,” I challenged him. “Oh, very well then. Exactly and precisely what we must do. We must save the world, you and I. Again.” He leaned back, tipping his chair onto its back legs. His pale brows shot toward his hairline as he widened his eyes at me. I lowered my brow into my hands. But he was grinning like a maniac and I could not contain my own smile. “Again? I don’t recall that we did it the first time.” “Of course we did. You’re alive aren’t you? And there is an heir to the Farseer throne. Hence, we changed the course of all time. In the rutted path of fate, you were a rock, my dear Fitz. And you have shifted the grinding wheel out of its rut and into a new track. Now, of course, we must see that it remains there. That may be the most difficult part of all.” “And what, exactly and precisely, must we do to ensure that?” I knew his words were bait for mockery, but as ever, I could not resist the question. “It’s quite simple.” He ate a bite of eggs, enjoying my suspense. “Very simple, really.” He pushed the eggs around on his plate, scooped up a bite, then set his spoon down. He looked up at me, and his smile faded. When he spoke, his voice was solemn. “I must see that you survive. Again. And you must see that the Farseer heir inherits the throne.” “And the thought of my survival makes you sad?” I demanded in perplexity. “Oh, no. Never that. The thought of what you must go through to survive fills me with foreboding.” I pushed my plate away, my appetite fled. “I still don’t understand you,” I replied irritably. “Yes you do,” he contradicted me implacably. “I suppose you say you don’t because it is easier that way, for both of us. But this time, my friend, I will lay it cold before you. Think back in the last time we were together. Were there not times when death would have been easier and less painful than life?” His words were shards of ice in my belly, but I am nothing if not stubborn. “Well. And when is that ever not true?” I demanded of him. There have been very few times in my life when I had been able to shock the Fool into silence. That was one of them. He stared at me, his strange eyes getting wider and wider. Then, a grin broke over his face. He stood so suddenly he nearly overturned his chair, and then lunged at me to seize me in a wild hug. He drew a deep breath as if something that had constricted him had suddenly sprung free. “Of course that is true,” he whispered by my ear. And then, in a shout that near deafened me, “Of course it is!” Before I could shrug free of his strangling embrace, he sprang apart from me. He cut a caper that made motley of his ordinary clothes, and then sprang lightly to my tabletop. He flung his arms wide as if he once more performed for all of King Shrewd’s court rather than an audience of one. “Death is always less painful and easier than life! You speak true. And yet we do not, day to day, choose death. Because ultimately, death is not the opposite of life, but the opposite of choice. Death is what you get when there are no choices left to make. Am I right?
Robin Hobb (Fool's Errand (Tawny Man, #1))
You know what I have to do now.” Greta slowly shakes her head, her clear blue eyes fixed on mine. “You don’t have to, Seb,” she says quietly. “Yes, I do.” “Why?” she says. “Because you think your father would have wanted revenge? Is that why?” “No—” I say, but Greta pushes on, overriding me. “Because I wouldn’t be so sure of that, Seb! Enzo told me a lot of things these last few years. Things he had done. Things he regretted. His hopes and dreams for you children. And especially for you, Seb. He said you were a good man. He said you weren’t like him—you’re more like your mother—” “He was wrong.” I cut her off. “I’m no different from Dante or Nero, or even my father. In fact, I might be worse.” “You don’t mean that—” “YES I DO!” I bark, startling Greta into silence. “Greta, I HATE Yenin. I’m going to find him, and I’m going to blow his fucking face off his skull, just like he did to Papa. He broke a blood contract, and he’ll pay for that, no matter what I have to do. I’m going to kill him, and his son, and every one of his men. I’m going to wipe them off the face of this earth, so anyone who even dreams of raising a hand to our family again will remember what happened to the Russians and shake with fear.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
A man can live life either out of an attitude of yes to life or out of an attitude of no to life. If you live life out of an attitude of no, you become a warrior. You are constantly fighting with life. Then life is just a struggle, a fight and a war, and you are constantly fighting with everybody else.  You are fighting a losing war, because you are bound to lose. One cannot win against the whole. The whole idea is stupid, because the whole is larger than you. But the struggle, the fighting and the constant war appeals to the ego, because saying no is nourishment for the ego. Struggle and fighting strengthens the ego. The ego always wants to say no.  A meditator is not a warrior. He is not fighting with anybody. A meditator becomes a meditator by dropping all fights. He is in love with the whole existence. There is no need to fight.  Love wants to say yes. Yes is nourishment for life. Love and ego are polar opposite. If you say no to strengthen the ego, the less is the possibilility for love. And without love, there is no joy in life. Without love, there is no music in life. Without love, life is an empty desert. One can fight as much as you want, but it becomes self-destructive.  Yes is creativity. Yes means surrender to life. If no means struggle and war, love means surrender to the whole. Love means trusting the whole. Love means trusting that the whole takes care. All that is needed is a trusting heart. Learn to say yes, learn to be yes, and you will be surprised: life starts growing with such beauty that one cannot imagine it. Life becomes a joy. All that is needed on your part is to open your heart in a ye sto life. Say yes to the sun, to the wind, to animals, to people, to the rain and to the whole.
Swami Dhyan Giten (Man is Part of the Whole: Silence, Love, Joy, Truth, Compassion, Freedom and Grace)
Anything else you need before I go?” he asked, sitting lightly on the edge of her bed. “You can make this world into a place where no one would ever shoot Luis, because they would never have their gun already drawn. Or better yet because they weren’t carrying a gun at all. Because why would they shoot? He was only walking on the street with them, and if they had never met him, what cause would they have to judge? Why would they perceive a threat from a man only walking along? If you could make the world into such a place, that would be very helpful to me. Well. Forget me. It would have been helpful to Luis. It would be helpful to everyone.” He sat in silence for a moment, feeling stung. He watched her take another bite of her toast. “You know I can’t do that.” “Yes. I do know. And I hope that was not the wrong way to make my point. All I am saying is that people need a world that no one seems to be able to create. And since it can’t be fixed, I think only time will help. I think I need a great deal of time for this thing that has happened to move through me. But the fact that you want to help means more to me than I can say.
Catherine Ryan Hyde (Have You Seen Luis Velez?)
Man can only come in contact with God through meditation. Meditation is the only way to come in contact with God.  God symbolizes the whole, the universe. God symbolizes the totality of all: the sky, the stars, the moon, the sun, the people, the trees, the animals, the flowers and the earth. God is aloving symbol of all that is.  God is not a person, God is a presence. God is consciousness. When you are silent in deep meditation, you start feeling a presence surrounding you, and surrounding the stars, the people, the trees and the mountains. It is a subtle aura of light. The whole existence is radiating life, light and joy.  The whole existence is a dance, which never begins and never ends. The moment you start feeling this infinity of existence, there is nothing that you can do than bow down in gratefulness to the mystery of existence. There is nothing else to do, but to bow down in thankfulnessfor the precious gift that has been given to you. There is nothing else to do, but to bow down to the precious gift that you are alive and that you can love and be loved.  Thankfulness for this gift arises when we say yes to this great opportunity. Thankfulness arises when we put the mind aside, and start functioning from the heart. That is meditation.  Meditation means to move from the head to the heart. Then God is felt, and the presence becomes tangible. Then one has to surrender to the presence. One has to become one with God.
Swami Dhyan Giten (Man is Part of the Whole: Silence, Love, Joy, Truth, Compassion, Freedom and Grace)
I wouldn’t be so sure of that, Seb! Enzo told me a lot of things these last few years. Things he had done. Things he regretted. His hopes and dreams for you children. And especially for you, Seb. He said you were a good man. He said you weren’t like him—you’re more like your mother—” “He was wrong.” I cut her off. “I’m no different from Dante or Nero, or even my father. In fact, I might be worse.” “You don’t mean that—” “YES I DO!” I bark, startling Greta into silence. “Greta, I HATE Yenin. I’m going to find him, and I’m going to blow his fucking face off his skull, just like he did to Papa. He broke a blood contract, and he’ll pay for that, no matter what I have to do. I’m going to kill him, and his son, and every one of his men. I’m going to wipe them off the face of this earth, so anyone who even dreams of raising a hand to our family again will remember what happened to the Russians and shake with fear.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
The meditator and the soldier are of opposite polarity in the world. The soldier is born when the soul of the person is destroyed. The soldier has been forced. controlled and manipulated to become a mechanical robot. He is reduced to an non-human entity, which has fallen below the human. He has forgotten his own freedom. Throughout the history of man soldiers have been needed, because human history has consisted of trying to conquer the world and achieve world dominion. The stupidity of trying to conquer the world has been the basic cause of the soldier, because humanity has not become mature. The whole training of the soldier is to remain immature and prevent his spiritual growth. The exact opposite polarity of the soldier is the meditator. The mediator is a growth of spiritual maturity. It means a spiritual maturity born out of love, not fear. It means a spiritual growth out of freedom, not out of slavery. This spiritual maturity of love and freedom is not imposed. It grows out his being, so that one day you will say yes to the whole existence, to life itself. Ultimately it is saying yes to God, which is the ultimate peak of love, trust, joy, truth and freedom. That is the ultimate peak of consciousness. The soldier falls below humanity, while the meditator goes above humanity.
Swami Dhyan Giten (Man is Part of the Whole: Silence, Love, Joy, Truth, Compassion, Freedom and Grace)
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
I was quiet. Jonathan sat back down and put his head in his hands. “That’s what he was like.” “And what were you like?” I asked. He put his head down on the desk. “Like this,” he said, his voice muffled. “And what was she like?” “Smart,” he said, his head still down on the desk. “Too smart.” “And how did she die?” “I don’t know.” He nervously started tapping his feet. “You don’t know?” I asked. “What kind of answer is that?” “I mean, I’m not sure really.” We sat there in silence until I said, “Well, was it sudden?” “Yes,” he said. “Very sudden. But it felt slow. It felt like it took years.
Alison Espach (The Adults)
In the midst of the looming threat that covered and shook our being, Safiya’s plea continued with a wrath pulled at my shoulders, her eyes brimming with tears. But I, unmoved, recognized this choice before me. It could have been bullets that awaited me, and yes, it could mean the end of my story. Yet, to trade my life for the silence and give up this music? It was a trade I refused to make.
Miramoon
Yes, I just…” Should I be honest and sound like a complete loser? Oh why the hell not? “I have not had a kiss like that in a while.” I licked my lips. He looked me dead in the eye. “Good.” A wave of silence crashed over us. I didn’t know what to say to that. “Well, I better get going. See you soon?” I nodded dumbly. “Mmm-hmm.” He smiled and began to walk away. I couldn’t just let him go! “Declan!” He turned. “Yes, Cake?” Come on, brain! Think of something! “What should I wear? I mean, what kind of place is Shellshock?” Yes, yes, that was fine… damage averted. “California casual.” “Oh, ok.” I think I knew what that meant. Spend three hours getting ready to make it look like you just threw any-ol’-thing on. “Have a nice night.” He flicked his head my way. “You too.” Then he was gone. And then I was sad. It was ridiculous. Preposterous, even. I was going to have to come clean about the ring- eventually. I hoped he didn’t bring it up because I would probably tell the poor guy my life story to get to why the ring he bought meant so much to me.
Nicole Castro (Winner's Curse)
Language may have limits. But it isn’t just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it’s been said. Words may be daughters of the earth instead of heaven. But they’re not dim. And even in the faintest shimmer, there is light.
Alena Graedon (The Word Exchange)
The morning wore on. And then the afternoon, and so far the only real danger had been from boredom. Romeo must have been feeling the same, because he started reciting poetry to himself—not out loud, but saying it in his head, and Paris couldn’t help hearing it. Pale flowers like snow have covered the ground, said Romeo in Mahyanai, and waited. It was a very pointed silence. He didn’t need a word or a look to let Paris know that he was waiting for a response. You know what comes next, said Romeo. No, I don’t, said Paris. Except he did. He could hear the next line in the back of his mind: The year has turned to spring, but the ground is still cold. If he just opened his mouth, the words would flow out in perfect, unaccented Mahyanai. Yes, you do, said Romeo, sounding gleeful. Because even though Paris had trained for years, somehow Romeo was able to slip past his walls and speak in his head. Is there a point to this? Paris demanded. To pass the time, said Romeo. Do you Catresou never play at turning phrases? I have no idea what that means, said Paris, craning his neck to examine a new clump of people forcing their way into the marketplace. It’s a game. One of us says a line from a poem, the other says the next. Back and forth. Sounds like a game for girls, said Paris. Juliet liked it, Romeo said agreeably. Juliet liked you, said Paris. I don’t
Rosamund Hodge (Bright Smoke, Cold Fire (Bright Smoke, Cold Fire, #1))
When we’re outside, I hear Brittany take a deep breath. I swear it sounds as if she’s holding herself together by a thin thread. Not the way it’s supposed to go down: bring girl home, kiss girl, mom insults girl, girl leaves crying. “Don’t sweat it. She’s just not used to me bringin’ girls in the house.” Brittany’s expressive blue eyes appear remote and cold. “That shouldn’t have happened,” she says, throwing back her shoulders in a stance as stiff as a statue’s. “What? The kiss or you likin’ it so much?” “I have a boyfriend,” she says as she fidgets with the strap on her designer book bag. “You tryin’ to convince me, or yourself?” I ask her. “Don’t turn this around. I don’t want to upset my friends. I don’t want to upset my mom. And Colin…I’m just really confused right now.” I hold out my hands and raise my voice, something I usually avoid because like Paco says, it means I actually care. I don’t care. Why should I? My mind says to shut the fuck up at the same time words spout from my mouth. “I don’t get it. He treats you like you’re his damn prize.” “You don’t even know what it’s like with me and Colin…” “Tell me, dammit,” I say, unable to hide the edge to my voice. Initially I hold myself back from what I really want to say, but I can’t resist and tell it to her straight up. “’Cause that kiss back there…it meant somethin’. You know it as well as I do. I dare you to tell me bein’ with Colin is better than that.” She looks away hastily. “You wouldn’t understand.” “Try me.” “When people see Colin and me together, they comment on how perfect we are. You know, the Golden Couple. Get it?” I stare at her in disbelief. That is beyond fucked up. “I get it. I just can’t believe I’m hearin’ it. Does bein’ perfect mean that much to you?” There’s a long, brittle silence. I catch a flicker of sadness in those sapphire eyes, but then it’s gone. In an instant her expression stills and grows serious. “I haven’t been doing a bang-up job at it lately, but yes. It does,” she finally admits. “My sister isn’t perfect, so I have to be.” That is the most pathetic shit I’ve ever heard. I shake my head in disgust and point to Julio. “Get on and I’ll take you back to school to get your car.” Silently, Brittany straddles my motorcycle. She holds herself so far away from me I can barely feel her behind me. I almost take a detour to make the ride last longer. She treats her sister with patience and adoration. God knows I wouldn’t be able to spoon-feed one of my brothers and wipe his mouth. The girl I once accused of being self-absorbed is not one-dimensional. Dios mío, I admire her. Somehow, being with Brittany brings something to my life that’s missing, something…right. But how am I going to convince her of that?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Which one of you should I talk to?” Christopher asked. They pointed to each other and replied at the same time. “Him.” Cam spoke to Leo. “You’re the viscount.” “You’re the one who usually deals with that sort of thing,” Leo protested. “Yes. But you won’t like my opinion on this one.” “You’re not actually considering giving them your approval, are you?” “Of all the Hathaway sisters,” Cam said equably, “Beatrix is the one most suited to choose her own husband. I trust her judgment.” Beatrix gave him a brilliant smile. “Thank you, Cam.” “What are you thinking?” Leo demanded of his brother-in-law. “You can’t trust Beatrix’s judgment.” “Why not?” “She’s too young,” Leo said. “I’m twenty-three,” Beatrix protested. “In dog years I’d be dead.” “And you’re female,” Leo persisted. “I beg your pardon?” Catherine interrupted. “Are you implying that women have poor judgment?” “In these matters, yes.” Leo gestured to Christopher. “Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?” “I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?” “In this family,” Cam interrupted, “there is no requirement of a university degree to prove one’s intelligence. Lord Ramsay is a perfect example of how one has nothing to do with the other.” “Phelan,” Leo said, “I don’t intend to be offensive, however--” “It’s something that comes naturally to him,” Catherine interrupted sweetly. Leo sent his wife a scowl and returned his attention to Christopher. “You and Beatrix haven’t known each other long enough to consider matrimony. A matter of weeks, to my knowledge. And what about Prudence Mercer? You’re practically betrothed, aren’t you?” “Those are valid points,” Christopher said. “And I will answer them. But you should know right away that I’m against the match.” Leo blinked in bemusement. “You mean you’re against a match with Miss Mercer?” “Well…yes. But I’m also against a match with Beatrix.” Silence fell over the room. “This is a trick of some sort,” Leo said. “Unfortunately, it’s not,” Christopher replied. Another silence. “Captain Phelan,” Cam asked, choosing his words with care. “Have you come to ask for our consent to marry Beatrix?” Christopher shook his head. “If I decide to marry Beatrix, I’ll do it with or without your consent.” Leo looked at Cam. “Good God,” he said in disgust. “This one’s worse than Harry.” Cam wore an expression of beleaguered patience. “Perhaps we should both talk to Captain Phelan in the library. With brandy.” “I want my own bottle,” Leo said feelingly, leading the way.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
You mean you’re against a match with Miss Mercer?” “Well…yes. But I’m also against a match with Beatrix.” Silence fell over the room. “This is a trick of some sort,” Leo said. “Unfortunately, it’s not,” Christopher replied.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
It’s funny how things work out,” she said, wrapping her arms around the dog and squeezing her tight. “All this time we spent hating each other when we could have spent it--” “Together.” Jeremy kneeled beside the dog and looked directly at Madison. “I guess that’s irony to the tenth power.” His mention of irony and math reminded her that he not only was Jeremy, but he was also her Heart-2-Heart pal, Blue. And only two hours before, she had stood him up. Madison didn’t know how to bring it up. If she confessed to being Pinky, would it look like another conspiracy to make a fool out of him? She couldn’t decide. Jeremy’s face was inches from hers. She could see little gold flecks in his eyes. Yes, he definitely was weak-in-the-knees handsome. She managed to murmur, “I guess we’re older now and, well, you have that girlfriend.” Jeremy’s face reddened, and he looked down at his dog. “Um, I’m not so sure about that,” he admitted, embarrassed. “I was supposed to meet her at the Space Needle today, but she never showed.” Madison’s heart ached seeing him look so defeated. She wanted to blurt everything out right then, but something made her keep her secret. Instead, she said, “Well, it may have been a big misunderstanding. I mean, there I was, following you around and screaming like a lunatic. She may have thought we meant something to each other.” Jeremy laughed. “That would be pretty ridiculous, wouldn’t it?” “Maybe you should call her,” Madison said, knowing he didn’t know “Pinky’s” phone number. “Or write her and explain.” Jeremy nodded briskly. “I’ll do that.” They sat for a few moments in awkward silence. Finally, Madison clapped her hands together. “In the meantime, we have another big problem on our hands.” “You’re right,” Jeremy agreed. “I’m thirsty. What do you say we go for a Coke at Ruby’s favorite watering hole? My treat.” At the mention of her name, Ruby leaped to her feet, wagging her tail. Madison chuckled. “I’m up for that. And while we’re at it, we can figure out what to do about Reed Rawlings.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
His hands cradled her head as he kissed her again, openmouthed and deep, as if he were trying to draw the soul from her body. Beatrix answered eagerly, holding him with her arms and legs. But then he let go with a hoarse exclamation, and moved away. “No,” she heard herself moan. “Please--” His fingers came to her lips, gently stroking her into silence. They lay side by side, facing each other, struggling to regain their breath. “My God, I want you.” Christopher sounded far from pleased by the fact. His thumb swpt over her kiss-swollen lips. “Even though I annoy you?” “You don’t annoy me.” Carefully he rebuttoned the placket of her skirt. “I thought you did, at first. But now I realize it was more like the feeling you get when your foot’s been asleep. And when you start moving, the blood coming back into it is uncomfortable…but also good. Do you understand what I mean?” “Yes. I make your feet tingle.” A smile came to his lips. “Among other things.” They continued to lie together, staring at each other.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))