Silence Creates Distance Quotes

Sometimes, inflexibility creates a callus, scarring over all the bitterness and disappointment improperly, and there is no honest way to break that silence or that infinite distance, not even in death, not even in memory.

Do you hear that dog barking in the distance? Or that car passing by? Listen carefully. Can you feel the presence of the Unmanifested in that? You can’t? Look for it in the silence out of which the sounds come and into which they return. Pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. A portal is opening up. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be.

THE MYSTIC ALWAYS RISES As she let her soul sing to her, she let go of lifetimes’ worth of silenced truth missiles cemented in the deepest caverns of her soul. A voice snuffed out for centuries, for saying too much, for standing up too much, for being too much. Her intuition and bigness restrained for centuries, but not any more. She could not be locked away, muted, or extinguished any longer. Not now. Not ever again. As she let her spirit move her, she danced right through the flames. Resentment, anger, and memories stomped out with every blazing convulsion, sway, and kick. Sensing her in the distance, one by one her sisters joined her, knowing this dance by heart. The movement created space for their tears, which flowed deeper than all of the rivers and lakes from all of the ages. Soothing and cooling the burning that once enveloped her entire being. Her whole body. All of her bodies. All of their bodies. All of our bodies. Never forgetting. But still rising, just as she planned to. Just as we planned to. Rising and rising and rising and rising and rising. Standing taller than all the sisters who came before and will continue to come again. The mystic always rises.

While the burning fish is tracing his arc near the cypress, beneath the highest blue of all, and the blind boy flies away in the white stone, and the ivory poem of the green cicada beats and reverberates in the elm, let us give honor to the Lord— the black mark of his good hand— who has arranged for silence in all this noise. Honor to the god of distance and of absence, ff the anchor in the sea—the open sea… He frees us from the world—it’s everywhere— he opens roads for us to walk on. With our cup of darkness filled to the brim, with our heart that always knows some hunger, let us give honor to the Lord who created the zero and carved our thought out of the block of faith.

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

Such good relations we had that if there was any function that we had, then we used to call Musalmaans to our homes, they would eat in our houses, but we would not eat in theirs and this is a bad thing, which I realize now. If they would come to our houses we would have two utensils in one corner of the house, and we would tell them, pick these up and eat in them; they would then wash them and keep them aside and this was such a terrible thing. This was the reason Pakistan was created. If we went to their houses and took part in their weddings and ceremonies, they used to really respect and honour us. They would give us uncooked food, ghee, atta, dal, whatever sabzis they had, chicken and even mutton, all raw. And our dealings with them were so low that I am even ashamed to say it. A guest comes to our house and we say to him, bring those utensils and wash them, and if my mother or sister have to give him food, they will more or less throw the roti from such a distance, fearing that they may touch the dish and become polluted ... We don’t have such low dealings with our lower castes as Hindus and Sikhs did with Musalmaans.

Love’s space In the distance, not too far but far enough, I had once seen her walking with someone, And that single, casual visual encounter was enough, To think of her always and that mysterious someone, They walked for a while and then sat under a tree, There they spoke of past while they were still discovering the present, And I wondered of my own future under the tree, Long after they had left, when I was dealing with my own present, I had somehow anchored my likings on her, My thoughts always felt her presence, She was there under the tree and I was with her, Although in reality she was exploring her own present in that someone’s presence, Yet I loved to return to the tree and be there for hours, Thinking of her and the future that could be, Her and mine, just ours, and then it would create for us unending hours, I so deeply wished if it could be, only if it could be, The tree is there, the stream too, I am always there between the stream and the tree, They both know it too, But what I wish for the girl and myself, the stream wishes for the tree, So whenever I am under the tree thinking of her, The stream flows by looking at the motionless and stationary tree, And then both remind me of her, Both the stream and the tree, Now it is winter and the stream has frozen, Just like the tree, motionless and anchored in eternity of nowhere, And in me, just like the stream, her thoughts and feelings are frozen, Because she now is the everywhere and everything in my emotional state called nowhere, Like the stream that to express her feelings of love towards the never moving tree, Froze itself completely and turned still, To feel the feelings of her darling and ever still tree, That even in her frozen state she loves still, in ways silent and still, So I share the stream’s irony or maybe I share the trees stillness, Its silence, where it quietly discloses that it never moves anywhere because it loves the stream, That always flows through its roots of love, and when the tree feels this romantic stillness, It decides to lie anchored on the banks of the stream, to enjoy his love’s accessible stream, And I feel the same for her whenever I am under the tree, Or with the stream that flows beside it, For she still exists there, frozen for my sake by the always still tree, And her reflection too is frozen in the running water of the stream, and I love feeling the wonder of it, All of it, the stream, the tree, she; and her frozen reflection in the stream’s water, And whenever I am here, the tree bends a bit, the stream slows her pace, And I see her beautiful face in the flowing water, the stream’s clear water, And then I too slow down my life’s pace, in this love’s own space, where time always loses its pace!

~Infernal Serpent ~ Winds are venomous these days. Masked under a dark silhouette, their smile parades the fossil roots of deceit. Nibbling wings, of which they learnt to fly. Hands blemished red Have you slaughtered a rose lately? The face bleached in dismay tongue weakened. I ain't, the fear following you Like a cloud passing above your shadow. Run!! How far? There is no path across the desert. Fright of a nomad creates mirage in distance Standing in silence, I want to witness the snake shedding its skin again.

...And looking back, at least we got to state our love...before our world in Orleans ended in a symphony of broken glass. Earlier that evening, I had sat on the porch with Matthieu-Michele, as Cross and Christy watched over their Grandpa Timothy's comatose body in the back bedroom. I looked down into Timothy's face and wept. Timmy already looked dead. He was deathly pale, and his hair was heavily streaked with grey. "Don't cry, Uncle Obadiah," Matthieu-Michele said tenderly. "Just have faith, and love Him. Believe in Him, and keep preaching His Word." "And here I thought that you were a man of science, like your Daddy Matt." "I cannot be both?" he smiled gently, as he took my hand and led me out on the back porch. He lowered me into a chair, and seated himself beside me. "Look at the stars," he said softly. "However could I believe in the vastness and the great wonder of the universe itself, and not in He who created it? Science and Theology go hand-in-hand; they are not polar opposites. We must remember, the Holy Bible is only a guide. God isn't just a quick-fix solution for all of our problems. He isn't a pill that we pop to make everything go away. Instead, He is a shepherd, looking out for us...loving us from a great distance and calling out to us constantly...and sometimes, things get lost in the translation. We, for example, as men, will try to weave our own selfish desires and prejudices in with His. That is the greatest sin of all, the great sin of mankind. It frightens people away from His Word and His Grace. They believe that He hates them, that it’s the voice of God condemning them, rather than the blackened hearts of the misguided men who twist His words to suit their doctrine of anger and misunderstanding. Their words are straight from the evil core of mankind, who, in their foolishness, try to take on the guise of God." I leaned upon him heavily, the tears wet upon my cheeks. "And to think that there were times when I wondered if I did any good at all," I sighed, "But His Word lives in your heart." Matthieu-Michele embraced me in his wings. "Uncle, you are a wonder!" he smiled. "Never doubt it. My father couldn't ask for a better vessel for His Word." "I love you, Boy," I whispered. "You and Croccifixio and Christophe...we will always be family, and nothing will ever part us--" ~*~*~*~ ...And it was over, just like that. It happened so quickly. The window in the front room exploded in a rain of glass, and two soldiers seized Arik. Two came for me as well, and I surrendered. Arik struggled, and was silenced with a blow to the back of the head. Matthieu-Michele--who had been behind me--was mysteriously absent, and Cross, Christy, Morgan and Simone were nowhere in sight. Matthieu-Michele must have thrown up a psychic bubble around them, and around Timothy's body, as Arik and I were manacled and taken out into the street. A barred wagon awaited us there, and we were roughly forced into it...

Do you hear that dog barking in the distance? Or that car passing by? Listen carefully. Can you feel the presence of the Unmanifested in that? You can’t? Look for it in the silence out of which the sounds come and into which they return. Pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. A portal is opening up.

The word ‘teasing’ in ‘eve-teasing’ makes the act of molestation acceptable. The common expression used for ‘teasing’ in Hindi is chhera-chheri , a word that women use to describe boys’ general behaviour within the acceptable range. Many women said, ‘ Chhera-chheri toh chalti hi hai , teasing happens,’ implying its acceptance and normality and making the act of molestation sound like casual fun. Boys tease, after all, that is their nature, boys will be boys. The word is not abusing, baiting, exploiting, hating, harassing or molesting. And the name is not Sita, Indira or Radha. The name is Eve. And she is foreign. The name Eve helps create distance from our daily, immediate Indian context.

An endeavor of silence towards the mortal emotions Creates a self-bound distance in the relations