Signal Verbs For Quotes

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Charm is another overrated ability. Note that I called it an ability, not an inherent feature of one’s personality. Charm is almost always a directed instrument, which, like rapport-building, has motive. To charm is to compel, to control by allure or attraction. Think of charm as a verb, not a trait. If you consciously tell yourself, “This person is trying to charm me” as opposed to, “This person is charming,” you’ll be able to see around it.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Charm is another overrated ability. Note that I called it an ability, not an inherent feature of one’s personality. Charm is almost always a directed instrument, which, like rapport-building, has motive. To charm is to compel, to control by allure or attraction. Think of charm as a verb, not a trait. If you consciously tell yourself, “This person is trying to charm me” as opposed to, “This person is charming,” you’ll be able to see around it. Most often, when you see what’s behind charm, it won’t be sinister, but other times you’ll be glad you looked.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
The usual -am ending signals the dir. obj., as does the word order, which is standard for Latin: SOV, subj.-obj.-verb (vs. English, which is an SVO language); final -m was often muted in speech, and sometimes therefore dropped in writing.
Richard A. LaFleur (Scribblers, Sculptors, and Scribes: A Companion to Wheelock's Latin and Other Introductory Textbooks)
Back in the car, squashed between Maya and me, Willa says, “I always picture it like pickled sausages, pressed up against the glass. Her nose and lips and stuff.” “Um,” Jamie says from the passenger seat. “Say more?” “Eleanor Rigby’s face. In a jar by the door.” She sings the line from the Beatles song. “Also, Maya, you might know the answer to this. But when a caterpillar—what’s the verb form of it?—metamorphosizes, what happens to its brain? Like, does every other part of it get melted down to make a butterfly, but its little brain just stays intact the whole time?” “Most of the brain tissue gets broken down and rebuilt,” Maya says. “I mean, it makes sense, right? It has to be a pretty significant neurological rearrangement to get a brain to send fly signals instead of crawl signals.” “Wow” is all Willa says, but I am thinking of these people in the car with me. These no-longer-kids, who have emerged from the cocoon of childhood to fly away into the wild, so brilliant and beautiful. Whose brains have liquefied and rearranged themselves to pilot this flight.
Catherine Newman (Sandwich)
semiquaver skinned the feelings of the manifold.” Certainly the division of words into grammatical categories such as nouns, adjectives, and verbs is not our sole guide concerning the use of words in producing English text. What does influence the choice among words when the words used in constructing grammatical sentences are chosen, not at random by a machine, but rather by a live human being who, through long training, speaks or writes English according to the rules of the grammar? This question is not to be answered by a vague appeal to the word meaning. Our criteria in producing English sentences can be very complicated indeed. Philosophers and psychologists have speculated about and studied the use of words and language for generations, and it is as hard to say anything entirely new about this as it is to say anything entirely true. In particular, what Bishop Berkeley wrote in the eighteenth century concerning the use of language is so sensible that one can scarcely make a reasonable comment without owing him credit. Let us suppose that a poet of the scanning, rhyming school sets out to write a grammatical poem. Much of his choice will be exercised in selecting words which fit into the chosen rhythmic pattern, which rhyme, and which have alliteration and certain consistent or agreeable sound values. This is particularly notable in Poe’s “The Bells,” “Ulalume,” and “The Raven.
John Robinson Pierce (An Introduction to Information Theory: Symbols, Signals and Noise (Dover Books on Mathematics))
Therefore, in reality what the English word 'Consciousness' refers to is a subcategory of quantitative (rather than what modern dictionaries claim it to be: qualitative) awareness. And if the English language were technically viable (as German claims to be, despite the fact that it is only so in a relative context), we would have witnessed -after removing the 'con'- the existence of a derivative of the word 'scire' to signal the verb 'to know' in modern dictionaries; but that is not the case. The conclusion that we now can draw, is that the English language intentionally inherited the word 'conscire' to signal to its speakers the real existence of the 'mutual knowing' paradigm in the universe, but it has left its own nation prone to ceaseless interpretation schemes rather than being established in linguistical rigidity on this specific topic. This explains the presence of the word/expression of 'self-consciousness' in the dictionary; it is certainly an oxymoron which has been relatively overcome by intending it to refer to a converging scheme of awareness. However it becomes incoherent with the word 'self-conscious' despite the fact that all what we took away was the suffix which is supposed to only signal a state or a condition rather than a vectorial form.
Ibrahim Ibrahim (Quotable: My Worldview)
I am observing a distinct historical development of the Norse culture of Scandinavia (Denmark, Norway, and Sweden) through symbolism. Contrary to ancient Egyptian 18th Dynasty, Indian, Jewish, German, Gnostic and Greek positive connotations of the Ouroboros, the Norse had Jörmungandr as an arch-enemy of their thunder-god, Thor. Although the etymology (according to my own observations and discoveries) of the word 'Thor' itself refers to a 'Bull', but that is a later on introduced interpretation that was more probably and condescendingly assigned to the Norse culture in the Middle East by its foe - like by the culture of the Jews that has a reverse symbolism; however, the root itself is derived from the verb 'to revolt' signaling thereby the different and opposing worldview.
Ibrahim Ibrahim (Quotable: My Worldview)
As Simone Weil wrote in Gravity and Grace, “Attention is the rarest and purest form of generosity.” We see this in the very etymology of the word attention, which comes from the Latin verb attendere, meaning “to stretch toward” something. So to give someone or something our full attention is to extend ourselves, our resources, our energy, our generosity. The gift of attention can be extended to other parts of our lives. It can be given societally, to pressing problems such as income inequality, the climate crisis, and systemic racial injustice. Directing our attention to such issues is signaling what
Madeleine Dore (I Didn't Do the Thing Today: Letting Go of Productivity Guilt)