Signal Phrases Quotes

Our revolution is not a public-speaking tournament. Our revolution is not a battle of fine phrases. Our revolution is not simply for spouting slogans that are no more than signals used by manipulators trying to use them as catchwords, as codewords, as a foil for their own display. Our revolution is, and should continue to be, the collective effort of revolutionaries to transform reality, to improve the concrete situation of the masses of our country.

Virtue signaling' is a phrase the dim and bigoted use when they want to discount other people expressing the idea that it would be nice if we could all be essentially and fundamentally decent to each other.

There is little joy in those first moments of recognition- for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground in the path of this stranger, it's the depth of such sincerity that paralyses you, holds you back from the silence of phrases like "hello" and "good morning." And as they pass, granting only single, torturous details like fingers upon the handle of an umbrella, or a hair pin bearing the weight of a twist, or a wool collar beaded with pearls of rain- there is only one thing you could ever say that would be true, that would make them stop walking and turn to face you. But such a thing is unsayable.

There are no new stories in the world anymore, and no more storytellers. There is nothing left but fragments of phrases that signaled their telling: once upon a time; why; and then; the end. But these phrases have lost their meanings through endless repetition, like everything else in this modern, mechanical age. And this machine age has no room for stories. These days we seek our pleasures out in single moments cast in amber, as if we have no desire to connect the future to the past. Stories? We have no time for them; we have no patience.

Just curious? That's a bullshit phrase.” “It's a simple question. How long—” “No, it's a signal that bullshit is about to follow. It's the hat that bullshit puts on before it goes out to get the paper.

If T. S. Eliot had stayed in St Louis, he would never have held that April was the cruelest month. Well, unless he was a Browns fan. At this moment, in the ragged middle of February, it begins: beneath the snow, roots quicken. In the Deep South, already trees begin to bud. And all over the land – indeed, all over the world, in Japan, in the Caribbean, in Australia – a certain class of mammal, fubsy, amiable, sweet-natured, begins to twitch and wake from hibernation: the baseball fan. Is it the lengthening of the days? Is it some subtle signal that causes them to begin to emerge from a stupor only lightly disturbed by meetings of the Hot Stove League? Naw. It is the magic phrase, ‘pitchers and catchers to report….

I saw exactly one picture of Marx and one of Lenin in my whole stay, but it's been a long time since ideology had anything to do with it. Not without cunning, Fat Man and Little Boy gradually mutated the whole state belief system into a debased form of Confucianism, in which traditional ancestor worship and respect for order become blended with extreme nationalism and xenophobia. Near the southernmost city of Kaesong, captured by the North in 1951, I was taken to see the beautifully preserved tombs of King and Queen Kongmin. Their significance in F.M.-L.B. cosmology is that they reigned over a then unified Korea in the 14th century, and that they were Confucian and dynastic and left many lavish memorials to themselves. The tombs are built on one hillside, and legend has it that the king sent one of his courtiers to pick the site. Second-guessing his underling, he then climbed the opposite hill. He gave instructions that if the chosen site did not please him he would wave his white handkerchief. On this signal, the courtier was to be slain. The king actually found that the site was ideal. But it was a warm day and he forgetfully mopped his brow with the white handkerchief. On coming downhill he was confronted with the courtier's fresh cadaver and exclaimed, 'Oh dear.' And ever since, my escorts told me, the opposite peak has been known as 'Oh Dear Hill.' I thought this was a perfect illustration of the caprice and cruelty of absolute leadership, and began to phrase a little pun about Kim Jong Il being the 'Oh Dear Leader,' but it died on my lips.

Here is some insight: when you hear reporters use propaganda words and phrases like these, it often signals that you should take a second look at the information they are presenting and ask yourself—Who might be pushing a narrative?

There is, however, one way of speaking that I've tried to avoid. Rather than refer to someone as "a homosexual," I've taken care always to make "gay" or "homosexual" the adjective, and never the noun, in a longer phrase, such as "gay Christian" or "homosexual person." In this way, I hope to send a subtle linguistic signal that being gay isn't the most important thing about my or any other gay person's identity. I am a Christian before I am anything else. My homosexuality is a part of my makeup, a facet of my personality. One day, I believe, whether in this life or in the resurrection, it will fade away. But my identity as a Christian - someone incorporated into Christ's body by his Spirit - will remain.

How many times had she heard women in New York - maybe women everywhere, for all she knew - speak lyrically of how they wouldn't see friends for months, perhaps even years, and then it was as though they had never been apart. "Picked up where we left off" was the common phrase. It was supposed to signal some magical communion, but if you looked it right in the eye, it came down to this: the kinds of people they considered friends they might not even actually see for a long long time.

There is a phrase from World War I describing warfare as “months of boredom punctuated by moments of terror.” The same applies to long spacecraft missions. And it was a long and frankly terrifying hour as they awaited the hoped-for signal to return from New Horizons.

I put a video out,” Alex said, “a message to Trump. And then two days later he lays out the case. It’s like sending up the Bat Signal.” Was this true? It seemed unlikely, but when I got home I discovered that journalists had indeed spotted several occasions where Alex had said something on his show and Trump had said the same thing — right down to the peculiar phrasing — soon after.

Every year there was an important poetry contest at the fair of ‘Ukaz, just outside Mecca, and the winning poems were embroidered in gold on fine black cloth and hung on the walls of the Kabah. Muhammad’s followers would, therefore, have been able to pick up verbal signals in the text that are lost in translation. They found that themes, words, phrases, and sound patterns recurred again and again—like the variations in a piece of music, which subtly amplify the original melody, and add layer upon layer of complexity. The Qur’an was deliberately repetitive; its ideas, images, and stories were bound together by these internal echoes, which reinforced its central teaching with instructive shifts of emphasis. They linked passages that initially seemed separate, and integrated the different strands of the text, as one verse delicately qualified and supplemented others. The Qur’an was not imparting factual information that could be conveyed instantaneously. Like Muhammad, listeners had to absorb its teachings slowly; their understanding would grow more profound and mature over time, and the rich, allusive language and rhythms of the Qur’an helped them to slow down their mental processes and enter a different mode of consciousness.

1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).

When you know what to look for, spotting a lie is pretty easy. You see it in the fidgets and sudden head movements or sometimes, when the person is overcompensating, through no movements at all. In how their breathing changes, or how they provide too much information, repeating phrases and offering up irrelevant details. In the way they shuffle their feet or touch their mouths or put a hand to their throats. It’s basic psychology, physical signals that the body doesn’t agree with the words coming out of its mouth.

Ditch the hedges. When the goal is to convey confidence, avoid words and phrases like “may,” “could,” and “in my opinion,” which suggest that things, and the people saying them, are uncertain Use definites. Rather than hedging, use definites instead. Words like “definitely,” “clearly,” and “obviously,” which suggest whatever was said isn’t just an opinion, it’s an irrefutable truth. Don’t hesitate. Ums and uhs are natural parts of speech, but too many of them can undermine people’s confidence in us and our message. So cut the fillers. To decrease hesitations, plan what to say in advance or pause to collect your thoughts when needed. Turn pasts into presents. Using the present tense can communicate confidence and increase persuasion. So to signal certainty, rather than using past tense (e.g., “I loved that book”), use present tense (e.g., “I love that book”) instead.

We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY? These days, however, I am much calmer-since I realized that it's technically impossible for a woman to argue against feminism. Without feminism, you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor-biting down on a wooden spoon so as not to disturb the men's card game-before going back to hoeing the rutabaga field. This is why those female columnists in the Daily Mail-giving daily wail against feminism-amuse me. They paid you 1,600 pounds for that, dear, I think. And I bet it' going into your bank account and not your husband's. The more women argue, loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges. Because for all that people have tried to abuse it and disown it, "feminism" is still the word we need...We need the only word we have ever had to describe "making the world equal for men and women". Women's reluctance to use it sends out a really bad signal. Imagine if, in the 1960's, it had become fashionable for black people to say they "weren't into" civil rights. "No, I'm not into Civil Rights! That Martin Luther King is too shouty. He just needs to chill out, to be honest." But then, I do understand why women started to reject the word feminism. It ended up being invoked in so many baffling inappropriate contexts that you'd presume it was some spectacularly unappealing combination of misandry, misery, and hypocrisy, which stood for ugly clothes, constant anger, and, let's face it, no fucking...Feminism has had exactly the same problem that "political correctness" has had: people keep using the phrase without really knowing what it means.

When we say that the Negro wants absolute and immediate freedom and equality, not in Africa or in some imaginary state, but right here in this land today, the answer is disturbingly terse to people who are not certain they wish to believe it. Yet this is the fact. Negroes no longer are tolerant of or interested in compromise. American history is replete with compromise. As splendid as are the words of the Declaration of Independence, there are disquieting implications in the fact that the original phrasing was altered to delete a condemnation of the British monarch for his espousal of slavery. American history chronicles the Missouri Compromise, which permitted the spread of slavery to new states; the Hayes-Tilden Compromise, which withdrew the federal troops from the South and signaled the end of Reconstruction; the Supreme Court' compromise in Plessy v. Ferguson, which enunciated the infamous "separate but equal" philosophy. These measures compromised not only the liberty of the Negro but the integrity of America. In the bursting mood that has overtaken the Negro in 1963, the word "compromise" is profane and pernicious.

Suddenly I'd had Enough and this was no turn of phrase but a warm body, nervous, with a constitution I could count on like a younger brother. That's when I told my mother: on the other side it's really underdeveloped. We're going back. Really, I said: I want to go back, not possible unless Mummy who is part of me comes too. We wait in the empty street at the stop for Lethe, the only bus that runs both ways. My mother is losing patience. The bus doesn't come. It's not easy to wait for a bus you've heard is the only one that runs both ways. I check the guidebook. Neither Canto XIV of the Iliad nor Canto XI of the Odyssey mentions the place. Just what you'd expect for Lethe I tell myself. Naturally forgetfulness attracts attention to itself by means of absence and omission. But for my mother the bus not turning up is the theme of her nightmares. I explain that in this country one comes along every quarter of an hour...To signal to the vehicle that one wishes to board Oblivion Return one must fan open the grille by pressing a button and lighting up the small lantern on the top of the archway, which I did. It's the one gleam of hope in this world.

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

Hyphen This word comes from two Greek words together meaning ‘under one’, which gets nobody anywhere and merely prompts the reflection that argument by etymology only serves the purpose of intimidating ignorant antagonists. On, then. This is one more case in which matters have not improved since Fowler’s day, since he wrote in 1926: The chaos prevailing among writers or printers or both regarding the use of hyphens is discreditable to English education … The wrong use or wrong non-use of hyphens makes the words, if strictly interpreted, mean something different from what the writers intended. It is no adequate answer to such criticisms to say that actual misunderstanding is unlikely; to have to depend on one’s employer’s readiness to take the will for the deed is surely a humiliation that no decent craftsman should be willing to put up with. And so say all of us who may be reading this book. The references there to ‘printers’ needs updating to something like ‘editors’, meaning those who declare copy fit to print. Such people now often get it wrong by preserving in midcolumn a hyphen originally put at the end of a line to signal a word-break: inter-fere, say, is acceptable split between lines but not as part of a single line. This mistake is comparatively rare and seldom causes confusion; even so, time spent wondering whether an exactor may not be an ex-actor is time avoidably wasted. The hyphen is properly and necessarily used to join the halves of a two-word adjectival phrase, as in fair-haired children, last-ditch resistance, falling-down drunk, over-familiar reference. Breaches of this rule are rare and not troublesome. Hyphens are also required when a phrase of more than two words is used adjectivally, as in middle-of-the-road policy, too-good-to-be-true story, no-holds-barred contest. No hard-and-fast rule can be devised that lays down when a two-word phrase is to be hyphenated and when the two words are to be run into one, though there will be a rough consensus that, for example, book-plate and bookseller are each properly set out and that bookplate and book-seller might seem respectively new-fangled and fussy. A hyphen is not required when a normal adverb (i.e. one ending in -ly) plus an adjective or other modifier are used in an adjectival role, as in Jack’s equally detestable brother, a beautifully kept garden, her abnormally sensitive hearing. A hyphen is required, however, when the adverb lacks a final -ly, like well, ill, seldom, altogether or one of those words like tight and slow that double as adjectives. To avoid ambiguity here we must write a well-kept garden, an ill-considered objection, a tight-fisted policy. The commonest fault in the use of the hyphen, and the hardest to eradicate, is found when an adjectival phrase is used predicatively. So a gent may write of a hard-to-conquer mountain peak but not of a mountain peak that remains hard-to-conquer, an often-proposed solution but not of one that is often-proposed. For some reason this fault is especially common when numbers, including fractions, are concerned, and we read every other day of criminals being imprisoned for two-and-a-half years, a woman becoming a mother-of-three and even of some unfortunate being stabbed six-times. And the Tories have been in power for a decade-and-a-half. Finally, there seems no end to the list of common phrases that some berk will bung a superfluous hyphen into the middle of: artificial-leg, daily-help, false-teeth, taxi-firm, martial-law, rainy-day, airport-lounge, first-wicket, piano-concerto, lung-cancer, cavalry-regiment, overseas-service. I hope I need not add that of course one none the less writes of a false-teeth problem, a first-wicket stand, etc. The only guide is: omit the hyphen whenever possible, so avoid not only mechanically propelled vehicle users (a beauty from MEU) but also a man eating tiger. And no one is right and no-one is wrong.

Activist, poet, and community leader Aneb Gloria House captured that legacy in her poem written on the occasion of Grace’s 100th birthday. House met Jimmy and Grace as a young radical when she moved to Detroit in the late 1960s after organizing in Alabama as a SNCC field secretary. Drawing on these decades of comradeship with the Boggses, House’s poetic tribute to Grace expresses a sentiment that could just as easily be about Grace and Jimmy’s partnership: You gave energy, gesture, laughter, you gave flesh and bone to the idea of revolution. In your steadfastness we witnessed that being a revolutionary requires patience and faith to walk the evolutionary path day by day. 7 To be sure, Grace and Jimmy gave these and more. They gave much to each other, and together they gave much to the movements they joined, struggles they waged, organizations they built, and the many comrades with which they worked, organized, studied, and struggled. SOMETIME IN HER eighth decade, Grace began closing her correspondence with the words “in love and struggle.” It was a particularly fitting expression, as so much of her life—her thinking and writing, her activism, her personal and political relationships—revolved around or in some way grew from her commitment to social and political struggles. Moreover, she embraced struggle not just in opposing a system or external enemy but also as a difficult but necessary internal process—in a movement, an organization, and even oneself—required to resolve contradictions. She shared that embrace of struggle with Jimmy. Indeed, their partnership shaped and deepened this embrace of struggle for each of them. Her phrase, then, is just as fitting for a book that tells their story. These two things, love and struggle, were central to their lives together. Moreover, combining the two words not only indicates the importance that Jimmy and Grace assigned to each but also signals their view that struggle, like love, is an inevitable and enduring part of life. In their jointly authored book Revolution and Evolution in the Twentieth Century, Jimmy and Grace concluded that there is no “final struggle” to be waged or “promised land” to be reached, as “humankind will always be engaged in struggle, because struggle is in fact the highest expression of human creativity.

At the time of my visit, Finnish evolutionary ecologist Aino Kalske, Japanese chemical ecologist Kaori Shiojiri, and Cornell chemical ecologist André Kessler had recently found that goldenrods that live in peaceful areas without much threat from predators will issue chemical alarm calls that are incredibly specific—decipherable only to their close kin—on the rare occasion they are attacked. But goldenrods in more hostile territory signal to their neighbors using chemical phrases easily understood by all the goldenrod in the area, not just their biological kin. Instead of using coded whisper networks, these goldenrod broadcast the threat over loudspeaker, so to speak. It is the first time research has confirmed that these sort of chemical communications are beneficial not only to the plant receiving them but also to the sender.* When times are truly tough, you don’t want to be left standing in a field alone when it’s over, if you’re a plant. There’ll be no one to mate with, no one to help bring in pollinators. It’s the closest scientists have come to showing intentionality in plant communication: these are signals meant to be heard. And as we know, by some measures, intention is an indicator of intelligent behavior.

How many times she had heard women in New York - maybe women everywhere, for all she knew - speak lyrically of how they would't see friends for months, perhaps even years, and then it was as though they had never been apart. "Picked up where we left off" was the common phrase. It was supposed to signal some magical communion, but if you looked it right in the eye, it came down to this: the kind of people they considered friends they might not even actually see for a long long time.

I am going to tell a story now, and though I've made a life out of writing words, this is the first time I have told a story. There are no new stories in the world anymore, and no more storytellers. There is nothing left but the fragments of phrases that signalled their telling: once upon a time; why; and then; the end. But these phrases have lost their meanings through endless repetition, like everything else in this modern, mechanical age. And this machine age has no room for stories. These days we seek our pleasures out in single moments cast in amber, as if we have no desire to connect the future to the past. Stories? We have no time for them; we have no patience.

The enigmatic "helicopter" image in the Temple of Seti I resembles more probably the arm with the flail signaling 'governance' rather than ('protection' or 'repulsion'). This makes more sense taking into consideration that the iconography show the phrase: [all the peoples give praise].

Handlers had a phrase to describe their relationship with their dogs: it runs down the lead. Over time, the two learned to read the other, requiring no communication. Their bond ran up and down the leash that tied them together. And that was certainly true of him and Kane. The pair were bound tighter than any leash, each capable of reading the other, a connection that went beyond any spoken word or hand signal.

one of the hardest things a writer learns to do is actually to read their own work. From first draft to proofing, we tend to see what we intend to write, rather than what appears on the page. A clear signal that this is happening is the appearance of received phrases, what people dismissively call clichés. Many received phrases are in fact tired images, and many mixed metaphors appear simply because the writer has overlooked the way that two phrases have metaphoric content and so clash with each other. Attention to and elimination of the received phrase rejuvenates our writing at a basic level.

When you say that you have a policy, you are signaling that your No is not a one-time message but an ongoing practice to which you have given a lot of thought. It is a signal of resolve, a sign that you will not budge. Of course, this phrase is not to be used lightly or misleadingly as a rigid adversarial position; it works when it is indeed your policy, something you have thought through.

the dishonor that accompanies enslavement. Its modern formation is the residue, the assumption of criminality flash-signaled by skin color. People who say this is not so, that there is a disproportionate percentage of crime committed by blacks, miss something: the unconscionable, immoral, and dangerous treatment of blacks by the justice system and the press. It is unconscionable because it is racist disinformation. Unless, for example, you can intelligently use the phrase “white on white crime,” you cannot use the phrase “black on black crime.

Freshmen at the Academy are called plebes, and as a plebe you learn the five basic responses to upperclassmen. They are: "Yes, Sir/Ma'am." "No, Sir/Ma'am." "Aye, aye Sir/Ma'am." "I'll find out, Sir/Ma'am." "No excuse, Sir/Ma'am." ... The phrase "I'll find out" signals that you know it's OK not to know everything but that you accept the responsibility to figure out what you don't know. That builds credibility with your team. The final response- "No excuse" -is all about accepting that the buck stops with you. If you didn't get something done, it's no one's fault but your own. It's the next step in taking responsibility for your actions and not placing blame on someone else... It's the hardest of the five basic responses to learn because you must take responsibility for other people's actions. You are not allowed to place blame on others. It is an important shift in mind-set that requires you to look out for others, not just yourself. p86

Newspapers usually describe globalization in purely economic terms, but it is also a biological phenomenon; indeed, from a long-term perspective it may be primarily a biological phenomenon. Two hundred and fifty million years ago the world contained a single landmass known to scientists as Pangaea. Geological forces broke up this vast expanse, splitting Eurasia and the Americas. Over time the two divided halves of Pangaea developed wildly different suites of plants and animals. Before Colón a few venturesome land creatures had crossed the oceans and established themselves on the other side. Most were insects and birds, as one would expect, but the list also includes, surprisingly, a few farm species—bottle gourds, coconuts, sweet potatoes—the subject today of scholarly head-scratching. Otherwise, the world was sliced into separate ecological domains. Colón’s signal accomplishment was, in the phrase of historian Alfred W. Crosby, to reknit the seams of Pangaea.

What kills someone with that kind of signet?” Jack asks, crossing his arms over his thick chest. Professor Kaori glances at me for a heartbeat before looking away. “He attempted to use that power to revive a fallen rider—which didn’t work, because there’s no signet capable of resurrection—and depleted himself in the process. To use a phrase you’ll become accustomed to after Threshing, he burned out and died next to that rider.” Something in my chest shifts, a feeling that I can’t explain and yet can’t shake. The bells ring, signaling the hour is up, and we all begin to gather our things. The squads filter out to the hallway, emptying the room, and I rise from behind my desk, shouldering my satchel as Rhiannon waits for me by the door, a puzzled expression on her face. “It was Brennan, wasn’t it?” I ask Professor Kaori. Sadness fills his gaze as he meets mine. “Yes. He died trying to save your brother, but Brennan was too far gone.

She called me on the phone and said we needed to have a serious talk. This phrase had always made me shiver and sweat. It never boded well in my world. It always signaled something bad that would happen during and after the intended conversation.

She also had a tendency to dismiss well-meaning but politically inviable ideas with phrases like “this is nothing but useless virtue signaling.

It was another damaging cliche, one that's been forever used to sweep minority women to the perimeter of every room. An unconscious signal not to listen to what we've got to say. I was now starting to actually feel a bit angry, which then made me feel worse, as if I were fulfilling some prophecy laid out for me by the haters, as if I'd give in. It's remarkable how a stereotype functions as an actual trap. How many "angry black women" have been caught in the circular logic of that phrase? When you aren't being listened to, why wouldn't you get louder? If you're written off as angry or emotional, doesn't that just cause more of the same?

Ever since Kant, the phrase as if has come to signal truths that people are compelled to hold, even though they cannot account for those truths within their own worldview. They live as if Christianity were true, even though their worldview denies it. Instead of giving up their worldview in the face of contrary facts, they endure a severe mental schizophrenia.

Fifty yards would have been five or six seconds for an athlete, but Reacher was aiming nearer thirty. A slow walk. But purposeful. Intended to communicate something. He kept his strides long and his shoulders loose and his hands away from his sides. He kept his head up and his eyes hard on the guy. A primitive signal, learned long ago. The guy glanced away to the south. For help, maybe. Maybe he wasn’t alone. Reacher got close. The big guy turned to face him. He wrestled the old guy around in front, and used him like a human shield. Reacher stopped six feet away. He said, “Let him go.” Just three words, but in a tone also learned long ago, with whole extra paragraphs hidden in the dying vowel sound at the end of the phrase, about the inevitable and catastrophic result of attempted resistance. The big guy let the old guy go. But he wasn’t quitting. No sir. He wanted Reacher to be sure about that. He made it like he wanted to free up his hands anyway. For more important purposes. He shoved the old guy aside and stepped right into Reacher’s space, not more than four feet away. He was twenty-some years old, dark haired and unshaven, more than six feet and two hundred pounds, tanned and muscled by outdoor labor.

Aymer turned towards the sea. There was a perfect panorama of chapel, town and harbour, with thinning wraiths of smoke haunting the sky in silent, crooked unison and the last remaining smudges of the snow slipping down those roofs that had no warming chimneys. Was this worthy of a sketch, a verse, an observation in his diary, Aymer wondered. What was that phrase he’d read that morning in dell‘Ova? He took the book from his pocket and found the passage: ‘The solitary Traveller has better company than those that voyage in the multitude, for he has Nature as his best Companion and no man can be lonely in its Assemblies of sky and earth and water, nor want of Friends.’ Aymer read this passage several times. It ought to comfort him, he thought. He was one of life’s ‘solitary travellers’ after all, a Radical, an aesthete and a bachelor. He didn’t voyage in the multitude. He knew that he was destined to a life alone. He looked for solace in the Assembly of sky and earth and water that was spread out before him. But there wasn’t any solace. He couldn’t fool himself. He’d rather be some cheerful low-jack, welcome at an inn, than the emperor of all this landscape

In those days, wireless signal codes worked rather as they did in the age of signal flags and sail. The words or phrases were in numbered groups, usually of five figures. The first numbers usually referred to the page of the codebook where the phrase was listed, the next number to the column and then the numbered code. It meant that signals could be pretty short, reducing the time the wireless was running, unless they were complex instructions or introducing orders that were very specific to the situation.

It was pretty clear, once the SKM codebook was in British hands, that the signals were not just coded but also enciphered. Codes substitute whole phrases with numbers or letters. The German navy then added an extra layer using a cipher for each number, so that each one stood for something else, using another key that the Room 40 team clearly did not possess.

1) The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3) He resolves conflict with intimidation, bullying, and violence. 4) He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7) He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14) He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17) He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship.

Be wary, however, when you come across phrases like “the computer thinks the Yankees will win the World Series.” If these are used as shorthand for a more precise phrase (“the output of the computer program is that the Yankees will win the World Series”), they may be totally benign. With all the information in the world today, it’s certainly helpful to have machines that can make calculations much faster than we can. But if you get the sense that the forecaster means this more literally—that he thinks of the computer as a sentient being, or the model as having a mind of its own—it may be a sign that there isn’t much thinking going on at all. Whatever biases and blind spots the forecaster has are sure to be replicated in his computer program. We have to view technology as what it always has been—a tool for the betterment of the human condition. We should neither worship at the altar of technology nor be frightened by it. Nobody has yet designed, and perhaps no one ever will, a computer that thinks like a human being.49 But computers are themselves a reflection of human progress and human ingenuity: it is not really “artificial” intelligence if a human designed the artifice.

Avoid the joy-killing phrase “Yes, but . . .” when you spot a problem with someone’s suggestion. Instead, try “Yes, and . . . ,” to signal that you’re adding your perspective alongside that suggestion rather than in conflict with it.

Colón’s signal accomplishment was, in the phrase of historian Alfred W. Crosby, to reknit the seams of Pangaea.

The term “real” is a misnomer. You could say that the life forms that occupy earth are real. They appear as physical structures and they are based on mathematical formula and geometry. We are, in a sense, code. This code interacts with the physical senses, which decodes the formula and we are transformed to flesh and blood “life forms.” But at a quantum level we are, as I said, code. Underneath or beyond the quantum level—call it the pre-quantum level—we are infinite beings. We are Sovereign Integrals. What I am suggesting is that the term real, applies to the Sovereign Integral state of being and consciousness. The term is relative, however, because the Sovereign Integral consciousness is not considered real in the three-dimensional plane, and the human instrument is not real in the Domain of Unity. It is the reality of the dominant environment that determines the reality of the subjects and objects of that environment. The environment of three and four dimensional planes like earth, establishes a consensual, subjective reality—propagated by our unconscious and genetic mind. The environment of the infinite establishes a reality that has no mediation or signal transformation. It is elemental and core. There is no sensory “middleman” or propagation of perception. It is one and all in action. The individual is allowed to decide what is real and what is not. Illusion is a Russian doll; it has many layers, some of which transmit a sense of true awareness. I’m sure you’ve heard the phrase: Perception is reality. The subjective realm defines the seemingly objective. Illusion, the outermost doll, is the only one that is seen and therefore, known. However, if you open the outermost doll, you find another, albeit smaller one waits. This repeats seven times until you find the indivisible. We would call this core, innermost doll: the Sovereign Integral. This is where you want your imaginative faculty trained and honed in. This is where you want your life to progress, not satisfied that perception is reality, or that the outermost “doll” is real and worthy of your devotion. All of that said, it does not mean that the outer world—physical reality—is a waste of time or so mired in illusion that it isn’t worth developing. Quite the opposite. The outer world is your workshop, the place you can experiment, build things, create, try and fail, and so on. It is a place of severe challenges at time, but also of beauty and joy. The illusion isn’t in the physical things of this world. The illusion is in the self-perception of the individual life form.As long as the individual perceives themselves as a human instrument, maybe with a soul, maybe not, they will see all life as a place of separation and disunity. They will accept the illusion that life emits, which is one of separation. In this, they become lost, lost to themselves as infinite beings, and unable, as a result, to generate and sustain the vision into their true self.