Chop Hair Quotes

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

Isabella with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.

I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin. I made it almost to the end of my front garden.

Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!

Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?

Why?" I whispered. "Why do you love me?" "God told me to," she said softly. "He told me that you were the one." "When?" "In preschool - when you freaked out just because I got my hair cut." I pulled back from her and looked to see if she was serious. She was.

Well, every girl with half a brain knows there’s only one thing to do when you break up with your man—” “No, we didn’t break up—” Luce said, at the exact same time as Shelby said: “Change your hair.” “Change my hair?” “Fresh start,” Shelby said. “I’ve dyed mine orange, chopped it off. Hell, once I even shaved it after this jerk really broke my heart.

William: You'd look better with your hair chopped off. Reggie: You'd look better with your face chopped off.

He’s tall, taller than Kyol, but not as thickly muscled, and his silver eyes, while intense, have a lighter, livelier hue to them. He’s wearing a poorly made, dark jaedric cuirass over a once-white tunic, loose gray pants, and scuffed black boots. His golden-blond hair looks like it’s been chopped off with a knife or, perhaps, the sword in his hand. Despite his haphazard appearance, he’s confident, he’s alert, and he’s completely focused on me, his prey.

Sometimes I consider chopping my hair down to a nice manageable three inches, but I would miss it too much. It’s less useful and more confidence-boosting, like Superman’s cape.

The Barbies with their stick legs and rocket breasts were another problem Megan had to endure. She was supposed to spend hours dressing up or playing house with them, including the darker ones she was supposed to find more relatable. In a fit she'd once tried to commit Barbicide, defaced them with colored marker pens, chopped off hair, extracted eyes with scissors and de-limbed a few... The Barbie invasion proliferated on birthdays and at Christmas, relatives talked about incredible collection, as if she'd actually chosen to have them in her life.

Sitting at his kitchen table--the kitchen table where he had spread his homework as a kid to work before dinner, where he had climbed up to dust the burnstones with red hushflower powder, where he had learned to chop and slice and crush ingredients for the painkiller--was Cyra. Her thick, wavy hair piled on one side of her head, the other glinting silver. Her arm wrapped in armor. Her eyes dark as space. “Hello,” she said to him in Thuvhesit. “Hello,” he replied in Shotet.

I didn't use the word lesbian to describe myself until this year, though, which is when I chopped off all my hair and flirted with veganism

Riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.

# # My pregnant wife came home with her previously long hair that I loved chopped off and replaced with a short, mommish haircut. She asked what I thought and could tell by my face. She had put a mom's need for convenience before being a wife. She wept.

She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

Simone: I finally found Daisy in this grand, massive hotel room overlooking Vatican City in Rome. In Rome! I had to fly halfway around the world and back to find her. And when I did, she was completely bombed, naked except for a pair of underwear. And she had chopped her hair off into this shaggy bob. Daisy: That was a great haircut. Simone: It was a really good haircut. Daisy: I've always said, 'The Italians know hair.

We both laughed. Bryce pulled into the parking spot next to Caeden’s and hopped out. He looked between the three of us. “I missed something and it was big. I know it,” he said. Caeden ruffled his younger brother’s hair. “Don’t worry. It was just Travis, like always.” Bryce shook his shaggy hair, once again reminding me of a dog, and said, “Want me to teach him a lesson?” he did a karate chop in the air. “I can take him,” he added. -Bryce and Caeden

He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face. She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on. She said, Better to get it over with when she's young. He said, All right but don't let me see it. She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell. He said, I guess we're safe.

She’d chopped it too. It was longer than Matt’s, shorter than Kellan’s, somewhere in between like…Denny. Fuck. I looked like Denny now. Anna was gonna flip when she saw this. After my hair was completely fucked, Harold took me to meet the rest of the cast.

But for a mother who was submissive to the degree my mother was, it was OK to kill girls. For a father like mine, it was normal to chop off his daughters hair with sheep shears, and to beat her with a belt or a cane or tie her up in the stable all night with the cows.

No, J, I mean it, I. Love. You. Not, I love having sex with you, or you’re hot, or I’m really having a great time—so far, so good. I mean I would choose you—sick, bitchy, gained weight, lost your libido, chopped off your hair, demanded we become vegetarians, anything—

I am so glad Todd and I eloped,” she said sincerely. “There was no way to salvage the wreckage. But I think that you deserved this, and I'm very happy for you.” She leaned forward and kissed my cheek. Then she whispered, “He is really, really a hottie. How did you mange that?” “Brat,” I told her, and gave her a hug. “Todd’s not exactly chopped liver.” She smiled smugly and took another sip. “No he’s not.” “He could be,” said Ben from behind me, his British accent giving him a civilized air that he didn’t deserve. “Do you want him to be chopped liver, darling?” I turned, making sure I was between Ben and Nan, “My sisters are off-limits,” I reminded him. A flash of hurt came and went on his face. With Ben, it was even odds whether the emotion was genuine or not -but my instincts told me they had been. So I continued in a mock-chiding tone, “Ruthie is too young for you, and Nan is married to a very nice man. So be good.” Nan had caught the flash of hurt, too, I thought. She was softer than our mother, more like her father in temperament as well as looks. She couldn’t stand to have anyone hurting and not do anything about it. She sighed dramatically. “All the pretty men, and I’m tied to just one.” Ben smiled at her. “Anytime you want to change that…” I poked him in the side-he could have slipped out of the way, but he didn’t bother. “Okay,” he said, backing away with exaggerated fear. “Ill be good, I promise. Just don’t hurt me again.” He was loud enough that all the people around us looked at us. Adam pushed his way through the pack and ruffled Ben’s hair as he went by him. “Behave Ben.” The Ben I’d first met would have snarled and pulled away from the affectionate scold. This one grinned at me, and said, “Not if I can help it, I wont,” to Adam.

There’s a mime convention this weekend, so things should be pretty quiet around town. It’s possible that your pubic hair makes me sneeze.

she’d been given to wear were worn and scuffed. Her dress was too big, her hair unevenly chopped and she still had bruises on the side of her face. Now, he expected her to

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

You can taste sorrow in salt tears and in the bitterness of spoiled words left in your mouth for far too long. You can hear sorrow in a familiar song. You can hide sorrow behind closed doors and inside screams muffled by pillowcases. You can stick to sorrow as if it were gum in your hair; too mangled to brush out, too jarring to chop off. You can see sorrow in bloodshot eyes and shaky hands. You can get lost in sorrow when it knocks your life off course with no detour signs to redirect you. Most importantly, you can be found in sorrow by becoming a different version of yourself, here, on the other side of tragedy.

Who is she, after all? Not a member of the Party. Not even a Russian...What can she do, really, but watch the ginger-haired sacrificial lamb get slaughtered? One wrong move and Florence herself might be on the chopping block herself

His hand tangled in her hair, drawing her down, head to a chopping block. She smelled the musk of him and heard the groan of someone across the room and he was in her mouth and she imagined the flecks of gold on her lips ringing him like fairy dust.

I prayed to a mystery. Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery. Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery. Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley. Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.

Two applesauce shots, please." I gaped at her. "Shots? God, what are we, in college?" She moved her wavy brown hair out of her eyes. "No, we don't have to be in college to have what I'm sure"- she looked at the bartender- "will be a fantastically prepared, perhaps overflowing shot." He laughed with a shake of his head. "You got it." "It's delicious," she said to me, "Goldschlager and something else. I don't remember. But it totally tastes like applesauce." "Why would anyone want to drink applesauce?" But I was already wondering if it could be reduced to a glaze for pork chops, and made a mental note to find out what was in it.

Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.

There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.” In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory.

XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.

Um-Nadia says that great food needs darkness. It requires letting the dough inhale the very early morning and letting the kabobs drink up wine and garlic all night long, and- on occasion- it requires stuffing the small birds, squabs, pigeons, and other sweet, wild game under the round moon, "when they have let go of their songs," Um-Nadia says. Sirine dreams of cooking and wakes to thoughts of cooking- even when she can't stand the old smells of rancid butter and oils hanging in her hair. She still wakes too early, to grind and salt the lamb by hand, to fan the parsley over the chopping block.

never so happy in my whole life. Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.

Bodies like this give sexual desire its meaning! It’s for this that penises rise like drawbridges and vaginas become engorged with blood! It’s for this that people throw snot-nosed kids into ravines, cross raging rivers, or ice-pick up the wrong side of frozen waterfalls! It’s for this that politicians undo their flies in election season, porn magazines with their pages stuck together are found stacked in church basements, people chop off body parts and mail them to ex-lovers, risk hair on palms, stolen wallets, planes flying into buildings, and lice that hop like chess figurines on a board whose players are ever changing.

I don’t know about your parental units, but mine really have it together when it comes to laundry. They have it together in many other ways, such as having a fully stocked fridge at all times—and not just with the basics, like bread, milk, and eggs. I’m talking about luxury spices that you might only see in a wicker basket on Chopped, vegan food items that Oprah has endorsed, and enough produce to make a fresh summer salad whenever the mood strikes. Just like when Honey Boo Boo said everyone is a little bit gay, it seems like every parent is a little bit Gwyneth Paltrow: the Goop Years after the kids leave the house. And Ma and Pa Robinson are no exception.

Travis Sanchez rubbed a hand over his head as he stepped into an elevator at the Red Stone Security building. His Mohawk was gone and he wore his hair in a buzz cut these days. It was probably his military background, but he always came back to this cut out of habit. The walk to Harrison's office was too short. He wasn't sure why his boss had called him in after his last security detail, but a small burst of panic had detonated in his gut. He loved this job, but there had been some issues with the CEO he'd recently been guarding not following Travis' orders. The asshole had almost gotten himself killed and now Travis wondered if his head was on the chopping block because of it.

I take off my shirt, I show you. I shaved the hair out under my arms. I roll up my pants, I scraped off the hair on my legs with a knife, getting white. My hair is the color of chopped maples. My eyes dark as beans cooked in the south. (Coal fields in the moon on torn-up hills) Skin polished as a Ming bowl showing its blood cracks, its age, I have hundreds of names for the snow, for this, all of them quiet. In the night I come to you and it seems a shame to waste my deepest shudders on a wall of a man. You recognize strangers, think you lived through destruction. You can’t explain this night, my face, your memory. You want to know what I know? Your own hands are lying.

Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets—they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. “And remember, students, no matter what you do, don’t follow the example of the worst, most despised, most selfish character in all of Ever After history—Raven Queen!” “Boo!” the students yell. “Boo!” says the Daring ghost. Apple’s head in a goblin bowl opens her eyes and looks straight at Raven. “Boo!

Zombie!” Sammy calls. “I knew it was you.” Zombie? “Where are you taking him?” Ben says to me in a deep voice. I don’t remember it being that deep. Is my memory bad or is he lowering it on purpose, to sound older? “Zombie, that’s Cassie,” Sam chides him. “You know—Cassie.” “Cassie?” Like he’s never heard the name before. “Zombie?” I say, because I really haven’t heard that name before. I pull off the cap, thinking it might help him recognize me, then immediately regret it. I know what my hair must look like. “We go to the same high school,” I say, drawing my fingers hastily through my chopped-off locks. “I sit in front of you in Honors Chemistry.” Ben shakes his head like he’s clearing out the cobwebs. Sammy goes, “I told you she was coming.” “Quiet, Sam,” I scold him. “Sam?” Ben asks. “My name is Nugget now, Cassie,” Sam informs me. “Well, sure it is.” I turn to Ben. “You know my brother.

Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.

Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.

The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming

Quickly she shredded the cabbage on the chopping block and tossed it along with the onion and tomatoes in a blue Pyrex bowl. Then she slid the lamb chops, encrusted with fresh rosemary, into the oven. While the lamb baked, she brushed her hair in the washroom and pinned it back again. Then she zipped on a silk floral dress she'd purchased in Bristol and retrieved her grandmother's rhinestone necklace, one of the few family heirlooms her mother packed for her, to clasp around her neck. At the foot of the bed was the antique trunk she'd brought from her childhood home in Balham more than a decade ago. Opening the trunk, she removed her wedding album along with her treasured copy of 'The Secret Garden' and the tubes of watercolors her father had sent with her and her brother. Her father hoped she would spend time painting on the coast, but Maggie hadn't inherited his talent or passion for art. Sometimes she wondered if Edmund would have become an artist. Carefully she took out her newest treasures- pieces of crystal she and Walter hd received as wedding presents, protected by pages and pages of her husband's newspaper. She unwrapped the crystal and two silver candlesticks, then set them on the white-cloaked dining table. She arranged the candlesticks alongside a small silver bowl filled with mint jelly and a basket with sliced whole-meal bread from the bakery. After placing white, tapered candles into the candlesticks, she lit them and stepped back to admire her handiwork. Satisfied, she blew them out. Once she heard Walter at the door, she'd quickly relight the candles. When the timer chimed, she removed the lamb chops and turned off the oven, placing the pan on her stovetop and covering it with foil. She'd learned a lot about housekeeping in the past decade, and now she was determined to learn how to be the best wife to Walter. And a doting mother to their children. If only she could avoid the whispers from her aunt's friends.

If I'd known you were available, Dee, and looking for work,I'd've hired you." Burke Logan, settled back in his chair and winked at his wife's cousin. "We like to keep the best on at Royal Meadows." Adelia twinkled at him across the table in the track's dining room. He was as handsome and as dangerous to look at as he'd been nearly twenty years before when she'd first met him. "Oh,I don't know." Bruke trailed a hand over his wife's shoudler. "We have the best bookkeeper around at Three Acres." "In that case,I want a raise." Erin picked up her wine and sent Burke a challenging look. "A big one. Trevor?" Her voice was smooth, shimmering with Ireland as she addressed her son. "Do you have in mind to eat that pork chop or just use it for decoration?" "I'm reading the Racing Form, Ma." "His father's son," Erin muttered and snagged the paper from him. "Eat your dinner." He heaved a sigh as only a twelve-year-old boy could. "I think Topeka in the third, with Lonesome in the fifth and Hennessy in the sixth for the trifecta. Dad says Topeka's generous and a cinch tip." At his wife's long stare, Burke cleared his throat. "Stuff that pork chop in your mouth, Trev.Where's Jean?" "She's fussing with her hair," Mo announced, and snatched a french fry from Travis's plate. "As usual," she added with the worldly air only an older sister could achieve, "the minute she turned fourteen she decided her hair was the bane of her existence. Huh. Like having long, thick, straight-as-a-pin black hair is a problem. This-" she tugged on one of the hundreds of wild red curls that spiraled acround her face. "-is a problem. If you're going to worry about something as stupid as hair, which I don't.Anyway, you guys have to come over and see this weanling I have my eye on.He's going to be amazing.And if Dad lets me train him..." She trailed off, slanting a look at her father across the table. "You'll be in college this time next year," Burke reminded her. "Not if I can help it," Mo said under her breath.

Vielen Dank, meine Herren,” Franz Deutscher politely said. “Many thanks, my gentlemen.” Rudy climbed to his knees, did some gardening in his ear, and looked across at Tommy. Tommy closed his eyes, and he twitched. When they returned to Himmel Street that day, Liesel was playing hopscotch with some of the younger kids, still in her BDM uniform. From the corner of her eye, she saw the two melancholic figures walking toward her. One of them called out. They met on the front step of the Steiners’ concrete shoe box of a house, and Rudy told her all about the day’s episode. After ten minutes, Liesel sat down. After eleven minutes, Tommy, who was sitting next to her, said, “It’s all my fault,” but Rudy waved him away, somewhere between sentence and smile, chopping a mud streak in half with his finger. “It’s my—” Tommy tried again, but Rudy broke the sentence completely and pointed at him. “Tommy, please.” There was a peculiar look of contentment on Rudy’s face. Liesel had never seen someone so miserable yet so wholeheartedly alive. “Just sit there and—twitch—or something,” and he continued with the story. He paced. He wrestled his tie. The words were flung at her, landing somewhere on the concrete step. “That Deutscher,” he summed up buoyantly. “He got us, huh, Tommy?” Tommy nodded, twitched, and spoke, not necessarily in that order. “It was because of me.” “Tommy, what did I say?” “When?” “Now! Just keep quiet.” “Sure, Rudy.” When Tommy walked forlornly home a short while later, Rudy tried what appeared to be a masterful new tactic. Pity. On the step, he perused the mud that had dried as a crusty sheet on his uniform, then looked Liesel hopelessly in the face. “What about it, Saumensch?” “What about what?” “You know ….” Liesel responded in the usual fashion. “Saukerl,” she laughed, and she walked the short distance home. A disconcerting mixture of mud and pity was one thing, but kissing Rudy Steiner was something entirely different. Smiling sadly on the step, he called out, rummaging a hand through his hair. “One day,” he warned her. “One day, Liesel!

once on a yellow piece of paper with green lines he wrote a poem and he called it "chops" because that was the name of his dog and thats what it was all about his teacher gave him an A and a gold star and his mother hung it on the kitchen door and read it to his aunts. that was the year Father Tracy took all the kids to the zoo and he let them sing on the bus and his little sister was born with tiny nails and no hair and his mother and father kissed a lot and the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant and his father always tucked him in bed at night and was always there to do it once on a piece of white paper with blue lines he wrote a poem he called it "Autumn" because that was the name of the season and that's what it was all about and his teacher gave him an A and asked him to write more clearly and his mother never hung it on the kitchen door because of the new paint and the kids told him that Father Tracy smoked cigars and left butts on the pews and sometime they would burn holes that was the year his sister got glasses with thick lenses and black frames and the girl around the corner laughed when he asked her to go see santa claus and the kids told him why his mother and father kissed a lot and his father never tucked him in bed at night and his father got mad when he cried for him to do it once on a paper torn from his notebook he wrote a poem and he called it "Innocence: A Question" because that was the question about his girl and thats what it was all about and his professor gave him an A and a strange steady look and his mother never hung it on the kitchen door because he never showed her that was the year Father Tracy died and he forgot how the end of the Apostles's Creed went and he caught his sister making out on the back porch and his mother and father never kissed or even talked and the girl around the corner wore too much make up that made him cough when he kissed her but he kissed her anyway because it was the thing to do and at 3 am he tucked himself into bed his father snoring soundly that's why on the back of a brown paper bag he tried another poem and he called it "Absolutely Nothing" because that's what it was really all about and he gave himself an A and a slash on each damned wrist and he hung it on the bathroom door because this time he didn't think he could reach the kitchen

once on a yellow piece of paper with green lines he wrote a poem and he called it "chops" because that was the name of his dog and that's what it was all about his teacher gave him an a and a gold star and his mother hung it on the kitchen door and read it to his aunts. that was the year father tracy took all the kids to the zoo and he let them sing on the bus and his little sister was born with tiny nails and no hair and his mother and father kissed a lot and the girl around the corner sent him a valentine signed with a row of x's and he had to ask his father what the x's meant and his father always tucked him in bed at night and was always there to do it once on a piece of white paper with blue lines he wrote a poem he called it "autumn" because that was the name of the season and that's what it was all about and his teacher gave him an a and asked him to write more clearly and his mother never hung it on the kitchen door because of the new paint and the kids told him that Father Tracy smoked cigars and left butts on the pews and sometime they would burn holes that was the year his sister got glasses with thick lenses and black frames and the girl around the corner laughed when he asked her to go see santa claus and the kids told him why his mother and father kissed a lot and his father never tucked him in bed at night and his father got mad when he cried for him to do it once on a paper torn from his notebook he wrote a poem and he called it "innocence: a question" because that was the question about his girl and that's what it was all about and his professor gave him an a and a strange steady look and his mother never hung it on the kitchen door because he never showed her that was the year father tracy died and he forgot how the end of the apostles' creed went and he caught his sister making out on the back porch and his mother and father never kissed or even talked and the girl around the corner wore too much make up that made him cough when he kissed her but he kissed her anyway because it was the thing to do and at 3 am he tucked himself into bed his father snoring soundly that's why on the back of a brown paper bag he tried another poem and he called it "absolutely nothing" because that's what it was really all about and he gave himself an a and a slash on each damned wrist and he hung it on the bathroom door because this time he didn't think he could reach the kitchen

Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.

Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen. That was the poem I read for Patrick. Nobody knew who wrote it, but Bob said he heard it before, and he heard that it was some kid’s suicide note. I really hope it wasn’t because then I don’t know if I like the ending.

The next ten minutes or so passed in tense silence, as the clatter of the approaching army mounted ever louder in their ears. Juniper stood at the front center of the stage, trying to look tall and stern and regal. In truth, she knew that she looked short and scrubby, about as un royal as humanly possible in her chopped-off hair and sweat-stained britches. But attitude? That she could put out in wagonloads.

that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

Earlier, Susanne’s husband had detected a certain ticking in her, a bomb. He’d packed their children into the car and set out for a night of pizza and a double feature at the second-run movie theatre, leaving her alone to explode, splattering the house with a combination of things she’d ingested as a teen-ager, certain films and punk-rock records that confirmed what she’d guessed: one dies alone. Best to have her family out of the way. Best to have them hidden in a dark cinema when the desire to chop her hair roughly and live on cigarettes surged. These bursts of freedom, while infrequent, were dangerous. Their self-indulgence could tear holes in evenings, marriages, families. She’d been lost in the roar of the vacuum—a device that had the power to put her under a spell, into a trancelike state from which she could most easily contemplate the nature of the universe, the purpose of love, the purpose of death, and a fantasy she sometimes had of being bound nude to a parking meter in the city.

The weird thing is”—Simon wound a curl of her hair around his finger—“I was joking with Isabelle about vampires right before it all happened. Just trying to get her to laugh, you know? ‘What freaks out Jewish vampires? Silver stars of David? Chopped liver? Checks for eighteen dollars?’” Clary laughed. Simon looked gratified. “Isabelle didn’t laugh.” Clary thought of a number of things she wanted to say, and didn’t say them. “I’m not sure that’s Isabelle’s kind of humor.

Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.

Trying to figure out how to keep Sierra from breaking up with him. “At least I have a gun,” Sam said. His Remington rifle, which he kept in his trunk next to his police bag. Just in case. Because bear or not, living in the shadow of Glacier National Park, Sam knew to expect trouble. “Did you find her?” The voice ricocheted up the path and Sam turned. Grimaced. The frantic and desperate Quinn Starr, aka Romeo. About seventeen, with dark brown hair chopped

the Whitefish Golf Club, digging into a New York strip and a mound of garlic mashed potatoes. Trying to figure out how to keep Sierra from breaking up with him. “At least I have a gun,” Sam said. His Remington rifle, which he kept in his trunk next to his police bag. Just in case. Because bear or not, living in the shadow of Glacier National Park, Sam knew to expect trouble. “Did you find her?” The voice ricocheted up the path and Sam turned. Grimaced. The frantic and desperate Quinn Starr, aka Romeo. About seventeen, with dark brown hair chopped

Making her debut in 1947, Black Canary was the archetype of the new Film Noir era heroine. Originally, Black Canary was a mysterious female vigilante, who played the role of criminal in order to infiltrate the underworld and bring its gangsters to justice. A gorgeous blonde in a low cut black swimsuit, bolero jacket and fishnet tights, Black Canary was actually Dinah Drake, a florist who wore her black hair tied in a bun, and sensible, high-necked blouses. When trouble brewed, Dinah slipped into her fishnets and pinned on a blonde wig to become the gutsy, karate chopping Black Canary. But Dinah had another incentive to lead a secret life. A roguishly handsome private detective named Larry Lance became a frequent customer in Dinah’s florist shop. He had a knack for getting into trouble, and Dinah would usually end up switching into her Black Canary guise to rescue him.

She looked like a planetary: not tall, but her body bulky with high grav muscles, shoulders wide and sleeves of her coverall rolled up to show off sculpted forearms. She had a broad face with high, slanted cheekbones; coffee-dark eyes with a moderate fold, straight black hair chopped at the ear except for some longer locks, those dyed in fluttering streaks of red and gold.

Tonight's lesson was a breadcrumb cake, and the idea that so many Italian desserts were less about being impressive---as so many French recipes were---than about being resourceful. "After all," I said, "tiramisu is just cookies dipped in coffee and liqueur, layered with custard." For the breadcrumb cake, I walked them through how to make the breadcrumbs. "There's no sense in buying breadcrumbs, not in that quantity." We sliced the crusts off of the bread together, toasted the slices lightly, and ran the bread through the food processor. Afterward, we grated the dark chocolate, peeled and sliced the pears, cracked eggs, and measured cream. The thick batter came together quickly, and we placed them into the ovens. While the cakes baked, I walked them through the pasta fritta alla Siracusa, the angel-hair pasta twirls fried in a shallow amount of oil. We boiled up the pasta, then stirred together honey and candied orange before chopping pistachios and adding some cinnamon. One by one, they dropped the knotted pasta into the oil and cooked them on both sides. After draining them, we drizzled the honey mixture over the top, followed by a sprinkle of the pistachios and cinnamon. The process of frying the pasta bundles, one by one, kept everyone busy until the breadcrumb cakes finished baking.

Crowns don't make Queens nor define them. Like flowers, they are part of the Garden, an epitome of embrace.

I’m going to work awhile,” Austen said, still careful to see nothing, reaching for his sketches, realizing with sudden puzzlement that there were more of them than he recalled completing, there were many, many sketches, he sifted faster and more roughly, first the sphinxes and then men with the hindquarters and genitals of dogs, women with alligator heads, children plucking tunes on the bones of their mothers with the spines of dead fish in their hair, and then things both wilder and less definable, things that resisted all possible categorization, things that might have come from places where the elements are blood and acid, where fire is air and air is a trustless medium to be molded or shrunk or banished by whim; he had no memory of any of these creatures, none of them with their small tilted eyes and smiling chops, none.

I finish chopping off her hair and pull her ponytail away from her head, holding it up as her fingers finally stop trying to hit me and go to the scalp short strands of her head, pulling at them in horror. "Let this be a lesson to you, Kate," I say, waving the hair I have in my grip before her face.

hate this. I miss my husband so much I can’t even breathe, and all I’m supposed to do is just get on with things, be a grown-up. I don’t want to. I want to stand up on top of a building and scream about it. I want to slice my body, chop off all my hair, something to show how much it hurts.

We already signed the agreement, sweetheart. Xander is a very wealthy man who’ll look after you.” I fight against the twist in my gut. “Why do you think my hair is blonde now? He’s a controlling ass. He thinks I need to lose weight and says I’m to stay silent unless spoken to. He’s a sexist pig who needs his balls chopped off.

With the cocky smile she had taken for her stage persona, she looked the audience in the eye as she chopped out rhythms, bounded up on Lisa’s drum rises, down to rejoin Monica at the microphone for a chorus, down again to the dance floor to play a lead break among the club’s patrons. Her spandex was soaked by the middle of the first set, her hair wilting in spite of its coating of spray, but still she moved with energy, grinning with a surety and an openness that would have startled her fellow students at the harpers’ school.

You just rest,” I said quietly, stroking her hair. “Okay,” she agreed sleepily. “I don’t know why I’m so tired.” I do, I thought to myself.     Wrestling with God is hard work.

I was a busy child and never grew out of it, so I was moving fast as usual when I passed Jep that day on my way out of Connie Sue’s salon. But not too fast to notice his thick dark hair, cut just above his ears and brushed back, with sexy Elvis chops on the sides. He had deep green eyes, a strong jaw, and a small, dark soul patch under his bottom lip that stood out against his tanned skin. Our eyes locked, and I was mesmerized. His steps slowed, and he tilted his head down a little, smiled a sweet smile, and said, “Hey.” Did I mention the dimples? He had the cutest dimples I’d ever seen. My heart seriously skipped a beat, although I tried not to let it show. (I always tell him he had me at “hey,” and that’s no joke.) “Hey,” I said back. I wish I could tell you I said something original and witty, but that’s all I could come up with. A nod and a “hey.” Then he was gone. Who is he? Jep was twenty-two, I was twenty, and somehow we’d grown up in the same town and never met each other. And even though we were young, we both already had complicated lives. We had experienced pain, guilt, betrayal, and brokenness. But in that moment, none of it mattered. Not one bit.

We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My

Well, go in,” said Pandora. “It’s open to the public.” “So, for once, we won’t have to destroy private property,” Uncle Mort said, opening the door. “Look how far we’ve come, gang—” A shriveled, bony fist punched him in the face. Since there wasn’t much force behind the blow, however, it just sort of shoved him off balance for a second. Uncle Mort rubbed his cheek, as if he’d been stung by a mosquito. “Ow.” “Don’t you dare come in here!” a little man in a bow tie and suspenders yelled. He stared out at them from behind a pair of humongous old-man glasses, his wispy white hairs quivering as he shouted. When the Juniors came in anyway, he got even angrier. “Don’t you dare take another step!” They took another step. “Don’t you dare—” “Turlington!” Pandora blared, holding up a balled fist of her own. “You shut that pie hole of yours or I’ll stuff it with a hearty slice of knuckle cobbler!” “Knuckle cobbler?” Lex whispered to Driggs. “Good name for a band,” he replied. The man almost fainted. “Pan—Pandora?” “Damn straight!” She puffed out her chest and trapped him up against the wall. “Now, you’re going to let these friends of mine bunk here for the evening, and you’re going to be real nice and real pleasant about it, and above all, you’re not even going to think of ratting us out. Got it?” “Yes, yes,” he said, shaking. “Whatever you need. I think I might even have some pillows and blankets left over from the last overnight camp, in the closet behind the—” Pandora karate-chopped the side of his head. The Juniors watched as he went down like a sack. “What’d you do that for?” Uncle Mort asked once the poor man stopped twitching. “He would have ratted,” Pandora said with confidence. “Old Turly was my partner for a brief stint back in our younger days. Thick as thieves, we were. But he’s a squirrelly bastard, I know that much.” “So are you,” Uncle Mort pointed out. “That’s why we were such good friends!” Uncle Mort stared at her for a moment more, then rubbed his eyes. “Okay. Fine. Make yourselves at home, kids. Just step right on over the unconscious senior citizen.

Rachel . . .” He ran a nervous hand through his hair and paused for a second, as if trying to figure out what to say. “The school year is about to end and you’ll be going back to Cali over the summer. I feel like I’m about to miss any chance with you I may have. And I don’t want to. I know you liked me when we were growing up. But, Rach, you were way too young back then.” “I’m still five years younger; that hasn’t changed.” He smirked. “You and I both know a relationship between a thirteen-year-old and eighteen-year-old, and a twenty-one- and twenty-six-year-old are completely different.” So? That doesn’t help my argument right now. “Well, you and I have both changed over the last eight years. Feelings change—” “Yes.” He cut me off and his blue eyes darkened as he gave me a once-over. “They do.” I hated that my body was responding to his look. But honestly, I think it’d have been impossible for anyone not to respond to him. Like I said. Adonis. “Uh, Blake. Up here.” He smiled wryly, and dear Lord, that smile was way too perfect. “Look, honestly? I have an issue with the fact that you’re constantly surrounded by very eager and willing females. It’s not like I’d put some claim on you if we went on a couple dates, but you ask me out while these girls are touching you and drooling all over you. It’s insulting that you would ask me out while your next lay is already practically stripping for you.” His expression darkened and he tilted his head to the side. “You think I’m fucking them like everyone else?” Ah, frick. Um, yes? “If you are, then that’s your business. I shouldn’t have said that, I’m sorry. But whether you are or not, you don’t even attempt to push them away. Since you moved here, I’ve never seen you with less than two women touching you. You don’t find that weird?” Was I really the only person who found this odd? Suddenly pushing off the wall he’d been leaning against, he took the two steps toward me and I tried to mold myself to the door. A heart-stopping smile and bright blue eyes now replaced his darkened features as he completely invaded my personal space. If he weren’t so damn beautiful I’d have karate-chopped him and reminded him of personal bubbles. Or gone all Stuart from MADtv on him and told him he was a stranger and to stay away from my danger. Instead, I tried to control my breathing and swallow through the dryness in my mouth. “No, Rachel. What I find weird is that you don’t seem to realize that I don’t even notice those other women or what they’re doing because all I see is you. I look forward to seeing you every day. I don’t think you realize you are the best part of my weekdays. I moved here for this job before I even knew you and Candice were going to school here, and seeing you again for the first time in years—God, Rachel, you were so beautiful and I had no idea that it was you. You literally stopped me in my tracks and I couldn’t do anything but watch you. “And you have this way about you that draws people to you . . . always have. It has nothing to do with how devastatingly beautiful you are—though that doesn’t hurt . . .” He smirked and searched my face. “But you have this personality that is rare. And it bursts from you. You’re sweet and caring, you’re genuinely happy, and it makes people around you happy. And you have a smile and laugh that is contagious.” Only men like Blake West could get away with saying things like that and still have my heart racing instead of making me laugh in their faces. “You’re not like other women. Even though these are the years for it, you don’t seem like the type of girl to just have flings, and I can assure you, that’s not what I’m into, nor what I’m looking for with you. So I don’t see those other women; all I’m seeing is you. Do you understand that now?” Holy shit. He was serious? “Rachel?” I nodded and he smiled. “So, will you please let me take you out this weekend?” For

chest. Speaking of chests, hers fits politely inside her shirt, two nicely rounded lady bumps. ========== Mis recortes - Tu subrayado en la posición 66-68 | Añadido el sábado, 2 de mayo de 2015 23:39:29 Madison is my opposite in every way. I wear my hair loose like a curtain to hide behind –the longer, the better. Madison’s is cropped close to her shoulders in a sleek bob that she threatens to chop on a regular basis. ========== Mis recortes - Tu subrayado en la posición 65-65 | Añadido el sábado, 2 de mayo de 2015 23:39:43 She has soft, delicate features, high cheek bones, a full mouth and pretty wide-set eyes. She’s lovely. ========== Mis recortes - Tu subrayado en la posición 63-63 | Añadido el sábado, 2 de mayo de 2015 23:40:58 Her eyes are a mesmerizing shade of green and her hair looks faintly red when it catches the ========== Mis recortes - Tu subrayado en la posición 61-62 | Añadido el

Madison is my opposite in every way. I wear my hair loose like a curtain to hide behind –the longer, the better. Madison’s is cropped close to her shoulders in a sleek bob that she threatens to chop on a regular basis.

oozed power and sex appeal. ========== The Impact of You (Kendall Ryan) - Tu subrayado en la página 14 | posición 203-203 | Añadido el domingo, 26 de abril de 2015 23:05:30 Her eyes are a mesmerizing shade of green and her hair looks faintly red when it catches the ========== The Impact of You (Kendall Ryan) - Tu subrayado en la página 14 | posición 203-204 | Añadido el domingo, 26 de abril de 2015 23:05:46 light. She has soft, delicate features, high cheek bones, a full mouth and pretty wide-set eyes. She’s lovely. ========== The Impact of You (Kendall Ryan) - Tu subrayado en la página 22 | posición 330-331 | Añadido el domingo, 26 de abril de 2015 23:23:24 Madison is my opposite in every way. I wear my hair loose like a curtain to hide behind –the longer, the better. Madison’s is cropped close to her shoulders in a sleek bob that she threatens to chop on a regular basis. ========== The Impact of You (Kendall Ryan) - Tu subrayado en la página 22 | posición 331-333

Dragon’s breath billowed across the peaks of Feldall Forest, waves of green flame bursting into tongues of orange and red as it caught the trees in its path. The creature swooped, serrated wings chopping down the blazing tree-tops to spread the flames along the forest floor. Its scream shook the earth and set the horses to panic, but the three riders held their position along the edge of the tree line. Lady Jasmine of Feldall cursed as her black Friesen, Nalen, reared, and she struggled to stay in her seat. Tendrils of dark brown hair fluttered in her face and she puffed out a breath to clear her vision. This dragon had plagued their lands for months, terrorizing the skies as well as their cattle—what little remained of the herds after a three month drought. Whatever fate had brought the beast out to play while she, Jayden, and Corey were cleaning up the damage he’d done, this was the closest they’d come to ridding themselves of at least one plight. If only Corey would take the shot.

Oh, my,” she breathed. “She’s here?” he asked unnecessarily, refusing to look. Resisting temptation. “I’m assuming it must be her; I pretty much know everyone else in the room.” There was a short silence as she inspected the newcomer thoroughly. “My heavens, I didn’t realize scientists came like this. She’s simply . . . magnificent.” “There’s not one thing that’s simple about Lily Banyon.” Evelyn’s eyes were still focused on the other end of the room. “Hmm, I think I see what you mean.” A smile played over her lips. “How utterly refreshing and fascinating—you’ll have your work cut out for you. Come, Mayor McDermott, duty calls.” “I don’t need to meet her. I already know her. Too well.” Evelyn made a tsking sound. “My, my, don’t we sound like we’ve missed our afternoon nap?” she murmured as she brushed by him, assuming the role of Coral Beach’s welcome wagon, fully equipped with bells, whistles, and highlighters. His secretary had abandoned him for the enemy. How much worse could things get? A clause should be inserted into their contracts prohibiting secretaries from treating their bosses as though they were three-year-olds. Had there been dirt instead of mocha-colored industrial carpeting underfoot, he’d have kicked it. It wasn’t anyone’s business but his if he refused to rush over and blurt, Hey, Lily, long time no see! So, tell me, what’ve you been up to since Rome, when you slammed the door in my face so hard you almost broke my nose for the second time? He was the mayor. He could do as he liked. And what he most wanted, right after making Lily Banyon disappear from his life as suddenly as she’d reappeared, was an armed guard. Then maybe he could confront her and walk away in one piece. Reluctantly, Sean turned and looked. Three seconds was all he permitted himself. Lily Banyon wasn’t going to catch him staring like some hormone-crazed adolescent. Three seconds was more than enough, though. Lily’s image burned, a brilliant flame behind his retinas. She looked good. No, make that great, incredible . . . yes, magnificent. She’d chopped off her hair, about a foot and a half of it. Her wheat-blonde locks fell in a casual, tousled style, framing her face, accentuating those startling, ice-crystal blue eyes. She looked even better than he remembered, a memory hot enough to make him lie awake at night, aching.

When America Cuts My Daughter’s Hair" every chair in the strip mall salon where she rents a little space of her own reflects a face waiting to make a change. Another mother next to me rips an ad for the full Hollywood wax & here the best graffiti: DON’T DO DRUGS, BE SAD. They’ll grow back, my own mom on the bangs I butchered more than once. Do you think America is pretty? This skinny blonde kid who never really has to ask if she is, asks me as we walk more hot city blocks because by now we’ve chopped the pecans to protect the power lines. I think America is pretty. A pierced Xicana with one side of her own do done in deep brown waves, the other buzzed tight & dyed a bright chemical green. America fits the description & when she’s done holds up her small mirror in the big one turning my girl around so she can see herself. You can call me Erica, she says if you like, but we like America better here.

An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)

She unwrapped the lamb chops from their white butcher paper and peeled a few potatoes and opened a can of peas. Her father came in with the newspaper under his arm and then swatted her on the hip with it as he went to the table to sit down. And then Jimmy came in still wearing his overcoat to say, “What’s this? What’s this?” And then told their father with his hands on his hips that George was taking “our miss here” out to dinner. And her father lowered the paper and smiled at her—his round, florid face and his sparse white hair which he no longer bothered to slick down with water or tonic, being mostly housebound and hardly out of his slippers all week long—and only began to pout a little, Jimmy too, when she set the plate of lamb chops and the mint jelly and the mashed potatoes and peas in their bowls on the table and then pulled off her apron and said, “I’m just going to take a shower.” “Be sure to put it back,” Jimmy said

What else do I see? Packs of dogs, heads hovering low, roam the periphery of things. The long-standing human-canine alliance has been irretrievably severed, I’m sincerely sorry to report—the gnawed bones and matted chunks of hair scattered along the shores of Lost Lagoon testify to this. It’s sad, but then again those plump collies and German shepherds don’t seem too weighed down by nostalgia for bone-shaped vegan treats and belly rubs from the opposably-thumbed as they wander about, licking their chops. Anyway, it’s not their fault. We’re the ones who broke the deal.

Can I expect to do something useful with you today, or will it be more sitting and growling and glaring? Or will I just wind up chopping wood for hours on end?” He merely stared into the hall and she followed, still braiding her hair.

At least I brought lube,” Morgan says against my ear, thrusting in and out, as I try to pretend I’m anywhere else. “I made this feel good, and you fucking bit me?” he hisses acidly against my ear. “I want this to feel good for you, baby. I didn’t have to hit you if you’d just kissed me instead of trying to bite me,” he says, his thrusts building speed. “I want you to come. I want you to know it was me who made you come. I want you to close your eyes for the rest of the night and see me thrusting in and out of you even when it’s not my turn.” My stomach roils, and I swallow back the vomit. “You’re going to love every second I’m inside you.” He moves my hair to the side. “Just remember I could have stopped all this if you’d stopped fighting me a long time ago.” He stills inside me, shuddering his release. I stare blankly at the side as he runs his lips along my neck. I’m drenched from the lube, and the pain is more bearable, but to keep from crying, I picture someone riding in to save us. They’ll start by chopping his head off while he’s inside me.

We had a wretched singer once, a guest from a Canadian congregation, a hulking blond girl with chopped hair and big shoulders, who wore tinted spectacles and a long lacy dress, and sang, grinning to faltering accompaniment, an entirely secular song about mountains. Nothing could have been more apparent than that God loved this girl...

I did," Ace says. "I think Ms. Manning will be pleased to know that her daughter suffered before she died.” Corina steps out from behind him. My expression goes slack with shock. She's cleaned her face, removed all evidence of her earlier crocodile tears—if what my memory is telling me is true. She's redressed in a black pencil skirt and heels that flash red on the bottoms as she makes her way towards me. Her makeup is perfectly applied once more—black eyeliner and red lipstick to match the rest of her. Her hair has been pulled back into a high ponytail, and I suddenly have the urge to do to her what I did to Kate. No. I have the urge to do far worse than simply make her piss herself as I chop off her hair. I’d rather take a blade to her motherfucking throat and let her drown in her own blood.

SALMON WITH ANGEL HAIR PASTA 3/4 bottle dry white wine 5 lemons (and zest) 1/2 cup fresh dill, roughly chopped 1 pint heavy whipping cream 4 8-ounce salmon filets 500 grams angel hair pasta 1/4 cup sundried tomatoes, julienned 1 4-ounce jar capers

I've been waiting for you to use your gavel all evening, Your Honor." God, please, no! Those were the last words on earth Vansh ever, ever, wanted to hear his oldest sister say to her judge husband. Ever. Yash, who was generally not the sort of guy who snorted with laughter, snorted with laughter so violently that Nisha and Neel jumped apart like someone had fired a cannon. Nisha's hands pressed into her face. "No. No. Nononono. What the hell are you all doing here?" "Not waiting for Neel to use his gavel, that's for sure," Yash said, still howling like a hyena. Which, to be fair, Vansh was doing as well. Nisha charged at Yash. Neel grabbed her around her waist. As a circuit court judge (with a gavel), Neel obviously saw enough crazy shit on a daily basis that he was entirely unfazed by any Raje family shenanigans. He held Nisha in check while laughing into her hair, and in the end she broke down and started laughing too, embarrassed though the laughter was. "If either one of you tells anyone, I'm going to chop you into little pieces and pass you through a mulch shredder," their sister threatened. "Who let her watch Fargo?" Vansh asked, and Neel looked heavenward.

An intellectual will be consistent. An intelligent person will be very paradoxical. An intellectual will be logical, in fact too logical – hair-splitting, logic-chopping. An intelligent man is not logical; he is simply real – and reality is paradoxical. He has no fixed ideas to force on reality. He has no fixed modes to force on reality. He is flexible, fluid, like water. He is ready to move with reality. Whatsoever shape the reality gives to him, he is available. He never says no.

Lula is two inches shorter than me and has a lot more volume. Much of the volume is in boobs and booty, giving her a voluptuousness that would be hard to duplicate with surgery. Lula achieved her voluptuousness the old-fashioned way. Pork chops, fried chicken, biscuits and gravy, tubs of mac and cheese and potato salad, barbecue ribs, chili hot dogs. Her hair was magenta today. Her skin is polished mahogany. Her dress and five-inch stiletto heels are from her Saturday night ’ho collection and two sizes too small. The overall effect is spectacular, as usual. I

Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window. There was a dull, repetitive sound coming from out there. It was Mr. Rhodes. Chopping wood. Shirtless. And I mean shirtless. I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality. If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window. A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin. His biceps were big and supple. Shoulders rounded. His forearms were incredible. And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular. He was the DILF to end all DILFs. My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job. Kaden’s physique had nothing on Mr. Rhodes though. My mouth watered a little more. I whistled. And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately. Busted. I waved. And inside… inside, I died. He lifted his chin. I backed away, trying to play it off. Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah. A girl could dream. I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame. Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life. So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house. I wasn’t that lucky. He had a shirt on, but that was the only difference. Darn.

The silver lining is that people have stopped busting my chops. I confronted Dad about the phone calls, and I check in every day, and he says they’ve stopped. I have no idea if he’s blowing smoke up my ass or not, but he seems more chill. Then there’s the added bonus that having Cash around drives Toby nuts. The downside is that Toby’s decided to turn up the PDA with his new girl, Samantha, to twelve. And I don’t care. I really, really don’t. I don’t want him back. I don’t miss feeling the way I felt with him—at all. But I know he’s doing it to mess with me, even though he’d never admit it, probably not even to himself. I have to act like it’s fine. I’m chill. And that’s too much like how it was being in a relationship with him. Playing it cool reminds me of how long I had shit in my mouth and didn’t say a word. So I’m constantly flustered, clumsy, hot, and cranky. I can’t possibly seem like a woman with a new boyfriend, but people buy it ‘cause Cash Wall says it’s so. And of course, if he showed the slightest bit of interest in me—out of guilt or pity or whatever—I’d fall over myself saying yes, please, sign me up. And that’s exactly what it looks like I did. It sucks, and tonight, Cash wants to take it to the next level. It’s Friday, and he’s taking me out on our first fake date. We’re going to Birdy’s Bar. Everyone under thirty goes to Birdy’s on Friday night. I’ve never been. I’m getting ready. On the one hand, I don’t want Cash to think I’m putting forth an effort. On the other, I don’t want everyone in town to gawk at me all night, thinking I really need to put forth more effort. So, I’m wearing a teal, silk cami and my best-fitting jeans. I swapped my nose ring out for a diamond stud and curled my hair in big, beachy waves. I’m going the whole nine yards with primer and foundation and concealer and bronzer and blush and highlighter and powder and setting spray. Toby would hate it. Goes against his oft-stated “natural beauty” preference. It’s been so long since I’ve done my face in

At age fifteen, when I accompanied my mother and her three sisters to see the movie premiere of Waiting to Exhale, I knew what it meant, then, when Bernadine, after being newly separated from her cheating husband, went to the hairdresser and asked her stylist to chop off nearly every inch of her beautiful luxurious mane. Even though I didn’t have the emotional maturity to understand the devastation of losing a marriage, I knew how much effort it took to grow that length and thickness of hair and keep it beautiful. I knew how much Black women and girls envied having long, thick hair in a world where white women’s ability to grow and regrow hair like weeds was the standard of beauty. Chopping it all off meant she was going through something exceedingly terrible.

When Delilah learned that Samson’s hair was the source of his strength, she chopped it off while he was sleeping and rendered him powerless. As I studied my reflection in the mirror, it occurred to me that maybe Samson’s hair wasn’t his source of strength; maybe it was a symbol of his strength. And maybe when Delilah cut off his hair, he didn’t lose his power because he lost his hair; he just woke up the next morning and looked in the mirror, and suddenly for the life of him couldn’t remember who he was.

Master Văn had developed a method of self-defense called Kick-Poke-Chop. The main idea is that when a man tries to punch you and harm you seriously, you back away, block his punches with your arms, gather your momentum, and then kick him straight in his groin. While he crouches down in pain, you grab his hair, knee him in his face, then use your arm to deliver a thundering chop to his neck.

flesh. At first he seemed quite ordinary looking. Not particularly tall, pale, dark hair, a shadow of stubble, but when Emily forced herself to look into his eyes – and she felt she had to – she was startled by their brightness. They saw, she was certain, absolutely everything. It made him terrifying. He picked up some parsley between finger and thumb and grunted. Then he moved on and she went back to her work. She sighed with relief. When she’d finished picking the parsley over she would wash it, making sure not even an atom-sized speck of grit remained. Then she’d dry it and put it in the walk-in fridge. When not a drop of moisture remained she would chop it so there was a small

he’d have me wash whatever ingredients were on hand—potatoes, eggplant, lentils, tomatoes, fresh peppers—before meticulously chopping everything up himself and throwing it with a knob of butter into the small pot we’d brought from Gebze. This was then placed on the gas stove over a low flame. It was my responsibility to watch this pot until sunset, making sure its simmering contents didn’t stick.